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How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

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Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

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Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

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If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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Narrative Essay Writing

Narrative Essay Examples

20+ Top Narrative Essay Examples by Experts

12 min read

Published on: Apr 12, 2020

Last updated on: Mar 24, 2024

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Narrative essays are a common assignment in school, but many students struggle to write them. 

The problem with narrative essays is that they can be difficult to write. They require students to think about their own experiences and to put those experiences into words. This can be a challenge, especially for students who are not used to writing about themselves.

The solution to the problem of writing narrative essays is to provide students with examples. By reading examples of narrative essays, students can see how other students have successfully written about their own experiences. 

In this blog post, we will provide you with examples of narrative essays.By the end of this blog post, you will have a better understanding of how to write a narrative essay.

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Before writing, go through narrative essay examples to ensure that outlining and formatting are done correctly. Moreover, looking at examples will allow the writer to understand sensory details and vocabulary to describe events, settings, characters, and emotions.

Here are some famous narrative essays that you can consider adding to your reading wishlist:

“A Modest Proposal” by Jonathan Swift

“Once More to the Lake” by EB White

“The Fourth of July” by Audre Lorde

“The Story of an Hour” by Kate Chopin

“The Crisis” by Thomas Paine

But it doesn't end here! To help our students, CollegeEssay.org has gathered many other narrative essay sample. These examples will help you learn the correct formation of a narrative essay.

Read on to discover!

Personal Narrative Essay Example

Are you looking for a sample to draft a personal narrative essay ? Go through the example provided below to understand how the first-person and third-person perspectives are used in a narrative essay.

Sample Personal Narrative Essay

Narrative Essay Example for Middle School

A narrative essay is frequently assigned to middle school students to assess their writing and creative skills. If you are a student looking for a sample narrative essay for your middle school assignment, go through the example provided below.

Narrative Essay Example: 7th Grade

Narrative Essay Example for Grade 8

Grade 9 Narrative Essay Example

Sample Narrative Essay Grade 12

Narrative Essay Example for High School

When drafting assignments for high school, professional writing is essential. Your essays and papers should be well structured and written in order to achieve better grades. If you are assigned a narrative essay, go through the sample provided to see how an effective essay is written.

Sample Narrative Essay For High School

Good Narrative Essay Examples for College

College essays are more complex in nature than other academic levels. They require a better understanding of the concept, following a proper writing procedure, and an outline.

Although you are to draft a narrative essay for your college assignment, make sure it is professionally written. Read the sample narrative essay provided below.

Descriptive Narrative Essay Example

If you are to draft a document on the recreation of an event, a descriptive narrative essay is written. It presents an incident that happened to the writer and the backed-up information that supports the story.

The following is a perfect example of a descriptive narrative essay.

Sample Descriptive Narrative Essay

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Literacy Narrative Essay Example

Academic assignments often require students to draft essays on education. Education is the most significant topic of discussion, and for this purpose, almost every essay type and research paper studies it.

If you are drafting a narrative essay on literacy, go through the sample provided.

Fictional Narrative Essay Example

Drafting a fictional piece of document requires a more vivid description and detail. If you are assigned a narrative essay to draft on a fictional theme, read the example provided below.

Sample Fictional Narrative Essay

The Essentials of Narrative Essays

In a narrative essay, the goal is to write a story from one person's perspective. To do this well requires incorporating all of these aspects: 

Below are some golden points that you should keep in mind when writing a narrative essay.

• Chronological order is the most common way to present information.
• A thesis statement has a function in an essay. This is typically evident in the opening paragraph.
• The writer's argument is clearly communicated through the use of sensory details and vivid language.
• This draws the reader in and makes them interested in what the writer has to say. Everything in the passage is somehow related to the main point.

How to Start a Narrative Essay?

When you start writing the narrative essay, you should follow some steps and make your writing process easy.

For your help, we gathered some steps that you should follow when starting writing the essay.

• Choose a narrative essay topic that is engaging and interesting.
• Do some research and then start writing the essay.
• Create an outline.
• Start writing the essay. The way you describe things should be creative and colorful. Thus, the reader can feel as if they are right there with what's happening.
• Proofread the essay before submitting it.

Watch the video below for tips on how to write a narrative essay:

Narrative Essay Writing Tips 

Professional essay writers of CollegeEssay.org have gathered some tips and tricks for you to follow to make your narrative essay remarkable. Even if you are aware of the writing procedure, it is advised to use expert tips to make your documents flawless. 

Follow the tips provided below to draft an exceptional narrative essay.

• Clear Content: The narrative essay content should be clear. All the details and descriptions provided should be readable and understandable by the audience. Avoid using complex words and distribute content into paragraphs.
• Keep it concise: Avoid describing every minor detail or movement. Provide only explanations that are important for the readers to imagine. 
• Use first-person perspective: To make something believable and interesting for the readers, state it from the first-person perspective. Share your personal experiences, stories, and opinions to make the content impactful. 
• Use limited referencing: When drafting an essay, according to the instructed format, avoid using frequent in-text citations. 
• Use Clear Stance: Write your point of view clearly, so the readers feel that it is a genuine piece of writing. 

Keep in mind that a narrative essay is different from an expository essay but the same as a descriptive essay .  

In conclusion,

Using the tips provided by the professionals and going through the narrative essay examples will let you draft an effective paper. 

Looking for top-tier essay writing help online ?

Our narrative essay writing service offers unparalleled expertise to bring your stories to life with clarity and creativity.

Also, elevate your writing journey with the best essay writer , our AI-driven tool that combines cutting-edge technology with user-friendly functionality. Experience the blend of traditional craftsmanship and modern innovation in your next essay. Try it now!

Frequently Asked Questions

How long is a narrative paragraph.

Paragraphs vary in length depending on the content, but a standard 5-sentence paragraph usually isn't enough to tell an interesting story. 

How do I write a narrative essay?

Here are some steps that will help you to write a great narrative essay. 

• Consider the topic 
• Start writing the draft 
• Provide supporting facts 
• Revise your essay 

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3 Great Narrative Essay Examples + Tips for Writing

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

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Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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The Ultimate Narrative Essay Guide for Beginners

A narrative essay tells a story in chronological order, with an introduction that introduces the characters and sets the scene. Then a series of events leads to a climax or turning point, and finally a resolution or reflection on the experience.

Speaking of which, are you in sixes and sevens about narrative essays? Don’t worry this ultimate expert guide will wipe out all your doubts. So let’s get started.

Table of Contents

Everything You Need to Know About Narrative Essay

What is a narrative essay.

When you go through a narrative essay definition, you would know that a narrative essay purpose is to tell a story. It’s all about sharing an experience or event and is different from other types of essays because it’s more focused on how the event made you feel or what you learned from it, rather than just presenting facts or an argument. Let’s explore more details on this interesting write-up and get to know how to write a narrative essay.

Elements of a Narrative Essay

Here’s a breakdown of the key elements of a narrative essay:

A narrative essay has a beginning, middle, and end. It builds up tension and excitement and then wraps things up in a neat package.

Real people, including the writer, often feature in personal narratives. Details of the characters and their thoughts, feelings, and actions can help readers to relate to the tale.

It’s really important to know when and where something happened so we can get a good idea of the context. Going into detail about what it looks like helps the reader to really feel like they’re part of the story.

Conflict or Challenge 

A story in a narrative essay usually involves some kind of conflict or challenge that moves the plot along. It could be something inside the character, like a personal battle, or something from outside, like an issue they have to face in the world.

Theme or Message

A narrative essay isn’t just about recounting an event – it’s about showing the impact it had on you and what you took away from it. It’s an opportunity to share your thoughts and feelings about the experience, and how it changed your outlook.

Emotional Impact

The author is trying to make the story they’re telling relatable, engaging, and memorable by using language and storytelling to evoke feelings in whoever’s reading it.

Narrative essays let writers have a blast telling stories about their own lives. It’s an opportunity to share insights and impart wisdom, or just have some fun with the reader. Descriptive language, sensory details, dialogue, and a great narrative voice are all essentials for making the story come alive.

The Purpose of a Narrative Essay

A narrative essay is more than just a story – it’s a way to share a meaningful, engaging, and relatable experience with the reader. Includes:

Sharing Personal Experience

Narrative essays are a great way for writers to share their personal experiences, feelings, thoughts, and reflections. It’s an opportunity to connect with readers and make them feel something.

Entertainment and Engagement

The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection.

Conveying a Message or Insight

Narrative essays are more than just a story – they aim to teach you something. They usually have a moral lesson, a new understanding, or a realization about life that the author gained from the experience.

Building Empathy and Understanding

By telling their stories, people can give others insight into different perspectives, feelings, and situations. Sharing these tales can create compassion in the reader and help broaden their knowledge of different life experiences.

Inspiration and Motivation

Stories about personal struggles, successes, and transformations can be really encouraging to people who are going through similar situations. It can provide them with hope and guidance, and let them know that they’re not alone.

Reflecting on Life’s Significance

These essays usually make you think about the importance of certain moments in life or the impact of certain experiences. They make you look deep within yourself and ponder on the things you learned or how you changed because of those events.

Demonstrating Writing Skills

Coming up with a gripping narrative essay takes serious writing chops, like vivid descriptions, powerful language, timing, and organization. It’s an opportunity for writers to show off their story-telling abilities.

Preserving Personal History

Sometimes narrative essays are used to record experiences and special moments that have an emotional resonance. They can be used to preserve individual memories or for future generations to look back on.

Cultural and Societal Exploration

Personal stories can look at cultural or social aspects, giving us an insight into customs, opinions, or social interactions seen through someone’s own experience.

Format of a Narrative Essay

Narrative essays are quite flexible in terms of format, which allows the writer to tell a story in a creative and compelling way. Here’s a quick breakdown of the narrative essay format, along with some examples:

Introduction

Set the scene and introduce the story.

Engage the reader and establish the tone of the narrative.

Hook: Start with a captivating opening line to grab the reader’s attention. For instance:

Example:  “The scorching sun beat down on us as we trekked through the desert, our water supply dwindling.”

Background Information: Provide necessary context or background without giving away the entire story.

Example:  “It was the summer of 2015 when I embarked on a life-changing journey to…”

Thesis Statement or Narrative Purpose

Present the main idea or the central message of the essay.

Offer a glimpse of what the reader can expect from the narrative.

Thesis Statement: This isn’t as rigid as in other essays but can be a sentence summarizing the essence of the story.

Example:  “Little did I know, that seemingly ordinary hike would teach me invaluable lessons about resilience and friendship.”

Body Paragraphs

Present the sequence of events in chronological order.

Develop characters, setting, conflict, and resolution.

Story Progression : Describe events in the order they occurred, focusing on details that evoke emotions and create vivid imagery.

Example : Detail the trek through the desert, the challenges faced, interactions with fellow hikers, and the pivotal moments.

Character Development : Introduce characters and their roles in the story. Show their emotions, thoughts, and actions.

Example : Describe how each character reacted to the dwindling water supply and supported each other through adversity.

Dialogue and Interactions : Use dialogue to bring the story to life and reveal character personalities.

Example : “Sarah handed me her last bottle of water, saying, ‘We’re in this together.'”

Reach the peak of the story, the moment of highest tension or significance.

Turning Point: Highlight the most crucial moment or realization in the narrative.

Example:  “As the sun dipped below the horizon and hope seemed lost, a distant sound caught our attention—the rescue team’s helicopters.”

Provide closure to the story.

Reflect on the significance of the experience and its impact.

Reflection : Summarize the key lessons learned or insights gained from the experience.

Example : “That hike taught me the true meaning of resilience and the invaluable support of friendship in challenging times.”

Closing Thought : End with a memorable line that reinforces the narrative’s message or leaves a lasting impression.

Example : “As we boarded the helicopters, I knew this adventure would forever be etched in my heart.”

Example Summary:

Imagine a narrative about surviving a challenging hike through the desert, emphasizing the bonds formed and lessons learned. The narrative essay structure might look like starting with an engaging scene, narrating the hardships faced, showcasing the characters’ resilience, and culminating in a powerful realization about friendship and endurance.

Different Types of Narrative Essays

There are a bunch of different types of narrative essays – each one focuses on different elements of storytelling and has its own purpose. Here’s a breakdown of the narrative essay types and what they mean.

Personal Narrative

Description : Tells a personal story or experience from the writer’s life.

Purpose: Reflects on personal growth, lessons learned, or significant moments.

Example of Narrative Essay Types:

Topic : “The Day I Conquered My Fear of Public Speaking”

Focus: Details the experience, emotions, and eventual triumph over a fear of public speaking during a pivotal event.

Descriptive Narrative

Description : Emphasizes vivid details and sensory imagery.

Purpose : Creates a sensory experience, painting a vivid picture for the reader.

Topic : “A Walk Through the Enchanted Forest”

Focus : Paints a detailed picture of the sights, sounds, smells, and feelings experienced during a walk through a mystical forest.

Autobiographical Narrative

Description: Chronicles significant events or moments from the writer’s life.

Purpose: Provides insights into the writer’s life, experiences, and growth.

Topic: “Lessons from My Childhood: How My Grandmother Shaped Who I Am”

Focus: Explores pivotal moments and lessons learned from interactions with a significant family member.

Experiential Narrative

Description: Relays experiences beyond the writer’s personal life.

Purpose: Shares experiences, travels, or events from a broader perspective.

Topic: “Volunteering in a Remote Village: A Journey of Empathy”

Focus: Chronicles the writer’s volunteering experience, highlighting interactions with a community and personal growth.

Literary Narrative

Description: Incorporates literary elements like symbolism, allegory, or thematic explorations.

Purpose: Uses storytelling for deeper explorations of themes or concepts.

Topic: “The Symbolism of the Red Door: A Journey Through Change”

Focus: Uses a red door as a symbol, exploring its significance in the narrator’s life and the theme of transition.

Historical Narrative

Description: Recounts historical events or periods through a personal lens.

Purpose: Presents history through personal experiences or perspectives.

Topic: “A Grandfather’s Tales: Living Through the Great Depression”

Focus: Shares personal stories from a family member who lived through a historical era, offering insights into that period.

Digital or Multimedia Narrative

Description: Incorporates multimedia elements like images, videos, or audio to tell a story.

Purpose: Explores storytelling through various digital platforms or formats.

Topic: “A Travel Diary: Exploring Europe Through Vlogs”

Focus: Combines video clips, photos, and personal narration to document a travel experience.

How to Choose a Topic for Your Narrative Essay?

Selecting a compelling topic for your narrative essay is crucial as it sets the stage for your storytelling. Choosing a boring topic is one of the narrative essay mistakes to avoid . Here’s a detailed guide on how to choose the right topic:

Reflect on Personal Experiences

• Significant Moments:

Moments that had a profound impact on your life or shaped your perspective.

Example: A moment of triumph, overcoming a fear, a life-changing decision, or an unforgettable experience.

• Emotional Resonance:

Events that evoke strong emotions or feelings.

Example: Joy, fear, sadness, excitement, or moments of realization.

• Lessons Learned:

Experiences that taught you valuable lessons or brought about personal growth.

Example: Challenges that led to personal development, shifts in mindset, or newfound insights.

Explore Unique Perspectives

• Uncommon Experiences:

Unique or unconventional experiences that might captivate the reader’s interest.

Example: Unusual travels, interactions with different cultures, or uncommon hobbies.

• Different Points of View:

Stories from others’ perspectives that impacted you deeply.

Example: A family member’s story, a friend’s experience, or a historical event from a personal lens.

Focus on Specific Themes or Concepts

• Themes or Concepts of Interest:

Themes or ideas you want to explore through storytelling.

Example: Friendship, resilience, identity, cultural diversity, or personal transformation.

• Symbolism or Metaphor:

Using symbols or metaphors as the core of your narrative.

Example: Exploring the symbolism of an object or a place in relation to a broader theme.

Consider Your Audience and Purpose

• Relevance to Your Audience:

Topics that resonate with your audience’s interests or experiences.

Example: Choose a relatable theme or experience that your readers might connect with emotionally.

• Impact or Message:

What message or insight do you want to convey through your story?

Example: Choose a topic that aligns with the message or lesson you aim to impart to your readers.

Brainstorm and Evaluate Ideas

• Free Writing or Mind Mapping:

Process: Write down all potential ideas without filtering. Mind maps or free-writing exercises can help generate diverse ideas.

• Evaluate Feasibility:

The depth of the story, the availability of vivid details, and your personal connection to the topic.

Imagine you’re considering topics for a narrative essay. You reflect on your experiences and decide to explore the topic of “Overcoming Stage Fright: How a School Play Changed My Perspective.” This topic resonates because it involves a significant challenge you faced and the personal growth it brought about.

Narrative Essay Topics

50 easy narrative essay topics.

• Learning to Ride a Bike
• My First Day of School
• A Surprise Birthday Party
• The Day I Got Lost
• Visiting a Haunted House
• An Encounter with a Wild Animal
• My Favorite Childhood Toy
• The Best Vacation I Ever Had
• An Unforgettable Family Gathering
• Conquering a Fear of Heights
• A Special Gift I Received
• Moving to a New City
• The Most Memorable Meal
• Getting Caught in a Rainstorm
• An Act of Kindness I Witnessed
• The First Time I Cooked a Meal
• My Experience with a New Hobby
• The Day I Met My Best Friend
• A Hike in the Mountains
• Learning a New Language
• An Embarrassing Moment
• Dealing with a Bully
• My First Job Interview
• A Sporting Event I Attended
• The Scariest Dream I Had
• Helping a Stranger
• The Joy of Achieving a Goal
• A Road Trip Adventure
• Overcoming a Personal Challenge
• The Significance of a Family Tradition
• An Unusual Pet I Owned
• A Misunderstanding with a Friend
• Exploring an Abandoned Building
• My Favorite Book and Why
• The Impact of a Role Model
• A Cultural Celebration I Participated In
• A Valuable Lesson from a Teacher
• A Trip to the Zoo
• An Unplanned Adventure
• Volunteering Experience
• A Moment of Forgiveness
• A Decision I Regretted
• A Special Talent I Have
• The Importance of Family Traditions
• The Thrill of Performing on Stage
• A Moment of Sudden Inspiration
• The Meaning of Home
• Learning to Play a Musical Instrument
• A Childhood Memory at the Park
• Witnessing a Beautiful Sunset

Narrative Essay Topics for College Students

• Discovering a New Passion
• Overcoming Academic Challenges
• Navigating Cultural Differences
• Embracing Independence: Moving Away from Home
• Exploring Career Aspirations
• Coping with Stress in College
• The Impact of a Mentor in My Life
• Balancing Work and Studies
• Facing a Fear of Public Speaking
• Exploring a Semester Abroad
• The Evolution of My Study Habits
• Volunteering Experience That Changed My Perspective
• The Role of Technology in Education
• Finding Balance: Social Life vs. Academics
• Learning a New Skill Outside the Classroom
• Reflecting on Freshman Year Challenges
• The Joys and Struggles of Group Projects
• My Experience with Internship or Work Placement
• Challenges of Time Management in College
• Redefining Success Beyond Grades
• The Influence of Literature on My Thinking
• The Impact of Social Media on College Life
• Overcoming Procrastination
• Lessons from a Leadership Role
• Exploring Diversity on Campus
• Exploring Passion for Environmental Conservation
• An Eye-Opening Course That Changed My Perspective
• Living with Roommates: Challenges and Lessons
• The Significance of Extracurricular Activities
• The Influence of a Professor on My Academic Journey
• Discussing Mental Health in College
• The Evolution of My Career Goals
• Confronting Personal Biases Through Education
• The Experience of Attending a Conference or Symposium
• Challenges Faced by Non-Native English Speakers in College
• The Impact of Traveling During Breaks
• Exploring Identity: Cultural or Personal
• The Impact of Music or Art on My Life
• Addressing Diversity in the Classroom
• Exploring Entrepreneurial Ambitions
• My Experience with Research Projects
• Overcoming Impostor Syndrome in College
• The Importance of Networking in College
• Finding Resilience During Tough Times
• The Impact of Global Issues on Local Perspectives
• The Influence of Family Expectations on Education
• Lessons from a Part-Time Job
• Exploring the College Sports Culture
• The Role of Technology in Modern Education
• The Journey of Self-Discovery Through Education

Narrative Essay Comparison

Narrative essay vs. descriptive essay.

