Short Stories
Welcome to the University of Gloucestershire Short Story website
Here, we showcase all the work of our talented UoG students, and we also offer sixth formers and college students the chance to submit their writing to us. We’ll look at every submission, offer helpful guidance, and choose the best ones to publish on our site. At UoG, our students are mentored by professionals across the creative writing fields to hone and expand their skills in poetry, playwriting, prose, and critical writing.
We’d love to read your stories if you’re a student here at the University of Gloucestershire, or a school or college student considering a future degree in Creative Writing. We’ll read every submission, and publish the best, and we’ll try to give helpful feedback where we can. We have limited time and space so please don’t worry if you have to wait a while.
Visit the UoG Creative Writing pages for more information:
- Creative Writing, BA Hons
- Creative Writing, MA
- Creative Writing, PhD
If you are interested in submitting your work for publication here then see our current submission status below:
- Student Submissions: New UoG student submissions will be accepted from January 1st 2020.
- 6th form submissions: Submissions open. New stories will be accepted throughout December 2019 and January 2020.
You can find further information on submitting your work at https://uniofglos.blog/creativewriting/short-stories-submission/
STUDENT STORIES
by Thomas Bennett of John Kyrle sixth form. This was one of two stories shortlisted from our schools’ competition, July 2020. Commander Jeffrey Noble collapsed to the ground. He’d manually prised open the enormous weight of the shuttle door, designed to be moved by powerful—now broken—motors. His hand instinctively came to hover over his eyes. So long had Noble stared into the emptiness of space that the explosion of colour and light that stretched before…
by Finlay John of Wyedean School. This was one of two shortlisted stories in our schools’ competition, July 2020. It was another day walking down the road for Mitsuki. The wind softly brushed her hair as she walked home alone. She was independent and self-reliant. Her eyes invited friendships, but she never allowed them. In her house, a group of people were making themselves at home. They were people she’d seen around the town: a…
The Deadly Song
by Iris Davies In a world with a famous and legendary song which no-one dares listen to and is known to cause the listener to commit suicide. Antonio, a pianist in New York City, is forced to contemplate the laws of reality. It is known throughout all cultures that the song is deadly. The Greeks called it the siren’s song; the Irish called it the Banshee’s Wail. It is a fact as far ingrained in our…
Sinking Stress
by Alexandra Vyvyan I am 16 years old and I do creative writing for fun, I have had small pieces of writing published and enter competitions irregularly, I write more poetry than anything else and enjoy losing myself in writing. A teenage girl feels trapped and drowning in the mass of useless information forced upon her. I wondered if anyone else noticed how pretty the sky was today, how the darkness was bright and soft…
Deathlike Sleep
by Caitlin Hasson I’m sixteen years old and doing an English Literature and Language combined A-level at Cirencester college. Edward has lost his prince, his family, and his friends and now wants to take revenge in this reimagining of the Sleeping Beauty story. It was raining. It hadn’t stopped raining for three days. The battle had started three days ago, and it hadn’t stopped raining. The ground was slick with mud, dark with blood, and…
After ten years
by Amber Wright. Ten years after becoming a trusted mentor for a younger student and having to part ways when school ends. The mentor gets a surprise knock at the door. Jack looked down at me. I could see his eyes watering as he frowned and straightened his oversized puffer jacket in a failed attempt to maintain his “I don’t give a fuck” attitude. The past five years had flown by and this date was…
by James Pearson. 1986. A new beginning for some but an end for others. Cassiel doesn’t know when he begins university (again) that he would be studying the greatest explosion in history- but he is. England is a vastly different place now in 1983, with more riots ruining workers’ rights and unemployment skyrocketing- not surprising based on the corruption that occurs behind the solid aged brick of parliament. Being only two years since the system…
The Team Talk
by Harry Moore. I am H.L. Moore and I am an sports fiction author. The Team Talk is one of my finest pieces of work and will no doubt be a huge box office hit once it hits the big screen. I am soon expected to become a New York Times best selling author. My inspiration is the legendary, creative mastermind Mr Jeff Kinney. The championship playoff final, the game where you end up 170 million pounds…
by Zelma Bowers. My name is Zelma Bowers and this is the first instalment of a trilogy about mountains. This is a differing topic to my usual books because I usually stick to hills. Multi-coloured flags fly in the harsh wind. Each thread being pulled in every direction, unravelling the hard work of the local women and dancing up to the highest point on earth. Each thread taken by the wind is a prayer to…
Unknown Abyss
by Lily-Mae Harrison. Being increasingly interested in the flow of order in society, observation of how people adapt to situations has always been a point of interest of mine. But what if you flip the world on it’s head? I’m a sixth form student at Christopher Whitehead with a fascination in the dystopia genre and a passion for creative writing, with an aim to make you question. In this dystopian world, all anyone could do…
Pasta the point of no return
by Rex Daniels. My name is Rex Daniels and this is the first instalment of my pasta themed trilogy. This book explores the dangers of spaghetti and its deeper meaning throughout life. This is my first time delving into the world of pasta because I’m used to more serious topics. Vomit. Disgusting rancid barf. It’s all I can smell. It’s all I can see. It’s all I can taste. It’s all I can feel. It’s…
Salah’s Revenge
