education to become a songwriter

How To Become A Songwriter, From Beginner To Paid Songwriter

Artists around the world are making a go of it either playing and recording their own music or writing music for other artists.

How do you become a songwriter? How do you make money as a songwriter? What makes a songwriter a professional?

In this guide, I’ll try to explain all that and more.

But first, if it's your aim to do music professionally, you'll want to check out our free ebook while it's still available:

Free eBook: Discover how real independent musicians like you are making $4,077 - $22,573+ monthly via Youtube, let me know where to send the details:

If You Write Songs – You’re A Songwriter!

In any craft, it’s easy to develop imposter syndrome.

Imposter syndrome is feeling as though you are not talented or professional enough, or busy enough, or authentic enough to fit in and be a part of the scene.

It’s easy to feel this way about songwriting.

Many people feel that because they are not making money off of their songs, not playing them live, not recording them, or not writing songs for a living, they are not a “real” songwriter.

In my opinion, the only thing you have to do to be a songwriter is write songs.

Short songs, long songs, pop songs, rock songs, songs with words, songs without words… whatever!

Writing songs is a deeply human practice. If you've cultivated the skills necessary to be able to write songs, then you are a songwriter.

Now, if you are serious about songwriting, there are a number of ways to improve your craft and develop your career as a songwriter.

From working on the nuts and bolts of songwriting, to practicing the different skills professional songwriters use daily, I want to show you how to take your songwriting from hobby, to craft, to paid.

Improving Your Craft

For the last couple of years, I’ve been on a quest to improve my songwriting – both quality and quantity.

I want to write a lot of songs, and I want to write good ones. I can only do this by practicing!

Here are a few ways you can work on your writing.

Finish The Songs You Write

One of the most frustrating things about songwriting is having a bunch of half-finished songs that you like.

Unfortunately, nobody wants to hear a half-finished song.

The only thing you can do with a half-finished song is finish it.

If a song isn't done, you can choose to flesh it out, record it, share it or just store it for later.

When I decided to finish every song I was writing, I ended up with a couple of interesting results.

I now have some short songs that I like. Minute and half long songs have a place in the world! They go on albums as in-between songs, and sometimes people love them!

The other, more important thing about finishing songs is that you realize that you are never stuck.

Being stuck is mostly just a state of mind. Force yourself to finish the song, and you’ll come up with more lyrics, melodies, whatever. Don’t overthink it, just do it.

You can always edit later. Finish that song!

Create A Songwriting Group/Network

I have a songwriting friend who started something I’ve talked about before: a song club.

Basically, we get a group of songwriters together in a Dropbox or email thread, and aim to finish and record one song every week .

It can be a short song, an instrumental song, spoken word, whatever. It can be a full demo, or a voice memo.

The point is to force your brain into songwriting mode more often, and finish more songs.

If you miss a week, you are out of the group, and don’t get to hear what everyone else is working on, until that round of song club is over, and it starts fresh.

This club is great for many reasons. It’s great to network and build community with other songwriters. It’s a fun way to push yourself to increase your output. And it’s fun to give and receive encouragement.

Only positive reinforcement is allowed in song club – the point is to write songs every week, not necessarily to write amazing songs every week.

Write In Different Environments

Writing in the same space is nice. Most songwriters have a favorite room or place they are comfortable writing in.

The problem is, this can become a bit of a crutch.

You’re not always going to be in the ideal songwriting space – either physically, mentally, or emotionally.

But you still need to write songs!

Practice writing in different spaces. Try writing when there are people around. Write outside. Write in a hotel room. Write in the car.

The more you think about writing, the more you will write, and the better you will get.

Learn Basic Music Theory

You don’t need to know much theory to write songs. Sometimes I think it helps to have a few gaps in your theory, because you’ll break rules without knowing them.

That said, learning some basics is a good idea. You should know:

• The Nashville number system. Understanding how the chords in a key work is very helpful, and allows you to easily teach your songs to others, and record them faster.
• What keys are, how to transpose, and how to work within a key.
• A little bit about how chords tend to move. For example, why the leading tones make a ii – V – I chord progression so classic and satisfying.
• How to take chances and even steal!

Never be afraid to write something a little out of the ordinary.

Write a song that you wouldn’t sing. Write a poem, write spoken word, write a rap, write some instrumental music.

You never know what will come of these creative experiments, and the worst case scenario is just writing something you’ll never show to anyone – which happens all the time anyway!

Take risks, it’s worth it.

The Professional Songwriter’s Skillset

Co-writing is an important part of a songwriter’s life.

A lot of the time, professional songwriters are helping artists write new songs and/or write better songs.

Often, the artist wants to be in on the writing session.

Learning how to write well with somebody is super important.

How to steer a writing session, how to say “no” in a way that doesn’t offend, how to quickly come up with lyrics and melodies – all of this is awesome. It will make you a better songwriter in every way.

Beyond that, if you start co-writing with people, and they start putting your co-writes on recordings, you can start making passive income from the royalties those songs earn.

When professional songwriters co-write, they (or an engineer/producer in the room) usually make a quick, but professional sounding demo to show off the song.

People like to think that they can hear a good song from just a voice memo – and maybe some can.

But for most, (especially those who are not songwriters) they need a demo.

The demo should have some general production ideas/moves, a beat, and some interesting instrumental ideas that you could see putting on the final recording.

I have been in songwriting rooms where you start the song, demo as you go, and by the end of the day, have a full song and a full demo that sounds great.

Demoing makes you a better instrumentalist, a better engineer, a better producer, and in my opinion, a better writer as well.

Writing For Different Genres & Specific Uses

Professional songwriters need to write for artists in all sorts of genres and scenarios.

If you’re serious about songwriting as a profession, you need to be able to write outside of the genre you sing.

My favorite way to practice writing in different styles is co-writing with songwriters who work outside of my genre.

Collaborating with different artists allows you to expand your idea of how music is made – for example, if you collaborate with an R&B artist, you may end up writing most of the song “in the box” (in the DAW).

Ways To Share Songs

How you're planning to share your music impacts how you structure your career.

If you’re writing music that you want to record , sing, and play out, you’re chasing after a traditional artist career. Using the music you’re writing as a creative outlet, but also as a way to advance your career.

Here are several ways songwriters go about sharing music.

Recording & Releasing

Most songwriters write a song , record it, and release it. Maybe as a single, maybe as part of an EP or an album.

There are too many ways to release music to name – labels, self-release, etc. The point is simply that you are recording and releasing your own music.

Releasing music still earns you money – although it’s not nearly as profitable as it once was.

Streaming services pay per stream, some people are still buying CDs, and if you have enough capital to press vinyl, people still buy that too.

Playing Live

Before recording their music, many artists start by playing their original songs live.

First, for friends and family, then at open mics, then at gigs and festivals.

As your career and notoriety increases, live performance will most likely become your bread and butter. Through touring, you can play for different audiences every night. As you play larger venues to larger crowds, you should see your revenues increase.

Attendance at live shows usually goes hand in hand with money generated from streaming and sales. People at your shows are probably listening to your recorded music as well, and they’ll hopefully buy your CD at the show!

Pitching To Other Artists/Industry

Songwriters with publishing deals (and some self-published producers and songwriters) will spend a lot of their time co-writing with artists for their projects, or writing songs and then pitching them to artists.

If not to artists, then songwriters/producers will pitch their music to TV, movies and commercials.

This is all in an effort to generate income, notoriety and more work.

This way of sharing your songs can be a slow build, but getting a cut on somebody’s record can mean passive royalty income for a long time. It might just pay off!

How To Become A Songwriter; Ways To Make Money With Your Songs

Generating income requires a multi-faceted approach.

You’ve got to have a combination of all of the below:

Live Performance

Live performance is where most artists make their money in 2019.

There are lots of places to play, and the world is more connected now than ever.

Start building an audience locally, showcase nationally, and then start touring. Eventually, you can build a profitable touring career.

These days, sales tend to go hand-in-hand with live performance. Most artists are selling their CDs and vinyl at shows.

You will still sell some copies of your album on Bandcamp and on other online retailers, but digital sales have plummeted since streaming has taken over.

There are many kinds of royalties your music generates.

A mechanical royalty is generated every time your music is sold, manufactured, or reproduced on a streaming site.

A public performance royalty is generated every time your song is played live. This means a set at your local bar, as background music at a coffee shop, or on the radio.

See our royalty breakdown for more info. Royalties are generated in many ways – from ringtones, to streaming, to live performance, to cassette replication.

Placements (Sync Licensing)

One of the hottest ways to earn money with your music is with a sync license.

With companies like Amazon and Netflix producing tons of new shows, there are lots of opportunities to pitch to shows.

Usually, a sync license is a one-time fee that is paid out to license the song to the movie. Another royalty will be payed whenever the movie is bought or reproduced.

Sync licenses can be incredibly profitable, particularly as you pitch to big companies with large ad budgets.

Publishing Deals/Record Deals

If you sign a co-publishing deal with a publishing company, you will probably be paid either an advance or a monthly salary to write songs, co-write songs, create demos and pitch them to both artists and TV/movies.

This is a great way to earn income while working at your craft, but these deals are hard to come by. It’s also not free money – your salary is essentially a debt to the company, and the royalties you generate will pay off that debt before you get paid.

Record deals usually work similarly – they may pay you an advance, but you’ll have to pay it back with sales and/or royalties.

Both of these deals could be great for your career, so they are worth chasing. They are not the be all end all – now more than ever, you can release your own music and start making a career!

How To Become A Paid Songwriter Conclusion

Becoming a songwriter requires patience and practice. Work at your craft, write lots of songs, co-write, expand your horizons, and learn how to create your own recordings, and you’ll be well on your way to a great career.

To me, if you can do all of that in a masterful way, you can be a professional songwriter.

The reason I say this, is because becoming a professional songwriter is difficult. Making all of your money off of music is not easy.

While there are many ways to make money with your music, they all take time, effort, and a good deal of luck.

That said, the right song, at the right time, along with a bunch of hard work can make a career – whether you’re writing for other people or singing your own songs.

Take advantage of all of the ways to generate income, and keep at it!

P.S. Remember though, none of what you've learned will matter if you don't know how to get your music out there and earn from it. Want to learn how to do that? Then get our free ‘5 Steps To Profitable Youtube Music Career' ebook emailed directly to you!

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Career Overview

A songwriter writes songs for other artists or for themselves to record and release, earning royalties from the usage of those songs.

Alternate Titles

Singer-songwriter, Staff writer, Writer

Avg. Salary

Salary Range

$0 to $883,000 2

Table of Contents

Career Description

Career outlook, career path, experience & skills, education & training, additional resources.

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Music Copyright Laws Explained for Musicians

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How To Become a Songwriter

People also ask.

How much does a songwriter get paid for a song?

How much do Songwriters make?

What does a songwriter do?

How do I start myself as a songwriter?

Can songwriters make money?

What exactly does a songwriter do?

A songwriter writes songs using chords, melodies, and lyrics. Typically, they will try to get an artist to record and release their songs, but sometimes they may also release their songs themselves. Either way, they collect royalties when songs they write are streamed, downloaded, put on TV or in a film, played on the radio, or performed live.

They write songs solo, with another songwriter (called a “co-write”), and/or as part of a team, sometimes of up to 9 or 10 songwriters.

Many songwriters write songs to be recorded and released by an artist – sometimes they’re called “staff songwriters” because they write songs in partnership with a publishing company solely for artists. Others write songs to record and release themselves or as part of a band – they’re commonly referred to as singer-songwriters.

Some of the most well-known modern songs (usually in pop and country) were written by a team of songwriters behind the scenes and then performed by an artist. Sometimes the artist is part of the songwriting process too.

For example, Olivia Rodrigo’s hit single “good 4 u” was written by four people: Rodrigo, Dan Nigro, Hayley Williams, and Josh Farro.

Another example is Shaboozey’s breakout country song “A Bar Song (Tipsy),” which was written by five people: Collins Chibueze (AKA Shaboozey), Nevin Sastry, Sean Cook, Jerrell Jones, and Mark Williams.

On the flip side, many songwriters never write a hit song and end up having a more “blue-collar” songwriter career. They write many songs that each earns a moderate income, which all adds up to a livable wage.

A Typical Day for a Career Songwriter

A typical day for a songwriter looks different for each person, but in general, songwriters who are serious about their career treat it like going to work.

Jean Baptiste (Nicki Minaj, The Black Eyed Peas, Rihanna) says he usually writes from 1 p.m. to 7 p.m. in his home studio or at another songwriter’s place.

“I try to treat it like a job,” he said. “I know that my brain is fresh in the morning so I feel like I get my best ideas during the day.”

Professional songwriter Aaron Espe (songs on Grey’s Anatomy, Orange Is The New Black, ABC, CMT) usually works from 11 a.m. to about 5 or 6 p.m. and sometimes works 50-hour work weeks.

“If you’re doing it as a career and with a publisher, it’s more on a schedule,” Espe said.

If you’re co-writing, Espe said it can be “an intense few hours” and that it’s “one part therapy, one part co-writing.”

“You’re either going to somebody’s studio or living room, or they’re coming to your studio or living room,” he explained. “And you’re presenting some ideas that you’ve been collecting, [you’ve] probably prepared a little bit for the write. And you establish what excites both of you, and there’s a chance your publisher gave you some direction on what they’re looking for. Or [you’re] writing with an artist who needs material for their next project.”

Songwriters write songs for artists to record and release. They also may write songs for a specific project given to them by a music publisher, like for a TV show or movie. Many songwriters also write, record, and release their songs under their own artist names.

According to Glassdoor, the average salary for a new songwriter in their first year is $61,077 with an overall average salary of $89,212 . But this is probably skewed by the songwriters who write a hit song and earn hundreds of thousands or even millions of dollars from that hit song.

For example, Dan Wilson (writer of Semisonic’s “Closing Time”) co-wrote Adele’s “Someone Like You” and earned an estimated $882,700 from that song .

Realistically, your income as a brand new songwriter may be non-existent until you can get a publishing deal, build up a fanbase of people who stream your songs, or if you’re lucky enough to write a song that’s recorded and released by an artist that does well in streaming and/or sync licensing .

But writing a hit song is very hard to do and therefore should not be your career plan.

Your income as a blue-collar songwriter may look more like Espe’s did when he got his first publishing deal: a $30,000 advance for one year . In exchange, he had to write 15 songs on his own, but he said he was usually co-writing so he ended up writing at least 30 songs a year, and probably closer to 100 songs a year.

Advance: essentially a loan that a publishing company gives you, which you pay back through your songs’ earnings.