Here’s our first narrative essay comparison! While both narrative and descriptive essays focus on vividly portraying a subject or an event, they differ in their primary objectives and approaches. Now, let’s delve into the nuances of comparison on narrative essays.

Narrative Essay:

Storytelling: Focuses on narrating a personal experience or event.

Chronological Order: Follows a structured timeline of events to tell a story.

Message or Lesson: Often includes a central message, moral, or lesson learned from the experience.

Engagement: Aims to captivate the reader through a compelling storyline and character development.

First-Person Perspective: Typically narrated from the writer’s point of view, using “I” and expressing personal emotions and thoughts.

Plot Development: Emphasizes a plot with a beginning, middle, climax, and resolution.

Character Development: Focuses on describing characters, their interactions, emotions, and growth.

Conflict or Challenge: Usually involves a central conflict or challenge that drives the narrative forward.

Dialogue: Incorporates conversations to bring characters and their interactions to life.

Reflection: Concludes with reflection or insight gained from the experience.

Descriptive Essay:

Vivid Description: Aims to vividly depict a person, place, object, or event.

Imagery and Details: Focuses on sensory details to create a vivid image in the reader’s mind.

Emotion through Description: Uses descriptive language to evoke emotions and engage the reader’s senses.

Painting a Picture: Creates a sensory-rich description allowing the reader to visualize the subject.

Imagery and Sensory Details: Focuses on providing rich sensory descriptions, using vivid language and adjectives.

Point of Focus: Concentrates on describing a specific subject or scene in detail.

Spatial Organization: Often employs spatial organization to describe from one area or aspect to another.

Objective Observations: Typically avoids the use of personal opinions or emotions; instead, the focus remains on providing a detailed and objective description.

Comparison:

Focus: Narrative essays emphasize storytelling, while descriptive essays focus on vividly describing a subject or scene.

Perspective: Narrative essays are often written from a first-person perspective, while descriptive essays may use a more objective viewpoint.

Purpose: Narrative essays aim to convey a message or lesson through a story, while descriptive essays aim to paint a detailed picture for the reader without necessarily conveying a specific message.

Narrative Essay vs. Argumentative Essay

The narrative essay and the argumentative essay serve distinct purposes and employ different approaches:

Engagement and Emotion: Aims to captivate the reader through a compelling story.

Reflective: Often includes reflection on the significance of the experience or lessons learned.

First-Person Perspective: Typically narrated from the writer’s point of view, sharing personal emotions and thoughts.

Plot Development: Emphasizes a storyline with a beginning, middle, climax, and resolution.

Message or Lesson: Conveys a central message, moral, or insight derived from the experience.

Argumentative Essay:

Persuasion and Argumentation: Aims to persuade the reader to adopt the writer’s viewpoint on a specific topic.

Logical Reasoning: Presents evidence, facts, and reasoning to support a particular argument or stance.

Debate and Counterarguments: Acknowledge opposing views and counter them with evidence and reasoning.

Thesis Statement: Includes a clear thesis statement that outlines the writer’s position on the topic.

Thesis and Evidence: Starts with a strong thesis statement and supports it with factual evidence, statistics, expert opinions, or logical reasoning.

Counterarguments: Addresses opposing viewpoints and provides rebuttals with evidence.

Logical Structure: Follows a logical structure with an introduction, body paragraphs presenting arguments and evidence, and a conclusion reaffirming the thesis.

Formal Language: Uses formal language and avoids personal anecdotes or emotional appeals.

Objective: Argumentative essays focus on presenting a logical argument supported by evidence, while narrative essays prioritize storytelling and personal reflection.

Purpose: Argumentative essays aim to persuade and convince the reader of a particular viewpoint, while narrative essays aim to engage, entertain, and share personal experiences.

Structure: Narrative essays follow a storytelling structure with character development and plot, while argumentative essays follow a more formal, structured approach with logical arguments and evidence.

In essence, while both essays involve writing and presenting information, the narrative essay focuses on sharing a personal experience, whereas the argumentative essay aims to persuade the audience by presenting a well-supported argument.

Narrative Essay vs. Personal Essay

While there can be an overlap between narrative and personal essays, they have distinctive characteristics:

Storytelling: Emphasizes recounting a specific experience or event in a structured narrative form.

Engagement through Story: Aims to engage the reader through a compelling story with characters, plot, and a central theme or message.

Reflective: Often includes reflection on the significance of the experience and the lessons learned.

First-Person Perspective: Typically narrated from the writer’s viewpoint, expressing personal emotions and thoughts.

Plot Development: Focuses on developing a storyline with a clear beginning, middle, climax, and resolution.

Character Development: Includes descriptions of characters, their interactions, emotions, and growth.

Central Message: Conveys a central message, moral, or insight derived from the experience.

Personal Essay:

Exploration of Ideas or Themes: Explores personal ideas, opinions, or reflections on a particular topic or subject.

Expression of Thoughts and Opinions: Expresses the writer’s thoughts, feelings, and perspectives on a specific subject matter.

Reflection and Introspection: Often involves self-reflection and introspection on personal experiences, beliefs, or values.

Varied Structure and Content: Can encompass various forms, including memoirs, personal anecdotes, or reflections on life experiences.

Flexibility in Structure: Allows for diverse structures and forms based on the writer’s intent, which could be narrative-like or more reflective.

Theme-Centric Writing: Focuses on exploring a central theme or idea, with personal anecdotes or experiences supporting and illustrating the theme.

Expressive Language: Utilizes descriptive and expressive language to convey personal perspectives, emotions, and opinions.

Focus: Narrative essays primarily focus on storytelling through a structured narrative, while personal essays encompass a broader range of personal expression, which can include storytelling but isn’t limited to it.

Structure: Narrative essays have a more structured plot development with characters and a clear sequence of events, while personal essays might adopt various structures, focusing more on personal reflection, ideas, or themes.

Intent: While both involve personal experiences, narrative essays emphasize telling a story with a message or lesson learned, while personal essays aim to explore personal thoughts, feelings, or opinions on a broader range of topics or themes.

A narrative essay is more than just telling a story. It’s also meant to engage the reader, get them thinking, and leave a lasting impact. Whether it’s to amuse, motivate, teach, or reflect, these essays are a great way to communicate with your audience. This interesting narrative essay guide was all about letting you understand the narrative essay, its importance, and how can you write one.

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Narrative Essays

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What is a narrative essay?

When writing a narrative essay, one might think of it as telling a story. These essays are often anecdotal, experiential, and personal—allowing students to express themselves in a creative and, quite often, moving ways.

Here are some guidelines for writing a narrative essay.

• If written as a story, the essay should include all the parts of a story.

This means that you must include an introduction, plot, characters, setting, climax, and conclusion.

• When would a narrative essay not be written as a story?

A good example of this is when an instructor asks a student to write a book report. Obviously, this would not necessarily follow the pattern of a story and would focus on providing an informative narrative for the reader.

• The essay should have a purpose.

Make a point! Think of this as the thesis of your story. If there is no point to what you are narrating, why narrate it at all?

• The essay should be written from a clear point of view.

It is quite common for narrative essays to be written from the standpoint of the author; however, this is not the sole perspective to be considered. Creativity in narrative essays oftentimes manifests itself in the form of authorial perspective.

• Use clear and concise language throughout the essay.

Much like the descriptive essay, narrative essays are effective when the language is carefully, particularly, and artfully chosen. Use specific language to evoke specific emotions and senses in the reader.

• The use of the first person pronoun ‘I’ is welcomed.

Do not abuse this guideline! Though it is welcomed it is not necessary—nor should it be overused for lack of clearer diction.

• As always, be organized!

Have a clear introduction that sets the tone for the remainder of the essay. Do not leave the reader guessing about the purpose of your narrative. Remember, you are in control of the essay, so guide it where you desire (just make sure your audience can follow your lead).

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• How To Write a Narrative Essay: Guide With Examples
• Learn English
• James Prior
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• Updated December 12, 2023

Welcome to the creative world of narrative essays where you get to become the storyteller and craft your own narrative. In this article, we’ll break down how to write a narrative essay, covering the essential elements and techniques that you need to know.

Table of Contents

What is a Narrative Essay?

A narrative essay is a form of writing where the author recounts a personal experience or story. Unlike other types of essays, a narrative essay allows you to share a real-life event or sequence of events, often drawing from personal insights and emotions.

In a narrative essay, you take on the role of a storyteller, employing vivid details and descriptive language to transport the reader into the world of your story. The narrative often unfolds in chronological order, guiding the audience through a journey of experiences, reflections, and sometimes, a lesson learned.

The success of a narrative essay lies in your ability to create a compelling narrative arc. This means establishing a clear beginning, middle, and end. This structure helps build suspense, maintain the reader’s interest, and deliver a cohesive and impactful story. Ultimately, a well-crafted narrative essay not only narrates an event but also communicates the deeper meaning or significance behind the experience, making it a powerful and memorable piece of writing and leaving a lasting impression on the reader.

Types of Narrative Essays

Narrative essays come in various forms, each with unique characteristics. The most common type of narrative essay are personal narrative essays where you write about a personal experience. This can cover a whole range of topics as these examples of personal narrative essays illustrate. As a student in school or college, you’ll often be asked to write these types of essays. You may also need to write them later in life when applying for jobs and describing your past experiences.

However, this isn’t the only type of narrative essay. There are also fictional narrative essays that you can write using your imagination, and various subject specific narrative essays that you might have come across without even realizing it.

So, it’s worth knowing about the different types of narrative essays and what they each focus on before we move on to how to write them.

Here are some common types of narrative essays:

• Focus on a personal experience or event from the author’s life.
• Use the first-person perspective to convey the writer’s emotions and reflections.
• Can take many forms, from science fiction and fantasy to adventure and romance.
• Spark the imagination to create captivating stories.
• Provide a detailed account of the author’s life, often covering a significant timespan.
• Explore key life events, achievements, challenges, and personal growth.
• Reflect on the writer’s experiences with language, reading, or writing.
• Explore how these experiences have shaped the writer’s identity and skills
• Document the author’s experiences and insights gained from a journey or travel.
• Describe places visited, people encountered, and the lessons learned during the trip.
• Explore historical events or periods through a personal lens.
• Combine factual information with the writer’s perspective and experiences.

The narrative essay type you’ll work with often depends on the purpose, audience, and nature of the story being told. So, how should you write narrative essays?

How To Write Narrative Essays

From selecting the right topic to building a captivating storyline, we explore the basics to guide you in creating engaging narratives. So, grab your pen, and let’s delve into the fundamentals of writing a standout narrative essay.

Before we start, it’s worth pointing out that most narrative essays are written in the first-person. Through the use of first-person perspective, you get to connect with the reader, offering a glimpse into your thoughts, reactions, and the significance of the story being shared.

Let’s get into how to create these stories:

Write your plot

If you want to tell a compelling story you need a good plot. Your plot will give your story a structure. Every good story includes some kind of conflict. You should start with setting the scene for readers. After this, you introduce a challenge or obstacle. Readers will keep reading until the end to find out how you managed to overcome it.

Your story should reach a climax where tension is highest. This will be the turning point that leads to a resolution. For example, moving outside of your comfort zone was difficult and scary. It wasn’t easy at first but eventually, you grew braver and more confident. Readers should discover more about who you are as a person through what they read.

A seasoned writer knows how to craft a story that connects with an audience and creates an impact.

Hook readers with your introduction

In your introduction, you will introduce the main idea of your essay and set the context. Ways to make it more engaging are to:

• Use sensory images to describe the setting in which your story takes place.
• Use a quote that illustrates your main idea.
• Pose an intriguing question.
• Introduce an unexpected fact or a statement that grabs attention.

Develop your characters

You need to make readers feel they know any characters you introduce in your narrative essay. You can do this by revealing their personalities and quirks through the actions they take. It is always better to show the actions of characters rather than giving facts about them. Describing a character’s body language and features can also reveal a great deal about the person. You can check out these adjectives to describe a person to get some inspiration.

Use dialogue

Dialogue can bring your narrative essay to life. Most fiction books use dialogue extensively . It helps to move the story along in a subtle way. When you allow characters to talk, what they have to say seems more realistic. You can use similes , metaphors, and other parts of speech to make your story more compelling. Just make sure the dialogue is written clearly with the right punctuation so readers understand exactly who is talking.

Work on the pace of the story

Your story must flow along at a steady pace. If there’s too much action, readers may get confused. If you use descriptive writing, try not to overdo it. The clear, concise language throughout will appeal to readers more than lengthy descriptions.

Build up towards a climax

This is the point at which the tension in your story is the highest. A compelling climax takes readers by surprise. They may not have seen it coming. This doesn’t mean your climax should come out of left field. You need to carefully lead up to it step by step and guide readers along. When you reveal it they should be able to look back and realize it’s logical.

Cut out what you don’t need

Your story will suffer if you include too much detail that doesn’t move your story along. It may flow better once you cut out some unnecessary details. Most narrative essays are about five paragraphs but this will depend on the topic and requirements.

In a narrative essay, you share your experiences and insights. The journey you take your readers on should leave them feeling moved or inspired. It takes practice to learn how to write in a way that causes this reaction. With a good plot as your guide, it’s easier to write a compelling story that flows toward a satisfying resolution.

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How to write a narrative essay [Updated 2024]

A narrative essay is an opportunity to flex your creative muscles and craft a compelling story. In this blog post, we define what a narrative essay is and provide strategies and examples for writing one.

What is a narrative essay?

Similarly to a descriptive essay or a reflective essay, a narrative essay asks you to tell a story, rather than make an argument and present evidence. Most narrative essays describe a real, personal experience from your own life (for example, the story of your first big success).

Alternately, your narrative essay might focus on an imagined experience (for example, how your life would be if you had been born into different circumstances). While you don’t need to present a thesis statement or scholarly evidence, a narrative essay still needs to be well-structured and clearly organized so that the reader can follow your story.

When you might be asked to write a narrative essay

Although less popular than argumentative essays or expository essays, narrative essays are relatively common in high school and college writing classes.

The same techniques that you would use to write a college essay as part of a college or scholarship application are applicable to narrative essays, as well. In fact, the Common App that many students use to apply to multiple colleges asks you to submit a narrative essay.

How to choose a topic for a narrative essay

When you are asked to write a narrative essay, a topic may be assigned to you or you may be able to choose your own. With an assigned topic, the prompt will likely fall into one of two categories: specific or open-ended.

Examples of specific prompts:

• Write about the last vacation you took.
• Write about your final year of middle school.

Examples of open-ended prompts:

• Write about a time when you felt all hope was lost.
• Write about a brief, seemingly insignificant event that ended up having a big impact on your life.

A narrative essay tells a story and all good stories are centered on a conflict of some sort. Experiences with unexpected obstacles, twists, or turns make for much more compelling essays and reveal more about your character and views on life.

If you’re writing a narrative essay as part of an admissions application, remember that the people reviewing your essay will be looking at it to gain a sense of not just your writing ability, but who you are as a person.

In these cases, it’s wise to choose a topic and experience from your life that demonstrates the qualities that the prompt is looking for, such as resilience, perseverance, the ability to stay calm under pressure, etc.

It’s also important to remember that your choice of topic is just a starting point. Many students find that they arrive at new ideas and insights as they write their first draft, so the final form of your essay may have a different focus than the one you started with.

How to outline and format a narrative essay

Even though you’re not advancing an argument or proving a point of view, a narrative essay still needs to have a coherent structure. Your reader has to be able to follow you as you tell the story and to figure out the larger point that you’re making.

You’ll be evaluated on is your handling of the topic and how you structure your essay. Even though a narrative essay doesn’t use the same structure as other essay types, you should still sketch out a loose outline so you can tell your story in a clear and compelling way.

To outline a narrative essay, you’ll want to determine:

• how your story will start
• what points or specifics that you want to cover
• how your story will end
• what pace and tone you will use

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.” Also, most narrative essays will follow typical formatting guidelines, so you should choose a readable font like Times New Roman in size 11 or 12. Double-space your paragraphs and use 1” margins.

To get your creative wheels turning, consider how your story compares to archetypes and famous historical and literary figures both past and present. Weave these comparisons into your essay to improve the quality of your writing and connect your personal experience to a larger context.

How to write a narrative essay

Writing a narrative essay can sometimes be a challenge for students who typically write argumentative essays or research papers in a formal, objective style. To give you a better sense of how you can write a narrative essay, here is a short example of an essay in response to the prompt, “Write about an experience that challenged your view of yourself.”

Narrative essay example

Even as a child, I always had what people might call a reserved personality. It was sometimes framed as a positive (“Sarah is a good listener”) and at other times it was put in less-than-admiring terms (“Sarah is withdrawn and not very talkative”). It was the latter kind of comments that caused me to see my introverted nature as a drawback and as something I should work to eliminate. That is, until I joined my high school’s student council.

The first paragraph, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

The other four students making up the council were very outspoken and enthusiastic. I enjoyed being around them, and I often agreed with their ideas. However, when it came to overhauling our school’s recycling plan, we butted heads. When I spoke up and offered a different point of view, one of my fellow student council members launched into a speech, advocating for her point of view. As her voice filled the room, I couldn’t get a word in edgewise. I wondered if I should try to match her tone, volume, and assertiveness as a way to be heard. But I just couldn’t do it—it’s not my way, and it never has been. For a fleeting moment, I felt defeated. But then, something in me shifted.

In this paragraph, the writer goes into greater depth about how her existing thinking brought her to this point.

I reminded myself that my view was valid and deserved to be heard. So I waited. I let my fellow council member speak her piece and when she was finished, I deliberately waited a few moments before calmly stating my case. I chose my words well, and I spoke them succinctly. Just because I’m not a big talker doesn’t mean I’m not a big thinker. I thought of the quotation “still waters run deep” and I tried to embody that. The effect on the room was palpable. People listened. And I hadn’t had to shout my point to be heard.

This paragraph demonstrates the turn in the story, the moment when everything changed. The use of the quotation “still waters run deep” imbues the story with a dash of poetry and emotion.

We eventually reached a compromise on the matter and concluded the student council meeting. Our council supervisor came to me afterward and said: “You handled that so well, with such grace and poise. I was very impressed.” Her words in that moment changed me. I realized that a bombastic nature isn't necessarily a powerful one. There is power in quiet, too. This experience taught me to view my reserved personality not as a character flaw, but as a strength.

The final paragraph, or conclusion, closes with a statement about the significance of this event and how it ended up changing the writer in a meaningful way.

Narrative essay writing tips

1. pick a meaningful story that has a conflict and a clear “moral.”.

If you’re able to choose your own topic, pick a story that has meaning and that reveals how you became the person your are today. In other words, write a narrative with a clear “moral” that you can connect with your main points.

2. Use an outline to arrange the structure of your story and organize your main points.

Although a narrative essay is different from argumentative essays, it’s still beneficial to construct an outline so that your story is well-structured and organized. Note how you want to start and end your story, and what points you want to make to tie everything together.

3. Be clear, concise, concrete, and correct in your writing.

You should use descriptive writing in your narrative essay, but don’t overdo it. Use clear, concise, and correct language and grammar throughout. Additionally, make concrete points that reinforce the main idea of your narrative.

4. Ask a friend or family member to proofread your essay.

No matter what kind of writing you’re doing, you should always plan to proofread and revise. To ensure that your narrative essay is coherent and interesting, ask a friend or family member to read over your paper. This is especially important if your essay is responding to a prompt. It helps to have another person check to make sure that you’ve fully responded to the prompt or question.

Frequently Asked Questions about narrative essays

A narrative essay, like any essay, has three main parts: an introduction, a body and a conclusion. Structuring and outlining your essay before you start writing will help you write a clear story that your readers can follow.

The first paragraph of your essay, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.”

The 4 main types of essays are the argumentative essay, narrative essay, exploratory essay, and expository essay. You may be asked to write different types of essays at different points in your education.

