biography written or unwritten

The Differences between Memoir, Autobiography, and Biography - article

Creative nonfiction: memoir vs. autobiography vs. biography.

Writing any type of nonfiction story can be a daunting task. As the author, you have the responsibility to tell a true story and share the facts as accurately as you can—while also making the experience enjoyable for the reader.

There are three primary formats to tell a creative nonfiction story: memoir, autobiography, and biography. Each has its own distinct characteristics, so it’s important to understand the differences between them to ensure you’re writing within the correct scope.

A memoir is a collection of personal memories related to specific moments or experiences in the author’s life. Told from the perspective of the author, memoirs are written in first person point of view.

The defining characteristic that sets memoirs apart from autobiographies and biographies is its scope. While the other genres focus on the entire timeline of a person’s life, memoirs structure themselves on one aspect, such as addiction, parenting, adolescence, disease, faith, etc.

They may tell stories from various moments in the author’s life, but they should read like a cohesive story—not just a re-telling of facts.

“You don’t want a voice that simply relates facts to the reader. You want a voice that shows the reader what’s going on and puts him or her in the room with the people you’re writing about.” – Kevan Lyon in Writing a Memoir

Unlike autobiographies and biographies, memoirs focus more on the author’s relationship to and feelings about his or her own memories. Memoirs tend to read more like a fiction novel than a factual account, and should include things like dialogue , setting, character descriptions, and more.

Authors looking to write a memoir can glean insight from both fiction and nonfiction genres. Although memoirs tell a true story, they focus on telling an engaging narrative, just like a novel. This gives memoir authors a little more flexibility to improve upon the story slightly for narrative effect.

However, you should represent dialogue and scenarios as accurately as you can, especially if you’re worried about libel and defamation lawsuits .

Examples of popular memoirs include Eat, Pray, Love by Elizabeth Gilbert and The Glass Castle by Jeannette Walls.

Key traits of a memoir:

- Written in 1 st person POV from the perspective of the author - Less formal compared to autobiographies and biographies - Narrow in scope or timeline - Focused more on feelings and memories than facts - More flexibility to change the story for effect

Autobiography

Like a memoir, an autobiography is the author’s retelling of his or her life and told in first person point of view, making the author the main character of the story.

Autobiographies are also narrative nonfiction, so the stories are true but also include storytelling elements such as a protagonist (the author), a central conflict, and a cast of intriguing characters.

Unlike memoirs, autobiographies focus more on facts than emotions. Because of this, a collaborator often joins the project to help the author tell the most factual, objective story possible.

While a memoir is limited in scope, an autobiography details the author’s entire life up to the present. An autobiography often begins when the author is young and includes detailed chronology, events, places, reactions, movements and other relevant happenings throughout the author’s life.

“In many people’s memoir, they do start when they’re younger, but it isn’t an, ‘I got a dog, then we got a fish, and then I learned to tie my shoes’…it isn’t that kind of detail.” – Linda Joy Meyers in Memoir vs. Autobiography

The chronology of an autobiography is organized but not necessarily in date order. For instance, the author may start from current time and employ flashbacks or he/she may organize events thematically.

Autobiographers use many sources of information to develop the story such as letters, photographs, and other personal memorabilia. However, like a memoir, the author’s personal memory is the primary resource. Any other sources simply enrich the story and relay accurate and engaging experiences.

A good autobiography includes specific details that only the author knows and provides context by connecting those details to larger issues, themes, or events. This allows the reader to relate more personally to the author’s experience. 

Examples of popular autobiographies include The Diary of a Young Girl by Anne Frank and I Know Why the Caged Bird Sings by Maya Angelou.

Key traits of an autobiography:

- Written in 1 st person POV from the perspective of the author, occasionally with the help of a collaborator - More formal and objective than memoirs, but more subjective than biographies - Broad in scope or timeline, often covering the author’s entire life up to the present - Focused more on facts than emotions - Requires more extensive fact-checking and research than memoirs, but less than biographies

A biography is the story of events and circumstances of a person’s life, written by someone other than that person. Usually, people write biographies about a  historical  or  public figure . They can be written with or without the subject’s authorization.

Since the author is telling the account of someone else, biographies are always in third person point of view and carry a more formal and objective tone than both memoirs and autobiographies.

Like an autobiography, biographies cover the entire scope of the subject’s life, so it should include details about his or her birthplace, educational background, work history, relationships, death and more.

Good biographers will research and study a person’s life to collect facts and present the most historically accurate, multi-faceted picture of an individual’s experiences as possible. A biography should include intricate details—so in-depth research is necessary to ensure accuracy.

“If you’re dealing principally with historical figures who are long dead, there are very few legal problems…if you’re dealing with a more sensitive issue…then the lawyers will be crawling all over the story.” – David Margolick in Legal Issues with Biographies

However, biographies are still considered creative nonfiction, so the author has the ability to analyze and interpret events in the subject’s life, looking for meaning in their actions, uncovering mistakes, solving mysteries, connecting details, and highlighting the significance of the person's accomplishments or life activities.

Authors often organize events in chronological order, but can sometimes organize by themes or specific accomplishments or topics, depending on their book’s key idea.

Examples of popular biographies include Steve Jobs by Walter Isaacson and The Immortal Life of Henrietta Lacks by Rebecca Skloot.

Key traits of a biography:

- Written about another person, often a celebrity or public figure, and told in 3 rd person point of view - More formal and objective than both memoirs and autobiographies - Broad in scope or timeline, often covering the subject’s entire life up to the present - Focused solely on facts - Requires meticulous research and fact-checking to ensure accuracy

• Biographies and Memoirs
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Met you this morning briefly and just bought your book on Amazon. Congratulations. 

Very helpful. I think I am heading down the path of a memoir.

Thank you explaining the differences between the three writing styles!

Very useful article. Well done. Please can we have more. Doctor's Orders !!!

My first book, "Tales of a Meandering Medic" is definitely a Memoir.

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Home » Writing » Autobiography vs. Biography vs. Memoir

What is a Biography?

A biography, also called a bio, is a non-fiction piece of work giving an objective account of a person’s life. The main difference between a biography vs. an autobiography is that the author of a biography is not the subject. A biography could be someone still living today, or it could be the subject of a person who lived years ago.

Biographies include details of key events that shaped the subject’s life, and information about their birthplace, education, work, and relationships. Biographers use a number of research sources, including interviews, letters, diaries, photographs, essays, reference books, and newspapers. While a biography is usually in the written form, it can be produced in other formats such as music composition or film.

If the target person of the biography is not alive, then the storytelling requires an immense amount of research. Interviews might be required to collect information from historical experts, people who knew the person (e.g., friends and family), or reading other older accounts from other people who wrote about the person in previous years. In biographies where the person is still alive, the writer can conduct several interviews with the target person to gain insight on their life.

The goal of a biography is to take the reader through the life story of the person, including their childhood into adolescence and teenage years, and then their early adult life into the rest of their years. The biography tells a story of how the person learned life’s lessons and the ways the person navigated the world. It should give the reader a clear picture of the person’s personality, traits, and their interaction in the world.

Biographies can also be focused on groups of people and not just one person. For example, a biography can be a historical account of a group of people from hundreds of years ago. This group could have the main person who was a part of the group, and the author writes about the group to tell a story of how they shaped the world.

Fictional biographies mix some true historical accounts with events to help improve the story. Think of fictional biographies as movies that display a warning that the story is made of real characters, but some events are fictional to add to the storyline and entertainment value. A lot of research still goes into a fictional biography, but the author has more room to create a storyline instead of sticking to factual events.

Examples of famous biographies include:

• His Excellency: George Washington  by Joseph J. Ellis
• Einstein: The Life and Times  by Ronald William Clark
• Princess Diana – A Biography of The Princess of Wales  by Drew L. Crichton

What is an Autobiography?

An autobiography is the story of a person’s life written by that person. Because the author is also the main character of the story, autobiographies are written in the first person. Usually, an autobiography is written by the person who is the subject of the book, but sometimes the autobiography is written by another person. Because an autobiography is usually a life story for the author, the theme can be anything from religious to a personal account to pass on to children.

The purpose of an autobiography is to portray the life experiences and achievements of the author. Therefore, most autobiographies are typically written later in the subject’s life. It’s written from the point of view of the author, so it typically uses first person accounts to describe the story.

An autobiography often begins during early childhood and chronologically details key events throughout the author’s life. Autobiographies usually include information about where a person was born and brought up, their education, career, life experiences, the challenges they faced, and their key achievements.

On rare occasions, an autobiography is created from a person’s diary or memoirs. When diaries are used, the author must organize them to create a chronological and cohesive story. The story might have flashbacks or flashforwards to describe a specific event, but the main storyline should follow chronological order from the author’s early life to their current events.

One of the main differences between an autobiography vs. a biography is that autobiographies tend to be more subjective. That’s because they are written by the subject, and present the facts based on their own memories of a specific situation, which can be biased. The story covers the author’s opinions on specific subjects and provides an account of their feelings as they navigate certain situations. These stories are also very personal because it’s a personal account of the author’s life rather than a biography where a third party writes about a specific person.

Examples of famous autobiographies include:

• The Story of My Life  by Helen Keller
• The Diary of a Young Girl  by Anne Frank
• Losing My Virginity  by Richard Branson

What is a Memoir?

Memoir comes from the French word  mémoire , meaning memory or reminiscence. Similar to an autobiography, a memoir is the story of a person’s life written by that person. These life stories are often from diary entries either from a first-person account or from a close family member or friend with access to personal diaries.

The difference between a memoir vs. an autobiography is that a memoir focuses on reflection and establishing an emotional connection, rather than simply presenting the facts about their life. The author uses their personal knowledge to tell an intimate and emotional story about the private or public happenings in their life. The author could be the person in the story, or it can be written by a close family member or friend who knew the subject person intimately. The topic is intentionally focused and does not include biographical or chronological aspects of the author’s life unless they are meaningful and relevant to the story.

Memoirs come in several types, all of which are written as an emotional account of the target person. They usually tell a story of a person who went through great struggles or faced challenges in a unique way. They can also cover confessionals where the memoir tells the story of the author’s account that contradicts another’s account.

This genre of writing is often stories covering famous people’s lives, such as celebrities. In many memoir projects, the celebrity or person of interest needs help with organization, writing the story, and fleshing out ideas from the person’s diaries. It might take several interviews before the story can be fully outlined and written, so it’s not uncommon for a memoir project to last several months.

Memoirs do not usually require as much research as biographies and autobiographies, because you have the personal accounts in diary entries and documents with the person’s thoughts. It might require several interviews, however, before the diary entries can be organized to give an accurate account on the person’s thoughts and emotions. The story does not necessarily need to be in chronological order compared to an autobiography, but it might be to tell a better story.

Examples of famous memoirs include:

• Angela’s Ashes  by Frank McCourt
• I Know Why the Caged Bird Sings  by Maya Angelou
• Personal Memoirs of Ulysses S.  Grant by Ulysses S. Grant

Autobiography vs. Biography vs. Memoir Comparison Chart

Check out some of our blogs to learn more about memoirs:

• What is a memoir?
• 5 tips for writing a memoir
• Your memoir is your legacy

Ready to get started on your own memoir, autobiography, or biography? Download our free desktop book-making software, BookWright .

Autobiographies , Biographies , memoirs

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The 30 best biographies to add to your reading list

Some stories involve incredible, larger-than-life characters. these are the best biographies ever written..

Writing a great biography is no easy task. The author is charged with capturing some of the most iconic and influential people on the planet, folks that often have larger than life personas. To capture that in words is a genuine challenge that the best biographers relish.

The very best biographies don't just hold a mirror up to these remarkable characters. Instead, they show us a different side of them, or just how a certain approach of philosophy fueled their game-changing ways. Biographies inform, for certain, but they entertain and inspire to no end as well.

Below, we gathered a comprehensive list of the best biographies ever written. Some of these biographies were selected because of the subject matter and others were chosen because of the biographer. It’s often said that reading biographies is the best way to gain new knowledge, so we suggest you start with these great selections. If you love history, you’ll certainly want to include these best history books to your home library.

The Power Broker: Robert Moses and the Fall of New York by Robert Caro

The former parks commissioner of New York, Robert Moses was a man who got power, loved power, and was transformed by power. This 1,000-plus page biography could be the definitive study of power and legacy. It’s a great learning tool of mostly what not to be and who not to become.