What does a music publishing company do for you? Here are their main tasks:

• Provides a songwriter with connections (like other songwriters to write with or artists who need songs)
• Registers songwriters’ songs with a performance rights organization (PRO)
• Releases and promotes their songwriters’ songs
• Licenses the songs in their catalog (i.e. getting the songs on TV and in films)
• Monitors song usage
• Collects and distributes royalties to their songwriters
• Legal support

If you get a publishing deal like the ones Espe has had, after the publishing company recoups their advance, your publisher would split any post-recoupment profits with you (usually it’s a 50/50 split).

If you pursue a career as a songwriter writing songs for artists, here’s how you can make money:

• Publishing advance: payment from a publishing company that has to be recouped from the songs’ earnings before the songwriter can profit from royalties
• Publishing royalties: when your song is recorded and released by an artist and generates royalties
• Sync licensing: upfront payment and royalties when your songs get on TV, in commercials, in films, and in video games
• Streaming royalties: mechanical royalties generated when listeners stream your songs
• Performance royalties: generated when listeners stream your songs in public contexts and when other people or you perform your songs live

But both Espe and Dann Gallucci (Modest Mouse, Cold War Kids, Murder City Devils) say big publishing deals are becoming less common.

“Unfortunately, people don’t get huge advances on publishing anymore,” Gallucci said. “I mean, huge bands do but fewer people do now. Before, if you wanted to get the biggest publishing deal that was available to you so that you could have money in your pocket and just be able to create, then you would give a far bigger percentage of your publishing over.”

Keep in mind, the salary numbers and income streams we just talked about are for those who are pursuing a career as a songwriter only, not a singer-songwriter/artist who releases their own music.

If you also release music as an artist, you give yourself more potential income streams, like:

• Touring : earn money from ticket sales and donations
• Merch sales: sell T-shirts, mugs, etc. at shows and through your artist website
• Direct fan support: financial support directly from fans (think Patreon, Kickstarter, and donations)

Whether or not you have a publisher, the key to making a living as a songwriter is to write a lot and never stop.

Espe estimates he’s written about 800 songs and about 10-15 of those actually generate income. which means only about 2% of his songs make him most of his money. And he said that’s normal if you’re going to be a songwriter.

Gallucci also said it’s hard to be a DIY songwriter/artist. But if you succeed at it, you can earn more money, especially if you own your recordings.

“It’s really hard to make money,” he said. “If you can do it on your own, then you have to because there’s no one else that cares about your idea except for you and the people who’ve heard it that really like it. The more that you control it, then the more money you actually stand to make.”

Songwriters working with a music publisher aren’t usually paid per song. Rather, they are paid an advance that requires they write and submit to the publisher a certain number of songs per year. Then if those songs are recorded and released by an artist, the songwriter would earn publishing royalties.

The Two Halves of a Song

Because we’re talking about songwriter payouts, let’s briefly cover the two rights involved in the creation of a song. Knowing this will help you understand what you’re owed and if you’re getting paid fairly.

Creating a song involves two primary types of rights: the composition rights and the master rights.

Composition rights pertain to the song’s underlying musical work, which includes the melody, lyrics, and arrangement. These rights are typically held by the songwriter(s) and their music publisher if they have one.

The master rights involve the specific recording of the song, owned by the recording artist and/or their record label, covering the usage and distribution of that recorded version of the song.

This distinction allows for separate control and revenue streams for the creative and recorded aspects of a song. And it’s important you know about them, at least generally.

According to Glassdoor.com, the average annual salary is approximately $65,300.

Can one hit song make you rich?

Yes, with all the different ways a songwriter can earn money and the several different types of royalties, one smash hit can mean the songwriter(s) will never have to work again. For example, The Beatles’ “Yesterday” is estimated to have earned $60 million. That’s plenty to set you up for life. However, these types of songs only come around every so often, so it’s better to commit to being a lifelong career artist. Many artists, indie and signed, make a living from music without ever having a hit song.

Hey, what do you think about trying our new Music Career Helper Music Career Helper really quick? It’s totally free and could help get your career moving fast! Give it a try. It’s totally free and you have nothing to lose.

Building a career as a songwriter is definitely doable, but writing a hit song that sets you up for decades is kind of like playing the lottery.

So before you pursue a career as a songwriter, know that you may only be able to build a modest career – and know that that’s perfectly okay. A career doing something you love is a lucky thing to have.

Baptiste says you have to want to do songwriting, regardless of how much or little money you make.

“It’s not a career that I would put the house on,” he said. “It’s something you have to love. If I didn’t make a penny off music, I’d still be doing music. It’s in my spirit, you know? Some of us are afflicted with that thing where we’re able to receive that. It’s that gift.

Espe said you should put a lot of thought into whether you really want to try and make a living as a songwriter – relying on writing songs for other artists to make a living. His advice to aspiring career songwriters: you have to be sure you want this.

“I’d be lying if I said I wasn’t on Home Depot’s website last week and like, ‘Okay, should I take the night shift here?’” he said. “…I haven’t had a ‘real job’ since Starbucks in 2011, but who knows, you know? I don’t have a hit song that’s just a slam dunk for the next 50 years.”

And you have to have perseverance and persistence. You have to be in this for the long haul, according to Jason Blume (Britney Spears, The Backstreet Boys).

“You have to be able to deal with years of rejection, frustration, and disappointment and still believe in yourself enough to keep writing songs, networking, and working on your craft,” he said.

Despite these somewhat bleak perspectives on songwriting as a career, there are benefits to being a songwriter.

Emily Warren (The Chainsmokers, Dua Lipa, David Guetta) loves the autonomy of her career.

“…You really get to make your own schedule,” she said. “When I started off, I did double (sometimes triple) sessions 7 days a week. I did it because it was so much fun, I was learning so much, and writing was what I wanted to do 1 million percent of the time.

A songwriting career will involve hustle. You will have to adapt to the ever-changing music industry. And you’ll need to diversify your skillset.

And despite it being difficult, Gallucci says, you can make a living as a songwriter.

“It’s not bajillions of dollars,” he said. “But it could be a steady income. Learn how to market yourself, learn how to make the connections that you need to make, put out really creative and interesting output.”

How Will Artificial Intelligence Affect Songwriters?

Artificial Intelligence is rapidly developing and improving, and the music industry is not immune from its effects.

You can tell ChatGPT to write your lyrics. You can use Suno to make the music for you. LANDR can master your music. And lots of recording software now uses AI to streamline the music-making process.

This is a concern for many musicians and songwriters, so I asked Espe about his thoughts on AI and the future of songwriting.

“I’m not worried,” he said. “I don’t think AI is going to replace us. If it’s between me and AI, I think I can win. But I do think another songwriter using AI could beat me.”

So it could be a good idea to play around with AI to see what it can offer you as a songwriter. How can it help you generate ideas or work faster?

“…The best analogy I’ve heard is to treat it like a dumb intern,” he said. “I imagine it being a person in the room and I ask a question and they give me an answer, but I have to triple-check it.”

As AI becomes more involved in music, listeners will most likely crave the humanness in songs. People will want the authenticity only a human can offer. So embrace AI as another tool to help you write better songs.

Do songwriters get Grammys?

Yes, any songwriter who took part in writing a Grammy-winning song also receives a Grammy award. They can win a Grammy for both Song of the Year and Album of the Year if they helped write a song on that album.

The big takeaway is this: there is a future in the art and business of songwriting, but it will take work. Fortunately, there isn’t a single path to success, so you can pursue songwriting in the way that makes the most sense for you financially and creatively.

It’s all about learning from other songwriters and how they found success.

Some artists started out behind the scenes before they had their big break. But in reality, that big break stood on the foundation of many, many smaller breaks.

Meeting the right people. Getting attention online. Landing an important gig. These are all smaller things that can lead to bigger opportunities that, if you’re prepared for it, can lead to a big break.

Obviously, a songwriter writes songs. A career songwriter writes songs (either solo or with other songwriters) and then tries to get artists to record and release those songs, thereby earning royalties for themselves. Many times, a publishing company or record label will pitch a songwriter’s song to artists and their labels to accomplish this.

How To Start Your Career as a Songwriter

If you’re sure you want to build a career as a songwriter, here’s how you can get started…

Step one: write a lot of songs.

There’s no shortcut for being a good songwriter. You have to just do it over and over and over again.

Ed Sheeran once said, “When you flip a dirty tap on, it’s going to flow sh*t water out for a substantial amount of time. And then clean water’s going to start flowing.”

Write with other people. Share your songs with other songwriters and people in the music industry, ask for their feedback, and then apply it to your songwriting .

Remember, Espe has written about 800 songs and only 10-15 of those make him money. Leonard Cohen didn’t write “Hallelujah” until he was 50 years old. Bob Dylan has reportedly written over 600 songs. If the greats had to write a lot of songs to succeed, so will you.

Step two: move to a music city.

These days, Nashville and Los Angeles are the main songwriting cities. It depends on what type of lifestyle you want and what genre you want to write in. Espe said L.A. is more pop-centric and Nashville is more country music, but he said it’s all becoming intertwined and not as genre-specific as it used to be.

You need to be able to network and collaborate with other songwriters. That’s how you find opportunities. You have to be there, showing songwriters, publishers, and other music industry people that you’re a hard-working songwriter.

On top of being a good songwriter, it’s about who you know.

Step three: write with other songwriters.

Espe’s advice is to just start writing with people. Get your reps in. That’s what he did after he moved to Nashville.

“I was working at Starbucks and I just started asking people to co-write,” he said. “I started writing with writers who had publishing deals and writers who didn’t.”

If you write with a songwriter who has a publishing deal, that makes the publishing company aware of you and increases your chances of getting a deal. Even if the other songwriter doesn’t yet have a publishing deal, they may get one in the future and bring up your name and a song you wrote together.

Yes, songwriters can make money! The main way they earn a living is through royalties. The main types of royalties songwriters can earn are performance royalties, mechanical royalties, and royalties from streaming platforms. Songwriters can also earn upfront payouts if their song is used in a TV show, commercial, movie, or video game.

Step four (optional): find a publisher.

Big publishing deals are harder to get nowadays because they’re not as profitable for publishing companies.

“It’s very, very difficult right now for publishers to make back their investment because streaming does not pay equally to the publishing side versus the mastering side,” Espe said. “it favors the record labels .”

But if you want to find a publisher, how do you get a deal?

Espe said you have to get out and meet people. And then maybe you’ll meet someone who loves what you’re doing.

“You usually don’t sign to a company, you sign to a person,” he said. “…You sign to a champion. And you hope that they stay with the company, otherwise you’re a bit like a stepchild if they leave. Because then somebody else comes in and they don’t know your work and you’re still stuck in a contract.”

Rick Nowels (Lana Del Rey, Adele, John Legend) calls this person an “advocate.”

Step five: diversify your skillset.

Espe said that because it’s so hard to make it solely as a songwriter, you need to diversify your skills and income streams.

He said you should learn an instrument or do something songwriting-adjacent so you can develop “other rare and valuable skills” to help yourself stand out.

It’s a good idea to know how to record at least a demo of your songs. If you can develop your producing skills and deliver a good-sounding recording, that’s even better.

This is where you can release your own songs under an artist/stage name. It will give you a chance to practice your music marketing and business skills and techniques. And, if you do it well enough, it can provide extra sources of income.

Step six and beyond: keep going.

Perseverance is one of the most important attributes to have as a songwriter. Getting better as a songwriter and finding the right opportunities will take time. You will get lots of no’s before you get yes’s, so you need to build up a thick skin. If you choose songwriting as a career and truly want to succeed at it, prepare to be in it long term.

The best way to start a career as a songwriter is to do a lot of songwriting. Always be writing and trying to improve the songs you’ve written. Re-write other people’s songs. Write with other songwriters. Then record demos of your songs and send them to publishers, record labels, and artists you’d like to collaborate with.

Obviously, your songwriting has to be strong. You don’t have to play an instrument, but it will help you stay competitive. And it’s important to find anything you can do to stand out.

You have to be able to write songs that resonate with listeners, yes. But Espe says you also have to learn how to write songs that publishers need.

People in the publishing and sync licensing world are listening to music to solve a problem – to find the right song with the right mood in the right genre with the right lyrics , whether it’s for an artist to record or if it’s for a TV show , commercial, or film.

“I think there’s a difference between relatability and [commerciality],” Espe said

“…When you’re writing to try and make a living, you’re writing for somebody else who has a boss, and you have to know who that boss is. So for me, when I’m in a publishing deal, I know my boss, so to speak, is my song plugger. My song plugger also has a boss. …There’s about 15 people between you and a paycheck.”

And in the world of career songwriting, it takes a different set of skills.

“When you’re writing songs just to create art or if you’re releasing music as an artist, you can do whatever you want,” Espe said. “But if you want to make a living as a songwriter, you’re providing a service and a product that has to fit what the ‘boss’ needs.”

Writing songs this way is its own type of skill. And the best way to learn it is through doing it – on your own and with other more experienced songwriters.

On top of that, here are the experience and skills you should have if you want to succeed as a career songwriter…

• Learn to play an instrument

Again, not required, but highly recommended. Blume and Espe both specifically suggested learning an instrument.

• Learn to record a simple demo of your songs

Simple recording setups are very affordable these days. If you have a laptop (which most people do), you can spend a few hundred more dollars to get a home recording setup.

Gallucci thinks songwriting and producing have a lot of overlap.

“I think a lot of people disagree with me on this, but I like songwriters who want to know a little bit about the recording process because it’s so much a part of modern songwriting,” he said.

• Know the music business

You want to be familiar with how the business of songwriting works, how you should be getting paid, and what your rights are. Even if you hire a music lawyer, it’s smart to understand the basics of royalties, publishing, contracts, and licensing.

• Perseverance and persistence

You must keep going. The only ones who succeed are the ones who didn’t quit.

“Being a songwriter requires unending perseverance and a willingness to keep pursuing your goal no matter how long it takes,” Blume said. “…Also, you need to be someone who can handle not having a guaranteed, steady income, and you need to be able to cope with the pressure of needing to consistently produce ‘hits.’”

• Listening and empathy

Warren makes the point that songwriting is all about listening, storytelling, and saying relatable things in new ways.

“I think if you want to write songs for other people, you have to be interested in listening and finding empathy in other people’s stories,” she said. “And I think that regardless if you’re writing for yourself or others, you have to be willing to be vulnerable. In my opinion, good songwriting comes from framing common thoughts in new ways.”

Espe said something similar, highlighting the fact that songwriting involves listening.

“…For the most part, you’re just living your life and paying attention and then writing stuff down.”

Baptiste agrees, saying songwriting is about paying attention.

“You have to be able to pay attention to what’s going on around because sometimes you can write about things that happened to you or happened to someone in a situation that’s either adjacent to you or not,” he said.

Is songwriter a profession?

Yes, as difficult as it can be to build a career as a songwriter, many people earn a living from songwriting. For example, Aaron Espe supports his family of 6 as a full-time songwriter and artist.