Most narrative essays will be around five paragraphs, or more, depending on the topic and requirements. Make sure to check in with your instructor about the guidelines for your essay. If you’re writing a narrative essay for a college application, pay close attention to word or page count requirements.

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What is a Narrative Essay? How to Write It (with Examples)

Narrative essays are a type of storytelling in which writers weave a personal experience into words to create a fascinating and engaging narrative for readers. A narrative essay explains a story from the author’s point of view to share a lesson or memory with the reader. Narrative essays, like descriptive essays , employ figurative language to depict the subject in a vivid and creative manner to leave a lasting impact on the readers’ minds. In this article, we explore the definition of narrative essays, list the key elements to be included, and provide tips on how to craft a narrative that captivates your audience.

Table of Contents

What is a narrative essay, choosing narrative essay topics, key elements in a narrative essay, creating a narrative essay outline, types of narrative essays, the pre-writing stage, the writing stage, the editing stage, narrative essay example, frequently asked questions.

Narrative essays are often based on one’s personal experience which allows the author to express himself/herself in compelling ways for the reader. They employ storytelling elements to convey the plot and captivate the reader while disclosing the story’s theme or purpose. The author must always have a purpose or theme in mind when writing a narrative essay. These essays may be assigned to high school students to assess their ability to create captivating stories based on personal experiences, or they may be required as part of a college application to assess the applicant’s personal traits. Narrative essays might be based on true events with minor tweaks for dramatic purposes, or they can be adapted from a fictional scenario. Whatever the case maybe, the goal is to tell a story, a good story!

In narrative essays, the emphasis is not so much on the narrative itself as it is on how you explain it. Narrative essay topics cover a range of experiences, from noteworthy to mundane, but when storytelling elements are used well, even a simple account can have weight. Notably, the skills required for narrative writing differ significantly from those needed for formal academic essays, and we will delve deeper into this in the next section.

You can talk about any narrative, but consider whether it is fascinating enough, has enough twists and turns, or teaches a lesson (It’s a plus if the story contains an unexpected twist at the end). The potential topics for a narrative essay are limitless—a triumphant story, a brief moment of introspection, or a voyage of self-discovery. These essays provide writers with the opportunity to share a fragment of their lives with the audience, enriching both the writer’s and the reader’s experiences. Narrative essay examples could be a write-up on “What has been your biggest achievement in life so far and what did it teach you?” or “Describe your toughest experience and how you dealt with it?”.

While narrative essays allow you to be creative with your ideas, language, and format, they must include some key components to convey the story clearly, create engaging content and build reader interest. Follow these guidelines when drafting your essay:   

• Tell your story using the first person to engage users.
• Use sufficient sensory information and figurative language.
• Follow an organized framework so the story flows chronologically.
• Include interesting plot components that add to the narrative.
• Ensure clear language without grammar, spelling, or word choice errors.

Narrative essay outlines serve as the foundational structure for essay composition, acting as a framework to organize thoughts and ideas prior to the writing process. These outlines provide writers with a means to summarize the story, and help in formulating the introduction and conclusion sections and defining the narrative’s trajectory.

Unlike conventional essays that strictly adhere to the five-paragraph structure, narrative essays allow for more flexibility as the organization is dictated by the flow of the story. The outline typically encompasses general details about the events, granting writers the option to prioritize writing the body sections first while deferring the introduction until later stages of the writing process. This approach allows for a more organic and fluid writing process. If you’re wondering how to start writing a narrative essay outline, here is a sample designed to ensure a compelling and coherent narrative:

Introduction

• Hook/Opening line: The introduction should have an opening/hook sentence that is a captivating quote, question, or anecdote that grabs the reader’s attention.
• Background: Briefly introduce the setting, time, tone, and main characters.
• Thesis statement: State clearly the main theme or lesson acquired from the experience.
• Event 1 (according to occurrence): Describe the first major event in detail. Introduce the primary characters and set the story context; include sensory elements to enrich the narrative and give the characters depth and enthusiasm.
• Event 2: Ensure a smooth transition from one event to the next. Continue with the second event in the narrative. For more oomph, use suspense or excitement, or leave the plot with cliffhanger endings. Concentrate on developing your characters and their relationships, using dialog to bring the story to life.
• Event 3: If there was a twist and suspense, this episode should introduce the climax or resolve the story. Keep the narrative flowing by connecting events logically and conveying the feelings and reactions of the characters.
• Summarize the plot: Provide a concise recap of the main events within the narrative essay. Highlight the key moments that contribute to the development of the storyline. Offer personal reflections on the significance of the experiences shared, emphasizing the lasting impact they had on the narrator. End the story with a clincher; a powerful and thought-provoking sentence that encapsulates the essence of the narrative. As a bonus, aim to leave the reader with a memorable statement or quote that enhances the overall impact of the narrative. This should linger in the reader’s mind, providing a satisfying and resonant conclusion to the essay.

There are several types of narrative essays, each with their own unique traits. Some narrative essay examples are presented in the table below.

How to write a narrative essay: Step-by-step guide

A narrative essay might be inspired by personal experiences, stories, or even imaginary scenarios that resonate with readers, immersing them in the imaginative world you have created with your words. Here’s an easy step-by-step guide on how to write a narrative essay.

• Select the topic of your narrative

If no prompt is provided, the first step is to choose a topic to write about. Think about personal experiences that could be given an interesting twist. Readers are more likely to like a tale if it contains aspects of humor, surprising twists, and an out-of-the-box climax. Try to plan out such subjects and consider whether you have enough information on the topic and whether it meets the criteria of being funny/inspiring, with nice characters/plot lines, and an exciting climax. Also consider the tone as well as any stylistic features (such as metaphors or foreshadowing) to be used. While these stylistic choices can be changed later, sketching these ideas early on helps you give your essay a direction to start.

• Create a framework for your essay

Once you have decided on your topic, create an outline for your narrative essay. An outline is a framework that guides your ideas while you write your narrative essay to keep you on track. It can help with smooth transitions between sections when you are stuck and don’t know how to continue the story. It provides you with an anchor to attach and return to, reminding you of why you started in the first place and why the story matters.

• Compile your first draft

A perfect story and outline do not work until you start writing the draft and breathe life into it with your words. Use your newly constructed outline to sketch out distinct sections of your narrative essay while applying numerous linguistic methods at your disposal. Unlike academic essays, narrative essays allow artistic freedom and leeway for originality so don’t stop yourself from expressing your thoughts. However, take care not to overuse linguistic devices, it’s best to maintain a healthy balance to ensure readability and flow.

• Use a first-person point of view

One of the most appealing aspects of narrative essays is that traditional academic writing rules do not apply, and the narration is usually done in the first person. You can use first person pronouns such as I and me while narrating different scenarios. Be wary of overly using these as they can suggest lack of proper diction.

• Use storytelling or creative language

You can employ storytelling tactics and linguistic tools used in fiction or creative writing, such as metaphors, similes, and foreshadowing, to communicate various themes. The use of figurative language, dialogue, and suspense is encouraged in narrative essays.

• Follow a format to stay organized

There’s no fixed format for narrative essays, but following a loose format when writing helps in organizing one’s thoughts. For example, in the introduction part, underline the importance of creating a narrative essay, and then reaffirm it in the concluding paragraph. Organize your story chronologically so that the reader can follow along and make sense of the story.

• Reread, revise, and edit

Proofreading and editing are critical components of creating a narrative essay, but it can be easy to become weighed down by the details at this stage. Taking a break from your manuscript before diving into the editing process is a wise practice. Stepping away for a day or two, or even just a few hours, provides valuable time to enhance the plot and address any grammatical issues that may need correction. This period of distance allows for a fresh perspective, enabling you to approach the editing phase with renewed clarity and a more discerning eye.

One suggestion is to reconsider the goals you set out to cover when you started the topic. Ask yourself these questions:

• Is there a distinct beginning and end to your story?
• Does your essay have a topic, a memory, or a lesson to teach?
• Does the tone of the essay match the intended mood?

Now, while keeping these things in mind, modify and proofread your essay. You can use online grammar checkers and paraphrase tools such as Paperpal to smooth out any rough spots before submitting it for publication or submission.

It is recommended to edit your essay in the order it was written; here are some useful tips:

• Revise the introduction

After crafting your narrative essay, review the introduction to ensure it harmonizes with the developed narrative. Confirm that it adeptly introduces the story and aligns seamlessly with the conclusion.

• Revise the conclusion and polish the essay

The conclusion should be the final element edited to ensure coherence and harmony in the entire narrative. It must reinforce the central theme or lesson outlined initially.

• Revise and refine the entire article

The last step involves refining the article for consistent tone, style, and tense as well as correct language, grammar, punctuation, and clarity. Seeking feedback from a mentor or colleague can offer an invaluable external perspective at this stage.

Narrative essays are true accounts of the writer’s personal experiences, conveyed in figurative language for sensory appeal. Some narrative essay topic examples include writing about an unforgettable experience, reflecting on mistakes, or achieving a goal. An example of a personal narrative essay is as follows:

Title: A Feline Odyssey: An Experience of Fostering Stray Kittens

Introduction:

It was a fine summer evening in the year 2022 when a soft meowing disrupted the tranquility of my terrace. Little did I know that this innocent symphony would lead to a heartwarming journey of compassion and companionship. Soon, there was a mama cat at my doorstep with four little kittens tucked behind her. They were the most unexpected visitors I had ever had.

The kittens, just fluffs of fur with barely open eyes, were a monument to life’s fragility. Their mother, a street-smart feline, had entrusted me with the care of her precious offspring. The responsibility was sudden and unexpected, yet there was an undeniable sense of purpose in the air , filling me with delight and enthusiasm.

As the days unfolded, my terrace transformed into a haven for the feline family. Cardboard boxes became makeshift cat shelters and my once solitary retreat was filled with purrs and soothing meows. The mother cat, Lily, who initially observ ed me from a safe distance, gradually began to trust my presence as I offered food and gentle strokes.

Fostering the kittens was a life-changing , enriching experience that taught me the true joy of giving as I cared for the felines. My problems slowly faded into the background as evenings were spent playing with the kittens. Sleepless nights turned into a symphony of contented purring, a lullaby filled with the warmth of trust and security . Although the kittens were identical, they grew up to have very distinct personalities, with Kuttu being the most curious and Bobo being the most coy . Every dawn ushered in a soothing ritual of nourishing these feline companions, while nights welcomed their playful antics — a daily nocturnal delight.

Conclusion:

As the kittens grew, so did the realization that our paths were destined to part. Finally, the day arrived when the feline family, now confident and self-reliant, bid farewell to my terrace. It was a bittersweet moment, filled with a sense of love and accomplishment and a tinge of sadness.

Fostering Kuttu, Coco, Lulu, and Bobo became one of the most transformative experiences of my life. Their arrival had brought unexpected joy, teaching me about compassion and our species’ ability to make a difference in the world through love and understanding. The terrace, once a quiet retreat, now bore the echoes of a feline symphony that had touched my heart in ways I could have never imagined.

The length of a narrative essay may vary, but it is typically a brief to moderate length piece. Generally, the essay contains an introductory paragraph, two to three body paragraphs (this number can vary), and a conclusion. The entire narrative essay could be as short as five paragraphs or much longer, depending on the assignment’s requirements or the writer’s preference.

You can write a narrative essay when you have a personal experience to share, or a story, or a series of events that you can tell in a creative and engaging way. Narrative essays are often assigned in academic settings as a form of writing that allows students to express themselves and showcase their storytelling skills. However, you can also write a narrative essay for personal reflection, entertainment, or to communicate a message.

A narrative essay usually follows a three-part structure: – Introduction (To set the stage for the story) – Body paragraphs (To describe sequence of events with details, descriptions, and dialogue) – Conclusion (To summarize the story and reflect on the significance)

Paperpal is an AI academic writing assistant that helps authors write better and faster with real-time writing suggestions and in-depth checks for language and grammar correction. Trained on millions of published scholarly articles and 20+ years of STM experience, Paperpal delivers human precision at machine speed.    

Try it for free or upgrade to  Paperpal Prime , which unlocks unlimited access to Paperpal Copilot and premium features like academic translation, paraphrasing, contextual synonyms, consistency checks, submission readiness and more. It’s like always having a professional academic editor by your side! Go beyond limitations and experience the future of academic writing.  Get Paperpal Prime now at just US$19 a month!  

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How to Write a Narrative Essay

Last Updated: April 18, 2024 Fact Checked

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,909,878 times.

Narrative essays are commonly assigned pieces of writing at different stages through school. Like any story, they have a plot, conflict, and characters. Typically, assignments involve telling a story from your own life that connects with class themes. It can be a fun type of assignment to write, if you approach it properly. Learn how to choose a good topic, get a solid rough draft on paper, and revise your narrative essay.

Choosing a Good Topic

• Most of the time, narrative essays will involve no outside research or references. Instead, you'll be using your personal story to provide the evidence of some point that you're trying to make. [3] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source However, in some cases using research may enhance your story because it will allow you to provide additional detail.
• Narrative essays are a common school assignment used to test your creative story-telling skills, as well as your ability to connect some element of your personal life to a topic you might be discussing in class.

• You experienced adversity and had to overcome
• You failed and had to deal with the consequences of that failure
• Your personality or character was transformed

• Bad narrative essays are generally too broad. "My senior year of high school" or "This summer" are examples of stories that would be far too big to tell in the amount of specific detail that a good narrative essay requires. Pick a single event from the summer, or a single week of your senior year, not something that takes months to unfold.
• It's also good to limit the number of characters you introduce. Only include other characters who are absolutely essential. Every single friend from your fifth grade class will be too many names to keep track of. Pick one.

• Let your imagination fill in the gaps. When you're describing your grandmother's house and a specific weekend you remember spending there, it's not important to remember exactly what was cooked for dinner on Friday night, unless that's an important part of the story. What did your grandmother typically cook? What did it usually smell like? Those are the details we need.
• Typically, narrative essays are "non-fiction," which means that you can't just make up a story. It needs to have really happened. Force yourself to stay as true as possible to the straight story.

Writing a Draft

• It helps to limit things as much as possible. While it might seem like we need to know a bunch of specific details from your senior year, try to think of a particularly tumultuous day from that year and tell us that story. Where does that story start? Not the first day of school that year. Find a better starting point.
• If you want to tell the story of your prom night, does it start when you get dressed? Maybe. Does it start when you spill spaghetti sauce all down your dress before the dance? While that might seem like the climax of a story you want to tell, it might make a better starting place. Go straight to the drama.
• You don't need to write up a formal outline for a narrative essay unless it's part of the assignment or it really helps you write. Listing the major scenes that need to be a part of the story will help you get organized and find a good place to start.

• Don't switch perspectives throughout the story. This is a difficult and advanced technique to try to pull off, and it usually has the effect of being too complicated. There should only be one "I" in the story.
• In general, narrative essays (and short stories for that matter) should also be told in past tense. So, you would write "Johnny and I walked to the store every Thursday" not "Johnny and I are walking to the store, like we do every Thursday."
• You may be instructed to write in the 3rd person (such as he, she, it, they, them, their). If so, be consistent with your pronouns throughout the story.

• Particular details are specific and only particular to the character being described. While it may be specific to say that your friend has brown hair, green eyes, is 5 feet (1.5 m) tall with an athletic build, these things don't tell us much about the character. The fact that he only wears silk dragon shirts? Now that gives us something interesting.
• Try writing up a brief sketch of each principal character in your narrative essay, along with the specific details you remember about them. Pick a few essentials.

• Who or what is the antagonist in your story? To answer this question, you also need to find out what the protagonist wants. What is the goal? What's the best case scenario for the protagonist? What stands in the protagonist's way?
• The antagonist isn't "the bad guy" of the story, necessarily, and not every story has a clear antagonist. Also keep in mind that for some good personal narratives, you might be the antagonist yourself.

• Do a freewrite about the location that your story takes place. What do you know about the place? What can you remember? What can you find out?
• If you do any research for your narrative essay, it will probably be here. Try to find out extra details about the setting of your story, or double-check your memory to make sure it's right.

• A popular creative writing phrase tells writers to "show" not to "tell." What this means is that you should give us details whenever possible, rather than telling us facts. You might tell us something like, "My dad was always sad that year," but if you wrote "Dad never spoke when he got home from work. We heard his truck, then heard as he laid his battered hardhat on the kitchen table. Then we heard him sigh deeply and take off his work clothes, which were stained with grease."

Your words should have an impact. "Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head."

Revising Your Essay

• Get the theme into the very beginning of the essay. Just as a researched argument essay needs to have a thesis statement somewhere in the first few paragraphs of the essay, a narrative essay needs a topic statement or a thesis statement to explain the main idea of the story.
• This isn't "ruining the surprise" of the story, this is foreshadowing the important themes and details to notice over the course of the story as you tell it. A good writer doesn't need suspense in a narrative essay. The ending should seem inevitable.

• Scene: "On our walk to the store, Jared and I stopped at the empty grass lot to talk. 'What's your problem lately?' he asked, his eyes welling with tears. I didn't know what to tell him. I fidgeted, kicked an empty paint bucket that was rusted over at the edge of the lot. 'Remember when we used to play baseball here?' I asked him."
• Analysis: "We finished walking to the store and bought all the stuff for the big holiday dinner. We got a turkey, cornbread, cranberries. The works. The store was crazy-packed with happy holiday shoppers, but we walked through them all, not saying a word to each other. It took forever to lug it all home."

• Anything spoken by a character out loud needs to be included in quotation marks and attributed to the character speaking it: "I've never been to Paris," said James.
• Each time a new character speaks, you need to make a new paragraph . If the same character speaks, multiple instances of dialog can exist in the same paragraph.

• Revise for clarity first. Are your main points clear? If not, make them clear by including more details or narration in the writing. Hammer home your points.
• Was the decision you made about the starting place of the story correct? Or, now that you've written, might it be better to start the story later? Ask the tough questions.
• Proofreading is one part of revision, but it's a very minor part and it should be done last. Checking punctuation and spelling is the last thing you should be worried about in your narrative essay.

Sample Essay

Expert Q&A

• Be sensible while writing. It is necessary to stay on the topic rather than moving away from it. Do not lose your focus. Thanks Helpful 0 Not Helpful 0
• Divide your essay into paragraphs, according to your limit: an introduction, two body paragraph and one conclusion. Your introduction can be either a shocker one, or one just describing the setting; the conclusion can reveal a surprise, or end with just a hint of the climax, keeping the final question to be answered by the readers. Thanks Helpful 0 Not Helpful 0
• Write only when you have a perfect story to tell. When a reader finishes reading the story, he\she should feel all those emotions seep right through his\her rib cage. Only then as a narrator, have you succeeded. Thanks Helpful 0 Not Helpful 0

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• ↑ https://examples.yourdictionary.com/narrative-essay-examples.html
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/narrative_essays.html
• ↑ https://www.nytimes.com/2016/10/20/learning/lesson-plans/650-prompts-for-narrative-and-personal-writing.html
• ↑ https://miamioh.edu/hcwe/handouts/narrative-essays/index.html
• ↑ https://www.indeed.com/career-advice/career-development/how-to-write-narrative-essay
• ↑ https://crk.umn.edu/units/writing-center/how-revise-drafts

About This Article

To write a narrative essay, start by choosing an interesting personal story from your life to write about. Try to connect your story to a broader theme or topic so your essay has more substance. Then, write out your story in the past tense using the first person point of view. As you write your story, use vivid details to describe the setting and characters so readers are able to visualize what you're writing. Once you've written your essay, read it several times and make sure you've illustrated your theme or topic. To learn more from our Professor of English co-author, like how to write scenes and analyses, keep reading the article! Did this summary help you? Yes No

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What is a Narrative Essay — Examples, Format & Techniques

I was in the Amazon jungle the first time I wrote a narrative essay, enlightened and enraptured by the influence of ayahuasca. That’s not true. I’ve never been to South America nor have I ever taken ayahuasca. The purpose of that opening is to show how to craft a narrative essay intro — hook, line, and sinker. Narrative essays rely on hooking the reader, and enticing them to read on. But what is a narrative essay? We’re going to break down everything you need to know about these essays — definition, examples, tips and tricks included. By the end, you’ll be ready to craft your own narrative essay for school or for publication.