Totto-Chan: The Little Girl at the Window by Tetsuko Kuroyanagi

Totto-Chan is a special figure in modern Japanese culture and is on the same celebrity status level as Oprah is to us here in the United States. The book describes the childhood in pre-World War II Japan of a misunderstood girl who suffered from attention disorders and excessive energy and who later was mentored by a very special school principal who truly understood her. The book has sold more than 5 million copies in Japan.

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Eisenhower in War and Peace by Jean Edward Smith

The man who was responsible for winning World War II, twice prevented the use of nuclear weapons, and attempted to keep our soldiers out of Vietnam, all while making it look easy, is none other than Dwight D. Eisenhower. This biography is a history lesson as well as an opportunity to get inside the mind of a brilliant man.

Edison: A Biography by Matthew Josephson

This particular biography dates back more than 50 years, which means it was written without the worry of being politically correct or controversial, but instead focused on providing a conclusive picture of the man. Modern enough to be historically accurate, this biography details a lot of the little-known facts about Mr. Edison in addition to his accomplishments, as well as his failures.

Empire State of Mind: How Jay-Z Went from Street Corner to Corner Office by Zach O’Malley Greenburg

Empire State of Mind is both an unofficial biography of the rap mogul Jay-Z as well as a business book. It shows how the rapper hustled his way to the top of the music industry to become one of the most powerful and influential people in music.

Where Men Win Glory: The Odyssey of Pat Tillman by Jon Krakauer

The story of the professional football player who gave up a $3 million NFL contract to join the Army Rangers after 9/11, only to die under suspicious circumstances in the hills of Afghanistan, is a book about everything that is right and wrong with the U.S. military. Pat Tillman wasn’t perfect, but he was a man we could all learn something from. His incredible story is one of bravery and selflessness -- and will forever be tied to the aftermath of the 2001 terrorist attacks.

Titan: The Life of John. D. Rockefeller Sr. by Ron Chernow

Ron Chernow has written some of the best biographies of our time. In this 832-page biography of John. D. Rockefeller, he shares the main lessons you would take away from someone like Rockefeller, a strangely stoic, incredibly resilient, and -- despite his reputation as a robber baron -- humble and compassionate man. Most successful people get worse as they age, but Rockefeller instead became more open-minded and more generous. The biography also details his wrongdoings and permits you the opportunity to make your own judgment on Rockefeller’s character.

Washington: A Life by Ron Chernow

Another example of Chernow’s brilliance in biographical writing is given in his biography of George Washington. Today, we study Washington not only for his against-the-odds military victory over a superior British Army but also for his strategic vision, which is partially responsible for many of the most enduring American institutions and practices. It’s another long read of the type Chernow is famous for, but it's also a page-turner. Although it’s intimidating to look at, the reading time goes by quickly.

Steve Jobs by Walter Isaacson

Walter Isaacson has written some of the greatest biographies in contemporary literature. Our modern-day genius, Steve Jobs, will forever be remembered as the mastermind who brought us Apple. This biography shows Jobs at his best, which includes illustrations of his determination and creativity but also details the worst of him, including his tyrannical and vicious ways of running a business (and his family). From this book, you will learn to appreciate the man for the genius that he was, but it will most likely not inspire you to follow in his path.

Genghis Khan and the Making of the Modern World by Jack Weatherford

Most depictions show the Mongols as bloodthirsty pillagers, but in this biography, we are also shown how they introduced many progressive advances to their conquered nations. You will learn how Genghis Khan abolished torture, permitted universal religious freedom, and destroyed existing feudal systems.

Dostoevsky: A Writer in His Time by Joseph Frank

his five-volume retelling of the life and times of Russian literary giant Fyodor Dostoevsky is considered the best biography available on the subject. The mammoth exploration sheds light on Dostoevsky's works, ideology, and historical context. For those who are not specifically interested in the famous author, the also book paints a picture of 19th-century Russia.

Leonardo da Vinci: The Marvelous Works of Nature and Man by Martin Kemp

Kemp’s account of da Vinci’s life and work is considered the go-to biography of the famous Renaissance figure. This incredible book sheds light on one of the most creative figures who ever lived, guiding readers through a fully integrated account of his scientific, artistic, and technological works, as well as the life events that helped form the man that made them.

Mercury: An Intimate Biography of Freddie Mercury by Leslie-Ann Jones

After the massive success of the movie recently released about rock legend Freddie Mercury and his band, Queen, you might be interested in learning more about the frontman. This biography draws from hundreds of interviews with key figures in his life to create a revealing glimpse into Mercury’s life.

Empire: The Life, Legend, and Madness of Howard Hughes by Donald Barlett

This is an epic biography of an epic man. It shows the heights of his incredible success as well as the depths of his inner struggles. Readers learn about the tough but eccentric figure in a story that details his incredible success as an aviator, film producer, and more.

Alan Turing: The Enigma by Andrew Hodges

The brilliant mathematician, cytologist, and computer pioneer Alan Turing is beautifully depicted in this biography. It covers his heroic code-breaking efforts during World War II , his computer designs and contributions to mathematical biology in the years following, and the vicious persecution that befell him in the 1950s when homosexual acts were still a crime and punishable by law.

Alexander Hamilton by Ron Chernow

Of course, we couldn’t highlight Ron Chernow’s best works without including his biography on Alexander Hamilton , which is not only the inspiration for a hit Broadway musical but also a work of creative genius itself. Another more than 800-page book (an ongoing theme for Chernow biographies), this book details every knowable moment of the youngest Founding Father’s life, from his role in the Revolutionary War and early American government to his sordid affair with Maria Reynolds. If you’ve seen the musical, this book will help answer a lot of those burning questions that you may have.

Frida: The Biography of Frida Kahlo by Hayden Herrera

The focal point of this biography is not the suffering that was endured by Frida Kahlo, but instead, her artistic brilliance and her immense resolve to leave her mark on the world. Herrera’s 1983 biography of one of the most recognizable names in modern art has since become the definitive account of her life.

Into the Wild by Jon Krakauer

Recommended reading for any adventurer or explorer -- the story of Christopher McCandless, aka Alexander Supertramp, who hitchhiked to Alaska and disappeared into the Denali wilderness in April 1992 only to have his remains discovered in his shelter five months later -- Into the Wild retraces his steps along the trek, attempting to discover what the young man was looking for on his journey. Krakauer delivers one of the best biography books in recent memory.

Prince: A Private View by Afshin Shahidi

Compiled after the superstar’s untimely death in 2016, this intimate snapshot into the life of Prince is largely visual. The author served as the musician’s private photographer from the early 2000s until his passing. You already know the expression, “a picture is worth a thousand words,” and in this case, they are worth a lot more.

Rosemary: The Hidden Kennedy Daughter by Kate Clifford Larson

The “Kennedy Curse” didn’t bring forth an assassination or a mysterious plane crash for Rosemary Kennedy, although her fate might have been the worst of them all. As if her botched lobotomy that left her almost completely incapacitated weren’t enough, her parents then hid her away from society, almost never to be seen again. Penned by Kennedy scholar Kate Larson, the full truth of her post-lobotomy life is finally revealed.

Trump Revealed: The Definitive Biography of the 45th President by Michael Kranish and Marc Fisher

Love him or hate him, Donald Trump is likely the most divisive U.S. president of modern times. The comprehensive biography of Trump is reported by a team of award-winning Washington Post journalists and co-authored by investigative political reporter Michael Kranish and senior editor Marc Fisher. The book gives the reader an insight into Trump, from his upbringing in Queens to his turbulent careers in real estate and entertainment to his astonishing rise as the front-runner for the Republican presidential nomination.

Mao: The Unknown Story by Jung Chang

Most are familiar with the revolutionary Mao Zedong. This carefully curated biography by Jung Chang digs deeper into the life of the "Red Emperor." You won't find these interviews and stories about the world leader in history books alone. This extensive account of the man known simply as Mao begins with a horrific statistic: He was responsible for the deaths of more than 70 million people during his regime.

A Woman of No Importance: The Untold Story of the American Spy Who Helped Win World War II by Sonia Purnell 

Biographies often give us the stories of people we know and love, but they can also reveal new stories about people that may have been lost to history. In her bestseller, Sonia Purnell tells the story of Virginia Hall, a prolific and heroic spy from World War II who took down the Axis Powers on one leg. 

Black Boy by Richard Wright

A standard biography is usually given by a historian after years and years of research and writing, but sometimes it’s better to go straight to the source. In his memoir, Richard Wright details his life as he recalls it as a black American in the 20th century. Black Boy is a harsh, painful, beautiful, and revealing read about race in the United States -- and about a towering figure of literature. 

Leonardo Da Vinci by Walter Isaacson

Isaacson represents the gold standard for contemporary biographers, and his tome on Leonardo da Vinci was a bestseller for a reason. Isaacson is able to show a detailed, intimate portrait of the most famous painter of all time from centuries away.

Shoe Dog by Phil Knight

Want to know how the biggest sports company of all time came to be? Hear it from the man himself. Phil Knight’s book takes you through how his little sneaker company in Oregon became the worldwide leader in sportswear. 

The Autobiography of Malcolm X as told to Alex Haley

One of the most famous biographies ever, The Autobiography of Malcolm X remains a classic and an important read. Malcolm X’s politics, though controversial at the time and today, is a valuable and provocative perspective that will make you reconsider how you think about America and the American Dream. 

Born a Crime by Trevor Noah

Long before becoming Jon Stewart’s successor on The Daily Show, Trevor Noah lived many, many lifetimes. Born to apartheid South Africa, Noah’s story is one of perseverance and triumph, and one that he manages to make funny by some sort of magic trick. 

The Misadventures of Awkward Black Girl by Issa Rae

Of course, today, you know Issa Rae as the writer, actor, and star of HBO’s Insecure, but before her hit show came her webseries and book of the same name, The Misadventures of Awkward Black Girl. Rae’s memoir wrestles with the idea of being an introvert in a world that considers Black people inherently cool.

Robin by Davie Itzkoff

One of the most beloved comedians and actors of all time, Robin Williams' passing in 2014 shook fans across generations. In his book, New York Times culture reporter Dave Itzkoff covers the life, work, and emotions of one of the most complicated and misunderstood comedians ever. Oh captain, my captain...

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Mark Stock is a writer from Portland, Oregon. He fell into wine during the Recession and has been fixated on the stuff since. He spent years making, selling, and sipping Pinot Noir in the Dundee Hills before a full return to his journalistic roots in 2016. He's helplessly tied to European soccer, casting for trout, and grunge rock. In addition to The Manual, he writes for SevenFifty Daily , Sip Northwest , The Somm Journal , The Drake , Willamette Week , Travel Oregon , and more. He has a website and occasionally even updates it: markastock.com .

Send all editorial inquiries  HERE .

It's never too late to be a kid. Sure, technically it is, but that's your adult brain at work. With the right state of imagination and a few helpful tools, you can relive your youth.

A great way to do so is by way of our favorite kind of weapon: the fake one. Nerf guns have ruled the category for generations, with their signature soft ammo and inventive designs. Best, they don't hurt anybody involved in a shootout. They'll take you straight back to the playground, with the sound of an ice cream truck and the distance and laughter all around. It's a healthy kind of battle, one that involves lots of exercise and carefree joy. Best, you're also an adult, so if you feel like having a beer or staying out a little later when the battle is over, you can.

Shopping for the best gifts for men can at times seem like a daunting task, whether it be for a birthday, an anniversary, or any gift in between. So, we decided to help you out and lend you a hand and make gift-giving a little less stressful with a thoughtfully curated list of tried-and-true gifts suited for men. And at times, no matter how well or how long you have known someone, you just don't know where to look.

From small everyday carry items and others from the cool tech world to experiences that help you disconnect to reconnect, we offer you a gift guide for every guy on your list or some nice ways to treat yourself, too. Ahead, you will find a list of the best practical gifts for every type of guy. With that being said, here are the best gifts for men in 2023.

We're living in crazy times, especially since this whole pandemic mess started a few long years ago. With so much instability out there, it's easy to feel, well, a little uneasy. That's why it's not a bad idea to consider a few self-defense weapons to have at your disposal, just in case. You never know really know what lies ahead but you can be prepared if things do go very, very wrong.

