(Morrison, , 45)
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If the source has no page numbers, you either use an alternative locator, or leave the page number out of the citation:
Source type | What to do | Citation example |
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Audiovisual source (e.g. a or ) | Give the time range of the relevant section. | (Arnold 03:15–03:21). |
Source with numbered sections (e.g. an ) | Give a paragraph, section, or chapter number. | (Smith, par. 38) (Rowling, ch. 6) |
Source with no numbered sections (e.g. a ) | Leave out the page number. | (Barker) |
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“I Just Keep Talking” brings together wide-ranging and pointed essays by the author of “The History of White People.”
From the opening sentences of her new collection, “ I Just Keep Talking: A Life in Essays ,” historian Nell Irvin Painter addresses readers in a voice brimming with knowledge, clarity and, most delightfully, confidence. As she writes, it would have been a terrible thing had she died young, “during the full-blown era of White-male-default segregation, discrimination, and disappearance that wound down only yesterday. I would have disappeared from memory, just another forgotten Black woman scholar, invisible to history and to histography.” And poor readers would have been deprived of her droll wit and self-assured wisdom.
It’s no small thing that in an era filled with grievances based on injuries that are sometimes profound and often perceived, Painter makes it clear that she has not come to this memoir to reclaim a lost or damaged part of herself. She recounts her response to an admirer who once inquired about what she did for healing. “‘Nothing,’ I said. ‘I’m not broken.’ Not broken, but on occasion frustrated, indignant — self-righteously — pissed off with cause, often exhausted, but mostly and permanently grateful for the people who have protected me, mentored me, supported me over so many decades.” This is an invigorating introduction, full of certainty and strength. Painter has moved through her professional life always knowing her worth, never doubting her intelligence and believing that those who might refuse to listen to her insight would be lesser for their decision.
Perhaps it requires a historian to fully grasp the importance — or at least the impact — of telling one’s own story with a certain brio. Painter, 81, is an esteemed historian retired from Princeton University who studied painting later in life, including at the Rhode Island School of Design. (She wrote about that experience in an earlier memoir, “ Old in Art School .”) The essays in “I Just Keep Talking,” which reflect upon the meaning of “Whiteness,” our understanding of enslavement and the power of nuance, among other subjects, are accompanied by her artwork, which sometimes amplifies her words and sometimes stands in their stead. It is a beautiful book. But its power ultimately rests in the sentences, not the pictures.
In some cases, Painter turns her attention to long-ago history, such as the legacy of Sojourner Truth. She informs readers that the 19th-century abolitionist and women’s rights activist did not utter the most famous phrase attributed to her: “Ain’t I a woman?” If Truth had, in fact, asked the question, Painter says, society’s answer would have been “no.” The answer not only would have reflected the circumstances of the times but would have undercut the way in which Truth understood her power and the skill with which she used it.
The Truth sketched by Painter, in an essay from 1994, is more complex than the one who has been reduced to a misattributed slogan. Truth eschewed the trappings of intellectualism and freedom as used by orator Frederick Douglass, and built her “public persona to establish that what had happened to her — her enslavement, rather than her reason — lent her a unique wisdom.”
Painter’s assessment of Truth is searing, sad and deeply revealing to a lay reader. Truth understood a reality of her time, which is that “in the eyes of most nineteenth-century Americans to be both memorable and woman at the same time simply was not possible. Black women’s individual experience had either to be reconstructed as something emblematically Negro — that is, as enslaved — or to be erased.”
As always, understanding our history means understanding ourselves. We carry our history with us: what we’ve learned in textbooks, what has been burnished in familial oral histories and what has been prettied up by politicians. Painter reminds us of history’s complications and subtleties. She encourages civilians — not just activists or academics — to ask all the pertinent questions, even the uncomfortable ones or those that are contrary to our individual politics and preferences.
What did slavery do to those who were in bondage? But also, what did it do to those who enforced it? Painter is insistent in her refusal to cave to the “national hunger for simplifying history.” She is a dogged corrector of the public record. She has even included in this book a letter to the editor she had published in the New Yorker in 2022, in which she carefully disentangles Truth from the famous slogan.
Painter does not limit her sharp critiques to distant ancestors and abolished institutions; she considers still-vibrant personalities and more recent upheavals. She takes us back to the Supreme Court confirmation hearings of Clarence Thomas in 1991, during which Anita Hill, in the pre-#MeToo era, testified to Thomas’s sexual harassment of her. Painter highlights the way in which Thomas forced Hill into the role of spoiler of circumstances that were not yet a fait accompli.