You don’t need formal training as a songwriter to make a living at it, although going to a music school for songwriting can provide the connections and network you will need to succeed. Many successful songwriters and artists went to music school, including John Mayer, Maggie Rogers, Paul McCartney, and Miles Davis.

On the other hand, many successful songwriters did not go to music school, like some of the songwriters quoted on this page.

The point is, that it’s important to learn the craft of songwriting from people who have lots of experience and success doing it. You can do this through traditional music school, or through DIY means, like songwriting books, online courses, and YouTube videos.

Go with the methods that fit how you learn best. Just make sure you’re always learning. A good place to start is with your songwriting idols.

“Whatever [you’re] listening to is probably [your] best teacher for right now,” Espe said.

Do you need to be technically trained in music?

While technical training in music and music theory can help you, it’s not a requirement to succeed as a songwriter. Many successful songwriters have relied on their natural talent, creativity, practice, and persistence to get where they are.

Understanding music theory can help you write more sophisticated songs and know how to explain music to other people who know music theory. But sometimes simplicity works better. What’s most important is creating an emotional response in the listener as well as a song that is needed by the end client, so focus on emotional expression, storytelling, and personal experience.

Are songwriter and composer the same?

Not exactly. Composers are usually work-for-hire contractors who create instrumental music for a TV show, movie, or video game. Songwriters write music and lyrics, usually for other artists to record and release.

Do you need to know how to sing?

While being a good singer can definitely make it easier to write creative melodies, you don’t have to be a singer to succeed as a songwriter.

Understanding melody, rhythm, and structure is more important than being able to sing well, and you can develop these skills without being a singer. You can always collaborate with singers and other musicians to bring your songs to life, allowing you to focus on the craft of songwriting itself.

Do you need to know how to produce music?

As we discussed in the section above, you don’t have to know how to produce music . It can help to know how to record quality versions of your demos. But you don’t have to learn all the ins and outs of producing, mixing, and mastering. If you can get a clear recording that’s on time with a click, you’ll be fine.

That being said, if you do want to develop your recording and production skills, that will really help you stand out as a songwriter.

How To Improve Your Songwriting Skills

Improving your songwriting skills is a gradual process that takes practice, study, and creativity. Here are some tips to help you continually improve your songwriting skills on your journey toward becoming a full-time songwriter:

• Listen actively , both to great songwriters’ songs and in everyday life
• Keep a songwriting journal , so you can record your thoughts, ideas, and snippets of lyric ideas
• Study the song structure of your favorite songs , even rewrite them in your own words with your own music
• Read and write regularly : read to fill the well, write to empty it
• Explore different genres , stretching yourself musically
• Collaborate with other songwriters : this is the key to writing a great song and getting a song picked up by an artist
• Attend songwriting workshops and seminars
• Stay persistent and patient because making a living as a songwriter can take months or years to accomplish

Want to go more in-depth on how to become a better songwriter? Check out this guide .

Blume is a big believer in networking opportunities. He says, “Research your local songwriting organizations; they provide both educational and networking opportunities. Nashville Songwriters Association International (NSAI) has chapters in more than 110 cities, and Songsalive meets in multiple cities, as well.

New England to Nashville (NETN) has excellent events for those in New England who are focused on the Nashville music market, and the West Coast Songwriters organization provides opportunities for those in that part of the country. Taxi also provides pitching opportunities for writers who are writing material that is competitive.

An extensive listing of songwriting organizations can be found in my book This Business of Songwriting , Revised 2nd Edition.” For other books that teach valuable business and creative skills, check out our related blog post .

Learn the Different Types of Royalties

Royalties are the main way a songwriter makes money, so it’s important to understand how they work and how you can collect yours.

In the United States, four main types of organizations that collect royalties on your behalf or pay you directly for the use of your music.

1. Digital Distributor

Digital distributors are companies that deliver your music to Digital Service Providers (DSPs) like Spotify and Apple Music. When someone plays your song on a streaming platform, the platform owes you a streaming royalty. Each DSP pays streaming royalties a little bit differently and at different rates, but they all pay your distributor directly. The distributor then pays you, sometimes after taking a cut.

2. Performance Rights Organization (PRO)

A Performance Rights Organization (PRO) represents songwriters and publishers, collecting performance royalties anytime there’s a public performance of your song.

Public performances include live performances, public places streaming your music (like bars, restaurants, coffee shops), TV, and radio airplay. The major PROs in the U.S. are ASCAP and BMI, with SESAC and GMR being invite-only.

(More on what PROs do in the next section).

3. Publisher or Publishing Admin Company

A publisher or publishing admin company collects your performance royalties if you’re not registered with a PRO. They also expedite the collection of foreign performance royalties by registering your songs with PROs in other countries. On top of that, they collect mechanical royalties, which is another royalty generated when someone streams or buys your music.

In the U.S., the Mechanical Licensing Collective (MLC) is responsible for collecting and paying out all mechanical royalties. Your publisher or publishing admin company should be partnered with the MLC as well as with mechanical royalty organizations outside the U.S.

4. SoundExchange

SoundExchange handles the collection and payout of digital performance royalties for non-interactive uses of the recording (platforms that don’t let the listener choose the music, like Pandora, SiriusXM, and Beats1).

SoundExchange is the only place in the U.S. collecting and paying out sound recording performance royalties. They also handle neighboring rights royalties for sound recording performances outside the U.S.

What Does a Performance Rights Organization Do?

Performance Rights Organizations (PROs) play an extremely important role in helping songwriters get paid. They collect and pay performance royalties for a songwriter’s song.

Here are the main things a PRO does:

• Song registration: Songwriters can register their songs with their chosen PRO, which then tells the PRO what songs they should be collecting royalties for.
• Monitoring public performances: They monitor and track where and how often songs are played through different means, like digital fingerprinting and data collection from broadcasters and venues.
• Royalty collection and distribution: PROs collect performance royalties on behalf of songwriters whenever their music is played publicly, like on the radio, on TV, on streaming services, at live venues, and other public places.

What Does a Music Publisher Do for Songwriters?

A music publisher helps a lot of songwriters turn their craft into a career. They handle the aspects of a songwriting career that the songwriter is not usually well-versed in. Here are some of the main ways a music publisher helps songwriters:

• Administration: They manage the registration of songs with performance rights organizations (PROs) and handle all the necessary paperwork, helping songwriters get paid for their work.
• Licensing: They negotiate and secure licenses for the use of songs in visual media, like films, TV shows, commercials, and video games. This helps increase the exposure and revenue of the songwriter’s work.
• Royalty collection: They collect royalties from multiple sources, like performance royalties, mechanical royalties, and sync fees, on behalf of the songwriter.
• Promotion: They actively promote songwriters’ works to artists, record labels, and media producers in an attempt to get the songs recorded and released.
• Creative development: They provide feedback, set up co-writes, and connect songwriters with producers.
• Legal support: They help protect the songwriter’s intellectual property by monitoring and enforcing copyright, dealing with infringement issues, and making sure proper legal agreements are in place.

Jason Blume

Jason Blume  is one of the few songwriters to have hit songs on the R&B, country, and pop charts simultaneously. His songs have been recorded by Britney Spears, the Backstreet Boys, the Gipsy Kings, Jesse McCartney, the Nashville Chamber Orchestra, and many other artists around the world. His work has appeared in movies and TV shows such as Scrubs, Friday Night Lights, Dangerous Minds and Disney’s Kim Possible . He has served as a judge for many songwriting competitions, including SongDoor .

Blume is the author of the best-sellers  6 Steps to Songwriting Success: The Comprehensive Guide to Writing ,  Inside Songwriting: Getting to the Heart of Creativity,  and  This Business of Songwriting (reviews via Goodreads ). He has been featured in American Songwriter , The Music Row Show , Taxi Independent A&R Radio’s Taxi TV , McSweeney’s , The Irish News , Northamptonshire Telegraph , Belfast Live , The Ringer , and West Hawaii Today .

He also teaches the business and craft of songwriting at industry conferences, colleges, and universities around the globe, including the annual BMI conference and Nashville School of Music . Check out his bibliography via Amazon and his discography via Discogs . His work has been covered by several artists; check out Secondhand Songs to learn more.

For more advice from Blume, check out his articles for Songwriting.net and his BMI songwriting workshop . He can be found online at  jasonblume.com .

Emily Warren

Singer , Songwriter, and Producer Emily Warren can be heard in nearly every corner of modern pop as well as dance, country, alternative, and Latin. Achieving a GRAMMY® Award, countless multiplatinum and gold certifications, millions of digital sales worldwide, and 5.4 billion streams by 2018, she stands out as the rare talent who can nimbly adapt to any genre.

Her discography encompasses eleven anthems for The Chainsmokers. Among those, “Don’t Let Me Down” (6x-platinum) won the 2017 GRAMMY® in the category of “Best Dance Recording.” Other standouts range from Dua Lipa’s “New Rules” (3x-platinum) to Becky G’s “Mad Love” and Sean Paul’s “No Lie” [feat. Dua Lipa] as well as songs for David Guetta, Bebe Rexha, LANY, Galantis, Sigrid, and Noah Cyrus. Meanwhile, her voice can be heard featuring front and center on FRENSHIP’s platinum-selling “Capsize” and the gold-certified “Until You Were Gone” by The Chainsmokers & Tritonal in addition to The Chainsmokers’ rising 2018 single “Side Effects.”

Forbes touted her among its “ 30 Under 30 Class of 2018 ” as further acclaim came from People, Billboard , Time , Entertainment Weekly , Refinery29 , Nylon , i-D Magazine , and US .

Warren has also received nods from American Songwriter , Variety , ( twice ) Rolling Stone ( twice ), Teen Vogue , W Magazine , Paper , Oprah , Huffington Post UK , The Evening Standard , Pitchfork , Popsugar , The New York Times , Stereogum , Songwriter Universe , United by Pop , Just Jared , Jezebel , Nasty Galaxy , Thrive Time Show , USA Today , Forbes , Switched On Pop , Master & Dynamic , Meaww , Mic , Pop Crush , Elite Daily , And the Writer Is…with Ross Golan , CULTR , Naga Mag , TooFab , Revelist , Atwood Magazine , Girlboss , Wonderland Magazine , C-Heads , Babe , Variance Magazine , Ladygunn , and The Young Folks .

She has also received coverage via ABC News, EDM.com , AM NY , Baeble Music, Ceek VR , MTV , Yahoo! Sports , iHeart Radio , and Songwriters Hall of Fame .

Warren was a performer at the 2019 ASCAP Pop Music Awards , which you can watch here . You can also see her performing live via TooFab’s YouTube channel . For more of Warren’s thoughts on songwriting and performing, check her out on LIMPI Music , Sweety High , and her Reddit AMA.

Photo Credit: David O’Donohue

Dann Gallucci

Dann Gallucci started playing in bands in High School. After that, he split time between hardcore bands and Modest Mouse. He was a member of the Murder City Devils in the late nineties (and now). When the band broke up he re-joined Modest Mouse during a period of growth for the band.

“Float On” became a pretty decent-sized hit and then he quit for some reason and went to audio engineering school. He came home from school and did monitor and front of house engineering for bands like Miike Snow, MIA, and the XX. Another band he worked with was Cold War Kids, who he would end up joining as a Songwriter, Guitar Player, Producer, and Engineer.

Cold War Kids had a decent-sized hit as well with “First” which, aside from helping to write and playing guitar, he had also produced and mixed. After realizing he no longer wanted to tour (by this time, he had a little munchkin named Maria), he switched gears, became a Radio Producer and started a podcast production business called Little Everywhere with his partner Jane Marie. He lives in LA with his daughter.

His work has received two Grammy nominations . Check out his discography here .

He has been featured in The LA Times , Today , The New York Times , KCRW , Variety , The Guardian , Brooklyn Vegan , NME , American Songwriter , The Boston Globe , Podchaser , Pro Sound News , the I’m Afraid That podcast , the 100 Words or Less podcast , the Tour Stories podcast , The Pitch Kansas City , Vulture , Transverse , New Scientist , The Stranger , OC Weekly , Press of Atlantic City , SF Weekly , Rochester City Newspaper , Star Tribune , Seattle Times , Diffuser , Pittsburgh City Paper , Washingtonian , Seattle Weekly , WVAU , The Annenburg Foundation , The Sydney Morning Herald , Business Insider , Daily Utah Chronicle , Lansing State Journal , Boulder Weekly , Ultimate Guitar , Detroit Metro Times , Phoenix New Times , Glide Magazine , Paste Magazine , Dallas Observer , The Aquarian , The Telegraph , The Young Folks , the Universal Audio blog , and The Hollywood Reporter .

Jean Baptiste

Jean Baptiste stands as one of the music industry’s most prolific and esteemed Producers/Songwriters. He has been the guiding and essential touch on some of pop, rap, and R&B music’s most successful and chart blazing songs and albums. His distinguished talents have earned him credits on numerous platinum-selling records with artists such as Chris Brown ( Fortune, F.A.M.E., X, Graffiti, Royalty ), Nicki Minaj ( Pink Friday, Roman Reloaded: The Re-Up ), Rihanna ( Rated R ), Kid Cudi ( Man on The Moon ), Kelis ( Flesh Tone ), and Madonna ( MDNA ).

Jean Baptiste has established himself as one of the go-to hitmakers for music’s biggest artists. Jean Baptiste collaborated with Chris Brown on F.A.M.E. to create some of his most memorable singles, including “Beautiful People,” “She Ain’t You,” and most famously “Look At Me Now,” which reached #6 on the Billboard Hot 100 and The New York Times called the track the “highlight of the album.” He also produced the hit song “Time For Love” off of Brown’s 6th album X . His work as a Producer on Kid Cudi’s debut studio album Man On The Moon led to the unforgettable tracks “Up Up & Away” and “Heart of A Lion.”

He will forever be recognized for his role in the making of three of The Black Eyed Peas’ most popular albums, Elephunk, Monkey Business , and The E.N.D. , which was certified two-times Platinum in the U.S. Jean Baptiste’s production work helped create some of the most recognizable songs from the album, including “Boom Boom Pow” which spent twelve weeks at number one on the Billboard Hot 100, and the single “Meet Me Halfway,” which was the tenth best selling single of 2009 in the U.K.

The lasting collaborative relationships he has formed with the group have also carried over to their solo careers, working with Fergie on The Dutchess and will.i.am. on Songs About Girls and apl.de.ap. He also worked with will.iam. as a co-writer on the charted singles “Feelin’ Myself” and “Scream & Shout” from #willpower .

His songwriting and producing made waves with Chris Brown’s album, Royalty , Rudimental’s album, Home , DJ Mustard’s single, “Whole Lotta Lovin,” Sevyn Streeter’s gold single “It Won’t Stop”, Miley Cyrus’ “Do My Thang”, Dr. Dre’s album, Compton , and “Woo” off of Rihanna’s dynamic album, ANTI .