What’s a Narrative Essay?

First, let’s define narrative essay.

Narrative essays share a lot of similarities with personal essays, but whereas the former can be fictional or non-fictional, the latter are strictly non-fictional. The goal of the narrative essay is to use established storytelling techniques, like theme , conflict , and irony , in a uniquely personal way.

The responsibility of the narrative essayist is to make the reader feel connected to their story, regardless of the topic. This next video explores how writers can use structural elements and techniques to better engage their readers. 

Personal Narrative Essay Examples With Essay Pro

Narrative essays rely on tried and true structure components, including:

• First-person POV
• Personal inspiration
• Focus on a central theme

By keeping these major tenets in mind, you’ll be better prepared to recognize weaknesses and strengths in your own works.

NARRATIVE ESSAY DEFINITION

What is a narrative essay.

A narrative essay is a prose-written story that’s focused on the commentary of a central theme. Narrative essays are generally written in the first-person POV, and are usually about a topic that’s personal to the writer. Everything in these essays should take place in an established timeline, with a clear beginning, middle, and end. 

Famous Narrative Essay Examples

• Ticker to the Fair by David Foster Wallace
• After Life by Joan Didion
• Here is a Lesson in Creative Writing by Kurt Vonnegut

Narrative Writing Explained

How to start a narrative essay.

When you go to sleep at night, what do you think of? Flying squirrels? Lost loved ones? That time you called your teacher ‘mom’? Whatever it is, that’s what you need to write about. There’s a reason those ideas and moments have stuck with you over time. Your job is to figure out why.

Once you realize what makes a moment important to you, it’s your job to make it important to the reader too. In this next video, Academy Award-nominated filmmaker J. Christian Jensen explains the power of the personal narrative. 

Narrative Writing and the Personal Narrative Essay  •  Video by TEDx Talks

Anything and everything can be the topic of your essay. It could be as benign as a walk to school or as grandiose as a trip to the moon — so long as that narrative exists within reality. Give your thoughts and opinions on the matter too — don’t be afraid to say “this is what I think” so long as it’s supported by storytelling techniques. Remember, never limit yourself as a writer, just keep in mind that certain topics will be harder to make engaging than others.

Narrative Essay Outline

How to write a narrative essay.

First step, game plan. You’re going to want to map out the story from beginning to end, then mark major story beats in your document.

Like all stories, your narrative essay needs a clear beginning, middle, and end. Each section should generally conform to a specifically outlined structure. For reference, check out the outline below.

Narrative Essay Format  •  How to Write a Narrative Essay Step by Step

Make sure to reference back to this outline throughout the writing process to make sure you have all your major beats covered.

Purpose of narrative essay writing

Narrative essays give writers the ability to freely express themselves within the structure of a traditional story. Nearly all universities ask applicants to submit a narrative essay with their formal application. This is done for two reasons: they allow institutions to judge the linguistic and grammar capabilities of its applicants, as well as their raw creative side.

If you’re considering studying creative writing in an undergraduate or graduate program, then you’re going to write A LOT of narrative style essays. This process may seem indomitable; How am I supposed to write hundreds of pages about… me? But by the end, you’ll be a better writer and you’ll have a better understanding of yourself.

One thing that all successful essayists have in common is that they make radical, often defiant statements on the world at large. Think Ralph Waldo Emerson, Virginia Woolf, and Langston Hughes for example.

Being a professional essayist isn’t easy, and it’s near-impossible to be one who makes a lot of money. Many essayists work as professors, editors, and curriculum designers as well. 

This next video features the late, award-winning essayist Brian Doyle. He explains all the things you need to hear when thinking about writing a story.

Narrative Essay Examples “Lecture” via Boston University

We can learn a lot from the way Doyle “opens” his stories. My favorite is how he begins with the statement, “I met the Dalai Lama once.” How can we not be interested in learning more? 

This brings us all the way back to the beginning. Start with a hook, rattle off the line, then reel in the sinker. If you entice the reader, develop a personal plot, and finish with a resolute ending, you’ll have a lot of success in essay writing. 

 Up Next

Narrative essay topics.

We've curated a collection of narrative essay topics that will spark your creativity and bring your experiences to life. Dive into the rich tapestry of your memories, explore the unique threads of your life, and let your narrative unfold.

Up Next: Narrative Essay Topics →

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Narrative Essay

Narrative Essay Examples

10+ Interesting Narrative Essay Examples Plus Writing Tips!

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Narrative Essay - A Complete Writing Guide with Examples

Writing a Personal Narrative Essay: Everything You Need to Know

Best Narrative Essay Topics 2024 for Students

Crafting a Winning Narrative Essay Outline: A Step-by-Step Guide

Many students struggle with crafting engaging and impactful narrative essays. They often find it challenging to weave their personal experiences into coherent and compelling stories.

If you’re having a hard time, don't worry! 

We’ve compiled a range of narrative essay examples that will serve as helpful tools for you to get started. These examples will provide a clear path for crafting engaging and powerful narrative essays.

So, keep reading and find our expertly written examples!

• 1. Narrative Essay Definition
• 2. Narrative Essay Examples
• 3. Narrative Essay Examples for Students
• 4. Narrative Essay Topics
• 5. Narrative Essay Writing Tips

Narrative Essay Definition

Writing a narrative essay is a unique form of storytelling that revolves around personal experiences, aiming to immerse the reader in the author's world. It's a piece of writing that delves into the depths of thoughts and feelings. 

In a narrative essay, life experiences take center stage, serving as the main substance of the story. It's a powerful tool for writers to convey a personal journey, turning experiences into a captivating tale. This form of storytelling is an artful display of emotions intended to engage readers, leaving the reader feeling like they are a part of the story.

By focusing on a specific theme, event, emotions, and reflections, a narrative essay weaves a storyline that leads the reader through the author's experiences. 

The Essentials of Narrative Essays

Let's start with the basics. The four types of essays are argumentative essays , descriptive essays , expository essays , and narrative essays.

The goal of a narrative essay is to tell a compelling tale from one person's perspective. A narrative essay uses all components you’d find in a typical story, such as a beginning, middle, and conclusion, as well as plot, characters, setting, and climax.

The narrative essay's goal is the plot, which should be detailed enough to reach a climax. Here's how it works:

• It's usually presented in chronological order.
• It has a function. This is typically evident in the thesis statement's opening paragraph.
• It may include speech.
• It's told with sensory details and vivid language, drawing the reader in. All of these elements are connected to the writer's major argument in some way.

Before writing your essay, make sure you go through a sufficient number of narrative essay examples. These examples will help you in knowing the dos and don’ts of a good narrative essay.

It is always a better option to have some sense of direction before you start anything. Below, you can find important details and a bunch of narrative essay examples. These examples will also help you build your content according to the format. 

Here is a how to start a narrative essay example:

Sample Narrative Essay

The examples inform the readers about the writing style and structure of the narration. The essay below will help you understand how to create a story and build this type of essay in no time.

Here is another narrative essay examples 500 words:

Narrative Essay Examples for Students

Narrative essays offer students a platform to express their experiences and creativity. These examples show how to effectively structure and present personal stories for education.

Here are some helpful narrative essay examples:

Narrative Essay Examples Middle School

Narrative Essay Examples for Grade 7

Narrative Essay Examples for Grade 8

Grade 11 Narrative Essay Examples

Narrative Essay Example For High School

Narrative Essay Example For College

Personal Narrative Essay Example

Descriptive Narrative Essay Example

3rd Person Narrative Essay Example

Narrative Essay Topics

Here are some narrative essay topics to help you get started with your narrative essay writing.

• When I got my first bunny
• When I moved to Canada
• I haven’t experienced this freezing temperature ever before
• The moment I won the basketball finale
• A memorable day at the museum
• How I talk to my parrot
• The day I saw the death
• When I finally rebelled against my professor

Need more topics? Check out these extensive narrative essay topics to get creative ideas!

Narrative Essay Writing Tips

Narrative essays give you the freedom to be creative, but it can be tough to make yours special. Use these tips to make your story interesting:

• Share your story from a personal viewpoint, engaging the reader with your experiences.
• Use vivid descriptions to paint a clear picture of the setting, characters, and emotions involved.
• Organize events in chronological order for a smooth and understandable narrative.
• Bring characters to life through their actions, dialogue, and personalities.
• Employ dialogue sparingly to add realism and progression to the narrative.
• Engage readers by evoking emotions through your storytelling.
• End with reflection or a lesson learned from the experience, providing insight.

Now you have essay examples and tips to help you get started, you have a solid starting point for crafting compelling narrative essays.

However, if storytelling isn't your forte, you can always turn to our essay service for help.

Our writers are specialists who can tackle any type of essay with great skill. With their experience, you get a top-quality, 100% plagiarism-free essay everytime.

So, let our narrative essay writing service make sure your narrative essay stands out. Order now!

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Narrative Essay

Definition of narrative essay, difference between a narrative essay and a short story, elements of a narrative essay, how to choose a topic for narrative essay, mla and apa formats in narrative essay, reflective narrative essay, examples of narrative essays in literature, example #1:  new directions (by maya angelou).

“Annie, over six feet tall, big-boned, decided that she would not go to work as a domestic and leave her “precious babes” to anyone else’s care. There was no possibility of being hired at the town’s cotton gin or lumber mill, but maybe there was a way to make the two factories work for her. In her words, “I looked up the road I was going and back the way I come, and since I wasn’t satisfied, I decided to step off the road and cut me a new path.” She told herself that she wasn’t a fancy cook but that she could “mix groceries well enough to scare hungry away and keep from starving a man.”

Example #2: Saturday Evening Post (by Russell Baker)

“When I burst in that afternoon she was in conference with an executive of the Curtis Publishing Company. She introduced me. He bent low from the waist and shook my hand. Was it true as my mother had told him, he asked, that I longed for the opportunity to conquer the world of business? My Mother replied that I was blessed with a rare determination to make something of myself. ‘That’s right,’ I whispered. ‘But have you got the grit, the character, the never-say-quit spirit it takes to succeed in business?’ My Mother said I certainly did.”

Example #3: Only Daughter (by Sandra Cisneros)

“Once several years ago, when I was just starting out my writing career, I was asked to write my own contributor’s note for an anthology I was part of, I wrote: ‘ I am the only daughter in a family of six sons. That explains everything.’ “Well, I’ve thought about that ever since, and yes, it explains a lot to me, but for the reader’s sake I should have written: ‘I am the only daughter in a Mexican family of six sons.’ Or even: ‘I am the only daughter of a Mexican father and a Mexican-American mother.’ Or: ‘I am the only daughter of a working-class family of nine.’ All of these had everything to do with who I am today.”

Function of Narrative Essay

Synonyms of narrative essay, related posts:, post navigation.

What Is A Narrative Essay? Narrative Essay Examples And Writing Tips

If you are going to be writing a narrative essay, it is vitally important that you are aware of how to do it correctly. The narrative essay does take some skill to write, but this doesn’t mean that it cannot be done by anyone of us. All it takes is to follow some simple steps and you will be able to create an engaging and interesting narrative essay.

In this article, we are going to be looking at how to write a narrative essay to the best of your ability as well as some ideas for topics on which you could write. We will then be looking at some excerpts from narrative essays to give you a better idea of how they are written.

What Is A Narrative Essay?

A narrative essay is written in the form of a story and clearly gives a point of view on the subject-most often that of the author. The idea of this type of essay is to engage the reader in a sensory and emotional way which will allow them to connect with that is being written about.

A narrative essay will use characters, plots and themes and may even include a dialogue. Each aspect of the narrative essay will revolve around the main point of essay-it’s topic.

How To Write A Narrative Essay

Now that we fully understand what a narrative essay is and what it is used for, we are going to look at some useful tips for creating an amazing narrative essay of your own.

• The most important point to consider before writing your narrative essay is the topic. What will it be about and how can you include some truth in the story? It needs to be something that the reader can connect with and that will matter to them. Sharing personal experience is one of the best ways to write a narrative essay.
• In order to create a great narrative essay, it is vital that you plan it out in great detail. The best way to do this is to write a detailed essay outline which will allow you to plan your essay and structure it.
• You should also consider the various elements of the story such as the characters, the plot, the motif and theme.
• Think about the point of view that you want to put across within the essay and what you want the reader to take away from it.
• When planning your essay it is important to make sure that you only include details that are going to provide relevance to the story. By adding in too many words and phrases that don’t contribute, you may end up confusing the audience.
• Whilst writing something like a novel is a great excuse to show off your knowledge of the English language, a narrative essay is not the place to do this. You should use language that is clear and concise and can be easily understood by anyone who is reading.
• A narrative essay is structured in a chronological manner, meaning that events are ordered in the time that they occurred, this is important to keep in mind when structuring your essay.
• Make sure that the key points are highlighted and easily accessible to the reader. If you are writing a narrative essay to show how taking up running benefited your health, you should make this information clear in the essay.
• A narrative essay does not need to be overly lengthy. If you are being instructed to write a set amount of words, then this should be adhered to but otherwise, you should keep it as short as possible so that the main point of the writing is not lost. That being said, it is also important to make it long enough to include everything that you need to include.

Narrative Essay Topics

If you have been given free reign over the topic for your narrative essay, there are many things you might consider writing about. We are now going to look at a variety of topics which you might write on for this type of essay.

• A teacher who inspired you
• An experience of a natural disaster
• An invention you made
• The loss or gain of faith
• An experience with danger
• Conflict with a loved one
• Your first trip to a place
• An experience which changed your behaviour
• A misunderstanding with a comical result
• When you helped someone in a crisis
• An experience that changed your viewpoint on another person
• Something that happened on a vacation
• Secret places of your childhood
• How you realised that your parents were right
• How you overcame a fear
• How you overcame prejudice
• How you decided on your career
• An experience involving music
• A pet who inspired you
• An embarrassing experience
• How you became a role model
• How you met your closest friend
• Getting lost
• Uncovering a lie

Narrative Essay Examples

We are now going to look at some passages taken from successful narrative essays as a way to help you further understand how they are written.

Only Daughter Written By Sandra Cisneros

Once, some years ago, just as I was beginning my writing career, someone asked me to write my very own contributors note for this anthology that I was a part of. For this, I wrote ‘I’m an only daughter within a family that has 6 sons. That says it all.’

I have thought about it ever since, yes, it does explain lots to me but for the sake of the reader, I ought to have wrote ‘I’m an only daughter within a Mexican family with 6 sons.’ or perhaps ‘I’m an only daughter from a Mexican dad and a Mexican-American mom’ or ‘I’m an only daughter from a working class family of 9.’ Each of these has a lot to do with the person that I am today.

New Directions Written By Maya Angelou

Annie was more than 6 feet tall, had big bones and had decided she wouldn’t work as a domestic meaning she’d have to leave her ‘precious babies’ in the care of anyone else. There wasn’t any possibility of her being taken on in the cotton gin or the lumber mill, but there was maybe a way to get the 2 factories to work for her. In her own words ‘I looked along the road on which I was going, and back again the way I had come, but as I was not satisfied, I made the decision to step off of the road and start a new path.’ She had told herself she was not a fancy cook, yet she could mix the groceries enough to stop hunger.

The narrative essay is used to tell a story from a certain point of view and is one of the most common types of essay. By using the tips in this article, you will be much more easily able to write a narrative essay with confidence.

Narrative Essay Infographic

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Narrative Essay Topics: TOP 200 Choices for Students

Imagine yourself facing a blank page, ready to fill it with your memories and imagination. What story will you tell today?

As students, you often have to write narratives that capture people's attention. But with so many stories to choose from, where do you start? How do you find the perfect topic that will grab our readers' interest and make them think?

Join our essay service experts as we explore 200 topics for college where stories are waiting to be told, and experiences are ready to be shared. From everyday events to unforgettable moments, each topic is a chance to connect with your readers and make them feel something.

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Ideas for Narrative Essay Topics

After exploring how students write narrative paragraphs, we've put together a list of narrative essay topics designed specifically for college and school students. This list covers a wide range of subjects, so pick one that speaks to you!

Literacy Narrative Essay Topics for College Students

How about delving into captivating literacy narrative essay topics designed specifically for college-level writing? Exciting, isn't it?

• How did a childhood book shape your view of the world?
• What challenges did you face when learning to read in a second language?
• How has storytelling within your family influenced your literacy journey?
• Can you recall a pivotal moment that ignited your love for reading?
• How did a specific teacher inspire your passion for literature?
• Have you ever encountered a character in a book who profoundly impacted your perspective on life?
• What role did writing play in helping you navigate a difficult period in your life?
• How has your relationship with technology affected your reading habits?
• What cultural or historical event sparked your interest in a particular genre of literature?
• How has poetry shaped your understanding of language and emotion?
• Have you ever experienced a breakthrough moment in your writing process?
• How has reading aloud impacted your comprehension and enjoyment of literature?
• Can you recall a time when a book challenged your beliefs or worldview?
• How has participating in a book club enriched your reading experience?
• What strategies have you developed to overcome reading difficulties or distractions?

Personal Narrative Essay Topics on Relationships

Take a moment to reflect on your past experiences and craft compelling personal narratives with these essay ideas.

• How did a specific friendship shape who you are today?
• Can you recount a moment that strengthened your bond with a family member?
• What challenges have you faced in maintaining a long-distance relationship?
• How has a mentor influenced your personal and professional development?
• Have you experienced a betrayal in a relationship? How did it impact you?
• Can you describe a memorable conflict resolution process within a relationship?
• How has your relationship with a pet affected your emotional well-being?
• What lessons have you learned from navigating a romantic relationship?
• How has your relationship with a sibling evolved over time?
• Can you recall a time when you had to set boundaries in a friendship?
• How has volunteering or community involvement enriched your relationships?
• What cultural differences have influenced your relationships with others?
• Can you share a moment when you felt truly understood by someone?
• How has technology affected the dynamics of your relationships?
• Have you ever experienced a reconciliation that transformed a strained relationship?

Best Narrative Essay Topics on Education and Learning

Consider the beauty of sharing your personal experiences and emotions in a captivating manner through these ideas for personal narrative essays.

• What was the most valuable lesson you learned outside of the classroom?
• Can you recount a moment when a teacher's unconventional method transformed your understanding of a subject?
• How has a field trip or experiential learning opportunity impacted your education?
• What challenges have you faced in balancing extracurricular activities with academics?
• Have you ever had a "Eureka!" moment while studying? Describe it.
• How has learning a new skill outside of school influenced your academic performance?
• Can you recall a time when a peer's perspective challenged your own understanding of a topic?
• How has technology enhanced or hindered your learning experience?
• What role does creativity play in your approach to learning?
• Have you ever experienced a setback that ultimately propelled you forward academically?
• How has your cultural background influenced your learning style?
• Can you describe a time when you had to advocate for yourself within an educational setting?
• How has mentorship shaped your educational journey?
• What strategies have you employed to overcome academic challenges or obstacles?
• Can you reflect on a time when failure taught you a valuable lesson about learning?

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Personal Narrative Essay Ideas on Reflection on Life

Why not ignite your creativity with a range of narrative essay topics, from extraordinary moments to everyday experiences?

• How has a moment of failure ultimately led to personal growth and resilience?
• Can you recount a pivotal decision that significantly altered the course of your life?
• What lessons have you learned from navigating a crossroads or major life transition?
• How has your perspective on success evolved over time?
• Can you reflect on a time when you had to confront and overcome a deeply held fear?
• What role has gratitude played in shaping your outlook on life?
• How have your values and beliefs been influenced by significant life experiences?
• Can you describe a moment when you found clarity and purpose amidst chaos or uncertainty?
• What impact has traveling to a new place had on your understanding of the world and yourself?
• How has adversity strengthened your character and determination?
• Can you recall a time when a random act of kindness profoundly impacted your life?
• What lessons have you learned from embracing vulnerability and authenticity in relationships?
• How has practicing mindfulness or self-reflection enhanced your well-being and happiness?
• Can you reflect on a period of personal transformation or self-discovery?
• How have you found meaning and fulfillment in pursuing your passions and interests?