There are many options out there, but the best of the bunch are packable, discreet, effective, and non-lethal (because you don't necessarily have to put somebody six feet under to "take them out"). Now, it's one thing to have one of these on your person and quite another to use it safely and properly. So make sure you know what you're dealing with beforehand and maybe even set up some training time with your new tool. Whether you're planing to get (intentionally) lost in the backcountry or just milling about in the city, it's not a bad idea to consider getting one of these. Here are the best self-defense weapons for protecting yourself in 2023.

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Author Tips: Biographies, Autobiographies and Memoirs

4-minute read

• 13th July 2020

Biographies, autobiographies and memoirs are types of narrative non-fiction that tell a person’s real-life story. And though these formats are similar in some ways, it’s important to know the differences, too:

• Biographies tell a person’s whole life story, but they are written by someone other than the subject.
• Autobiographies tell a life story from the point of view of the author.
• Memoirs are also told from the point of view of the author, but they focus on a specific part or aspect of that person’s life.

In this guide, we delve deeper into these three distinct forms of writing.

Biographies

Biography literally means life ( bio ) writing ( graphy ). As such, biographies tell the true story of an individual’s life, usually a historical or public figure. However, they are not written by that same person.

Instead, the author (known as the “biographer”) will draw on all the available material about their subject, such as diaries, letters and interviews, to create a factual, objective narrative written in the third person .

Biographical writing is also one of the oldest forms of literature: the Ancient Greeks and Romans wrote biographies of their leaders and scholars.

Examples of Famous Biographies

• Parallel Lives by Plutarch (written in the second century AD) – A series of biographies that compare famous Greeks and Romans.
• The Life of Samuel Johnson by James Boswell (1787) – An influential account of English writer Samuel Johnson’s life.
• Alexander Hamilton by Ron Chernow (2004) – A modern biography of American statesman Alexander Hamilton (later the main inspiration for the smash-hit musical Hamilton ).

Autobiographies

“Auto” means “self.” And as the name suggests, an autobiography is a self-written biography (though many are written with the help of a collaborator or ghost writer ). Typically, autobiographies will cover the author’s full life so far, starting at their childhood and ending at the point the book is written.

Because the author is the main character, autobiographies are usually written in the first person . And since they are often based on memory, they can be quite subjective accounts. They can also be unreliable , since authors may misremember or even deliberately misrepresent something.

You may also come across fictional autobiographies. These are works of narrative fiction that present themselves as autobiographies of the main character (e.g., David Copperfield by Charles Dickens).

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Examples of Famous Autobiographies

• Confessions by Saint Augustine (AD 397–400) – An early autobiographical work in which Saint Augustine of Hippo examines his youthful sins and eventual spiritual awakening.
• Long Walk to Freedom by Nelson Mandela (1994) – The story of Nelson Mandela’s life, including his struggles against apartheid, his imprisonment, and his eventual rise to become president of South Africa.
• Me by Elton John (2019) – A recent autobiography by a pop star.

Like autobiographies, memoirs are a type of first-person life writing. But a memoir will cover specific events or times in the author’s life, not the whole thing. Alternatively, memoirs may focus on a theme, such as illness or addiction, that reoccurs throughout the author’s life.

Other differences between memoirs and autobiographies include:

• Autobiographies are chronological, but memoirs may be less linear.
• Memoirs are about personal experience, so they may dramatize events and are typically less concerned with objective facts.
• Biographies and autobiographies tend to focus on major public figures, whereas memoirs are more likely to be written by “ordinary” people.

This last point is important, as many memoirs focus on triumph against adversity or surviving difficult situations. This type of memoir became so popular in the late 1990s it became known as “misery lit.”

A warning, though! Not every story that calls itself a memoir is a memoir: Memoirs of a Geisha is definitely a novel!

Examples of Famous Memoirs

• Commentaries on the Gallic Wars by Julius Caesar (58–49 BC) – A first-hand account of the years Caesar spent fighting in Gaul. Although written in the third person, many consider it an early memoir.
• Angela’s Ashes by Frank McCourt (1996) – A look at the author’s childhood, especially his family’s struggles with poverty.
• Eat, Pray, Love by Elizabeth Gilbert (2006) – A chronicle of what the author learned during a year spent travelling after her divorce.

We hope that this has explained the differences between biographies, autobiographies, and memoirs. And if you’d like anyone to help with proofreading something you wrote, we have expert editors available 24/7.

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How to Write a Biography in 8 Steps (The Non-Boring Way!)

Compelling biographies help us better connect with others while fostering empathy and understanding. Discover the steps to write one that captivates your audience!

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Have you ever been captivated by someone’s life story? From the ancient tales of great conquerors to the modern accounts of influential figures, biographies have enchanted readers and viewers for centuries. 

The stories of real people’s lives not only entertain and educate but also provide a unique window into the human experience. In fact, according to research 1 https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8796048/ , human stories like biographies can help us better connect with others while fostering empathy and understanding.

In this article, let’s dive into how to write a compelling biography, from the research phase to delivery.

What Are the Key Elements of a Biography?

The key elements of a well-written biography bring characters to life. They include thorough research, relevant interviews, clear structure, captivating prose, compelling themes, and a balance between objectivity and empathy. 

• Thorough research: Helps create an accurate portrayal of your subject
• Relevant interviews: Insights help provide a deeper understanding of your subject
• Clear structure: Helps you outline your ideas for a compelling narrative
• Captivating prose: Provides descriptive language to paint a picture of your subject
• Compelling themes: Showcases the motivations and desires behind your subject
• A balance between objectivity and empathy: Keeps biases in check and allows your subject to shine for who they are

As you develop your biography, remember that these stories hold an enduring appeal because they offer people an opportunity to explore the depths of the human psyche, unravel extraordinary accomplishments, and discover the vulnerabilities and triumphs of individuals who have left their mark on the world. 

Here are the topics a biography typically covers:

• Early life and background : Provide context about the subject’s upbringing, family, and cultural influences.
• Achievements and milestones: Highlight notable accomplishments, contributions, and significant events throughout their life.
• Challenges and struggles: Explore the obstacles they faced, the lessons learned, and how they overcame adversity.
• Personal characteristics: Describe their personality traits, values, beliefs, and motivations that shaped their actions and decisions.
• Impact and legacy: Discuss the lasting influence and contributions of the subject, both during their lifetime and beyond.

Ready to start crafting your biography? Find greater success with this helpful goal-setting resource!

How To Set Better Goals Using Science

Do you set the same goals over and over again? If you’re not achieving your goals – it’s not your fault! Let me show you the science-based goal-setting framework to help you achieve your biggest goals.

Let’s look at the six key elements of a well-written biography more closely and the steps you can follow to develop your own.

How to Write a Biography in 8 Steps Using Key Elements

Choose your presentation format.

Presenting your biography can take on various forms, the most traditional being written form. The basis for this article assumes you’re writing a conventional biography; however, this foundation can also help you create a multimedia presentation or website as well. 

Consider these various formats to present your biography:

• Traditional Written Biographies: This classic approach provides a comprehensive account of a person’s life through the written word. Traditional biographies can be published in print or ebooks , allowing readers to engage deeply with the subject’s story.
• Multimedia Presentations: In the digital age, multimedia presentations offer a dynamic way to present biographies. Incorporate audio, video, photographs, and interactive elements to enhance the audience’s experience.
• Online Platforms: Online platforms, such as blogs or dedicated biography websites, provide accessible avenues for sharing biographies. They allow for easy updates, reader engagement, and the incorporation of multimedia elements. 

Choose your subject and conduct research

To create a vivid and accurate portrayal of a person’s life, conduct extensive research. Dive into archives, read letters, examine diaries, explore photographs, and immerse yourself in the historical and cultural context surrounding your subject. This will help you unearth the small details that breathe life into your biography. 

Whether you’re writing a biography about a historical figure, contemporary icon, or everyday individual, you’ll want to consider the different factors to focus on. Here are some examples of three types of individuals and the kind of research that will be most helpful.

• Historical Figures: When writing about historical figures, immerse yourself in their era. Understand the social, political, and cultural forces that shaped their lives. I recommend visiting your local library and connecting with a research librarian for support. Otherwise, other tools for historical research include Google Scholar. Analyze primary sources and multiple perspectives to present a well-rounded account.
• Contemporary Icons: Biographies of modern icons offer a chance to delve into their ongoing impact. Conduct interviews or gather insights from their close associates to understand their present-day influence. Stay current with the latest developments, and be prepared to update your work as the subject’s story unfolds.
• Everyday Individuals: Biographies need not be reserved for the famous. Every day individuals possess stories that can be just as compelling. Uncover the extraordinary within the ordinary, highlighting the struggles, triumphs, and personal growth of individuals who might otherwise remain unsung.
• Yourself! Want to write a biography on yourself? Autobiographies are a great way to explore who you are. Get ready to do some serious self-reflection with the steps below.

Pro Tip: Compile your research digitally using helpful cloud filings systems like Google Drive , OneDrive , or Dropbox . Organize your files by category, including information about their youth, family, achievements, and life lessons. You may also choose to write down research references or collect paper clippings on note cards, categorizing your physical files of research along the way.

Develop compelling themes and motifs 

Identify overarching themes or motifs that emerge from the subject’s life. These could be resilience, ambition, love, or societal change. Weave these elements into the narrative, highlighting their significance and impact on the person’s journey. Here are some examples:

• Overcoming Adversity: These biographies feature perseverance, resilience, and determination. Examples include Helen Keller, Nelson Mandela, and Malala Yousafzai.
• Pursuit of Excellence: These biographies highlight people who have worked tirelessly to achieve their goals. Examples include Steve Jobs, Serena Williams, and Michael Jordan.
• Quest for Knowledge: These biographies focus on the curiosity that led to significant contributions to our world. Examples include Albert Einstein, Marie Curie, and Charles Darwin.
• Personal Transformation: These biographies explore a change in beliefs, values, or priorities. Examples include Malcolm X, Oprah Winfrey, and Maya Angelou.
• Legacy and Impact: These biographies examine a body of work that made a lasting contribution to society. Examples include Martin Luther King Jr., Mother Teresa, and Mahatma Gandhi.

Conduct relevant interviews 

Whenever possible, seek firsthand accounts from those who knew or interacted with the subject. Conduct interviews with family members, friends, colleagues, or experts in the field. Their insights and anecdotes can provide a deeper understanding of the person’s character and experiences.

When conducting interviews for a biography, consider the following tips to ensure a productive and insightful conversation:

• Familiarize yourself with the interviewee’s background and accomplishments.
• Develop a list of well-thought-out questions that cover key aspects of their lives and experiences, including questions about your subject’s youth, family, achievements, and life transitions or struggles.
• Begin the interview by establishing a comfortable and friendly atmosphere to put the interviewee at ease.
• Show genuine interest in their story and listen actively to their responses.
• Ask open-ended questions encouraging detailed and reflective responses.
• Avoid yes/no questions and ask for their insights, memories, and personal perspectives.
• Some topics you might consider for your questions include early life, achievements, challenges, motivations, values, relationships, lessons learned, and advice.
• Pay close attention to the interviewee’s answers, body language, and tone of voice.
• Ask follow-up questions to clarify or delve deeper into specific topics.
• Show empathy and understanding, creating a safe space for the interviewee to share personal or sensitive information.
• Remain flexible during the interview, allowing the conversation to flow naturally.
• Be prepared to deviate from your prepared questions if unexpected but relevant topics arise.
• Respect the interviewee’s boundaries and be mindful of any topics they may not wish to discuss.
• Take thorough and organized notes during the interview to capture important details.
• Consider recording the interview (with permission) to ensure accurate quotes and references.
• Ask for permission to follow up with additional questions or for clarification.
• Doing a biography on yourself? Ask yourself deep questions to harvest new stories and anecdotes.

Remember, the goal of the interview is to gather valuable information and personal perspectives that will contribute to the authenticity and depth of your biography. Approach the interview process with sensitivity, respect, and genuine curiosity about the interviewee’s life and experiences.

Develop a clear structure

Outline your biography, ensuring a logical and engaging narrative flow. Consider the chronological order, significant milestones, and turning points in the subject’s life. Organize your gathered information to capture the essence of their journey while maintaining a compelling rhythm throughout. 

