essay on art of andhra pradesh

Essay on Culture of Andhra Pradesh

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100 Words Essay on Culture of Andhra Pradesh

Introduction.

Andhra Pradesh, a state in southern India, is known for its rich and vibrant culture. This culture is a beautiful blend of various traditions and customs, reflecting the diversity of the region.

Traditional Art

The state is famous for its unique art forms like Kuchipudi dance and Tholu Bommalata, a shadow puppet theatre. They are integral to Andhra’s cultural identity.

Andhra cuisine is renowned for its spicy and flavorful dishes. The staple food is rice, often served with a variety of chutneys and pickles.

Andhra Pradesh celebrates numerous festivals, like Ugadi and Makar Sankranti, with great enthusiasm, showcasing the state’s cultural richness.

250 Words Essay on Culture of Andhra Pradesh

Andhra Pradesh, located on the southeastern coast of India, is a culturally rich state with a diverse array of traditions, arts, and cuisines. The culture of Andhra Pradesh is a vibrant blend of various influences, shaped by its history, geography, and the people who inhabit this region.

Art and Literature

The state is renowned for its contributions to Indian literature and art. Telugu literature, dating back to the 11th century, is rich in poetry, drama, and prose. The Kuchipudi dance form, an integral part of Andhra’s cultural identity, showcases the state’s artistic prowess.

Andhra cuisine is another cultural highlight, known for its spicy flavors and varied vegetarian and non-vegetarian dishes. The state’s coastal location influences its cuisine, with seafood being a staple in many regions.

Festivals and Rituals

Festivals in Andhra Pradesh mirror the state’s cultural diversity. Celebrations like Ugadi (Telugu New Year) and Sankranti showcase the state’s rich customs and traditions. Rituals and ceremonies are deeply rooted in the state’s culture, reflecting the religious and spiritual beliefs of the people.

The culture of Andhra Pradesh is a testament to the state’s historical legacy and its vibrant, diverse populace. It is an intricate tapestry of traditions, beliefs, arts, and cuisines, reflecting the essence of India’s rich cultural heritage. As we delve deeper into understanding this culture, we uncover layers of history, society, and human creativity, making it a fascinating subject of study.

500 Words Essay on Culture of Andhra Pradesh

Andhra Pradesh, a southern Indian state, is renowned for its rich cultural heritage that reflects the vibrant history of the region. The culture of Andhra Pradesh is a true manifestation of the real spirit of India as it blends traditions, religions, and modern influences.

Language and Literature

Telugu, the official language of Andhra Pradesh, holds a prominent position in the linguistic panorama of India. It has a rich literary tradition dating back to the 11th century. Nannayya, Tikkana, and Yerrapragada, known as the Kavitrayam, contributed significantly to Telugu literature. The state’s literature is marked by poetic expressions and philosophical musings, reflecting the intellect and creativity of its people.

Art and Craft

The art and craft of Andhra Pradesh are renowned worldwide for their exquisite craftsmanship. Kalamkari, a unique art of painting on cloth, and Bidri Craft, a metalwork technique, are two notable crafts. The state also takes pride in its traditional dance forms like Kuchipudi, which originated here and is globally recognized.

Andhra cuisine is another integral part of the state’s culture. The food is known for its rich flavors, with a heavy use of spices and chillies. The traditional Andhra thali, a platter with a variety of dishes, is a gastronomic delight. The cuisine is not just about taste, but also about the traditional methods of cooking that have been passed down through generations.

Festivals and Traditions

The culture of Andhra Pradesh is marked by its festive spirit. Celebrations like Ugadi (Telugu New Year), Sankranti, and Dussehra are observed with great enthusiasm. These festivals reflect the state’s deep-rooted customs and traditions, with rituals, music, dance, and food playing a significant role.

Religion and Philosophy

Religion plays a pivotal role in the lives of the people of Andhra Pradesh. Hinduism is the dominant religion, but the state also has a significant population of Muslims and Christians. The state is home to many notable temples, like the Tirumala Venkateswara Temple. The philosophical thoughts of the region are deeply influenced by the teachings of spiritual leaders like Adi Shankaracharya.

In conclusion, the culture of Andhra Pradesh is a beautiful tapestry of rich traditions, vibrant art forms, profound literature, delectable cuisine, and deep-rooted religious beliefs. It is a testament to the state’s historical legacy and its ability to embrace change while staying true to its roots. The culture of Andhra Pradesh thus offers an enriching experience, making it a fascinating subject of study for anyone interested in understanding the diverse cultural landscapes of India.

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Andhra Pradesh Arts and Crafts – A Glorious Synthesis of Culture

• Andhra Pradesh
• Art & Culture
• Culture of Indian States
• Indian handicraft

Table of contents

1. budithi art, 2. mangalagiri sarees, 3. durgi stone art, 4. etikoppaka wooden crafts, 5. eluru carpets, 6. dharmavaram sarees, 7. pochampally silk and cotton sarees, 8. kondapalli toys, 9. kalamkari painting, 10. bidri art work.