Jean Baptiste’s writing and producing has continued to make waves with his work on “Bring it Back,” “Made of Glass,” “Surrender,” and “Running With A Ghost” on Lil Yachty’s album, Teenage Emotions , and “Lottery” on Kid Ink’s album, 7 Series . He also co-wrote “F.U.” on Little Mix’s smash album Glory Days , which went triple platinum in the U.K.

This past year, he began a new collaboration with up and coming artist, Tommy Genesis, with a co-producing credit on the song, “It’s OK” featured on her debut, self-titled album, while still maintaining old partnerships, as he co-wrote “Ring the Alarm pt.1 pt.2 pt.3” on the Black Eyed Peas’ seventh studio album, Masters of the Sun Vol. 1 .

His career has received notice via NME ( twice ), Los Angeles Times , Rolling Stone , The Hollywood Reporter , The New York Times , The Quietus , Digital Spy , Madonnarama , Press Party , BMG.com , Pop Crush , and Metro UK .

Partial discography available via Discogs .

Rick Nowels

Rick Nowels is a Grammy-winning Songwriter, Record Producer, Instrumentalist, and Arranger who has worked with artists like Lana Del Rey , Adele, Madonna, John Legend, Dua Lipa, Miguel, The Weeknd, ASAP Rocky, Stevie Nicks, Dido, Jamie xx, FKA Twigs, Lykke Li, Alessia Cara, Sia, Florence Welch, Joan Jett, Tom Odell, Alec Benjamin, New Radicals, Jewel, CeeLo Green, Marina and the Diamonds, Brandon Flowers, Colbie Caillat, *NSYNC, Celine Dion, Belinda Carlisle, André 3000, Santana, and Tupac.

He was inducted into the Songwriters Hall of Fame in 2020. You can check out his discography here or via Discogs . You can see a list of songs he has written here .

He is represented by Sony ATV , Global Music Rights and Spirit Music Group . He has served as a panelist at the ASCAP Expo .

Nowels has been spotlighted by Billboard ( again and again and again and again and again and again and again and again ), Sound on Sound , New York Times , Rolling Stone ( again and again ), The Guardian ( twice ), Pitchfork ( twice ), Complex , The Fader , NBC News , Consequence of Sound ( twice ), Variety ( again and again and again ), Harpers Bazaar , Nylon , Spin , Entertainment Weekly ( twice ), NME ( again and again ), MTV News , Vice , WZZM 13 , Digital Spy , Times Square Chronicles , iHeartRadio , DJ Booth , Music Week , Metro , Out Magazine , Ultimate Classic Rock , Music Row , The Prospector Daily , Far Out Magazine , KUSA 9 News , U Discover Music , BBC ( twice ), LanaDelReyFan.com , RecordProduction.com , Songwriter Universe , Knox News , and V Magazine .

Aaron Espe is a Nashville-based songwriter/artist whose songs have been on ABC and CMT, in shows Grey’s Anatomy and Orange Is The New Black , and his song “Anytime I Go” was featured in a Stella Artois campaign . He’s worked with Brian F. Joseph, who has produced Bon Iver and Sufjan Stevens. Taylor Swift caught wind of his song “Making All Things New” and added it to her playlist “Songs Taylor Loves.” Through Nettwerk Records, he released the EP Through Frozen Forests, which peaked at #7 on the iTunes Singer/Songwriter chart.

He’s also the author of On Songwriting: Practical Tips and Insights from a Decade in Music City , which has garnered praise from Leigh Nash (frontwoman of Sixpence None The Richer), Philip Philips (certified Platinum recording songwriter/artist and 2012 American Idol winner), Barry Dean (Grammy-nominated hit songwriter for Little Big Town, Tenille Townes, Ingrid Michaelson), Isaac Slade (co-founder of Grammy-nominated band, The Fray) Ben West (songwriter and producer for P!nk, Tim McGraw, Lady Antebellum), and Bonnie Baker (songwriter for Reba McEntire, Hunter Hayes, Rachel Platten).

• 1 . "Songwriter Salaries" . Glassdoor. published: Jun 6, 2024. retrieved on: August 9, 2024
• 2 . "How 10 Major Songwriters Make Big Money" . Rolling Stone. published: 19 January 2012. retrieved on: August 9, 2024
• 3 . "Singer-songwriter Leonard Cohen's entire song catalogue sold to Brit firm that acquired Neil Young's tunes" . The Economic Times. published: Mar 7, 2022. retrieved on: Aug 9, 2024
• 4 . "Bob Dylan Sells His Songwriting Catalog in Blockbuster Deal" . The New York Times. published: Dec 9, 2020. retrieved on: Aug 9, 2024

--> Site Search next semester starts september 23.

There are no absolute "rules" in songwriting. But there are time-tested tools and techniques that have consistently yielded beloved, memorable music. The Songwriting Professional Certificate Program provides you with these proven approaches for writing lyrics, melodies, and harmonies. Whether you’re a new or experienced songwriter, and regardless of whether your goal is to write a chart-topper or to just pack a more emotionally powerful punch with your songs, this program will bring out your best work as a songwriter.

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Course Requirements

4 courses to complete this certificate.

Learn how harmony can help convey the essential emotion in your songwriting and the best ways to adapt chords and progressions to suit your songwriting style and ideas.

Create the melodic ideas that convey the emotion of your lyrics, then learn how to develop these melodic ideas into complete sections and songs to suit your songwriting style.

Learn to make the most effective settings for your melodic, harmonic, and lyrical ideas by crafting songs the way hit songwriters do.

Learn to write for commercial success by reproducing the time-tested characteristics of hit songs while maintaining your own unique voice.

Upon Completion of this Certificate Program, You'll Receive:

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• Music History
• Music Theory
• Musical Theatre
• Theatre History
• Song Meanings
• Progressions
• Songs Title Words
• Home Theater

How to Become a Songwriter: Essential Steps for Crafting Hit Tunes

Embarking on a journey to become a songwriter is an exciting blend of creativity and skill. Songwriting, at its core, involves crafting the lyrics and melodies that form the heart of music production.

It requires a deep understanding of musical structure, a keen sense of rhythm and rhyme, and, most importantly, the ability to convey emotion and story through song. Aspiring songwriters must develop their talents by studying music theory, learning from successful songwriters, and practicing their craft regularly.

Building a career as a songwriter means navigating the music industry with both business acumen and artistic sensitivity. Professional songwriting is not just about creating art; it’s also about understanding the market, connecting with artists and producers, and often collaborating with other writers.

Success in this field comes from a mix of networking, securing copyright and publishing arrangements, as well as continuously evolving one’s musical abilities to adapt to changing trends and audiences’ tastes.

Table of Contents

Key Takeaways

• Songwriting combines musical structure with the expression of emotion and storytelling.
• Success in songwriting requires continuous practice and learning from established professionals.
• Building a career involves industry knowledge, networking, and diligent protection of one’s intellectual property.

Understanding the Basics of Songwriting

Songwriting is an art that melds creativity with technical skills such as music theory and song structure . It involves disciplined practice and a deep understanding of how to express emotions and stories through music.

Exploring Music Theory

Music theory forms the foundation of songwriting. It encompasses the understanding of chords , melody , and rhythm , which are critical in crafting compelling songs. A songwriter should at least be familiar with basic music theory to manipulate these elements effectively.

• Chords : A sequence of notes played simultaneously, forming the harmonic base of music.
• Melody : A linear sequence of notes that the listener perceives as a single entity. It usually sits on top of the chord progressions.
• Rhythm : The timing of notes and chords in a song, which gives music its pace and groove.

Developing Songwriting Skills

To write engaging songs, one must develop a range of songwriting skills . These include the ability to craft lyrics that tell a story, as well as creating a memorable verse , chorus , and bridge . The song structure is vital to guide listeners through the musical journey.

• Lyrics : The words of a song, often considered its storytelling aspect.
• Verse/Chorus/Bridge : Distinct sections of a song, each serving a purpose to build the narrative and dynamics.

Practicing Your Craft

Regular practice is essential for honing your songwriting abilities. It involves constant writing, refining, and experimentation to improve your craft . Dedication and perseverance are key, as is the willingness to receive and incorporate feedback.

• Practice Routine : Daily writing exercises can solidify one’s knowledge and spur creativity.
• Feedback : Constructive criticism can help a songwriter grow and refine their music.

Finding Your Unique Voice

Creativity and inspiration play crucial roles in songwriting. Each individual must find their own unique voice and style. This can be achieved through genuine self-expression and embracing one’s inspiration and talent .

• Inspiration : Draws from personal experiences, emotions, and stories.
• Talent : Natural aptitude that benefits from constant nurturing and exploration.

Instruments and Technology

Songwriters often play an instrument to aid in composing their music. Knowledge of an instrument can be invaluable for creating melodies and harmonies. Additionally, modern songwriters should be familiar with recording equipment and technology to capture their creations effectively.

• Instrument Proficiency : Playing an instrument can enhance songwriting capabilities.
• Technology : Utilize recording tools and software to produce and share music with a wider audience.

Building a Career as a Songwriter

To build a successful career as a songwriter, individuals must cultivate a robust network , collaborate effectively, comprehend the intricacies of the music industry, and leverage marketing and online tools. A focus on honing performance and recording skills is also paramount.

Creating a Strong Network

A songwriter’s success heavily relies on the strength of their network . Engaging with other professionals such as music producers, publishers, and artists can open doors to co-writing opportunities and valuable industry contacts.

Proactive networking should include attending music events, joining songwriter groups, and maintaining an active presence on relevant social media platforms.

Collaborating with Others

Collaboration is a cornerstone in the career of any professional songwriter. Co-writing with other musicians and producers can result in diverse and rich musical creations. It’s essential to be open to different styles and genres to enhance one’s versatility and appeal to a wider range of music industry professionals .

Understanding the Music Industry

Industry knowledge is crucial for navigating a career as a songwriter. Understanding how music production , record labels, and music publishers operate can help in securing deals that include fair royalties and advances.

A clear grasp of how the industry works can also guide songwriters in protecting their intellectual property rights.

Marketing and Online Presence

Songwriters must market themselves to be visible in a competitive market. Developing a strong online presence through a personal website and active social media accounts can showcase a songwriter’s portfolio. This online identity acts as a digital business card for potential collaborators and industry insiders.

Perfecting Performance and Recording

While songwriting is at the heart, proficient performance and recording skills are equally critical. Songwriters often need to produce high-quality demos to present their work to artists and producers. Understanding the basics of music production can be beneficial in creating recordings that capture the essence of the compositions.

Having a career in songwriting entails more than just the ability to create music; it requires a combination of strong interpersonal skills, industry insight, strategic marketing , and technical know-how in music production. These elements work together to form the foundation of a sustainable and successful career in the music industry.

Navigating Professional Songwriting

Entering the realm of professional songwriting requires a blend of creativity, industry knowledge, and business acumen. Success hinges on producing compelling songs, understanding the legalities, and continuously honing your craft.

Producing Quality Demos

Quality demos are the songwriter’s calling card. A demo should capture the essence of the song with clear vocals and professional-level music production . It’s critical to invest in good recording equipment or studio time to ensure your songs make a strong first impression.

Pitching Songs and Finding Opportunities

Pitching involves presenting your songs to those who can help further your career. This might include music publishers, recording artists, and A&R representatives. To increase opportunities, networking within the music industry is essential, as is tailoring demos for different genres or specific projects, such as movies or commercials.

Understanding Legal and Financial Aspects

Grasping the legal and financial components, such as contracts , fees , and royalties , ensures songwriters are fairly compensated. Stay informed about industry standards for income from various sources, including digital streams, physical sales, and sync licensing .

Building an Engaging Portfolio

A strong portfolio showcases your versatility and skill. This should be easily accessible, often through a personal website or platform, exhibiting a diverse range of work. An engaging online presence and clear communication style help maintain professional relationships and attract potential collaborators or clients.

Continual Learning and Adaptation

The music industry is dynamic, making continual learning vital. Engage in classes and workshops to stay ahead of trends and keep your industry knowledge fresh. Adaptability to change and willingness to embrace growth through co-writing and community involvement can propel a songwriting career.

Earning from Songwriting

Earning from songwriting comes in various forms, including upfront fees for custom writing, royalties from recordings or performance, and selling songs outright. Understanding how to navigate these income streams effectively is a significant aspect of becoming a paid songwriter .

Joining Songwriting Groups and Associations

Being part of a songwriting group or association offers many benefits, including networking opportunities , educational resources , and industry insights . Participation in these communities also opens doors to co-writing sessions and can amplify a songwriter’s reach within the industry.

Frequently Asked Questions

Embarking on a songwriting career is a process filled with learning and exploration. Here are some of the most common queries answered to provide clarity for emerging songwriters.

What skills are essential for a successful songwriting career?

Successful songwriters typically possess a blend of creativity, an understanding of music theory, and proficiency in at least one musical instrument . They should also have strong lyrical writing abilities and the capacity to express emotions and stories through their music.

What are the typical avenues for songwriters to find employment or sell their songs?

Songwriters often find employment through music publishing companies, collaborating with recording artists, or writing for film, television, and advertising. Selling their songs can also be achieved by networking and pitching directly to artists and music producers.

What steps should one take to pursue a career as a freelance songwriter?

Individuals should focus on building a robust portfolio of original songs and actively networking within the industry. Additionally, they should learn about copyright and how to effectively pitch their work to artists, producers, and publishers.

What is the average income for songwriters from successful singles?

The income for songwriters from successful singles varies widely and can range from modest royalty payments to substantial earnings, depending on factors like the song’s chart performance, radio play, and licensing deals.

At what age can an individual start a career as a singer-songwriter, and what should they focus on at a young age?

Individuals can start a career as a singer-songwriter at any age. Young aspirants should focus on honing their musical skills, understanding the basics of songwriting, and gaining performance experience to build confidence.

What educational background or qualifications can be beneficial for aspiring songwriters?

While formal education is not a requirement, courses in music theory, composition, and lyric writing can be beneficial. Additionally, experience with audio production and a deep understanding of the current music industry can help aspiring songwriters navigate their careers.

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How to Become a Songwriter?

Michael Elliott | Posted on February 18, 2021 |

Take These Steps to Become a Successful Songwriter

So you want to be a songwriter? If you have a passion for music, taking the leap and working towards becoming a songwriter can be one of the most fulfilling music careers in the modern-day music business. Songwriters work in every genre of music, from country to theater. Although having music talent is important, it takes a lot more than skill to become a songwriter in the industry. 

As a songwriter, you will create original music and lyrics . These works will be performed by singers, musical groups and bands. Most songwriters will create music within a preferred genre, but you’re not limited to that. 

