what would a essay look like

WORD PRESCRIPTION

Our Recent Posts

Word Count Examples: What Do Specific Word Counts Look Like?

Four Items To Start Your DIY Video Marketing Today

10 Simple Steps To Write Your First Business Article/Blog in Less Than 30 Minutes

What Does an Essay Look Like? Tips and Answers to Succeed

What does an essay look like? At a glance, the answer is obvious. An essay looks like a mere piece of paper (one page or several pages) with an organized text. It’s generally divided into five paragraphs, though there may be more. The essential essay structure includes:

• introduction;
• 2-3 body paragraphs;
• conclusion.

Yet, will this description help you write a good essay? We suppose not because this piece of paper “hides” many secrets inside!

Let our team give you more details and describe what a good essay looks like in reality. We’ll show the inside and out of this academic paper with a few tips on writing it.

📃 What Does an Essay Look Like on the Outside?

First of all, you should know that a good essay should look pretty. How can you do that? By following all the requirements set by your teacher or of a particular formatting style.

• What does an essay look like according to the teacher’s requirements? It is usually a paper with 1-inch margins on all sides typed using a 12 pt. standard font. Standard school and college essays have a five-paragraph format.
• What does an essay look like if it should be arranged according to a format? Depends on the format. MLA and APA are the most popular ones, but there are many more (Chicago, Harvard, Vancouver, etc.). Besides, each of them has different editions. Before writing an essay, ensure that you understand what format is required.

You will also have to set up 1-inch margins, use a 12 pt. font and double spacing throughout the text. However, it is better to get a specific style manual for more details. You can also check our article about MLA or APA styles.

✒️ What Does an Essay Look like on the Inside?

What we mean is how the text itself should be organized. Its content relies on the task given and the paper’s type.

We recommend you follow the instructions and understand clearly what the tutor wants from you regarding the task. If you’re unsure, don’t hesitate to clarify before writing. Checking out some examples of academic essay writing would be helpful too.

The essay type defines the contents of your assignment, considerably affecting the main body of your text. To identify it, make sure you read the task well, and understand what the tutor asked you to do.

In other words:

Not everyone knows that what makes a good essay is how precisely you follow your essay guidelines. First, underline the keywords from your assignment that will help you in doing that. Then, complete the task.

Here is the list of the most common keywords:

• Agree/Disagree. Identify your position and think about a list of arguments that can support your point of view. It can help come up with an essay plan at this point because it will allow you not to deviate from your arguments.
• Analyze. Here, the college instructor or your school teacher wants to test your analytical abilities. They want to see if you can build bridges between the arguments and analyze the relationships between them.
• Compare. This keyword means that you need to demonstrate differences and similarities between problems, ideas, or concepts in your essay.
• Describe/Discuss. On a surface level, to describe is to examine an issue or an object in detail.
• Explain. Similarly, to explain is to tell why the things the way they are.
• Illustrate. Here, your teacher expects you to come up with some great examples to bring the topic alive.
• Interpret. If you find this keyword in your assignment, you should give your understanding of the matter. It should provide some interesting angles of looking at the topic.
• List/State. To write an essay with this keyword in the assignment, make a list of facts or points.
• Summarize. Your essay should focus on the main ideas and problems.

A typical essay structure is split into five paragraphs:

• Introduction: The goal of an introduction is to hook your reader. It sets a tone and prepares for what is yet to come. It is done through your thesis statement. You can start your introduction paragraph with a quote, a short joke, a question, or a historical reference. Don’t try to bring complicated terminology and wording into this part of your essay. Use clear sentences that are engaging and catchy for a high-quality essay introduction.
• Body Paragraphs: Think about this part of your essay as the essay base. Here, you are expected to prove your thesis and find an interesting approach to looking at it. You will have to restate your main idea again, provide evidence that proves it, analyze the evidence, and connect these ideas.
• Conclusion: A conclusion is the last part of your essay, which summarizes the arguments and explains the broader importance of the topic. In a way, a concluding paragraph should answer a “so what?” question. To have a clearer vision of what a conclusion for your essay may look like, you can put its text into a summary machine and see what comes out.

It is a standard structure that allows disclosing a topic properly, logically expressing all your ideas. What does an essay look like if you want to make it original? In this case, it will look like a paper with a couple of pictures, diagrams, or maps.

It is always useful to check some examples before getting down to work. Here you can check how 9th-grade essays should look like.

Thank you for reading this article. We hope you found it useful. Don’t forget to share it with your peers!

References:

• Essay Structure: Elizabeth Abrams, for the Writing Center at Harvard University
• General Essay Writing Tips: Essay Writing Center, International Student
• What is an Essay? How to Write a Good Essay: LibGuides at Bow Valley College
• Academic Essay Structures: Student Support Center Quick Tips, University of Minnesota
• Share to Facebook
• Share to Twitter
• Share to LinkedIn
• Share to email

Some students find writing literary analysis papers rather daunting. Yet, an English class cannot go without this kind of work. By the way, writing literary analysis essays is not that complicated as it seems at a glance. On the contrary, this work may be fascinating, and you have a chance...

These days, leadership and ability to work in a team are the skills that everybody should possess. It is impossible to cope with a large educational or work project alone. However, it can also be challenging to collaborate in a team. You might want to elaborate on importance and difficulties...

Racial profiling is not uncommon. It’s incredibly offensive and unfair behavior that causes most of the protests in support of people of color. It occurs when people are suspected of committing a crime based on their skin color or ethnicity. Unfortunately, most people are unaware that racial profiling is an everyday...

Without a doubt, a natural disaster essay is a tough paper to write. To begin with, when people encounter a disaster risk, it’s a tragedy. Emergency situations can affect hundreds, thousands, and millions of people. These are the crises and events that change people’s lives drastically. So, disaster and emergency...

“You are not only responsible for what you say, but also for what you do not say”Martin Luther There are a lot of other good quotations that can serve as a good beginning for your essay on responsibility and provide good ideas for writing.

Exemplification essays, which are also called illustration essays, are considered one of the easiest papers to write. However, even the easiest tasks require some experience and practice. So, if you are not experienced enough in writing exemplification essays, you will face certain challenges.

You push the snooze button once again and finally open your eyes. It is already 8:50, and your classes start at 9. “I’m going to be late again!”— you think, already in full panic mode. In a minute, you rush out the door half-dressed, swallowing your sandwich on the go.  ...

An essay about Harriet Tubman is to focus on the biography and accomplishments of a famous American abolitionist and political activist of the 19th century. Harriet Tubman was born into slavery, escaped it herself, and helped others escape it. She changed many jobs throughout her lifetime, being a housekeeper, a...

What is a documented essay and what is the purpose of it? It is a type of academic writing where the author develops an opinion relying on secondary resources. A documented essay can be assigned in school or college. You should incorporate arguments and facts from outside sources into the...

What is a reflexive essay? If you have just received the assignment and think there is a typo, you’re in the right place. Long story short, no, there is no mistake. You actually need to write a reflexive essay, not a reflective one. The thing is that reflective and reflexive...

Fairies and evil spirits, noble kings and queens, beautiful princesses and brave princes, mysterious castles and abandoned huts somewhere in a thick a wood… This is all about fairy tales. Fairy tales are always associated with childhood. Fairy tales always remind us that love rules the world and the Good...

Subjective or objective essay writing is a common task students have to deal with. On the initial stage of completing the assignment, you should learn how to differentiate these two types of papers. Their goals, methods, as well as language, tone, and voice, are different. A subjective essay focuses on...

I would like an essay to be written for me about Accepting Immigrants as a Citizen

I really don’t understand the connection been a topic and a thesis.

Hey Anna, It’s our pleasure to hear from you. A lot of students have difficulties understanding the connection between a topic and a thesis statement. That’s why we’ve created a super useful guide to cover all your questions. Or, you may want to check out the best examples of thesis statements here . We hope it helps. In case of any questions, do not hesitate to contact us.

Wonder, what does an essay look like! Read the post, and you’ll find the answer to your question and many tips to use in your paper.

It is a common question among first-year students: what does an essay look like and how to write it? You answer all the questions in full! Thank you very much for this!

What are your chances of acceptance?

Calculate for all schools, your chance of acceptance.

Your chancing factors

Extracurriculars.

21 Stellar Common App Essay Examples to Inspire Your College Essay

What’s covered:, what makes a good common app essay, is your common app essay strong enough.

When you begin writing your Common App essay, having an example to look at can help you understand how to effectively write your college essay so that it stands apart from others. 

These Common App essay examples demonstrate a strong writing ability and answer the prompt in a way that shows admissions officers something unique about the student. Once you’ve read some examples and are ready to get started, read our step-by-step guide for how to write a strong Common App essay.  

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized. 

Read our Common App essay breakdown to get a comprehensive overview of this year’s supplemental prompts.

It’s Personal

The point of the Common App essay is to humanize yourself to a college admissions committee. The ultimate goal is to get them to choose you over someone else! You will have a better chance of achieving this goal if the admissions committee feels personally connected to you or invested in your story. When writing your Common App essay, you should explore your feelings, worldview, values, desires, and anything else that makes you uniquely you.

It’s Not Cliché

It is pretty easy to resort to clichés in college essays. This should be actively avoided! CollegeVine has identified the immigrant’s journey, sports injuries, and overcoming a challenging course as cliché topics . If you write about one of these topics, you have to work harder to stand out, so working with a more nuanced topic is often safer and easier.

It’s Well-Done

Colleges want good writers. They want students who can articulate their thoughts clearly and concisely (and creatively!). You should be writing and rewriting your essays, perfecting them as you go. Of course, make sure that your grammar and spelling are impeccable, but also put in time crafting your tone and finding your voice. This will also make your essay more personal and will make your reader feel more connected to you!

It’s Cohesive

Compelling Common App essays tell a cohesive story. Cohesion is primarily achieved through effective introductions and conclusions , which often contribute to the establishment of a clear theme or topic. Make sure that it is clear what you are getting at, but also don’t explicitly state what you are getting at—a successful essay speaks for itself.

Common App Essay Examples

Here are the current Common App prompts. Click the links to jump to the examples for a specific prompt, or keep reading to review the examples for all the prompts.

Prompt #1 :  Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #2 :  The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #3 :  Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #4 : Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? (NOTE: We only have an example for the old prompt #4 about solving a problem, not this current one)

Prompt #5 :  Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #6 :  Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Prompt #7 :  Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Note: Names have been changed to protect the identity of the author and subjects.

Prompt #1: Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #1, example #1.

The room was silent except for the thoughts racing through my head. I led a spade from my hand and my opponent paused for a second, then played a heart. The numbers ran through my mind as I tried to consider every combination, calculating my next move. Finally, I played the ace of spades from the dummy and the rest of my clubs, securing the contract and 620 points when my partner ruffed at trick five. Next board.

It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship. The winning team would be selected to represent the United States in the world championship and my team was still in the running.

Contract bridge is a strategic and stochastic card game. Players from around the world gather at local clubs, regional events, and, in this case, national tournaments.

Going into the tournament, my team was excited; all the hours we had put into the game, from the lengthy midnight Skype sessions spent discussing boards to the coffee shop meetings spent memorizing conventions together, were about to pay off.

Halfway through, our spirits were still high, as we were only down by fourteen international match points which, out of the final total of about four hundred points, was virtually nothing and it was very feasible to catch up. Our excitement was short-lived, however, as sixty boards later, we found that we had lost the match and would not be chosen as the national team.

Initially, we were devastated. We had come so close and it seemed as if all the hours we had devoted to training had been utterly wasted. Yet as our team spent some time together reflecting upon the results, we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion. I chatted with the winning team and even befriended a few of them who offered us encouragement and advice.

Throughout my bridge career, although I’ve gained a respectable amount of masterpoints and awards, I’ve realized that the real reward comes from the extraordinary people I have met. I don’t need to travel cross-country to learn; every time I sit down at a table whether it be during a simple club game, a regional tournament or a national event, I find I’m always learning. 

I nod at the pair that’s always yelling at each other. They teach me the importance of sportsmanship and forgiveness.

I greet the legally blind man who can defeat most of the seeing players. He reminds me not to make excuses.

I chat with the friendly, elderly couple who, at ages ninety and ninety-two, have just gotten married two weeks ago. They teach me that it’s never too late to start anything.

I talk to the boy who’s attending Harvard and the girl who forewent college to start her own company. They show me that there is more than one path to success.

I congratulate the little kid running to his dad, excited to have won his very first masterpoints. He reminds me of the thrill of every first time and to never stop trying new things.

Just as much as I have benefitted from these life lessons, I aspire to give back to my bridge community as much as it has given me. I aspire to teach people how to play this complicated yet equally as exciting game. I aspire to never stop improving myself, both at and away from the bridge table.

Bridge has given me my roots and dared me to dream. What started as merely a hobby has become a community, a passion, a part of my identity. I aspire to live selflessly and help others reach their goals. I seek to take risks, embrace all results, even failure, and live unfettered from my own doubt.

This student draws readers in with a strong introduction. The essay starts ambiguous—“I led with a spade”—then intrigues readers by gradually revealing more information and details. This makes the reader want to keep reading (which is super important!) As the writer continues, there is a rather abrupt tone shift from suspenseful to explanatory with statements like “It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship” and “Contract bridge is a strategic and stochastic card game.” If you plan to start with an imagery-heavy, emotional, suspenseful, or dramatic introduction, you will need to transition to the content of your essay in a way that does not feel abrupt. 

You will often hear that essays need to “show, not tell.” This essay actually does both. First, the student tells readers the importance of bridge, saying “we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion” and “I’ve realized that the real reward comes from the extraordinary people I have met.” Then, the student shows the lessons they have learned from bridge through a series of parallel sentences: “I nod… sportsmanship and forgiveness” “I greet… not to make excuses” “I chat… it’s never too late to start anything” and so on. This latter strategy is much more effective than the former and is watered down because the student has already told us what we are supposed to get out of these sentences. Remember that your readers are intelligent and can draw their own conclusions. Avoid summarizing the moral of your story for them!

Overall, this essay is interesting and answers the prompt. We learn the importance of bridge to this student. The student has a solid grasp of language, a high-level vocabulary, and a valuable message, though they would be better off if they avoided summarizing their point and created more seamless transitions. 

Prompt #1, Example #2

Growing up, I always wanted to eat, play, visit, watch, and be it all: sloppy joes and spaetzle, Beanie Babies and Steiff, Cape Cod and the Baltic Sea, football and fussball, American and German.

My American parents relocated our young family to Berlin when I was three years old. My exposure to America was limited to holidays spent stateside and awfully dubbed Disney Channel broadcasts. As the few memories I had of living in the US faded, my affinity for Germany grew. I began to identify as “Germerican,” an ideal marriage of the two cultures. As a child, I viewed my biculturalism as a blessing. I possessed a native fluency in “Denglisch” and my family’s Halloween parties were legendary at a time when the holiday was just starting to gain popularity outside of the American Sector.

Insidiously, the magic I once felt in loving two homes was replaced by a deep-­rooted sense of rootlessness. I stopped feeling American when, while discussing World War II with my grandmother, I said “the US won.” She corrected me, insisting I use “we” when referring to the US’s actions. Before then, I hadn’t realized how directly people associated themselves with their countries. I stopped feeling German during the World Cup when my friends labeled me a “bandwagon fan” for rooting for Germany. Until that moment, my cheers had felt sincere. I wasn’t part of the “we” who won World Wars or World Cups. Caught in a twilight of foreign and familiar, I felt emotionally and psychologically disconnected from the two cultures most familiar to me.

After moving from Berlin to New York at age fifteen, my feelings of cultural homelessness thrived in my new environment. Looking and sounding American furthered my feelings of dislocation. Border patrol agents, teachers, classmates, neighbors, and relatives all “welcomed me home” to a land they could not understand was foreign to me. Americans confused me as I relied on Urban Dictionary to understand my peers, the Pledge of Allegiance seemed nationalistic, and the only thing familiar about Fahrenheit was the German after whom it was named. Too German for America and too American for Germany, I felt alienated from both. I wanted desperately to be a member of one, if not both, cultures.

During my first weeks in Scarsdale, I spent my free time googling “Berlin Family Seeks Teen” and “New Americans in Scarsdale.” The latter search proved most fruitful: I discovered Horizons, a nonprofit that empowers resettled refugees, or “New Americans,” to thrive. I started volunteering with Horizon’s children’s programs, playing with and tutoring young refugees.

It was there that I met Emily, a twelve­-year-­old Iraqi girl who lived next to Horizons. In between games and snacks, Emily would ask me questions about American life, touching on everything from Halloween to President Obama. Gradually, my confidence in my American identity grew as I recognized my ability to answer most of her questions. American culture was no longer completely foreign to me. I found myself especially qualified to work with young refugees; my experience growing up in a country other than that of my parents’ was similar enough to that of the refugee children Horizons served that I could empathize with them and offer advice. Together, we worked through conflicting allegiances, homesickness, and stretched belonging.

Forging a special, personal bond with young refugees proved a cathartic outlet for my insecurities as it taught me to value my past. My transculturalism allowed me to help young refugees integrate into American life, and, in doing so, I was able to adjust myself. Now, I have an appreciation of myself that I never felt before. “Home” isn’t the digits in a passport or ZIP code but a sense of contentedness. By helping a young refugee find comfort, happiness, and home in America, I was finally able to find those same things for myself.

Due to their endearing (and creative) use of language—with early phrases like “sloppy joes and spaetzle” as well as  “Germerican” and “Denglisch”—readers are inclined to like this writer from the get-go. Though the essay shifts from this lighthearted introduction to more serious subject matter around the third paragraph, the shift is not abrupt or jarring. This is because the student invites readers to feel the transition with them through their inclusion of various anecdotes that inspired their “feelings of cultural homelessness.” And our journey does not end there—we go back to America with the student and see how their former struggles become strengths.

Ultimately, this essay is successful due to its satisfying ending. Because readers experience the student’s struggles with them, we also feel the resolution. The conclusion of this essay is a prime example of the “Same, but Different” technique described in our article on How to End Your College Essay . As the student describes how, in the end, their complicated cultural identity still exists but transitions to a source of strength, readers are left feeling happy for the student. This means that they have formed a connection with the student, which is the ultimate goal!

Prompt #1, Example #3

“1…2…3…4 pirouettes ! New record!” My friends cheered as I landed my turns. Pleased with my progress, I gazed down at my worn-out pointe shoes. The sweltering blisters, numbing ice-baths, and draining late-night practices did not seem so bad after all. Next goal: five turns.

For as long as I can remember, ballet, in all its finesse and glamor, had kept me driven day to day. As a child, the lithe ballerinas, donning ethereal costumes as they floated across the stage, were my motivation. While others admired Messi and Adele, I idolized Carlos Acosta, principal dancer of the Royal Ballet. 

As I devoted more time and energy towards my craft, I became obsessed with improving my technique. I would stretch for hours after class, forcing my leg one inch higher in an effort to mirror the Dance Magazine cover girls . I injured my feet and ruined pair after pair of pointe shoes, turning on wood, cement, and even grass to improve my balance as I spun. At competitions, the dancers with the 180-degree leg extensions, endless turns, and soaring leaps—the ones who received “Bravos!” from the roaring audience—further pushed me to refine my skills and perfect my form. I believed that, with enough determination, I would one day attain their level of perfection. Reaching the quadruple- pirouette milestone only intensified my desire to accomplish even more. 

My efforts seemed to have come to fruition two summers ago when I was accepted to dance with Moscow’s Bolshoi Ballet at their renowned New York City summer intensive. I walked into my first session eager to learn from distinguished ballet masters and worldly dancers, already anticipating my improvement. Yet, as I danced alongside the accomplished ballerinas, I felt out of place. Despite their clean technique and professional training, they did not aim for glorious leg extensions or prodigious leaps. When they performed their turn combinations, most of them only executed two turns as I attempted four. 

“Dancers, double- pirouettes only.” 

Taken aback and confused, I wondered why our teacher expected so little from us. The other ballerinas seemed content, gracing the studio with their simple movements. 

As I grew closer with my Moscow roommates, I gradually learned that their training emphasized the history of the art form instead of stylistic tricks. Rather than show off their physical ability, their performances aimed to convey a story, one that embodied the rich culture of ballet and captured both the legacy of the dancers before them and their own artistry. As I observed my friends more intently in repertoire class, I felt the pain of the grief-stricken white swan from Swan Lake , the sass of the flirtatious Kitri from Don Quijote, and I gradually saw what I had overlooked before. My definition of talent had been molded by crowd-pleasing elements—whirring pirouettes , gravity-defying leaps, and mind-blowing leg extensions. This mindset slowly stripped me from the roots of my passion and my personal connection with ballet. 

With the Bolshoi, I learned to step back and explore the meaning behind each step and the people behind the scenes. Ballet carries history in its movements, from the societal values of the era to each choreographer’s unique flair. As I uncovered the messages behind each pirouette, kick, and jump, my appreciation for ballet grew beyond my obsession with raw athleticism and developed into a love for the art form’s emotive abilities in bridging the dancers with the audience. My journey as an artist has allowed me to see how technical execution is only the means to a greater understanding between dancer and spectator, between storyteller and listener. The elegance and complexity of ballet does not revolve around astonishing stunts but rather the evocative strength and artistry manifested in the dancer, in me. It is the combination of sentiments, history, tradition, and passion that has allowed ballet and its lessons of human connection to become my lifestyle both on and off stage.

The primary strength of this essay is the honesty and authenticity of the student’s writing. It is purposefully reflective. Intentional language creates a clear character arc that begins with an eager young ballerina and ends with the student reflecting on their past. 

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the concl usion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

The main weakness of this essay (though this is a stellar essay) is its formulaic beginning. While dialogue can be an effective tool for starting your essay, this student’s introduction feels a bit stilted as the dialogue does not match the overall reflective tone of the essay. Perhaps, in place of “Next goal: five turns,” the student could have posed a question or foreshadowed the growth they ultimately describe.

Prompt #1, Example #4

My paintbrush dragged a flurry of acrylic, the rich colors attaching to each groove in my canvas’s texture. The feeling was euphoric.

From a young age, painting has been my solace. Between the stress of my packed high school days filled with classes and extracurriculars, the glide of my paintbrush was my emotional outlet.

I opened a fresh canvas and began. The amalgamation of assorted colors in my palette melded harmoniously: dark and light, cool and warm, brilliant and dull. They conjoined, forming shades and surfaces sharp, smooth, and ridged. The textures of my paint strokes — powdery, glossy, jagged — gave my painting a tone, as if it had a voice of its own, sometimes shrieking, sometimes whispering.

Rough indigo blue. The repetitive upward pulls of my brush formed layers on my canvas. Staring into the deep blue, I felt transported to the bottom of the pool I swim in daily. I looked upward to see a layer of dense water between myself and the person I aspire to be, an ideal blurred by filmy ripples. Rough blue encapsulates my amorphous, conflicting identity, catalyzed by words spewed by my peers about my “oily hair” and “smelly food”. They caused my ever present disdain toward cultural assemblies; the lehenga I wore felt burdensome. My identity quivers like the indigo storm I painted — a duel between my self-deprecating, validation-seeking self, and the proud self I desire to be. My haphazard paint strokes released my internal turbulence.

Smooth orange-hued green. I laid the color in melodious strokes, forming my figure. The warmer green transitions from the rough blue — while they share elements, they also diverge. My firm brushstrokes felt like the way I felt on my first day as a media intern at KBOO, my local volunteer-driven radio station, committed to the voices of the marginalized. As a naturally introverted speaker, I was forced out of my comfort zone when tasked with documenting a KBOO art exhibition for social media, speaking with hosts to share their diverse, underrepresented backgrounds and inspirations. A rhythmic green strength soon shoved me past internal blue turbulence. My communication skills which were built by two years of Speech and Debate unleashed — I recognized that making a social change through media required amplifying unique voices and perspectives, both my own and others. The powerful green strokes that fill my canvas entrench my growth.

Bright, voluminous coral, hinted with magenta and yellow. I dabbed the color over my figure, giving my painting dimension. The paint, speckled, added depth on every inch it coated. As I moved the color in random but purposeful movements, the vitality ushered into my painting brought a smile across my face. It reminded me of the encounters I had with my cubicle-mate in my sophomore year academic autism research internship, seemingly insignificant moments in my lifelong journey that, in retrospect, wove unique threads into my tapestry. The kindness she brought into work inspired my compassion, while her stories of struggling with ADHD in the workplace bolstered my empathy towards different experiences. Our conversations added blobs of a nonuniform bright color in my painting, binding a new perspective in me.