Andhra Pradesh , frequently known as the Rice Bowl of India, is a melting pot of culture. It’s a territory that’s been ruled by a variety of dynasties and empires. The region’s current lifestyle is the result of the fusion of various cultures. Foreign powers have left their imprint on music, dance, food, and literature. This variety and diversity have contributed to the culture’s richness and success. Culture of Andhra Pradesh encompasses a variety of artistic disciplines.

The state’s culture is an important aspect of the country’s rich cultural legacy. Kalamkari, Bidri, the amazing weaving of Gadwal and Venkatagiri, the exclusive metalware, brass, stone, and wood carving highlight the enormous talent of the Andhra craftsmen.

Budithi art, a unique and special style of metal handicrafts in India, is particularly famous in Andhra Pradesh. Budithi art was created and is still done in Srikakulam’s Budithi village. It is well-known for producing stunning metal handicrafts in both traditional and contemporary designs. Brass is the most common alloy utilized in this art form. This region’s wonderful brassware is gaining appeal these days. It was once part of the village’s tradition, but it is now a vocation for the residents. Budithi brassware has grown in popularity thanks to the efforts of the state government.

The Brassware is designed with geometrical shapes, curves, and lines to create simplistic yet stunning presentations. The traditional utensils are primarily used in the kitchen. And contemporary artefacts exhibit the local artisans’ art form. Brass artefacts are considered suitable for a spiritual purpose by Hindus. These products are now also created for utilitarian functions. Brassware is particularly popular due to its unique brilliance and appeal. Brass is a soft metal with a bright gold hue that is usually classed as a copper alloy. It is thought that drinking water from a brass vessel is beneficial to one’s health. Brass contains zinc and copper, which enhance immunity and protect against sickness.

Handicraft weaving is used to make Mangalagiri sarees and fabrics in Mangalagiri, a town in the Guntur district of Andhra Pradesh, India. Because of the famed temple of Lord Panakala Narasimha Swamy, which is located in the centre of the town, Mangalgiri has always been known for its pilgrimage significance. In 1999, the Geographical Indications of Goods (Registration and Protection) Act designated it as a handicraft with a geographical indicator from Andhra Pradesh.

Mangalagiri sarees are designed in the Nizam style, which makes them elegant. A few unique sarees feature exquisite tribal designs woven in cotton, as well as zari or golden coloured patterns in small checks. This saree’s pallu (edge) is embellished with a striped motif, which is a traditional tribal ornament composed of golden embroidery.

On the main body of the Mangalgiri saree, there are no decorations. Nizam border and pallu are adorned with zari or golden thread work. The tribal designs inspired these geometrical and basic designs. Many of the younger generations prefer wearing Mangalgiri weave cotton kurtas, dupattas, and stoles, which may be paired with western attire for a creative Indo-Western appearance.

Suggested Read: Exploring the Traditional Sarees from Different States of India

According to legend, after paying reverence to the lord, pilgrims were required to purchase a saree from the local weavers, which provided another source of income for the weavers. The Mangalgiri saree rose in popularity as a result. The pillar alone demonstrates that the Mangalgiri handloom tradition has existed in the town for over five centuries.

The temple town village of Durgi in the Palnadu area of Guntur, Andhra Pradesh, produces Durgi stone craft. These are exquisite stone carvings fashioned from a unique type of limestone found only in the area. The craft began in the 15th century in Durgi and has prospered since then. Sculptors saw the possibilities of employing limestone instead of more expensive marble and granite at the time, resulting in the development of a new style of art. The stone’s smooth, whitish-grey texture lends itself well to beautiful sculptures of gods and goddesses. According to the Shilp Shastras, the craftsmen use traditional carving techniques. Today, a diverse selection of items is curated in order to broaden the craft’s economic appeal. Stone carvings are used to create lovely decor pieces in addition to auspicious deities and statues.

The Andhra Pradesh town of Allagadda is known as a major centre for sculptural stone carving. The sculptures here are built of locally sourced sandstone, which is both heat resistant and long-lasting. Its hue is typically brown or golden, and its composition allows for detailed carving and detailing. Gods and goddesses are sculpted in the Vijayanagara style, carefully following the old Shilp Shastra scriptures. Another type of stone used to carve sculptures in Allagadda is the strong black-stone, which comes in a range of shades from grey to black and is commonly used to carve Lord Krishna statues. The artisans have expanded their portfolio beyond god and goddess statues to include elegant interior design.

Etikoppaka is a small village on the banks of the river Varaha in the Visakhapatnam district of Andhra Pradesh. These lacquer-coloured toys are traditionally known as Etikoppaka toys or Etikoppaka Bommalu and are created in the Etikoppaka district of Andhra Pradesh. The village is well-known for its wooden toys. Because of the lacquer finish, the toys are also known as lacquer toys.

The village has a long and illustrious history, with local zamindars seeing the potential for creating beautiful and appealing toys long before independence. These are well-known for canon toys, Lord Ganesha in many forms, and bullocks, among other things. Natural dyes produced from seeds, lacquer, bark, roots, and leaves are used to colour the toys, which are built of wood. Toy manufacturing is also called Turned wood Lacquer craft because the wood used to manufacture the toys is soft in nature. Lac, a colourless resinous secretion of a variety of insects, is used to make Etikoppaka toys. During the oxidation process, the already prepared vegetable colours are added to the lac. The final product is a rich, coloured lacquer as a result of this technique. Etikoppaka toys, which are exported all over the world, are decorated with lac dye.