Some may create for advertisers specifically or write music for TV shows and Film placements. Go with what feels natural. Although competition for songwriting jobs or publishing deals is strong and finding a full-time position right away may be difficult, the results and career itself are extremely rewarding. 

Becoming a Songwriter

Before learning how to become a songwriter, you’ll need to learn how to write. On top of this, you will also need to become familiar with terms that are applicable to professional songwriters. Enrolling in a music program will help iron out the understanding of this business. 

It’s also important to learn how to protect your written work or “original song”. This is extremely important when submitting samples (samples of your song, not samples to use in productions) to record labels or musical artists. You can copyright your musical work through the US Copyright Office . This will ensure others cannot take your ideas and use them for themselves while profiting. 

What Skills Do I Need to Become a Songwriter? 

There are really no technical requirements to become a songwriter. Many of the greats simply started to write lyrics. However, in today’s industry, it is rare to find a successful writer who doesn’t play an instrument. 

Most play the piano or play guitar. These instruments allow for the building blocks of music, chord progressions. I would advise you to learn one of these two instruments to start. 

In most cases, the songwriter is also a singer, but this is less common than being proficient with an instrument. Being able to sing the songs as you write them will give you an idea of the potential phrasing a professional singer may use. It’s not uncommon however that once the song is picked up by an artist, that their own spin is put on the song and it’s simply just your lyrics.

Communication skills and personality also go a long way. When writing with others, your personality needs to shine. It’s hard to do anything authentically if it’s not truly you who’s doing it. 

With regard to communication, the best-co-written songs were probably done with honest and direct feedback. Understanding how to convey this to another person when writing something that may be from a personal experience can be hard to do. Never the less it needs to be done.

Do You Need a Formal Education To Become a Songwriter? 

The short answer to this is no. Over the course of the songwriting business, a proper four-year college education has not been a requirement. However, with the field growing more expansive every year, some form of education could place you ahead of the pack depending on the talent you already possess. 

Looking for a program, that specializes in the art of songwriting is probably your best bet . If you have been writing songs confidently for years or just starting out, learning more is never a bad thing. A properly crafted course or trade school will build upon what you’ve learned yourself and help develop that talent in a direction where it would be welcomed in the commercial market. 

Finish The Songs You Write! 

One of the most relevant plagues to hit the music industry is not finishing what you start. We’ve all been there, starting project after project with folders full of unfinished products. Unfortunately, no one wants to hear a song that’s half completed. The only thing you can do in this situation is to finish it. 

One of the most productive things you can do is finish every song you start, whether you think it is good or not. Repetition and completion win every time. We all suffer from the feeling of being stuck, but that’s all it really is, a feeling. 

Forcing yourself to finish songs will also force you to continue writing and ultimately make you better. You can edit until the cows come home, what’s important is finishing that song. 

Build a Network

When getting started as a songwriter it is important to meet as many other writers as you can. It’s also important for your work to be heard by producers and music publishing companies . 

In a city like Nashville or Los Angeles, there are writers’ rounds almost nightly worth going to. At these events, you will find writers at many different stages in their careers. Introduce yourself to them, compliment the song they just played. 

What I’m trying to say is make a friend, business can come later. You need to be surrounded by like-minded individuals who have the same or as close to a goal as yourself. Writing with others can exponentially increase your ability. 

When you are comfortable with your songs, share them with others. Sign up for a round and perform them to the best of your ability. You never know who may be listening. It could be a publisher or even an artist looking for the next song on their upcoming record. 

If you are not in a city with bustling rounds, these same connections can be made digitally. Contacts can be made via social media networking and by collaborating with others via digital platforms. Although this is usually more difficult, I know plenty of writers who did this method until making the move to a city like Nashville. 

You may also want to join a professional organization like the Songwriters Guild of America . This organization was created to protect the rights of songwriters and help them improve their skills. If you are a member, you have the opportunity to attend seminars and network with other industry professionals involved in the business. 

Get Out There!

With all this said, the easiest way to become a songwriter is simply to start writing songs. The longer you wait, the less material you’ll put out. Dive in headfirst and write what seems natural to you. 

Not everything you write will be good, trust me, I know from experience. But, at the same time, not everything will be bad. 

Over time you will develop your own style and probably tend to write in your preferred genre. Get out there, meet people and start writing today. Remember why you started writing, you enjoy doing it. 

Tie It All Together

If you are interested in learning more about the music business and how to become a successful songwriter, Dark Horse Institute’s  Music Business  and Songwriting Programs are a great way to take things to the next level when you are ready.

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What are Songwriters? How to Become a Songwriter Explained

Songwriters write songs . Sounds simple right? It’s true, songwriters do in fact write songs. But it’s a little more complicated than that…

What do songwriters really do in today’s music industry? And more importantly, what do you need to know before you hire or collaborate with a songwriter?

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In this guide you’ll learn everything you need to know about songwriters including what they are, what the do and how to find one.

Let’s get started!

What are songwriters?

A songwriter is a professional musician who composes, writes or creates musical compositions. Songwriting gigs can include writing lyrics , melodies , hooks or entire compositions .

Songwriters typically specialize in one specific aspect of writing and work with other songwriters that compliment their own skills.

For example: a lyricist might collaborate with another songwriter that’s primarily a composer to create a full composition.

A songwriter is a professional musician who composes, writes or creates musical compositions.

What do songwriters do?

Songwriters create compositions for other artists or acts with the hopes of having their compositions recorded by bigger commercial artists.

The compositions songwriters create are typically recorded as demos that are shopped to producers, executives, artists or managers. If a song is picked up, that song will be recorded by another artist or band with songwriting credit given to the composer(s).

Songwriters typically focus on on specific aspect of songwriting and represent a specific type of songwriter.

Types of songwriters

Lyricists write lyrics, or the words, to a song. Lyricists may work on music simultaneously with a composer or write lyrics for songs that are already completed.

They might also only provide smaller portions of a song like a vocal hook, or a simple chorus or verse . What the project entails relies on how far along a composition is and what the needs of the project are.

Topliners are a type of songwriter that adds certain musical elements to a composition that is already partially complete.

Topliners might provide lyrical hooks, melodies or other vocal elements to an existing beat or musical bed.

Beatmakers or producers compose beats or backing tracks that will then receive further instrumentation from another type of songwriter like a lyricist or topliner.

Beatmakers will often program drums, percussion, basslines and sometimes melodic elements like synths or guitar to create composition that can be built on.

Producers and beatmakers will often send beats and tracks to several songwriters to find the right accompaniment.

Composers are most typically tasked with creating larger portions of a composition like an entire backing track or parts for multiple instruments which can include the melody, hooks, leads and overall composition.

Composers are sometimes paired with other songwriters like topliners or lyricists to complete ideas, musical beds or compositions they have already completed.

The benefits of hiring a songwriter

The biggest benefit of hiring a songwriter is the ability to add new expertise to your project.

Hiring a songwriter allows you to focus on what you do best rather than having to do everything yourself.

For example: if you’re a talented vocalist but struggle with writing and composing music, hiring a songwriter helps you focus on what you do best.

Similar to hiring a mix engineer or mastering engineer, the help of a songwriter takes your project in new directions and helps you turn smaller ideas into fully realized songs.

Additionally, working with other songwriters grows your network and helps you form collaborative relationships that can last well beyond a single project.

Working with other songwriters grows your network and helps you form collaborative relationships that can last well beyond a single project.

How to find and hire a songwriter

Hiring or working with a songwriter is all about being prepared. Whether you’re a songwriter looking to collaborate or an artist looking to hire a songwriter, the best way to connect with other composers is through o online music networking platforms.

Especially today, the songwriting industry is spread out and the types of gigs have transformed from traditional songwriting of yesterday.

LANDR Network is a great place to find songwriters of all types:

• Hire Topliners Online
• Hire Songwriters Online
• Hire Lyricists Online
• Hire Beatmakers Online

Connect with a pro

From session musicians to marketing wizards, LANDR Network is the fast simple way to find the help you need to kick your project up a notch.

How to become a songwriter

Becoming a songwriter is largely dependent on networking , sharing your music , and making connections within the genres of music you’re hoping to create.

Start networking early. Be professional about how you share your demos and build good relationships with clients. No gig is too small in the beginning.

Look for collaborators you can build solid working relationships with and make sure you’re maximizing your skills.

Songwriters also write and record a ton of demos that may span different genres, approaches or styles. So make sure you’re writing often and across genres if you can.

Traditionally, songwriters worked in music hubs like LA or Nashville, but online networking platforms have made it easier to collaborate and write songs from anywhere. So online presence is a must for aspiring songwriters.

Reaching out to other songwriters is also a good move. As I mentioned before, songwriters who specialize in lyrics or topline will be looking to collaborate and vice versa.

The song remains the game

The songwriting industry has certainly evolved from it’s early beginnings. But the core concepts are still the same: people getting together so make some sweet sweet music.

Now that you know the ins and outs of songwriting, hire a songwriter today and get started on the next hot hit!

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How to Become a Songwriter

Writing songs is a great way to express yourself creatively and share your emotions with the world. Becoming a songwriter requires hard work and dedication, and the rewards can be great. If you have an interest in writing or composing music, then becoming a songwriter could be the perfect career for you. Whether you’re looking to write songs for yourself or become a professional songwriter, here are some useful tips on how to become a songwriter.

Step 1: Develop Your Craft

Learning the basics of music theory can help you develop your skills in writing melodies and chords. This includes understanding key signatures, musical chords, and scales as well as the different rhythms and beats used in songs. By having a deep understanding of music theory and how notes interact with one another, you can translate that knowledge into crafting meaningful songs with great melodies and arrangements.You should also practice playing an instrument. You’ll be able to create complex compositional techniques such as chord progressions and rhythmic changes when you know what sounds good on an instrument. Familiarizing yourself with chords and scales gives you more freedom when writing lyrics since they can fit around the chords.Develop your own style as a writer. Learn about different genres and experiment with different techniques until you find something that works for you. Creating your own melodies and lyrics requires practice and creativity!You may also wish to hone your craft by collaborating with fellow artists or taking formal classes on songwriting and composition. This is especially beneficial if you are looking to write tracks for commercial purposes.

Step 2: Research the Music Industry

Step two in the process of becoming a successful songwriter involves researching the music industry. To do this effectively, start by familiarizing yourself with both the local and global music scenes. Research what genres of music are popular as well as which labels and recording studios are prominent in each genre so that you know where to send your songs when they're ready. Additionally, look into any trends or changes that have been occurring in the industry. This will help you stay up-to-date on any current developments.You should also research which platforms are most accessible for independent artists looking to get heard by a larger audience. Knowing which streaming services are popular among listeners and understanding how to use them effectively will make promoting your work much easier down the line.Most of these platforms offer analytics for artists that may provide insights into what type of music appeals to which audience. Listeners on each platform may also have different preferences in terms of musical genre or production quality. Being aware of these nuances can help you tailor your songs accordingly.You can familiarize yourself with the music industry as a whole by reading blogs and articles written by industry professionals who have experience in this field.

Step 3: Make a Demo Track

Step three on the road to becoming a successful songwriter is creating a demo track.A demo track serves as a representation of your writing style and allows you to showcase your best work in order to send it off for consideration. Demo tracks should be created with quality equipment, such as professional recording software and microphones, or at least be mixed by someone with experience in audio engineering so that it sounds professional.The length of the demo track should also be kept relatively short. No longer than two minutes long is ideal for most cases unless otherwise instructed.After completion of the track, have someone you trust review it for feedback before submitting it as potential samples for publishers or labels.

Step 4: Reach Out to Music Publishers

Once you have composed your songs and created a demo, the next step in becoming a songwriter is to reach out to music publishers. Music publishers can help get your music heard by labels and other industry professionals. To make the most of this opportunity, it is important to be strategic when reaching out.Start by research potential music publishing partners that fit with your vision and genre of music. Keep track of what genres they typically sign, as well as any artists or writers on their rosters.As an aspiring songwriter, it is important to understand the type of compensation each music publisher is offering you for your work. Knowing the correct payment structure for each publisher will help you determine which offers are beneficial for you and your career. Music publishers offer a variety of different compensation plans, from royalties to advances. It is essential to research and understand the terms and conditions associated with each of these payment structures before committing to any specific offer.After identifying a few potential matches, prepare a concise pitch package that includes your demo and links to your social media outlets. Be sure to include all contact information as well as some background information about yourself such as experience or awards won in the past. Create an effective subject line for emails so that the publisher is more likely to open them.

Step 5: Network with Producers & Artists

To gain recognition and get your music placed with artists or produced for commercial use, networking is essential.Networking requires confidence and self-promotion, but don't forget that this is also an opportunity to learn from other industry professionals. Reaching out to producers, A&R representatives, music publishers, studio engineers and other professionals can open doors for you into the music industry.It's important to approach these individuals with respect. Aim for authentic relationships that give both parties something valuable. Don't be afraid to reach out via email or social media. Many successful songwriters promote their work through online platforms.

Step 6: Utilize Songwriting Services

Songwriting services can help novice writers develop their skills and get their music out there.There are several different types of songwriting services available to individuals who want to become a professional writer. One type is online collaboration sessions where multiple people work together on one piece of music from start to finish. Other services include lyric writing, instrumentation, production, and mixing – all designed to help create the perfect track for your portfolio or album project.Another form of service is hiring a mentor or coach who will provide guidance in developing the necessary skills for success as a songwriter. A mentor will not only provide guidance but also help build essential skills needed for career growth. Whether you're learning the basics of music theory, melodies, lyric writing , copyright law, demo production, or industry etiquette, these mentors have seen it all before. They are able to give advice on how best to approach various writing tasks that could make or break potential opportunities for aspiring songwriters.

Become a Songwriter at Visible

Are you looking to take your songwriting skills to the next level? Visible has an innovative approach to music education. Through Visible's Modern Music Certificate Program or Bachelor’s Degree in Modern Music , aspiring songwriters can find a mentor who understands the craft. Students will have access to experienced music industry professionals and get feedback on their work from peers. These programs focus on modern music theory and current trends in popular music so that students can stay ahead of the curve.

8 Steps to Becoming a Successful Songwriter

Apr 16, 2024 - Stereo Stickman

Unlock the secrets of songwriting! Dive into practical steps, tips, and prompts to kickstart your career as a professional songwriter

Becoming a professional songwriter is a dream for many music lovers, but it’s also a tough road that requires dedication and skill. In this guide, we’ll dive into the details of this journey, from understanding what a songwriter does to practical steps you can take to start your career in music.

Being a professional songwriter is more than just writing songs ; it’s about capturing emotions and stories through music. As we explore the process, we’ll look at the basics of writing songs, like how melodies and lyrics come together. We’ll also cover the steps you can take to get started in the music industry, offering advice to help you find your way in this exciting field.

