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Heilbrunn Timeline of Art History Essays
Nineteenth-century classical music.
"Antonius" Violin
Antonio Stradivari
- Dubois et Couturier
Niccolò Paganini (1782–1840)
Jean Auguste Dominique Ingres
Cornet à Pistons in B-flat
Courtois frères
Christian Frederick Martin
Grand Pianoforte
Érard , made in London
Square Piano
Robert Nunns
Grand Piano
- Steinway & Sons
The Music Lesson
John George Brown
Giosue Esposito
Julian Alden Weir
- Lyon & Healy
Two Young Girls at the Piano
Auguste Renoir
Jayson Kerr Dobney Department of Musical Instruments, The Metropolitan Museum of Art
October 2004
The nineteenth century brought great upheaval to Western societies. Democratic ideals and the Industrial Revolution swept through Europe and changed the daily lives of citizens at all levels. Struggles between the old world order and the new were the root causes of conflicts from the Napoleonic Wars to the American Civil War . From New York, to London, to Vienna, the world was changing and the consequences can still be felt to this day.
The lives of musicians, composers, and makers of musical instruments were greatly altered by these social changes. In earlier times, musicians were usually employed by either the church or the court and were merely servants to aristocratic circles. Composers wrote music for performances in these venues, and musical instrument makers produced instruments to be played by wealthy patrons or their servant musicians. With the rise of the middle class, more people wanted access to music performances and music education.
A new artistic aesthetic, Romanticism , replaced the ideals of order, symmetry, and form espoused by the classicists of the late eighteenth century. Romantics valued the natural world, idealized the life of the common man, rebelled against social conventions, and stressed the importance of the emotional in art. In music, Romanticism, along with new opportunities for earning a livelihood as a musician or composer, produced two seemingly opposite venues as the primary places for musical activity—the large theater and the parlor.
Music as Public Spectacle One result of the Industrial Revolution was the creation of a middle class. This new economic strata consisted of a larger number of people with more disposable income and more leisure time than had ever existed before. Musical extravaganzas that triumphed the musician or composer gained popularity with the masses of concertgoers. Beginning with Beethoven, composers began to arrange large concerts in order to introduce their works to the public. As audiences desired more, composers wrote larger musical works and demanded more of performers and their instruments.
The “bigger is better” mentality led to new musical forms such as the tone poem and large-scale symphonic and operatic works . Orchestras grew, including larger string sections with a full complement of woodwinds, brass, and ever more percussion instruments. New types of orchestral winds ( 2003.150a–g ) and brass ( 2002.190a–n ) that allowed for greater facility and more accurate playing were introduced. Composers such as Hector Berlioz, and later Johannes Brahms and Richard Wagner, continually pushed the limits of the available musical forms, performers, instruments, and performance spaces throughout the nineteenth century.
Musicians who could dazzle and amaze their audiences by their virtuosity became the first musical superstars. The two most famous nineteenth-century examples were the violinist Nicolò Paganini (1782–1840) and the pianist Franz Liszt (1811–1886). Both dazzled audiences throughout Europe with their performances, elevating the status of the musician from servant to demigod. Their fame grew throughout Europe, and their likenesses would be recorded in a variety of visual arts.
In order to withstand the virtuosic and often bombastic playing of these soloists, as well as to provide the type of volume needed in large concert venues, more powerful instruments were needed. Larger and louder violins like those by Antonio Stradivari (1644–1737) or Guarneri del Gesù (1698–1744)—preferred by Paganini—replaced the quieter and subtler violins of earlier masters like Jacob Stainer (ca. 1617–1683) or the Amati family. The demands of pianists like Franz Liszt pressed the technology and design of pianos to ever-larger instruments, eventually replacing the internal wooden structures of the eighteenth century with cast-iron frames that could withstand thousands of pounds of pressure.
Parlor Music Conversely, music gained popularity in the intimate nineteenth-century parlor. At the time, home life was centered in the salon, or parlor, where children played and learned with adult supervision, and where the family entertained company. Musical performances for small groups of people became popular events, and some composers/performers were able to support themselves financially by performing in these small venues and attracting wealthy patrons. Most famous among these was Frédéric Chopin (1810–1849).