A good outline for a biography can vary depending on the specific subject and the desired structure of the narrative. However, here’s a general outline that can serve as a starting point:

A. Introduction

a) Hook or engaging opening to capture the reader’s attention

b) Background information (birthplace, date, family, etc.)

c) A brief overview of the subject’s significance or why they are worth exploring

B. Early Life and Background

a) Childhood and upbringing

b) Influences, such as family, education, or cultural factors

c) Formative experiences or events that shaped the subject’s character or interests

C. Major Achievements and Milestones

a) A chronological exploration of the subject’s notable accomplishments, contributions, or milestones

b) Focus on key moments or achievements that highlight their impact or significance.

c) Provide context and details to paint a vivid picture of their achievements

D. Challenges and Obstacles

a) Discussion of the challenges, setbacks, or adversities the subject encountered

b) How they overcame obstacles or grew through difficult experiences

c) Insights into their resilience, determination, or problem-solving abilities

E. Personal Life and Relationships

a) Exploration of the subject’s relationships, such as family, friends, or romantic partners

b) Insights into their personal joys, struggles, or transformative experiences

c) How their personal life intersected with their professional or public achievements

F. Legacy and Impact

a) Examination of the subject’s lasting influence, contributions, or impact on society

b) Discuss how their work or actions continue to resonate or shape the world today

c) Reflection on their legacy and the lessons we can learn from their life story

G. Conclusion

a) Summarize the key aspects of the subject’s life and their significance

b) Provide a final reflection or insight on their overall journey or impact

c) Leave the reader with a lasting impression or call to action

Pro Tip: Looking for help drafting an outline to get you started? Use free tools like ChatGPT to jumpstart your outline by putting in a prompt request like, “Write an outline for a biography about X, including any relevant details on the subject that should be included.”

Craft captivating prose

Employ descriptive language to transport readers into the subject’s world. Paint vivid portraits of their physical appearance, mannerisms, and surroundings. Use sensory details to evoke emotions and create a strong connection between the reader and the subject. 

Here are some examples:

• “She was a force of nature, with a fierce determination and an unwavering commitment to justice.” (Ruth Bader Ginsburg)
• “His piercing blue eyes seemed to look right through you, and his voice had a commanding presence that demanded attention.” (Winston Churchill)
• “She moved with a grace and elegance that belied her inner strength and resilience.” (Audrey Hepburn)
• “His rugged features and piercing gaze made him a natural leading man, but it was his depth and vulnerability that set him apart.” (Marlon Brando)
• “She had a contagious energy and a magnetic personality that drew people to her like a moth to a flame.” (Princess Diana)
• “His quiet intensity and unwavering dedication to his craft made him one of the greatest artists of his time.” (Leonardo da Vinci)

Action Step: While writing descriptive prose takes some practice, it’s an art you can master with little creative writing skills. To help you write descriptive prose, practice closing your eyes and imagining your subject. 

• What expression is on their face? 
• How are they dressed? 
• What does their body language express? 
• How do they smell? 
• How do they make you feel? 
• How do they make others feel? 
• What’s in their surroundings? 
• What are they doing with their hands? 
• What do you imagine they’re thinking about? 

With questions like these, you’ll start to use descriptive language to bring your subject to life.

Build a balance of objectivity and empathy

Strive for an objective portrayal while infusing empathy and understanding into your writing. Remain aware of biases and preconceived notions, giving your subject the space to shine in their unique light. 

To check yourself, filter your writing and interviewing with these tips:

• Verify Information: Cross-reference information from various sources to ensure accuracy. Use tools like Fact Check Explorer to fact-check claims, dates, and events to avoid errors or inaccuracies that could skew the narrative. 
• Multiple Perspectives: Seek out different viewpoints on the subject. This includes interviewing or reaching out to people with significant interactions or relationships with the subject. Incorporating diverse perspectives can counterbalance biases and provide a broader understanding.
• Empathetic Listening: During interviews or conversations, practice active listening and empathize with the interviewee’s experiences and emotions. This allows you to understand the subject’s perspective and incorporate their insights and feelings into the narrative.
• Contextualize Emotions: When sharing the subject’s emotional experiences or personal struggles, provide sufficient context and background. This helps readers understand the motivations and circumstances behind their actions and allows for empathetic understanding without veering into excessive sentimentality.
• Credible Interpretation: While interpreting the subject’s thoughts, motives, or intentions, be clear about what is factual and what is speculative. Clearly distinguish between evidence-based information and your interpretations to maintain objectivity.
• Respect Boundaries: Be mindful of the subject’s privacy and any requests they may have regarding sensitive or personal information. Respecting their boundaries shows empathy and allows for a respectful portrayal while maintaining the necessary level of objectivity.
• Acknowledge Limitations: Recognize that achieving complete objectivity in a biography is challenging. Biases can inadvertently seep into the narrative. However, by being aware of your biases and consciously presenting a fair and balanced account, you can mitigate their influence.

Respect truth, privacy, and sensitivity

Remember, writing biographies carries ethical responsibilities. It’s important to maintain accuracy through credible research and gain consent while being sensitive to controversial or difficult topics. Here are some considerations:

• Accuracy: Maintain a commitment to truth and accuracy. Verify facts and corroborate information from multiple sources to ensure the reliability of your narrative. Cite your sources and be transparent about any uncertainties or gaps in knowledge.
• Privacy and Consent: Respect the privacy of living individuals mentioned in your biography. Seek consent when sharing personal details or sensitive information. Balance the subject’s right to privacy with the importance of honesty and transparency.
• Sensitivity: Approach sensitive or controversial topics with care and empathy. Consider the potential impact of your words on the subject’s loved ones or affected communities—present differing perspectives without sensationalism or bias.

Writing a Biography FAQs

The length of a biography can vary greatly, depending on the subject and the depth of exploration. Some biographies span a few hundred pages, while others extend to multiple volumes. Focus on capturing the subject’s life’s essence rather than strictly adhering to a predetermined length.

Some common mistakes to avoid when writing a biography include the following: Lack of thorough research or reliance on a single source. Inaccurate or misleading information. Excessive personal bias or projection onto the subject. Neglecting to verify facts or failing to cite sources. Poor organization or a disjointed narrative flow. Neglecting to balance objectivity with empathy. Overloading the biography with irrelevant details or digressions. Failing to respect privacy or ethical considerations.

While chronological order is commonly used in biographies, it is not required. Some biographers employ a thematic approach or explore specific periods or events in the subject’s life. Experiment with different structures to find the most engaging way to tell your subject’s story.

The purpose of writing a biography is to capture and share an individual’s life story. Biographies provide insights into a person’s experiences, achievements, and challenges, offering readers inspiration, knowledge, and understanding. They preserve the legacy of individuals, contribute to historical records, and celebrate the diversity of human lives.

When choosing a subject for your biography, consider someone who inspires you, interests you, or has significantly impacted society. It could be a historical figure, a contemporary icon, or even an everyday individual with a remarkable story. Choose a subject with sufficient available information, access to primary sources or interviews, and a narrative that resonates with you and potential readers.

Key elements to include in a biography are: Early life and background: Provide context about the subject’s upbringing, family, and cultural influences. Achievements and milestones: Highlight notable accomplishments, contributions, and significant events throughout their life. Challenges and struggles: Explore the obstacles they faced, the lessons learned, and how they overcame adversity. Personal characteristics: Describe their personality traits, values, beliefs, and motivations that shaped their actions and decisions. Impact and legacy: Discuss the lasting influence and contributions of the subject, both during their lifetime and beyond.

Including personal anecdotes can add depth and humanize the subject of your biography. However, be selective and ensure that the stories are relevant, contribute to understanding the person’s character or experiences, and align with the overall narrative. Balancing personal anecdotes with factual information is critical to maintaining accuracy and credibility.

Conducting research for a biography involves exploring a variety of sources. Start with primary sources such as personal papers, letters, journals, and interviews with the subject or people who knew them. Secondary sources such as books, articles, and academic papers provide additional context and perspectives. Online databases, archives, libraries, and museums are valuable resources for finding relevant information.

Consult a wide range of sources to ensure a comprehensive and accurate biography. Primary sources, such as personal documents, letters, diaries, and interviews, offer firsthand accounts and unique insights. Secondary sources provide broader context and analysis, including books, articles, scholarly works, and historical records. Remember to evaluate the credibility and reliability of your sources critically.

Organize the information in your biography logically and engagingly. Consider using a chronological structure, starting with the subject’s early life and progressing through significant events and milestones. Alternatively, adopt a thematic approach, grouping related information based on themes or significant aspects of their life. Use clear headings, subheadings, and transitions to guide readers through the narrative flow.

Writing Biographies Key Takeaways

In summary, take note of these ideas and tips before you start writing your biography:

• Biographies hold enduring appeal, offering a glimpse into the human experience across time.
• Thorough research, interviews, and captivating prose are essential for crafting compelling biographies.
• Ethical considerations, such as accuracy, privacy, and sensitivity, are crucial when writing about real people’s lives.
• Choose subjects that genuinely inspire and resonate with you.
• Immerse yourself in the subject’s world to understand their motivations and challenges.
• Develop strong research skills and utilize a wide range of sources.
• Craft a compelling narrative that engages readers from the very first page.
• Seek feedback from trusted sources to refine your writing and storytelling abilities.
• Continuously explore new biographies to broaden your understanding of different styles and approaches.
• Embrace the unique voice and perspective you bring to the storytelling process.

Writing a biography book? Check out this helpful article, How to Write a Book: 10 Questions to Ask Before You Start Writing !

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Biographies: The Stories of Humanity

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• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

A biography is a story of a person's life, written by another author. The writer of a biography is called a biographer while the person written about is known as the subject or biographee.

Biographies usually take the form of a narrative , proceeding chronologically through the stages of a person's life. American author Cynthia Ozick notes in her essay "Justice (Again) to Edith Wharton" that a good biography is like a novel, wherein it believes in the idea of a life as "a triumphal or tragic story with a shape, a story that begins at birth, moves on to a middle part, and ends with the death of the protagonist."

A biographical essay is a comparatively short work of nonfiction  about certain aspects of a person's life. By necessity, this sort of essay  is much more selective than a full-length biography, usually focusing only on key experiences and events in the subject's life.

Between History and Fiction

Perhaps because of this novel-like form, biographies fit squarely between written history and fiction, wherein the author often uses personal flairs and must invent details "filling in the gaps" of the story of a person's life that can't be gleaned from first-hand or available documentation like home movies, photographs, and written accounts.

Some critics of the form argue it does a disservice to both history and fiction, going so far as to call them "unwanted offspring, which has brought a great embarrassment to them both," as Michael Holroyd puts it in his book "Works on Paper: The Craft of Biography and Autobiography." Nabokov even called biographers "psycho-plagiarists," meaning that they steal the psychology of a person and transcribe it to the written form.

Biographies are distinct from creative non-fiction such as memoir in that biographies are specifically about one person's full life story -- from birth to death -- while creative non-fiction is allowed to focus on a variety of subjects, or in the case of memoirs certain aspects of an individual's life.

Writing a Biography

For writers who want to pen another person's life story, there are a few ways to spot potential weaknesses, starting with making sure proper and ample research has been conducted -- pulling resources such as newspaper clippings, other academic publications, and recovered documents and found footage.  

First and foremost, it is the duty of biographers to avoid misrepresenting the subject as well as acknowledging the research sources they used. Writers should, therefore, avoid presenting a personal bias for or against the subject as being objective is key to conveying the person's life story in full detail.

Perhaps because of this, John F. Parker observes in his essay "Writing: Process to Product" that some people find writing a biographical essay "easier than writing an  autobiographical  essay. Often it takes less effort to write about others than to reveal ourselves." In other words, in order to tell the full story, even the bad decisions and scandals have to make the page in order to truly be authentic.

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Biography vs Autobiography: Similarities and Differences

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Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

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A biography is an account of someone’s life story that is written by an author who is not the subject of the nook. An autobiography, on the other hand, involves an individual narrating their own life experiences.

The differences between biographies and autobiographies relate most prominently to the authorhship:

• Autobiography: When you read an autobiography, you’re getting the author’s own interpretation of their life.
• Biography: When you read a biography, you experience the subject’s life through someone else’s lens (Schiffrin & Brockmeier, 2012).

Biography vs Autobiography

1. biography.

A biography is a detailed account of a person’s life, scripted by an author who is not the person who is featured in the text itself.

This type of life story focuses both on factual events in the person’s life, such as birth, education, work, and death, but often also delves into personal aspects like experiences, relationships, and significant achievements.