“In a struggle between himself and a woman of his same race, Thomas executed a deft strategy,” Painter writes. “He erected a tableau of White-Black racism that allowed him to occupy the position of the race . By reintroducing concepts of White power, Thomas made himself into the Black person in his story. Then, in the first move of a two-step strategy, he cast Anita Hill into the role of Black woman as traitor to the race .”
Painter continues: “The most common formula expressing minority status is ‘women and Blacks.’ As the emblematic woman is White and the emblematic Black is male, Black women generally are not as easy to comprehend symbolically.”
The racial and gender dynamics that were evident during that 20th-century Shakespearean drama continue to resonate in this century. Black music mogul Sean Combs faces accusations of harassment and violence by women over whom he wielded power. Thomas remains a controversial figure, facing scrutiny over his ethics on the bench and questions about potential conflicts of interest . And Hill has become a revered standard-bearer of a new generation of women who have spoken their truth under daunting circumstances, including Christine Blasey Ford during the 2018 confirmation hearings of Justice Brett M. Kavanaugh.
History simply refuses to remain in the past.
Painter is also the author of “The History of White People” (2010), an exploration of how and why certain individuals were sorted into that racial category. Its sweeping audacity left some observers bemused, not by what it said about our construction of race but by the skin color of the woman who wrote it. Painter has swagger. And in this memoir, she takes advantage of all the privileges of a historian to take an arm’s-distance look at a people, not just those who look like her . She explains Whiteness and how the concept politically evolved during the presidency of Donald Trump .
Whiteness had always been the default, the standard against which all others were measured. Social and political acceptability were based on how closely one hewed to the White ideal. To claim Whiteness as an identity, however, was problematic, because those who did so were white nationalists and supremacists. They were members of the Ku Klux Klan. White pride was a political hand grenade.
“What the time of Trump does for us now is make White Americans visible as raced Americans, as raced counterparts to Black Americans. Long-standing assumptions — that only non-Whites have racial identities, that White Americans are individuals who only have race if they’re Nazis or White nationalists — those assumptions no longer hold,” Painter writes in an essay from 2018. “I’m turning the glass around to focus on what living in a slave society did to non-Black Americans and to the society as a whole.”
Painter puts muscle and heart into history so that her readers can easily, but thoughtfully, draw the lines between past and present. Her history is inclusive, not in a pandering or self-consciously correct way, but because her artful telling of it is full of complexity that’s both beautiful and bracing.
“Once we can write the words ‘trauma’ and ‘slavery’ in the same sentence, we will have enriched our understanding of slavery’s human costs, for enslaved, enslavers, and bystanders,” she writes.
In her memoir, Painter offers an intellectual history of herself, but also a history of us. We’re lucky that she continues to talk. What she has to say can help us more fully understand ourselves — but only if we’re willing to listen.
A Life in Essays
By Nell Irvin Painter
Doubleday. 418 pp. $35
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Create manual citation. The guidelines for citing an essay in MLA format are similar to those for citing a chapter in a book. Include the author of the essay, the title of the essay, the name of the collection if the essay belongs to one, the editor of the collection or other contributors, the publication information, and the page number (s).
Cite a book automatically in MLA. The 8 th edition of the MLA handbook highlights principles over prescriptive practices. Essentially, a writer will need to take note of primary elements in every source, such as author, title, etc. and then assort them in a general format. Thus, by using this methodology, a writer will be able to cite any ...
MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (9th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.
Citing a book chapter. Use this format if the book's chapters are written by different authors, or if the book is a collection of self-contained works (such as stories, essays, poems or plays).A similar format can be used to cite images from books or dictionary entries.If you cite several chapters from the same book, include a separate Works Cited entry for each one.
Ross, Colin. "The Story of Grey Owl." Fiction/Non-Fiction: A Reader and Rhetoric, edited by Garry Engkent and Lucia Engkent , Thomson Nelson, 2006, pp. 327-333. (Ross 328) Note: The first author's name listed is the author of the chapter/essay/short story. If there is no editor given you may leave out that part of the citation.
Revised on March 5, 2024. An MLA in-text citation provides the author's last name and a page number in parentheses. If a source has two authors, name both. If a source has more than two authors, name only the first author, followed by " et al. ". If the part you're citing spans multiple pages, include the full page range.
This guide follows the 9th edition (the most recent) of the MLA Handbook, published by the Modern Language Association in 2021. To cite sources in MLA style, you need. In-text citations that give the author's last name and a page number. A list of Works Cited that gives full details of every source. Make sure your paper also adheres to MLA ...