I added in my final strokes, each contributing an element to my piece. As I scanned my canvas, I observed these elements. Detail added nuance into smaller pictures; they embodied complexities within color, texture, and hue, each individually delivering a narrative. But together, they formed a piece of art— art that could be interpreted as a whole or broken apart but still delivering as a means of communication.

I find beauty in media because of this. I can adapt a complex narrative to be deliverable, each component telling a story. Appreciating these nuances — the light, dark, smooth, and rough — has cultivated my growth mindset. My life-long painting never finishes. It is ever-expanding, absorbing the novel textures and colors I encounter daily.

This essay is distinct from others due to its melodic, lyrical form. This is primarily achieved because the student’s form follows the movements of the paintbrush that they use to scaffold their essay. As readers, we simply flow through the essay, occasionally picking up bits of information about its creator. Without even realizing it, by the end of the essay, admissions officers will know that this student is a swimmer, was in Speech and Debate, is Indian, and has had multiple internships.

A major strength of this essay is the command of language that the student demonstrates. This essay was not simply written, it was crafted. Universities are, of course, interested in the talents, goals, and interests of applicants, but an essay being well-written can be equally important. Writing skills are important because your reader will not learn about your talents, goals, and interests if they aren’t engaged in your essay, but they are also important because admissions officers know that being able to articulate your thoughts is important for success in all future careers.

While this essay is well-written, there are a few moments where it falls out of the flow and feels more like a student advertising their successes. For example, the phrases “media intern at KBOO” and “autism research internship” work better on a resume than they do in this essay. Admissions officers have a copy of your resume and can check your internship experiences after reading your essay! If you are going to use a unique writing style or narrative form, lean into it; don’t try to hybridize it with the standard college essay form. Your boldness will be attractive to admissions officers.

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the conclusion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

Prompt #2: The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #2, example #1.

“You ruined my life!” After months of quiet anger, my brother finally confronted me. To my shame, I had been appallingly ignorant of his pain.

Despite being twins, Max and I are profoundly different. Having intellectual interests from a young age that, well, interested very few of my peers, I often felt out of step in comparison with my highly-social brother. Everything appeared to come effortlessly for Max and, while we share an extremely tight bond, his frequent time away with friends left me feeling more and more alone as we grew older.

When my parents learned about The Green Academy, we hoped it would be an opportunity for me to find not only an academically challenging environment, but also – perhaps more importantly – a community. This meant transferring the family from Drumfield to Kingston. And while there was concern about Max, we all believed that given his sociable nature, moving would be far less impactful on him than staying put might be on me.

As it turned out, Green Academy was everything I’d hoped for. I was ecstatic to discover a group of students with whom I shared interests and could truly engage. Preoccupied with new friends and a rigorous course load, I failed to notice that the tables had turned. Max, lost in the fray and grappling with how to make connections in his enormous new high school, had become withdrawn and lonely. It took me until Christmas time – and a massive argument – to recognize how difficult the transition had been for my brother, let alone that he blamed me for it.

Through my own journey of searching for academic peers, in addition to coming out as gay when I was 12, I had developed deep empathy for those who had trouble fitting in. It was a pain I knew well and could easily relate to. Yet after Max’s outburst, my first response was to protest that our parents – not I – had chosen to move us here. In my heart, though, I knew that regardless of who had made the decision, we ended up in Kingston for my benefit. I was ashamed that, while I saw myself as genuinely compassionate, I had been oblivious to the heartache of the person closest to me. I could no longer ignore it – and I didn’t want to.

We stayed up half the night talking, and the conversation took an unexpected turn. Max opened up and shared that it wasn’t just about the move. He told me how challenging school had always been for him, due to his dyslexia, and that the ever-present comparison to me had only deepened his pain.

We had been in parallel battles the whole time and, yet, I only saw that Max was in distress once he experienced problems with which I directly identified. I’d long thought Max had it so easy – all because he had friends. The truth was, he didn’t need to experience my personal brand of sorrow in order for me to relate – he had felt plenty of his own.

My failure to recognize Max’s suffering brought home for me the profound universality and diversity of personal struggle; everyone has insecurities, everyone has woes, and everyone – most certainly – has pain. I am acutely grateful for the conversations he and I shared around all of this, because I believe our relationship has been fundamentally strengthened by a deeper understanding of one another. Further, this experience has reinforced the value of constantly striving for deeper sensitivity to the hidden struggles of those around me. I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story.

Here is a prime example that you don’t have to have fabulous imagery or flowery prose to write a successful Common App essay. You just have to be clear and say something that matters. This essay is simple and beautiful. It almost feels like having a conversation with a friend and learning that they are an even better person than you already thought they were.

Through this narrative, readers learn a lot about the writer—where they’re from, what their family life is like, what their challenges were as a kid, and even their sexuality. We also learn a lot about their values—notably, the value they place on awareness, improvement, and consideration of others. Though they never explicitly state it (which is great because it is still crystal clear!), this student’s ending of “I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story” shows that they are constantly striving for improvement and finding lessons anywhere they can get them in life.

The only part of this essay that could use a bit of work is the introduction. A short introduction can be effective, but this short first paragraph feels thrown in at the last minute and like it is missing its second half. If you are keeping your introduction short, make it matter.

Prompt #2, Example #2

Was I no longer the beloved daughter of nature, whisperer of trees? Knee-high rubber boots, camouflage, bug spray—I wore the garb and perfume of a proud wild woman, yet there I was, hunched over the pathetic pile of stubborn sticks, utterly stumped, on the verge of tears. As a child, I had considered myself a kind of rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free. I knew the cracks of the earth like the scars on my own rough palms. Yet here I was, ten years later, incapable of performing the most fundamental outdoor task: I could not, for the life of me, start a fire. 

Furiously I rubbed the twigs together—rubbed and rubbed until shreds of skin flaked from my fingers. No smoke. The twigs were too young, too sticky-green; I tossed them away with a shower of curses, and began tearing through the underbrush in search of a more flammable collection. My efforts were fruitless. Livid, I bit a rejected twig, determined to prove that the forest had spurned me, offering only young, wet bones that would never burn. But the wood cracked like carrots between my teeth—old, brittle, and bitter. Roaring and nursing my aching palms, I retreated to the tent, where I sulked and awaited the jeers of my family. 

Rattling their empty worm cans and reeking of fat fish, my brother and cousins swaggered into the campsite. Immediately, they noticed the minor stick massacre by the fire pit and called to me, their deep voices already sharp with contempt. 

“Where’s the fire, Princess Clara?” they taunted. “Having some trouble?” They prodded me with the ends of the chewed branches and, with a few effortless scrapes of wood on rock, sparked a red and roaring flame. My face burned long after I left the fire pit. The camp stank of salmon and shame. 

In the tent, I pondered my failure. Was I so dainty? Was I that incapable? I thought of my hands, how calloused and capable they had been, how tender and smooth they had become. It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive. And I’d gotten glasses, having grown horrifically nearsighted; long nights of dim lighting and thick books had done this. I couldn’t remember the last time I had lain down on a hill, barefaced, and seen the stars without having to squint. Crawling along the edge of the tent, a spider confirmed my transformation—he disgusted me, and I felt an overwhelming urge to squash him. 

Yet, I realized I hadn’t really changed—I had only shifted perspective. I still eagerly explored new worlds, but through poems and prose rather than pastures and puddles. I’d grown to prefer the boom of a bass over that of a bullfrog, learned to coax a different kind of fire from wood, having developed a burn for writing rhymes and scrawling hypotheses. 

That night, I stayed up late with my journal and wrote about the spider I had decided not to kill. I had tolerated him just barely, only shrieking when he jumped—it helped to watch him decorate the corners of the tent with his delicate webs, knowing that he couldn’t start fires, either. When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.

This Common App essay is well-written. The student is showing the admissions officers their ability to articulate their points beautifully and creatively. It starts with vivid images like that of the “rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free.” And because the prose is flowery, the writer can get away with metaphors like “I knew the cracks of the earth like the scars on my own rough palms” that might sound cheesy without the clear command of the English language that the writer quickly establishes.

In addition to being well-written, this essay is thematically cohesive. It begins with the simple introduction “Fire!” and ends with the following image: “When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.” This full-circle approach leaves readers satisfied and impressed.

While dialogue often comes off as cliche or trite, this student effectively incorporates their family members saying “Where’s the fire, Princess Clara?” This is achieved through the apt use of the verb “taunted” to characterize the questioning and through the question’s thematic connection to the earlier image of the student as a rustic princess. Similarly, rhetorical questions can feel randomly placed in essays, but this student’s inclusion of the questions “Was I so dainty?” and “Was I that incapable?” feels perfectly justified after they establish that they were pondering their failure.

Quite simply, this essay shows how quality writing can make a simple story outstandingly compelling.

Prompt #2, Example #3

The muffled voices behind thin walls heralded trouble.

They were fighting about money.

It wasn’t the first time this had happened and it wasn’t going to be the last. It was one of those countless nights I had to spend curled up under the blanket while pretending to be asleep. My father had been unemployed for five years now, and my mother, a local kindergarten teacher, was struggling to support the family alone. Our situation was bleak: Savings had run out and my parents could no longer hide our lack of money from me. To make matters worse, I was a few weeks away from starting high school, which would inevitably lead to college, yet another financial stressor for my family.

The argument didn’t sound like it would end soon.

“Why did you spend money on that?” my mother said, with an elongated sigh.

“I had to,” my father said, decidedly.

Every fight over the years had left me in despair and the idea of going through another fight daunted me. I had looked forward to my teen years all my life, an age that allows, for the first time, more responsibility. Indeed, after this fateful night, after my fourteenth birthday, I felt a mounting responsibility to help my family, and started brainstorming.

Always being fascinated by computers, I spent my childhood burying myself under computer cabinets, experimenting with computer parts. Naturally, I wondered if my skills in this area might be marketable.

The next morning, my friend, Naba, mentioned that her computer wasn’t working. A tuk-tuk ride later, and I was at her doorstep, and her mother was leading me to her room. I was off to work: I began examining her computer, like a surgeon carefully manages his scalpels and tools. A proper diagnosis was not far from reach, as I realized a broken pin in her computer’s SATA slot. After an hour of work, and a short trip to the hardware store, I successfully fixed the computer. To my pleasant surprise, Naba’s mother drew out two fresh 500 Rupee notes. One covered the cost of the parts I bought and the other was a token of appreciation. Bidding her goodbye, I went straight back home and put one of the 500 Rupee notes inside my family’s “savings-jar.”

Later that day, I devised a plan. I told my friends to spread the word that I was available to fix computers. At first, I got only one or two calls per week. I would pick up the computer from my client’s home, fix it quickly, and return it, thus earning myself a commission. While I couldn’t market my services at a competitive price, because I wasn’t able to buy the parts wholesale, I compensated by providing convenience. All my clients had to do was call me once and the rest was taken care of. Thus, my business had the best customer service in town.

At the beginning of my junior year, after two years of expanding my business through various avenues, I started buying computer parts from hardware suppliers in bulk at a cheaper rate. My business grew exponentially after that. 

Before long, I was my town’s go-to tech person. In this journey throughout high school, I started realizing that I had to create my own opportunities and not just curl up under a blanket, seeking only comfort, as I used to. Interacting with people from all walks of life became my forte and a sense of work ethic developed in me. My business required me to be an all-rounder– have the technical skills, be an easily approachable person, and manage cash flow. Slowly becoming better at this, I even managed to sway admins of a local institution to outsource their computer hardware purchases and repairs through me. As my business upsized throughout the years, I went from being helpless to autonomous – the teenager I always aspired to be.

This essay truly feels like a story—almost making you forget you are reading a college essay. The student’s voice is strong throughout the entire essay and they are able to give us insight into their thoughts, feelings, and motivations at every step of the story. Letting the reader into personal challenges like financial struggles can be daunting in a college essay, but the way this student used that setback to establish an emotional ethos to their narrative was well done.

Because the essay is essentially just telling a story, there’s a very natural flow that makes it enjoyable and easy to read. The student establishes the conflict at the beginning, then describes their solution and how they implemented it, and finally concludes with the lessons they took away from this experience. Transitions at the beginning of paragraphs effortlessly show the passage of time and how the student has progressed through the story.

Another reason this essay is so successful is because of the abundance of details. The reader truly feels like they are hiding in the room with the student as their parents yell because of the inclusion of quotes from the argument. We understand the precision and care they have for fixing computers because of the allusion to a surgeon with their scalpel. Not only does this imagery make the story more enticing, it also helps the reader gain a deeper appreciation for the type of person this student is and the adversity they have overcome.

If there were one thing this essay could do to improve, it would be to include a resolution to the conflict from the beginning. The student tells us how this business helped them grow as a person, but we don’t ever get to find out if they were able to lessen the financial burden on their parents or if they continued to struggle despite the student working hard. It doesn’t have to be a happy ending, but it would be nice to return to the conflict and acknowledge the effect they had on it, especially since this prompt is all about facing challenges.

Prompt #3: Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #3, example #1.

When I was younger, I was adamant that no two foods on my plate touch. As a result, I often used a second plate to prevent such an atrocity. In many ways, I learned to separate different things this way from my older brothers, Nate and Rob. Growing up, I idolized both of them. Nate was a performer, and I insisted on arriving early to his shows to secure front row seats, refusing to budge during intermission for fear of missing anything. Rob was a three-sport athlete, and I attended his games religiously, waving worn-out foam cougar paws and cheering until my voice was hoarse. My brothers were my role models. However, while each was talented, neither was interested in the other’s passion. To me, they represented two contrasting ideals of what I could become: artist or athlete. I believed I had to choose.

And for a long time, I chose athlete. I played soccer, basketball, and lacrosse and viewed myself exclusively as an athlete, believing the arts were not for me. I conveniently overlooked that since the age of five, I had been composing stories for my family for Christmas, gifts that were as much for me as them, as I loved writing. So when in tenth grade, I had the option of taking a creative writing class, I was faced with a question: could I be an athlete and a writer? After much debate, I enrolled in the class, feeling both apprehensive and excited. When I arrived on the first day of school, my teacher, Ms. Jenkins, asked us to write down our expectations for the class. After a few minutes, eraser shavings stubbornly sunbathing on my now-smudged paper, I finally wrote, “I do not expect to become a published writer from this class. I just want this to be a place where I can write freely.”

Although the purpose of the class never changed for me, on the third “submission day,” – our time to submit writing to upcoming contests and literary magazines – I faced a predicament. For the first two submission days, I had passed the time editing earlier pieces, eventually (pretty quickly) resorting to screen snake when hopelessness made the words look like hieroglyphics. I must not have been as subtle as I thought, as on the third of these days, Ms. Jenkins approached me. After shifting from excuse to excuse as to why I did not submit my writing, I finally recognized the real reason I had withheld my work: I was scared. I did not want to be different, and I did not want to challenge not only others’ perceptions of me, but also my own. I yielded to Ms. Jenkin’s pleas and sent one of my pieces to an upcoming contest.

By the time the letter came, I had already forgotten about the contest. When the flimsy white envelope arrived in the mail, I was shocked and ecstatic to learn that I had received 2nd place in a nationwide writing competition. The next morning, however, I discovered Ms. Jenkins would make an announcement to the whole school exposing me as a poet. I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me. I have since seen more boys at my school identifying themselves as writers or artists.

I no longer see myself as an athlete and a poet independently, but rather I see these two aspects forming a single inseparable identity – me. Despite their apparent differences, these two disciplines are quite similar, as each requires creativity and devotion. I am still a poet when I am lacing up my cleats for soccer practice and still an athlete when I am building metaphors in the back of my mind – and I have realized ice cream and gummy bears taste pretty good together.

This essay is cohesive as it centers around the theme of identity and the ability for two identities to coexist simultaneously (an interesting theme!). It uses the Full Circle ending strategy as it starts with a metaphor about food touching and ends with “I have realized ice cream and gummy bears taste pretty good together.”

The main issue with this essay is that it could come off as cliché, which could be irritating for admissions officers. The story described is notably similar to High School Musical (“I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me”) and feels slightly overstated. 

At times, this essay is also confusing. In the first paragraph, it feels like the narrative is actually going to be about separating your food (and is somehow going to relate to the older brothers?). It is not entirely clear that this is a metaphor. Also, when the writer references the third submission day and then works backward to explain what a submission day is and that there are multiple throughout the semester, the timeline gets unnecessarily confusing. Reworking the way this paragraph unfolded would have been more compelling and less distracting.

Overall, this essay was interesting but could have been more polished to be more effective.

Prompt #3, Example #2

I walked into my middle school English class, and noticed a stranger behind my teacher’s desk. “Hello,” she said. “Today I will be your substitute teacher.” I groaned internally. “Let me start off by calling roll. Ally?” “Here!” exclaimed Ally. “Jack?” “Here.” “Rachel?” “Here.” “Freddie?” “Present.” And then– “…?” The awkward pause was my cue. “It’s Jasina,” I started. “You can just call me Jas. Here.” “Oh, Jasina. That’s unique.” The word “unique” made me cringe. I slumped back in my seat. The substitute continued calling roll, and class continued as if nothing had happened. Nothing had happened. Just a typical moment in a middle school, but I hated every second of it.

My name is not impossible to pronounce. It appears challenging initially, but once you hear it, “Jas-een-a”, then you can manage it. My nickname, Jas (pronounced “Jazz”), is what most people call me anyway, so I don’t have to deal with mispronunciation often. I am thankful that my parents named me Jasina (a Hebrew name), but whenever someone hears my name for the first time, they comment, and I assume they’re making assumptions about me. “Wow, Jas is a cool name.” She must be pretty cool.“I’ve never heard the name Jasina before.” She must be from somewhere exotic. “Jas, like Jazz?” She must be musical and artsy. None of these assumptions are bad, but they all add up to the same thing: She must be unique. 

When I was little, these sentiments felt more like commands than assumptions. I thought I had to be the most unique child of all time, which was a daunting task, but I tried. I was the only kid in the second grade to color the sun red. I knew it was really yellow, but you could always tell which drawings were mine. During snack time, we could choose between apple juice and grape juice. I liked apple juice more, but if everyone else was choosing apple, then I had to choose grape. This was how I lived my life, and it was exhausting. I tried to continue this habit into middle school, but it backfired. When everyone became obsessed with things like skinny jeans and Justin Bieber and blue mascara (that was a weird trend), my resistance of the norm made me socially awkward. I couldn’t talk to people about anything because we had nothing in common. I was too different. 

After 8th grade, I moved to Georgia, and I was dreading being the odd one out among kids who had grown up together. Then I discovered that my freshman year would be Cambridge High School’s inaugural year. Since there were students coming in from 5 different schools, there was no real sense of “normal”. I panicked. If there was no normal, then how could I be unique? That’s when I realized that I had spent so much energy going against the grain that I had no idea what my true interests were or what I really cared about. 

It was time to find out. I stopped concentrating on what everyone else was doing and started to focus on myself. I joined the basketball team, I performed in the school musical, and I enrolled in Chorus, all of which were firsts for me. I took art classes, joined clubs, and did whatever I thought would make me happy. And it paid off. I was no longer socially awkward. In fact, because I was involved in so many unrelated activities, I was socially flexible. My friends and I had things in common, but there was no one who could say that I was exactly like anyone else. I had finally become my own person.

My father named me Jasina because he wanted my nickname to be “Jazz.” According to Webster, “jazz” is “music characterized by syncopated rhythms, improvisation, and deliberate distortions of pitch.” Basically, jazz is music that is off-beat and unpredictable. It cannot be strictly defined. 

That sounds about right. 

Right off the bat, this essay starts extremely strong. The description of attendance in a class with ample quotes, awkward pauses, and the student’s internal dialogue immediately puts us in the middle of the action and establishes a lot of sympathy for this student before we’ve learned anything else. 

The strength of this essay continues into the second paragraph where the use of quotes, italics, and interjections from the student continues. All of these literary tools help the student express her voice and allow the reader to understand what this student goes through on a daily basis. Rather than just telling the reader people make assumptions about her name, she shows us what these assumptions look and sound like, and exactly how they make her feel.

The essay further shows us how the student approached her name by providing concrete examples of times she’s been intentionally unique throughout her life. Describing her drawing red suns and choosing grape juice bring her personality to life and allow her to express her deviance from the “norm” in a much more engaging and visual way than simply telling the reader she would go against the grain to be different on purpose.

One part of the essay that was a bit weaker than the others was the paragraph about her in high school. Although it was still well written and did a nice job of demonstrating how she got involved in multiple groups to find her new identity, it lacked the same level of showing employed in previous paragraphs. It would have been nice to see what “socially flexible” means either through a conversation she had with her friends or an example of a time she combined her interests from different groups in a way that was uniquely her.

The essay finishes off how it started: extremely strong. Taking a step back to fully explain the origin of her name neatly brings together everything mentioned in this essay. This ending is especially successful because she never explicitly states that her personality aligns with the definition of jazz. Instead, she relies on the points she has made throughout the essay to stick in the reader’s memory so they are able to draw the connection themselves, making for a much more satisfying ending for the reader.

Prompt #4 (OLD PROMPT; NOT THE CURRENT PROMPT): Describe a problem you’ve solved or a problem you’d like to solve. It can be an intellectual challenge, a research query, an ethical dilemma – anything that is of personal importance, no matter the scale. Explain its significance to you and what steps you took or could be taken to identify a solution.

Prompt #4, example #1.

“Advanced females ages 13 to 14 please proceed to staging with your coaches at this time.” 

Skittering around the room, eyes wide and pleading, I frantically explained my situation to nearby coaches. The seconds ticked away in my head; every polite refusal increased my desperation. 

Despair weighed me down. I sank to my knees as a stream of competitors, coaches, and officials flowed around me. My dojang had no coach, and the tournament rules prohibited me from competing without one. 

Although I wanted to remain strong, doubts began to cloud my mind. I could not help wondering: what was the point of perfecting my skills if I would never even compete? The other members of my team, who had found coaches minutes earlier, attempted to comfort me, but I barely heard their words. They couldn’t understand my despair at being left on the outside, and I never wanted them to understand. 

Since my first lesson 12 years ago, the members of my dojang have become family. I have watched them grow up, finding my own happiness in theirs. Together, we have honed our kicks, blocks, and strikes. We have pushed one another to aim higher and become better martial artists. Although my dojang had searched for a reliable coach for years, we had not found one. When we attended competitions in the past, my teammates and I had always gotten lucky and found a sympathetic coach. Now, I knew this practice was unsustainable. It would devastate me to see the other members of my dojang in my situation, unable to compete and losing hope as a result. My dojang needed a coach, and I decided it was up to me to find one. 

I first approached the adults in the dojang – both instructors and members’ parents. However, these attempts only reacquainted me with polite refusals. Everyone I asked told me they couldn’t devote multiple weekends per year to competitions. I soon realized that I would have become the coach myself. 

At first, the inner workings of tournaments were a mystery to me. To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side. I learned everything from motivational strategies to technical, behind-the-scenes components of Taekwondo competitions. Though I emerged with new knowledge and confidence in my capabilities, others did not share this faith. 

Parents threw me disbelieving looks when they learned that their children’s coach was only a child herself. My self-confidence was my armor, deflecting their surly glances. Every armor is penetrable, however, and as the relentless barrage of doubts pounded my resilience, it began to wear down. I grew unsure of my own abilities. 

Despite the attack, I refused to give up. When I saw the shining eyes of the youngest students preparing for their first competition, I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was. The knowledge that I could solve my dojang’s longtime problem motivated me to overcome my apprehension. 

Now that my dojang flourishes at competitions, the attacks on me have weakened, but not ended. I may never win the approval of every parent; at times, I am still tormented by doubts, but I find solace in the fact that members of my dojang now only worry about competing to the best of their abilities. 

Now, as I arrive at a tournament with my students, I close my eyes and remember the past. I visualize the frantic search for a coach and the chaos amongst my teammates as we competed with one another to find coaches before the staging calls for our respective divisions. I open my eyes to the exact opposite scene. Lacking a coach hurt my ability to compete, but I am proud to know that no member of my dojang will have to face that problem again.

This essay is great because it has a strong introduction and a strong conclusion. The introduction is notably suspenseful and draws readers into the story. Because we know it is a college essay, we can assume that the student is one of the competitors, but at the same time, this introduction feels intentionally ambiguous as if the writer could be a competitor, a coach, a sibling of a competitor, or anyone else in the situation.