It may also weave-in cultural and contextual factors that help illuminate the person’s motivations and core values .

Origins of Biographies

The concept of biography as a literary genre dates back to antiquity. Such works were primarily used to capture the lives of dignified individuals, mainly rulers and war heroes.

Suetonius’s Lives of the Caesars and Plutarch’s Parallel Lives are landmark examples from this ancient period (Sweet, 2010).

The popularity of biographical works only grew in the ensuing centuries, and they became a prominent part of many cultures’ literary traditions. 

Into the 18th century and during the Enlightenment, biographies began to present a more balanced portrayal of the subject. They would present both their strengths and flaws, providing a holistic perspective on the subject.

Dr. Samuel Johnson’s compilation of English poets biographies, Lives of the Most Eminent English Poets (1779-1781) ushered in a new era of biography writing by focusing on examining human nature (Ditchfield, 2018).

In the modern era, the genre has evolved and broadened, encompassing a diverse range of figures from all walks of life – there’s a biography in every niche imaginable, with each offering readers an in-depth exploration of their lives, their struggles, and their triumphs.

This demonstrates the enduring appeal of biographies and their value in providing snapshots of history through individual lenses.

Key Characteristics of Biographies

Examples of Biographies

Title: The Lives of the Most Eminent English Poets Author: Dr. Samuel Johnson   Description: Dr. Johnson’s work profiles the lives of 52 poets from the 17th and 18th centuries, including John Milton and Alexander Pope. He critiques not just the works, but also explores their personal lives and the sociopolitical contexts of their times (Johnson, 1781). Johnson’s study is invaluable for its integrated historic and biographic approach.

Title: The Life of Samuel Johnson Author: James Boswell   Description: This work by Boswell explores, in great depth, the life of his friend and mentor, Dr. Samuel Johnson. The biography offers a compelling portrayal of Dr. Johnson’s life, character, eccentricities, and intellectual prowess (Boswell, 1791). Boswell’s vivid account creates a near-physical presence of Johnson to the readers, making it one of the greatest biographies in English literature.

Title: The Rise of Theodore Roosevelt Author: Edmund Morris   Description: In this Pulitzer Prize-winning biography, Morris chronicles the early life of Theodore Roosevelt until his ascension to the U.S presidency. The work brilliantly captures Roosevelt’s extraordinary career and his transformation from a frail asthmatic boy into a robust and vigorous leader (Morris, 1979). Morris accurately represents Roosevelt’s indomitable spirit, making it an engaging and educational read.

Title: Steve Jobs Author: Walter Isaacson Description: This comprehensive biography provides a deep-dive into the life and career of Steve Jobs, the co-founder of Apple. Isaacson had unparalleled access to Jobs and those closest to him, thus presenting an intimate and detailed account. He explores Jobs’ professional endeavors as well as his personal life, revealing his ambition, intensity, and visionary mind that revolutionized several high-tech industries (Isaacson, 2011).

Title: Alexander Hamilton Author: Ron Chernow Description: Ron Chernow provides a sweeping narrative of one of America’s most compelling founding fathers, Alexander Hamilton. Chernow combines extensive research with a flair for storytelling, charting Hamilton’s evolution from an orphan into a political genius. The book sheds light on Hamilton’s crucial role in the formation of the United States’ financial system and his political ideologies (Chernow, 2004).

2. Autobiography

An autobiography is a self-written record of someone’s own life. It is a personal narrative in which the author writes about their life from their own perspective.

Autobiographies are usually centered around the author’s personal experiences, including key milestones, challenges, and achievements (Eakin, 2015).

They’re also often a defense of the person’s perspective (especially in political autobiographies) or insight into their thought processes, which can make them very intimate.

Origins of Autobiographies

The term ‘autobiography’ was first used deprecatingly by William Taylor in 1797 in the English periodical The Monthly Review, when he suggested the word as a hybrid but condemned it as ‘pedantic’.

Pioneering examples of the genre form include Thomas De Quincey’s Confessions of an English Opium-Eater (1821) and the memoirs by veterans of the Napoleonic Wars (Lejeune, 2016).

However, apart from these early instances, autobiographies have been composed by a wide array of individuals from history. 

In the early 20th century, the genre witnessed major transformations, and autobiographies started to cover a broader spectrum of experiences, including trauma, struggles, and successes.

‘Black Boy’ by Richard Wright, for instance, shares the author’s experiences with racism and his journey towards developing a literary career (Wright, 1945).

This was followed by a host of autobiographies by public figures sharing their diverse stories, such as Ernest Hemingway’s ‘A Moveable Feast’, depicting his days as a struggling young writer in Paris (Hemingway, 1964). 

Autobiography as a genre has continued to evolve over the years, and a variety of forms have emerged to communicate individual experiences globally.

As history has progressed, we see more and more people with diverse perspectives sharing their stories, broadening our understanding of the human experience (Smith & Watson, 2010).

Key Characteristics of Autobiographies 

Examples of Autobiographies

Title: Long Walk to Freedom Author: Nelson Mandela   Description: “Long Walk to Freedom” provides an in-depth exploration of ex-President Nelson Mandela, his political journey, and his stand against apartheid in South Africa. The biography offers a unique perspective into Mandela’s noble character, his indomitable spirit, and his commitment to justice when faced with grave adversities (Mandela, 1995). Mandela serves as one of our times’ great moral and political leaders through this biography.

Title: The Diary of a Young Girl Author: Anne Frank  Description: This biography provides a startling firsthand account of a young Jewish girl named Anne Frank, who with her family, hid from the Nazis in Amsterdam during World War II. Her diary entries offer profound insights into the fear, hope, and resilience she demonstrated during her two years in hiding (Frank, 1947). Frank’s posthumous biographical record serves as a reminder of the injustices of the past and as a symbol of endurance in the face of oppression.

Title: I Know Why the Caged Bird Sings Author: Maya Angelou  Description: This moving autobiography charts Maya Angelou’s early life, from experiencing racial discrimination in the South to becoming the first black streetcar conductor in San Francisco. Angelou portrays her journey of self-discovery and overcoming traumatic experiences, including racial prejudice and personal trauma, with remarkable strength and grace. Her story is one of resilience, and it speaks powerfully about finding one’s voice (Angelou, 1969). 

Title: Night Author: Elie Wiesel  Description: “Night” is Wiesel’s personal account of his experiences in Nazi concentration camps during World War II with his father. This heartbreaking narrative describes not only physical hardship and cruel atrocities but also examines the loss of innocence and the struggle to maintain faith in humanity. It stands as a testament to human resilience in the face of unimaginable horror (Wiesel, 1960).

Title: Dreams from My Father Author: Barack Obama Description: In this engaging memoir, the 44th President of the United States narrates the story of his diverse background and early life. The narrative extends from his birth in Hawaii to his first visit to Kenya, from dealing with racial identity to self-discovery. “Dreams from My Father” not only provides personal insights about Obama’s life and values but also discusses issues of race, identity, and purpose (Obama, 1995).

Similarities and Differences Between Biographies and Autobiographies

While both biographies and autobiographies are excellent sources of information and entertainment about significant figures in history (or the present!), they serve different purposes. By knowing the different purposes of each, we can develop stronger media literacy , understanding what the intention of the author is, and how we should approach the text.

Angelou, M. (1969). I Know Why the Caged Bird Sings . Random House.

Baker, J., Davis, E., & Thompson, K. (2013). Reflection and Emotions in Autobiography . Chicago University Press.

Boswell, J. (1791). The Life of Samuel Johnson . J.R. Taylor.

Brown, J., & Brown, S. (2018). Thematic Focus in Autobiography Writing . Princeton University Press.

Chernow, R. (2004). Alexander Hamilton . Penguin Books.

Ditchfield, S. (2018). Extracting the Domestic from the Didactic: Transmission and Translation of the Sacred in The Lives of the Ancient Fathers (1672–1675). Church History and Religious Culture, 98 (1), 28-50.

Eakin, P. J. (2015). How Our Lives Become Stories: Making Selves . Cornell University Press.

Frank, A. (1947). The Diary of a Young Girl . Contact Publishing.

Hemingway, E. (1964). A Moveable Feast . Charles Scribner’s Sons.

Isaacson, W. (2011). Steve Jobs . Simon & Schuster.

Johnson, M., & Johnson, S. (2017). A Comprehensive Guide to Biography Writing . New York: Penguin.

Johnson, S. (1781). The Lives of the Most Eminent English Poets . Printed by C. Bathurst, J. Buckland [and 28 others in London].

Jones, B. (2015). The Art of Writing Biographies: An Objective Approach . Oxford University Press.

Lejeune, P. (2016). On Autobiography . University of Minnesota Press.

Mandela, N. (1995). Long Walk to Freedom: The Autobiography of Nelson Mandela . Macdonald Purnell.

Miller, R. (2014). The Self as the Subject: Autobiography Writing . Stanford University Press.

Morris, E. (1979). The Rise of Theodore Roosevelt . Coward, McCann & Geoghegan.

Obama, B. (1995). Dreams from My Father: A Story of Race and Inheritance . Crown Publishing Group.

Schiffrin D., & Brockmeier J. (2012). Narrative Identity and Autobiographical Recall. Royal Institute of Philosophy Supplements, 70 , 113-144.

Smith, J., Davis, M., & Thompson, S. (2012). Third Party Narratives: An Exploration of Biography Writing . Cambridge University Press.

Smith, S., & Watson, J. (2010). Reading Autobiography: A Guide for Interpreting Life Narratives . University of Minnesota Press.

Sweet, R. (2010). Biographical Dictionaries and Historiography. Bibliothèque d’Humanisme et Renaissance, 72 (2), 355–368.

Wiesel, E. (1960). Night . Hill & Wang.

Williams, T. (2019). The Importance of Facts in Biographies . HarperCollins.

Wright, R. (1945). Black Boy: A Record of Childhood and Youth . Harper & Brothers.

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Posted on Jun 30, 2023

How to Write a Biography: A 7-Step Guide [+Template]

From time to time, nonfiction authors become so captivated by a particular figure from either the present or the past, that they feel compelled to write an entire book about their life. Whether casting them as heroes or villains, there is an interesting quality in their humanity that compels these authors to revisit their life paths and write their story.

However, portraying someone’s life on paper in a comprehensive and engaging way requires solid preparation. If you’re looking to write a biography yourself, in this post we’ll share a step-by-step blueprint that you can follow. 

How to write a biography: 

1. Seek permission when possible 

2. research your subject thoroughly, 3. do interviews and visit locations, 4. organize your findings, 5. identify a central thesis, 6. write it using narrative elements, 7. get feedback and polish the text.

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While you technically don’t need permission to write about public figures (or deceased ones), that doesn't guarantee their legal team won't pursue legal action against you. Author Kitty Kelley was sued by Frank Sinatra before she even started to write His Way , a biography that paints Ol Blue Eyes in a controversial light. (Kelley ended up winning the lawsuit, however).  

Whenever feasible, advise the subject’s representatives of your intentions. If all goes according to plan, you’ll get a green light to proceed, or potentially an offer to collaborate. It's a matter of common sense; if someone were to write a book about you, you would likely want to know about it well prior to publication. So, make a sincere effort to reach out to their PR staff to negotiate an agreement or at least a mutual understanding of the scope of your project. 

At the same time, make sure that you still retain editorial control over the project, and not end up writing a puff piece that treats its protagonist like a saint or hero. No biography can ever be entirely objective, but you should always strive for a portrayal that closely aligns with facts and reality.

If you can’t get an answer from your subject, or you’re asked not to proceed forward, you can still accept the potential repercussions and write an unauthorized biography . The “rebellious act” of publishing without consent indeed makes for great marketing, though it’ll likely bring more headaches with it too. 

✋ Please note that, like other nonfiction books, if you intend to release your biography with a publishing house , you can put together a book proposal to send to them before you even write the book. If they like it enough, they might pay you an advance to write it.  

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Once you’ve settled (or not) the permission part, it’s time to dive deep into your character’s story.  

Deep and thorough research skills are the cornerstone of every biographer worth their salt. To paint a vivid and accurate portrait of someone's life, you’ll have to gather qualitative information from a wide range of reliable sources. 

Start with the information already available, from books on your subject to archival documents, then collect new ones firsthand by interviewing people or traveling to locations. 