Ideas for a Narrative Essay on Culture and Society

Engaging your readers with narrative essays on culture and society is a great way to spark interest, offering captivating ideas for exploration.

• How has your family's unique culinary heritage influenced your cultural identity?
• Can you reflect on a specific cultural artifact or heirloom that holds deep significance for your family?
• What challenges have you faced in preserving traditional customs while adapting to modern societal expectations?
• How has a local festival or celebration revealed the intricacies of your community's cultural tapestry?
• Can you recount a moment when you navigated a cultural clash between your upbringing and the dominant culture?
• How has your experience as a first-generation immigrant shaped your understanding of cultural assimilation?
• What lessons have you learned from participating in intercultural exchange programs or initiatives?
• Can you describe a unique cultural practice or tradition within your community that outsiders might find intriguing or misunderstood?
• How has the revitalization of indigenous languages contributed to the preservation of cultural heritage in your region?
• Can you reflect on a personal journey of reconnecting with your cultural roots after a period of assimilation or disconnection?
• What role does storytelling play in passing down cultural wisdom and values within your family or community?
• How has the portrayal of your culture in mainstream media affected your sense of belonging and self-perception?
• Can you recount a moment when you challenged cultural stereotypes through creative expression or advocacy?
• How has the migration of a specific cultural group enriched the social fabric and economic landscape of your community?
• What initiatives or grassroots movements are currently underway to promote cross-cultural understanding and cooperation in your society?

Since you're working on essays, we think it's suitable to suggest you learn more about the case study format , which is another common college assignment.

Narrative Writing Topics on Hobbies and Interests

Wow your readers by turning your passions and hobbies into compelling narrative essay topics that will get them thinking.

• How has your passion for urban gardening transformed neglected spaces in your community?
• Can you recount a thrilling adventure from your hobby of urban exploration?
• What lessons have you learned from restoring vintage motorcycles in your spare time?
• How has your fascination with birdwatching deepened your connection to nature and conservation efforts?
• Can you describe a memorable moment from your hobby of foraging wild edibles in the wilderness?
• What unique skills have you developed through your hobby of beekeeping, and how have they impacted your daily life?
• How has your interest in historical reenactment brought the past to life in unexpected ways?
• Can you reflect on a transformative experience from your hobby of landscape photography?
• What insights have you gained from practicing the art of bonsai cultivation and nurturing miniature ecosystems?
• How has your passion for stargazing inspired awe and wonder in the vastness of the universe?
• Can you recount a challenging project from your hobby of woodworking and the satisfaction it brought upon completion?
• What cultural connections have you discovered through your hobby of traditional folk dancing?
• How has your interest in sustainable fashion influenced your consumer habits and environmental awareness?
• Can you describe a moment of serenity and mindfulness experienced while practicing the art of tea ceremony?
• How has your hobby of letterpress printing preserved the tactile beauty of handmade craftsmanship in a digital age?

Narrative Essay Titles on Life-Changing Moments

Life is full of unexpected twists that can lead to life-changing moments. Take a look at these narrative essay titles for stories that have had a lasting impact on your life.

• How did surviving a natural disaster reshape your perspective on life?
• Can you recall a single conversation that drastically altered the course of your life?
• What was the pivotal moment that inspired you to pursue your dreams against all odds?
• How did a chance encounter lead to a life-changing friendship or partnership?
• Can you reflect on the decision that transformed your career trajectory?
• What profound lesson did you learn from facing a life-threatening illness or injury?
• How did traveling to a new country open your eyes to new possibilities and opportunities?
• Can you recount the moment when you discovered your true passion or calling in life?
• What was the turning point that allowed you to break free from a toxic relationship or environment?
• How did experiencing failure or rejection ultimately lead to personal growth and resilience?
• Can you describe the moment when you found the strength to overcome a deep-seated fear or insecurity?
• What life-changing realization did you have while experiencing a period of solitude or introspection?
• How did a profound act of kindness from a stranger restore your faith in humanity?
• Can you reflect on the moment when you forgave someone who had deeply hurt you, and how it changed your perspective on forgiveness?
• What pivotal decision did you make that allowed you to reclaim control over your own happiness and destiny?

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Good Narrative Topics on Travel and Adventure

Consider creating intriguing titles for your narrative essay ideas by exploring thrilling travel adventures.

• Can you recount a memorable encounter with wildlife during your solo hiking adventure?
• How did a spontaneous decision to explore an unfamiliar city lead to unexpected discoveries?
• What lessons did you learn from navigating a foreign country with only a map and your instincts?
• Can you describe the exhilaration of conquering a challenging mountain peak for the first time?
• How did immersing yourself in a local culture during your travels broaden your perspective on the world?
• What unexpected obstacles did you encounter while embarking on a backpacking journey through rugged terrain?
• Can you reflect on the transformative experience of volunteering abroad in a community-driven project?
• How did getting lost in a labyrinthine city alleyway lead to serendipitous encounters and newfound friendships?
• What was the most memorable meal you had while sampling street food in a bustling market abroad?
• Can you recount the adrenaline rush of participating in an extreme sports activity in a foreign land?
• How did witnessing a breathtaking natural phenomenon during your travels leave a lasting impression on you?
• What cultural traditions or rituals did you participate in during a homestay experience with a local family?
• Can you describe the sense of wonder and awe you felt while exploring ancient ruins or historical sites?
• How did navigating a language barrier challenge and ultimately enrich your travel experience?
• What valuable life lessons did you learn from the mishaps and misadventures encountered during your journey off the beaten path?

Narrative Essay Topic Ideas on Career and Work Experience

College students can uncover captivating narrative essay ideas by exploring potential career paths or reminiscing about past job experiences.

• How did a challenging project at work showcase your problem-solving skills and resilience?
• Can you reflect on a pivotal mentorship experience that guided your career trajectory?
• What valuable lessons did you learn from a career setback or failure, and how did it shape your future success?
• How did a workplace conflict lead to personal growth and improved communication skills?
• Can you recount a moment when taking a professional risk paid off in unexpected ways?
• What insights did you gain from transitioning to a new industry or career path?
• How did participating in a cross-functional team project enhance your collaboration and leadership abilities?
• Can you describe the satisfaction of achieving a long-term career goal after years of hard work and perseverance?
• What impact did a meaningful recognition or award have on your motivation and sense of accomplishment?
• How did volunteering or pro bono work contribute to your professional development and sense of purpose?
• Can you reflect on the decision to leave a stable job in pursuit of passion or fulfillment?
• What strategies did you employ to navigate a toxic work environment and maintain your well-being?
• How did a career setback lead to unexpected opportunities for personal and professional growth?
• Can you describe a moment when mentorship or sponsorship played a crucial role in advancing your career?
• What lessons did you learn from a challenging client or customer interaction, and how did it shape your approach to customer service and relationship-building?

Interesting Narrative Essay Topics about Challenges and Obstacles

If you're not sure what to write about for your narrative essay, think back to the tough times you've had and how you managed to get through them.

• How did you conquer a once-paralyzing fear to chase your dreams?
• What new strengths did you discover while adapting to a physical challenge?
• Can you recall a creative solution you used during a tough financial period?
• When did you bravely stand against injustice, despite opposition?
• How did overcoming a language barrier broaden your horizons?
• What key lessons did you learn from a major setback in your life?
• How did you manage overwhelming stress and responsibilities?
• What inner reserves of resilience did you draw upon after personal loss?
• Describe a time when you defied societal norms to pursue your goals.
• Reflect on a moment when failure fueled your determination for success.
• When did you find the courage to leave your comfort zone behind?
• How did community support bolster you through a challenging time?
• Share a time when self-doubt led to newfound confidence.
• Can you recount a tragedy that spurred your personal growth?
• What insights did overcoming a monumental obstacle reveal about life?

Best Narrative Essay Topics: How to Choose the One That Resonates 

A narrative essay is a type of writing that tells a personal story, including characters, plot, setting, and the order of events. Its main goal is to connect with readers emotionally and share a specific message or insight through the retelling of a meaningful experience.

Students write narrative essays as part of their studies for several reasons. Firstly, it allows them to express themselves creatively by sharing their unique experiences, thoughts, and feelings. Secondly, it helps them develop important writing skills like organizing ideas and thoughts effectively.

Choosing good narrative essay ideas involves looking at personal experiences, interests, and the potential for engaging storytelling. Here's a simple guide to help you pick the right topic:

• Think about significant moments in your life that had a lasting impact, such as personal growth or overcoming challenges.
• Choose topics related to your hobbies, interests, or areas of expertise to make your story more engaging.
• Consider what your audience would be interested in and choose topics that resonate with them.
• Focus on a specific event or detail to make your narrative more focused and impactful.
• Look for universal themes like love or personal transformation that connect with readers on a deeper level.
• Brainstorm ideas and write freely to uncover compelling topics.
• Decide on storytelling techniques like flashbacks or foreshadowing and choose a topic that fits.
• Get feedback from friends, peers, or instructors to see if your topics are interesting and impactful.
• Choose topics that evoke strong emotions for a more compelling narrative.
• Select a topic that you personally connect with to make your story authentic.

Once you've chosen a topic, brainstorm ideas and create an outline for your essay. Follow your professor's instructions carefully and consider seeking help from our narrative essay writing service if needed.

Bring your stories to life with EssayPro. Select from a vast array of narrative essay topics and let our professionals help you weave your tales into captivating essays. Whether it's adventure, reflection, or imagination, we're here to assist.

Final Remarks

As we wrap up, our list of 200 narrative essay topics is here to fuel your creativity for your next writing project! Whether you're sharing a memorable event, reliving a childhood memory, or expressing a profound insight, crafting a narrative essay can be an uplifting experience that resonates deeply with readers.

And if you're gearing up for college admissions, why not check out our admission essay writing service ? We've already assisted countless students in securing their spots at their dream colleges, and we'd love to help you, too!

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Daniel Parker

is a seasoned educational writer focusing on scholarship guidance, research papers, and various forms of academic essays including reflective and narrative essays. His expertise also extends to detailed case studies. A scholar with a background in English Literature and Education, Daniel’s work on EssayPro blog aims to support students in achieving academic excellence and securing scholarships. His hobbies include reading classic literature and participating in academic forums.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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• Future Perfect

There’s a fix for AI-generated essays. Why aren’t we using it?

ChatGPT didn’t write this and I can prove it.

by Kelsey Piper

It’s the start of the school year, and thus the start of a fresh round of discourse on generative AI’s new role in schools. In the space of about three years, essays have gone from a mainstay of classroom education everywhere to a much less useful tool, for one reason: ChatGPT. Estimates of how many students use ChatGPT for essays vary , but it’s commonplace enough to force teachers to adapt .

While generative AI has many limitations, student essays fall into the category of services that they’re very good at: There are lots of examples of essays on the assigned topics in their training data, there’s demand for an enormous volume of such essays, and the standards for prose quality and original research in student essays are not all that high.

This story was first featured in the Future Perfect newsletter .

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Right now, cheating on essays via the use of AI tools is hard to catch. A number of tools advertise they can verify that text is AI-generated, but they’re not very reliable . Since falsely accusing students of plagiarism is a big deal, these tools would have to be extremely accurate to work at all — and they simply aren’t.

AI fingerprinting with technology

But there is a technical solution here. Back in 2022, a team at OpenAI, led by quantum computing researcher Scott Aaronson , developed a “watermarking” solution that makes AI text virtually unmistakable — even if the end user changes a few words here and there or rearranges text. The solution is a bit technically complicated, but bear with me, because it’s also very interesting.

At its core, the way that AI text generation works is that the AI “guesses” a bunch of possible next tokens given what appears in a text so far. In order not to be overly predictable and produce the same repetitive output constantly, AI models don’t just guess the most probable token — instead, they include an element of randomization, favoring “more likely” completions but sometimes selecting a less likely one.

The watermarking works at this stage. Instead of having the AI generate the next token according to random selection, it has the AI use a nonrandom process: favoring next tokens that get a high score in an internal “scoring” function OpenAI invented. It might, for example, favor words with the letter V just slightly, so that text generated with this scoring rule will have 20 percent more Vs than normal human text (though the actual scoring functions are more complicated than this). Readers wouldn’t normally notice this — in fact, I edited this newsletter to increase the number of Vs in it, and I doubt this variation in my normal writing stood out.

Similarly, the watermarked text will not, at a glance, be different from normal AI output. But it would be straightforward for OpenAI, which knows the secret scoring rule, to evaluate whether a given body of text gets a much higher score on that hidden scoring rule than human-generated text ever would. If, for example, the scoring rule were my above example about the letter V, you could run this newsletter through a verification program and see that it has about 90 Vs in 1,200 words, more than you’d expect based on how often V is used in English. It’s a clever, technically sophisticated solution to a hard problem, and OpenAI has had a working prototype for two years .

So if we wanted to solve the problem of AI text masquerading as human-written text, it’s very much solvable. But OpenAI hasn’t released their watermarking system, nor has anyone else in the industry. Why not?

It’s all about competition

If OpenAI — and only OpenAI — released a watermarking system for ChatGPT, making it easy to tell when generative AI had produced a text, this wouldn’t affect student essay plagiarism in the slightest. Word would get out fast, and everyone would just switch over to one of the many AI options available today: Meta’s Llama, Anthropic’s Claude, Google’s Gemini. Plagiarism would continue unabated, and OpenAI would lose a lot of its user base. So it’s not shocking that they would keep their watermarking system under wraps.

In a situation like this, it might seem appropriate for regulators to step in. If every generative AI system is required to have watermarking, then it’s not a competitive disadvantage. This is the logic behind a bill introduced this year in the California state Assembly, known as the California Digital Content Provenance Standards , which would require generative AI providers to make their AI-generated content detectable, along with requiring providers to label generative AI and remove deceptive content. OpenAI is in favor of the bill — not surprisingly, as they’re the only generative AI provider known to have a system that does this. Their rivals are mostly opposed.

I’m broadly in favor of some kind of watermarking requirements for generative AI content. AI can be incredibly useful , but its productive uses don’t require it to pretend to be human-created. And while I don’t think it’s the place of government to ban newspapers from replacing us journalists with AI, I certainly don’t want outlets to misinform readers about whether the content they’re reading was created by real humans .

Though I’d like some kind of watermarking obligation, I am not sure it’s possible to implement. The best of the “open” AI models that have been released (like the latest Llama), models that you can run yourself on your own computer, are very high quality — certainly good enough for student essays. They’re already out there, and there’s no way to go back and add watermarking to them because anyone can run the current versions, whatever updates are applied in future versions. (This is among the many ways I have complicated feelings about open models. They enable an enormous amount of creativity, research, and discovery — and they also make it impossible to do all kinds of common-sense anti-impersonation or anti-child sexual abuse material measures that we otherwise might really like to have.)

So even though watermarking is possible, I don’t think we can count on it, which means we’ll have to figure out how to address the ubiquity of easy, AI-generated content as a society. Teachers are already switching to in-class essay requirements and other approaches to cut down on student cheating. We’re likely to see a switch away from college admissions essays as well — and, honestly, it’ll be good riddance, as those were probably never a good way to select students .

But while I won’t mourn much over the college admissions essay, and while I think teachers are very much capable of finding better ways to assess students, I do notice some troubling trends in the whole saga. There was a simple way to let us harness the benefits of AI without obvious downsides like impersonation and plagiarism, yet AI development happened so fast that society more or less just let the opportunity pass us by. Individual labs could do it, but they won’t because it’d put them at a competitive disadvantage — and there isn’t likely to be a good way to make everyone do it.

In the school plagiarism debate, the stakes are low. But the same dynamic reflected in the AI watermarking debate — where commercial incentives stop companies from self-regulating and the pace of change stops external regulators from stepping in until it’s too late — seems likely to remain as the stakes get higher.

• Artificial Intelligence

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For those who hear voices, the ‘broken brain’ explanation is harmful. Psychiatry must embrace new meaning-making frameworks

by Justin Garson   + BIO

In November 2020, the voices came. Luca didn’t know how many there were or how they managed to force themselves into his mind.

‘He’s only 20.’

‘We owe you money.’

‘[Pretending to be police] Another mind rape!’

‘You’re in hell.’

‘It’s a safe world.’

‘My little boy…’

Luca was 20. He was a musician living in London. He had taken some college courses but had to drop out to move out of his mother’s home. And now he appeared to be the target of a malicious experiment.

Over the months, he learned to distinguish the voices. There was a whole group of them, which he called ‘The Team’. The Team knew everything about him. They knew the names of his friends and family members. They knew about his musical aspirations. Sometimes they could be extremely cruel. They joked about the years of abuse he suffered under his mother – whom they named ‘Innocent’. They pretended to be his father, whom he scarcely knew. Yet they could show compassion. They celebrated his music. They promised to reveal their technologies to him. They said they would make him famous.

Eventually, the police brought Luca to a hospital against his will. A psychiatrist asked how long he had heard voices. Luca protested that he did not hear voices ; he heard people . His doctors told him he was having hallucinations and delusions. They said these were symptoms of a disorder they could treat, or at least manage, with drugs.

Luca agreed to take the drugs, not because he thought he was mad, but because he hoped they would disrupt the signal between his brain and The Team. But the drugs made things worse. They made The Team angry – so they tortured him more. He thought constantly about suicide. Sometimes the voices were so overwhelming he had to lie down wherever he was. One day he found himself on the floor of a grocery store. He typed ‘mind rape’ into his phone. That’s when he discovered the targeted individual community.

B efore about 2000, people with experiences like Luca’s had few options. They could turn to a psychiatrist, or spiral further into isolation, fear and paranoia. But the advent of the personal computer and the availability of the internet changed that. People like Luca were now communicating with each other, finding parallels between their experiences, and trying to track down who was doing this to them.

Hence was born the targeted individual (TI) community: a group of people who openly shared their experiences of high-tech harassment and organised stalking.

Among the first to come forth was a Canadian engineer, Eleanor White, who created a website called Multistalkervictims. A US Navy veteran, Derrick Robinson, started a non-profit, People Against Covert Torture and Surveillance, International (PACTS). A former analyst for the US National Security Agency, Karen Stewart, went public with her experiences of organised stalking.

Some TIs have sought refuge abroad. Many have the belief they’ve been microchipped

By the 2010s, a flood of people were sharing similar experiences. An Oxford-trained physicist, Katherine Horton, started a website on counter-technology called Stop007. A life coach in California, Cathy Meadows, wrote the book Hey Mom, I’m a Targeted Individual (2018) offering psychological support to TIs and their families. A physician from San Antonio in Texas, John Hall, speculated about the underlying technology in his book Guinea Pigs (2014). An ordained minister, the Rev Dr Millicent Black, started the online church Refuge from the Storm for other TIs, which sees the fulfilment of biblical prophecy in the harassment of TIs. Today the TI community is a loosely organised global network with regional and local support groups. In 2016, The New York Times estimated there were at least 10,000 people who identify as TIs.

TIs have a diverse range of experiences. Some involve electronic harassment. Voices projected into the mind. Crackling or popping sounds in the ears. Burning or pricking sensations on the skin. Migraines. Sleeplessness. Others centre around gang-stalking. Being followed in the streets. Several people wearing the same-coloured shirt, or driving the same-coloured car, as a coded threat. Strangers in public commenting on the TI’s private life. People breaking into their homes and damaging things. Some TIs have sought refuge abroad. Many have the belief they’ve been microchipped. Some implore surgeons to remove the implanted devices.

Researchers have collated a range of theories about why TIs believe these evils are happening to them. Some think it’s payback from an ex-spouse, or retaliation for being a whistleblower at work. Others think they were just unlucky to be chosen for the experiment. Many share the belief that their tormenters want others to ‘think they’re crazy’ to discredit them. Cathy Meadows urges TIs not to share their experiences too openly as ‘it serves [the stalkers’] ultimate purpose of making the target look crazy’. Instead, she offers TIs practical advice: find love, look great, don’t act paranoid.

Shortly after that moment on the floor of a grocery store, Luca met with more experienced TIs. An older man gave Luca two pieces of advice: keep going, and don’t kill yourself.