Suggested Read: Traditional Toys of India: Practice of Culture and Profession

Eluru, a renowned city in Andhra Pradesh and the district headquarters of the West Godavari district, is known throughout the world for its natural colour carpets. White, black, and brown carpets, as well as semi-black and grey carpets, are available. These are also commonly exported since they are woven with low-density knots.

Eluru’s carpets are frequently named after the carpet craftsmen who make them. HussainKhani, Amarkhani, Ramachandra Khani, Reddy Khani, and Gopalraokhani are some tovariants. Dillikhani has boats (kishti) and floral motifs, whilst Thotti Kahani is a flower-pot-based design composition. Ambarcha, guava, babul, and jampal are some of the fruits and flowers whose patterns appear on these carpets. Eluru carpets are usually floral or geometric in pattern, with a colour palette that includes a blend of blue and green, as well as light yellow and pastels. Many intricate designs are woven with a half-white background and deep-green and orange designs utilising the traditional talim technique.

Dharmavaram, in the Anantapur region of Andhra Pradesh, is famous for its silk sarees, which exude great grandeur while having a low gold thread count. Handlooms have been discovered at Dharmavaram dating back to the late 1800s. Butis and dots are among the traditional designs and motifs. The sarees have wide borders and vibrant colour schemes.

The silk weaving industry in Dharmavaram is well-known throughout the country, particularly for its exquisite silk sarees. The wall paintings of the Lepakshi temple at Hindupur also contain evidence of the origins of Dharmavaram Sarees. Both the warp and the weft are made of 2-ply Mulberry silk. Zari is widely used to embellish the saree’s borders, pallu, and body. This saree is also used to create gorgeous and vivid costumes for the Indian classical dances Bharatnatyam and Kuchipudi.

Geographical Indications of Goods (Registration and Protection) Act, 1999, designated it as a geographical indication from Andhra Pradesh.

Pochampally or Pochampally Silk is a type of silk produced in the town of Bhoodan Pochampally in the Nalgonda district of Andhra Pradesh. The place is commonly referred to as India’s Silk City. The Ikat styling and designs put on Pochampalli Silk sarees have made them culturally prominent. These Ikat patterns are woven into the cloth in geometrical forms, guaranteeing that the complete look exudes a fascinating aura to both the wearer and the onlooker.

Pochampally silk is all about utilizing the smoothest and finest cotton and silk thread work to imprint intricate motifs and designs onto the fabric. The geometrically patterned designs are painted on the weft and warp threads and woven into the Pochampally fabric in an artistic manner. The fabric’s essence is a unique combination of sico, silk, and cotton. The production of these sarees incorporates natural components and sources.

Toys made of painted wood or Kondapalli toys , as they are known locally, are world-famous for their unique wood, which gives a sense of elegance to drawing rooms with their carefully crafted figurines. In the realm of handicrafts, these toys have carved themselves into their own niche. As characters from and evolve from light softwood, nimble-fingered artists carve with elegance. To make the hardwood item moisture-free, it is heated. The image’s many components are carved independently. The pieces are then bonded together using a tamarind seed adhesive.

The toy or figurine is painted with both water and oil colours. Painting is done with goat’s hair paint brushes that are delicate and thin. The toys depict real-life sceneries, animals, rural people, deities, and epic characters. Among the noteworthy objects manufactured by the artisans here are Kondapalli soldiers, pen stands, Dasavatar sets, and Ambari elephants. The miniature works of art, which are fashioned of white Poniki and painted with natural colours like vegetable dyes, are a collector’s joy. To paint toys of export quality, vegetable dyes are utilised, whereas oil paints are used to colour toys sold within India, and enamel paints are used to paint toys created for special occasions.

Kalamkari is a hand-painted or block-printed cotton textile and painting technique prevalent in Andhra Pradesh. It’s a technique for painting cotton garments with a kalam (pen) that uses a sharp-pointed perforated bamboo to control the flow of colour on the fabric.

The name is derived from the Persian words qalam (pen) and kari (to write) (craftsmanship). This type of art is well-known throughout Andhra Pradesh. Srikalahasthi from Chittoor district and Machilipatnam Kalamkari from Krishna district are the two main forms. Machilipatnam Kalamkari is made in the town of Pedana, near Machilipatnam, in the Krishna region of Andhra Pradesh, and involves the use of vegetable coloured block-painting of fabrics. Under the heading of handcraft goods, this style of painting was recognised for geographical indication. This style first emerged under the Mughal Dynasty and was later adopted by the Golconda Sultanate. Bedsheets, wall hangings, clothes, curtains, sarees, and other textile products are all manufactured in this manner. This part of Coastal Andhra Pradesh is known for generating some of the best Kalamkari prints in the world.

Bidri is a silver or gold inlay technique used on black metal. The ‘Bidri craft’ is named after the Karnataka town of Bidar, where it began.