Browse the web and library archives

Put your researcher hat on and start consuming any piece on your subject you can find, from their Wikipedia page to news articles, interviews, TV and radio appearances, YouTube videos, podcasts, books, magazines, and any other media outlets they may have been featured in. 

Establish a system to orderly collect the information you find 一 even seemingly insignificant details can prove valuable during the writing process, so be sure to save them. 

Depending on their era, you may find most of the information readily available online, or you may need to search through university libraries for older references. 

For his landmark biography of Alexander Hamilton, Ron Chernow spent untold hours at Columbia University’s library , reading through the Hamilton family papers, visiting the New York Historical Society, as well as interviewing the archivist of the New York Stock Exchange, and so on. The research process took years, but it certainly paid off. Chernow discovered that Hamilton created the first five securities originally traded on Wall Street. This finding, among others, revealed his significant contributions to shaping the current American financial and political systems, a legacy previously often overshadowed by other founding fathers. Today Alexander Hamilton is one of the best-selling biographies of all time, and it has become a cultural phenomenon with its own dedicated musical. 

Besides reading documents about your subject, research can help you understand the world that your subject lived in. 

Try to understand their time and social environment

Many biographies show how their protagonists have had a profound impact on society through their philosophical, artistic, or scientific contributions. But at the same time, it’s worth it as a biographer to make an effort to understand how their societal and historical context influenced their life’s path and work.

An interesting example is Stephen Greenblatt’s Will in the World . Finding himself limited by a lack of verified detail surrounding William Shakespeare's personal life, Greenblatt, instead, employs literary interpretation and imaginative reenactments to transport readers back to the Elizabethan era. The result is a vivid (though speculative) depiction of the playwright's life, enriching our understanding of his world.

Many readers enjoy biographies that transport them to a time and place, so exploring a historical period through the lens of a character can be entertaining in its own right. The Diary of Samuel Pepys became a classic not because people were enthralled by his life as an administrator, but rather from his meticulous and vivid documentation of everyday existence during the Restoration period.

Once you’ve gotten your hands on as many secondary sources as you can find, you’ll want to go hunting for stories first-hand from people who are (or were) close to your subject.

With all the material you’ve been through, by now you should already have a pretty good picture of your protagonist. But you’ll surely have some curiosities and missing dots in their character arc to figure out, which you can only get by interviewing primary sources.

Interview friends and associates

This part is more relevant if your subject is contemporary, and you can actually meet up or call with relatives, friends, colleagues, business partners, neighbors, or any other person related to them. 

In writing the popular biography of Steve Jobs, Walter Isaacson interviewed more than one hundred people, including Jobs’s family, colleagues, former college mates, business rivals, and the man himself.

🔍 Read other biographies to get a sense of what makes a great one. Check out our list of the 30 best biographies of all time , or take our 30-second quiz below for tips on which one you should read next. 

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When you conduct your interviews, make sure to record them with high quality audio you can revisit later. Then use tools like Otter.ai or Descript to transcribe them 一 it’ll save you countless hours. 

You can approach the interview with a specific set of questions, or follow your curiosity blindly, trying to uncover revealing stories and anecdotes about your subject. Whatever your method, author and biography editor Tom Bromley suggests that every interviewer arrives prepared, "Show that you’ve done your work. This will help to put the interviewee at ease, and get their best answers.” 

Bromley also places emphasis on the order in which you conduct interviews. “You may want to interview different members of the family or friends first, to get their perspective on something, and then go directly to the main interviewee. You'll be able to use that knowledge to ask sharper, more specific questions.” 

Finally, consider how much time you have with each interviewee. If you only have a 30-minute phone call with an important person, make it count by asking directly the most pressing questions you have. And, if you find a reliable source who is also particularly willing to help, conduct several interviews and ask them, if appropriate, to write a foreword as part of the book’s front matter .

Sometimes an important part of the process is packing your bags, getting on a plane, and personally visiting significant places in your character’s journey.

Visit significant places in their life

A place, whether that’s a city, a rural house, or a bodhi tree, can carry a particular energy that you can only truly experience by being there. In putting the pieces together about someone’s life, it may be useful to go visit where they grew up, or where other significant events of their lives happened. It will be easier to imagine what they experienced, and better tell their story. 

In researching The Lost City of Z , author David Grann embarked on a trek through the Amazon, retracing the steps of British explorer Percy Fawcett. This led Grann to develop new theories about the circumstances surrounding the explorer's disappearance.

Hopefully, you won’t have to deal with jaguars and anacondas to better understand your subject’s environment, but try to walk into their shoes as much as possible. 

Once you’ve researched your character enough, it’s time to put together all the puzzle pieces you collected so far. 

Take the bulk of notes, media, and other documents you’ve collected, and start to give them some order and structure. A simple way to do this is by creating a timeline. 

Create a chronological timeline

It helps to organize your notes chronologically 一 from childhood to the senior years, line up the most significant events of your subject’s life, including dates, places, names and other relevant bits. 

You should be able to divide their life into distinct periods, each with their unique events and significance. Based on that, you can start drafting an outline of the narrative you want to create.  

Draft a story outline 

Since a biography entails writing about a person’s entire life, it will have a beginning, a middle, and an end. You can pick where you want to end the story, depending on how consequential the last years of your subject were. But the nature of the work will give you a starting character arc to work with. 

To outline the story then, you could turn to the popular Three-Act Structure , which divides the narrative in three main parts. In a nutshell, you’ll want to make sure to have the following:

• Act 1. Setup : Introduce the protagonist's background and the turning points that set them on a path to achieve a goal. 
• Act 2. Confrontation : Describe the challenges they encounter, both internal and external, and how they rise to them. Then..
• Act 3. Resolution : Reach a climactic point in their story in which they succeed (or fail), showing how they (and the world around them) have changed as a result. 

Only one question remains before you begin writing: what will be the main focus of your biography?

Think about why you’re so drawn to your subject to dedicate years of your life to recounting their own. What aspect of their life do you want to highlight? Is it their evil nature, artistic genius, or visionary mindset? And what evidence have you got to back that up? Find a central thesis or focus to weave as the main thread throughout your narrative. 

Or find a unique angle

If you don’t have a particular theme to explore, finding a distinct angle on your subject’s story can also help you distinguish your work from other biographies or existing works on the same subject.

Plenty of biographies have been published about The Beatles 一 many of which have different focuses and approaches: 

• Philip Norman's Shout is sometimes regarded as leaning more towards a pro-Lennon and anti-McCartney stance, offering insights into the band's inner dynamics. 
• Ian McDonald's Revolution in the Head closely examines their music track by track, shifting the focus back to McCartney as a primary creative force. 
• Craig Brown's One Two Three Four aims to capture their story through anecdotes, fan letters, diary entries, and interviews. 
• Mark Lewisohn's monumental three-volume biography, Tune In , stands as a testament to over a decade of meticulous research, chronicling every intricate detail of the Beatles' journey.

Finally, consider that biographies are often more than recounting the life of a person. Similar to how Dickens’ Great Expectations is not solely about a boy named Pip (but an examination and critique of Britain’s fickle, unforgiving class system), a biography should strive to illuminate a broader truth — be it social, political, or human — beyond the immediate subject of the book. 

Once you’ve identified your main focus or angle, it’s time to write a great story. 

While biographies are often highly informative, they do not have to be dry and purely expository in nature . You can play with storytelling elements to make it an engaging read. 

You could do that by thoroughly detailing the setting of the story , depicting the people involved in the story as fully-fledged characters , or using rising action and building to a climax when describing a particularly significant milestone of the subject’s life. 

One common way to make a biography interesting to read is starting on a strong foot…

Hook the reader from the start

Just because you're honoring your character's whole life doesn't mean you have to begin when they said their first word. Starting from the middle or end of their life can be more captivating as it introduces conflicts and stakes that shaped their journey.

When he wrote about Christopher McCandless in Into the Wild , author Jon Krakauer didn’t open his subject’s childhood and abusive family environment. Instead, the book begins with McCandless hitchhiking his way into the wilderness, and subsequently being discovered dead in an abandoned bus. By starting in medias res , Krakauer hooks the reader’s interest, before tracing back the causes and motivations that led McCandless to die alone in that bus in the first place.

You can bend the timeline to improve the reader’s reading experience throughout the rest of the story too…

Play with flashback 

While biographies tend to follow a chronological narrative, you can use flashbacks to tell brief stories or anecdotes when appropriate. For example, if you were telling the story of footballer Lionel Messi, before the climax of winning the World Cup with Argentina, you could recall when he was just 13 years old, giving an interview to a local newspaper, expressing his lifelong dream of playing for the national team. 

Used sparsely and intentionally, flashbacks can add more context to the story and keep the narrative interesting. Just like including dialogue does…

Reimagine conversations

Recreating conversations that your subject had with people around them is another effective way to color the story. Dialogue helps the reader imagine the story like a movie, providing a deeper sensory experience. 

One thing is trying to articulate the root of Steve Jobs’ obsession with product design, another would be to quote his father , teaching him how to build a fence when he was young: “You've got to make the back of the fence just as good looking as the front of the fence. Even though nobody will see it, you will know. And that will show that you're dedicated to making something perfect.”

Unlike memoirs and autobiographies, in which the author tells the story from their personal viewpoint and enjoys greater freedom to recall conversations, biographies require a commitment to facts. So, when recreating dialogue, try to quote directly from reliable sources like personal diaries, emails, and text messages. You could also use your interview scripts as an alternative to dialogue. As Tom Bromley suggests, “If you talk with a good amount of people, you can try to tell the story from their perspective, interweaving different segments and quoting the interviewees directly.”

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These are just some of the story elements you can use to make your biography more compelling. Once you’ve finished your manuscript, it’s a good idea to ask for feedback. 

If you’re going to self-publish your biography, you’ll have to polish it to professional standards. After leaving your work to rest for a while, look at it with fresh eyes and self-edit your manuscript eliminating passive voice, filler words, and redundant adverbs. 

Then, have a professional editor give you a general assessment. They’ll look at the structure and shape of your manuscript and tell you which parts need to be expanded on or cut. As someone who edited and commissioned several biographies, Tom Bromley points out that a professional “will look at the sources used and assess whether they back up the points made, or if more are needed. They would also look for context, and whether or not more background information is needed for the reader to understand the story fully. And they might check your facts, too.”  

In addition to structural editing, you may want to have someone copy-edit and proofread your work.

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Importantly, make sure to include a bibliography with a list of all the interviews, documents, and sources used in the writing process. You’ll have to compile it according to a manual of style, but you can easily create one by using tools like EasyBib . Once the text is nicely polished and typeset in your writing software , you can prepare for the publication process.  

In conclusion, by mixing storytelling elements with diligent research, you’ll be able to breathe life into a powerful biography that immerses readers in another individual’s life experience. Whether that’ll spark inspiration or controversy, remember you could have an important role in shaping their legacy 一 and that’s something not to take lightly. 

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Best Biographies Of All Time: 8 Essential Reads

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Anthony Bourdain (file Photo by Rich Fury/Invision/AP)

I recently listed some of my favorite history books of all-time and because people are the most interesting aspects of history, I included a few great biographies of significant historical figures like Malcolm X, Winston Churchill, Julius Caesar, and others.

But there are so many others Here are some of the best biographies of all time, many of which are written to inspire you to take risks in business—and in life.

The Tycoons: How Andrew Carnegie, John D. Rockefeller, Jay Gould, and J. P. Morgan Invented the American Supereconomy by Charles R. Morris 

The Tycoons by Charles R. Morris

What powered American industry, from the devastating aftermath of its civil war, to become the catalyst behind the world largest economy within decades? The answer has much to do with four men: Carnegie, Rockefeller, Gould and Morgan. These industrialists, financiers, railroaders and oil tycoons became as big and wealthy as America itself, and along the way paved the road for what is today the laws, regulations and infrastructure of our modern markets. I enjoyed this book as not just a biography of these four men, but as an economic history of the United States during one of its most tumultuous eras.

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War and Peace: FDR's Final Odyssey by Nigel Hamilton

War and Peace by Nigel Hamilton

Nigel Hamilton's acclaimed trilogy (which is available as a three-part boxed set ) ends with this volume that happened coincide with the 75th Anniversary of D-Day. This book makes me think of perhaps my favorite presidential biography of all time:  Truman   by David McCullough. While many under-appreciated Truman during his term in office, today's readers of McCullough's 1992 biography will truly understand how he capably overcame the enormity of the challenges he faced and the impact his leadership has on our society today. But as Hamilton's FDR trilogy makes clear, many of Truman's successes (and failures) or due to what he inherited from Roosevelt.