Music in the parlor was of a very different sort than in the concert hall. Solo performances and chamber music were popular, and included everything from operatic and orchestral transcriptions to sentimental love songs and ballads. In the United States, hymns and folk songs by composers like Stephen Foster (1826–1864) supplemented the European repertoire.
With the rise of the parlor as the center of family life, music education became increasingly important. Children were often taught to play musical instruments as part of a well-rounded education; for girls, playing an instrument was more important than learning to read. When guests and potential suitors visited, the children and teenagers would entertain with performances of the latest popular works.
All sorts of musical instruments were used in the home, and at various times the guitar , harp ( 2001.171 ), concertina, and banjo were extremely popular. However, the most important musical instrument in the home was the piano, because it was useful as both a solo instrument and as accompaniment to a group of singers or instrumentalists. To accommodate home use, smaller pianos were created, first square pianos and later uprights. Small pianos took up less space and, although they were not as powerful as larger types, they were also less expensive. With the technological advances of the Industrial Revolution, the mass manufacturing of musical instruments—especially pianos—provided a seemingly endless supply for the huge markets of both the United States and Europe. The piano would remain a central component of domestic life until it was replaced by the phonograph, radio, and television in the twentieth century.
Dobney, Jayson Kerr. “Nineteenth-Century Classical Music.” In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/amcm/hd_amcm.htm (October 2004)
Further Reading
Samson, Jim, ed. The Cambridge History of Nineteenth-Century Music . Cambridge: Cambridge University Press, 2002.
Additional Essays by Jayson Kerr Dobney
- Dobney, Jayson Kerr. “ Archtop Guitars and Mandolins .” (September 2016)
- Dobney, Jayson Kerr. “ The Guitar .” (September 2007)
- Dobney, Jayson Kerr. “ The Piano: Viennese Instruments .” (March 2009)
- Dobney, Jayson Kerr. “ Military Music in American and European Traditions .” (October 2004)
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Classical Music - Free Essay Examples and Topic Ideas
Classical music is a genre of music characterized by complex harmonies, ornate melodies, and formal structures. It often uses orchestras or chamber ensembles and is known for its emphasis on balance and restraint. Classical composers such as Beethoven, Mozart, and Bach are widely renowned for their contributions to music theory and innovation, and classical music is seen as a cornerstone of Western culture. With roots dating back to the medieval and Renaissance periods, classical music has evolved and adapted over the centuries, continuing to inspire and captivate enthusiasts worldwide.
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Attending A Classical Music Concert Essay Example
Type of paper: Essay
Topic: Children , Music , Public Relations , Family , City , Entertainment , Ireland , Festival
Published: 01/24/2020
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Festival City Symphony- ‘Not an Irish Concert’ Festival City Symphony- ‘Not an Irish Concert’ Classical music shall never be old or out-dated. There is beauty in it, a melody which can soothe the listener’s mind. Usually, youngsters find it boring. But, they should earnestly try to give classical music a chance and listen to it for some times. Then, hopefully the rumour of it being boring can be put to rest. I attended a classical concert on 17th March 2013 by the professional musicians of Festival City Symphony. Named as ‘Not an Irish concert’, it comprised of some excellent performances based on the legendary compositions by Ludwig Van Beethoven and Sergei Rachmaninoff, which was presented so well by the musicians of Festival City Symphony (www.wisn.com). The award-winning pianist Jeannie Yu, a native of Korea was one of the artists who performed to thrill the audience. It actually turned out to be better than what I expected. Here’s a short summary of my experience at the Festival City Symphony’s great show. The venue of ‘Not an Irish Concert’ was Pabst Theatre in Milwaukee, Wisconsin. There was a provision for the children who reached the venue 15 minutes earlier to Children to take part in the Children’s Program Notes (quoted from Symphony Sunday’s). It took place before the main concert where Music Educator Jayne Perkins (quoted. from Symphony Sunday’s) explained something about the music to be played in concert so that we could understand it better. The concert started at 3pm and kept us mesmerised till 5pm. A very talented and skilled to perfection orchestra began the show with their beautiful musical performances. They chose to play two of the great works by Ludwig Van Beethoven namely the ‘Leonore Overture No. 3,’ composed for his one and only opera Fidelio and the Symphony No. 8. Both of these compositions were wonderfully presented by the musicians. The audience applauded each performance with heartfelt thunders of clapping. Majority of the audience comprised of children. Yet, no one seemed