What does a songwriter do?

Songwriters are the creative minds behind the lyrics and melodies that captivate listeners. They craft stories, emotions, and experiences into memorable songs that resonate with audiences worldwide. Beyond simply writing music, songwriters often collaborate with artists, producers, and other professionals to bring their compositions to life through recordings and performances.

8 Steps to Become a Successful Songwriter

1. learn the basics of music.

Begin your journey by enrolling in a songwriting course to learn the basics of making music. You don’t need a fancy degree, but grasping the fundamentals can be a big help. 

Understanding how to write lyrics, create melodies, and knowing a bit about music history and theory can all give you a leg up in developing your own style. Plus, it’ll provide a confidence boost as you gear up for the road ahead, armed with valuable tips and prompts .

2. Ear Training

Having a good ear for music is important for anyone interested in becoming a songwriter. Dive into various songs, pay attention to chord changes, and play around with melodies to enhance your musical instincts. Take the time to analyze how different elements come together to create memorable tunes.

3. Craft Your Own Songs

The path to becoming a skilled songwriter hinges on practice. Make it a habit to dedicate regular time to composing and polishing your own songs. Embrace the journey of creativity, allowing each piece you create to teach you something new about the art of songwriting.

4. Capture Your Music 

Recording your songs to share your work with a wider audience. Whether you’re in a fancy studio or at home with simple gear, it’s worth investing in the tools and skills needed to create top-notch demos of your music. These recordings serve as your calling card, showcasing your talent and opening doors to new opportunities in the music industry. An example of a tool that will help you to create quality music is www.unison.audio .

5. Improve Your Abilities 

Always be on the lookout for chances to enhance your songwriting skills. Dive into music theory, team up with other musicians, and pick up some basic music production know-how to broaden your skills and polish your craft. By continually pushing yourself to learn and grow, you’ll become a stronger songwriter ready to tackle any musical challenge.

6. Team Up with Others

Working with others can add depth to your creative journey and unlock new doors. Connect with fellow songwriters, musicians, and industry insiders to build relationships and embark on exciting collaborative ventures. By joining forces with like-minded individuals, you’ll expand your horizons and discover fresh avenues for creative expression.

7. Spread Your Music Far and Wide

Embrace the courage it takes to share your music with the world. Whether it’s through social media, live shows, or industry gatherings, make use of every opportunity to get your songs out there. By leveraging online platforms, performing live, and attending networking events, you can not only reach potential fans but also connect with key players in the music industry.

8. Connect with Supportive Allies

Identify folks and groups in the music biz who can back and boost your efforts. Seek out A&R folks, music producers, bloggers, and other influencers to widen your audience and open up new possibilities. By reaching out and building relationships, you’ll increase your chances of success in the music industry

The journey to becoming a songwriter is both challenging and rewarding. It requires dedication, perseverance, and a deep passion for music. Throughout this guide, we’ve explored the essential elements of songwriting, from understanding the role of a songwriter to practical steps you can take to kickstart your career.

Being a professional songwriter goes beyond simply writing songs; it’s about capturing emotions, telling stories, and connecting with audiences on a profound level. By honing your skills, collaborating with others, and sharing your music with the world, you can embark on a fulfilling journey towards success in the music industry.

Remember, the road to becoming a successful songwriter may have its obstacles, but with determination and creativity, you can overcome them. Keep learning, keep creating, and never lose sight of your passion for music. With perseverance and a commitment to your songcraft, you can turn your dreams of becoming a professional songwriter into reality.

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Should You Study Songwriting in College?

by Randy Klein 

Do you have to go to college to learn to be a songwriter?

The answer is ‘No’, but I suggest you read on to see why attending college for songwriting might be beneficial.

Songwriting is an artform. Well-written songs tell stories with emotional journeys which are heard and felt by an audience. When a song is not well-written, the audience tends to zone out and stop paying attention to the song. Unfortunately, most songs fall into this latter category.

So how can you learn to write a well-written song? Or, can songwriting be taught? To answer this question, it’s important to understand how songwriting is learned.

Many say that songwriting is learned by writing songs. The more you write, the better you get.

I agree with this. But, if a songwriter doesn’t know some basic fundamental rules of songwriting, they could write a thousand bad songs.

The Five Tenets of Songwriting

• Songwriting is learned by writing songs.
• Songwriting is learned by listening and observing songs written by other songwriters.
• Songwriting is learned by listening objectively to songs in order to recognize what is working in them and what is not.
• Songwriting is learned by taking the lessons learned from writing and observing songs, then applying the learned lessons to the next song you are going to write.
• Songwriting is learned through a cumulative process of exploration and creative surprises.

Which gets us to the bigger question – do you need to study songwriting in college to be able to write songs? The answer is ‘No’, and the answer is ‘Yes’.

This answer is determined by yet another question – what type of songwriter do you want to be?

There are songwriters who have limited formal songwriting education, but they have an innate knack for penning an emotion into music and lyrics. Their knowledge of how they write songs comes from imitating songs they have heard, and through experimentation using the instruments they play to write songs with.

These songwriters are commonplace, have existed since the beginning of time, and a good many have developed a unique voice for their songs in this way. I have found that these songwriters write because they are driven by their passion to do so. Some are singer/songwriters performing their own songs, and others are non-performing songwriters who utilize and rely on instrumentalists and vocalists to help interpret their songs. Many hit songs have come from writers with this background.

There are also songwriters with more advanced skill sets, who can write a song about almost anything. They may have developed their writing skills by listening and imitating songs in the same way as a songwriter who hasn’t had formal training, but they have also learned the craft based on a coordinated approach to the study of songwriting, which is offered in many of the better college and university music departments.

These formal songwriting programs focus on the music, lyrics, and the business of music. Subjects typically included are:

• developing melody, harmony and rhythm
• song structure
• lyric writing
• the marriage of lyrics and music
• recording demos
• pitching songs to artists
• pitching songs for commercial purposes
• copyright and ownership of one’s songs
• registration of songs with the Library of Congress and Performance Rights Organizations (PRO)

Songwriters armed with this body of knowledge often have the ability to write about most any subject and in most genres. Their learned craft allows them to write about anything from an object, animate or inanimate, or for a background that fits to a dramatic action in a TV or film plot.

They have the ability to create songs on assignment that can be used in any type of situation that requires a song. These songwriters also have the ability to write for the trends, writing the next big hit with the hope that their song be picked up by a current pop star.

Regardless of whether a songwriter has taken formal songwriting training or is self-taught, placing a song into any of these professional situations is difficult. The success rate in song placement is slim, very much like playing the lottery. The success rate is low because opportunities are few and the business of music – and the politics of it – are involved.

Lastly, there are songwriters who write for musical theatre. These songwriters have a special skill set to write for an emotional moment in a scene, move the dramatic action forward, and paint the nuances of the character singing. Musical theatre songs have so many masters to answer to that most songs don’t work. It is an advanced form of songwriting offered in only a few college and university songwriting programs.

Do I need to study songwriting in college to be able to write songs?

With all you can learn about songwriting in a formal songwriting program, you would assume that it is key to becoming a great songwriter. These programs do provide the foundation needed to write songs. They also provide an environment where a songwriter can play a song for their peers and get objective feedback, helping them become a better songwriter.

The ability to play one’s song in a nurturing environment is invaluable and is found in the better formal songwriting programs. The unparalleled experience of song feedback, song analysis, and song critique is most essential to a songwriter.

But please remember, these formal learning experiences do not provide the songwriter with the main ingredient that all songs need to possess – passion and truth. These qualities must come from the individual songwriter.

Songs that translate best to the listener are usually well-written and come from a songwriter who is being true to his or her heart.

When I went to college, there were no formal songwriting programs. I learned by writing, listening and being overly passionate about writing songs, and I also started writing songs in my late twenties. Prior to that I was a keyboard player and musician. I became obsessed with songwriting.

I also wrote many bad songs along the way. I’m not sure if I would want to have learned any other way, but it would have saved me a lot of time if there was a course I could have taken.

If You’re Thinking of Studying Songwriting…

Steve Lipman, founder of Inside Music Schools, here!

It appears the question of whether you should study songwriting in college is a question of personal preference, along with some mining of what you want to get out of music school.

I’ve put together a list of several schools that offer all ranges of songwriting study, from full-fledged songwriting programs to schools with courses to supplement your education.

Best Schools with Songwriting Programs or Degrees

• University of Southern California – Ranked number two last year for songwriting schools, the USC Thornton School of Music offers a Popular Music minor in songwriting, along with songwriting classes incorporated into their Music Industry program. There’s also a venue – Thornton’s Songwriter’s Theatre – where aspiring songwriters studying at USC can hone their skills.
• New York University Steinhardt – NYU’s composition major offers a concentration in songwriting . The campus features many award-winning songwriters as faculty, and students embark on a course study that explores their genre of choice. Through several enrichment programs students have the opportunity to meet producers, record executives, and more who can weigh in on your talents.
• Berklee College of Music – Berklee’s program is a full-fledged degree program that has brought many alumni to award-winning success. Songwriting for all mediums – from theater and film to contemporary pop writing – are all covered in Berklee’s program. This program also specializes in helping students find their own particular voice, a crucial aspect of getting ahead of the game in professional music.
• University of Miami – The Frost School of Music offers a minor in Creative American Music – which you must audition for – that helps to open up the world of American pop songcraft. You develop a portfolio, learn about American song traditions from an African-American and traditional folk perspective, and can incorporate your studies into your current work as a songwriter.
• CalArts School of Music – For those studying Music Composition at the Herb Alpert School of Music at CalArts, their “ Singer-Songwriter Project ” is a full release of songs from students. While there is no coursework per se surrounding songwriting, you are put into a supportive environment with other songwriters where you can garner advice, new perspectives, and valuable critiques of your work to make it on the annual release.

If you’re ready to talk about how to get into the best music school for you , contact IMS today.

Steve Lipman

Founder & President at Inside Music Schools | Insidemusicschools.com

Head of admissions and faculty member at Berklee College of Music for 40 years, Steve Lipman and our team at Inside Music Schools speak music as their primary language. We approach each client contact with open eyes, ears, and minds. As the country’s premier music school consultant, he has advised students from the United States, Canada, the U.K., India, Singapore, Dubai, China, Australia, Turkey, Colombia, Argentina, Brazil, Japan, Israel, Italy, Russia and elsewhere.

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5 Steps to Becoming a Songwriter

Making it in the music business is tough, and becoming a songwriter takes a lot of time, effort, and skill. Whether it’s a lucky break or years of perseverance, there are some steps you can take to increase your chances of becoming a songwriter and getting the career you want in the music industry.

Write. Write. Write.

While this tip may seem obvious, if you’re an artist, it’s also the most important! Whether it’s at a local pub, wedding, or friend’s birthday, finding a venue is a must for music industry networking. You never know who will show up or what video will go viral. It’s not easy learning how to network in the music industry, but perseverance goes a long way.

If there’s one takeaway from this, it’s that songwriting education and practice are imperative if you want to know how to get signed as a songwriter. A good song is composed of five basic elements: melody, harmony, rhythm, lyrics, and structure. The lyrics section is where songwriters come in. If you can compose the melodies and harmonies, that’s a plus, but in your quest of becoming a songwriter, the lyrics are what you need to pay the most attention to.

It’s important to have more than a few songs up your sleeve. Work on building a vast repertoire of content that can be used across a variety of styles, brands, and artists. Practice makes perfect—be sure to write, write, write!

Cultivate a Network of Creators

Collaboration can be tricky for some artists, but in the journey to becoming a songwriter, you’ll have to learn how to co-create with others in the industry. Whether it’s musicians or performers, your art will be impacted by the people you work with. So, build a network of high-quality artists and creators you can trust.

It can be tough maneuvering the ins and outs of the industry, but you’ll appreciate having people in your corner who want to see you succeed and can inspire your artistic abilities.

Distribute Your Songs

This one seems obvious, but becoming a songwriter requires you put yourself and your work out there! After you’ve created a portfolio of songs you feel confident in, be sure to distribute it to studios, record labels, artists, and anyone who could help get your work seen. You can do this online through social media, your website, or even some classic CDs.

When distributing, be sure to have your work copyrighted and keep documented proof that you wrote your songs. Once you start putting your work out there, it’s easy for people to rip off your ideas and pass them off as their own. So, knowing how to get signed as a songwriter also entails a little knowledge of how to keep your work protected .

Create Sample Tracks and Demos

If you really want people to grasp your songwriting skills, create sample tracks and demos. Becoming a songwriter requires a bit more than just writing your work down on paper. Having audio samples of your lyrics in action with a vocalist and instruments can make all the difference when discovering how to get signed as a songwriter.

Whether you supply the vocals and instruments or you outsource among your trusted network, having some music to go along with your lyrics can go a long way when trying to distribute your songs.

Remember to Market Yourself

It can be the bane of your existence or one of the greatest joys, but becoming a songwriter will more than likely require some social media management. Whether it’s Facebook, Twitter, Tik Tok, or Instagram, having a following of people who regularly view your profile and get exposed to your music can go a long way in helping you make it in the music industry.

Plus, you can increase your social media status by creating an interactive experience. Go live and ask viewers what they think about certain lyrics or tease out some new content every week. The limits are endless when it comes to social media, and becoming the master of yours will help you go far in learning how to get signed as a songwriter and develop a brand .

At 1500 Sound Academy , we offer classes and training in audio engineering, songwriting, mixing, and more. Our experts are here to help you make it in the industry and be the artist you want to be. Sign up today!

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• How to Succeed as a Songwriter

Anyone can write a song! But if you want to write great songs and make a living as a songwriter, there are some basic skills to learn that will put you firmly on the road to being a successful songwriter. 

Think about the songs you love – what makes you love them? A melody catches your ear, a lyric moves you to tears or lifts you up, and a funky beat makes you want to dance – great songs touch you in these ways.

Where do you imagine your songs being played? Are you writing for yourself? Pitching to artists, film, TV, and other media? Is writing for Musical Theatre your passion? Though each of these genres have differences in style, writing a great song will always include the same elements: music (melody and chords), lyrics, and something that only you can bring. Keep reading to find out!

Getting Started

You can start with an idea, a title, a lyric line, a melody line, or even a cool chord pattern. Once something comes to you, document it! Record it on your phone, write it down, or save it in some way! These little gems are the start of any great songwriter’s next hit song! Journey’s Jonathan Cain started writing the first four lines of “Faithfully” on a napkin while on his tour bus.