Persian artists first presented the one-of-a-kind artwork. Bidar was visited by skilled Bidri artists from Persia, who educated Bidri workers to make marvels for royal families. The striking Mughal themes are skillfully engraved without detracting from the craft’s traditional element. Despite the fact that the craft is quite popular in Hyderabad, the artists have gone from Bidar since Hyderabad has better marketing and exporting options.

Melting the alloy, casting the object, engraving and inlaying the design, and finally oxidising are the four procedures involved in inlaying silver and gold on steel or copper over a black backdrop. Mughal’s themes are influenced by the primary motifs, which also include geometrical and floral patterns. Although the artist inserts innovative motifs, old designs are more popular.

Andhra Pradesh is a diverse state that encompasses all aspects of life, from technology to arts and crafts . Whether it’s toys, metal crafts, brassware, stone craft, sarees, or paintings, artisans’ expertise lies in the traditional methods of production that are still used today. With its rich texture, Andhra Pradesh’s handlooms entice not just Indians but also foreigners. These curios might make wonderful gifts for your loved ones.

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REGIONAL ART FORMS OF ANDHRA PRADESH:AN OVERVIEW

India is a land rich with art, tradition and culture. There are many types of traditional Indian folk paintings, such as Madhubani paintings from Bihar, pattachitra paintings from Orissa, Pithora paintings from Gujarat and Madhya Pradesh, Nirmal painting from Andhra Pradesh, Warli art of Maharashtra, Phad painting originating in Rajasthan and so on. What makes these paintings special is that each of these types of paintings uniquely reflect the cultural and socioeconomic milieu in that particular territory of India, giving us a clear idea about the life and work in that particular region.

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Living in India means living simultaneously in several cultures and times. The past exists as a living entity alongside the present, each illuminating and sustaining the others. As times and cultures converges, the citadels of purism explode. Traditional and modem, private and public, the inside and outside continually telescope and reunite. Where popular culture in homes and streets extends in to the pre-industrial habits, we call religious and folk, far beyond the consumption of merely industrial products. The distinction between ‘Pop Art Popular Cultures in India’ is important to understand. ‘Kitsch’ art mass produced art& artifacts unsuccessfully aping the aesthetics standards of elite culture. The boundary of the culture associates with the word kitsch is Aesthetic. The needs, attitudes, etc., which results in the commodities of today, we are surrounded by which we see & live with. “Substitution” this differs from each class of society. If a middle class person goes for deckle a sheets for the look of classical with a lower economy which substitutes teak wood (with its effects) it is termed kitsch. similarly a man of better class compared to the above mentioned, goes for a furniture that tries very consciously to imitate the cupids of the great masters along with the decorative motifs, However the material here not being substituted, but the images which are imitated, at times like this, strongly manipulates as kitsch but slightly of a higher class.

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This article delineates Warli paintings and its characteristics. Warli art was first discovered in early seventies. No record found about the exact origins of this tribe and its roots. It may belong to 10th century AD., when man learn to build the walls of the house. Warli art is a vivid expression of daily and social life of the tribe named as Warli of Maharashtra. Their art is entwined with their life and rustic magic, rituals, God and goddesses, harvest seasons, marriage scenes painted on the prepared walls of their homes, later they shifted to canvas, paper, cloth etc. as per the demand. Primarily this art form is painted by women only later men also joined. It's a pure and unadulterated art form. Warli painting is simple and comprised of geometric forms and relegated the academic rules like proportions, perspective. Tarpa dance and Caukat are the most striking features of Warli art. In the early 70's Artist Bhaskar Kulakarni came to Warli tribe and taught them, how to make their paintings more substantial and influenced many contemporary artists and achieved international fame.

W hen you go to the market or to a museum you will find many paintings, wall hangings or work done on terracotta. Do you know that these paintings have their origin in ouir ancient past. They depict the life and customs followed by the people of those times. They also show how the kings and queens dressed or how the courtiers sat in the royal assembly. Literacy records which had a direct bearing on the art of painting show that from very early times painting both secular and religious were considered an important form of artistic expression and was practised. This need for expression is a very basic requirement for human survival and it has taken various forms since prehistoric times. Painting is one such form with which you may have been acquainted in some way or the other. Indian painting is the result of the synthesis of various traditions and its development is an ongoing process. However while adapting to new styles, Indian painting has maintained its distinct character. " Modern Indian painting in thus a reflection of the intermingling of a rich traditional inheritance with modern trends and ideas ". OBJECTIVES After reading this lesson you will be able to:  trace the origin of painting from the prehistoric times;  describe the development of painting during the medieval period;  recognise the contribution of Mughal rulers to painting in India;  trace the rise of distinct schools of painting like the Rajasthani and the Pahari schools;  assess the development of painting in local centres like Kangra, Kulu, and Basoli;