Mozart: A Life by Peter Gay

Mozart by Peter Gay

Is it possible to summarize the life of the world's arguably greatest composer in just 160 pages? Peter Gay, a historian and previous National Book Award winner, pulls it off expertly, with a quick, engaging and informative narrative that not only digs into the nature and personality of the musical genius but also gives a great background of the economic and political times that influenced his life and his work. Gay 1999 biography takes pains to debunk some of the myths surrounding Mozart's life (no, he wasn't poisoned by a rival composer and, no, he wasn't buried in a pauper's grave).  This book isn't a deep dive or an expanded narrative. But for me, it provided all the information I wanted to learn about a musician whose works have helped me navigate my way through the mundane work—I am an accountant, after all—of my professional life.

Anthony Bourdain Remembered  by CNN

Anthony Bourdain Remembered

I've been interested in Anthony Bourdain—who tragically took his own life in 2018—long before he became a nationally known TV star of the hit CNN series "Parts Unknown." I didn't love reading   Kitchen Confidential — his first and most famous book—simply because of all the crazy stories of drug use and partying that went on behind the scenes at the restaurants where he worked. I enjoyed it because I like to go to restaurants and I'm curious—from a business and creative standpoint—about how they work. But it's Bourdain's legacy that's considered in   Anthony Bourdain Remembered , a bestseller released just last month compiling memories and anecdotes from his fans, friends, and colleagues at CNN.

Stalin: The Court of the Red Tsar by Simon Sebag Montefiore 

Stalin: The Court of the Red Tsar by Simon Sebag Montefiore

Montefiore's 2003 biography of Stalin is about a man who lived with death every single day of his life to become the leader of millions and an infamous reminder of what can happen when the wrong leaders rise to power. But as the book explains—in great and sometimes gory detail—he achieved that power through many murderous and violent ways. More interestingly, Montefiore provides countless examples of how Stalin befriended his fellow politicians, party members and others only to abandon (and oftentimes eliminate them) in pursuit of his goals. Can a ruthless monster rise to the top and stay there his entire life? This book shows how it's possible.

Alexander Hamilton by Ron Chernow 

Alexander Hamilton by Ron Chernow

With all due respect to the hit musical—which is fantastic—the book it's based on is better.  That's because Ron Chernow's 2004 biography more deeply describes Hamilton's days as a soldier under Washington's command and the complexities involved in financing a young nation's growth and creating a central bank amidst the monumental political and financial challenges of the day. Hamilton—the nation’s most famous immigrant to some—never held elected office. But his influence on our lives today is still very much apparent.

The Passage of Power: The Years of Lyndon Johnson by Robert Caro 

The Passage of Power by Robert Caro

Robert Caro's latest entry in his series of LBJ biographies (there were three previous volumes) covers from approximately 1958 to 1964 and explains in great detail how Johnson—the powerful leader of the Senate who so aspired to the presidency —rose out of the political wilderness of the vice-presidency to use the skills he learned in over 30 years of government service to rescue the country from a devastating presidential assassination and guide it back to stability.

Leonardo da Vinci by Walter Isaacson 

Leonardo da Vinci by Walter Isaacson

Walter Isaacson—the former editor of Time , best known for his other great biographies of Benjamin Franklin and Steve Jobs—not only illuminates some of da Vinci's greatest artistic works, but also reveals the genius behind this self-taught, self-confident entrepreneur. Leonardo was constantly promoting his artistic abilities to wealthy benefactors and had the creativity to come up with flying machines and giant crossbows while studying anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. Few geniuses like this have ever walked the earth.

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Sources of History

History (from the Greek ἱστορία, meaning 'a learning or knowing by inquiry') can be broadly taken to indicate the past in general but is usually defined as the study of the past from the point at which there were written sources onwards.

There are obstacles that make it so we do not have a crystal clear, uninterrupted view of the past. Firstly, we have to remember that everyone – not just us, but also people throughout history – is shaped by their upbringing and the societies and times they live in, and we need to be careful not to stick our own labels and values onto past periods. Secondly, our view of the past is made up from the total of things that somehow happened to survive the test of time, which is due to coincidences and decisions made by people before our time. So, we only get a fragmentary, distorted view; it is like trying to complete a puzzle with a lot of oddly shaped and missing pieces.

The Art of War by Sun-Tzu Coelacan (CC BY-SA) {"@context":"https://schema.org","@id":"https://www.worldhistory.org/image/1005/the-art-of-war-by-sun-tzu/#imageobject","@type":"ImageObject","acquireLicensePage":"https://www.worldhistory.org/image/1005/the-art-of-war-by-sun-tzu/","caption":"A bamboo version of 'The Art of War' (composed late 6th century BCE) widely attributed to the Chinese military strategist Sun-Tzu. (University of California, Riverside)","contentUrl":"https://www.worldhistory.org/uploads/images/1005.jpg","copyrightNotice":"Coelacan - CC BY-SA - This license lets others remix, tweak, and build upon a work even for commercial reasons, as long as they credit the author and license their new creations under the identical terms. When republishing on the web a hyperlink back to the original content source URL must be included.","creator":{"@type":"Person","name":"Coelacan"},"creditText":"Coelacan / Wikipedia","dateModified":"2024-06-17T20:08:17+0000","datePublished":"2013-01-04T11:05:17+0000","encodingFormat":"image/jpeg","headline":"The Art of War by Sun-Tzu","height":"2160","isAccessibleForFree":true,"isBasedOn":{"@type":"CreativeWork","url":"http://en.wikipedia.org/wiki/File:Bamboo_book_-_binding_-_UCR.jpg#file"},"isFamilyFriendly":true,"isPartOf":"https://www.worldhistory.org#website","license":"https://creativecommons.org/licenses/by-sa/4.0","mainEntityOfPage":"https://www.worldhistory.org/image/1005/the-art-of-war-by-sun-tzu/","publisher":"https://www.worldhistory.org#organization","representativeOfPage":true,"url":"https://www.worldhistory.org/image/1005/the-art-of-war-by-sun-tzu/","width":"1866"}

To fill in the context of the past we wish to study involves carefully questioning a whole bunch of sources – not just written ones – and avoiding pitfalls as much as possible. The closely connected field of archaeology offers a priceless helping hand in achieving this, so these sources will be discussed here, too.

UNRAVELLING THE SOURCES

Sources are our way of peering into the past, but the various kinds all present their own benefits and difficulties. The first distinction to make is between primary and secondary sources. A primary source is first-hand material that stems (roughly) from the time period that one wants to examine, whereas a secondary source is an additional step removed from that period – a 'second-hand' work that is the result of reconstructing and interpreting the past using the primary material, such as textbooks, articles, and, of course, websites such as this one.

PRIMARY SOURCES

However cool actual sources from times gone by may be, we cannot simply assume that everything they tell us (or everything we think they tell us) is true, or that we are automatically able to interpret their contents and context correctly. They were made by people, from within their own contexts. Keeping a critical eye and asking questions is thus the way to go, and it is a good idea to cross-examine different sources on the same topic to see whether any kind of consensus rolls out.

Some general questions you should ask of any type of source are:

• What type of source is it? What does its form tell us? Is it a neatly engraved inscription, an undecorated, heavily used bit of earthenware, or a roughly scribbled letter on cheap paper?
• Who created the source? How did they gather the necessary information? Were they an eyewitness, or did they rely on researching other sources or on the stories of people who had witnessed the event? Could they be biased?
• With which goal was the source created? Did the creator want to tell a truthful story or, for instance, influence others through propaganda? How reliable does that make it?
• What is the context in which the source was created? To understand a source it helps to know something about the society and immediate context in which it was made. A Christian source written while Christianity was still a persecuted religion differs from one after Christianity was made the official religion. Compare it with other sources from the same period/that concern the same subject to help you assess how reliable the source may be and help you interpret its content.
• What is the content of the source and how do we interpret it? What does it tell us and what does it not tell us? What are its limitations? What sorts of questions could this source answer?

Different sources bring different benefits and pitfalls with them, though; these will be discussed in more detail below.

Written sources

Some examples of primary written sources are contemporary letters, eyewitness accounts, official documents, political declarations and decrees, administrative texts, and histories and biographies written in the period that is to be studied.

Benefits – details; personal side; context

The unmatched level of detail presented by written sources in general is an obvious goldmine to the greedy historian. Moreover, reading a written source tends to tell you something about the author and the context in which they are writing just as well as the topic they concern themselves with.

The detail in some written sources can lead to unexpected discoveries, such as the astonishing fact that the Phoenicians already sailed around Cape of Good Hope (South Africa ) in open boats as early as 600 BCE. Herodotus , the 'father of history', writes in his Histories – a work recounting the events of the Greco- Persian Wars (499-479 BCE) – that

On their return, they declared - I for my part do not believe them, but perhaps others may - that in sailing round Libya [Africa] they had the sun upon their right hand. In this way was the extent of Libya first discovered. (Hdt. IV. 42).

South of the equator, the sun would indeed have been on the sailors' right-hand side while sailing westward around the Cape – a detail the sailors could not have known if they had not actually witnessed it, so it appears to be true.

Pitfalls – transmission; reliability, bias & intentions; contemporaneity

The first hurdle with written sources is their transmission; materials such as papyrus, parchment, and paper do not have infinite lifespans, so the sources we have in front of us right now have usually been copied, reviewed, edited, even translated, at some point in time, and may include mistakes or deliberate changes. This puts a thin barrier between us and the original text.

Secondly, authors may not be reliable, may have been biased, or may have had certain intentions that jeopardise the source's objectivity. Forgery is unfortunately also not entirely outside the realm of possibilities, as the Donatio Constantini (the Donation of Constantine ) makes painfully clear. Asking the following questions can help canvass these issues:

• Who created the source and what was his or her background?

People are undeniably connected with their backgrounds – upbringing, family, the times they lived in, and so forth, and we have to examine the source from within this framework.

• What do we know of the context in which the source was created?

The prevailing values, schools of thought, religion, the political situation, possible censure, as well as whether the source was perhaps commissioned by someone or not, all have an impact on the contents of a source. Comparing a source to other (types of) sources from the same period or concerning the same topic can help determine its reliability and help you form a picture of what may have actually happened.

• Did the creator have a specific goal or a specific audience?

A personal letter with the goal of declaring the author's love to his recipient yields a different kind of information than a piece of propaganda written in order to strengthen a ruler's position. Of course, the goal may not be quite as easy to spot as that.

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Thirdly, it is important to check whether the author was actually around for the events they are writing about. Questions to ask are:

• Was the author a contemporary and/or an eyewitness?
• If no: where did they get their information and how reliable was that information? It could have come from documents, eyewitnesses, or other sources available to them.
• If yes: did they personally witness the event they are describing? How accurate is their memory? Being alive at the same time as Empress Wu from Song China , for instance, does not automatically mean you were in a position to see which clothes she wore on a specific Monday morning.

Herodotus, for instance, was not an eyewitness himself, and although usually of decent critical mind, he sometimes fell flat in his judgement of his sources - the person who convinced him that the hind legs of camels have four thigh bones and four knee-joints must have been well chuffed. (Hdt. III.103). Furthermore, when entire speeches are recorded word-for-word, one must wonder how plausible it is, firstly, that the eyewitness remembered all of it, sometimes for a long stretch of time, and, secondly, that the author then recorded the whole speech exactly as recited by his witness, without shaping it to suit his desired narrative.

Epigraphy refers to the study of inscriptions engraved upon various surfaces such as stone, metal , wood, clay tablets, or even wax, which may vary hugely in length from mere abbreviated words and administrative tablets to depicting entire official decrees.

Benefits – typically durable; visible

Usually, inscriptions tend to be pretty durable because of the nature of the materials that were used, although whether or not the inscription has been exposed to the elements makes a bit of a difference. They were often intended to be publically visible, catching the eye like a big neon sign, their content shared with as many people as possible.

Pitfalls – audience; creators; intentions

This often public nature does not mean inscriptions should just be mindlessly accepted to reflect the exact truth, though; they had authors or commissioners who had certain purposes. Sometimes inscriptions even turn out to be forged, or have been moved and are no longer in their original locations. Things to keep in mind are:

• Who created or commissioned the inscription?