As we continue reading the essay, we learn that the writer is, in fact, the competitor. Readers also learn a lot about the student’s values as we hear their thoughts: “I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was.” Ultimately, the conflict and inner and outer turmoil is resolved through the “Same, but Different” ending technique as the student places themself in the same environment that we saw in the intro, but experiencing it differently due to their actions throughout the narrative. This is a very compelling strategy!

The main weakness of this essay is that it is slightly confusing at times—how the other students found coaches feels unintentionally under-explained (a simple phrase like “through pleading and attracting sympathy” in the fourth paragraph could have served the writer well) and a dojang is never defined. Additionally, the turn of the essay or “volta” could’ve packed a bigger punch. It is put quite simply with “I soon realized that I would have become the coach myself.” A more suspenseful reveal could’ve served the author well because more drama did come later.

Prompt #5: Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #5, example #1.

Tears streamed down my face and my mind was paralyzed with fear. Sirens blared, but the silent panic in my own head was deafening. I was muted by shock. A few hours earlier, I had anticipated a vacation in Washington, D.C., but unexpectedly, I was rushing to the hospital behind an ambulance carrying my mother. As a fourteen-year-old from a single mother household, without a driver’s license, and seven hours from home, I was distraught over the prospect of losing the only parent I had. My fear turned into action as I made some of the bravest decisions of my life. 

Three blood transfusions later, my mother’s condition was stable, but we were still states away from home, so I coordinated with my mother’s doctors in North Carolina to schedule the emergency operation that would save her life. Throughout her surgery, I anxiously awaited any word from her surgeon, but each time I asked, I was told that there had been another complication or delay. Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities.

My mother had been a source of strength for me, and now I would be strong for her through her long recovery ahead. As I started high school, everyone thought the crisis was over, but it had really just started to impact my life. My mother was often fatigued, so I assumed more responsibility, juggling family duties, school, athletics, and work. I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover. I didn’t know I was capable of such maturity and resourcefulness until it was called upon. Each day was a stage in my gradual transformation from dependence to relative independence.

Throughout my mother’s health crisis, I matured by learning to put others’ needs before my own. As I worried about my mother’s health, I took nothing for granted, cherished what I had, and used my daily activities as motivation to move forward. I now take ownership over small decisions such as scheduling daily appointments and managing my time but also over major decisions involving my future, including the college admissions process. Although I have become more independent, my mother and I are inseparably close, and the realization that I almost lost her affects me daily. Each morning, I wake up ten minutes early simply to eat breakfast with my mother and spend time with her before our busy days begin. I am aware of how quickly life can change. My mother remains a guiding force in my life, but the feeling of empowerment I discovered within myself is the ultimate form of my independence. Though I thought the summer before my freshman year would be a transition from middle school to high school, it was a transformation from childhood to adulthood.

This essay feels real and tells readers a lot about the writer. To start at the beginning, the intro is 10/10. It has drama, it has emotions, and it has the reader wanting more.

And, when you keep going, you get to learn a lot about a very resilient and mature student. Through sentences like “I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover” and “Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities,” the reader shows us that they are aware of their resilience and maturity, but are not arrogant about it. It is simply a fact that they have proven!

Sometimes writing about adversity can feel exploitative or oddly braggy. This student backs up everything they say with anecdotes that prove and show their strength and resilience, rather than just claiming their strengths. When I read this essay, I want to cheer for its writer! And I want to be able to continue cheering for them (perhaps, if I were an admissions officer, that would make me want them at my school!).

Prompt #5, Example #2

Armed with a red pen, I slowly walked across the room to a small, isolated table with pink stools. Swinging her legs, my young student beamed and giggled at me, slamming her pencil bag on the table and bending over to pick up one of her toys. Natalie always brought some new toy with her to lessons—toys which I would sternly take away from her and place under the table until she finished her work. At the tutoring center where I work, a strict emphasis on discipline leaves no room for paper crowns or rubber chickens. 

Today, she had with her a large stuffed eagle from a museum. As she pulled out her papers, I slid the eagle to the other side of the table. She looked eagerly around, attempting to chat with other students as I impatiently called her attention to her papers. “I should name my eagle,” she chimed, waving her pencil in the air. I cringed—there was no wondering why Natalie always had to sit by herself. She was the antithesis of my academic values, and undoubtedly the greatest adversary of my teaching style.  

As the lesson progressed, Natalie became more fitful; she refused to release her feathered friend, and kept addressing the bird for help with difficult problems. We both grew increasingly more frustrated. Determined to tame this wryly, wiggling student, I stood my ground, set on converting this disobedient child to my calm, measured ways of study.  

As time slowly crept by, I noticed that despite Natalie’s cheerful tone and bright smile, the stuffed eagle was troublesomely quiet and stern-faced. Much like myself. Both the eagle and I were getting nowhere in this lesson—so we hatched a quick plan. Lifting the eagle up in the air, I started reading in my best impersonation of an eagle, squawking my way through a spelling packet. The result provided a sense of instant gratification I never knew I needed. She sang out every letter, clapped her hands at every page, and followed along with the eagle, stopping at every few letters to declare that “E is for eagle” and pet her teacher fondly on the beak.  

Despite my ostensibly dissatisfied attitude toward my students, I did not join the tutoring center simply to earn money. I had always aspired to help others achieve their fullest potential. As a young adult, I felt that it was time for me to step out of the role of a pupil and into the influential role of a teacher, naively believing that I had the maturity and skill to adapt to any situation and help these students reach their highest achievements academically. For the most part, the role of a stern-faced, strict instructor helped me get by in the workplace, and while my students never truly looked happy, I felt that it was part of the process of conditioning a child to learn. 

Ironically, my transition to adulthood was the result of a stuffed animal. It was indisputable that I always had the skill to instruct others; the only thing needed to instruct someone is knowledge of the subject. However, it was only upon being introduced to a stuffed bird in which I realized that students receive the most help not from instructors, but teachers. While almost anyone can learn material and spit it back out for someone, it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens. From my young pupil and her little bird, I have undergone a change in attitude which reflects a growth in maturity and ability to improve the lives of others that I hope to implement in my future role as a student, activist, and physician. My newfound maturity taught me that the letter “e” stands for many things: empathy, experience, enthusiasm, and eagle.

In this essay, the student effectively explores their values (and how they learned them!) then identifies these values through a reflective conclusion. While the writer humbly recognizes the initial faults in their teaching style, they do not position their initial discipline or rigidity as mean or poorly intentioned—simply ineffective. This is important because, when you are discussing a transition like this, you don’t want admissions officers to think of you as having been a bad person. 

My favorite part about this essay is its subtlety. The major shift in the essay comes through the simple sentence “The result provided a sense of instant gratification I never knew I needed.” The facts of this narrative are not too complicated. Simply put, the writer was strict then learned that it’s sometimes more effective not to be strict. The complexity of this narrative comes through reflection. Notably, through the ending, the student identifies their values (which they hadn’t given a name to before): “it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens.” 

The final sentence of this essay ties things up very nicely. Readers are left satisfied with the essay and convinced that its writer is a kind human with a large capacity for reflection and consideration. That is a great image to paint of yourself!

Prompt #5, Example #3

When it’s quiet, I can still hear the Friday night gossip and giggles of my friends. It’s a stark contrast from the environment I’ve known all my life, my home. My family has always been one to keep to themselves; introverts with a hard-working mentality—my father especially. He spent most of his time at work and growing up without him around, I came to be at peace with the fact that I’d probably never really get to know him. The thought didn’t bother me at the time because I felt that we were very different. He was stoic and traditional; I was trying to figure out who I was and explore my interests. His disapproval of the American music I listened to and my penchant for wearing hand-me-downs made me see him as someone who wanted to restrain my individuality. That explains why I relied heavily on my friends throughout middle and high school; they liked me for who I was. I figured I would get lonely without my friends during quarantine, but these last few months stuck at home gave me the time to make a new friend: my father. 

It was June. I had the habit of sleeping with my windows open so I wouldn’t need to set an alarm; the warmth of the sun and the sounds of the neighborhood children playing outside would wake me. One morning, however, it was not the chirping of birds or the laughter of children I awoke to, but the shrill of a saw. Through the window screen, on the grass below, my father stood cutting planks of wood. I was confused but didn’t question him—what he did with his time was none of my business. It was not until the next day, when I was attempting to work on a sculpture for an art class, that the sounds of hammering and drills became too much to ignore. Seeking answers, I trudged across my backyard towards the corner he was in. On that day, all there was to see was the foundation of what he was building; a shed. My intrigue was replaced with awe; I was impressed by the precision of his craft. Sharp corners, leveled and sturdy, I could imagine what it would look like when the walls were up and the inside filled with the tools he had spread around the yard. 

Throughout the week, when I was trying to finish my sculpture for art class—thinking about its shape and composition—I could not help but think of my father. Art has always been a creative outlet for me, an opportunity to express myself at home. For my dad, his craftsmanship was his art. I realized we were not as different as I had thought; he was an artist like me. My glue and paper were his wood and nails.

That summer, I tried to spend more time with my dad than I have in all my 18 years of life. Waking up earlier than usual so we could have our morning coffees together and pretending to like his favorite band so he’d talk to me about it, I took advantage of every opportunity I had to speak with him. In getting to know him, I’ve recognized that I get my artistry from him. 

Reflecting on past relationships, I feel I am now more open to reconnecting with people I’ve perhaps misjudged. In reconciling, I’ve realized I held some bitterness towards him all these years, and in letting that go, my heart is lighter. Our reunion has changed my perspective; instead of vilifying him for spending so much time at work, I can appreciate how hard he works to provide for our family. When I hear him tinkering away at another home project, I can smile and look forward to asking him about it later.

This is an outstanding example of the great things that can be articulated through a reflective essay. As we read the essay, we are simply thinking alongside its author—thinking about their past relationship with their father, about their time in quarantine, about aspects of themselves they think could use attention and growth. 

While we reflect, we are also centered by the student’s anecdote about the sculpture and the shed during quarantine. By centering us in real-time, the student keeps us engaged in the reflection.

The main strength here is the maturity we see on the part of its writer. The student doesn’t say “and I realized my father was the best dad in the world;” they say “and I realized my father didn’t have to be the best dad in the world for me to give him a chance.” Lots of students show themselves as motivated, curious, or compassionate in their college essays, but a reflective essay that ends with a discussion of resentment and forgiveness shows true maturity.

Prompt #5, Example #4

As a wide-eyed, naive seven-year-old, I watched my grandmother’s rough, wrinkled hands pull and knead mercilessly at white dough until the countertop was dusted in flour. She steamed small buns in bamboo baskets, and a light sweetness lingered in the air. Although the mantou looked delicious, their papery, flat taste was always an unpleasant surprise. My grandmother scolded me for failing to finish even one, and when I complained about the lack of flavor she would simply say that I would find it as I grew older. How did my adult relatives seem to enjoy this Taiwanese culinary delight while I found it so plain?

During my journey to discover the essence of mantou, I began to see myself the same way I saw the steamed bun. I believed that my writing would never evolve beyond a hobby and that my quiet nature crippled my ambitions. Ultimately, I thought I had little to offer the world. In middle school, it was easy for me to hide behind the large personalities of my friends, blending into the background and keeping my thoughts company. Although writing had become my emotional outlet, no matter how well I wrote essays, poetry, or fiction, I could not stand out in a sea of talented students. When I finally gained the confidence to submit my poetry to literary journals but was promptly rejected, I stepped back from my work to begin reading from Whitman to Dickinson, Li-Young Lee to Ocean Vuong. It was then that I realized I had been holding back a crucial ingredient–my distinct voice. 

Over time, my taste buds began to mature, as did I. Mantou can be flavored with pork and eggplant, sweetened in condensed milk, and moistened or dried by the steam’s temperature. After I ate the mantou with each of these factors in mind, I noticed its environment enhanced a delicately woven strand of sweetness beneath the taste of side dishes: the sugar I had often watched my grandmother sift into the flour. The taste was nearly untraceable, but once I grasped it I could truly begin to cherish mantou. In the same way the taste had been lost to me for years, my writer’s voice had struggled to shine through because of my self-doubt and fear of vulnerability.

As I acquired a taste for mantou, I also began to strengthen my voice through my surrounding environment. With the support of my parents, peer poets, and the guidance of Amy Tan and the Brontё sisters, I worked tirelessly to uncover my voice: a subtle strand of sweetness. Once I stopped trying to fit into a publishing material mold and infused my uninhibited passion for my Taiwanese heritage into my writing, my poem was published in a literary journal. I wrote about the blatant racism Asians endured during coronavirus, and the editor of Skipping Stones Magazine was touched by both my poem and my heartfelt letter. I opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum, providing support to younger Asian-American students who reached out with the relief of finding someone they could relate to. I embraced writing as a way to convey my struggle with cultural identity. I joined the school’s creative writing club and read my pieces in front of an audience, honing my voice into one that flourishes out loud as well.

Now, I write and speak unapologetically, falling in love with a voice that I never knew I had. It inspires passion within my communities and imparts tenacity to Asian-American youth, rooting itself deeply into everything I write. Today, my grandmother would say that I have finally unearthed the taste of mantou as I savor every bite with a newfound appreciation. I can imagine her hands shaping the dough that has become my voice, and I am eager to share it with the world.

This essay is structurally-sound, with the student’s journey learning to savor mantou and their journey trying to find their voice serving as outstanding parallels. Additionally, as they describe the journey to find a voice in their writing, they definitely show off their voice! The clear introduction provides a great image and draws us in with an intriguing question. Additionally, their little inserts like “a strand of sweetness” and “falling in love with a voice that I never knew I had” work very well.

When the student describes their first published poem, however, their writing gets a little more stilted. This is a common error students make when writing about their achievements. If this student is writing about the craft that goes into writing, we should hear the details of the craft that went into the poem, instead of simply learning that they “opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum.” This is interesting information but would be stronger if it were supplemented by descriptions of the voice they created, comparisons to the styles of other poets, and analysis of their stylistic choices. This would make the essay feel more cohesive, centering entirely around concepts of voice and style.

Prompt #6: Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Note: We don’t have a stellar example for this prompt, so instead, we’re sharing a couple examples that need improvement, and what can be done to make the essays more engaging. 

Prompt #6, Example #1

What factors shape the depth and allure of a literary character? This is the exact question I asked myself as my eyes riveted on the white pages covered with little black letters.

I was reading my old novels. I’ve written three novels and many short stories. Each of them repetitively portrayed the hero as intelligent and funny, and the antagonists as cold and manipulative. I came to the appalling realization that my characters were flat, neither exciting nor original. They just didn’t stand out! 

As Oscar Wilde said, ‘Vice and virtue are to the artist material to an art.’ Their mixing makes a novel addictive because its plot is rich with turnarounds and its characters more engaging. In his famous work The Picture of Dorian Gray , Wilde deconstructs the psyche of his characters. He brilliantly plays with the protagonist’s youthful appearance and the decaying portrait to build a truly unique idiosyncratic identity. The persona of Dorian Gray is so complicated a psychologist could analyze it for hours on end!

Inspired by this character, It was my turn to explore good and evil into characters to make my stories more enthralling. I skillfully played with vice and virtue, separating, merging them… My latest novel is the fruit of this exercise. I chose to set it in 20th century London. Its opium dens and exclusive salons; middle-class workers, peasants and politicians breathed the same newly industrialized air; modernity in Blackfriars bridge and tradition in St Paul’s Cathedral; all of these contrasts set the perfect environment for my characters to grow. Following Laclos’ Valmont, Maupassant’s Georges Duroy and Duffy’s Myra Hindley, I played with those contrasts to present an intricate character, truly creative – unlike my previous ones. Insanity, religion, depravity and love are merged into each character, reflecting Edwardian London. As I reflected on my work, I realized vice and virtue altogether made them more human and credible. These characters stood out, they were interesting, I even wanted to know more about them! 

After rewriting, erasing, typing, and thinking countless times, I realized writing is a unique exercise. Nothing is definite when you are holding a fountain pen, hearing its screeching sound on the white paper and watching the ebony ink forming letters. When I wasn’t too happy about a change I made in my story, I simply erased and rewrote it. Everything I imagined could happen: white pages are the only place the mouse eats the cat or the world is taken by a zombie attack! 

This exact exercise of diversifying my characters satisfied my relentless curiosity. Asking myself ‘how could this character be if she had lost her parents in a maritime tragedy?’ allowed me to view the world from different perspectives (some very dissimilar to my own) and considering how each character would react to different situations brought them to life. As I was writing, I was aiming to change the usual narratives I had previously traversed. I loved experimenting with countless personality traits in my characters – minutes flowing, my hand dancing on the paper as my mind was singing words coming alive….

There were times where my hand just stopped writing and my mind stopped raging. I tried thinking differently, changing a character’s background, the story, the setting. I was inspired by Zola, A.Carter, Fitzgerald, the Brontë sisters… I could observe the different reactions of their characters, and reflect on mine theoretically. But it was only part one of the work: I then had to write, sometimes aimlessly, sometimes frantically, always leading to fresh ideas – I was exploring the practical, trying, erasing and rewriting. Both theory and practice are required to gain intellectual independence and experience, in writing and more globally: before I can change a character, I have to understand it. Before we can change the world, we have to understand it.

The main strength of this essay is the authenticity of the topic the student chose. They aren’t making anything up or stretching the truth. Writing is something that captivates them, and that captivation shines through—particularly through their fourth paragraph (where they geek out over specific plots and characters) and their fifth paragraph (where they joyfully describe how writing has no limitations). Admissions officers want to see this passion and intensity in applicants! The fact that this student has already written three novels also shows dedication and is impressive.

The main weakness of this essay is its structure. Ironically, it is not super captivating. The essay would have been more compelling if the student utilized a “anecdote – answer – reflection” structure. This student’s current introduction involves a reflective question, citations about their past writing experience, then their thoughts on Oscar Wilde’s Dorian Gray. Instead, this student could’ve provided one cohesive (and powerful!) image of them being frustrated with their own writing then being inspired by Dorian Gray. This would look something like:

“I stayed up three nights in a row studying my own writing—bored by my own writing. The only thing more painful than seeing failure in the fruits of your labor is not seeing a path for improvement. I had written three novels and numerous short stories, and all I could come up with was funny and intelligent heroes going up against cold and manipulative villains. What kind of writer was so consistently cliche? On the third night, I wandered over to my bookshelf. Mrs. Dalloway caught my eye (it has such a beautiful cover). I flipped through. Then, I grabbed Giovanni’s Room . I was so obsessed with my shortcomings that I couldn’t even focus long enough to see what these authors were doing right. I picked up The Picture of Dorian Gray and decided to just start reading. By the end of the night, I was captivated.”

An introduction like this would flow nicely into the student describing their experience with Dorian Gray then, because of that experience, describing how they have altered their approach to writing. The conclusion of this essay would then be this student’s time for reflection. Instead of repeating content about their passion—“I then had to write, sometimes aimlessly, sometimes frantically” and “I was exploring the practical, trying, erasing and rewriting”—, the student could dedicate their conclusion to reflecting on the reasons that writing is so captivating or the ways that (until the day they die) writers will always be perfecting their craft.

This essay is a great example of how important it is to pick a topic that truly excites you. It also illustrates how important it is to effectively structure that excitement.

Prompt #6, Example #2

Astonished by the crashing sound of waves in my ear, I was convinced this magical shell actually held the sound of the big blue sea — my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop . It distinctly reminded me of the awestruck feeling I had when I witnessed the churning waves of a windy night by the ocean the previous weekend; I lost track of time gazing at the distant moonlit border dividing our world from the ever-growing black void. Turning to my mom, I inquired curiously, “Can we go to the place where the water ends one day?”

She explained to me I could never reach the end of the ocean because the harsh line I had seen was actually an illusion called the horizon —  there was no material end to the ocean. For a mind as young as mine was, the idea of infinity was incomprehensible. As my infatuation with the ocean continued to grow, I finally understood that regardless of how far I travel, the horizon is unattainable because it’s not a physical limit. This idea is why the ocean captivates me — no matter how much you discover, there is always more to explore. 

Learning about and exploring the ocean provided an escape from one reality into another; though we are on the same planet, it’s an entirely separate world. Through elementary and middle school, I devoted vast amounts of my free time to learning about simpler concepts like a dolphin’s ability to echolocate and coral reef ecosystems. I rented countless documentaries and constantly checked out books from my local library — my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.” This episode remained memorable because it was centered around the impacts of fossil fuels on marine animals; it was the first time I’d learned about the impending crisis we are faced with due to the human mistreatment of our planet.

Prior to viewing that episode, I relied on the ocean as an outlet — I fueled all of my emotions into studying marine organisms. Once I learned of its grave future, I delved into the world of environmental activism. This path was much more disheartening than studying echolocation — inevitable death due to climate change took a toll on my mental health. I attended two climate strikes in November of my sophomore year. Following the strikes, I joined Sunrise Movement Sacramento, a youth-led climate justice organization advocating for the Green New Deal. While analyzing legislation and organizing protests were significant takeaways from my experience with climate activism, they were not the most important. I became an organizer because of my love for the ocean and I remain an organizer because of my passion for dissolving the disproportionalities marginalized groups face due to the sacrificing of people’s livelihood for the sake of profit. The more I learned about our modern society, the more hopeless I grew that I could see any significant change within my lifetime.

However, this hopelessness comes in waves; every day, I remind myself of the moment I discovered the horizon. Or the moment I first dove into the beautiful waters of the Hawaiian coast and immediately was surrounded by breathtaking seas of magnificent creatures and coral gardens — life felt ethereal and beautiful. I remind myself that like the ocean, the vast majority of the universe has yet to be discovered; that distant border holds infinite opportunity to learn. In a universe as vast as ours, and life as rare as ours, individuals still choose to prioritize avarice over our planet. Despite this grave individualism, the ocean reminds me every day there is hope in the fight for a better world. Though I will never discover every inch of the ocean’s floor, I will forever envision and reach for new horizons.

Sometimes the path to a great essay is taking something normal and using it to show admissions officers who you are and what you value—that is precisely this student’s approach! Finding the ocean fascinating is not unique to this student. Tons of kids (and adults, too!) are obsessed with the ocean. What this student does is take things a step further as they explain their curiosity about the ocean in relation to their pain about the destruction of the environment. This capacity for reflection is great!

This student shows a good control of language through their thematic centering on ocean and horizons that carries through their essay—with ”this hopelessness comes in waves” and “I will forever envision and reach for new horizons.” The details provided throughout are also effective at keeping readers engaged—things like “ my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop” and “ my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.”

The main weakness of this essay is the lack of reflection when the student discusses environmental activism. There’s reflection on the student’s connection to the ocean and horizons at the beginning and at the end, but when the student discusses activism, the tone shifts from focusing on their internal thoughts to their external actions. Remember, a lot of students write about environmental activism, but not a lot of students write about an emotional connection to the ocean as an impetus for environmental activism. This student would stand out more to admissions officers if they had dug into questions of what the ocean means to them (and says about them) in the paragraphs beginning “Learning about and exploring the ocean…” and “Prior to viewing that episode.”

Prompt #7: Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Prompt #7, example #1.

Scalding hot water cascades over me, crashing to the ground in a familiar, soothing rhythm. Steam rises to the ceiling as dried sweat and soap suds swirl down the drain. The water hisses as it hits my skin, far above the safe temperature for a shower. The pressure is perfect on my tired muscles, easing the aches and bruises from a rough bout of sparring and the tension from a long, stressful day. The noise from my overactive mind dies away, fading into music, lyrics floating through my head. Black streaks stripe the inside of my left arm, remnants of the penned reminders of homework, money owed and forms due. 

It lacks the same dynamism and controlled intensity of sparring on the mat at taekwondo or the warm tenderness of a tight hug from my father, but it’s still a cocoon of safety as the water washes away the day’s burdens. As long as the hot water is running, the rest of the world ceases to exist, shrinking to me, myself and I. The shower curtain closes me off from the hectic world spinning around me. 

Much like the baths of Blanche DuBois, my hot showers are a means of cleansing and purifying (though I’m mostly just ridding myself of the germs from children at work sneezing on me). In the midst of a hot shower, there is no impending exam to study for, no newspaper deadline to meet, no paycheck to deposit. It is simply complete and utter peace, a safe haven. The steam clears my mind even as it clouds my mirror. 