bored. In fact everyone was thrilled there. The renowned Rhapsody on a Theme of Paganini composed by Sergei Rachmaninoff was another great performance presented by the musicians. The great pianist Jeannie Yu also performed for this. She was so spectacular with her musical notes that the audience got lost in it. It was really beautiful to see and listen to the symphony orchestra and the pianist play so wonderfully for 25 minutes. The variations which were played sounded very melodious. In my personal opinion, the concert was extremely well-performed and presented. I had especially listened to all these musical compositions back at home earlier so that I could understand and enjoy it properly at the concert. So, when the musician recreated these musical performances there, I was really very glad and excited. I particularly enjoyed the Symphony No.8. It was very interesting as well as melodious. It was almost 20 to 25 minutes long in duration and comprised some beautiful movements and tunes. It really appealed to me as at times, it was so funny and innovative with its tunes. We were told that Symphony No.8 is also known as a symphony of laughter. It really made me feel cheerful. So, I particularly like this one the most. There was not any performance I did not like. Still if I have to mention the performance I liked the least, it’s the Leonore Overture No. 3. It was great but not better than Symphony No.8 and Rhapsody on a Theme of Paganini. The reason I would give for choosing these two over Leonore Overture No. 3 is the appeal these compositions left with their variations and interesting musical notes. In conclusion, my visit to the Festival City Symphony’s ‘Not an Irish Concert’ was a memorable experience which helped me to understand and appreciate the classical music. It enabled me to feel the capacity of music to cheer, soothe and thrill a listener.
- Milwaukee’s Festival City Symphony. Concert Series- Symphony Sundays. Retrieved from Web on 23 Feb 2013. http://www.festivalcitysymphony.org/concerts.htm - Symphony Sundays at Festival City Symphony. www.wisn.com. 2012. Retrieved from Web on 23 Feb 2013. http://www.wisn.com/marketplace/arts/Symphony-Sundays-at-Festival-City-Symphony/-/10275594/16578182/-/cu4mx1/-/index.html
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A Review of a Classical Music Concert
The Choir/Band concert performance was a great experience. The music was very crisp and pleasing to the ear, while the choir accompanied them quite well. I really have no complaints about the concert at all, I felt that it was put together well, and sounded great.
The song Gloria In Excelsis Deo by Josef Haydn was performed at the concert. The piece is a typical classical piece from the time period, although there are some characteristics of baroque splashed throughout and one could argue slight preludes to Romanticism.
The rhythms in the classical period were to be pleasing to the ear, all of which Hyadns piece does. The rhythms are very flexible, and unpredictable, making it overall more exciting for the listener. The dynamics of the piece are greatly different from that of the Baroque period and extremely Classical in nature. The dynamics are extremely flexible. Passages in Classical music were labeled as loud, soft, very loud, very soft etc.
The use of crescendo, and decrescendo are very Classical period trademarks.
The color of the tone was also a very concept for Classical music, and Haydns piece, Gloria In Excelsis Deo is a very colorful piece for this time period. The strings stand out the most to my ears as very upbeat and happy sounding, almost proud in nature. The tempo of the song was very upbeat and face paced, again, staying in the Classical time period, which focused on entertaining and pleasing the person who heard the music. Also, in the classical period themes are repeated over and over, which is the case in Haydns piece.
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Overall, by listening to Haydns Gloria In Excelsis Deo, one can see the true genius he possessed by manipulating the sounds and styles before him and making a truly happy, uplifting experience for the listener, the Choir accompanied the band perfectly, and you left with the music still going on in your head, hearing it over and over, making sure you too were upbeat and happy.
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Classical Music: Attending a Concert Report
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Visiting concerts of classical music is always something unbelievable and captivating. People suppose to find themselves in some other world, but are not sure in what exactly. Classical music provides people with an opportunity to dream, think, love, and even exist. For those, who cannot differentiate what major or minor is, it may be rather troublesome to analyze the works by such great composers as Gabriel Faure, Martin Bresnick, Astor Piazzolla, and Johannes Brahms.
Ballade for cello and piano, created by Martin Bresnick in 2004, was firstly introduced by Andre Emelianoff at Merkin Hall in New York. In spite of the fact that this work presents dark colors and trembling melody, it captivates from the very first seconds. This masterpiece proves once again Bresnick’s unbelievable style, his formal characteristics, and rigor.