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Paintings by patua women exploring various themes are currently found in museums and private collections worldwide. They have recently been on display at museums, galleries, art markets and fairs in various parts of the world. Today's patua women have participated in a wide range of artistic and social projects, and some have been either the central or secondary subjects of academic research. In recent decades the dissemination and recognition of these women's work have been impressive. This is particularly true not only in terms of its global reach, but also from the perspective of the diversity of the venues that have shown an interest in the women's work. In their various live presentations locally and internationally, these women are capable of an exemplary interweaving of localism and cosmopolitanism when they perform traditional or contemporary themes while unrolling jarano paintings and singing in rural Bengali. A sketch of the recent trajectories of Naya women painters or their paintings gives the impression that the world has "discovered" these women and their patachitra work. However, by merely acknowledging these trajectories, one does not gain a sense of the subjectivities of Naya patua artisans, specifically in the case of the women painters. In his work exploring the existence of differentiated cosmopolitanisms, Velho (2010) emphasizes the relevance of stressing the various consequences of globalization dynamics in the world today. He offers the example of two people from different generations who live in the same urban setting but who have different trajectories and understandings of their own accomplishments. He points out that it is important to draw attention to the diversity of people's trajectories, to the particular activities in their lives, and to the specific meanings people give to them. In rural Naya, women recently started pursuing trajectories similar to those of patua men. Thus, to begin my discussion of patua women's own perspectives on what they currently do, I will first briefly introduce a figure who played a key role in establishing women's visibility as patua artisans. Dukhushyam Chitrakar is a patua master who exemplifies the supportive role played by some men in the development and recognition of the women's activities, and his worldview frames the relationship between tradition and cosmopolitanism in the contemporary work of Naya's patua. This will be followed by a brief exploration of some of the women's own views. Some chose territories of Indian work of art have been taken to investigate and to show the expressive highlights of lines. Those are cavern painting of Ajanta, Mughal smaller than usual, Rajasthani scaled down, Pahari painting, Bengal school of craftsmanship and some individual specialists of present-day time span. The examination likewise suggests that the components of custom workmanship and people artistic creations of India how reflect in the canvases of Bengal, Bihar, Odisha, and Assam. These artistic creations are wealthy in society components. Use of lines, hues, European impacts all are talked about. Goal of the examination is to distinguish the famous workmanship themes delineating in the composition just as direct quality. Complex highlights, topics, components of patachitra works of art are examined.

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This article focusses on the genre of miniature painting with special reference to Ragamala painting from the Deccan region of India. Ragamala painting is a special category within miniature paintings. The Indian ragas are musical modes which convey a certain mood. This has been captured in Ragamala paintings which literally translates as ‘’garland of ragas’’ or a string of musical modes. The Deccan region produced several paintings of the ragas; including raginis which are supposed to be the wives/females of the Indian ragas. The Deccani ragamala paintings are vibrant and the varied themes represent the mood it is supposed to depict as per the raga or ragini. While tracing the history of this category from the Deccan region the many examples in this article will make it clearer to recognize and appreciate aspects of this important genre of Indian painting.

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Extended audio visuals in the form of film and television are popular; Scroll paintings are another form of entertainment that combines audio and visual media. It is a lovely custom to combine the singing version of the story with the painted images. These include the phad paintings of Rajasthan, the patachitra of Orissa, the rails or pattuvas of Bengal, and the little-known Telangana Scrolls-Cheriyal paintings. They were painted by local artists and used by the Minstrel Picture Showmen in various villages of Telangana. It is a tradition, deeply religious in its premises and embedded in the caste system of the region. The painted scrolls of Telangana illustrate the myths about the origin of a particular caste and the heroic deeds of one of its legendary heroes. The stories are mainly from the vast legends of India like the Mahabharata, Ramayana, legends, local folklore and the daily village life activities. Nakashis work in a very wide and impressive artistic medium and they serve a very diverse clientele. They work in wood, cloth, cement, clay, cow dung, paper mache, and produce auxiliary structures, bride boxes, wooden masks, temple murals, portable shrines, dolls, dolls, panel paintings and scroll paintings. Previously, these scrolls and figures were used to tell the story; now they are used to decorate the walls in homes. Today artists are painting some modern themes with the occasional effort of artistic institutions and encouragement.

I express my sincere gratitude to those without whose support I would never have undertaken such a project. Mentioning everyone who helped me directly and indirectly to bring this work to fruition will be a lengthy affair. Nevertheless, I acknowledge the support received from various museums and libraries to authenticate the data I have collected during my field research.

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India had consistently been known as the land that depicted cultural and traditional dynamic quality through its customary arts and crafts. The 35 states and association regions spread the nation over have their very own unmistakable cultural and traditional personalities, and are shown through different types of workmanship predominant there. Each locale in India has its very own style and example of workmanship, which is known as folk craftsmanship. Other than folk craftsmanship, there is one more type of traditional workmanship rehearsed by a few clans or country populace, which is named tribal craftsmanship. The folk and tribal arts of India are extremely ethnic and basic, but then vivid and dynamic enough to say a lot about the nation's rich legacy.

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This is a collective work of me and my colleague Mythili Narayanaswami regarding our course "Indian Art in Context". In this project we explore the unique scroll painting art of West Bengal and Odissa : Pattachitra. We have analyzed the different forms of Pattachitra, it's origin and current form , aesthetics and functional value. We also discussed the life of the Patta painters, socio-economic structure grown around this folk art form, current market condition, and technology used in this art form. The data and images in this project are collected entirely from the internet.