Creativity thrives in the tub, breathing life into tales of dragons and warrior princesses that evolve only in my head, never making their way to paper but appeasing the childlike dreamer and wannabe author in me all the same. That one calculus problem that has seemed unsolvable since second period clicks into place as I realize the obvious solution. The perfect concluding sentence to my literary analysis essay writes itself (causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely).  

Ever since I was old enough to start taking showers unaided, I began hogging all the hot water in the house, a source of great frustration to my parents. Many of my early showers were rudely cut short by an unholy banging on the bathroom door and an order to “stop wasting water and come eat dinner before it gets cold.” After a decade of trudging up the stairs every evening to put an end to my water-wasting, my parents finally gave in, leaving me to my (expensive) showers. I imagine someday, when paying the water bill is in my hands, my showers will be shorter, but today is not that day (nor, hopefully, will the next four years be that day). 

Showers are better than any ibuprofen, the perfect panacea for life’s daily ailments. Headaches magically disappear as long as the water runs, though they typically return in full force afterward. The runny nose and itchy eyes courtesy of summertime allergies recede. Showers alleviate even the stomachache from a guacamole-induced lack of self-control. 

Honestly though, the best part about a hot shower is neither its medicinal abilities nor its blissful temporary isolation or even the heavenly warmth seeped deep into my bones. The best part is that these little moments of pure, uninhibited contentedness are a daily occurrence. No matter how stressful the day, showers ensure I always have something to look forward to. They are small moments, true, but important nonetheless, because it is the little things in life that matter; the big moments are too rare, too fleeting to make anyone truly happy. Wherever I am in the world, whatever fate chooses to throw at me, I know I can always find my peace at the end of the day behind the shower curtain.

This essay is relatable yet personal! The writer makes themself supremely human through discussing the universal subject of showering. That being said, an essay about showering could easily turn boring while still being relatable. This writer keeps its relatable moments interesting and fun through vivid descriptions of common feelings including “causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely” and “the stomachache from a guacamole-induced lack of self-control.”

While describing a universal feeling, this student also cleverly and intentionally mentions small facts about their life through simple phrases like “I’m mostly just ridding myself of the germs from children at work sneezing on me” and “the childlike dreamer and wannabe author in me.” To put it simply, though we are talking about a shower, we learn about so much more!

And, at the end, the student lets us know that that is exactly why they love showers. Showers are more than meets the eye! With this insightful and reflective ending (“the big moments are too rare, too fleeting to make anyone truly happy”), readers learn about this student’s capacity for reflection, which is an important capacity as you enter college.

The one major error that this writer commits is that of using a trite transition. The inclusion of “Honestly though” at the beginning of this student’s ending detracts from what they are trying to say and sticks out in their writing.

Prompt #7, Example #2

Steam whooshed from the pot as I unveiled my newest creation: duck-peppercorn-chestnut dumplings. The spicy, hearty aroma swirled into the kitchen, mingling with the smell of fresh dough. Grinning, I grabbed a plump dumpling with chopsticks, blew carefully, and fed it into the waiting mouth of my little sister. Her eyes widening, she vigorously nodded and held up five stubby fingers. I did a little happy dance in celebration and pulled my notebook out of my apron pocket. Duck-peppercorn-chestnut: five stars.

In my household, dumplings are a far cry from the classic pork and cabbage. Our menu boasts everything from the savory lamb-bamboo shoot-watercress to the sweet and crispy apple-cinnamon-date. A few years ago, my sister claimed she was sick of eating the same flavors over and over. Refusing to let her disavow our family staple, I took her complaint as a challenge to make the tastiest and most unconventional dumplings to satisfy her. With her as my taste tester and Mum in charge of dough, I spent months experimenting with dozens of odd ingredient combinations. 

During those days spent covered in flour, my dumplings often reminded me of myself—a hybrid of ingredients that don’t usually go together. I am the product of three distinct worlds: the suburbs of Boston, the rural Chinese village of [location removed], and the coastal city of [location removed]. At school, I am both the STEM nerd with lightning-fast mental math and the artistic plant mom obsessed with funky earrings. I love all that is elegant, from Chinese calligraphy to the rolling notes of the Gourd flute, yet I can be very not elegant, like when my sister and I make homemade slime. When I’m on the streets, marching for women’s rights and climate action, I’m loud, bellowing from the bottom of my gut. In the painting studio, though, I don’t speak unless spoken to, and hours can slip by like minutes. I’m loud and quiet. Elegant and messy. Nerdy and artistic. Suburban, rustic, and metropolitan.

While I’m full of odd combinations, they are only seemingly contradictory. Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper, different facets of my identity also converge. After my tenth-grade summer, when I spent six weeks studying design at art school and another three researching the brain at Harvard Med, I began asking myself: What if I mixed art and neuroscience together? That fall, I collaborated with my school’s art museum for an independent research project, exploring two questions: How are aesthetic experiences processed in the brain? And how can neuroscience help museums design exhibits that maximize visitor engagement? I combed through studies with results from tightly controlled experiments, and I spent days gathering my own qualitative data by observing museum visitors and asking them questions. With the help of my artistic skills, I could identify the visual and spatial elements of the exhibits that best held visitors’ attention. 

By synergizing two of the ingredients that make me who I am—art and neuroscience—I realized I shouldn’t see the different sides of myself as separate. I learned to instead seek the intersections between aspects of my identity. Since then, I have mixed art with activism to voice my opinions nonverbally, created Spotify playlists with both Chinese and western pop, and written flute compositions using music theory and math. In the future, by continuing to combine my interests, I want to find my niche in the world. I can make a positive impact on society without having to choose just one passion. As of now, my dream is to be a neuroscientist who designs art therapy treatments for mental health patients. Who knows though? Maybe my calling is to be a dim sum chef who teaches pottery on the side. I don’t know where I’ll go, but one thing’s for sure—being a standard pork and cabbage dumpling is definitely not my style.

This essay is outstanding because the student seems likable and authentic. With the first image of the student’s little sister vigorously nodding and holding up “five stubby fingers,” we find ourselves intrigued by the student’s daily life. They additionally show the importance of family, culture, and creativity in their life—these are great things to highlight in your essay!

After the introduction, the student uses their weird dumpling anecdote to transition to a discussion of their unique intersections. This is achieved smoothly because weirdness/uniqueness is the focus of both of these topics. Additionally, the comparison is not awkward because dumplings are used as more than just a transition, but rather are the through-line of the essay—the student weaves in little phrases like “Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper,” “By synergizing two of the ingredients that make me who I am,” and “being a standard pork and cabbage dumpling is definitely not my style.” This gives the essay its cohesive feel.

Authenticity comes through in this essay as the student recognizes that they don’t know what the future holds. They just know what kind of a person they are—a passionate one! 

One change that would improve this student’s essay would be focusing on fewer intersections in their third and last paragraph. The student mentions STEM, music, family activities, activism, and painting, which makes it feel like a distraction in middle of the essay. Focus on the most important things you want to show admissions officers—you can sit at intersections, but you can’t be interested in everything.

Prompt #7, Example #3

“Everyone follow me!” I smiled at five wide-eyed skaters before pushing off into a spiral. I glanced behind me hopefully, only to see my students standing frozen like statues, the fear in their eyes as clear as the ice they swayed on. “Come on!” I said encouragingly, but the only response I elicited was the slow shake of their heads. My first day as a Learn-to-Skate coach was not going as planned. 

But amid my frustration, I was struck by how much my students reminded me of myself as a young skater. At seven, I had been fascinated by Olympic performers who executed thrilling high jumps and dizzying spins with apparent ease, and I dreamed to one day do the same. My first few months on skates, however, sent these hopes crashing down: my attempts at slaloms and toe-loops were shadowed by a stubborn fear of falling, which even the helmet, elbow pads, and two pairs of mittens I had armed myself with couldn’t mitigate. Nonetheless, my coach remained unfailingly optimistic, motivating me through my worst spills and teaching me to find opportunities in failures. With his encouragement, I learned to push aside my fears and attack each jump with calm and confidence; it’s the hope that I can help others do the same that now inspires me to coach. 

I remember the day a frustrated staff member directed Oliver, a particularly hesitant young skater, toward me, hoping that my patience and steady encouragement might help him improve. Having stood in Oliver’s skates not much earlier myself, I completely empathized with his worries but also saw within him the potential to overcome his fears and succeed. 

To alleviate his anxiety, I held Oliver’s hand as we inched around the rink, cheering him on at every turn. I soon found though, that this only increased his fear of gliding on his own, so I changed my approach, making lessons as exciting as possible in hopes that he would catch the skating bug and take off. In the weeks that followed, we held relay races, played “freeze-skate” and “ice-potato”, and raced through obstacle courses; gradually, with each slip and subsequent success, his fear began to abate. I watched Oliver’s eyes widen in excitement with every skill he learned, and not long after, he earned his first skating badge. Together we celebrated this milestone, his ecstasy fueling my excitement and his pride mirroring my own. At that moment, I was both teacher and student, his progress instilling in me the importance of patience and a positive attitude. 

It’s been more than ten years since I bundled up and stepped onto the ice for the first time. Since then, my tolerance for the cold has remained stubbornly low, but the rest of me has certainly changed. In sharing my passion for skating, I have found a wonderful community of eager athletes, loving parents, and dedicated coaches from whom I have learned invaluable lessons and wisdom. My fellow staffers have been with me, both as friends and colleagues, and the relationships I’ve formed have given me far more poise, confidence, and appreciation for others. Likewise, my relationships with parents have given me an even greater gratitude for the role they play: no one goes to the rink without a parent behind the wheel! 

Since that first lesson, I have mentored dozens of children, and over the years, witnessed tentative steps transform into powerful glides and tears give way to delighted grins. What I have shared with my students has been among the greatest joys of my life, something I will cherish forever. It’s funny: when I began skating, what pushed me through the early morning practices was the prospect of winning an Olympic medal. Now, what excites me is the chance to work with my students, to help them grow, and to give back to the sport that has brought me so much happiness. 

A major strength of this essay comes in its narrative organization. When reading this first paragraph, we feel for the young skaters and understand their fear—skating sounds scary! Then, because the writer sets us up to feel this empathy, the transition to the second paragraph where the student describes their empathy for the young skaters is particularly powerful. It’s like we are all in it together! The student’s empathy for the young skaters also serves as an outstanding, seamless transition to the applicant discussing their personal journey with skating: “I was struck by how much my students reminded me of myself as a young skater.”

This essay positions the applicant as a grounded and caring individual. They are caring towards the young skaters—changing their teaching style to try to help the young skaters and feeling the young skaters’ emotions with them—but they are also appreciative to those who helped them as they reference their fellow staffers and parents. This shows great maturity—a favorable quality in the eyes of an admissions officer.

At the end of the essay, we know a lot about this student and are convinced that they would be a good addition to a college campus!

Prompt #7, Example #4

Flipping past dozens of colorful entries in my journal, I arrive at the final blank sheet. I press my pen lightly to the page, barely scratching its surface to create a series of loops stringing together into sentences. Emotions spill out, and with their release, I feel lightness in my chest. The stream of thoughts slows as I reach the bottom of the page, and I gently close the cover of the worn book: another journal finished.

I add the journal to the stack of eleven books on my nightstand. Struck by the bittersweet sensation of closing a chapter of my life, I grab the notebook at the bottom of the pile to reminisce.

“I want to make a flying mushen to fly in space and your in it” – October 2008

Pulling back the cover of my first Tinkerbell-themed diary, the prompt “My Hopes and Dreams” captures my attention. Though “machine” is misspelled in my scribbled response, I see the beginnings of my past obsession with outer space. At the age of five, I tore through novels about the solar system, experimented with rockets built from plastic straws, and rented Space Shuttle films from Blockbuster to satisfy my curiosities. While I chased down answers to questions as limitless as the universe, I fell in love with learning. Eight journals later, the same relentless curiosity brought me to an airplane descending on San Francisco Bay.

“I wish I had infinite sunsets” – July 2019

I reach for the charcoal notepad near the top of the pile and open to the first page: my flight to the Stanford Pre-Collegiate Summer Institutes. While I was excited to explore bioengineering, anxiety twisted in my stomach as I imagined my destination, unsure of whether I could overcome my shyness and connect with others.

With each new conversation, the sweat on my palms became less noticeable, and I met students from 23 different countries. Many of the moments where I challenged myself socially revolved around the third story deck of the Jerry house. A strange medley of English, Arabic, and Mandarin filled the summer air as my friends and I gathered there every evening, and dialogues at sunset soon became moments of bliss. In our conversations about cultural differences, the possibility of an afterlife, and the plausibility of far-fetched conspiracy theories, I learned to voice my opinion. As I was introduced to different viewpoints, these moments challenged my understanding of the world around me. In my final entries from California, I find excitement to learn from others and increased confidence, a tool that would later allow me to impact my community.

“The beauty in a tower of cans” – June 2020

Returning my gaze to the stack of journals, I stretch to take the floral-patterned book sitting on top. I flip through, eventually finding the beginnings of the organization I created during the outbreak of COVID-19. Since then, Door-to-Door Deliveries has woven its way through my entries and into reality, allowing me to aid high-risk populations through free grocery delivery.

With the confidence I gained the summer before, I took action when seeing others in need rather than letting my shyness hold me back. I reached out to local churches and senior centers to spread word of our services and interacted with customers through our website and social media pages. To further expand our impact, we held two food drives, and I mustered the courage to ask for donations door-to-door. In a tower of canned donations, I saw the value of reaching out to help others and realized my own potential to impact the world around me.

I delicately close the journal in my hands, smiling softly as the memories reappear, one after another. Reaching under my bed, I pull out a fresh notebook and open to its first sheet. I lightly press my pen to the page, “And so begins the next chapter…”

The structuring of this essay makes it easy and enjoyable to read. The student effectively organizes their various life experiences around their tower of journals, which centers the reader and makes the different stories easy to follow. Additionally, the student engages quotes from their journals—and unique formatting of the quotes—to signal that they are moving in time and show us which memory we should follow them to.

Thematically, the student uses the idea of shyness to connect the different memories they draw out of their journals. As the student describes their experiences overcoming shyness at the Stanford Pre-Collegiate Summer Institutes and Door-to-Door Deliveries, this essay can be read as an Overcoming Obstacles essay.

At the end of this essay, readers are fully convinced that this student is dedicated (they have committed to journaling every day), thoughtful (journaling is a thoughtful process and, in the essay, the student reflects thoughtfully on the past), and motivated (they flew across the country for a summer program and started a business). These are definitely qualities admissions officers are looking for in applicants!

Prompt #7, Example #5

“We’re ready for take-off!” 

The tires hit the tarmac and began to accelerate, and I just realized what I had signed up for. For 24 hours straight, I strapped myself into a broken-down SUV whereas others chose the luxury of soaring through the skies for a mere two hours. Especially with my motion sickness and driving anxiety, I would call myself crazy too.

To say I have always remained in my comfort zone is an understatement. Did I always order chicken fingers and fries at a restaurant? Yup! Sounds like me. Did I always create a color-coded itinerary just for a day trip? Guilty as charged. Did I always carry a first-aid kit at all times? Of course! I would make even an ambulance look unprepared. And yet here I was, choosing 1,000 miles of misery from Las Vegas to Seattle despite every bone in my body telling me not to.

The sunlight blinded my eyes and a wave of nausea swept over me. Was it too late to say I forgot my calculator? It was only ten minutes in, and I was certain that the trip was going to be a disaster. I simply hoped that our pre-drive prayer was not stuck in God’s voicemail box. 

All of a sudden, I noticed brightly colored rocks in the distance, ones I had been dying to see for years. Their fluorescence popped amongst the magnificent winding hills as the sunset became romantic in hue. The desert glistened with mirages of deep blue water unlike anything I had ever seen. Nevada was home, but home always seemed to be just desert and casinos. For once, I looked forward to endless desert outside my window rather than a sea of clouds.

I never realized how little I discovered of the world beyond home. For years I complained about how there was nothing to do or discover outside. Not once did I set out to prove myself wrong. Instead, I chose a daily routine of homework at the kitchen table and late-night TV. However, as summer vacation ended, I decided to set my stubbornness aside and finally give this drive back home a chance. Little did I know that it would turn out to be my favorite trip of all time. 

As we drove along, the world chose to prove me wrong when I discovered Heaven on Earth along Shasta Lake. I stood out of the sunroof, surrounded by lush green mountains and fog. I extended my arms out and felt a sense of flight that no plane could ever take me on. As the water vapor kissed my face, I floated into a dreamland I never wanted to leave. I didn’t have to go to great lengths to discover the beauty of the world; it was right in front of me.  From this moment on, comfort and convenience would no longer be my best friends. Rather than only looking for famous travel destinations or following carefully mapped-out routes, I would let curiosity lead the way. 

Since then, my daily life has been anything but routine. I’m proud to boast of my family’s homemade kombucha attempts, of flights purchased and taken in one day, and of a home flooded with knick-knacks from thrifting trips. Every day I set out to try something new, see a different perspective, and go beyond normal. Whether it is by trying a new recipe using taro, making a risky fashion choice with wide-legged pants, or listening to a new music genre in Spanish, I always act with curiosity first.

Over the years, I have devoted my time towards learning Swedish, building computers, and swimming. Although my accent is horrid, some computers almost broke, and even a starfish would outswim me, I continue to enjoy activities I once criticized. For me, there is no enjoyment without some risk. Nobody I know is a kazoo-playing, boogie-board loving, boba connoisseur like me.

This essay is an Overcoming Challenges story that centers around a single anecdote. The structure works nicely as the student describes what they were like before their road trip, what happened on the road trip, and what they were like after. 

The most major improvement that this essay needs is better-communicated authenticity. At the beginning, it feels a bit gimmicky. The student describes their preparedness, particularly the fact that they always carry a first aid kit, and it’s not super believable. Then, when they write “Was it too late to say I forgot my calculator?” it feels like we are in a sitcom and the student is that funny obsessive kid. Sitcom characters don’t feel real and you want to make yourself appear profoundly real.

On a similar note, the narrative arc of this essay isn’t entirely believable. The student describes a large personality and value shift but doesn’t describe any struggles that accompany the shift. A quick shift like that is far from easy. On the other hand, if the immediacy of the shift was easy, they could write about moments after their shift in mindset when they have felt troubled by residual desires to stay in their comfort zone, instead of writing “I always act with curiosity first.”

The greatest strength of this essay is the paragraphs beginning “I never realized how little…” and “As we drove along…” The fixation on comfort seems much more believable when it involves “homework at the kitchen table and late-night TV.” The descriptions of the drive provide beautiful, evocative imagery. And it’s topped off with some nice reflection! Digging into this great portion of the essay would make this an even stronger essay!

Want to see more examples? Check out this post with 16 strong essay examples from top schools , including common supplemental essay questions.

At selective schools, your essays account for around 25% of your admissions decision. That’s more than grades (20%) and test scores (15%), and almost as much as extracurriculars (30%). Why is this? Most students applying to top schools will have stellar academics and extracurriculars. Your essays are your chance to stand out and humanize your application.

That’s why it’s vital that your essays are engaging, and present you as someone who would enrich the campus community.

Before submitting your application, you should have someone else review your essays. It’s even better if that person doesn’t know you personally, as they can best tell whether your personality shines through your essay. 

That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays. 

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

Related CollegeVine Blog Posts

How to Write a 300 Words Essay (+ Examples for Students)

What is a 300-word essay?

It’s an academic paper students write in school or college. The goal is to express an idea, state an argument, or analyze a topic. The only problem with such essays is their concise format.

Your task is to meet the required length but convey information in the logical manner. How is it possible with such restrictions? How to format such a short essay?

In this article, you’ll find a few  samples of 300-word essays. Also, you’ll learn the rules of structuring and formatting such papers right.

Example of 300 Words Essay

Let’s begin with examples (1). A 300-word essay looks like this:

Who am I essay: 300 words sample

A “Who am I?” Essay is a part of the application process for those entering college or university. You get a prompt to describe yourself and tell your goals and motivations. In other words, it’s a personal essay telling admission officers why you want to be their student.

Here’s the sample of such papers:

Bonus: Who Am I Essay: 500 Words Sample

How to Write a 300-Word Essay

Writing a 300-word essay in education is about being brief yet informative. Such tasks check your ability to build arguments and communicate points. Structure it to cover all essay parts and follow the assigned citation style.

300-word essays have a standard structure: an intro, a core, and a conclusion. The body is for organizing and representing the main points. Below you’ll find five techniques to do that.

5 methods of structuring a 300-word paper

• Essence. Write everything that comes to your mind about the topic. Then, re-read it and point out three main ideas to cover in your essay. Describe them one by one when writing a paper’s body. 
• Three points. Make a list of sub-topics related to your essay’s theme. Then, expand each sub-topic with three more points. Finally, choose three sub-topics with most relevant points to support your thesis. Take them to describe in an essay’s body. 
• 3+1. It involves four steps: State a thesis, introduce it, expand on it, and finish your essay. The last step is the “+1” in the technique’s name. The trick is to write a conclusion first and then continue with other essay parts.
• Divide. Write each part of your essay separately. Re-read each paragraph once you have it to revise if something looks wrong. When ready, move to another essay part.
• Simple. Introduce a topic with 12 distinct points, grouping them into 3 blocks with 4 sentences each.

What does a 300-word essay look like?

Use this template to structure your 300-word paper. Here’s what to include in each part:

A 300-word essay introduction:

• Start with introducing your topic.
• State your thesis (the main idea of your essay).
• List the main supporting ideas you’ll discuss to prove it.

How to structure body paragraphs:

As a rule, you write three body paragraphs in an essay. Given the restricted length, each should be short and up-to-pont. Please avoid too many transitional words, long descriptions, or complex sentence structures.

Structure essay body paragraphs like this:

• Write a lead sentence introducing the paragraph’s idea.
• Explain it: 1-3 sentences.
• Provide 1-2 examples.

Concluding your 300-word essay:

Restate all the points you covered in an essay. (You can take them from the introduction and paraphrase.) Finish with the food for thought for readers: a statement, a question, etc.

300-word essay format

Final tips on writing short essays:

• Be concise; no fluff. Cut all sentences that sound too generic or look unnecessary.
• Focus on a catchy beginning and a strong conclusion.
• Write as you speak; then revise each sentence for language patterns and clarity.
• What is 300 words in an essay?

300 words in an essay is the length of a standard academic paper you write in school or college. Depending on formatting, it takes 0.6 pages (single-spaced) or 1.2 pages (double-spaced). This short writing piece is best to share ideas or analyze assigned topics briefly.

• How many paragraphs is a 300 words essay?

A 300 words essay follows a 5-paragraph structure. The first paragraph goes for an introduction, three — for a body, and the final one — for a conclusion. This rule isn’t strict: Your essay body can be one or two, not three, paragraphs (2). Check the prompt’s guidelines before writing.

• How many pages is a 300-word essay?

It’s around 1-1.5 pages, depending on the formatting. Font size and spacing may differ from one prompt to another. In general, a 300-word essay is about 0.6 pages if single-spaced and 1.2 pages if double-spaced.

References:

• https://www.academia.edu/6009297/300_word_essay  
• https://www.csusm.edu/writingcenter/cougarswrite/thisibelieve/index.html
• Essay samples
• Essay writing
• Writing tips

Recent Posts

• Writing the “Why Should Abortion Be Made Legal” Essay: Sample and Tips
• 3 Examples of Enduring Issue Essays to Write Yours Like a Pro
• Writing Essay on Friendship: 3 Samples to Get Inspired
• How to Structure a Leadership Essay (Samples to Consider)
• What Is Nursing Essay, and How to Write It Like a Pro

How to Write a 250-Word Essay: Length, Outline, & Example

A 250-word essay is a frequent task assigned to high school and college students. It’s a widely used format for scholarship applications and college admissions. However, mastering the art of concise yet impactful writing can challenge many students. If you feel overwhelmed by the task of condensing your ideas into 250 words—don’t worry; we have your back!

In this article, we’ll discuss the essential aspects of structuring and formatting a 250-word essay and provide examples. Prepare to discover the secrets that captivate and leave your readers in awe.

• 📝 250-Word Essay Template
• ✅ 250-Word Essay – Step by Step
• 🌟 Writing Prompts
• 📖 Essay Example
• 🤓 More Essay Topics

🔗 References

📝 what does a 250-word essay look like.