This Ballade was created as an homage to Johannes Brahms. Bresnick puts this work in minor, a bit cantabile. He provides the listeners with an attempt to imagine gloomy surroundings and be taken up by rather dolce style.
Cello Sonata No. 2 Op. 117 is another work that deserves our attention. It is created by a French composer, Gabriel Faure, in 1921, however, the date of its first publication is around 1922. It is a work of 3 movements in G minor: allegro, andante, and allegro vivo. In spite of the previous work, this sonata is characterized by more romantic style.
To my mind, it is a story of lost love, when people are in confusion of what to do further. It seems like the world does not change, but everything around is different. Cello Sonata No.2 is one of the most remarkable stories in the world of classical music. Piano and cello find each other and create a magnificent story that may be inherent to any person.
Astor Piazzolla is one more composer, who tried to present life emotions, losses, and happiness through classical music. He was a kind of tango boy, who observed the world through “tango” glasses. Le Grand Tango for violin and piano is one of the most beautiful masterpieces in classical music.
It is episodic in structure: energy, passion, calmness, and languor. The end of this composition is fascinating and in a real Italian style – glissando, a kind of sliding from one pitch to another, like a person, who is looking for something in order to find the only his/her place under in this world. This chamber work was created in far 1921; however, it still excites so many people and will be never forgotten.
The last but not the least classical work under consideration is The Piano Sonata No. 3 by Johannes Brahms presented in 1853 for the first time. It is created in F minor and consists of five different movements: allegro maestoso, andante, allegro energetic, andante molto, and allegro moderato.
This sonata is quite large for musical pieces of work. It is a combination of romantic nature of the composer with the strict classical requirements, which were so crucially important for classical works of those times. The Sonata No.2 is rather dynamic and invigorative piece of work that allows to pay attention to each detail that is so important in music.
These five works of different composers came from different centuries and countries. With the help of cello and piano, the composers present a new world, full of emotions and dreams, to their listeners. It is really great to comprehend their purposes and other things, which evoke to create such unforgettable masterpieces.
Works Cited
Astor Piazzolla. Le Grand Tango for Cello and Piano. 1982. New Orleans, 1990.
Brahms, Johannes. The Piano Sonata No.3 in F Minor, Op. 5. 1853. Leipzig: Barthold Senff, 1854.
Bresnick, Martin. Ballade for Cello and Piano. 2004. New York: Merkin Hall, 2004.
Faure, Gabriel. Cello Sonata Op. 117 in G Minor. 1921.
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Classical Music - Essay Examples And Topic Ideas For Free
Classical music, known for its complex structures and formal styles, spans a period from the 11th century to the present day, with the most notable compositions coming from the 17th to early 20th centuries. Essays on classical music might explore its historical evolution, the impact on musical theory and practice, or the works and lives of significant composers. Discussions might also delve into the influence of classical music on other musical genres, its role in contemporary society, or the psychological and emotional effects of classical music on listeners. A substantial compilation of free essay instances related to Classical Music you can find at Papersowl. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.
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Jazz is troublesome. The actual music places extraordinary requests even on the easygoing audience. Regardless of whether evaluating something by Ornette Coleman or Cecil Taylor, or getting comfortable for World War II-time swing, or maybe a well-known tune by Duke Ellington, one can scarcely sit and tune in. From the most fundamental component, the rhythms, up through harmonies that are over and over again murky to songs that appear to show up and vanish like pictures out of a haze, […]
Mozart and his Life
The latter half of the 1700s was a great time for music, with the younger Bachs and Haydn creating remarkable innovations that would introduce the advent of a new style of music which would be come to be known as the classical period. Mozart was born during this time period in Salzburg, and was baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart in 1756. He called himself Wolfgang Amadeus Mozart.2,3,6 He was the youngest of 7 children born to Leopold and […]
Mozart’s Piano Sonata No. in C Major K.