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• Indian paintings provide an artistic continuum that extends from the early civilization and culture to the present day.
• From being essentially religious in purpose in the beginning, Indian painting has evolved over the years to become a fusion of various cultures and traditions.
• The Indian painting was exposed to Greco-Roman as well as Iranian and Chinese influences.

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• Indian Paintings can be broadly classified as the mural paintings and miniature painting.
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• Miniature paintings are executed on a very small scale on perishable material such as paper and cloth.

Paintings of Andra Pradesh

Lepakshi Paintings of Andhra Pradesh

• It is part of Anantapur district in Andhra Pradesh.
• It was the Beautiful paintings of Vijayanagar perio d .
• It Provides glimpses of contemporary dress like tall headwear (Kulavi), colored and embroidered sarees of both men and women in the paintings.
• Earth tones and complete absence of blue color in Lepakshi painting.
• Costumes are outlined in blac

Deccani School of Miniature Paintings of Andhra Pradesh

• Deccani painting denotes broadly the miniature painting from the 16th Century to the 19 th Century at Bijapur, Ahmadnagar, Golkonda and Hyderabad, the former states that formed the region known as Deccan.
• The rich colour scheme, the palm trees, animals and men and women all belong, to the

Deccani tradition and culture.

• Early Deccani painting absorbed influences of the northern tradition of the pre-Mughal painting which was flourishing in Malwa, and of the southern tradition of the Vijayanagar murals as evident in the handling of female types and costumes.
• Influence of the Persian painting is also observed in the handling of the horizon gold sky and landscape.

Cherial Paintings of Andhra Pradesh

• Presenting wonderful work of art, Cherial folk Paintings of Andhra Pradesh  express the narrative format through the rich color schemes.
• Based on the themes of great epics, these paintings use customary techniques.
• The Cherial paintings are made on cloth that may run to meters in its length.
• Kako padagollu is a main community which uses Cherial paintings as one of the visual means to recite stories from Mahabharata and Ramayana.
• At present the artists even make scroll paintings or Cherial paintings in smaller sizes on paper, plywood, cardboard and cloth.

Nirmal Paintings, Nirmal

• Nirmal is a small town located at 89 kms from Adilabad in Adilabad district.
• The artists themselves using cardboard and Luppam make the canvas.
• The canvas is first painted black, which forms the background for all the Paintings.
• Enamel and other plastic colours are used for these paintings, which lends them a glow.
• Yet another important contribution of the Nirmal artists is their traditional designs on furniture.
• The artists paint creepers, border designs and flowers on wooden chairs, tables and on cots, on almost all: furniture work, red and black colours are used lavishly, followed by yellow and green.
• The Nirmal toy industry is an example of how collective effort can help an art to flourish.
• This art, like all other art forms, has witnessed some changes, while holding on to some of its traditional designs, Though water colours and enamel colours have replaced natural colours, the artisans still use Painiki wood along with other locally available material.

Savara Paintings, Srikakulam

• Srikakulam is 100 kms, from Visakhapatnam. ‘Savaras’ are ancient tribes living in the areas enjoined by the four states of Andhra Pradesh, Orissa, Chhattisgarh and Jharkhand.
• On a wall-coloured red with red soil mixed paper in water, white paint prepared from rice powder and water are used Black colour is prepared with coconut ash mixed castor oil.
• Tender bamboo twigs are used as brushes after chewing their ends very delicately. Actually, these paintings resemble the prehistoric rock art.
• Triangular-shaped structures, which are very common in rock art, can be seen in Savara paintings.

Painting on Kalamkari Fabric (Kalamkari Painting)

• This particular art form is widespread in Machilipatnam of Andhra Pradesh. Urbanity in its refined form rules in the epicenter of superiority, Hyderabad.
• The tempting mix of colors on cloth generally depicts characters from Indian mythology.
• At the times of 17th and 18th centuries, this art of Kalamkari was very prominent and it was famous to such an extent that it spread its fame all across the country.
• Kalamkari is present in Machilipatnam and Kalahasti.
• The colors used for shading kalamkari paintings were extracted from vegetables.
• Apart from the mythological themes, these paintings even showcased different forms of lotus flower, some beautiful designs of leaves and flowers, cartwheel and parrots.

Folk Painting in various region of Andra Pradesh

• Folk paintings are essentially folk tales that are conventionally painted as wall hangings.
• This art comes from Cherial in  Warangal district and other places in Telangana and Andra Pradesh.
• The ideal themes for the paintings comprise of scenes from Ramayana, Mahabharata and other mythologies and from their stories.
• Painted with affluent use of red, yellow, green and blue colors, they serve as ideal wall hangings.
• The paintings look so realistic and artistic that it is believed that this special art has come down from Vishwakarma, the divine architect to the artisans on earth.