Most of the time, the challenge of beginning a 250-word essay stems from a lack of clarity on its structure and format. In this section, you’ll find outlines for various types of 250-word essays, highlighting their key components. With this valuable roadmap, you’ll be well-equipped to embark on your writing journey.

250 Word Essay Outline

A 250-word essay is a concise piece of writing that captures the essence of a topic within a restricted word count. It usually consists of an introduction, body paragraphs, and a conclusion. Each section plays a crucial role in shaping the essay’s overall length, making every word count.

• Introduction (about 50 words or 2-5 sentences). It should introduce the main idea, include a thesis statement, and catch the reader’s attention.
• Body (about 150 words for 2-3 paragraphs). The body should present your main points or arguments and provide evidence or examples.
• Conclusion (about 50 words). This part should summarize the main points discussed in the essay and include a rephrased thesis statement.

Now, let’s look at general outlines for different essay types.

Definition Essay

A definition essay explains the meaning of a specific term or concept. Usually, definition essay topics include questions like “Define X” or “What is an X?”.

Below is a typical outline for a 250-word definition essay.

Analytical Essay

An analytical essay answers questions like “Analyze X” or “What are the components of X?”. You may be required to analyze and interpret a piece of literature, artwork, or any other subject.

Here’s a typical outline for an analytical essay.

Cause & Effect Essay

A cause-and-effect essay explores the relationship between events or phenomena. Usually, it answers the questions like “What are the causes of X?” or “What led to X?”

The outline for a cause-and-effect essay looks as shown below.

Compare & Contrast Essay

A compare and contrast essay investigates the similarities and differences between two or more subjects. It aims to answer questions like “How does X differ from Y?” or “Compare X and Y.”

Check out the possible outline for a compare and contrast essay.

Process Essay

A process essay explains how to do something or how something works. It responds to prompts like “List the steps involved in X” or “Explain what happened in X.”

In a process essay, arranging your discussion in chronological order is a must. Here’s an example of an outline for this paper type.

Argumentative Essay

An argumentative essay presents a claim or argument on a controversial topic and supports it with evidence and reasoning. Usually, this kind of paper centers around a question like “A famous person said X. Do you agree or disagree?”

A typical outline for an argumentative essay looks as shown below.

250 Word Essay Format

Even though a 250-word essay is short, you should still format it according to the academic requirements. Here are the main ones:

• Font style. Avoid using fancy fonts, as they may be difficult to read. Instead, opt for standard fonts used in academic writing—Times New Roman or Arial. The default font provided by MS Word, Calibri, is also perfectly acceptable.
• Font size. It should be 11 or 12 points.
• Margins. Set margins to 1 inch (2.54 cm) on all sides.
• Line spacing. As a rule, professors expect papers to be double-spaced.
• Alignment. Your essay should be left-aligned: it looks neater than fully justified.
• Indents. Don’t indent the first line of your paragraphs.
• Reference List: Format the reference list according to your citation style requirements ( MLA , APA , Chicago, or Harvard).

250 Word Essay Length

A 250-word essay is approximately 1 double-spaced or 0.5 single-spaced pages. However, the essay’s length can vary depending on the margins, font size, and spacing. If you’re unsure about your paper’s formatting requirements, it’s better to consult your professor.

✅ How to Write a 250-Word Essay

At first, writing a 250-word essay may seem challenging, but following these steps can help you effectively organize your thoughts and create a concise and compelling paper.

1. Plan the Structure

Read and analyze the essay prompt or question carefully. Identify the central theme or idea you need to address in your essay. Then create an outline —it’s an essential step when writing such a concise paper. Decide on the main points you want to discuss and the order in which you will present them

2. Write the Introduction

Start with a hook that captures readers’ attention and then briefly review the topic and its significance. Introduce the key terms or concepts you will be discussing in your essay. Finally, develop a thesis statement —a sentence that contains the main idea of your writing.

3. Write the Body

Develop your main points in separate paragraphs. It’s best to start each with a topic sentence that expresses the paragraph’s main idea. Use evidence, examples, or research data to support your points. If you refer to any sources in your body paragraphs, remember to cite them properly to avoid plagiarism.

4. Conclude Your Essay

Summarize all the main points and emphasize the importance of your topic. Remind the readers of the thesis statement by paraphrasing it in the concluding paragraph. You can end your essay with a thought-provoking message, a call to action, or a suggestion for further research or exploration.

5. Revise and Proofread

Review your essay for clarity, coherence , and grammar errors. Ensure your ideas are well-organized and your writing is concise and to the point. Check for any repetitive or unnecessary information and remove it. Make sure your essay adheres to the formatting guidelines provided by your teacher.

🌟 250 Word Scholarship Essay: Writing Prompts

A 250-word writing is a standard format for scholarship and college application essays. For your inspiration, we collected some 250-word essay scholarship examples that you can check out below!

📃 250-Word Essay on Why I Deserve a Scholarship

In a 250-word essay on why you deserve a scholarship, you can focus on highlighting your achievements, goals, and aspirations that make you a deserving candidate for financial support. Here are some points you can include in the body paragraph:

• Academic achievements. Discuss your academic performance, including honors, awards, or other achievements.
• Personal accomplishments. Share any personal achievements that demonstrate your character, leadership skills , or commitment to making a positive impact.
• Future impact. Explain how the scholarship will enable you to contribute to society through research, innovation, community service, or other means.

📃 Why This College Essay: 250 Words Examples

In a “Why this college” essay, you explain why you are interested in attending a particular college or university. There are many points you can include in the body of your 250-word essay:

• Academic fit. Discuss how the college’s educational programs, majors, or courses align with your academic interests and goals.
• Campus culture and community. Explain why the college’s campus culture and student organizations resonate with you.
• Personal connection. Recount your own experiences or interactions with the college or its community. It may involve visiting the campus, participating in events, or engaging with current students or alumni.

📃 250 Word Essay on Why I Want to Be a Nurse

In a 250-word essay explaining your career choice, you should be authentic and sincere. Share personal experiences or realizations demonstrating your passion for a particular field. Here are some ideas you can use for a “Why I want to be a nurse” essay:

• Personal experiences. Discuss any personal experiences that have influenced your desire to become a nurse.
• Compassion and empathy. Highlight your natural inclination toward caring for others and your ability to empathize with those in need.
• Interest in healthcare. Share your interest in healthcare and how nursing aligns with your passion for promoting health and well-being.

📃 Life Changing Experience Essay: 250 Words

In a 250-word “life-changing experience” essay, you can focus on describing an event or series of events that impacted your life and changed your perspective, values, or goals. Here are some points you can include:

• Introduction. Introduce the event or experience you will discuss and explain its significance.
• Description. Describe the event or experience, focusing on your emotions and thoughts.
• Lessons learned. Share the lessons or insights you gained from the experience. What did you learn about yourself, others, or the world?

📖 Essay 250 Words: Example

If you’re still wondering how to write a concise but meaningful paper, check out our 250-word social media essay example.

The role of social media in spreading fake news and misinformation has become a significant concern in today’s digital age. With the increasing popularity of platforms like Facebook, Twitter, and Instagram, information can spread rapidly, regardless of its reliability and accuracy. This essay will explore how social media contributes to disseminating fake news and misinformation. One of the primary reasons social media is a breeding ground for fake news is its ability to reach a vast audience within seconds. With minimal entry barriers, social platforms allow anyone to share information, regardless of its truthfulness, making it effortless for individuals with ill intentions to spread falsehoods among unsuspecting users. Additionally, social media algorithms play a significant role in amplifying fake news. It prioritizes content that receives high levels of engagement, such as likes, shares, and comments. As a result, controversial content tends to receive more publicity, even if it lacks credibility. In order to deal with the spread of false news on social media, platforms need to take accountability by enforcing stricter policies, implementing fact-checking measures, and prioritizing the promotion of reliable sources. It’s also essential to equip users with tools to authenticate information before sharing it to prevent the spread of misinformation on social media. Social media undoubtfully plays a significant role in spreading false news and misinformation due to its expansive reach, algorithmic biases, and echo chamber effect. It is crucial for individuals to be critical consumers of information and for social media platforms to take proactive measures to combat this issue.

🤓 250 Words Essay Topics

A 250-word essay can cover various topics, depending on the assignment’s purpose and requirements. Here we’ve gathered some interesting ideas you can use for your paper:

• How does social media influence people’s self-esteem?
• Obesity and its effect on human health.
• Is animal testing ethical?
• Vaccines for kids: pros and cons.
• How does motivation affect people’s life and success?
• The social significance of wearing school uniforms.
• How safe is GMO food?
• The history of hip-hop music.
• The importance of promoting fair labor policies.
• Ways to prevent domestic violence.
• Various forms of dance and their cultural significance.
• The cultural importance of Renaissance art.
• How does the family environment affect students’ academic success?
• Homeschooling: pros and cons.
• How would you define success?
• Best ways to deal with stress.
• Should kindergartens be more literacy-based or play-based?
• How does pop culture affect teenagers?
• How do physical exercises influence mental health?
• The importance of family values.
• The Principles of Inclusive Education.
• Osteoporosis: The Metabolic Bone Disease.
• The E-Commerce Case With Foodmart.
• The Reality in Drug Addiction Research: Ethnography.
• The Aging in Place Model: Role and Importance.
• Visual Learning and Ways to Apply It.
• Water Scarcity Issue and Environment.
• The Use of Data Collection: Personal Experiences.
• Haunted City: Ghosts of Berlin.
• The Importance of Water for the Body.
• Animal Research and Ethical Treatment.
• Medicare and Medicaid Role in Meeting Health Care Needs.
• The Consensus Model and the Advanced Practice Nurse’s Role.
• US Corporate Executive’s Cultural Shock in China.
• Benefits of Genetic Engineering.
• Standard of Care in Healthcare System.
• British Colonization of America.
• Information Assurance and the Role of Time.
• Urological Disorders in the Older Adult.
• The Ethical Side of Drug Patents.
• Non-Governmental Organization Committee on the Status of Women.
• On the Benefits of a Private Social Security System.
• The Work of a Journalist During Investigation.
• Note-Taking Styles of College Students.
• The Sin of Betrayal in Alighieri’s “Divine Comedy.”
• The Concept of the “War on Drugs.”
• Methods for Determining Body Fat.
• Postwar Economic Prosperity of Ordinary Americans.
• Mound Cultures of North America.
• Congestive Heart Failure: Nursing Diagnosis & Care Plan.
• Osteoporosis: Causes and Treatment.
• Research of Medical Professionals’ Cultural Competence.
• Vaccination and Its Economic Implications.
• Behavioral Disturbances in Dementia.
• Human Resource Planning and Return on Investment.
• Philosophical Thought and Its Levels in Nursing.
• Seamless Implementation of Electronic Medical Records.
• Serving Vulnerable Populations: Meals on Wheels.
• Probiotics Use by a Patient on Antibiotics.
• Hawaiian Mythology and Genealogy of Gods.
• From Medical Practice to Daily Life Study.
• Implementation of Evidence into Practice.
• The Issues of the Effectiveness of CPUs.
• Aspects of Capital Budgeting Practice.

❓250 Words Essay: FAQ

How many pages is a 250-word essay.

The number of pages in a 250-word essay can vary depending on the font size, spacing, and formatting. A 250-word paper is approximately one double-spaced page or half a single-spaced page. It’s important to remember that the focus should be on the quality and content of the essay rather than the number of pages.

How Long is a 250-Word Essay?

The number of paragraphs and sentences in a 250-word essay can vary depending on the writer’s style. However, as a general guideline, a 250-word essay will likely consist of 3-4 paragraphs . The introduction and conclusion are usually the same length and comprise 1-2 sentences, while the body paragraphs make up the main content of the essay.

How to Write a 250-Word Essay for a Scholarship?

When writing a 250-word scholarship essay, you should take your time, be authentic, and ensure your paper reflects your true self. Start as soon as possible to have enough time before the application deadline. When brainstorming ideas, review other scholarship essay examples. Don’t hesitate to ask other people for feedback and help with proofreading.

• Definition; Writing for Success | University of Minnesota
• Developing A Thesis | Harvard University
• Compare and Contrast Essays: The Ultimate Guide | Grammarly Blog
• Argumentative Essays | Purdue OWL, Purdue University
• Paragraphs | The Writing Center, University of North Carolina at Chapel Hill
• How Do I Write an Intro, Conclusion, Body Paragraph? | U-M LSA Sweetland Center for Writing
• Writing Concisely | George Mason University
• Make Your Essay Flow Using Transitions | ThoughtCo
• Share to Facebook
• Share to Twitter X
• Share to LinkedIn

You might also like

740 funny research topics — a list of superb writing ideas, 376 ethical topics & questions for research papers, essays, debates, & more, 428 criminology research topics & questions for students.

11 Rules for Essay Paragraph Structure (with Examples)

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

Learn about our Editorial Process

How do you structure a paragraph in an essay?

If you’re like the majority of my students, you might be getting your basic essay paragraph structure wrong and getting lower grades than you could!

In this article, I outline the 11 key steps to writing a perfect paragraph. But, this isn’t your normal ‘how to write an essay’ article. Rather, I’ll try to give you some insight into exactly what teachers look out for when they’re grading essays and figuring out what grade to give them.

You can navigate each issue below, or scroll down to read them all:

1. Paragraphs must be at least four sentences long 2. But, at most seven sentences long 3. Your paragraph must be Left-Aligned 4. You need a topic sentence 5 . Next, you need an explanation sentence 6. You need to include an example 7. You need to include citations 8. All paragraphs need to be relevant to the marking criteria 9. Only include one key idea per paragraph 10. Keep sentences short 11. Keep quotes short

Paragraph structure is one of the most important elements of getting essay writing right .

As I cover in my Ultimate Guide to Writing an Essay Plan , paragraphs are the heart and soul of your essay.

However, I find most of my students have either:

• forgotten how to write paragraphs properly,
• gotten lazy, or
• never learned it in the first place!

Paragraphs in essay writing are different from paragraphs in other written genres .

In fact, the paragraphs that you are reading now would not help your grades in an essay.

That’s because I’m writing in journalistic style, where paragraph conventions are vastly different.

For those of you coming from journalism or creative writing, you might find you need to re-learn paragraph writing if you want to write well-structured essay paragraphs to get top grades.

Below are eleven reasons your paragraphs are losing marks, and what to do about it!

Essay Paragraph Structure Rules

1. your paragraphs must be at least 4 sentences long.

In journalism and blog writing, a one-sentence paragraph is great. It’s short, to-the-point, and helps guide your reader. For essay paragraph structure, one-sentence paragraphs suck.

A one-sentence essay paragraph sends an instant signal to your teacher that you don’t have much to say on an issue.

A short paragraph signifies that you know something – but not much about it. A one-sentence paragraph lacks detail, depth and insight.

Many students come to me and ask, “what does ‘add depth’ mean?” It’s one of the most common pieces of feedback you’ll see written on the margins of your essay.

Personally, I think ‘add depth’ is bad feedback because it’s a short and vague comment. But, here’s what it means: You’ve not explained your point enough!

If you’re writing one-, two- or three-sentence essay paragraphs, you’re costing yourself marks.

Always aim for at least four sentences per paragraph in your essays.

This doesn’t mean that you should add ‘fluff’ or ‘padding’ sentences.

Make sure you don’t:

a) repeat what you said in different words, or b) write something just because you need another sentence in there.

But, you need to do some research and find something insightful to add to that two-sentence paragraph if you want to ace your essay.

Check out Points 5 and 6 for some advice on what to add to that short paragraph to add ‘depth’ to your paragraph and start moving to the top of the class.

• How to Make an Essay Longer
• How to Make an Essay Shorter

2. Your Paragraphs must not be more than 7 Sentences Long

Okay, so I just told you to aim for at least four sentences per paragraph. So, what’s the longest your paragraph should be?

Seven sentences. That’s a maximum.

So, here’s the rule:

Between four and seven sentences is the sweet spot that you need to aim for in every single paragraph.

Here’s why your paragraphs shouldn’t be longer than seven sentences:

1. It shows you can organize your thoughts. You need to show your teacher that you’ve broken up your key ideas into manageable segments of text (see point 10)

2. It makes your work easier to read.   You need your writing to be easily readable to make it easy for your teacher to give you good grades. Make your essay easy to read and you’ll get higher marks every time.

One of the most important ways you can make your work easier to read is by writing paragraphs that are less than six sentences long.

3. It prevents teacher frustration. Teachers are just like you. When they see a big block of text their eyes glaze over. They get frustrated, lost, their mind wanders … and you lose marks.

To prevent teacher frustration, you need to ensure there’s plenty of white space in your essay. It’s about showing them that the piece is clearly structured into one key idea per ‘chunk’ of text.

Often, you might find that your writing contains tautologies and other turns of phrase that can be shortened for clarity.

3. Your Paragraph must be Left-Aligned

Turn off ‘Justified’ text and: Never. Turn. It. On. Again.

Justified text is where the words are stretched out to make the paragraph look like a square. It turns the writing into a block. Don’t do it. You will lose marks, I promise you! Win the psychological game with your teacher: left-align your text.

A good essay paragraph is never ‘justified’.

I’m going to repeat this, because it’s important: to prevent your essay from looking like a big block of muddy, hard-to-read text align your text to the left margin only.

You want white space on your page – and lots of it. White space helps your reader scan through your work. It also prevents it from looking like big blocks of text.

You want your reader reading vertically as much as possible: scanning, browsing, and quickly looking through for evidence you’ve engaged with the big ideas.

The justified text doesn’t help you do that. Justified text makes your writing look like a big, lumpy block of text that your reader doesn’t want to read.

What’s wrong with Center-Aligned Text?

While I’m at it, never, ever, center-align your text either. Center-aligned text is impossible to skim-read. Your teacher wants to be able to quickly scan down the left margin to get the headline information in your paragraph.

Not many people center-align text, but it’s worth repeating: never, ever center-align your essays.

Don’t annoy your reader. Left align your text.

4. Your paragraphs must have a Topic Sentence

The first sentence of an essay paragraph is called the topic sentence. This is one of the most important sentences in the correct essay paragraph structure style.

The topic sentence should convey exactly what key idea you’re going to cover in your paragraph.

Too often, students don’t let their reader know what the key idea of the paragraph is until several sentences in.

You must show what the paragraph is about in the first sentence.

You never, ever want to keep your reader in suspense. Essays are not like creative writing. Tell them straight away what the paragraph is about. In fact, if you can, do it in the first half of the first sentence .

I’ll remind you again: make it easy to grade your work. Your teacher is reading through your work trying to determine what grade to give you. They’re probably going to mark 20 assignments in one sitting. They have no interest in storytelling or creativity. They just want to know how much you know! State what the paragraph is about immediately and move on.

Suggested: Best Words to Start a Paragraph

Ideal Essay Paragraph Structure Example: Writing a Topic Sentence If your paragraph is about how climate change is endangering polar bears, say it immediately : “Climate change is endangering polar bears.” should be your first sentence in your paragraph. Take a look at first sentence of each of the four paragraphs above this one. You can see from the first sentence of each paragraph that the paragraphs discuss:

When editing your work, read each paragraph and try to distil what the one key idea is in your paragraph. Ensure that this key idea is mentioned in the first sentence .

(Note: if there’s more than one key idea in the paragraph, you may have a problem. See Point 9 below .)

The topic sentence is the most important sentence for getting your essay paragraph structure right. So, get your topic sentences right and you’re on the right track to a good essay paragraph.

5. You need an Explanation Sentence

All topic sentences need a follow-up explanation. The very first point on this page was that too often students write paragraphs that are too short. To add what is called ‘depth’ to a paragraph, you can come up with two types of follow-up sentences: explanations and examples.

Let’s take explanation sentences first.

Explanation sentences give additional detail. They often provide one of the following services:

Let’s go back to our example of a paragraph on Climate change endangering polar bears. If your topic sentence is “Climate change is endangering polar bears.”, then your follow-up explanation sentence is likely to explain how, why, where, or when. You could say:

Ideal Essay Paragraph Structure Example: Writing Explanation Sentences 1. How: “The warming atmosphere is melting the polar ice caps.” 2. Why: “The polar bears’ habitats are shrinking every single year.” 3. Where: “This is happening in the Antarctic ice caps near Greenland.” 4. When: “Scientists first noticed the ice caps were shrinking in 1978.”

You don’t have to provide all four of these options each time.

But, if you’re struggling to think of what to add to your paragraph to add depth, consider one of these four options for a good quality explanation sentence.

>>>RELATED ARTICLE: SHOULD YOU USE RHETORICAL QUESTIONS IN ESSAYS ?

6. Your need to Include an Example

Examples matter! They add detail. They also help to show that you genuinely understand the issue. They show that you don’t just understand a concept in the abstract; you also understand how things work in real life.

Example sentences have the added benefit of personalising an issue. For example, after saying “Polar bears’ habitats are shrinking”, you could note specific habitats, facts and figures, or even a specific story about a bear who was impacted.

Ideal Essay Paragraph Structure Example: Writing an ‘Example’ Sentence “For example, 770,000 square miles of Arctic Sea Ice has melted in the past four decades, leading Polar Bear populations to dwindle ( National Geographic, 2018 )

In fact, one of the most effective politicians of our times – Barrack Obama – was an expert at this technique. He would often provide examples of people who got sick because they didn’t have healthcare to sell Obamacare.

What effect did this have? It showed the real-world impact of his ideas. It humanised him, and got him elected president – twice!

Be like Obama. Provide examples. Often.

7. All Paragraphs need Citations

Provide a reference to an academic source in every single body paragraph in the essay. The only two paragraphs where you don’t need a reference is the introduction and conclusion .

Let me repeat: Paragraphs need at least one reference to a quality scholarly source .

Let me go even further:

Students who get the best marks provide two references to two different academic sources in every paragraph.

Two references in a paragraph show you’ve read widely, cross-checked your sources, and given the paragraph real thought.

It’s really important that these references link to academic sources, not random websites, blogs or YouTube videos. Check out our Seven Best types of Sources to Cite in Essays post to get advice on what sources to cite. Number 6 w ill surprise you!

Ideal Essay Paragraph Structure Example: In-Text Referencing in Paragraphs Usually, in-text referencing takes the format: (Author, YEAR), but check your school’s referencing formatting requirements carefully. The ‘Author’ section is the author’s last name only. Not their initials. Not their first name. Just their last name . My name is Chris Drew. First name Chris, last name Drew. If you were going to reference an academic article I wrote in 2019, you would reference it like this: (Drew, 2019).

Where do you place those two references?

Place the first reference at the end of the first half of the paragraph. Place the second reference at the end of the second half of the paragraph.

This spreads the references out and makes it look like all the points throughout the paragraph are backed up by your sources. The goal is to make it look like you’ve reference regularly when your teacher scans through your work.

Remember, teachers can look out for signposts that indicate you’ve followed academic conventions and mentioned the right key ideas.

Spreading your referencing through the paragraph helps to make it look like you’ve followed the academic convention of referencing sources regularly.

Here are some examples of how to reference twice in a paragraph:

• If your paragraph was six sentences long, you would place your first reference at the end of the third sentence and your second reference at the end of the sixth sentence.
• If your paragraph was five sentences long, I would recommend placing one at the end of the second sentence and one at the end of the fifth sentence.

You’ve just read one of the key secrets to winning top marks.

8. Every Paragraph must be relevant to the Marking Criteria

Every paragraph must win you marks. When you’re editing your work, check through the piece to see if every paragraph is relevant to the marking criteria.

For the British: In the British university system (I’m including Australia and New Zealand here – I’ve taught at universities in all three countries), you’ll usually have a ‘marking criteria’. It’s usually a list of between two and six key learning outcomes your teacher needs to use to come up with your score. Sometimes it’s called a:

• Marking criteria
• Marking rubric
• (Key) learning outcome
• Indicative content

Check your assignment guidance to see if this is present. If so, use this list of learning outcomes to guide what you write. If your paragraphs are irrelevant to these key points, delete the paragraph .

Paragraphs that don’t link to the marking criteria are pointless. They won’t win you marks.

For the Americans: If you don’t have a marking criteria / rubric / outcomes list, you’ll need to stick closely to the essay question or topic. This goes out to those of you in the North American system. North America (including USA and Canada here) is often less structured and the professor might just give you a topic to base your essay on.

If all you’ve got is the essay question / topic, go through each paragraph and make sure each paragraph is relevant to the topic.