J ournalists often depict the TI community as a postmodern tragedy – a byproduct of unregulated social media. Here are thousands of very sick people, we’re told, who are just reinforcing each other’s delusions and making each other sicker because they refuse to see psychiatrists. These reports dismiss TIs as promoting one more dangerous conspiracy theory (though I doubt that TIs will ever become a major driver of conspiracy theories, partly because they have unusual experiences that run-of-the-mill conspiracy theorists lack).

However, as I talked with TIs and some of the mental health professionals who have taken a sympathetic interest in them, I began to see a different story emerge. What if the TI community is an inevitable reaction to the shortcomings of medical psychiatry itself?

Put differently, what if medical psychiatry is inadvertently pushing people like Luca deeper into the TI community?

The TI narrative validates their basic ability to perceive the world and reason about it

I began to see TIs like Luca as a group of individuals who are caught between two competing narratives. By all accounts, these are people who are hearing terrifying voices, experiencing painful sensations or seeing themselves as being stalked. Over the years, the main narrative that has emerged to explain their experiences belongs to medical psychiatry. It holds that these voices and beliefs – or ‘hallucinations’ and ‘delusions’ – are symptoms of a disorder such as schizophrenia, delusional disorder or schizoaffective disorder. These disorders likely stem from brain dysfunctions or defective genes. In the best of cases, these symptoms can be managed with drugs, or some combination of drugs and therapy. Though the medical narrative helps some, research is showing just how stigmatising and disempowering it is for others. Some get the message that their brain is broken and that they can never trust their thoughts and perceptions. Many, like Luca, are put on antipsychotic drugs with debilitating side-effects.

The second narrative – the TI narrative – is that if you’re having these sorts of experiences, nothing is wrong with your mind . Your perceptual and reasoning abilities are functioning exactly the way they’re designed to. Unfortunately, you are the victim of gang-stalking or electronic harassment. Despite your suffering, however, there is hope: you can band together with other TIs in a global movement to expose your attackers and dismantle their techniques.

Trapped between these two narratives, many opt for the TI narrative. It validates their basic ability to perceive the world and reason about it – precisely what psychiatry’s medical narrative denies. It infuses their frightening experiences with a powerful sense of purpose and coherence. It gives TIs the most precious resource of all: community, belonging, even love.

But if psychiatry’s broken-brain narrative is pushing people deeper into the TI community, how did this happen? How is it possible that the very profession that was designed to support people like Luca might be making them worse off? And are there any alternatives to these two narratives – the idea that your brain is broken, and the idea that you’re actually being persecuted?

T he idea that disembodied voices and strange beliefs are symptoms of a brain disorder is very old. In the West, it stretches back to the manifesto On the Sacred Disease (400 BCE), in which ancient Greek doctors tell us that all forms of madness stem from air deprivation in the brain. In the first half of the 20th century, asylum psychiatrists with a penchant for experimental remedies – lobotomies, insulin comas, malaria injections, even tooth extractions – embraced the medical vision.

But even in the 1960s and early ’70s, there were other paradigms available to suffering people. There was a collection of viewpoints that didn’t see hallucinations, delusions or other extreme experiences as symptoms of a disease, but as doorways to personal, social or spiritual transformation. These experiences, if properly understood, would lead the individual to a higher level of human flourishing. In the words of today’s Mad Pride movement, they were ‘dangerous gifts’.

There were at least three alternative perspectives that framed extreme experiences as psychological, social or spiritual awakenings, rather than brain dysfunctions.

One approach saw the mad mind as a wounded mind – not wounded in the sense of broken, but in the sense of having survived painful life experiences. The experiences we call ‘paranoia’ – being hypervigilant to threats, seeing malicious motives everywhere – could be a protective response of the organism to real threats, rather than symptoms of a disease. Suppose a person has survived abuse, neglect or other forms of trauma, such as racism, classism, climate disaster or homophobia. Being hypervigilant to threats is actually a pretty reasonable response to those problems. In the 1930s, psychiatrists in the US like Frieda Fromm-Reichmann of the Chestnut Lodge psychiatric institute, or her colleague Harry Stack Sullivan, viewed the symptoms of schizophrenia as the start of a journey of recovery.

A second approach looked at psychosis not as a trauma response, but as a mirror of a damaged society. In the 1960s, the Scottish psychiatrist R D Laing, who was influenced by Fromm-Reichmann and Sullivan, described madness as a form of insight, a sane response to an insane world. Its fundamental truth is that the conditions of modern society are no longer fit for human flourishing. Along these lines, the journalist Jean Guerrero writing in Wired in 2018 described TIs as the prophets of the information era, and the proverbial ‘canaries in the coal mine’, who offer a dire warning about the reality of constant electronic surveillance. We don’t have to accept the literal truth of the TI narrative to see it as an accurate, symbolic representation of our social plight.

The answer wasn’t always to give people stigmatising labels and pummel their brains with antipsychotic drugs

A third approach saw, in madness, a spiritual crisis or ‘ spiritual emergency ’, a term coined in the 1980s by Stanislav and Christina Grof but with roots in the work of Carl Jung and Abraham Maslow. In this view, the ‘self’ is a mere drop in a vast sea of intelligence, consciousness and love. What if what we call insanity is a form of unmediated contact with this cosmic intelligence? What if experiences of psychosis – disembodied voices, strange convictions, the sense of being out of one’s body – are precursors of a powerful spiritual change, one that requires a religious guide, not a doctor? The documentary film Crazywise (2016) tells the story of Gogo Ekhaya Esima, a Brooklyn activist who was diagnosed with schizophrenia, but who rejected her label, returned to her ancestral roots, and became a Sangoma traditional healer and peer counsellor.

The point is, not long ago, there was a host of alternative frameworks for making sense of these extreme experiences. People with paranoid beliefs weren’t trapped between the broken-brain narrative and the literal persecution narrative. Within this broader range of narratives – a trauma response, a mirror of a broken society, a spiritual awakening – some were able to find real healing. The answer wasn’t always to give people stigmatising labels and pummel their brains with antipsychotic drugs.

One reason I’m aware of these alternative paradigms is because I saw how they played out in my dad’s own life . In the summer of 1973, a few months after I was born, he was diagnosed with paranoid schizophrenia. He was a lawyer working under the US president Richard Nixon, and he formed the belief that he was being surveilled – not unreasonable given Nixon’s penchant for spying on his own staff. My dad’s fears soon escalated into the belief that my mother was a government spy, his doctor had inserted a tracking device into his anus, and The Washington Post was reporting on his activities in the Sports section (on the pretext of describing a rather marginal baseball player).

Fortunately, my dad had read psychiatrists like R D Laing, and psychologists like Rollo May and Abraham Maslow. He understood that what we call madness isn’t always a breakdown, but a potential breakthrough. He agreed to see a psychiatrist, but only under the condition he wouldn’t be given drugs. The psychiatrist agreed and, sometimes with my mother, had conversations about how to navigate his strange experiences. Ultimately, he was able to continue working for the Labor Department for another 12 years, until similar episodes in the 1980s rendered him unable to work.

But if the 1960s witnessed the proliferation of alternative, meaning-making frameworks, how did our perspective become so limited? How did this medical vision – replete with its diagnoses, medications, symptom checklists, hypothetical brain dysfunctions – come to exert such a forceful grip on our collective imagination? How is it that people like Luca face such a tragic forced choice between the broken-brain narrative and the TI narrative?

H istorians of psychiatry agree that a momentous paradigm shift took place in the 1980s. They often call this shift the ‘second biological revolution’, after a similar revolution that took place in Germany in the 1850s. It was popularised by books like Nancy Andreasen’s The Broken Brain (1984), Solomon Snyder’s Drugs and the Brain (1986) and Jon Franklin’s Molecules of the Mind (1987). It coincided with an explosive growth in the pharmaceutical industry that promised to heal the mind with drugs.

In this vision, mental disorders were best understood as brain dysfunctions that could be traced to abnormal genes. Schizophrenia stemmed from an imbalance of the neurotransmitter dopamine. Depression was a serotonin imbalance. Bipolar disorder was a lithium imbalance. ADHD a deficiency of norepinephrine. These conditions, of course, could be triggered by life events, but they were ultimately biological. It was a reincarnation of the ancient Greek humoral theory, which saw the various forms of madness as imbalances in the four humours: blood, phlegm, yellow bile, black bile.

They insisted that seeing mental disorders as defective brain chemistry would alleviate shame and stigma

Historians disagree about what caused this paradigm shift. Some emphasise the failure of psychoanalysis to help those in most severe need. Others point to the success of drugs in getting people out of the asylum. Others emphasise the role of pharmaceutical companies in aggressively marketing their products. Still others point to high-profile legal cases, like that of Ray Osheroff, who sued Chestnut Lodge in the early 1980s because they’d refused to give him antidepressants.

My own research centres around another factor. In the 1970s, many psychiatrists thought they’d actually discovered the seat of madness in the brain. The neuroscientist and psychiatrist Solomon Snyder at Johns Hopkins University assembled the evidence for this claim in his influential paper ‘The Dopamine Hypothesis of Schizophrenia’ (1976). There, he showed that antipsychotic drugs like haloperidol worked by plugging dopamine neurons in the brain – and that their effectiveness in managing symptoms was proportional to their ability to block those neurons. He also showed that one could induce a temporary psychosis in a sane person by flooding their dopamine receptors with amphetamines. By turning dopamine on and off, he concluded, one could turn schizophrenia on and off like a faucet. He wrote a popular book arguing that all major mental disorders had their own chemical imbalance. He even helped start two pharmaceutical companies to devise tailored treatments for each disorder.

The broken-brain narrative wasn’t supported just by science but by politics too. A chorus of doctors, journalists and activists insisted that seeing mental disorders in terms of defective brain chemistry would alleviate shame and stigma. They gave the lie to the idea that extreme low mood, disabling anxiety or obsessive thoughts might represent a character flaw or a moral defect – or even bad parenting.

B y the mid 1980s, my dad’s own treatment changed dramatically, in tune with the changing times. In 1986 – in the waning years of the Cold War – he began having unusual experiences again. He thought God was telling him to use his position in the Labor Department to promote worldwide nuclear disarmament. He also thought the French actress Catherine Deneuve was communicating with him telepathically for guidance and support.

He was hospitalised multiple times in the 1980s and ’90s. In better times, I’d visit him at the private Washington Hospital Center in an upscale neighbourhood in northwest Washington, DC. In worse times, I’d visit him in St Elizabeth’s, a public asylum with nearly 300 beds on the south side of the Anacostia River, in the neighbourhood that earned the city its moniker as ‘murder capital of the US’. St Elizabeth’s also housed John Hinckley, Jr, after he shot Ronald Reagan in 1981 in a bid to win Jodie Foster’s affection. By the 1990s, my dad’s long hospital stays were replaced by multi-day hospitalisations where he’d be put on drugs, monitored, and released under the supervision of a social worker.

His older diagnosis of paranoid schizophrenia eventually gave way to a newer one of bipolar disorder. The doctors put him on a combination of drugs that dampened the voices, but had their own debilitating side-effects. Their overall impact was a mental dulling and a muscular rigidity. Sometimes I sat with him for hours on end as he drank cup after cup of coffee and chain-smoked to stave off the fog. A simple act like tying his shoes or putting a dollar into a vending machine became laborious and frustrating.

When the mental fog made life unbearable, he would ditch the pills. God and Catherine would swiftly return, and he’d be off on a new geopolitical adventure. The idea that my dad’s experiences represented a coherent response to a childhood of abuse and neglect, or that they represented a window onto the dangerous reality of nuclear annihilation, or that they heralded a spiritual transformation – the sorts of ideas he was receptive to in the 1970s – was utterly foreign to psychiatry’s new medical view.

Psychiatrists became equally disenchanted with the serotonin theory of depression

The drugs eventually took a toll on his body. The specific combination of medications – lithium and thioridazine – is now known to be neurotoxic. His motor problems worsened, and led to ‘antipsychotic-induced dysphagia’, a condition in which your brain is unable to regulate the thin slice of tissue that stops food and water from entering your lungs. Dysphagia contributed to his death in 2005 by pneumonia.

It would be one thing if the medical vision were true. The fact that TIs rebel against the broken-brain narrative would be no more surprising than that someone can be in denial about diabetes or cancer. But the past three decades have shown that psychiatry’s medical vision is neither scientifically credible nor morally sound.

The scientific problems came first. Even 20 years after Snyder’s breakthrough paper, nobody could find the ‘smoking gun’ – the supposed dopamine abnormalities in patients who’d never taken antipsychotic drugs. Moreover, a newer generation of drugs, the so-called ‘atypicals’, took a much larger share of the psychiatric drug market. They seemed to manage symptoms equally well with fewer side-effects – even though they targeted a much wider profile of chemicals than dopamine. Dopamine began to look like one small piece of a much larger puzzle. Psychiatrists became equally disenchanted with the serotonin theory of depression. Today, the idea that these drugs work by reversing chemical imbalances appears increasingly groundless.

If the scientific credibility of the medical vision is waning, its political justification has also eroded. Over the past decade, a new generation of psychologists have been studying the nature of mental health stigma : what it is, how it’s created, how to solve it. The consensus of this research is that psychiatry’s medical vision – and its language of ‘chemical imbalances’, ‘brain circuit defects’, ‘genetic abnormalities’ and so on – merely replaces one kind of stigma for another.

In particular, medical narratives tend to trigger three negative outcomes. They make other people want to distance themselves from the patient. They make patients pessimistic about their own recovery. And they evoke, in the patient’s mind, the idea that drugs are the optimal course of treatment. Perhaps the most troubling finding of the new research is that stigma toward schizophrenia – measured as a desire for social distance – has actually increased over the past 30 years, plausibly due to the greater acceptance of the medical narrative.

Academic psychiatrists today often claim that psychiatry has already moved away from the narrow biomedical vision of the 1980s. They say that psychiatry has instead embraced a more holistic, ‘biopsychosocial’ vision that respects all of the different factors – brain imbalances, childhood trauma, social injustice – that make us unwell. Aren’t psychiatry’s critics just beating a dead horse?

But these reassurances ring hollow to me. Despite the calls for a more holistic model, in practice, interventions for people like Luca have changed very little since the 1990s, with its short cycles of hospitalisation, diagnosis, drugs and monitoring. Psychiatry journals are increasingly dominated by biological perspectives, to the exclusion of psychological and social ones. And the fact that about one-fifth of US college students are on antidepressant drugs – and about a third of Scottish adults are on some form of psychiatric medication – suggests that, if anything, psychiatry’s medical vision is actually more entrenched now than it was in the 1990s.

But if psychiatry’s medical vision is failing TIs like Luca, what should we replace it with? How can we break out of this bind?

D espite the entrenchment of the medical vision, my recent explorations of psychological, social and spiritual approaches to psychosis have made me optimistic about the future. I think we’re at the beginning of a renaissance of alternative approaches that loosely resembles the plurality of paradigms in the 1960s. The ultimate goal of these movements is to create safe, non-coercive, therapeutic communities that give people space to explore alternative, meaning-making frameworks – an ethos embodied in Soteria Houses, the Open Dialogue framework, and Inner Fire, among others. One of the leading organisations in this context is the global Hearing Voices Network, which encourages people to understand their voices and other unusual experiences not as symptoms of a disease, but a source of creativity, inspiration and insight.

One avenue of intensive exploration is that experiences such as threatening voices, unusual beliefs and dissociative episodes are protective responses to traumatic experiences. Although popular books like Bessel van der Kolk’s The Body Keeps the Score (2014) remain controversial, what’s no longer controversial is the link between childhood abuse and neglect, and adult experiences of psychosis. Hence the popular slogan that we should no longer ask patients ‘What’s wrong with you?’ but ‘What happened to you?’ The idea that terrifying experiences like Luca’s can be a coherent response to abuse or neglect has been developed by organisations such as the Hearing Voices Network, the National Paranoia Network, and the Power Threat Meaning Framework.

A second approach sees psychosis as a ‘ spiritual emergency ’. This view is advanced today by organisations like Safely Held Spaces and the International Spiritual Emergence Network. While some of a materialist mindset scoff at the idea that psychosis has a spiritual dimension, these framings have powerful practical benefits. Cross-cultural research on schizophrenia has shown that the way culture makes sense of voice-hearing impacts both the content and the emotional tone of the voices. In the US, where voice-hearing in the context of schizophrenia is framed as a symptom of a disease, voices are experienced as more invasive, hostile and distressing. In parts of India, Ghana and China, where voices tend to be understood as belonging to deceased ancestors or other spirits, voices are experienced as more benevolent and less scary. Some voice-hearers have found that, simply by adopting a curious and compassionate attitude to what the voices are trying to say, they become less threatening and more supportive.

Ideally, people would explore these alternative paradigms in a therapeutic community

There are yet other approaches. Some within the voice-hearing community contend that hearing voices is merely a different way of processing information about the world – a form of neurodiversity with its own strengths and limits. Some groups, such as the Plural Movement and, to a lesser extent, proponents of Internal Family Systems, hold that voice-hearing is a natural sign of the multiplicity of the soul. Perhaps all of us are more or less ‘multiple’, and voice-hearing is simply one way that different parts of the mind talk to each other.

The problem is this: unless people like Luca have access to this whole range of meaning-making frameworks, they’ll either understand their voices in terms of a hypothetical brain disease, or in terms of hostile intruders running an experiment on them. We urgently need to expand the range of scientifically plausible alternatives.

This isn’t to say that drugs have no place in the new frameworks. Drugs can be valuable tools to help manage distressing experiences. That has been well known for millennia with drugs like psylocibin, hashish, opium, tobacco and alcohol. But they don’t seem to work by reversing chemical imbalances – just as alcohol doesn’t make you feel good by ‘reversing an alcohol deficiency’. Rather, they help us temporarily blunt painful thoughts and feelings so we can better address their root causes.

The goal of these frameworks, as I see it, is to break the grip of the forced choice between two grim alternatives – not to impose any particular narrative onto suffering people. Ideally, people would explore these alternative paradigms in a therapeutic community that emphasises shared decision-making and personal autonomy. If someone chooses to embrace the medical narrative, it should be because they’ve been exposed to multiple paradigms and feel that this narrative makes the most sense for them. And if others, after becoming aware of these paradigms, choose to accept the TI narrative, then the best path forward is for them to connect with a community like PACTS that can give them the non-stigmatising support they need. But mental health professionals ought to put more time and effort into raising awareness of the neglected third path: we can embrace voices and visions as part of ordinary human experience, without accepting the literal truth of everything they say.

I recently reconnected with Luca. His own journey, which began so abruptly in November 2020, has now taken on new contours. He still hears the voices, and he holds the belief that he’s the subject of a cruel experiment. He explicitly identifies as a TI. But he’s also placing those horrific experiences into a broader spiritual perspective, much like that advanced by the International Spiritual Emergence Network.

Luca now sees himself as intensely receptive to spiritual influences. The same psychic openness that allowed The Team to gain a foothold into his mind is also a fountain of powerful revelations – massive ‘information downloads’ from the cosmic mind. These revelations centre around the broken state of humanity, the interweaving of the spiritual and material worlds, and the need for love – insights he’s compiling into a book. He is no longer preoccupied with victimhood, but with survivorship, and with his greater mission to promote ‘unprecedented change, healing and love’.

The real tragedy here is not that psychiatrists failed to stamp out Luca’s voices and strange beliefs. The tragedy is that he had to discover this spiritual path on his own.

Virtues and vices

Make it awkward!

Rather than being a cringey personal failing, awkwardness is a collective rupture – and a chance to rewrite the social script

Alexandra Plakias

Metaphysics

Desperate remedies

In order to make headway on knotty metaphysical problems, philosophers should look to the methods used by scientists

Neuroscience

The melting brain

It’s not just the planet and not just our health – the impact of a warming climate extends deep into our cortical fissures

Clayton Page Aldern

Computing and artificial intelligence

Mere imitation

Generative AI has lately set off public euphoria: the machines have learned to think! But just how intelligent is AI?