The Famous Art Of Leather Painting Work Of Andhra Pradesh

• The shadow dance of puppets made up of leather is coming from olden times in Andhra Pradesh.
• Images on the dead skin of animals are carved out for this in bright colours.
• The heights of these leather made puppets are normally 6 feet.
• These are cut-made in such manners that they can bend from wherever from hands, feet, waist, necks etc.
• The natural colours, conventionally extracted from flowers and vegetables were being used to paint these leather puppets. But now, the artificial colours presented in the market are being used for paint works.
• A thin splint of bamboo is tied around the puppet and jolted and fluttered with light hands in front of a white screen with the support of the bamboo splint. The audiences sitting in front of the screen take pleasure in this scene.
• In the old days, the purohits used to communicate the lessons of religion and politics by showing the instances from the Ramayana or the Mahabharata to the village folk through the medium of these shadow dances.
• The Anandpur and Kaninda districts of Andhra Pradesh are well-known for this leather Paintings of Andhra Pradesh art works the most.

Common Feature of Tribal Paintings in Andhra Pradesh

Wall Paintings of Andhra Pradesh

• The tradition of wall paintings has been passed down from pre-historic times to today.
• As society moved from forest dwellings to agricultural-based communities, the art of painting continued as a part of their life, tradition, culture and to transmit their traditional beliefs through their art.
• Wall painting forms part of the universal culture of most agricultural societies and forest dwelling societies.
• Paintings are done on walls to invoke the gods to bless the soil, keep animals healthy for work in the field, grant a family healthy progeny after marriage, and bless a newly constructed home.
• Paintings found on the walls of religious buildings depict a human quest to understand a larger universe, natural life and power.

Current tradition of wall painting in Various Tribal Regions of Andhra Pradesh

• In a wall painting or mural, the ground is the wall or the stone of the cave. Paint is applied on to the wall plaster. To bind the paint to the plaster the colours are often put on wet plaster so that it fuses with it.
• In many tribal region and villages in India women apply wet lime paint to the dry mud walls. Lime is a natural disinfectant and prevents ants and termites inhabiting the walls.
• As they use no adhesive the paint flakes and has to be redone every season, especially after the monsoons just before Dussehra and Diwali.
• Wall painting also done during ceremonial function like Marriage.

Culture of Andhra Pradesh

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Andhra Pradesh, also known as the Rice Bowl of India, is like a melting pot of varied cultures. It is a region that has been governed by different dynasties and empires. This diverse exposure to the cultures and traditions of the empires has had an indelible influence on forming the Culture of Andhra Pradesh. Besides, Rajahmundry is the cultural capital of Andhra Pradesh, named after the ruler of the Chalukya dynasty of the 11th century, Raja Raja Narendra. 

The conglomeration of many cultures has formed the present-day culture of the region. Some of the primary rulers of the region were the Ikshvakus, Pallavas, Chalukyas, Kakatiyas, Vijayanagara, and Mughals.

The influence of external powers has influenced every aspect of Andhra society. From music, dance, cuisine, and literature, the foreign powers have left their mark. This variety and diversity have helped the culture to become richer and more successful.

Different fields of art comprise the Culture of Andhra Pradesh. The rich cultural heritage of Andhra Pradesh is evident in the internationally renowned Carnatic music.

The region is home to some of the most popular classical musicians like Thyagaraja and Annamacharya. In addition, the state’s popular form of dance, Kuchipudi, showcases immense talent and creativity. This dance form originated in 300 BC, and since then, it has been a great contribution to Indian classical dance.

The local language of the region, Telugu, is an extremely intense language, and many compositions and poems have been written in this language. The nuances of the language highlight the depth of the language. Influenced by Sanskrit, Telugu is an exceptionally rich language.

The museums of Andhra, like the Salar Jung Museum, display a wide selection of sculptures, artifacts, paintings, and ancient objects that were left behind by the different rulers of the region. In addition, the museums highlight the Buddhist, Muslim, and Hindu influences on the region.

The culture and tradition of Andhra Pradesh is an integral part of the rich cultural heritage of the country. The art and crafts of the region like Kalamkari , Bidri, the fabulous weaving of Gadwal and Venkatagiri, and the exclusive metalware, brass, stone, and wood carving highlight the immense talent of the Andhra craftsmen.

Plan a trip to Andhra Pradesh to explore and experience the culture of Andhra Pradesh.

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Culture of Andhra Pradesh - Explore the Dazzling Heritage of Land of Temples

Art & craft of andhra pradesh.

The art of Andhra Pradesh is not limited to being traditional or modern - you can find a variety of designs blended in different kinds of colours. There is something fresh about the paintings, handicrafts, and handlooms which are merely sub-categories of the art and craft found here. No other state can compete with Andhra in terms of its crafts and let's be honest, the state is bound to be incomplete without its existence. Right from when they are born, the Telugu people are trained to be experts in creating metal crafts, toys, saris, stone crafts, brassware and the like by following the traditional methods even today. Apart from Indians, people from all over the world to flock to Andhra Pradesh so as to experience this truly amazing form of art. The luxurious nature of the crafts of the state is a hit in India, as well as abroad, and is a huge income-generating source for the people of the state.

Ikat - Handlooms in Andhra Pradesh

The state of Andhra Pradesh is also very famous due to the skilful hand-weaving quality displayed by the local residents, especially Ikat. This practice of using and selling hand-stitched clothes is a traditional practice being followed till date. The state has some royal dress material and saris with intricate designs to offer. All the handmade designs are very delicate and carefully woven. Every sari is adorned with a 'pallu' and a thin border which is embroidered with some kind of golden thread work.  Exclusive to Andhra Pradesh, Ikat is renowned the world-over for its intricate designs and patterns which are also closely followed in Orissa and Gujarata. It originates in the villages of Nalgonda district and involves weaving randomly dyed yarns in a geometric or zigzag patter giving the finished cloth an unparalleled beautiful design. Ikat handlooms can be described as the jewel in the crown of Andhra Pradesh culture.