TIPS  

• Keep a journal of titles, ideas, cool chords, etc.
• Set aside a consistent time to write - 15-30 minutes a day will set a habit into motion! 
• Go where you feel most inspired, the beach, a café, etc. Sometimes it is best to leave the house and ditch your regular routines. Also, new surroundings inspire new ideas – you might be at a park and hear a conversation that inspires a lyric. 
• Listen to a lot of music and analyze what works.

Song Form and Music Theory

Most rock and pop songs use the simple verse-hook-verse-hook-bridge-hook method.  Some examples include “Dancin’ in the Dark” by Bruce Springsteen and “Heartbreaker” by Geoff Gill and Cliff Wade for Pat Benatar. 

Many songs also have a pre-chorus like “Rolling in The Deep” written by Adele and Paul Epworth and “You Know That I’m No Good” by Amy Winehouse. With these songs (as with many others), there are instrumental breaks instead of a bridge. As a songwriter, you can be creative and follow songs that inspire you.

The 1-4-5 pattern is the basis for most songs though it can be embellished with minor 3rd and 6th chords as well as major or minor 7th chords. You can always start simple and embellish later or you can start with a chord voicing that inspires a cool melody and lyric and go from there.

Lyrics and music have to be congruent: powerful anthem-like music needs an anthem-like lyric. Think “We Will Rock You” written by Queen, Brian May, and Jason Paul Brown, or “Sisters Are Doin' It for Themselves” written by Annie Lennox and Dave Stewart. These songs usually use a simple, 1-4-5 chord progression in a major key.

Working with Others & Working Alone

Imagine Dragon’s hit song “Believer” was written by Dan Reynolds, Wayne Sermon, Ben McKee, Daniel Platzman, Justin Tranter, and Mattias Larsson. Whew – that’s a lot of writers! Songwriting alone can be a challenge and if you find you need some input or if you’re better at music than lyrics, consider collaborating with others.

Pros and Cons of Writing Alone

• Pro – It’s your song idea and you don’t have to negotiate. You get to make all the creative decisions.
• Con – If you get stuck you may stay stuck, and you don’t have the benefit of another perspective.

Pros and Cons of Collaborating

• Pro – You have the benefit of another writer’s ideas and expertise as either a composer or lyricist. 
• Con – You may need to make creative concessions. That said, you will learn to be open to other points of view, successfully negotiate and learn how to communicate respectfully. All good skills to develop!

Additional Tips for Collaborating as a Songwriter

• Make sure you have a good relationship with a collaborator.
• Communicate early on and discuss each other’s expectations.

What Do You  Bring?

Writing a song to express, not impress, is what will make you a successful songwriter. Take time to learn more about the songs you love. How do they impact you? Borrow ideas and take inspiration from those songs and songwriters but don’t imitate. Be distinctly you.

About the Author

Roz Esposito is a singer-songwriter and vocal coach at School of Rock Huntington Beach .

Performing Songwriter

Also Called Artist Songwriter, Singer-Songwriter

Working alone or in collaboration with others, performing songwriters create, record, release, and perform original songs. 

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What does a Performing Songwriter do?

Read about my career

At a Glance

Almost every performing songwriter starts small, writing songs and performing them wherever they can: in music venues, yes, but also cafes, parks, house parties, and community events. Some develop their songwriting talents as members or leaders of a band, while others work within a singer-songwriter tradition, or hire backing musicians to support their compositions. However they choose to work, performing songwriters share a difficult, twofold task: to continuously write, record, and perform as artists while also using outreach to grow the audience for their music.

Signing to a record label is often seen as a milestone for performing songwriters because it allows them to focus on the musical aspects of the job; the label will often take care of booking, promotion, marketing, merchandising, and more. However, many performing songwriters prefer to maintain their creative independence and instead continue to pursue careers as “indie”—short for “independent”—artists. This may mean releasing and promoting their own records, touring to support them, and using unconventional methods like crowdfunding in order to raise enough money to make music on their own terms.

Some performing songwriters continue writing, releasing, and performing music until their dying day. Others transition—gradually or abruptly—into other aspects of the business: founding and managing their own record label, working in A&R, staff writing for other artists, or teaching songwriting to the next generation.

Songwriters need plenty of luck, a willingness to self-promote, terrific networking skills, and talent as performers in order to make it. Aspiring artists should attempt to develop a fan base via social media, local gigs, YouTube videos, and smart branding. Beginning songwriters should seek out local opportunities for collaboration and cross-promotion (e.g. local films, plays, community events). In order to pay the bills, performing songwriters who are early in their careers might utilize music industry connections to work as touring musicians, session musicians, backup singers, or staff writers. Compared with the ongoing and often unprofitable task of writing, recording, releasing, touring, and popularizing their own compositions, gigs like these provide performing songwriters with immediate income.

• Lyric writing
• Melody writing
• Track writing
• Demo production
• Vocal or instrumental ability
• Collaboration

Writing songs is the way to become a better songwriter, but developing interpersonal skills is the way to become a more successful one. Aspiring songwriters should seek to strengthen their networking, self-promotion, and entrepreneurial skills—abilities that will help them connect with new audiences and take advantage of whatever opportunities come along. To ensure a long career, performing songwriters must also practice critiquing and revising their own work, and foster an open and curious approach to new musical influences and trends.

Performing songwriters work in a cycle: writing new songs, recording them, releasing them, and touring to support and sell them. Depending on where they are in the production cycle and their own careers, performing songwriters might be working mostly on their own, or collaborating with managers, bandmates, engineers, producers, touring and session musicians, and others. Sometimes the work schedule of a performing songwriter is flexible, allowing time to sleep in and grab coffee before sitting down to finish or revise a song. At other times—like the weeks performing songwriters spend on the road promoting their albums, or the sleepless three-day studio sessions—the schedule is incredibly tight and demanding.  Performing songwriters generally enjoy breaks in between albums, when they can reunite with their families and loved ones and spend some time gathering new material before they return to the studio and the road.

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How to Be a Singer Songwriter

Last Updated: August 22, 2024 References

This article was co-authored by Tanisha Hall . Tanisha Hall is a Vocal Coach and the Founder and Executive Director of White Hall Arts Academy, Inc. an organization based in Los Angeles, California that offers a multi-level curriculum focused on fundamental skills, technique, composition, theory, artistry, and performance at a conservatory level. Ms. Hall's current and previous students include Galimatias, Sanai Victoria, Ant Clemons, and Paloma Ford. She earned a BA in Music from the Berklee College of Music in 1998 and was a recipient of the Music Business Management Achievement Award. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been viewed 119,602 times.

Being a singer songwriter is a dual craft - you must be both a good lyricist and an excellent performer to be successful. Having a strong background in music is key, but you must also be willing to put in the work to improve your singing and writing skills. If you're thinking of going down this career path, it's also important to understand how competitive the field is and realize that you may need to do it on a part-time basis.

Developing Your Musical Skills

• If you’re already a student, see if your school offers a music theory class that can help you pick up all of the basics, including how to read specific notes and decipher the beat.
• If you’re not in school, your local community college or continuing education program may offer an introductory music course.
• There are a variety of online programs that can help you learn to read music. Many are free, but you can also pay for courses that provide more personal instruction.
• Some singer songwriters receive a more formal education by attending an arts college or performing arts conservatory with dedicated music programs, such as The Juilliard School or the Berklee College of Music. It isn’t necessary, but a formal degree may open other career paths to you if songwriting doesn’t work out, such as teaching music.
• Reader Poll: We asked 190 wikiHow readers to tell us the number of instruments that they play, and only 6% of them said that they played 5 or more . [Take Poll] So if you play more than 4 instruments, you’re a rare person—and we’re impressed!

• If you have the opportunity to learn an instrument as part of your school’s band or orchestra program, go for it. It’s a chance to get hands on instruction without having to pay for it.
• You can take private lessons to learn how to play the guitar, piano, or another instrument. Visit your local music store to ask about learning -- the store may offer classes or have a bulletin board where teachers can provide their contact details.
• It’s possible to learn an instrument without a teacher. There are online programs and videos that can provide effective instruction if you’re willing to make an effort.

• Private vocal lessons can be fairly expensive, so it’s important to set a budget and shop around until you find a teacher who you can afford.
• If you want to be sure to find a qualified vocal teacher, visit the National Association of Teachers of Singing website. They provide a search engine that allows you to find vocal teachers in your area who meet the association’s standards.
• If you’re on a budget, your local music store is an ideal place to look for a vocal teacher. You may find graduate students and instructors who only teach part-time, so they don’t charge as much as full-time teachers.

• If you don’t have any opportunities to join a singing group, find ways to perform on your own. Sign up for a local talent show or gather some friends and family that you can perform for. Even participating in karaoke night at your favorite restaurant or bar can help you become more comfortable in front of a crowd.

Be confident in your abilities. "Your self-worth is determined by you. You don't have to depend on someone telling you who you are. Do what you were born to do. You just have to trust yourself."

Writing Your Own Songs

• Pay close attention to the lyrics of the songs that you listen to. See which ones move you emotionally, so you can try to figure out how to create a similar effect with your own music.

• Some songs contain a bridge in addition to the verses and chorus. A bridge is usually a section that helps take the song in a new direction. In many cases, it’s instrumental and may feature changes in key, tempo, chords, or instrumentation. The common layout for a song with a bridge is: verse, chorus, verse, chorus, bridge, chorus. [6] X Research source
• In some cases, a song may contain a pre-chorus, which serves a transition between the verses and the chorus.
• Some songs features intros and outros, which help establish and expand the song’s main theme. It can be comprised solely of instrumentals or feature a combination of vocals and instruments.
• It may help to print out the lyrics or purchase the sheet music for some songs. That way, you can diagram the songs and label each section as what it is.

• Carry your journal with you all the time. You never know when an idea for a song or specific lyric will hit you.
• Sometimes, it’s easier to sing an idea that comes to you. Use a recording app on your phone to hum a chorus or melody line that you come up with suddenly.

• If you have a specific story or idea that you want to convey in your song, it may be best to start with the lyrics.
• If you want to capture a certain mood, starting with the melody or chords may be a better approach.
• When you’re trying to figure out a chord progression for your song, just play chords that you think sound good together. In music theory, there are certain chords that are commonly played together, but you’ll never know if a progression will work until you play it.
• When you’re having trouble coming up with lyrics, it’s okay to hum nonsense words or syllables until you establish a basic melody for the song.

• If you have the money to book a session at a professional recording studio, that is definitely the best option. Do an online search for studios in your area.
• If you don’t have the budget for a professional recording session or don’t have any studio nearby, don’t worry. You can make a strong recording with a good quality microphone and the right computer software at home.

Getting Exposure as a Singer Songwriter

• You’ll also need a recorded version of the song. It doesn’t have to be a professional recording from a studio, though. You can use a rough demo version.

• In addition to open mike nights, keep an eye out for talent shows and music festivals in your area that might allow you to perform your songs.

• There are a variety of different contests for songwriting, such as the John Lennon Songwriting Contest and the International Songwriting Competition. Some may be geared toward specific genres, though, so be sure to find one that’s a good fit for your song(s).
• Do an online search to find songwriting competitions that you may want to enter. In some cases, you may be better off entering local contests because you won’t be competing against as many other songwriters.

• You can also use social media to advertise performances. The more people that you help bring to an open mike night, festival, or other venue, the more of a commodity you’ll seem to booking agents and music industry executives.
• It’s also a good idea to create a website for yourself and your music. There are a variety of website building sites that make it easy to create a site even if you’re not a computer expert. A fee may be required, though.

• Some online catalogs charge a fee to list your songs, so be sure to read the fine print to know what you’re in for.

• If you’re going to be sending a demo to a record label, you should have a professional recording of your music. Wait until you have the money to buy studio time and produce a high quality demo before contacting a record company.

Become a Song Writer with this Expert Series

Community Q&A

• Patience is a virtue for a singer songwriter. It can take a long time to build a successful career, so be sure that you have another way to earn money while you’re trying to establish yourself. Thanks Helpful 0 Not Helpful 0
• Get as much feedback as possible on your songs and singing style from your friends, family members, music teachers, and fellow musicians, so you can continually improve. Be receptive to constructive criticism too -- it takes a thick skin to make it in the music business. Thanks Helpful 0 Not Helpful 0
• To keep your songwriting skills sharp, you should always be working on new songs. Keep an eye out for inspiration whenever it may strike. Thanks Helpful 0 Not Helpful 0

Tips from our Readers

• When you've finished writing a song, play it for someone you trust and ask for their input. They could help you make it even better!
• Write about something you really care about. If you write with honesty and passion, this will resonate with your audience.

• The music industry is a very competitive business, so making it as a successful singer songwriter is difficult. It’s important to be realistic about your chances of making a decent living at it, and to have a backup plan in case it doesn’t work out. For example, you might train to become a music teacher as well.

You Might Also Like

• ↑ https://www.musicnotes.com/blog/how-to-read-sheet-music/
• ↑ Tanisha Hall. Vocal Coach. Expert Interview. 27 March 2020.
• ↑ https://takelessons.com/blog/how-to-be-a-singer-songwriter-z02
• ↑ https://www.careersinmusic.com/singer/
• ↑ https://takelessons.com/blog/how-to-write-a-song-for-beginners
• ↑ http://www.huffingtonpost.com/kellee-maize/how-to-make-music-10-step_b_6660346.html
• ↑ http://www.bmi.com/news/entry/10_things_you_need_to_know_about_placing_music_on_tv_and_in_films

About This Article

To be a singer songwriter, start by learning to read music so you can understand the pitch, speed, and rhythm of a song. Next, learn how to play an instrument, such as the guitar or piano, to develop melodies and chords for your songs. Additionally, work with a singing teacher to strengthen your voice. As you prepare to write your own songs, listen to a variety of genres to get a feel for what makes a song successful. You can also keep a journal of thoughts and ideas for inspiration. To learn how to get exposure as a singer songwriter, keep reading! Did this summary help you? Yes No

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Song Writer Education Requirements

The educational requirements for a song writer typically involve obtaining a certificate or an associate's degree, with some pursuing a bachelor's degree. According to Dr. Wilma Davidson , Instructor at the University of South Florida, "All businesses need good writers. You can work remotely as a freelancer or an employee without concern about where your employer is located." This suggests that the location of the employer may not be a significant factor for song writers.

In terms of educational background, song writers often have majors in Business, Music, General Studies, Theatre, or Accounting. They may attend top schools such as Northwestern University, Stanford University, University of Southern California, Pennsylvania State University, or University of Houston. Emily Griesinger Ph.D. , Professor of English at Azusa Pacific University, advises, "I would say 'don't give up' because your literacy gifts are especially needed right now." This highlights the importance of persistence and the value of strong writing skills in this field.

What education do you need to become a song writer?

What degree do you need to be a song writer.

The most common degree for song writers is bachelor's degree, with 43% of song writers earning that degree. The second and third most common degree levels are high school diploma degree at 24% and high school diploma degree at 17%.