Historical Context This piece was written by Wolfgang Amadeus Mozart in 1788. This piece was written a few years into the Classical era, which started in 1775 and lasted until 1825. The rules of Sonata form had already been established by this time. Mozart himself described this piece simple enough for beginners, and it is sometimes known by the nickname "Sonata facile" for its simplicity compared to other piano sonatas. Mozart follows most of the classic form's "rules," with the […]
Wolfgang Mozart’s Biography
Wolfgang Mozart was born in seventeen fifty-six in Salzburg, Austria. Around this time, music was developing from the music of the Renaissance and Baroque eras into more complete works with a more sophisticated development of instrumentation. In this time Mozart would come to be known as one of the most talented musical composers. When he was a child he would travel with his family and perform where he could. His father wanted to showcase his son's musical talents as a […]
Mozart’s Operas Versus Broadway Musicals
Wolfgang Amadeus Mozart, one of the most influential and prolific composers of the 18th century, lead the forefront of classical music alongside composers like Beethoven, Haydn, Handel, Scherbert, and etc. The 18th century was a period marked by the practical and just music composed during the time. Mozart in particular was rather adept at every musical genre, and so he was able to compose in every major musical genre during his time. Whether it'd be the sonata, concerto, symphony, or […]
I Hear America Singing Analysis
"I Hear America Singing" presents a pure—and romanticized—vision of American life. The sonnet moves from the city to the country, from the shore to the ocean, presenting the peruser en route to all various works en route—from ranchers, to shoemakers, to housewives. Going through these spots and callings, the speaker progressively constructs a picture of America as where individuals discover delight and satisfaction in usefulness and legitimate work—regardless of whether that work isn't commonly "sung" about in verse. And keeping […]
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Mozart’s Life
"What are you here for?" The mayor asked, intimidating me. "I heard you wanted to hire a composer, and I think I'd be the best for this job." The mayor looked at me, noticeably judging my short appearance. "What's your name, young lad?" "Wolfgang Amadeus Mozart." "Why do you think you'd be good for this job?" "Well I've been composing music for as long as I can remember, music really is a passion of mine. I've traveled all around Europe […]
Concert Review: Wolfgang Amadeus Mozart: Clarinet Concerto in a Major, K.622
'Wolfgang Amadeus Mozart: Clarinet Concerto in A major, K.622' Is intoxicating. the time for this concert is happen at September 10th 2015. and the location is Harpa concert hall and conference centre. The piece was written by Wolfgang Amadeus Mozart at the 1791 for clarinetist Anton Paul Stadler. Mozart is a world renowned musician and prolific composer, and this is one of Mozart's last completed works as well as his last pure instrumental work. The piece was given to Anton […]
Concert Review: Johann Sebastian Bach’s B Minor Mass
Johann Sebastian Bach’s B Minor Mass was performed on August 2nd, 2012 in the Royal Albert Hall at the BBC Prom 26. It was performed by the English Concert and Choir under the direction of Harry Bicket. The concert is broken into several sections, including the Kyrie, the Credo, the Sanctus, and the Agnus Dei, which each have many pieces within them. The music in the concert originates from the Baroque era and many of the musicians specialize in the […]
The Resonating Notes of Tchaikovsky: a Dive into his Timeless Compositions
Pyotr Ilyich Tchaikovsky stands as one of the most celebrated composers in classical music history. Born in Votkinsk, Russia, in 1840, his vast body of work spans symphonies, ballets, operas, and chamber music. More than just compositions, Tchaikovsky's creations have painted audial tapestries that continue to resonate deeply with audiences worldwide, bridging the gap between the Romantic era's emotive inclinations and the oncoming influences of modernity. One cannot think of Tchaikovsky without acknowledging his ballets. "The Nutcracker," a staple during […]
Piano Concerto No. K. by Wolfgang Amadeus Mozart
Piano Concerto No. 21, K. 467 by Wolfgang Amadeus Mozart was his twenty-first concerto of the twenty-three he composed for piano and orchestra in his lifetime. Mozart, a highly influential composer of the classical era, was born in Salzburg on January 27th, 1756 and passed away on December 5th, 1791 at just thirty-five years of age. He was viewed as a prodigy and was already skilled in piano and violin when he began composing at only five years old. He […]
Mozart’s Piano Sonata Number
The first movement of Mozart's Piano Sonata Number 13, was composed at the end of 1783 and published in 1783. This piece is playful yet structured. It is full of dexterity and complexity but still manages to be both accessible and organized. It also reflects Mozart's admiration of and influenced by Johann Christian Bach, a musical peer of Mozart's who died in 1782. Most musical scholars familiar with both composers agree that the opening pattern of Sonata Number 13 has […]
Why is Mozart so Influential?