For example, if your essay question / topic is on “The Effects of Climate Change on Polar Bears”,

• Don’t talk about anything that doesn’t have some connection to climate change and polar bears;
• Don’t talk about the environmental impact of oil spills in the Gulf of Carpentaria;
• Don’t talk about black bear habitats in British Columbia.
• Do talk about the effects of climate change on polar bears (and relevant related topics) in every single paragraph .

You may think ‘stay relevant’ is obvious advice, but at least 20% of all essays I mark go off on tangents and waste words.

Stay on topic in Every. Single. Paragraph. If you want to learn more about how to stay on topic, check out our essay planning guide .

9. Only have one Key Idea per Paragraph

One key idea for each paragraph. One key idea for each paragraph. One key idea for each paragraph.

Don’t forget!

Too often, a student starts a paragraph talking about one thing and ends it talking about something totally different. Don’t be that student.

To ensure you’re focussing on one key idea in your paragraph, make sure you know what that key idea is. It should be mentioned in your topic sentence (see Point 3 ). Every other sentence in the paragraph adds depth to that one key idea.

If you’ve got sentences in your paragraph that are not relevant to the key idea in the paragraph, they don’t fit. They belong in another paragraph.

Go through all your paragraphs when editing your work and check to see if you’ve veered away from your paragraph’s key idea. If so, you might have two or even three key ideas in the one paragraph.

You’re going to have to get those additional key ideas, rip them out, and give them paragraphs of their own.

If you have more than one key idea in a paragraph you will lose marks. I promise you that.

The paragraphs will be too hard to read, your reader will get bogged down reading rather than scanning, and you’ll have lost grades.

10. Keep Sentences Short

If a sentence is too long it gets confusing. When the sentence is confusing, your reader will stop reading your work. They will stop reading the paragraph and move to the next one. They’ll have given up on your paragraph.

Short, snappy sentences are best.

Shorter sentences are easier to read and they make more sense. Too often, students think they have to use big, long, academic words to get the best marks. Wrong. Aim for clarity in every sentence in the paragraph. Your teacher will thank you for it.

The students who get the best marks write clear, short sentences.

When editing your draft, go through your essay and see if you can shorten your longest five sentences.

(To learn more about how to write the best quality sentences, see our page on Seven ways to Write Amazing Sentences .)

11. Keep Quotes Short

Eighty percent of university teachers hate quotes. That’s not an official figure. It’s my guestimate based on my many interactions in faculty lounges. Twenty percent don’t mind them, but chances are your teacher is one of the eight out of ten who hate quotes.

Teachers tend to be turned off by quotes because it makes it look like you don’t know how to say something on your own words.

Now that I’ve warned you, here’s how to use quotes properly:

Ideal Essay Paragraph Structure Example: How To Use Quotes in University-Level Essay Paragraphs 1. Your quote should be less than one sentence long. 2. Your quote should be less than one sentence long. 3. You should never start a sentence with a quote. 4. You should never end a paragraph with a quote. 5 . You should never use more than five quotes per essay. 6. Your quote should never be longer than one line in a paragraph.

The minute your teacher sees that your quote takes up a large chunk of your paragraph, you’ll have lost marks.

Your teacher will circle the quote, write a snarky comment in the margin, and not even bother to give you points for the key idea in the paragraph.

Avoid quotes, but if you really want to use them, follow those five rules above.

I’ve also provided additional pages outlining Seven tips on how to use Quotes if you want to delve deeper into how, when and where to use quotes in essays. Be warned: quoting in essays is harder than you thought.

Follow the advice above and you’ll be well on your way to getting top marks at university.

Writing essay paragraphs that are well structured takes time and practice. Don’t be too hard on yourself and keep on trying!

Below is a summary of our 11 key mistakes for structuring essay paragraphs and tips on how to avoid them.

I’ve also provided an easy-to-share infographic below that you can share on your favorite social networking site. Please share it if this article has helped you out!

11 Biggest Essay Paragraph Structure Mistakes you’re probably Making

1.  Your paragraphs are too short 2.  Your paragraphs are too long 3.  Your paragraph alignment is ‘Justified’ 4.  Your paragraphs are missing a topic sentence 5 .  Your paragraphs are missing an explanation sentence 6.  Your paragraphs are missing an example 7.  Your paragraphs are missing references 8.  Your paragraphs are not relevant to the marking criteria 9.  You’re trying to fit too many ideas into the one paragraph 10.  Your sentences are too long 11.  Your quotes are too long

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 101 Class Group Name Ideas (for School Students)
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 19 Top Cognitive Psychology Theories (Explained)
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 119 Bloom’s Taxonomy Examples
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ All 6 Levels of Understanding (on Bloom’s Taxonomy)

4 thoughts on “11 Rules for Essay Paragraph Structure (with Examples)”

Hello there. I noticed that throughout this article on Essay Writing, you keep on saying that the teacher won’t have time to go through the entire essay. Don’t you think this is a bit discouraging that with all the hard work and time put into your writing, to know that the teacher will not read through the entire paper?

Hi Clarence,

Thanks so much for your comment! I love to hear from readers on their thoughts.

Yes, I agree that it’s incredibly disheartening.

But, I also think students would appreciate hearing the truth.

Behind closed doors many / most university teachers are very open about the fact they ‘only have time to skim-read papers’. They regularly bring this up during heated faculty meetings about contract negotiations! I.e. in one university I worked at, we were allocated 45 minutes per 10,000 words – that’s just over 4 minutes per 1,000 word essay, and that’d include writing the feedback, too!

If students know the truth, they can better write their essays in a way that will get across the key points even from a ‘skim-read’.

I hope to write candidly on this website – i.e. some of this info will never be written on university blogs because universities want to hide these unfortunate truths from students.

Thanks so much for stopping by!

Regards, Chris

This is wonderful and helpful, all I say is thank you very much. Because I learned a lot from this site, own by chris thank you Sir.

Thank you. This helped a lot.

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

How An Essay Paper Should Look Like

• Author Sandra W.

This Is How An Essay Paper Should Look Like

A basic essay consists of three main parts: introduction, body, and conclusion. This type of format will help you write and organize an essay. However, flexibility is important. While keeping this basic essay format in mind, let the topic and specific assignment guide the writing and organization. 

Parts Of An Essay

Introduction

The introduction guides the reader into the paper by introducing the topic. It should begin with a hook that catches the reader’s interest. This hook could be a quote, an analogy, a question, etc. After getting the reader’s attention, the introduction should give some background information on the topic. The ideas within the introduction should be general enough for the reader to understand the main claim and gradually become more specific to lead into the thesis statement.

Thesis Statement

The thesis statement concisely states the main idea or argument of the essay, sets limits on the topic, and can indicate the organization of the essay. The thesis works as a road map for the entire essay, showing the readers what you have to say and which main points you will use to support your ideas.

The body of the essay supports the main points presented in the thesis. Each point is developed by one or more paragraphs and supported with specific details. These details can include support from research and experiences, depending on the assignment. In addition to this support, the author’s own analysis and discussion of the topic ties ideas together and draws conclusions that support the thesis. Transitions

Transitions connect paragraphs to each other and to the thesis. They are used within and between paragraphs to help the paper flow from one topic to the next. These transitions can be one or two words ("first,” "next,” "in addition,” etc.) or one or two sentences that bring the reader to the next main point. The topic sentence of a paragraph often serves as a transition.

The conclusion brings together all the main points of the essay. It refers back to the thesis statement and leaves readers with a final thought and sense of closure by resolving any ideas brought up in the essay. It may also address the implications of the argument. In the conclusion, new topics or ideas that were not developed in the paper should not be introduced.

 If your paper incorporates research, be sure to give credit to each source using in-text citations and a Works Cited/References/Bibliography page.

Parts of a Paragraph

In an essay, a paragraph discusses one idea in detail that supports the thesis of the essay.  Each paragraph in the body of the paper should include a topic sentence, supporting details to support the topic sentence, and a concluding sentence. The paragraph’s purpose and scope will determine its length, but most paragraphs contain at least two complete sentences.

Topic Sentence

The main idea of each paragraph is stated in a topic sentence that shows how the idea relates to the thesis. Generally, the topic sentence is placed at the beginning of a paragraph, but the location and placement may vary according to individual organization and audience expectation. Topic sentences often serve as transitions between paragraphs.

 Supporting Details

Supporting details elaborate upon the topic sentences and thesis. Supporting details should be drawn from a variety of sources determined by the assignment guidelines and genre, and should include the writer’s own analysis. 

Concluding Sentence 

Each paragraph should end with a final statement that brings together the ideas brought up in the paragraph. Sometimes, it can serve as a transition to the next paragraph.

Recent Posts

• A Sample Essay on Birds 21-08-2023 0 Comments
• Is Homeschooling an Ideal Way... 21-08-2023 0 Comments
• Essay Sample on Man 14-08-2023 0 Comments
• Academic Writing(23)
• Admission Essay(172)
• Book Summaries(165)
• College Tips(312)
• Content Writing Services(1)
• Essay Help(517)
• Essay Writing Help(76)
• Essays Blog(0)
• Example(337)
• Infographics(2)
• Letter Writing(1)
• Outlines(137)
• Photo Essay Assignment(4)
• Resume Writing Tips(62)
• Samples Essays(315)
• Writing Jobs(2)

Verify originality of an essay

Get ideas for your paper

Find top study documents

Five Paragraph Essay: Step-By-Step Guides With Examples

Updated 27 Oct 2023

Many students consider essay writing to be a significant challenge requiring much attention. Gone are the days of using large fonts to meet page requirements with minimal effort. Now, it's about word count checks and unnecessary jargon. But it doesn’t have to be this way. With a clear and structured approach, writing a 5 paragraph essay can become much more manageable and enjoyable. In this article, we’ll consider the 5 paragraph essay format and structure and provide recommendations on how to craft organized and effective essays according to academic standards.

How do you organize your writing?

The traditional  5 paragraph essay structure, often called the "hamburger essay," provides a framework to comprehend the essential components of a well-structured document. This metaphorical comparison to a hamburger is more than a whimsical play on words; it serves as a memorable and effective teaching tool, simplifying a potentially complex concept. Much like the layers of a hamburger, the 5 paragraph essay format includes five distinct components, each contributing to the overall document quality and coherence.

First layer – Introduction

At the beginning of the text, we find the top bun corresponding to the introduction. When completing this part of your writing, a question like “Where is the thesis stated in a 5-paragraph essay?” may appear in your head. And we’ll answer! That’s precisely in this section, as its role is to acquaint the reader with the purpose, central theme of writing, and a key thesis. Just as the top bun holds everything together, the introduction sets the stage for the entire text, giving the reader an initial taste of what's to come.

Second, third, and fourth layers – Body paragraphs

The subsequent layers are like the meat patties in a hamburger, forming a substantial part of the document. These are the body paragraphs, where students present their arguments, analysis, evidence, and support for the central thesis, as introduced in the top bun. Each paragraph acts as a distinct, savory layer, providing the reader with a well-structured and compelling narrative.

The last layer – Conclusion

Finally, we arrive at the last layer, the conclusion, akin to the bottom bun. Just as the bottom bun completes the hamburger and supports the entire structure, the conclusion brings the text to a satisfying closure. Here, the writer recapitulates the key arguments and reinforces the main thesis, offering a final and powerful reminder of the essay's central point.

By embracing the “hamburger essay” structure, you can understand the key elements of essay composition more readily and appreciate the importance of well-organized, coherent, and balanced writing. It leaves a lasting impression, much like a delicious hamburger enjoyed to the very last bite. 

Types of a 5 paragraph essay 

This kind of writing, the same as a 3 paragraph essay , comes in various forms, each with its distinct focus and purpose. Let’s explore some of the prevalent types.

Narrative 

It’s a storytelling text that provides the reader with a personal experience or a captivating tale. This writing form begins with a well-crafted introduction, delves into body sections brimming with narrative details, and then neatly concludes the story.

Descriptive 

In this 5 paragraph essay example, words become brushes, painting vivid pictures. Such texts employ sensory language to depict a place, person, or object in intricate detail. A clear thesis statement defines the subject, followed by body paragraphs that serve as the canvas, offering specific, evocative details to bring the subject to life.

The writing serves as an informational beacon, shedding light on a subject. It starts with a succinct introduction, presenting the topic, and body paragraphs that substantiate the thesis with evidence and examples. It culminates in a summary that distills the essential points.

Persuasive 

It’s a powerful tool to support a specific point of view or stance. It boasts a clear thesis statement, body paragraphs that marshal compelling evidence plus supporting arguments, and a concluding section reiterating the pivotal ideas and reinforcing the thesis.

Compare and contrast 

This form draws parallels and distinctions between two or more subjects. The document's first paragraph introduces the subjects under scrutiny, continues with body paragraphs that delve deeper into their differences and similarities and concludes with a final paragraph reiterating the crucial points.

Each type has unique requirements and peculiarities tailored to its specific purpose. When composing a five-paragraph piece, essay writers can navigate the process more effectively by selecting the most appropriate structure for their topic. Understanding the distinctions between these texts is the compass that guides their choice.

How to start an introduction? 

Like any text, creating a five paragraph essay necessitates a clear grasp of your main subject or thesis. It embodies the core idea you intend to defend and expound upon; essentially, the entire document revolves around it. The middle three paragraphs are your thesis's background of support, proof, or elaboration.

Naturally, one cannot begin the writing journey without a compass for direction. If your assignment hasn't specified a thesis, it's advisable to select a topic with ample substance for discussion, ideally one substantial enough to fill five paragraphs.

Writers often encapsulate the essence of their thesis within a thesis statement, typically situated in the introductory paragraph that should arouse the reader’s interest and shouldn’t be too long. While it needn't be the first thing you write, formulating your topic into a single sentence can help you understand it more profoundly, refine its focus, and make necessary revisions.

Upon choosing a topic, we recommend creating a brief outline to understand better how to write a five paragraph essay and what information to include. This skeletal framework guides the incorporation of information into the respective paragraphs. It allows you to refine the sequence and structure of your text in advance, reducing the need for extensive editing later.

How do you write the body paragraphs? 

This section dissects the arguments that uphold the thesis statement introduced in the essay's outset. Before you start writing, you must know how many pages is 5 paragraphs and understand how to present your arguments.

Typically, every body paragraph commences by articulating an argument, followed by subsequent sentences that buttress this argument with evidence and additional clarification. To ensure a seamless flow, each paragraph concludes with a transitional statement or phrase, setting the stage for the next idea.

To assist you in structuring this section effectively, you may use the PEEL approach. This acronym has the following meaning:

Point: Commence the paragraph by articulating the core argument.

Evidence: Bolster the central idea with evidence and rationales. Evidence can manifest in various forms, encompassing statistics, facts, references to historical events, quotes from authoritative sources, and more.

Explanation: Elucidate how the presented evidence lends support to the central argument.

Link: Facilitate a seamless transition to the subsequent point by connecting the argument and the overarching thesis to the forthcoming idea to be addressed through transition sentences .

This method helps writers ensure that each paragraph conveys a clear point supported by relevant evidence, is thoroughly explained, and smoothly connects to the next paragraph or the text's main argument.

What are effective methods for moving smoothly between paragraphs? 

Creating a 5 paragraph essay outline presents the significant hurdle of transitioning smoothly from one paragraph to the next. The exceptional text is marked by its seamless and flowing nature. When transition words for first body paragraph are abrupt or harsh, readers can be jolted from the narrative, disrupting the overall rhythm and possibly diminishing engagement.

To bridge the gap effectively from one point to another, the key is to use particular means for the best transition in your text. To link ideas logically, it’s a good idea to introduce such transition words and phrases as: besides, in brief, specifically, however, therefore, consequently, on the other hand, finally, and similar. Sometimes, merely introducing a single word at the outset of a paragraph can serve as a bridge, connecting with the previous paragraph and ensuring the reader's progression through the text remains uninterrupted.

How do you write an essay conclusion? 

The concluding paragraph serves as the essay’s endpoint. It should refrain from introducing new arguments or evidence. Instead, its purpose is to recapitulate the points from the preceding paragraphs and weave them into a cohesive whole. Here, reiterating the thesis and revisiting the key arguments presented in the text’s body section are required.

In cases where the author's objective is to persuade the reader to take action, such as donating to a cause or altering their behavior, the conclusion can feature a “call to action.” It’s a clear request or statement that outlines what the writer desires the audience to do. 

This section is an opportune moment to elucidate the topic's significance or express a personal viewpoint. Concluding with an open-ended question or thought-provoking phrase is also advisable as it leaves the reader with something to ponder after reading. You may contact our essay writing service for professional support if you need more recommendations on how to improve your conclusion, have questions like “How many words is a 5 paragraph essay?” or any other concerns. 

Final words

Crafting essays is a valuable skill that opens doors to effective communication and academic success. By following the “hamburger” structure of a 5 paragraph essay and carefully considering the placement of your arguments and evidence, you can create texts that convey your thoughts clearly and engage your readers. 

If you ask how to write a 5 paragraph essay, let us give you some brief recommendations. Always prioritize clarity and conciseness and eliminate unnecessary jargon or wordiness, making your content more reader-friendly. Finally, take enough time to revise and proofread your work. A text with proper editing is a testament to your commitment to excellence and ensures your message is conveyed effectively.

With practice, patience, and a firm grasp of the suitable essay paragraph structure, you can become a proficient writer, making your thoughts resonate with readers and your essays a pleasure to read.

Was this helpful?

Thanks for your feedback, related blog posts, how to write a 1000 word essay and get a+.

One thing that students must do during their academic lives is writing a 1000 words essay. This can look like an intimidating number, and many stud...

How to Write 500 Words Essay?

A common format assignment you have to cope with in college is a 500 word essay. You can describe writing such a task with a large number of differ...

Diversity essay: effective tips for expressing ideas

In today's interconnected and rapidly evolving world, the importance of diversity in all its forms cannot be overstated. From classrooms to workpla...

Join our 150K of happy users

• Get original papers written according to your instructions
• Save time for what matters most

GPT Essay Checker for Students

How to Interpret the Result of AI Detection

To use our GPT checker, you won’t need to do any preparation work!

Take the 3 steps:

• Copy and paste the text you want to be analyzed,
• Click the button,
• Follow the prompts to interpret the result.

Our AI detector doesn’t give a definitive answer. It’s only a free beta test that will be improved later. For now, it provides a preliminary conclusion and analyzes the provided text, implementing the color-coding system that you can see above the analysis.

It is you who decides whether the text is written by a human or AI:

• Your text was likely generated by an AI if it is mostly red with some orange words. This means that the word choice of the whole document is nowhere near unique or unpredictable.
• Your text looks unique and human-made if our GPT essay checker adds plenty of orange, green, and blue to the color palette.
• 🔮 The Tool’s Benefits

🤖 Will AI Replace Human Writers?

✅ ai in essay writing.

• 🕵 How do GPT checkers work?

Chat GPT in Essay Writing – the Shortcomings

• The tool doesn’t know anything about what happened after 2021. Novel history is not its strong side. Sometimes it needs to be corrected about earlier events. For instance, request information about Heathrow Terminal 1 . The program will tell you it is functioning, although it has been closed since 2015.
• The reliability of answers is questionable. AI takes information from the web which abounds in fake news, bias, and conspiracy theories.
• References also need to be checked. The links that the tool generates are sometimes incorrect, and sometimes even fake.
• Two AI generated essays on the same topic can be very similar. Although a plagiarism checker will likely consider the texts original, your teacher will easily see the same structure and arguments.
• Chat GPT essay detectors are being actively developed now. Traditional plagiarism checkers are not good at finding texts made by ChatGPT. But this does not mean that an AI-generated piece cannot be detected at all.

🕵 How Do GPT Checkers Work?

An AI-generated text is too predictable. Its creation is based on the word frequency in each particular case.

Thus, its strong side (being life-like) makes it easily discernible for ChatGPT detectors.

Once again, conventional anti-plagiarism essay checkers won’t work there merely because this writing features originality. Meanwhile, it will be too similar to hundreds of other texts covering the same topic.

Here’s an everyday example. Two people give birth to a baby. When kids become adults, they are very much like their parents. But can we tell this particular human is a child of the other two humans? No, if we cannot make a genetic test. This GPT essay checker is a paternity test for written content.

❓ GPT Essay Checker FAQ

Updated: Oct 25th, 2023

• Abstracts written by ChatGPT fool scientists - Nature
• How to... use ChatGPT to boost your writing
• Will ChatGPT Kill the Student Essay? - The Atlantic
• ChatGPT: how to use the AI chatbot taking over the world
• Overview of ChatGPT - Technology Hits - Medium
• Free Essays
• Writing Tools
• Lit. Guides
• Donate a Paper
• Referencing Guides
• Free Textbooks
• Tongue Twisters
• Job Openings
• Video Contest
• Writing Scholarship
• Discount Codes
• Brand Guidelines
• IvyPanda Shop
• Online Courses
• Terms and Conditions
• Privacy Policy
• Cookies Policy
• Copyright Principles
• DMCA Request
• Service Notice

This page contains a free online GPT checker for essays and other academic writing projects. Being based on the brand-new technology, this AI essay detector is much more effective than traditional plagiarism checkers. With this AI checker, you’ll easily find out if an academic writing piece was written by a human or a chatbot. We provide a comprehensive guide on how to interpret the results of analysis. It is up to you to draw your own conclusions.

• Career Advice

Anatomy of an AI Essay

How might you distinguish one from a human-composed counterpart? After analyzing dozens, Elizabeth Steere lists some key predictable features.

By  Elizabeth Steere

You have / 5 articles left. Sign up for a free account or log in.

baona /iStock/Getty images Plus

Since OpenAI launched ChatGPT in 2022, educators have been grappling with the problem of how to recognize and address AI-generated writing. The host of AI-detection tools that have emerged over the past year vary greatly in their capabilities and reliability. For example, mere months after OpenAI launched its own AI detector, the company shut it down due to its low accuracy rate.

Understandably, students have expressed concerns over the possibility of their work receiving false positives as AI-generated content. Some institutions have disabled Turnitin’s AI-detection feature due to concerns over potential false allegations of AI plagiarism that may disproportionately affect English-language learners . At the same time, tools that rephrase AI writing—such as text spinners, text inflators or text “humanizers”—can effectively disguise AI-generated text from detection. There are even tools that mimic human typing to conceal AI use in a document’s metadata.

While the capabilities of large language models such as ChatGPT are impressive, they are also limited, as they strongly adhere to specific formulas and phrasing . Turnitin’s website explains that its AI-detection tool relies on the fact that “GPT-3 and ChatGPT tend to generate the next word in a sequence of words in a consistent and highly probable fashion.” I am not a computer programmer or statistician, but I have noticed certain attributes in text that point to the probable involvement of AI, and in February, I collected and quantified some of those characteristics in hopes to better recognize AI essays and to share those characteristics with students and other faculty members.

I asked ChatGPT 3.5 and the generative AI tool included in the free version of Grammarly each to generate more than 50 analytical essays on early American literature, using texts and prompts from classes I have taught over the past decade. I took note of the characteristics of AI essays that differentiated them from what I have come to expect from their human-composed counterparts. Here are some of the key features I noticed.

AI essays tend to get straight to the point. Human-written work often gradually leads up to its topic, offering personal anecdotes, definitions or rhetorical questions before getting to the topic at hand.

AI-generated essays are often list-like. They may feature numbered body paragraphs or multiple headings and subheadings.

The paragraphs of AI-generated essays also often begin with formulaic transitional phrases. As an example, here are the first words of each paragraph in one essay that ChatGPT produced:

• “In contrast”
• “Furthermore”
• “On the other hand”
• “In conclusion.”

Notably, AI-generated essays were far more likely than human-written essays to begin paragraphs with “Furthermore,” “Moreover” and “Overall.”

AI-generated work is often banal. It does not break new ground or demonstrate originality; its assertions sound familiar.

AI-generated text tends to remain in the third person. That’s the case even when asked a reader response–style question. For example, when I asked ChatGPT what it personally found intriguing, meaningful or resonant about one of Edgar Allan Poe’s poems, it produced six paragraphs, but the pronoun “I” was included only once. The rest of the text described the poem’s atmosphere, themes and use of language in dispassionate prose. Grammarly prefaced its answer with “I’m sorry, but I cannot have preferences as I am an AI-powered assistant and do not have emotions or personal opinions,” followed by similarly clinical observations about the text.

AI-produced text tends to discuss “readers” being “challenged” to “confront” ideologies or being “invited” to “reflect” on key topics. In contrast, I have found that human-written text tends to focus on hypothetically what “the reader” might “see,” “feel” or “learn.”