Handicrafts of Andhra Pradesh

Since a long time, India has been identified by its traditional handicraft items occupying a special place in the heart. Andhra Pradesh has been able to keep that spirit alive and is yet another place to offer some exotic and alluring handicraft designs to its visitors. This has been possible with the training that has been given to the involved professionals with care and dedication. The people of the state are in love with their culture and their work itself showcases it. The handicraft culture of Andhra Pradesh is known for the impeccable Banjara embroidery, wood carving and metalwork.

A painting is like portraying one's life on a two-dimensional whiteboard. The paintings found in the state represent the rich culture of Andhra Pradesh. To paint is a traditional practice which is followed by the people residing in the state. These paintings are not amateur but have a lot of skill and professional training imbibed within them which can be seen in their work itself. Earlier, the painting was done in a manner wherein natural colours were used on canvas to beautify it and make it look better.

Traditional Dances of Andhra Pradesh

A state which does not have dance as part of its culture can never be regarded as a culturally rich state. Andhra Pradesh is one such place which has always had a very rich culture. A collection of performing arts have originated here including dance, music, and drama. Dance is the most important kind of performing art which is why it has always been encouraged by people to be followed ever since the age of dawn. Kuchipudi is one of the most famous dance forms which is also recognized as one of the best kind of dance forms in the world. Kuchipudi undoubtedly has some similarities with another dance form that is, Bharat Natyam. Along with Kuchipudi, many other dance forms including Perini which is an amazing dance form have emerged from the state of Andhra Pradesh. Perini is like a warrior dance which is also known as the 'dance of Lord Shiva'.

Melodious Music of Andhra Pradesh

Andhra Pradesh has always been known for its rich musical heritage. This land has given birth to three legends in the world of Carnatic music namely Shyama Sastri, Thyagaraja and Muthuswami Dixtar. Since the Telugu language is spoken by most people in the state, it is, therefore, able to bring out the originality and the true spirit of the Carnatic music. Some famous Carnatic music composers include Kshetrayya, Annamacharya and Bhadrachala Ramadasa. This type of music is also said to be begun by the Holy Gods. Another very famous kind of music which has said to be originated from Carnatic music is folk music. This art has been passed on to the descendants over the years. Every music has a distinctive feature meaning that every composition of music has a different version altogether. The musical element and the hidden meaning behind the song is what makes it more meaningful and attractive. Another feature which separates the Carnatic music from the rest of the music is the fact that the song is always able to bring out the personality of the song composer completely thereby increasing the level of the language in the music.

People Of Andhra Pradesh

Fairs and festivals in andhra pradesh, food of andhra pradesh.

The traditional food of Andhra Pradesh includes Pulihora which is tamarind rice, Poppadoms, Pesaratu, Sambar, Rasam, Payasam and the like.  Most of the Andhra cuisine is vegetarian but the coastal regions of the state serve very tasty and fresh seafood comprising of prawns and fishes. The cuisine of Hyderabad has been influenced a lot by the Nizams as well as marked by its rich flavours and textures. The Biryani of Hyderabad known as Mirchkasalan is famous all across the world. Nothing can be compared to the exotic taste of this aromatic dish. The Hyderabadi food has a lot of variety ranging from sour to sweet, hot to spicy. The food here is incomparable and is embellished with lots of dry fruits. Some other authentic dishes apart from Biryani include Chakna, Dalcha, Murghka Korma, Katti Dal and much more. Sweet dish after food is like a compulsion and this state lags nowhere behind in its sweet dishes which include Sheer Korma, Bandhar Ladoo, Putharekulu, Gajjar ka halwa etc which are prepared in pure ghee. 

Traditional Costumes of Andhra Pradesh 

The traditional dress which is worn by the inhabitants of a state is what truly identifies it and distinguishes it from the rest of the country/world. The state of Andhra Pradesh comprises of some of the best traditional clothes which are embellished with the designs which have begun to fade away in the world. A huge amount of cotton is produced in the state along with different dye extracted from the plants. Golconda mine is a very traditional place of the state which is home to the precious gems including Hope and Kohinoor diamond. Andhra Pradesh as a state has always been on the top for its jewellery and has dominated the jewellery market till 1826 when the diamond mines were also identified in another place called Rhodisia-Africa. If today there are 10 extremely valuable pieces of jewellery, 8 of them will have their origin from here. The Andhra Pradesh culture scene is also adorned by the fashion industry carrying half saris called voni, full saris which are designed through Bidri, Nirmal paintings and Kalamkari together having weaves of Pochampalli, Gadwal, Venkatagiri which bring out and portrays ancient traditions, as old as 3000 years. Some of the best gold jewellery models comprise of Vaddana, Buttlau, Aravanke and Kasula Haram which represent the upcoming tradition.

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This post was published by Saumya Bansal

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