Wolfgang Amadeus Mozart, one of the most influential and one of the most known musician of his generation. He changed the way people looked at musicians and the way music sounded during and after his tenure. I will be giving a brief summary on Mozart’s come up and how he got the status of legend. Mozart made a name for himself by performing at many different European venues. Also, Mozart had many types of work composed during his time. When […]
Musical Review of “Les Misérables En Concert à Paris”
Les Misérables in concert retrace the key moments of the novel 'Les Misérables' by Victor Hugo. This story is a social and philosophical fresco in four volumes that tells the story and the life course of several characters that intersect. The author tells the story of a convict, Jean Valjean (Xavier Mauconduit), who will try all his life to escape his past convict, after a prison sentence of 5 years which he was sentenced for the theft of a bread. […]
About a Musical Concert at the Organ Recital Hall at Colorado State University
I attended a musical concert at the Organ Recital Hall at Colorado State University on Tuesday, September 18th at 8am. I found myself astonished by the different styles of music performed. I appreciate the time and dedication the musicians took out of their time to help my class observe and analyze their recitations. The first piece of music, Canzona per Sonare No. 2 by Giovanni Gabrielli, performed by the CSU Graduate Brass Quintet started the morning with a bright and […]
Personal Experience, Intuition, Spontaneous Emotions that Romantic Music Helped to Develop
Romantic music emerged in the 18th century, emphasizing personal experience, intuition and spontaneous emotion. There are four principal ideals of Romanticism: individualism, love of nature, fascination with the supernatural and nationalism. Individualism pertains to distinguishing oneself from the masses. In the context of Musical Romanticism, individualism places emphasis on originality and distinctiveness; in other words, personal emotional expression. Essentially, Romanticism in music was of two kinds - romantic idealists and romantic realists. The idealists maintained that music must exist for […]
An Analysis of the Structure and Key Components of Beethoven’s Moonlight Sonata in C#m
I have chosen to evaluate the very first motion of Beethoven's "Moonlight" Sonata in C# m. Like many classical pieces, the "Moonlight" Sonata is simply structured, conforming to tidy chord progressions. Works by early classical composers typically contained a clear melody, played over accompanying secondary chords. In Beethoven's "Moonlight" Sonata, he exploits the notes that constitute each chord to construct the melody, while the left hand plays the octaves of one note (generally the root) of the chord. Similar to […]
A Review of the Moonlight Sonata
I truly enjoyed the item, Beethoven's Piano Sonata No. 14, or the Moonlight Sonata. One of the reasons I liked this piece is that it's very intriguing to listen to. It employs a variety of dynamics, rhythms, and structures throughout, ensuring each part of the piece remains musically engaging without being repetitive. Plus, the progression of dynamics, rhythms, and structures follow a clear path, aiding me to easily follow along with the piece and understand the overall trajectory. I also […]
Active Listening of Songs that were Intended
At first, I found this assignment easy, but it is a hard one, especially since I am not so good at listening. I found it hard to find the impressions of the songs that were assigned. These are my impressions of what I got from these songs. For the first song Alleluia o' virga mediatrix, when the singing goes down and slow, it gives me a sense of relaxation, but when it goes to the higher notes, it gives some […]
The Music Influence on Society and Johann Sebastian Bach’s Impact on Culture
I choose the Baroque Period as I think it is one of the most exciting periods of Music. Not only was the Music appealing and impressive, but the composers who lived during this time were also astonishing and intriguing. The composer Johann Sebastian Bach lived during the time of the baroque period. I believe Bach is one of the most sensational composers of all time, creating breathtaking Music for us all to enjoy. Johann Sebastian Bach: Early Life Johann Sebastian […]
A Classification of Music Forms: Variety in Harmony
The Essence of Italian Music Forms of Music Krista West-Moses Music is the art of expressing ideas and emotions in many forms. It can be expressed through melody, rhythm, harmony, instruments, and more. It plays a role in everyone’s lives and is used in spare time, making life more enjoyable and peaceful. Many Italian pieces of music are considered high art. It is generally electric but unique from other nations' music with many different forms. Countries that have an influence […]
Concert Review: a String Concert at the Cooper Center Auditorium Located in the South Texas College Campus