AI-generated essays are often confidently wrong. Human writing is more prone to hedging, using phrases like “I think,” “I feel,” “this might mean …” or “this could be a symbol of …” and so on.

AI-generated essays are often repetitive. An essay that ChatGPT produced on the setting of Rebecca Harding Davis’s short story “Life in the Iron Mills” contained the following assertions among its five brief paragraphs: “The setting serves as a powerful symbol,” “the industrial town itself serves as a central aspect of the setting,” “the roar of furnaces serve as a constant reminder of the relentless pace of industrial production,” “the setting serves as a catalyst for the characters’ struggles and aspirations,” “the setting serves as a microcosm of the larger societal issues of the time,” and “the setting … serves as a powerful symbol of the dehumanizing effects of industrialization.”

Editors’ Picks

• DEI Ban Prompts Utah Colleges to Close Cultural Centers, Too
• Supreme Court Decision Weakens Education Department
• The Only Certainty Is Uncertainty

AI writing is often hyperbolic or overreaching. The quotes above describe a “powerful symbol,” for example. AI essays frequently describe even the most mundane topics as “groundbreaking,” “vital,” “esteemed,” “invaluable,” “indelible,” “essential,” “poignant” or “profound.”

AI-produced texts frequently use metaphors, sometimes awkwardly. ChatGPT produced several essays that compared writing to “weaving” a “rich” or “intricate tapestry” or “painting” a “vivid picture.”

AI-generated essays tend to overexplain. They often use appositives to define people or terms, as in “Margaret Fuller, a pioneering feminist and transcendentalist thinker, explored themes such as individualism, self-reliance and the search for meaning in her writings …”

AI-generated academic writing often employs certain verbs. They include “delve,” “shed light,” “highlight,” “illuminate,” “underscore,” “showcase,” “embody,” “transcend,” “navigate,” “foster,” “grapple,” “strive,” “intertwine,” “espouse” and “endeavor.”

AI-generated essays tend to end with a sweeping broad-scale statement. They talk about “the human condition,” “American society,” “the search for meaning” or “the resilience of the human spirit.” Texts are often described as a “testament to” variations on these concepts.

AI-generated writing often invents sources. ChatGPT can compose a “research paper” using MLA-style in-text parenthetical citations and Works Cited entries that look correct and convincing, but the supposed sources are often nonexistent. In my experiment, ChatGPT referenced a purported article titled “Poe, ‘The Fall of the House of Usher,’ and the Gothic’s Creation of the Unconscious,” which it claimed was published in PMLA , vol. 96, no. 5, 1981, pp. 900–908. The author cited was an actual Poe scholar, but this particular article does not appear on his CV, and while volume 96, number 5 of PMLA did appear in 1981, the pages cited in that issue of PMLA actually span two articles: one on Frankenstein and one on lyric poetry.

AI-generated essays include hallucinations. Ted Chiang’s article on this phenomenon offers a useful explanation for why large language models such as ChatGPT generate fabricated facts and incorrect assertions. My AI-generated essays included references to nonexistent events, characters and quotes. For example, ChatGPT attributed the dubious quote “Half invoked, half spontaneous, full of ill-concealed enthusiasms, her wild heart lay out there” to a lesser-known short story by Herman Melville, yet nothing resembling that quote appears in the actual text. More hallucinations were evident when AI was generating text about less canonical or more recently published literary texts.

This is not an exhaustive list, and I know that AI-generated text in other formats or relating to other fields probably features different patterns and tendencies . I also used only very basic prompts and did not delineate many specific parameters for the output beyond the topic and the format of an essay.

It is also important to remember that the attributes I’ve described are not exclusive to AI-generated texts. In fact, I noticed that the phrase “It is important to … [note/understand/consider]” was a frequent sentence starter in AI-generated work, but, as evidenced in the previous sentence, humans use these constructions, too. After all, large language models train on human-generated text.

And none of these characteristics alone definitively point to a text having been created by AI. Unless a text begins with the phrase “As an AI language model,” it can be difficult to say whether it was entirely or partially generated by AI. Thus, if the nature of a student submission suggests AI involvement, my first course of action is always to reach out to the student themselves for more information. I try to bear in mind that this is a new technology for both students and instructors, and we are all still working to adapt accordingly.

Students may have received mixed messages on what degree or type of AI use is considered acceptable. Since AI is also now integrated into tools their institutions or instructors have encouraged them to use—such as Grammarly , Microsoft Word or Google Docs —the boundaries of how they should use technology to augment human writing may be especially unclear. Students may turn to AI because they lack confidence in their own writing abilities. Ultimately, however, I hope that by discussing the limits and the predictability of AI-generated prose, we can encourage them to embrace and celebrate their unique writerly voices.

Elizabeth Steere is a lecturer in English at the University of North Georgia.

Faculty Mental Health Matters

Many of us have excelled professionally while privately coping with various diagnoses, afraid that revealing them wil

Share This Article

More from teaching.

Our students have been drifting away, Helen Kapstein writes, but we want them to drift back to the mindset of being c

We See You, Student Parents

Alex Rockey recommends eight principles for transforming academic access for them through mobile-friendly courses.

Beyond the Research

Michel Estefan offers a roadmap for helping graduate student instructors cultivate their distinct teaching style.

• Become a Member
• Sign up for Newsletters
• Learning & Assessment
• Diversity & Equity
• Career Development
• Labor & Unionization
• Shared Governance
• Academic Freedom
• Books & Publishing
• Financial Aid
• Residential Life
• Free Speech
• Physical & Mental Health
• Race & Ethnicity
• Sex & Gender
• Socioeconomics
• Traditional-Age
• Adult & Post-Traditional
• Teaching & Learning
• Artificial Intelligence
• Digital Publishing
• Data Analytics
• Administrative Tech
• Alternative Credentials
• Financial Health
• Cost-Cutting
• Revenue Strategies
• Academic Programs
• Physical Campuses
• Mergers & Collaboration
• Fundraising
• Research Universities
• Regional Public Universities
• Community Colleges
• Private Nonprofit Colleges
• Minority-Serving Institutions
• Religious Colleges
• Women's Colleges
• Specialized Colleges
• For-Profit Colleges
• Executive Leadership
• Trustees & Regents
• State Oversight
• Accreditation
• Politics & Elections
• Supreme Court
• Student Aid Policy
• Science & Research Policy
• State Policy
• Colleges & Localities
• Employee Satisfaction
• Remote & Flexible Work
• Staff Issues
• Study Abroad
• International Students in U.S.
• U.S. Colleges in the World
• Intellectual Affairs
• Seeking a Faculty Job
• Advancing in the Faculty
• Seeking an Administrative Job
• Advancing as an Administrator
• Beyond Transfer
• Call to Action
• Confessions of a Community College Dean
• Higher Ed Gamma
• Higher Ed Policy
• Just Explain It to Me!
• Just Visiting
• Law, Policy—and IT?
• Leadership & StratEDgy
• Leadership in Higher Education
• Learning Innovation
• Online: Trending Now
• Resident Scholar
• University of Venus
• Student Voice
• Academic Life
• Health & Wellness
• The College Experience
• Life After College
• Academic Minute
• Weekly Wisdom
• Reports & Data
• Quick Takes
• Advertising & Marketing
• Consulting Services
• Data & Insights
• Hiring & Jobs
• Event Partnerships

4 /5 Articles remaining this month.

Sign up for a free account or log in.

• Sign Up, It’s FREE

Macy’s Fourth of July deals are live! Shop Clinique, Levi’s, more

• Share this —

• Watch Full Episodes
• Read With Jenna
• Inspirational
• Relationships
• TODAY Table
• Newsletters
• Start TODAY
• Shop TODAY Awards
• Citi Concert Series
• Listen All Day

Follow today

More Brands

• On The Show
• TODAY Plaza

I told him he was too short for me. Then we fell in love

I was 57 years old — divorced almost 25 years — when I met Jim on Match.com. He was a year older than me, divorced for an equal number of years. His children, like mine, were grown and gone.

Right away I knew I liked this man. He was smart and funny and handsome and quietly sexy. He knew how to listen, but when he spoke — in a voice I loved, soft and deep — he had interesting things to say. He had great hair.

At the restaurant where we met, three hours passed like nothing. 

On our next date, Jim picked me up in his beloved convertible, a very old and not particularly valuable Porsche. Riding in the passenger seat beside him, headed to the ocean, I felt like Audrey Hepburn in “Two for the Road.” We hiked for hours, then went for wine and oysters. 

On our third date he came to my house. I made pasta with pesto sauce, some of which must have ended up on my wrist without my noticing, but Jim did. Very tenderly, he took my hand and brought it to his lips. He licked the pesto off.

Now comes the hard part of this story. The first hard part. The harder part comes later.

At the end of this perfectly terrific and romantic date, I told Jim how much I liked him. “I hope I get to know you better,” I said. 

There was just one problem, I told him. “You’re too short for me.”

I’m not proud of this statement. But there you have it.

I’m 5-foot-6 on a good day. I estimated that Jim was 5-foot-7. It’s not as if when we walked into a restaurant together I’d be towering over him.

But I had always seen myself with a tall man — 6 feet tall at least, and on the burly side.

I know why I’d dreamed up this picture. By the time I met Jim, I’d been on my own a long time. I could not name a time in my life when a man had taken care of me. And though this made no sense — worse, it was idiotic — I had come to equate strength, and the ability to protect me, with height and physical girth. 

That wasn’t Jim.

We were sitting on the couch in my living room when I delivered the news to Jim that he was too short to be my boyfriend. He’d been about to kiss me. A stricken look came over his face.

“I’d better go home,” he said.

“We can still be friends,” I told him. (The kiss of death.) He shook his head.

“I’ve been falling in love with you,” he said. “If we can’t be together — really together — I can’t see you again.”

But he did. Not that I revised my position on height as a requirement for a romantic relationship with me. He just decided to hang in there a while longer. I didn’t know this yet, though I’d learn: Jim was a fighter. 

We took another hike. He brought along his Nikon. It turned out he was a serious photographer. Also a bass player in a band. Also an Eagle Scout. Still 5-foot-7, however.

A week or so later I invited Jim over to my house again for a meal. It was a weekend known as Fleet Week, when the Blue Angels fighter pilot team comes to San Francisco to perform amazing air stunts in the sky over the city. All that day, in preparation for the big air show, they’d practiced their maneuvers over Marin County, where I lived. I loved watching them.

I set out a plate of some very nice cheese. Jim brought a bottle of wine. The two of us sat out on my deck waiting for the planes to appear overhead. Jim lit up a cigar.

Then there they were: a phalanx of six planes, swooping and dipping just over our heads at Mach speed, their wings nearly touching but not quite. 

“There’s just something about the Blue Angels,” I told Jim. “They’re so incredibly sexy.”

He lifted the cigar to his lips. Blew out a puff of smoke, his gaze fixed on the wild blue yonder.

“There’s an interesting requirement for becoming a Blue Angel,” he said.

“I guess you have to be really great at flying a plane,” I offered. “With excellent eyesight.” 

“To qualify as a Blue Angel,” Jim said, taking his time, “a person cannot be taller than 5-foot-7.” 

Then he just smiled. 

We were married a year and a half later. With the high heels I chose to wear for our wedding, I was probably a little taller than Jim. He was unfazed by this. He was never anything but proud of me, and proud to stand at my side. I had a name for him: my guard dog. Because no matter what, he looked out for me.

Now comes the truly hard part in this story. 

A year after our wedding, Jim was diagnosed with stage 2 pancreatic cancer . He survived a 14-hour surgery, a year of chemotherapy and radiation, the loss of his hair, the loss of feeling in his fingers — which meant he could no longer play his guitar. The loss of just about everything he loved other than me. His weight dropped to under 100 pounds by this point. Though I knew the pain was terrible, he refused morphine until the very end. He didn’t want to lose consciousness. He didn’t want to miss a minute of being alive and at my side.

Jim has been dead eight years now. I still think of him every time I see the Blue Angels — and so many other times. I never felt a need to check the accuracy of what he told me about height requirements for joining that elite squad of pilots, though I learned recently that his claim was inaccurate — just a brilliant strategic invention that allowed me to see what was in fact true: My husband was brave and strong in ways that had nothing to do with physical stature.

Sometimes, still, I wear a particular checked flannel shirt he loved. Also his blue jeans. And it feels good to me that we were the same size. I know this now: You don’t need to be tall or burly to be someone’s guard dog.

Joyce Maynard is a bestselling author. Her new novel, “How the Light Gets In,” came out in June 2024. She is also the author of “The Best of Us,” a memoir about finding and losing her husband.

I planned an international trip without my husband. I couldn’t believe how people reacted

I was poor and gay — and my childhood revolved around hiding that

I’m living with the ghost of my husband’s first wife

After 20 years, I met my childhood hero: The local news anchor who looked like me

The day I returned home after being kidnapped by Islamic terrorists

I ran away from a troubled teen program and escaped for good. This is my story

No one wants the family spinning wheel. So why is it so hard to get rid of?

How my (many) wedding superstitions saved my marriage

Can you get better at small talk? Here's what happened when I tried to

I did my own makeup on my wedding day. Here’s how it went

The Price of Perky Boobs

“Look at my boobs and tell me what you think.”

I’m a 20-year-old retail assistant, beseeching an older colleague and close friend, to evaluate my bare breasts in the backroom after hours. Unbuckling my bra, I stand before her, totally exposed. “What are you talking about?” She responds. “They’re fine!” After years of self-critiquing, I wasn’t convinced.

While the perceived ‘perfect’ size of breasts have fluctuated with time, breasts have always been beholden to one immovable standard: perky. Those with breasts that align with this archetype may consider their boobs a source of #freethenipple empowerment. Other women feel a kind of wearied distaste for their tatas; forgoing a bra is inconceivable, and god forbid they go on top. Some have embraced a kind of ‘it-is-what-it-is’ booby ambivalence.

I spent several college summers fitting bras at a contemporary lingerie chain—measuring breasts, buckling brassieres and at times, literally lifting flesh into cups—so I have met all these women. I have been them, too. When the pandemic found me in my mid-20s – prompting a massive lifestyle shift and a discovery of disordered eating. I’d moved to the west coast and, without daily walking around New York City, took up running and downloaded Noom, a calorie counter app that promptly capped my daily intake at 1200 calories. (Editor’s note: Research has shown that calorie tracking, including with apps, may contribute to eating disorders.) Within three months, my breasts descended four bra sizes, taking my nipples with them. With that, my boobs entered their new, deflated era, and for the first time, I felt incentivized to confront the issue.

I was not the only one to recently research breast lifts —the number of people searching for them peaked during summer 2021, and has continued to spike each summer since, according to Google Trends. It’s coincided with the arrival of Ozempic , forcing women—and myself—into the same societally-constructed conundrum. Weight loss? We like it. Small, saggy breasts caused by weight loss? Unacceptable. From 2019 to 2023, the American Society of Plastic Surgeons says there was a 30 percent increase in requests for breast lifts (mastopexies)—placing the procedure in direct competition with its more popular sister: implants. “I want my titties pinned back to my shoulders, right where they used to be,” Rihanna revealed in last month’s issue of Interview . “I don’t want implants. I just want a lift.”

New York-based board-certified plastic surgeon Norman Rowe has made his name on the Upper East Side and beyond as a breast expert. In the past year, his requests for lifts have almost tripled—an exponential increase that he says is a result of rampant semaglutide use."

“I get a lot of women who've lost a substantial amount of weight, especially with Ozempic ,” he says. “The more weight someone loses—and the quicker they lose it—the more impact that has on the skin. Body procedures are just going through the roof, 30 percent of our business is now dedicated to face, breast and back lifts.”

When I first consulted with Dr. Rowe for a breast lift , he sketched the anchor-like incision required. He would cut around the areola, down the center of the breast, removing excess skin and raising the nipple so it no longer faces down. This would not create cleavage or add fullness. For that, he emphasized, you need an implant.

“A lift will take care of the sag in the skin, it will take care of the position of the nipple, but it will not address the volume loss of the upper poles of cleavage,” he says. (“Upper poles” is how plastic surgeons refer to the breast tissue above the nipple.) Patients often come in without realizing the limitation of a breast lift, says Dr. Rowe. “There is a misconception among patients of what a lift is. So I figured out the way to ask if they wanted an augmentation or a lift was, ‘Do you want cleavage ?’ Either you want to get bigger and your cleavage to change, or you want to be the same size but get rid of the droopiness.”

I fit into the latter group, or so I thought. Anyone who remembers the 90s will also remember that buxom beauties were not only abundant but considered femininity made manifest. Even if you joined in on the bimbo jokes that shamed the cosmetically enhanced likes of Pamela Anderson and Carmen Electra, their perfectly rounded, perky breasts were still taped to the bedroom walls of your school crush. Anything less than a squeeze-worthy palmful, anything that succumbed to gravity, would be passed over by Playboy editors—relegated instead to the readership of National Geographic.

In the weeks leading up to my surgery, I would debate the pros and cons of implants over and over again. Like Dr. Rowe, I was struggling to understand my expectations. Due to their generally higher placement, my nipples would be raised only an inch. With the removal of skin, my 34D boobs would likely decrease by a half or a whole cup size. Was it worth going through all of this, just for slightly smaller tits with slightly higher nipples? Would I be satisfied with, well, a slight difference?

This was also plaguing Dr. Rowe, who responded to my initial consultation with multiple surgical plans. “One of the key things that I try to ascertain when I'm examining a patient: what are their true expectations and, more importantly, are they realistic for the patient?”

When Dr. Rowe first opened his private practice in 2004, he was routinely implanting 500 and 600cc implants—for reference, one cup size is around 250cc. With larger implants dropping faster, creating sagging, he says women have trended smaller in the last five years. Fat transfer enhancements, popular among those seeking natural-looking breasts, can calcify into hard lumps and be mistaken for cancer during mammography—resulting in additional surgery. The complications and shelf lives associated with implants have also become more well-known : follow-up implant removal or replacement surgeries after 10 years or sooner, and ruptured implants need to be replaced in up to 17.7% percent of patients after 6 or 10 years (the rupture rate after revision augmentation is between 2.9% and 14.7%). Breast implant illness is a controversial topic—it’s a term patients came up with, rather than a medical diagnosis; there’s a lack of data on the topic; and no real agreement about what the symptoms are, though patients tend to name hard-to-track ones, like fatigue, joint pain, brain fog, rash, memory loss—but the FDA and many doctors agree there’s still much to learn, Grant Stevens, the president of the American Society for Aesthetic Plastic Surgery (ASAPS) and a clinical professor of plastic surgery at the Keck School of Medicine of USC, previously told to Allure .

Still, the promise of built-in cleavage was tempting. I wanted to go braless without insecurity. Wear plunging dresses without experimenting with endless sticky cutlets. I didn’t want to tug up my breasts in tight tops. At the same time, I didn’t want to go bigger, and I didn’t want to possibly undergo multiple surgeries on my breasts as I aged. My heart just wasn’t in the implants.

“Whereas I used to do a lot of breast implant mastopexies—where you put in the implants at the same time—today, I'm probably doing a larger number of mastopexies [breast lifts] alone,” he says.

Post-consultation, the options Dr. Rowe offered me were a mastopexy with a small implant or a mastopexy with an internal bra. The internal bra is a lesser-known procedure that originated in the ‘80s, reaching wider awareness more recently, Rowe says, with the help of a rebrand and big marketing push . Originally, the internal bra was a kind of cone shape (picture Madonna) created from a Gore-tex mesh. Over time, there were claims the mesh may have been obscuring mammography, and insurance companies began rejecting claims for mammograms if the patient had an internal bra. That’s where Galaflex came in. A new internal bra material first implemented around 2016, it’s best described as an absorbable mesh sewn into the chest wall.

“Think of it as a hammock,” says Dr. Rowe. “It goes underneath the implant [around existing breast tissue] and keeps it from descending over time. You don't need a full cone because you’re not pulling anything up—but you are protecting the implant from moving down after two years. You have your own sling.”

A lot of breast surgeries rely on skin to hold up an implant or (in the case of a lift-only) breast tissue, Dr. Rowe explained to me, but skin is not capable of bearing weight. Someone who has skin that has been stretched from rapid weight loss is a perfect candidate for an internal bra because that stretching of the skin weakens the layer of collagen that’s usually a built-in structure to prevent descent. But after Galaflex dissolves, in about 1-2 years, “it gets replaced by collagen — which would not have been there otherwise,” says Dr. Rowe, an assessment validated by studies published in the journals Aesthetic Surgery ( in 2022 and 2016) and Plastic and Aesthetic Research . “While the internal bra itself is gone, its impact remains.”

This was enough to convince me to get an internal bra, which starts at $10,000 at Dr. Rowe's practice, making the cost of a breast lift with an internal bra $40,000 and up. While I was assured the results of an internal bra are not permanent—Dr. Rowe said I could expect them to last for at least 10 years—it does make it less likely for the breasts to droop over time. And an internal bra is less likely to interfere with breastfeeding—something that may or may not be in my future—than an implant.

My surgery took around an hour and a half. I was in the clinic by 7:30am, put under general anesthesia, and awake around 11:30am. During the procedure, Dr. Rowe removed excess skin and sewed the gauze to my ribcage, reshaping the remaining skin and tissue to lift my breasts and nipples while reducing the size of my areolas. I was back to my hotel room in a surgical bra by noon. Recovery requires you to wear a surgical bra, day and night, for at least a month — eventually downgrading to a sports bra until around six weeks. A surgical bra is a wireless bralette that closes at the front (so you don’t have to stretch your arms back), and feels very lightweight but also extremely tight. The compression helps with the swelling but also keeps the breasts in their proper place as they heal. I was unable to sleep on my side for around 10 days, and there’s no lifting more than 10 pounds, or working out other than walking, for three weeks. Following that, scar tape or gel on the sutured areas (around the areola, down and under the breast) is an everyday essential for a year.

This dress was impossible for me to wear without a bra before, now they sit perfectly without any support.

The first several days require heavy reliance on another person. For the first 48 hours, my boyfriend lifted and lowered me into bed, dressed me, and brushed my hair and teeth because I couldn’t raise my arms. I was encouraged to walk the next day, and allowed to fly or drive if necessary on the second (I’d traveled to New York City for the surgery, and had booked my flight back home two days later). I had full mobility again by day three or four, but the discomfort should also not be underestimated—specifically with the internal bra. I felt a constant pang and tugging pain on my ribcage that affected even the most basic activities (like lifting groceries or shaving my legs) for the first several weeks.

For the first 24 hours, I was in so much pain that I cried all the way through my post-op appointment the next morning. In the first 24 hours, I was taking a low-dose prescription opiate by itself, which wasn’t enough pain medication, so Dr. Rowe recommended I take it in conjunction with Extra Strength Tylenol. (He compared Tylenol to the main meal, while Oxycodone and Tramadol were a kind of ‘chaser’—supplementing the OTC medication should I need something stronger.) Through my tears, I revealed my new, bruised breasts to Dr. Rowe. Upon inspecting his work, the surgeon concluded he was “very happy” with the results.

“You're trying to make their soul better,” he explains of cosmetic surgery. “While I'm not taking out their appendix, when a patient sees themselves as having a flaw–rightfully so or not–you're trying to correct it. And sometimes to them, it's life and death. Honestly, down deep, I'm a fixer. Seeing a problem and getting a solution, a good solution, it's gratifying.”

I didn’t look at my breasts for the first week—a mostly unconscious choice. For as long as I remember, I have avoided looking at my breasts entirely. Even before my weight loss changed their appearance significantly I always felt unsatisfied with them on a bad day, or ambivalent at best. Eight days after surgery, I unzipped my surgical bra and inspected the result for the first time. Dr. Rowe had reduced the size of my areolas, raised the nipples, and rounded my breasts into two symmetrical mounds. The anchor-shaped incision was sutured with almost invisible stitches. I was looking at boobs I had only seen on screen, or on my most genetically-blessed friends.

I turn away from the mirror. The change might seem slight to some, but to me, mastopexy had made a world of difference. “Tell me what you think,” I say to my boyfriend. “They’re perfect,” he responds. This time, I believed the beholder.