MLA (Modern Language Association) style is most commonly used to write papers and cite sources within the liberal arts and humanities. This resource, updated to reflect the MLA Handbook (9th ed.), offers examples for the general format of MLA research papers, in-text citations, endnotes/footnotes, and the Works Cited page.
How to Cite a Book. To create a basic works-cited-list entry for a book, list the author, the title, the publisher, and the publication date. You may need to include other elements depending on the type of book you are citing (e.g., an edited book, a translation) and how it is published (e.g., in print, as an e-book, online).
Cite your book. *Keep "https:" at the beginning of the URL only when citing a DOI. Digital sources with no page numbers means that no page numbers should be included in the in-text citation. In-text Citation. Structure. (Last Names) OR Last Names. Example. (Austen and Grahame-Smith) OR Austen and Grahame-Smith.
Italicize the full title of the book, including any subtitles, and follow it with a period. If the book has a subtitle, follow the main title with a colon (unless the main title ends with a question mark or exclamation point). Use title case. Example: Smith, John M. The Sample Book: Let's Learn to Cite.
MLA Citation Style, 9th Edition; Book - Essay, Short Story, Poem, etc; Search this Guide Search. ... When you are citing one work from a book in the text of your paper and the book has many different authors, you will list the information about that work (critical essay, short story from an anthology, etc) first. ...
If you are citing a chapter from a book that has an editor, the author of the chapter is listed first, and is the name listed in the in-text citation. Dates. The format of all dates is: Day Month (shortened) Year. E.g. 5 Sept. 2012. Write the full date as you find it on the source.
Write the book title in the title case and italicize it. Don't italicize the period after the book title. Mention the city of publication if it's relevant. Separate the city of publication, publisher's name, and year of publication with commas. Add a hanging indent of 0.5 inches. Also read: How to Cite Sources in the MLA Format.
An in-text citation can be included in one of two ways as shown below: 1. Put all the citation information at the end of the sentence: 2. Include author name as part of the sentence (if author name unavailable, include title of work): Each source cited in-text must also be listed on your Works Cited page. RefWorks includes a citation builder ...
Cite your MLA source. Start by applying these MLA format guidelines to your document: Use an easily readable font like 12 pt Times New Roman. Set 1 inch page margins. Use double line spacing. Include a ½" indent for new paragraphs. Include a four-line MLA heading on the first page. Center the paper's title.
Author First M. Last Name, "Chapter or Essay Title," in Book Title, ed. First M. Last Name (Place of Publication: Publisher, date), page cited. Short version: Author Last Name, "Chapter or Essay Title (shortened if necessary)," page cited. Bibliography. Author Last Name, First M. "Chapter or Essay Title." In Book Title, edited by First M.
Scroll back up to the generator at the top of the page and select the type of source you're citing. Books, journal articles, and webpages are all examples of the types of sources our generator can cite automatically. Then either search for the source, or enter the details manually in the citation form. The generator will produce a formatted MLA ...
An E-Book. Citations for e-books closely resemble those for physical books. Simply indicate that the book in question is an e-book by putting the term "e-book" in the "version" slot of the MLA template (i.e., after the author, the title of the source, the title of the container, and the names of any other contributors).
Best American Essays 2019, edited by Rebecca Solnit, Houghton Mifflin Harcourt, 2019, pp. 70-76. Cite your source. In-text examples; ... To cite a book chapter in MLA style with an editor and/or a translator, you need to have basic information including the authors, chapter title, editors and/or translators, publication year, book title ...
To cite a book chapter, first give the author and title (in quotation marks) of the chapter cited, then information about the book as a whole and the page range of the specific chapter. The in-text citation lists the author of the chapter and the page number of the relevant passage. MLA format. Author last name, First name.
In his new book, "American Covenant," Yuval Levin argues that we have forgotten the Founders' way of thinking about these issues, and that this forgetfulness is one of the sources of ...
How to cite in MLA format. MLA is one of the most common citation styles used by students and academics. This quick guide explains how to cite sources according to the 9th edition (the most recent) of the MLA Handbook.You can also use Scribbr's free citation generator to automatically generate references and in-text citations.. An MLA citation has two components:
Review by Robin Givhan. June 12, 2024 at 3:30 p.m. EDT. Nell Irvin Painter, whose new book is "I Just Keep Talking: A Life in Essays." (Dwight Carter) 8 min. 16. From the opening sentences of ...