Illness and disease

Empowering patient research

For far too long, medicine has ignored the valuable insights that patients have into their own diseases. It is time to listen

Charlotte Blease & Joanne Hunt

Seeing plants anew

The stunningly complex behaviour of plants has led to a new way of thinking about our world: plant philosophy

Stella Sandford

• News & Stories

'I Just Keep Talking' is a refreshing and wide-ranging essay collection

• Martha Anne Toll

Nell Irvin Painter — author, scholar, historian, artist, raconteur — rocked my world with her The History of White People and endeared me with her memoir Old in Art School . Painter’s latest book, I Just Keep Talking is an insightful addition to her canon.

Painter’s professional accomplishments are stratospheric: a chair in the American History Department at Princeton, bestselling author of eight books along with others she’s edited, too many other publications to count, and an entirely separate career as a visual artist. She calls her latest book “A Life in Essays,” which I found reductive. Although the first group of essays is entitled “Autobiography,” this volume reaches far beyond Nell Painter’s own story in the best possible way.

Painter’s The History of White People combines scholarship with readability to prove that “whiteness” is a relatively newly created sociological construct. Slavery has been around for millennia, as has war and conquering peoples, but whiteness, with its bizarre, insidious, and pervasive myths about racial superiority, dates from around the 15th century forward. The concept of whiteness is entangled with America’s mendacious justifications for its capture and trade in human beings, and the terrible, lasting consequences of chattel slavery.

Painter has been clear that she stands on the shoulders of others in naming whiteness as a construct. What makes The History of White People indispensable is that it collects the historical antecedents of whiteness in a compelling narrative, and calls out to readers, including myself, the need to unlearn whiteness as a norm, even — and especially — if it is an unconscious norm.

As Painter wound down from a full academic load at Princeton, she obtained undergraduate and graduate degrees in fine art. In Old in Art School, as well as this current volume, she recounts the putdowns and hazing she suffered from fellow art students and her art professors, just as The History of White People was hitting the bestseller lists. Painter acknowledges that book’s commercial success but does not hide her bitterness that it did not win any major prizes.

Painter’s tour through her life and interests makes for a fascinating journey. To introduce her essay collection, Painter writes, “My Blackness isn’t broken… Mine is a Blackness of solidarity, a community, a connectedness….” She grew up in an intellectual family in the Bay Area amidst the burgeoning Black power movement. Her studies took her to Ghana and Paris, before completing her Ph.D. in U.S. history at Harvard.

Painter started making art at an early age. She threads that interest through the essays, wondering what would have happened if her professional life had started with art, instead of as a scholar.

Painter’s captivating mixed media illustrations in I Just Keep Talking speak to injustice. She combines words that blister — “same frustrations for 25 years” (a work from 2022), with blocks of color and figurative representations. I felt drawn in by these visual pieces with their trenchant messages. “This text + art is the way I work, the way I think,” she writes. In Painter’s hands, a picture can be worth a thousand words.

Painter’s essays pose critical questions. She will not accept received wisdom at face value, refuses the status quo, and freely offers her expert opinions. The pieces in this book address such wide topics as the meaning of history and historiography; America’s false, rose-colored-glasses-interpretation of slavery; the appalling absence of Black people from America’s story about itself; how and where feminism fits in; southern American history; the white gaze; and visual culture.

She takes a hard look at Thomas Jefferson’s hypocrisy concerning Black people and slavery, and compares his viewpoint to that of Charles Dickens, who toured the U.S. 15 years after Jefferson died. Audiences cooled to Dickens after he “excoriate[d] Americans for…tolerating the continued existence of enslavement by shrugging their shoulders, saying nothing can be done on account of ‘public opinion.’”

Painter was onto Supreme Court Justice Clarence Thomas well before Professor Hill delivered her explosive testimony at his confirmation hearing. In a chapter called “Hill, Thomas, and the Use of Racial Stereotype,” Painter delivers a withering takedown of Thomas’ manipulation of gender stereotypes to advantage himself.

Painter dates her essays and provides extensive endnotes, but I wanted more information about which essays had been previously published and which, if any, derived from unpublished journal entries. I wondered particularly about the shorter, less annotated pieces, which I could imagine her writing to develop analyses for longer efforts (though only speculation on my part).

The variety in length and scholarly sophistication is refreshing in this collection. Each entry deals with topics that are sadly as relevant today as they have been throughout America’s history.

Please keep talking Nell Painter, and we’ll keep listening.

Martha Anne Toll is a D.C.-based writer and reviewer. Her debut novel, Three Muses , won the Petrichor Prize for Finely Crafted Fiction and was shortlisted for the Gotham Book Prize. Her second novel, Duet for One , is due out May 2025.

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Gold, Griffins, and Greeks: Scythian Art and Cultural Interactions in the Black Sea

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The Feathered Serpent Pyramid and Ciudadela of Teotihuacan (ca. 150–250 CE)

Teotihuacan (ca. 100 BCE–800 CE)

Stone Masks and Figurines from Northwest Argentina (500 BCE–650 CE)

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collecting for the kunstkammer, colonial kero cups, colossal temples of the roman near east, commedia dell’arte, company painting in nineteenth-century india, conceptual art and photography, constantinople after 1261, contemporary deconstructions of classical dress, contexts for the display of statues in classical antiquity, cosmic buddhas in the himalayas, costume in the metropolitan museum of art, the countess da castiglione, courtly art of the ilkhanids, courtship and betrothal in the italian renaissance, cristobal balenciaga (1895–1972), the croome court tapestry room, worcestershire, the crucifixion and passion of christ in italian painting, the crusades (1095–1291), the cult of the virgin mary in the middle ages, cut and engraved glass from islamic lands, cyprus—island of copper, daguerre (1787–1851) and the invention of photography, the daguerreian age in france: 1839–55, the daguerreian era and early american photography on paper, 1839–60, the damascus room, daniel chester french (1850–1931), daoism and daoist art, david octavius hill (1802–1870) and robert adamson (1821–1848), death, burial, and the afterlife in ancient greece, the decoration of arms and armor, the decoration of european armor, the decoration of tibetan arms and armor, design reform, design, 1900–1925, design, 1925–50, design, 1950–75, design, 1975–2000, the development of the recorder, direct versus indirect casting of small bronzes in the italian renaissance, divination and senufo sculpture in west africa, domenichino (1581–1641), domestic art in renaissance italy, donatello (ca. 1386–1466), drawing in the middle ages, dress rehearsal: the origins of the costume institute, dressing for the cocktail hour, dualism in andean art, duncan phyfe (1770–1854) and charles-honoré lannuier (1779–1819), dutch and flemish artists in rome, 1500–1600, eagles after the american revolution, early cycladic art and culture, early documentary photography, early dynastic sculpture, 2900–2350 b.c., early excavations in assyria, early histories of photography in west africa (1860–1910), early maori wood carvings, early modernists and indian traditions, early netherlandish painting, early photographers of the american west: 1860s–70s, early qur’ans (8th–early 13th century), east and west: chinese export porcelain, east asian cultural exchange in tiger and dragon paintings, easter island, eastern religions in the roman world, ebla in the third millennium b.c., edgar degas (1834–1917): bronze sculpture, edgar degas (1834–1917): painting and drawing, edo-period japanese porcelain, édouard baldus (1813–1889), édouard manet (1832–1883), edward hopper (1882–1967), edward j. steichen (1879–1973): the photo-secession years, edward lycett (1833–1910), egypt in the late period (ca. 664–332 b.c.), egypt in the middle kingdom (ca. 2030–1650 b.c.), egypt in the new kingdom (ca. 1550–1070 b.c.), egypt in the old kingdom (ca. 2649–2130 b.c.), egypt in the ptolemaic period, egypt in the third intermediate period (ca. 1070–664 b.c.), egyptian faience: technology and production, egyptian modern art, egyptian red gold, egyptian revival, egyptian tombs: life along the nile, eighteenth-century european dress, the eighteenth-century pastel portrait, eighteenth-century silhouette and support, eighteenth-century women painters in france, el greco (1541–1614), élisabeth louise vigée le brun (1755–1842), elizabethan england, elsa schiaparelli (1890–1973), empire style, 1800–1815, the empires of the western sudan, the empires of the western sudan: ghana empire, the empires of the western sudan: mali empire, the empires of the western sudan: songhai empire, enameled and gilded glass from islamic lands, english embroidery of the late tudor and stuart eras, english ornament prints and furniture books in eighteenth-century america, english silver, 1600–1800, ernest hemingway (1899–1961) and art, ernst emil herzfeld (1879–1948) in persepolis, ernst emil herzfeld (1879–1948) in samarra, etching in eighteenth-century france: artists and amateurs, the etching revival in nineteenth-century france, ethiopia’s enduring cultural heritage, ethiopian healing scrolls, etruscan art, etruscan language and inscriptions, eugène atget (1857–1927), europe and the age of exploration, europe and the islamic world, 1600–1800, european clocks in the seventeenth and eighteenth centuries, european exploration of the pacific, 1600–1800, european revivalism, european tapestry production and patronage, 1400–1600, european tapestry production and patronage, 1600–1800, exchange of art and ideas: the benin, owo, and ijebu kingdoms, exoticism in the decorative arts, extravagant monstrosities: gold- and silversmith designs in the auricular style, eynan/ain mallaha (12,500–10,000 b.c.), fabricating sixteenth-century netherlandish boxwood miniatures, the face in medieval sculpture, famous makers of arms and armors and european centers of production, fashion in european armor, fashion in european armor, 1000–1300, fashion in european armor, 1300–1400, fashion in european armor, 1400–1500, fashion in european armor, 1500–1600, fashion in european armor, 1600–1700, fashion in safavid iran, fatimid jewelry, fell’s cave (9000–8000 b.c.), fernand léger (1881–1955), feudalism and knights in medieval europe, figural representation in islamic art, filippino lippi (ca. 1457–1504), fire gilding of arms and armor, the five wares of south italian vase painting, the flavian dynasty (69–96 a.d.), flemish harpsichords and virginals, flood stories, folios from the great mongol shahnama (book of kings), folios from the jami‘ al-tavarikh (compendium of chronicles), fontainebleau, food and drink in european painting, 1400–1800, foundations of aksumite civilization and its christian legacy (1st–8th century), fra angelico (ca. 1395–1455), francisco de goya (1746–1828) and the spanish enlightenment, françois boucher (1703–1770), frank lloyd wright (1867–1959), frans hals (1582/83–1666), frederic edwin church (1826–1900), frederic remington (1861–1909), frederick william macmonnies (1863–1937), the french academy in rome, french art deco, french art pottery, french decorative arts during the reign of louis xiv (1654–1715), french faience, french furniture in the eighteenth century: case furniture, french furniture in the eighteenth century: seat furniture, french porcelain in the eighteenth century, french silver in the seventeenth and eighteenth centuries, frescoes and wall painting in late byzantine art, from geometric to informal gardens in the eighteenth century, from italy to france: gardens in the court of louis xiv and after, from model to monument: american public sculpture, 1865–1915, the fulani/fulbe people, the function of armor in medieval and renaissance europe, funerary vases in southern italy and sicily, furnishings during the reign of louis xiv (1654–1715), gabrielle “coco” chanel (1883–1971) and the house of chanel, gardens in the french renaissance, gardens of western europe, 1600–1800, genre painting in northern europe, geometric abstraction, geometric and archaic cyprus, geometric art in ancient greece, geometric patterns in islamic art, george inness (1825–1894), george washington: man, myth, monument, georges seurat (1859–1891) and neo-impressionism, georgia o’keeffe (1887–1986), gerard david (born about 1455, died 1523), german and austrian porcelain in the eighteenth century, the ghent altarpiece, gian lorenzo bernini (1598–1680), gilbert stuart (1755–1828), giovanni battista piranesi (1720–1778), giovanni battista tiepolo (1696–1770), gladiators: types and training, glass from islamic lands, glass ornaments in late antiquity and early islam (ca. 500–1000), glass with mold-blown decoration from islamic lands, the gods and goddesses of canaan, gold in ancient egypt, gold in asante courtly arts, gold in the ancient americas, gold of the indies, the golden age of french furniture in the eighteenth century, the golden harpsichord of michele todini (1616–1690), golden treasures: the royal tombs of silla, goryeo celadon, the grand tour, the graphic art of max klinger, great plains indians musical instruments, great serpent mound, great zimbabwe (11th–15th century), the greater ottoman empire, 1600–1800, greek art in the archaic period, greek gods and religious practices, greek hydriai (water jars) and their artistic decoration, the greek key and divine attributes in modern dress, greek terracotta figurines with articulated limbs, gustave courbet (1819–1877), gustave le gray (1820–1884), hagia sophia, 532–37, the halaf period (6500–5500 b.c.), han dynasty (206 b.c.–220 a.d.), hanae mori (1926–2022), hans talhoffer’s fight book, a sixteenth-century manuscript about the art of fighting, harry burton (1879–1940): the pharaoh’s photographer, hasanlu in the iron age, haute couture, heian period (794–1185), hellenistic and roman cyprus, hellenistic jewelry, hendrick goltzius (1558–1617), henri cartier-bresson (1908–2004), henri de toulouse-lautrec (1864–1901), henri matisse (1869–1954), henry kirke brown (1814–1886), john quincy adams ward (1830–1910), and realism in american sculpture, heroes in italian mythological prints, hinduism and hindu art, hippopotami in ancient egypt, hiram powers (1805–1873), the hittites, the holy roman empire and the habsburgs, 1400–1600, hopewell (1–400 a.d.), horse armor in europe, hot-worked glass from islamic lands, the house of jeanne hallée (1870–1924), the housemistress in new kingdom egypt: hatnefer, how medieval and renaissance tapestries were made, the hudson river school, hungarian silver, icons and iconoclasm in byzantium, the idea and invention of the villa, ife (from ca. 6th century), ife pre-pavement and pavement era (800–1000 a.d.), ife terracottas (1000–1400 a.d.), igbo-ukwu (ca. 9th century), images of antiquity in limoges enamels in the french renaissance, impressionism: art and modernity, in pursuit of white: porcelain in the joseon dynasty, 1392–1910, indian knoll (3000–2000 b.c.), indian textiles: trade and production, indigenous arts of the caribbean, industrialization and conflict in america: 1840–1875, the industrialization of french photography after 1860, inland niger delta, intellectual pursuits of the hellenistic age, intentional alterations of early netherlandish painting, interior design in england, 1600–1800, interiors imagined: folding screens, garments, and clothing stands, international pictorialism, internationalism in the tang dynasty (618–907), introduction to prehistoric art, 20,000–8000 b.c., the isin-larsa and old babylonian periods (2004–1595 b.c.), islamic arms and armor, islamic art and culture: the venetian perspective, islamic art of the deccan, islamic carpets in european paintings, italian painting of the later middle ages, italian porcelain in the eighteenth century, italian renaissance frames, ivory and boxwood carvings, 1450–1800, ivory carving in the gothic era, thirteenth–fifteenth centuries, jacopo dal ponte, called bassano (ca. 1510–1592), jade in costa rica, jade in mesoamerica, jain manuscript painting, jain sculpture, james cox (ca. 1723–1800): goldsmith and entrepreneur, james mcneill whistler (1834–1903), james mcneill whistler (1834–1903) as etcher, jan gossart (ca. 1478–1532) and his circle, jan van eyck (ca. 1390–1441), the japanese blade: technology and manufacture, japanese illustrated handscrolls, japanese incense, the japanese tea ceremony, japanese weddings in the edo period (1615–1868), japanese writing boxes, jasper johns (born 1930), jean antoine houdon (1741–1828), jean honoré fragonard (1732–1806), jean-baptiste carpeaux (1827–1875), jean-baptiste greuze (1725–1805), jewish art in late antiquity and early byzantium, jews and the arts in medieval europe, jews and the decorative arts in early modern italy, jiahu (ca. 7000–5700 b.c.), joachim tielke (1641–1719), joan miró (1893–1983), johannes vermeer (1632–1675), johannes vermeer (1632–1675) and the milkmaid, john constable (1776–1837), john frederick kensett (1816–1872), john singer sargent (1856–1925), john singleton copley (1738–1815), john townsend (1733–1809), jōmon culture (ca. 10,500–ca. 300 b.c.), joseon buncheong ware: between celadon and porcelain, joseph mallord william turner (1775–1851), juan de flandes (active by 1496, died 1519), julia margaret cameron (1815–1879), the julio-claudian dynasty (27 b.c.–68 a.d.), kamakura and nanbokucho periods (1185–1392), the kano school of painting, kingdoms of madagascar: malagasy funerary arts, kingdoms of madagascar: malagasy textile arts, kingdoms of madagascar: maroserana and merina, kingdoms of the savanna: the kuba kingdom, kingdoms of the savanna: the luba and lunda empires, kings and queens of egypt, kings of brightness in japanese esoteric buddhist art, the kirtlington park room, oxfordshire, the kithara in ancient greece, kodak and the rise of amateur photography, kofun period (ca. 300–710), kongo ivories, korean buddhist sculpture (5th–9th century), korean munbangdo paintings, kushan empire (ca. second century b.c.–third century a.d.), la venta: sacred architecture, la venta: stone sculpture, the labors of herakles, lacquerware of east asia, landscape painting in chinese art, landscape painting in the netherlands, the lansdowne dining room, london, lapita pottery (ca. 1500–500 b.c.), lascaux (ca. 15,000 b.c.), late eighteenth-century american drawings, late medieval german sculpture, late medieval german sculpture: images for the cult and for private devotion, late medieval german sculpture: materials and techniques, late medieval german sculpture: polychromy and monochromy, the later ottomans and the impact of europe, le colis de trianon-versailles and paris openings, the legacy of genghis khan, the legacy of jacques louis david (1748–1825), leonardo da vinci (1452–1519), letterforms and writing in contemporary art, life of jesus of nazareth, life of the buddha, list of rulers of ancient egypt and nubia, list of rulers of ancient sudan, list of rulers of byzantium, list of rulers of china, list of rulers of europe, list of rulers of japan, list of rulers of korea, list of rulers of mesopotamia, list of rulers of south asia, list of rulers of the ancient greek world, list of rulers of the islamic world, list of rulers of the parthian empire, list of rulers of the roman empire, list of rulers of the sasanian empire, lithography in the nineteenth century, longevity in chinese art, louis comfort tiffany (1848–1933), louis-rémy robert (1810–1882), lovers in italian mythological prints, the lure of montmartre, 1880–1900, luxury arts of rome, lydenburg heads (ca. 500 a.d.), lydia and phrygia, made in india, found in egypt: red sea textile trade in the thirteenth and fourteenth centuries, made in italy: italian fashion from 1950 to now, the magic of signs and patterns in north african art, maiolica in the renaissance, mal’ta (ca. 20,000 b.c.), mangarevan sculpture, the manila galleon trade (1565–1815), mannerism: bronzino (1503–1572) and his contemporaries, the mantiq al-tair (language of the birds) of 1487, manuscript illumination in italy, 1400–1600, manuscript illumination in northern europe, mapungubwe (ca. 1050–1270), marcel duchamp (1887–1968), maria monaci gallenga (1880–1944), mary stevenson cassatt (1844–1926), the master of monte oliveto (active about 1305–35), the materials and techniques of american quilts and coverlets, the materials and techniques of english embroidery of the late tudor and stuart eras, mauryan empire (ca. 323–185 b.c.), medicine in classical antiquity, medicine in the middle ages, medieval aquamanilia, medieval european sculpture for buildings, medusa in ancient greek art, mendicant orders in the medieval world, the mesoamerican ballgame, mesopotamian creation myths, mesopotamian deities, mesopotamian magic in the first millennium b.c., the metropolitan museum’s excavations at nishapur, the metropolitan museum’s excavations at ctesiphon, the metropolitan museum’s excavations at qasr-i abu nasr, michiel sweerts and biblical subjects in dutch art, the middle babylonian / kassite period (ca. 1595–1155 b.c.) in mesopotamia, military music in american and european traditions, ming dynasty (1368–1644), minoan crete, mission héliographique, 1851, miyake, kawakubo, and yamamoto: japanese fashion in the twentieth century, moche decorated ceramics, moche portrait vessels, modern and contemporary art in iran, modern art in india, modern art in west and east pakistan, modern art in west asia: colonial to post-colonial, modern materials: plastics, modern storytellers: romare bearden, jacob lawrence, faith ringgold, momoyama period (1573–1615), monasticism in western medieval europe, the mon-dvaravati tradition of early north-central thailand, the mongolian tent in the ilkhanid period, monte albán, monte albán: sacred architecture, monte albán: stone sculpture, monumental architecture of the aksumite empire, the monumental stelae of aksum (3rd–4th century), mosaic glass from islamic lands, mountain and water: korean landscape painting, 1400–1800, muromachi period (1392–1573), music and art of china, music in ancient greece, music in the ancient andes, music in the renaissance, musical instruments of oceania, musical instruments of the indian subcontinent, musical terms for the seventeenth and eighteenth centuries, mycenaean civilization, mystery cults in the greek and roman world, nabataean kingdom and petra, the nabis and decorative painting, nadar (1820–1910), the nahal mishmar treasure, nature in chinese culture, the nature of islamic art, the neoclassical temple, neoclassicism, neolithic period in china, nepalese painting, nepalese sculpture, netsuke: from fashion fobs to coveted collectibles, new caledonia, the new documentary tradition in photography, new ireland, new vision photography, a new visual language transmitted across asia, the new york dutch room, nicolas poussin (1594–1665), nineteenth-century american drawings, nineteenth-century american folk art, nineteenth-century american jewelry, nineteenth-century american silver, nineteenth-century classical music, nineteenth-century court arts in india, nineteenth-century english silver, nineteenth-century european textile production, nineteenth-century french realism, nineteenth-century iran: art and the advent of modernity, nineteenth-century iran: continuity and revivalism, nineteenth-century silhouette and support, nok terracottas (500 b.c.–200 a.d.), northern italian renaissance painting, northern mannerism in the early sixteenth century, northern song dynasty (960–1127), northwest coast indians musical instruments, the nude in baroque and later art, the nude in the middle ages and the renaissance, the nude in western art and its beginnings in antiquity, nudity and classical themes in byzantine art, nuptial furnishings in the italian renaissance, the old assyrian period (ca. 2000–1600 b.c.), orientalism in nineteenth-century art, orientalism: visions of the east in western dress, the origins of writing, ottonian art, pablo picasso (1881–1973), pachmari hills (ca. 9000–3000 b.c.), painted funerary monuments from hellenistic alexandria, painting formats in east asian art, painting in italian choir books, 1300–1500, painting in oil in the low countries and its spread to southern europe, painting the life of christ in medieval and renaissance italy, paintings of love and marriage in the italian renaissance, paolo veronese (1528–1588), the papacy and the vatican palace, the papacy during the renaissance, papyrus in ancient egypt, papyrus-making in egypt, the parthian empire (247 b.c.–224 a.d.), pastoral charms in the french renaissance, patronage at the early valois courts (1328–1461), patronage at the later valois courts (1461–1589), patronage of jean de berry (1340–1416), paul cézanne (1839–1906), paul gauguin (1848–1903), paul klee (1879–1940), paul poiret (1879–1944), paul revere, jr. (1734–1818), paul strand (1890–1976), period of the northern and southern dynasties (386–581), peter paul rubens (1577–1640) and anthony van dyck (1599–1641): paintings, peter paul rubens (1577–1640) and anthony van dyck (1599–1641): works on paper, petrus christus (active by 1444, died 1475/76), the phoenicians (1500–300 b.c.), photographers in egypt, photography and surrealism, photography and the civil war, 1861–65, photography at the bauhaus, photography in düsseldorf, photography in europe, 1945–60, photography in postwar america, 1945-60, photography in the expanded field: painting, performance, and the neo-avant-garde, photojournalism and the picture press in germany, phrygia, gordion, and king midas in the late eighth century b.c., the piano: the pianofortes of bartolomeo cristofori (1655–1731), the piano: viennese instruments, pictorialism in america, the pictures generation, pierre bonnard (1867–1947): the late interiors, pierre didot the elder (1761–1853), pieter bruegel the elder (ca. 1525–1569), pilgrimage in medieval europe, poetic allusions in the rajput and pahari painting of india, poets in italian mythological prints, poets, lovers, and heroes in italian mythological prints, polychrome sculpture in spanish america, polychromy of roman marble sculpture, popular religion: magical uses of imagery in byzantine art, portrait painting in england, 1600–1800, portraits of african leadership, portraits of african leadership: living rulers, portraits of african leadership: memorials, portraits of african leadership: royal ancestors, portraiture in renaissance and baroque europe, the portuguese in africa, 1415–1600, post-impressionism, postmodernism: recent developments in art in india, postmodernism: recent developments in art in pakistan and bangladesh, post-revolutionary america: 1800–1840, the postwar print renaissance in america, poverty point (2000–1000 b.c.), the praenestine cistae, prague during the rule of rudolf ii (1583–1612), prague, 1347–1437, pre-angkor traditions: the mekong delta and peninsular thailand, precisionism, prehistoric cypriot art and culture, prehistoric stone sculpture from new guinea, the pre-raphaelites, presidents of the united states of america, the print in the nineteenth century, the printed image in the west: aquatint, the printed image in the west: drypoint, the printed image in the west: engraving, the printed image in the west: etching, the printed image in the west: history and techniques, the printed image in the west: mezzotint, the printed image in the west: woodcut, printmaking in mexico, 1900–1950, private devotion in medieval christianity, profane love and erotic art in the italian renaissance, the pyramid complex of senwosret iii, dahshur, the pyramid complex of senwosret iii, dahshur: private tombs to the north, the pyramid complex of senwosret iii, dahshur: queens and princesses, the pyramid complex of senwosret iii, dahshur: temples, qin dynasty (221–206 b.c.), the qing dynasty (1644–1911): courtiers, officials, and professional artists, the qing dynasty (1644–1911): loyalists and individualists, the qing dynasty (1644–1911): painting, the qing dynasty (1644–1911): the traditionalists, the rag-dung, rare coins from nishapur, recognizing the gods, the rediscovery of classical antiquity, the reformation, relics and reliquaries in medieval christianity, religion and culture in north america, 1600–1700, the religious arts under the ilkhanids, the religious relationship between byzantium and the west, rembrandt (1606–1669): paintings, rembrandt van rijn (1606–1669): prints, renaissance drawings: material and function, renaissance keyboards, renaissance organs, renaissance velvet textiles, renaissance violins, retrospective styles in greek and roman sculpture, rinpa painting style, the rise of macedon and the conquests of alexander the great, the rise of modernity in south asia, the rise of paper photography in 1850s france, the rise of paper photography in italy, 1839–55, the rock-hewn churches of lalibela, roger fenton (1819–1869), the roman banquet, roman cameo glass, roman copies of greek statues, roman egypt, the roman empire (27 b.c.–393 a.d.), roman games: playing with animals, roman glass, roman gold-band glass, roman housing, roman inscriptions, roman luxury glass, roman mold-blown glass, roman mosaic and network glass, roman painting, roman portrait sculpture: republican through constantinian, roman portrait sculpture: the stylistic cycle, the roman republic, roman sarcophagi, roman stuccowork, romanesque art, romanticism, saint petersburg, saints and other sacred byzantine figures, saints in medieval christian art, the salon and the royal academy in the nineteenth century, san ethnography, sanford robinson gifford (1823–1880), the sasanian empire (224–651 a.d.), scenes of everyday life in ancient greece, scholar-officials of china, school of paris, seasonal imagery in japanese art, the seleucid empire (323–64 b.c.), senufo arts and poro initiation in northern côte d’ivoire, senufo sculpture from west africa: an influential exhibition at the museum of primitive art, new york, 1963, seventeenth-century european watches, the severan dynasty (193–235 a.d.), sèvres porcelain in the nineteenth century, shah ‘abbas and the arts of isfahan, the shah jahan album, the shahnama of shah tahmasp, shaker furniture, shakespeare and art, 1709–1922, shakespeare portrayed, shang and zhou dynasties: the bronze age of china, shoes in the costume institute, shōguns and art, shunga dynasty (ca. second–first century b.c.), sienese painting, silk textiles from safavid iran, 1501–1722, silks from ottoman turkey, silver in ancient egypt, sixteenth-century painting in emilia-romagna, sixteenth-century painting in lombardy, sixteenth-century painting in venice and the veneto, the solomon islands, south asian art and culture, southern italian vase painting, southern song dynasty (1127–1279), the spanish guitar, spiritual power in the arts of the toba batak, stained (luster-painted) glass from islamic lands, stained glass in medieval europe, still-life painting in northern europe, 1600–1800, still-life painting in southern europe, 1600–1800, the structure of photographic metaphors, students of benjamin west (1738–1820), the symposium in ancient greece, takht-i sulaiman and tilework in the ilkhanid period, talavera de puebla, tanagra figurines, tang dynasty (618–907), the technique of bronze statuary in ancient greece, techniques of decoration on arms and armor, telling time in ancient egypt, tenochtitlan, tenochtitlan: templo mayor, teotihuacan: mural painting, teotihuacan: pyramids of the sun and the moon, textile production in europe: embroidery, 1600–1800, textile production in europe: lace, 1600–1800, textile production in europe: printed, 1600–1800, textile production in europe: silk, 1600–1800, theater and amphitheater in the roman world, theater in ancient greece, theseus, hero of athens, thomas chippendale’s gentleman and cabinet-maker’s director, thomas cole (1801–1848), thomas eakins (1844–1916): painting, thomas eakins (1844–1916): photography, 1880s–90s, thomas hart benton’s america today mural, thomas sully (1783–1872) and queen victoria, tibetan arms and armor, tibetan buddhist art, tikal: sacred architecture, tikal: stone sculpture, time of day on painted athenian vases, tiraz: inscribed textiles from the early islamic period, titian (ca. 1485/90–1576), the tomb of wah, trade and commercial activity in the byzantine and early islamic middle east, trade and the spread of islam in africa, trade between arabia and the empires of rome and asia, trade between the romans and the empires of asia, trade relations among european and african nations, trade routes between europe and asia during antiquity, traditional chinese painting in the twentieth century, the transatlantic slave trade, the transformation of landscape painting in france, the trans-saharan gold trade (7th–14th century), turkmen jewelry, turquoise in ancient egypt, tutankhamun’s funeral, tutsi basketry, twentieth-century silhouette and support, the ubaid period (5500–4000 b.c.), ubirr (ca. 40,000–present), umberto boccioni (1882–1916), unfinished works in european art, ca. 1500–1900, ur: the royal graves, ur: the ziggurat, uruk: the first city, valdivia figurines, vegetal patterns in islamic art, velázquez (1599–1660), venetian color and florentine design, venice and the islamic world, 828–1797, venice and the islamic world: commercial exchange, diplomacy, and religious difference, venice in the eighteenth century, venice’s principal muslim trading partners: the mamluks, the ottomans, and the safavids, the vibrant role of mingqi in early chinese burials, the vikings (780–1100), vincent van gogh (1853–1890), vincent van gogh (1853–1890): the drawings, violin makers: nicolò amati (1596–1684) and antonio stradivari (1644–1737), visual culture of the atlantic world, vivienne westwood (born 1941) and the postmodern legacy of punk style, wadi kubbaniya (ca. 17,000–15,000 b.c.), walker evans (1903–1975), wang hui (1632–1717), warfare in ancient greece, watercolor painting in britain, 1750–1850, ways of recording african history, weddings in the italian renaissance, west asia: ancient legends, modern idioms, west asia: between tradition and modernity, west asia: postmodernism, the diaspora, and women artists, william blake (1757–1827), william henry fox talbot (1800–1877) and the invention of photography, william merritt chase (1849–1916), winslow homer (1836–1910), wisteria dining room, paris, women artists in nineteenth-century france, women china decorators, women in classical greece, women leaders in african history, 17th–19th century, women leaders in african history: ana nzinga, queen of ndongo, women leaders in african history: dona beatriz, kongo prophet, women leaders in african history: idia, first queen mother of benin, woodblock prints in the ukiyo-e style, woodcut book illustration in renaissance italy: florence in the 1490s, woodcut book illustration in renaissance italy: the first illustrated books, woodcut book illustration in renaissance italy: venice in the 1490s, woodcut book illustration in renaissance italy: venice in the sixteenth century, wordplay in twentieth-century prints, work and leisure: eighteenth-century genre painting in korea, x-ray style in arnhem land rock art, yamato-e painting, yangban: the cultural life of the joseon literati, yayoi culture (ca. 300 b.c.–300 a.d.), the year one, years leading to the iranian revolution, 1960–79, yuan dynasty (1271–1368), zen buddhism, 0 && essaysctrl.themev == 'departments / collections' && essaysctrl.deptv == null">, departments / collections '">.