Today, on Monday, December 3rd, 2018, I attended a string concert at the Cooper Center Auditorium located in the South Texas College Campus. This performance was a Studio Recital for the Violin and Viola students of Dr. Lindsey Gamble and the Cello and Double Bass students of Mr. Patrick Hopkins. As mentioned in the program given to us upon entering, the first to play a violin solo was Roger Garza. He played the piece Bourree by J.S Bach. The first […]
Baroque and Renaissance
The Renaissance and the Baroque Eras have many similarities and differences, especially in the seven elements of music. On of the main movements in the Renaissance Era was ""The Reformation"" while in the Baroque was ""The Florentine Camerata"" (founders of the Opera). Both of these movements had key points in shaping music and the style of playing complex pieces. During the Renaissance era, the music was sacred and there were 2 major types of music: mass and motet while in […]
The Remarkable Life and Early Death of Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart, one of the greatest composers ever, lived a life that was super productive but way too short. He passed away at just 35 years old, leaving behind a huge legacy that's shaped classical music for centuries. His death in Vienna, Austria, on December 5, 1791, ended a brilliant career that started when he was a tiny musical prodigy. Mozart's musical journey began when he was a wee one. Born on January 27, 1756, in Salzburg, Austria, he […]
The Concerto: Classical Music’s Harmonious Dialogue
In the Western classical music, the concerto holds a place of distinction and fascination. It is a form that showcases a dialogue, a delicate balance of competition and collaboration between a soloist and an orchestra. The term itself, originating from the Italian "concertare," meaning "to contend with" or "to collaborate," perfectly encapsulates the essence of the concerto. It is this intricate interplay, the push and pull between the soloist's virtuosity and the orchestral ensemble's unified force, that imbues the concerto […]
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Concert Review Essay Examples
Rhythmic beats and mesmerizing melodies: a music concert.
In this music concert essay sample, the Zoltan Kalman and Gary Forbes performance at McMater University on February 26th, 2019, is analyzed in detail. In this case, the concert performance was entitled Zoltan Kalman and Gary Forbes. The time in which the performance was undertaken...
Review of Metis Ireland Festival Concert
The concert that I went to was the 2019 Metis Ireland Festival Concert. The concert was held in Bunratty Castle Hotel on the 19th of January 2019 at 8. 00 p. m. and was part of the annual Shannonside Winter Music Festival, which is held...
A Review of Jazz Combos Concert
The UCLA Jazz Combos concert was held at the University of California, Los Angeles at 7:00 pm Friday, November 22 (UCLA). This concert was performed in the Schoenberg Music Building at UCLA campus and we could find the concert on the google website and it...
Concert Review: a String Recital
The performance that I attended was a string recital, part of the fall solo recital series at the College of Fine and Applied Arts. The event took place in Smith Memorial Hall on Sunday, October 20, 2019. This event was a student led performance with...
Review of "Fall into Music" Choir Concert
Sir Edward Elgar was born June 2, 1857 in Broadheath, Worcestershire, England. Elgar was an English composer who wrote during the era of Romanticism. He came from a musically endowed family; his mother played the organ while his father owned his own music shop. When...
Reflection on Attending the Concert "Orchestra of the Pines"
The Monday of October 1, 2018, I attended Stephen F. Austin State University’s “Orchestra of the Pines”. The seats of the Cole Concert Hall were slowly filling up as I arrived, and the members of the orchestra were preparing to perform. When it turned 7:30pm,...
Reflection on the Music Concert: the Mobile Pops
On Monday, September 24, I attended the Mobile Symphonic Pops 2018 Fall Concert in the Mary G. Montgomery auditorium. They played eleven pieces with an intermission in the middle. The music played had all different sorts of tonalities, tempos, melodies, and themes. Throughout the entire...
Analysis of "If Music Be the Food of Love" by Henry Purcell
The composer, Purcell had actually created three settings of “If music be the food of love”. The very first version was published in June 1692, which can be found in “The Gentleman’s Journal”. However, it was somewhat changed or altered and then was reproduced in...
Acis and Galatea Concert Review
The musical works of George Frideric Handel have had a profound and far-reaching influence on the history of music in the Baroque period. Among these musical works, Acis and Galatea has an important reach value. The concert production has divided the music of the four...
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