Is this, for instance, a lonely mother who had an elaborate, glorifying, and soppy inscription engraved on the headstone of her young son's grave , for passers-by to see, or is it a ruler's proclamation which subtly connects himself with a divine power?

• What is the goal of the inscription?

Perhaps it was created to inform, to record, to glorify, or to influence public opinion.

• Can it be dated (by things like the context, monument, or the language), and does the date match the content of the inscription?

A good example of the sometimes misleading nature of inscriptions is the Pantheon in Rome , a sometimes infuriating structure to go look at when you come too close to tourist groups led by guides that are not aware of the full story. The inscription states the following:

M(arcus) A(grippa) L(ucius) F(ilius) Co(n)s(ul) Tertium Fecit – (' Marcus Agrippa , son of Lucius, three times consul , made this')

Upon deciphering this text – the abbreviations are standardised ones routinely used in inscriptions in Ancient Rome – one would conclude that the building was created by Marcus Agrippa , emperor Augustus ' right-hand man. However, the buildings' bricks were stamped with the names of the consuls in office at the time of firing, which has allowed us to date the whole thing to a good century and a half later than Agrippa, belonging instead to the first part of emperor Hadrian 's reign, probably between 117-126-8 CE. The good man wanted to honour an earlier building at the same site, which was built by Agrippa around 25 BCE, and decided to stick Agrippa's inscription on his own brand-new entablature. There is thus more than meets the eye.

Settlements, buildings, & monuments

Benefits – made to last; indicate structure of societies

The daily lives of people become visible through the remains of their houses and the buildings they made use of, such as courts of law , bakeries, or schools. Monuments, also not unusually flashing inscriptions at its audience, can reveal the messages their normally powerful creators cried out to the world through their architecture and imagery. As such, they can be used to reconstruct the structure of societies.

Pitfalls – not always well-preserved; inferring meaning; propaganda

Of course, the actual durability varies immensely, and sometimes not much more than the groundworks remain. We must thus ask:

• How do we accurately reconstruct the remains (physically or on paper)?

Archaeologists have become quite adept at 'reading' the pieces that are left; comparing the remains with others that may be more fully preserved or with primary sources describing the structure; and rebuilding what is essentially a hugely complex 3D puzzle, either on paper or by actually restoring the remains in question. Bits and pieces may have been carted off, destroyed, moved around, fallen over, and so forth, so it is important to keep in mind that the puzzle process may require some guesswork and may result in mistakes being made.

• What is the function of the structure?
• How do we interpret what it may tell us about a culture ?

The site of Palenque – an important Maya city situated in present-day Mexico – for instance, is home to a group of temples that fit within a context of both propaganda and symbolism. The Temples of the Cross, Foliated Cross, and Sun, dedicated in 692 CE, were commissioned by king Kan Balam. Their sculptures and reliefs illustrate the king's connection with the gods: he is depicted as a guardian of fertility, maize, and rain.

Kan Balam moreover legitimised his rule by depicting his genealogy as well as a scene in which he receives his power from his ancestors. More practically, these temples were important ceremonial centres too. At this site, the political is thus visibly linked with the ritual context – something that fits well within the broader Mayan cultural context – and, as a source, it must be interpreted within this framework.

Benefits – daily lives; use; society & culture

Pitfalls – inferring meaning; inferring clues about society

Artefacts are man-made things of archaeological interest, often from a cultural context. Examples are pottery , utensils, tools and jewellery, which can alert us to daily lives, style and culture; art – including statues – which can be both public and private and reflects the society in some way; and coins, which are more political - often standardised, they proclaim a visible message that tends to serve as propaganda to bolster a ruler's image. We should ask of each artefact:

• What was its use or purpose?
• What might it tell us about the society's structure and culture?

An example lies within the 15th- and 16th-century CE Korean Buncheong wares – practically used ceramics that were blue-green with a white slip, typically decorated with combinations of geometric and natural shapes such as peonies, birds and fish, enhanced with dots. They are interesting not just because of their homely context and the light they shed on daily lives but also because they were produced by potteries that were not controlled by the state – in contrast to other types of Korean pottery . This means that Buncheong wares show a lot of regional flavour and out-of-the-box variation, as well as showing the preferences of the people who ordered the wares. This helps us colour in the lives and homes of ordinary Koreans living at that time.

Benefits – morphology; health & related clues; filling in blanks; genetic evidence

Studying bones yields clues regarding health, gender, age, size, diet, etc. Retrieval of ancient DNA – though not exactly a walk in the park – is also possible. The context in which bones are found as well as the point in time they came from help to fill information regarding their societies. This is already valuable in support of historical sources, as, for instance, mass graves of victims of the black death support the image created by the written record, but for the prehistoric side of things, bones are truly indispensable in helping us fill in the blanks.

For places such as Australia, we have no written sources until westerners came brutally barging in in 1788 CE. Here, bones can alert us to the prehistoric human presence in specific areas. For instance, through tracing bones found at sites such as Malakunanja 2 in Australia's Northern Territory, dated to around 53,000 years old, and the famous Lake Mungo burials in southern Australia dated to around 41,000 years old, we can fill in Australia's initial colonisation.

Pitfalls – dating; interpretation context

Dating bones is not always a straightforward matter, though. Things to keep in mind are:

• Is the dating scientifically and/or archaeologically accurate? Could there be contamination, could sediments have shifted or could the bones have been moved?
• How should the context in which the bones were found be interpreted? What does the context tell you about the bones themselves?

SECONDARY SOURCES

After the maze that is primary sources, we may be tempted to think secondary sources are a sort of safe haven, where skilled researchers have taken all of the above-mentioned issues into account and have already come as close to actual history as possible.

However, this would be a tad naïve; the people writing the secondary material are just as bound to their own contexts as the ancients they are studying. Again, then, we must be wary of possible bias and goals, as well as of the accuracy – it is all too easy to draw conclusions that support your hypothesis. Even if a secondary source may appear reliable in that it shows you which sources they have used and seems to draw logical conclusions from them, it is still possible that the author has hand-picked exactly those sources that support their story, rather than presenting the full picture (which may contradict or add more nuance to their story). To prevent being misled, it is important to always study more than one secondary sources. Compare different books and articles on the subject you are researching, and, after assessing each source's reliability, strengths and weaknesses, try to get as complete a view as possible of the topic.

When using secondary sources, it thus helps to ask these questions:

• Has the author been trained in the right field, and does he or she have decent credit in the academic world?

Reading reviews can be of great assistance here.

• Where was the source published and could that impact the contents at all?

My own history education in the Netherlands was filled with many textbooks that were quite western in nature, unfortunately offering less expertise (or even interest) with regard to other areas of the world. Also, when it comes to articles, some journals have better reputations than others.

• When was the source published?

Times change. A textbook written in the 1960s CE may not have had access to all the information we have right now and may be coloured by the time's prevailing ideas about how to approach the study of history.

• What is the scope of the source?

Social histories paint a different picture than military ones, so be sure to choose sources that correspond with the questions you yourself want to answer.

• Which sources has the author used and how critical has he or she been?

It is important the author has documented his or her use of sources, so you can examine them yourself if need be. Keep an eye out for selective use of sources; an author should not simply choose the sources that fit their hypothesis but should take the full range of primary information into account.

The materials to be questioned vary from, for instance, textbooks and course books to independent books, articles (including scientific ones, whose accuracy may be hard to judge by a non-scientist), and websites – but be sure to pick ones that show source lists and authors' names. As long as you stay critical, there is a wealth of information at your disposal.

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Bibliography

• Evaluating a source Accessed 13 Apr 2017.
• How to analyze a primary source Accessed 13 Apr 2017.
• Bowler, J.M. e.a. "New ages for human occupation and climatic change at Lake Mungo, Australia." Nature , 421, 20 February 2003, pp. 837-840.
• Henke, W. and Tattersall, I. (eds.). Handbook of Paleoanthropology Vol. III. Springer, 2015.
• Herodotus. The Histories. Penguin Classics, 2015.
• Houston, S. D. (ed.). Function and Meaning in Classic Maya Architecture. Dumbarton Oaks Research Library and Collection, 1998.
• Houston, Stephen D. "Symbolic Sweatbaths of the Maya: Architectural Meaning in the Cross Group at Palenque, Mexico." Latin American Antiquit , Vol. 7, No. 2, June 1996, pp. 132-151.
• MacDonald, W.L. The Pantheon. Harvard University Press, 2002.
• Pitcher, L. Writing Ancient History. I.B.Tauris, 2010.
• Wilschut, A. e.a. Geschiedenisdidactiek. Handboek voor de vakdocent. Coutinho, Bussum, 2013

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Cite This Work

Groeneveld, E. (2017, April 19). Sources of History . World History Encyclopedia . Retrieved from https://www.worldhistory.org/article/1048/sources-of-history/

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Groeneveld, Emma. " Sources of History ." World History Encyclopedia . Last modified April 19, 2017. https://www.worldhistory.org/article/1048/sources-of-history/.

Groeneveld, Emma. " Sources of History ." World History Encyclopedia . World History Encyclopedia, 19 Apr 2017. Web. 17 Jun 2024.

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Written by Emily Harstone July 28th, 2016

How to Write a Good Third Person Biographical Statement

When you read submission guidelines, which vary from literary journal to literary journal, almost all of them will require that you include a brief biographical statement (or bio). Usually they require that the bio is in the third person and to be 50 words or less.

These bios are tricky to write.It is hard to describe ones life using 50 words or less. And frankly, you are better off not doing it. The editor of the journal does not care if you have been twice divorced, and neither does the reading public.

I am all for including one or two personal details, but I prefer that they relate indirectly to your writing. For example when I was submitting a lot of geographically themed poems I included the line “Emily Harstone just moved for the 18th time”.

Another fact worth considering including is what you actually do for a living. Most writers don’t write for a living. They do something else to pay the bills. Mentioning what that is can easily add complexity to your bio. Although it might affect the way your submission is considered. For example mentioning that you are a lawyer in your bio would have a different effect than mentioning that you are a stripper.

Most writers focus the bulk of their (very short) bio on writing. This is often a good thing. Although that can be tricky too. The biggest pitfalls is just mentioning the same things as every other writer. For example I once scanned through a literary journal and every single contributor’s bio included the fact that they had an MFA (a Masters of Fine Arts degree).  The schools they attended varied, but that single fact repeated over and over again got to me. Right after reading all of those bios, I removed the fact that I have an MFA from my bio.

The other issue is mentioning too many literary journals that you have been published in. When you are first starting out this seems like a good problem to have. And once your work has been published, you should include some of the most recent or prestigious journals in your biographical statement.

However, you should not include all of them, that would just be overwhelming and also boring. As a general rule of thumb I never include the names of more than 5 literary journals. Usually I limit it to three.

Some authors don’t bother mentioning the names of all the literary journals they have been published in. Their bios instead they say something like this “Their work has been published in over a hundred literary journals.”  If you are just starting out, that sounds impressive, but quality is much more important than quantity when it comes to literary journals. It would be much better to name the three best literary journals you have been published in than to refer to all one hundred (or more).

Below are two examples of biographical statements of less than 50 words, one contains journal names, one does not.

Sample Bio 1:

Maria Smith resides in the rural Pacific Northwest. Her work has appeared or is forthcoming in numerous places, including: Tin House , The Liner, and Echolocation , and the anthology Tidelines. Her second chapbook Pancakes for Dinner is forthcoming in 2014 from Hawthorne Press.

Sample Bio 2:

Joshua Thomas is a poet, editor, and recovering New Yorker who now lives in Idaho. Joshua once wrote a sonnet every hour for twenty-four hours straight. He loves to hike, cook, and read.

My personal ideal for a good bio is to mention one interesting personal fact. And then focus the rest of the bio on the area where writing and life intersect. I always include a link to my website as part of my bio. That way readers who like my writing can learn more about me (and possibly purchase a book or two).

Once I write a bio I am happy with, I use it for about a year. I submit the same bio with most of my submissions.  After a year has passed, I write a new one.

Remember, it is important to keep in mind who is seeing the bio. First the editor sees it (if they do blind submissions the editor might not see your bio till right before the issue published), and then the readers of the literary journals.

You want your bio to be short, professional, and to appeal to both the editors and the readers. I know that might seem like a tough task, but it gets a lot easier with time and practice.

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