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The Last of Us and Philosophy: Look for the Light

ISBN: 978-1-394-22195-0

August 2024

Wiley-Blackwell

Charles Joshua Horn , William Irwin

Did Joel do the right thing when he saved Ellie?

Are those infected by the Cordyceps conscious?

Are communities necessary for human survival and flourishing?

Should Ellie forgive Joel?

Is Abby’s revenge morally justified? Is Ellie’s?

The Last of Us franchise includes two of the best video games ever created and the critically acclaimed HBO series. Renowned for brilliant gameplay and world-class narrative, The Last of Us raises timeless and enduring philosophical questions. Beautiful, thrilling, and tragic, Ellie’s story of survival is as philosophical as it is profound.

The Last of Us and Philosophy brings together an international team of philosophical experts and fans exploring the timeless questions raised by the video games and the show. Drawing insights ranging from Aristotle and Abby to Buddha and Bill, this book elucidates the roles that trust, community, love, justice, and hope play in The Last of Us . Twenty-four original essays cover both The Last of Us Part I and II and the HBO series, offering accessible and nuanced philosophical analysis of Naughty Dog’s amazing world.

Whether you’re a fan of the video games or of the HBO series, The Last of Us and Philosophy will take you on a philosophical journey where you look for the light.

Charles Joshua Horn is Professor of Philosophy at the University of Wisconsin, Stevens Point. He specializes in early modern philosophy, and is the author of numerous peer-reviewed articles and book chapters, mostly about Gottfried Leibniz and video games.

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First Opinion readers on cancer screening, mpox vaccines, and more

Keep those letters coming.

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By Torie Bosch

Sept. 7, 2024

Bosch is First Opinion editor.

First Opinion is STAT’s platform for interesting, illuminating, and provocative articles about the life sciences writ large, written by biotech insiders, health care workers, researchers, and others.

To encourage robust, good-faith discussion about issues raised in First Opinion essays, STAT publishes selected Letters to the Editor received in response to them. You can submit a Letter to the Editor  here , or find the submission form at the end of any First Opinion essay.

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 “ Doing more cancer screening won’t reduce Black-white health disparities ,” by Adewole Adamson, Vishal Patel, and H. Gilbert Welch

The response.

The op-ed unfairly and dangerously diminishes the value of cancer screening in reducing health disparities. As the writers acknowledge, numerous, complex factors contribute to poorer outcomes for Black patients than for white patients. Long-standing problems — like structural racism, poverty, lack of health insurance, and reduced care access — lead to poorer health and outcomes. Medtech innovators have forcefully advocated for Medicare, and other, policies to facilitate patient access to technologies, both established and emerging — including cancer screening — and are developing devices that are faster, more accurate, and more accessible than before. Cervical cancer screening kits for home use are in development. AI-enabled medtech devices are achieving more accurate diagnoses and helping clinicians find appropriate care pathways.

These devices have tremendous potential to reduce the number of tests needed for accurate diagnoses and to direct patients to the best care. Early detection can directly impact patient outcomes, treatment options, and financial burden. A patient whose cancer is detected early may have a better prognosis and may require less aggressive and/or less lengthy care. Longer care can be especially financially debilitating for under-resourced patients. Equal or higher rates of screening for Black patients relative to white patients is a positive development. It reflects years of dedicated advocacy toward getting patients what they need.

Of course, the work is far from over. For example, women with dense breast tissue need screening beyond mammograms, and access to supplemental screening is inadequate. Addressing health disparities in cancer diagnoses and care requires a comprehensive approach, and screening plays a vital role.

So rather than cast screening as the enemy, we should promote it alongside the necessary steps preceding and following it. Maybe screening gets an under-resourced patient in the door. If there’s a cancer diagnosis, the next step should be ensuring access to appropriate treatment, not devaluing the screening that led to the diagnosis.

The authors would have patients question the value of screening. Will that accomplish better health? Instead of dismissing cancer screening, which has been shown to work, those with a voice in health care debates should continue promoting equal access to all the resources that improve patient health.

— DeChane Dorsey and Deidre Washington, AdvaMed

“ Why you may not need a checkup every year ,” by Daniel Morgan

Dr. Morgan describes a health care philosophy embraced by many physicians. We are cogs in a medicoeconomic system that pays no heed to the interests of the patient. The chaos is united in only one central concept: financial gain. Any practicing physician must acknowledge this reality. Dr. Morgan gives more voice to those in the profession who have grown weary of the inherent conflicts of trying to practice good medicine, while at the same time being inundated with perverse incentives which feeds the bottom line.

— Walter Bortz

“ To stop mpox from becoming the next pandemic, we must address global vaccine inequities ,” by Wilfredo R. Matias

“Have we learned nothing from Covid-19?” That’s the right question, but Dr. Matias reaches the wrong conclusion. The real lesson is not to rely on the World Health Organization to look after the needs of developing nations. In the case of mpox, there isn’t a vaccine shortage. Both Bavarian Nordic (the manufacturer of the adult vaccine) and KM Biologics (manufacturer of the mpox vaccine for children) are ready and willing to ship their products to nations such as the Congo. What’s standing in their way is the unwillingness of the WHO to “precertify” that these products are safe and effective. Now the WHO says countries can begin to negotiate pricing before their process is complete. The WHO is in over its head. It is neither staffed nor financially resourced to undertake a thorough review of vaccine data — unlike either the European Medicines Agency or the Food and Drug Administration.

The WHO should step aside and let the expert judgment of gold standard global regulators expedite delivery to the Congo and other nations in Africa and elsewhere. Vaccine “prequalification” is a joke — a dangerous one — and a lesson we should have learned from the WHO’s debacle during the Covid-19 pandemic.

— Peter Pitts, Center for Medicine in the Public Interest

“ Health care price regulation is undemocratic ,” by Ge Bai

A for-profit health care system is immoral and amoral. It matters not that price regulation is undemocratic, it’s just necessary.

— Bruce Saunders

In general I agree with this opinion. However, in order to have competition, the consumer/prospective consumer needs to have adequate understandable information regarding the likely cost between providers, and there needs to be a bare minimum of providers competing with each other. In many nonurban areas, there is no real competition due to a shortage of providers for many services — and for some specialties there is no real competition even in major metros. These situations exist with or without any price regulation or incentives. And in order to have real competition, providers must be more transparent than they are — for most services there is little true transparency even after the recent transparency requirements were imposed. So if we are going to back off of pricing regulations, we will need a corresponding improvement in true transparency for competition to become a reality.

— Patrick Pine, Robert F. Kennedy Farmworkers Medical Plan

“ A harm-reduction approach to eating out ,” by Sophia Hua

Portion control is a key factor in achieving and maintaining a healthy weight, so the author’s exhortation to restaurants to offer two size options is sound. For those with just a bit of willpower, however, there’s another alternative: the doggie bag. When the plate of food arrives, just divide it all in half and take home the leftovers for tomorrow’s dinner. This limits calorie intake and proves a better bargain when the check arrives.

— Alison Sneider

About the reporting

STAT’s investigation is based on interviews with nearly 100 people around the country, including incarcerated patients and grieving families, prison officials, and legal and medical experts. Reporter Nicholas Florko also filed more than 225 public records requests and combed through thousands of pages of legal filings to tell these stories. His analysis of deaths in custody is based on a special data use agreement between STAT and the Department of Justice.

You can read more about the reporting for this project and the methodology behind our calculations.

The series is the culmination of a reporting fellowship sponsored by the Association of Health Care Journalists and supported by The Commonwealth Fund.

Torie Bosch

Editor, First Opinion

Torie Bosch is the First Opinion editor at STAT.

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