• Bachelor's , 43%
• High School Diploma , 24%
• Associate , 17%
• Master's , 8%
• Other Degrees , 8%

What should I major in to become a song writer?

Based on the education requirements, a bachelor's degree in English, Communications, Journalism, or a related field is typically preferred for songwriters. Some songwriters may also benefit from knowledge in technical fields such as engineering or computer and information technology. According to the Society for Technical Communication, certification can demonstrate competence and professionalism, making candidates more attractive to employers.

• Business , 20%
• Music , 20%
• General Studies , 6%
• Theatre , 5%
• Other Majors , 49%

Most common colleges for song writers

Song writers often get their degrees at William Paterson University of New Jersey, University of Phoenix, and Western Washington University. Here are the most common colleges for song writers in the US based on their resumes.

Best majors for song writers

Best colleges for song writers

The best colleges for songwriters, such as Northwestern University, Stanford University, and the University of Southern California, offer a path to advanced education. This can lead to higher salaries and better job opportunities. The ranking considers factors like admissions rate, retention rate, and graduates' earnings to ensure these institutions provide valuable resources for aspiring songwriters.

1. Northwestern University

Evanston, IL • Private

In-State Tuition

2. Stanford University

Stanford, CA • Private

3. University of Southern California

Los Angeles, CA • Private

4. Pennsylvania State University

University Park, PA • Private

5. University of Houston

Houston, TX • Private

6. San Diego State University

San Diego, CA • Private

7. Syracuse University

Syracuse, NY • Private

8. Boston University

Boston, MA • Private

9. SUNY Stony Brook

Stony Brook, NY • Private

10. University of Minnesota - Twin Cities

Minneapolis, MN • Private

20 best online courses for song writers

1. Music Composition with the Piano: Ultimate Keyboard Theory

Music Composition - The Ultimate Guide to Piano, Chords & Music Theory for Producers, Film Composers & Songwriters...

2. Film, TV, & Video Game Music Composition + Production Basics

#1 Music Composition, Production, Technology, & Business Course...

3. Music Theory

An in-depth and straight forward approach to understanding music...

4. Orchestral Music Composition & Music Theory for Video Games

Learn orchestral video game music composition & game composer music theory secrets to compose music for any video game!...

5. Music Theory for Electronic Music Producers - Complete Guide

This is the only Music Theory for Electronic Music Producers you will ever need. Learn Music Theory the Easy & Quick Way...

6. Music Theory for Electronic Producers - The Complete Course!

Join Successful students in Music Theory for Electronic Producers for Creating, Arranging, and Analysing Music Theory...

7. Music Theory Comprehensive Complete: Part 4, 5, & 6

Learn music theory through this music theory course app, music theory exercises, and music theory tutorials...

8. Music Theory - Fundamentals for Composition in Any Genre

Expand your music composition skills through learning universal music theory principles, mindset, and ear training...

9. Music Producer Masterclass: Make Electronic Music

Compose Music At A Professional level. Learn FL studio From Beginner To Expert Level. Become A Music Producer...

10. Create Awesome Music with Cubase - Using Composition Tools

If you can hear it in your head, you can produce it (even if you don't know music theory and can't play an instrument!)...

11. Songwriting Hit Mastery: Lyric Writing, Music Theory

Song Writing with Melissa Peirce (#1 Hit Songwriter), Music Composition, Lyrics, Music Theory, Chords & Melody...

12. Garageband for Songwriting and Music Production

Become a master at using Garage Band. Learn how to Compose, Edit, Mix and Master your music with real life examples...

13. Mixing Music - Learn how to mix a Pop Rock Song like a Pro!

Mixing Music: Improve your mixes & learn the BEST techniques in the industry used on multiple platinum selling records!...

14. Game Music Composition: Make Music For Games From Scratch

Learn to compose music for any and every type of video game, from complete beginner to competent game music composer...

15. Music Composition 2

Harmony and Compositional Form...

16. Songwriting & Music Production In GarageBand- A Total Guide!

Learn how to use the powerful tools that Garage Band offers for creative songwriting and high quality music production!...

17. Practical Music Theory 101 For Guitar

Learn Basic Music Theory For Guitar And Master The Fretboard With Ease!...

18. SONGWRITING SIMPLIFIED: Music Theory, Melody & Creativity

Songwriting for PIANO and GUITAR. Chord Progressions, Scales, Melodies, and Lyrics... with no Music Reading!...

19. Songwriting in Logic Pro X for Electronic Music Production

Join Successful students in Songwriting, Composing, Arranging + Music Production for Electronic Producers in Logic Pro X...

20. Music Composition 1

Learn how to compose well-written rhythms and melodies...

Top 10 most affordable universities for song writers

The most affordable schools for song writers are Baruch College of the City University of New York, university of florida, and brigham young university.

If the best universities for song writers are out of your price range, check out these affordable schools. After factoring in in-state tuition and fees, the average cost of attendance, admissions rate, average net price, and mean earnings after six years, we found that these are the most affordable schools for song writers.

1. Baruch College of the City University of New York

New York, NY • Private

Cost of Attendance

2. University of Florida

Gainesville, FL • Private

3. Brigham Young University

Provo, UT • Private

4. Florida State University

Tallahassee, FL • Private

5. California State University - Dominguez Hills

Carson, CA • Private

6. Brooklyn College of the City University of New York

Brooklyn, NY • Private

7. California State University - Bakersfield

Bakersfield, CA • Private

8. City College of New York of the City University of New York, The

9. California State University - Long Beach

Long Beach, CA • Private

10. USF Sarasota-Manatee

Sarasota, FL • Private

Top 10 hardest universities to get into for song writers

The hardest universities for song writers to get into are Northwestern University, Stanford University, and University of Southern California.

Some great schools for song writers are hard to get into, but they also set your career up for greater success. The list below shows the most challenging universities to get into for song writers based on an institution's admissions rates, average SAT scores accepted, median ACT scores accepted, and mean earnings of students six years after admission.

Admissions Rate

SAT Average

4. Washington University in St Louis

Saint Louis, MO • Private

5. Boston University

6. Northeastern University

7. Vanderbilt University

Nashville, TN • Private

8. New York University

9. George Washington University, The

Washington, DC • Private

10. Johns Hopkins University

Baltimore, MD • Private

Top 10 easy-to-apply-to universities for song writers

The easiest schools for song writers to get into are Notre Dame de Namur University, holy names university, and oklahoma wesleyan university.

Some schools are much easier to get into. If you want to start your career as a song writer without much hassle, check out the list of schools where you will be accepted in no time. We compiled admissions rates, average SAT scores, average ACT scores, and average salary of students six years after graduation to uncover which were the easiest schools to get into for song writers.

1. Notre Dame de Namur University

Belmont, CA • Private

2. Holy Names University

Oakland, CA • Private

3. Oklahoma Wesleyan University

Bartlesville, OK • Private

4. Mount Saint Mary's University

5. Barry University

Miami, FL • Private

6. Kean University

Union, NJ • Private

7. Saint Joseph's College of Maine

Standish, ME • Private

8. Cardinal Stritch University

Milwaukee, WI • Private

9. Rochester University

Rochester Hills, MI • Private

10. William Paterson University of New Jersey

Wayne, NJ • Private

Average song writer salary by education level

According to our data, song writers with a Bachelor's degree earn the highest average salary, at $79,902 annually. Song writers with a Master's degree earn an average annual salary of $79,245.

Song Writer Education FAQs

What is the best college for song writers, search for song writer jobs.

Updated April 5, 2024

Editorial Staff

The Zippia Research Team has spent countless hours reviewing resumes, job postings, and government data to determine what goes into getting a job in each phase of life. Professional writers and data scientists comprise the Zippia Research Team.

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3 Things To Know About Krystal Keith, Daughter of Late Country Icon Toby Keith

Erinn Callahan

Updated: 

Country icon Toby Keith passed away in February at age 62 following a two-year battle with stomach cancer. “As great as he was in his career, he was so much greater as a dad and a husband and a Pop Pop,” wrote youngest daughter Krystal Keith of her “hero.” In July, Krystal brought on the waterworks with her emotional rendition of her father’s song, “Don’t Let the Old Man In.” Here are a few things to know about Toby Keith’s daughter and fellow country singer-songwriter.

Videos by American Songwriter

1. her dad helped produce her debut country album.

Following in her father’s footsteps, Krystal Keith released Whiskey & Lace , her country music debut, in 2013. Recently, she revealed that her dad not only produced the record, but made a cameo on the track ‘Beautiful Weakness.”

View this post on Instagram A post shared by Krystal Keith (@krystalkeith)

“I’m so lucky to get to listen to our voices together for eternity,” she wrote. “And as luck would have it, listening to it is exactly that, a beautiful weakness for me.”

2. Her Dad Made Her Get An Education Before Pursuing A Music Career

In 2004, Krystal Keith collaborated with her father on a cover of “Mockingbird” by Inez and Charlie Foxx. The track, which appears on Toby Keith’s compilation Greatest Hits 2, reached No. 27 on the Billboard Hot Country Songs chart.

Perhaps Krystal could have kick-started her career right then and there, especially after performing “Mockingbird” with her dad at the 2004 Country Music Association awards ceremony. Instead, she attended the University of Oklahoma at her father’s insistence.

[RELATED: How the University of Oklahoma Football Team Plans to Honor Toby Keith at Every Home Game]

“My dad took the opportunity to make sure I had the tools I needed to survive in this industry and made me go to college so that I had a chance to grow up before I kind of put myself out there,” Krystal said in a 2013 interview.

3. Krystal Keith Begged To Tag Along On Her Dad’s USO Tours—To No Avail

Patriotism was key for Toby Keith, and it’s a value he instilled in his daughter. However, that sense of national pride didn’t extend to bringing her along on his many USO tours .

“He went into, like, dad mode,” Krystal Keith recently  told  Fox News . “He was like, ‘No, no, this is really important work I’m going to do, and no, my daughter is not – It’s not something where … I’m going to put you in danger so you can go experience this.’”

Photo by Amy Harris/Shutterstock

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Things to do | mechanical problem halts concourse trains in denver international airport, things to do, things to do | denver audiences have evolved; the newman center’s new season is proof, the 2024-2025 presentations will have an international aura — plus patti lupone.

There were always exceptions on the annual Newman Center Presents season — it was never boring — but the community came to think of it as a place to see artistic standard bearers, acts that needed no introduction, like the Martha Graham Dance Company, or the London Symphony Chorus, or Dizzie Gillespie’s All-Star Big Band.

This year’s season, which is particularly tantalizing, shows how far the venue has come — and perhaps how far the tastes of Denver audiences have evolved and opened up. There are only a few acts on the schedule that most people here probably have heard of; instead, it’s a global fest of performers across art forms, geography and purpose.

It’s a challenging lineup, but also irresistible, starting Sept. 22 with season opener, Cécile McLorin Salvant, whose jazz vocalist repertoire includes songs in French, English and Haitian Kreyòl.

There are also acts, such as Vieux Farka Touré, a musician from Mali, who is known as “the Hendrix of the Sahara,” (on April 11); Music From The Sole, an ensemble that combines music and dance influenced by Afro-Brazilian, jazz, soul, house and Afro-Cuban styles (Jan. 25); and Zakir Hussain’s Masters of Percussion (March 18), whose bandleader expands traditions from his native India.

“I think the programming has evolved very naturally over the  20-plus years to reflect the society that we live in, and the very real conversations that are happening on- and off-stage,” said executive director Aisha Ahmad-Post, who curated the season.

For example, when Newman Center Presents began its work as part of the University of Denver, there were few female classical composers in the spotlight and few living composers that classical fans would show up for. This year, a season highlight is the appearance of Caroline Shaw, who is both alive and female and a top name in the classical composing business. She performs Nov. 9 with songwriter and storyteller Gabriel Kahane.

The cultural conversation has also become more inclusive, as the idea of “fine art” has grown to include classical practices from places beyond the U.S. and Europe.

That transition will be on display at Newman, too. There is one bedrock New York-based dance troupe on the schedule, the Limón Dance Company (Feb. 18), which has been at the vanguard of modern movement since it was founded by Jose Limón and Doris Humphrey in 1946.

But there is also Cloud Gate Dance Theatre of Taiwan, which has been developing its own style in Asia for the past 50 years (Nov. 23-24). Cloud Gate integrates elements of Chinese opera and tai chi into its modern dance using performers who learned their craft globally, including in the U.S.

“Cloud Gate is, interestingly, an extension of American contemporary dance,” said Ahmad-Post. “A lot of the dancers actually trained at Graham.”

Ahmad-Post builds the season by doing a lot of research, traveling to conferences, concerts and events internationally and identifying attractions she thinks people will like, and then doing the hard part of coordinating the schedules of popular performers, who tour relentlessly, with the open slots on the Newman Center stages.

She also has in mind, always, the center’s education mission. While its fare is a benefit for local audiences, the venue, at its core, is meant to serve   students in DU’s art programs.

Exposure to world-class performers is a must these days for colleges who want to attract and train the next generation of artists, and Newman’s offerings allow that to happen right on campus. The theaters also serve as venues for recitals by students and faculty — DU presents a robust schedule of these performances every year (and they are often free to the public).

It also allows DU to fulfill an obligation to the local community as being a resource for top-notch culture. Newman boasts of welcoming over 130,000 people a year for nearly 500 presentations in its theaters.

The center has gone beyond those roles to become a crucial part of arts education in Denver Public Schools. Its Musical Explorers program brings musicians into classrooms exposing kids to global sounds. Newman also offers an arts-minded professional development program for teachers working with kids in K-12 schools, and hosts popular matinee performances where admission — and even transportation costs — are subsidized by  local donors, such as the Genesee Foundation and U.S. Bank.

“Every single thing that we offer through our K-12 education program is completely free,” said Ahmad-Post.

Of course, Ahmad-Post also understands that the Newman Center has an important role as a public entertainer — she is, ultimately, in show business — and so she programs with that in mind, as well, adding a few special events into the lineup.

This season, that comes in the form of Le Patin Libre, the Montreal-based dance company that came together around the talents of athletics-inspired ice dancers. That show will actually take place in the DU campus’  Magness Arena hockey rink on the afternoon of Feb. 22.

Then, there is the season’s biggest name, Broadway icon Patti LuPone, who closes the year on May 2 with an autobiographical revue set to feature many of the songs that helped build her legend.

That’s the flashy part of an effort to keep Newman Center successful in both of its missions: fulfilling the needs of students and providing a little fun for the city.

“We have this vision of being a private university for the public good,” Ahmad-Post said. “And I love that idea because there is so much exchange and sharing of ideas that comes through the arts.”

Ray Mark Rinaldi is a Denver-based freelance writer specializing in fine arts.

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