To read more about plastic surgery:

• Breast Lifts Are on the Way Up
• 13 People Get Real About Their Facelifts
• I’m 96 and I’ve Had 3 Facelifts — Here’s What I Learned

Now watch Brooke Shields' 10 Minute Beauty Routine:

Allure Daily Beauty Blast

By signing up you agree to our User Agreement (including the class action waiver and arbitration provisions ), our Privacy Policy & Cookie Statement and to receive marketing and account-related emails from Allure. You can unsubscribe at any time. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

• Oconto County Reporter
• Investigations
• National Politics

'More than a pretty picture book' looks at Door Peninsula's overlooked people, places

The author and photographer wants to show parts of the peninsula that people might miss. a wine-and-cheese presentation will be held june 26..

FISH CREEK - Yes, Kevin O'Donnell's new book about the Peninsula contains lots of photographs of people and places in and around Door County. More than 140 photos, in fact.

But the subjects of the photos in "Behind the Door: Profiles of a Peninsula" aren't the typical subjects one expects to find in a Door County photo book.

Plus, they're not set just in Door County but across the entire Peninsula, meaning there's a little bit of representation for Kewaunee and far northern Brown counties.

And they're accompanied by 29 essays O'Donnell wrote that are matched with the photos.

Which is what O'Donnell aimed for when he started working on the book seven years ago.

"Behind the Door" was self-published by O'Donnell's Glenham Publishing on May 21, and people can check out the result of his large-format, 184-page effort at the official launch of the book Wednesday, June 26 at Write On, Door County, with signed copies for sale, wine and cheese, selected photos on display and readings by O'Donnell.

The Door County resident worked as an engineer in the pharmaceutical industry until retiring in 2018; a book he wrote for the industry won an international Book of the Year award and continues to be used by schools and as a guidebook to vaccine management. His photographs have been featured in publications including Wisconsin’s Great Waterways calendars and the Door County GO Guide, and he had a solo exhibit of 45 of his photos, mostly from Door County, in a Chicago gallery.

His 37 years in the pharma industry led to extensive international travel and kindled his interest in the traditions, cultures and history of the places he visited. That's what he said he's trying to capture for the Peninsula in the photos and essays of his new book.

To do so, O'Donnell said he strived to find people and places off the beaten path – "get off (State) 42 and 57 and travel the byways," he said – that reflected those cultures and histories. As he wrote in the preface to the book, "I mined the obscure rather than the obvious in order to suggest and share with visitors, and others, that there is more to the peninsula than bearded goats on a sod roof, weekend festivals, and fish boils."

He also pointed out that "the peninsula" geographically doesn't start when one gets north of Sturgeon Bay but instead includes portions of Kewaunee and Brown counties, so he wanted to have those areas represented in the book to giver readers a fuller picture of "the peninsula." For example, he feels Southern Door County is especially underrepresented when people talk about the region and its role in local culture and history.

"It's more substantial than just a picture book," O'Donnell said in an interview with the Advocate. "I wanted to create something that, one, was more than just a pretty picture book, and two, was about the entire Peninsula, not just Door County. My intention was to create a book about the Peninsula with regards to the things that maybe most visitors, and even some residents, don't see."

O'Donnell said he started the project with a list of subject ideas, but those sometimes changed organically as he learned more about his originally planned subjects or learned more about various people and places on the Peninsula.

"When I went into this project, I had the idea for it to to be more about people," O'Donnell said, "the five- and six-generation year-rounders with the family farms, the commercial fishermen."

Then, several places and things came into consideration as well. For example, O'Donnell said he happened to look up one day when in the Sturgeon Bay post office and saw a large, 4-by-14-foot mural on the wall above the entrance to the office. He stared at it for a while, and when the postal worker behind the counter asked if he needed anything, he asked her if she knew anything about the painting. Which she didn't.

Turns out the mural is titled “Fruits of Sturgeon Bay," painted in 1940 by Milwaukee-based artist Santos Zingale for one of President Franklin Roosevelt's New Deal programs to hire modern artists to create art for public spaces. Zingale was a well-known social realism painter in the day, so the mural is a noteworthy work of art, and O'Donnell highlighted it in his book.

"There've been folks who've lived in Door County for years but have never seen that painting," O"Donnell said.

It's people, places and things like that, that O'Donnell said he's trying to spotlight. The people, places and things that make the Peninsula what it really is,

"This book, I hope, captures with great affection," he wrote in the preface, "a glimpse into the work we embrace, the winters we endure, the nights we marvel, the environment we steward, the traditions we value, the history we cherish, the stories we tell, and the lives we live behind the Door."

The wine-and-cheese reception and launch for Kevin O’Donnell’s "Behind the Door: Profiles of a Peninsula" takes place from 4 to 6 p.m. June 26 at Write On, Door County, 4210 Juddville Road, Fish Creek. O’Donnell will talk about the making of the book and read excerpts from his essays, and photos from the book will be on display. Autographed limited-edition presentation copies of the book and standard editions will be available for sale, with a portion of the proceeds supporting Write On programs.

O'Donnell also will sign copies of the book from 10 a.m. to noon July 6, at Novel Bay Booksellers, 44 N. Third Ave., Sturgeon Bay, one of a handful of Door County shops that are carrying the book.

The book can be ordered from O'Donnell's website, kevinodonnell.photography . It also is available at Novel Bay Booksellers in Sturgeon Bay; The Belgian Delight Restaurant & Gifts, Brussels; Door County Maritime Museum, Sturgeon Bay, and its Cana Island Lighthouse Museum in Baileys Harbor and Death’s Door Museum in Gills Rock; Kick Ash Coffee, Ellison Bay; O’Meara’s Irish House, Fish Creek; The Ridges Sanctuary, Baileys Harbor; and Yardstick Books, Algoma.

C ontact Christopher Clough at 920-562-8900 or  [email protected].

MORE: A dispute between Egg Harbor and a popular restaurant has just been settled by the Wisconsin Supreme Court

MORE: Door County tourism translates to a record $620 million economic impact in 2023, report says

FOR MORE DOOR COUNTY NEWS:  Check out our website

See What 'The Brady Bunch' Cast Looks Like Now

Plenty of the Brady family have showed up elsewhere on TV.

Robert Reed and Florence Henderson as Mike and Carol Brady

Mike and Carol were the picture of the perfect American parents, and there weren't two people better suited for the roles than Robert and Florence.

Robert Reed and Florence Henderson Now

Sadly, both have since passed away. Robert died in 1992 at 59 years old, and Florence in 2016 at 82 years old. The remaining cast payed homage to the pair during filming for A Very Brady Renovation . “We remembered them every day,” Eve Plumb told Entertainment Weekly . “As we went back and forth during the remodel looking at old scenes, they were there with us.”

Ann B. Davis as Alice Nelson

Ann played the beloved housekeeper on the series, which ran from 1969-1974. She lived in the house with the Bradys, and her self-deprecating humor was one of the most memorable parts of the show.

Ann B Davis Now

Ann passed away in 2014 at 88 years old, but she was not forgotten by the A Very Brady Renovation cast. “Standing on those famous stairs to take a photo, you could just feel those who were missing,” Christopher Knight said . “I think we all rationalized that they were there with us in their own way.”

Barry Williams as Greg Brady

Greg is the oldest Brady, and wow what a heartthrob. He was everyone’s crush throughout the show, not only because of his looks, but also because he always did what was best for his siblings.

Barry Williams Now

The 69-year-old worked with Eve and Christopher on several rooms in the Brady house, including the den, office, attic, and Alice’s room. Barry has appeared on Broadway, and had guest roles on That 70s Show , Full House, and made a solid performance on Dancing with the Stars in 2023. He’s been married three times, and has two kids.

Maureen McCormick as Marcia Brady

Marcia, Marcia, Marcia! She was the oldest of the Brady girls, and basically the ideal high schooler. She could get a big head every now and then, but with hair like that, who couldn’t?

Maureen McCormick Now

Maureen, now 67, paired up with Drew and Jonathan Scott to overhaul the front of their TV home, as well as the entryway and living room for A Very Brady Renovation . She appeared in several TV shows since her time as a Brady, including Passions and Scrubs . McCormick dipped into voice acting with Johnny Bravo . She has one daughter with her husband, Michael.

Christopher Knight as Peter Brady

Peter was the middle child of the Brady men, but he’s just as close with his step-sisters as he is his brothers.

Christopher Knight Now

Christopher, 61, has found success on soap operas likes The Bold and the Beautiful and Another World . He worked on the master suite on A Very Brady Renovation . He’s been married four times, most recently to Cara Kokenes in 2016.

Eve Plumb as Jan Brady

Jan was the classic middle child, particularly in that she was often jealous of her older sister. Still, her character was as close as can be with her siblings.

Eve Plumb Now

Eve, 65, teamed up with Restored by the Fords stars Leanne and Steve Ford to work on the family room and kitchen on the upcoming HGTV show. She also helped out on the attic and Alice’s room. She has continued to grace TV screens in guest roles on shows like Crashing, Blue Bloods, and Bull. Plumb has been married to her husband, Ken, since 1995.

Mike Lookinland as Bobby Brady

Little Bobby Brady was best pals with his sister, Cindy, as they were the two youngest in the family. Sometimes he got picked on, but he always found a way to bounce back.

Mike Lookinland Now

Mike, 63, has been sober for over 20 years , after a scary drunk driving arrest in 1997, according to People . He started making concrete countertops in 2013, after his wife, Kelly, showed him a book on the subject. Mike worked on the second floor hallway and the boys’ bedroom on the HGTV show. Along with his The Masked Singer appearance, Lookinland and several Brady Bunch castmates recreated a Brady Bunch episode alongside several RuPaul’s Drag Race drag queens for a Paramount+ special.

Susan Olsen as Cindy Brady

Cindy was known for her pigtails and her sweet personality. As the youngest, she had a reputation for tattling, but she was too adorable for anyone to care for too long.

Susan Olsen Now

Susan had the honor of working on the girls’ bedroom, the second floor landing, the hallway, and the bathroom on A Very Brady Renovation . The 62-year-old mostly stayed out of the spotlight after Brady wrapped, and focused on advocating for animals, but she made a return to TV to appear in the 2021 Lifetime movie Blending Christmas . She has one son, Michael, with her ex-husband, Mitch.

Megan Stein is the executive editor for The Pioneer Woman, and oversees entertainment, features, and news for the website. Whether it's catching up on the latest true crime podcast, or re-watching the best '80s movies for the zillionth time, she's always here to talk about anything and everything relating to pop culture.

Jacob is a Temporary Partnerships Editor at Hearst based in Queens, New York with his partner and cat Tiger. He loves learning and writing about Film and TV, Video Games, and the weird histories of unexpected subjects.

.css-1shyvki:before{background-repeat:no-repeat;-webkit-background-size:contain;background-size:contain;content:'';height:0.819rem;margin-bottom:0;margin-right:-0.9375rem;width:3.125rem;}.loaded .css-1shyvki:before{background-image:url('/_assets/design-tokens/countryliving/static/images/arrow.svg');}@media(max-width: 48rem){.css-1shyvki:before{display:none;}}@media(min-width: 40.625rem){.css-1shyvki:before{display:inline-block;}} HGTV .css-unxkmx:before{background-repeat:no-repeat;-webkit-background-size:contain;background-size:contain;content:'';height:0.819rem;margin:0.7rem auto 0.9375rem;width:3.125rem;}.loaded .css-unxkmx:before{background-image:url('/_assets/design-tokens/countryliving/static/images/arrow.svg');}@media(max-width: 48rem){.css-unxkmx:before{display:block;}}@media(min-width: 40.625rem){.css-unxkmx:before{display:none;}}

All About HGTV's 'Scariest House in America'

Dave and Jenny Marrs Show Support for Jon Knight

HGTV Star Jasmine Roth Shares Big News

Who Is Jonathan Knight's Husband?

Is 'Windy City Rehab' Coming Back?

Chip Gaines Admits He Had Doubts about Fixer Upper

Jonathan Knight Gives Fans a Sneak Peek at Spinoff

Fans React to 'Battle on the Beach' Challenge

See Alison Victoria's Daytime Emmys Look

Who Is Ty Pennington's Wife? Meet Kellee Merrell

Do Chip and Joanna Gaines Still Own the Lakehouse?

Red, White House & blue: What past presidential July 4th celebrations looked like

Since 1801, the White House has held Independence Day celebrations on its South Lawn. Activities have evolved over two centuries, including when former president James K. Polk first introduced fireworks to the event in 1845.

Today’s presidential festivities look a little different compared to the first one held by former President Thomas Jefferson, where festivities included horse races and cock fights on the north grounds of the President’s Park, according to the White House Historical Association.

Modern day celebrations include parades, concerts and cookouts on the White House lawn. From the administrations of former President George W. Bush to President Joe Biden , here’s what Independence Day at the White House has looked like over the past twenty years.

George W. Bush: 2001-2008

During his presidency, former President George W. Bush continued to hold long-held Fourth of July traditions at his White House celebrations, which featured cookouts and fireworks displays.

Like presidents before him, Bush attended a naturalization ceremony at Monticello in 2008, where more than 70 people from 30 countries were welcomed as new citizens. The former president also made visits to Independence Hall in Philadelphia in 2001 and West Virginia in 2002.

Barack Obama: 2009-2016

Former President Barack Obama’s Independence Day celebrations were marked by star-studded concerts at the White House to honor military families and veterans.

Obama’s 2015 White House Independence Day concert for military families featured a performance by musician Bruno Mars.

In 2016, Obama wrapped up his final Independence Day in the White House by throwing a concert for military veterans and administrative staff with performances by Kendrick Lamar and Janelle Monáe.

Donald Trump: 2017-2020

Straying from cookouts and concerts on the White House South Lawn, former President Donald Trump held his first “Salute to America,” a day-long celebration featuring parades near the National Mall, flyovers with planes used in Air Force One, and a televised speech in front of the Lincoln Memorial.

In 2020, Trump held another “Salute to America” celebration where the White House hosted hundreds of people on the South Lawn for music and a fireworks display.

Joe Biden: 2021- 2023

When he assumed office, Biden followed long-held traditions during White House Independence Day celebrations, hosting the “The President’s Own” United States Marine Band, U.S. Army Band, U.S. Army Old Guard Fife and Drum Corps, U.S. Navy Band, and U.S. Air Force Band.

In 2021, when many COVID-19 stay-at-home mandates were starting to be lifted, the White House hosted more than 1,000 visitors on the White House South Lawn for a barbeque and fireworks.

Last Fourth of July, the President held a concert for military and veteran families with performances by Ne-Yo and Brothers Osborne.

• Search Please fill out this field.
• Manage Your Subscription
• Give a Gift Subscription
• Newsletters
• Sweepstakes

• Beauty & Style
• Celebrity Makeup

Kelly Ripa Shows Off New Lip-Liner Makeup Hack, Says She Looks Like 'Gollum' Without It

"I’m basically manufacturing a lip line," the TV personality joked on 'Live with Kelly and Mark'

Dave Quinn is a Senior Editor for PEOPLE. He has been working at the brand since 2016, and is the author of the No. 1 New York Times best-selling book, Not All Diamonds and Rosé: The Inside Story of the Real Housewives from the People Who Lived It.

Kelly Ripa gets her makeup tricks from Instagram!

In a June 3 episode of Live With Kelly and Mark , the co-host showed off the lip-liner makeup hack she learned on social media.

"I learned this on Instagram," Ripa said during the broadcast. "It sounds nuts. The girls on Instagram do it, they paint their entire upper lip brown. I don’t have that level of makeup artistry, I just don’t have it."

She continued to share her own technique: "So, what I’ve been doing is taking a brown eyeliner and I trace on the outside of my lip line and then I fill it in and then I take a regular like, MAC Spice or whatever your lip liner of choice is, and I trace outside of that."

Ripa explained, "It’s like a double layer. So, I’m basically manufacturing a lip line."

Her co-host and husband Mark Consuelos showered her with compliments when she was done, saying, "It’s beautiful, it’s beautiful. It really looks beautiful."

Ripa kept it real, telling him, "What’s sad though is when I take my makeup off and I watch it go away, it is very, it’s alarming."

She jokes that she looks like " Gollum " from Lord of the Rings without the makeup trick.

The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now !

Consuelos also talked about his new look this week. On Monday, June 1, he showed off his fresh buzz cut on the ABC talk show and said he looks "like a chinchilla!"

"I’ve never rubbed an actual chinchilla but I suspect this is what it feels like," Ripa joked in response. "We should give everyone in the audience an opportunity. ... Look at how I take it all for granted, don’t I? I take it all for granted!"

Consuelos went on to note that he cuts his hair "every couple of years," but this time had to make the dramatic hair to film a pilot for an undisclosed TV show.

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up to date on the best of what PEOPLE has to offer, from juicy celebrity news to compelling human interest stories.

Last month, Ripa candidly opened up her disappointing experience covering up her gray hair. On the show, she complained that "it’s still gray" after spending "11-teen hours in the hair color chair."

"We sprayed my roots this morning," she explained for why you couldn't actually see the gray hairs on the television screen. "We sprayed the roots with the darkening spray. So I don’t know what to do at this point. Do I just become full Mrs. Claus, or what am I doing?"

Related Articles

Why it looks like British Prime Minister Rishi Sunak is about to lose his job

RICHMOND, England — Rishi Sunak has a habit of making history. He’s the United Kingdom’s first British Indian prime minister and its first Hindu leader, and at 42 he was the youngest to take the job in over 200 years. He’s also probably the richest person to govern from No. 10 Downing St.

Now 44, Sunak is about to mark new and less flattering records in the U.K. general election Thursday. After a campaign beset by scandals, PR failures and alleg ations of insider betting , he may very well lead his Conservative Party to its worst defeat ever. 

How did it come to this? Hanging over the electorate is a feeling that there is one set of rules for the elites in London — and another for the rest of Britain after years of Conservative Party rule. Living standards are being squeezed. The gap between the very rich — which includes Sunak — and the rest has continued to widen. There is the widespread perception that public services not just are struggling but are on the verge of failing.

The backlash against the Tories — the nickname for the Conservatives — is so strong that Sunak may lose his own constituency, which no prime minister has done before. The Conservatives have held the seat since 1910.

In Richmond in late June, a picturesque Yorkshire market town at the heart of Sunak’s territory, early summer rays recently bounced off steep cobbled streets and stone-clad buildings as day-trippers and locals chatted in pub beer gardens. 

Many here wouldn’t be surprised to see Sunak tossed out of power.

Paul Armstrong, who runs a book stall, was a loyal Conservative for decades. He said he won’t vote this time around. 

“I liked Boris Johnson at the time; I thought he did an amazing job, Brexit and stuff like that,” Armstrong, 62, said. “I think it’s just the antics of the Conservative Party, especially over the last about five years. People have had enough of it.”

If current polls are replicated in the election, Labour will win more than 400 of the 650 seats in the House of Commons — the biggest majority since World War II and the Tories’ single worst general election result.

Outside H. Taylor & Sons, which describes itself as “THE NOTED PIE SHOP,” the political mood was grim.

“I don’t trust Rishi,” said Ann-Marie Hardie, 57, standing at a bus stop. “I’d sooner vote for him,” she said, gesturing at a man in a Manchester United shirt also waiting for the next bus, which was late.

Hardie is also a former Conservative voter, but this time, she said, she will either back Reform — a right-wing party run by pro-Brexit , anti-migration firebrand Nigel Farage — or not cast a ballot at all. She is angry about the scandal known as Partygate , when government officials under Boris Johnson were carousing together in the Downing Street offices in 2020 and 2021 while the rest of the country was under strict lockdown.

“My husband was in a hospice dying while they partied in Downing Street,” she said. “They were telling people not to party, but they were. They were making the rules. No, I’ll never forget. Never.”

Many voters are angry with hospitals’ performance, arguably the worst in the National Health Service’s history , prisons at breaking point and multiple local governments — including the city of Birmingham , with 1.1 million people — that ran out of money and declared bankruptcy.

Living standards have dropped dramatically in the country, with real household disposable income falling 0.9% — the first parliamentary term in history that has left people worse off than before, according to the economic think tank the Resolution Foundation .

Britain’s exit from the European Union , which Sunak supported, has not helped: According to one analysis , leaving the trading bloc has cost the U.K. about 5.5% of its economic output.

Meanwhile, Sunak and his wife, Akshata Murty, are now worth a combined 823 million pounds ($1 billion), according to the Sunday Times Rich List, an annual ranking. Sunak, a staunch admirer of Prime Minister Margaret Thatcher, a free-market warrior, was born in Southampton on England’s south coast in 1980. His family is of Indian descent and immigrated to the U.K. from Kenya in the 1960s. 

He attended Winchester College, one of the most prestigious and expensive private schools in the country. He then graduated from Oxford University with a first-class degree in politics, philosophy and economics — a course taken by many who hope to enter the British political establishment .

Instead of going directly into politics, Sunak joined Goldman Sachs as an analyst, but less than 10 years later, he plunged into the rowdy world of politics. At the 2015 general election, he was selected to run in the safe Conservative seat of Richmond, one of the largest and most rural constituencies in Britain, with its rolling hills and unspoiled landscapes, now called Richmond and Northallerton.

“He was catapulted in from as far away as Southampton,” said Chris Lloyd, chief features writer at The Northern Echo newspaper who has followed Sunak on the campaign trail.

In a faux pas that is still remembered in the farming community, he wore Conservative blue Wellington rubber boots during his campaign, which immediately marked him as a city-dwelling arriviste. He soon rectified his mistake and began to wear the traditional green boots, as favored by farmers and the late Queen Elizabeth II .

He worked hard to gain the trust and support of his constituents, Lloyd said, immersing himself in the details of milk pricing and market prices.

“That’s how Rishi Sunak really won people over here,” he said.

Sunak swiftly rose through the ranks of government, becoming a junior minister and then chief secretary to the Treasury, essentially a deputy finance minister, where he was marked out as future star by performing well in TV debates and interviews.

Loyal to former Prime Minister Johnson, Sunak was appointed chancellor of the exchequer, or finance minister, in February 2020, just before the world began to shut down because of Covid-19 .

Sunak won praise for a $417 billion plan to support British businesses and a government-backed furlough scheme that supported 11.7 million people at a cost of $88.5 billion. Still, Johnson’s government as a whole has been widely criticized for its pandemic response.

Johnson’s scandal-ridden government made way for fellow Conservative Liz Truss , whose disastrous 44-day stint as prime minister crashed the financial markets and left millions of households facing higher bills, before she  quit on Oct. 20, 2022 . 

Five days later, party lawmakers selected Sunak to become prime minister.

The economy stabilized under Sunak, who was welcomed by many for his apparent calm and competence. But given the political mess he inherited and an increasingly right-leaning, divided party, there may have been very little he could have done to save the Conservatives’ electoral chances.

“It’s the last four years, and especially people like Liz Truss, that have destroyed their economic competency in the eyes of the public,” said Tom Egerton, a co-author of “The Conservative Effect,” a new study of the government’s 14 years in power . “The economic competency which we all know is so important in elections has gone. It’s evaporated.”

So it isn’t that people hate Sunak. It’s his party they can’t stand.

“He seems like a decent guy. He just seems weak,” said Jan McCoubrey, 66, a resident of Catterick, a few miles east of Richmond.

According to one poll, the opposition Labour Party has a realistic chance of winning here, an unthinkable outcome just months ago. Sunak’s office did not respond to interview requests with either Sunakor local party officials.

The Conservatives have trailed in opinion polls for more than two years — after 14 years in power, the party has exhausted the patience of many voters.

But it turns out things could get much worse: On June 4, Farage’s Reform Party joined the election race , attracting millions of right-leaning, Euroskeptic voters and igniting speculation that the Conservative Party could one day split or merge with Reform.

Just three days later, Sunak apologized for leaving an event on the beaches of Normandy to commemorate the 80th anniversary of D-Day early for a TV interview in London. He was glaringly absent from a photo with President Joe Biden, French President Emmanuel Macron and German Chancellor Olaf Scholz — Foreign Secretary David Cameron, the former prime minister, acted as a stand-in.

A scandal last month involving Conservative candidates and officials alleged to have placed bets on the outcome of the election added insult to injury.

At the bus stop in Richmond, the conversation turns to where Sunak goes from here — likely to be kicked out of Downing Street and in real danger of losing his job as a member of Parliament. Some have speculated that he may end up in California to restart his lucrative hedge fund career.

Sunak has denied that , but Hardie is unconvinced: “People have just had enough, haven’t they? Well, if he doesn’t get in, he’s always got America.”

Patrick Smith is a London-based editor and reporter for NBC News Digital.