by J.C.B. Digger. I am J.C.B Digger and this here is the first introduction to my trilogy of books called “Stories of the Egyptian God”. Speaking from the view of a professional writer I believe this story is truly fascinating. Breaking news! Here we are January 31st, 2019 the last day of the Premier League transfer window, live at the Tottenham Hotspur training ground waiting for a surprise guest to complete his medical assessment and…
When we were released
by Eleanor Diamond. I am a sixth form student who studies Drama (BTEC), Classical Civilisations and combined English Language/Literature. I have mostly been interested in acting for a large portion of my life, however, writing novels or doing the odd piece of creative writing has been a hobby of mine since I first learnt to form a sentence. Four days. Those I had called friends, comrades, acquaintances, gone. For our whole lives, up until those…
by Eleanor Cottrill. ‘If only’ is a fictional dystopian piece about the possible close future and the ‘end of the world’, however it is based off both climate change and the seemingly insignificant problem of bees going into decline, a brief overview of what would happen if they were allowed to go extinct from the point of view of a teenager who loses the future that the adults around her promised her from a young…
Christmas in the Country
by Carole May. I am a very mature student returning to university after a gap of many decades and fifteen years after retirement. At the start of this course I was worried about working with people who were so much more in touch with education, but have found that working with such clever young people is both fun and stimulating. Their help and advice is invaluable, particularly when it comes to IT. Both my brain…
The Park Keeper
by Joy-Amy Wigman. Joy-Amy is a mature student who has just finished her first year of the Creative Writing Degree. She is an award winning slam poet and runs a monthly comedy night in Cheltenham called Lemon Rocket for which she often MCs. The Park Keeper I stared at the polar bear and the polar bear stared back at me. “You are not wrong Gerald,” I said to him. The mess had started three weeks…
The Devil That Taught Me I Couldn’t Be Loved
by Bethan Manley. Bethan is an English Language and Creative Writing student. She is also a poet with a background in slam poetry and prose. She is a singer-song-writer turned poet so her poems tend to flow and be heartfelt. If she’s not writing you can normally find Bethan anywhere with dogs! This is a prose piece adapted from one of her poems, and suitable for slam prose performance. There are nights when I still…
Out of Office
by Carol Hilton. Carol is a mature student completing the third year of her BA in 2019. She is a short story competition winner. Her poetry has been published in previous University Anthologies and magazines such as Snakeskin. Her short play The Waiting Game, has been selected by the Pirate Theatre in Gloucestershire for their showcase event, ‘Pint Sized Plays’. Out of Office From: Saffron Walsh <[email protected]> Sent: Thursday, 6 December, 2018 at 19:20…
My Name is Harry
by Asha Sutton. Asha is a second year Creative Writing student at the University of Gloucestershire. Her stories show her passion for social issues and the treatment of the vulnerable in modern society. My name is Harry I swear that’s the man who worked at the local coffee shop. He spilled the sugar on the floor behind the counter, with an “Oh shit” expression. He rattled tall, skinny glasses, or turned on the coffee machine,…
The Simple Days of Chai and Plum Cake
by Oszey Calland. Oszey is a first year Creative Writing student at the University of Gloucestershire. He has travelled extensively and writes about a wide variety of subjects. The Simple Days of Chai and Plum Cake Mr Ramesh stepped out of the little shop into the intense heat, looking up at the bright blue sky. “Fort Cochin is getting hotter every year,” he thought. “The monsoons will come soon bringing cooling rains. The Indian Monsoon…
The Fulfilment of a Promise
by Rita Bates. RJ Bates is currently working through the Creative and Critical Writing MA. She is a morning person, conscious about eating foods that will fuel her body and mind, but will never give up drinking red wine. She enjoys a challenge, mental or physical and loves people-watching, because sometimes if lucky enough, she witnesses random acts that would otherwise go unnoticed. The Fulfilment of a Promise I loved spending time with Ashanti. She…
Natural Order
by Carlie Chabot. Carlie is a Canadian student spending a year in Cheltenham to study for an MA in Creative Writing at the University. She is currently working on a novel about the murder of a young girl and the fallout it causes in small town. It fits within the theme of Northern Ontario Gothicism, and explores death, mental health, and justice. Natural Order ‘I am deeply appreciative of spiders, and everything they do.’ …
The Undertaker’s Coffin
by Ross Turner. I write short stories, novels and poetry. I study Creative Writing at the University of Gloucestershire, and am a member of the Royal Air Force Reserves. The Undertaker’s Coffin ‘Prepare to feed,’ I say. ‘Feed.’ The six Pallbearers are lined up in three pairs. The Uncle and the younger Brother – the two shortest, and therefore the front-most pair – reach into the yawning hearse. They grasp the two nearest handles, on…
by Michael Moore. Michael is a mature student from Canada. He is currently filling his weekends teaching Computer Aided Design and 3-D modelling. he has been working at his writing for over twenty years. Bubbles She awoke to bubbles. Tickles and giggles and bubbles and bursts of frenzied fizzy feelings. As if she was about to pop right out of her skin. The tingles touched her smile and drew it wider. She was breathless, flushed,…
In Memory of Casey Philips
by Andrew Lafleche. Andrew is a University of Gloucestershire MA student in Creative and Critical Writing, studying on the distance learning programme, from Canada. He describes his work as a blend of social criticism, philosophical reflection, explicit prose, and black comedy. In 2016 he received the John Newlove Poetry Award. Please note that ‘In Memory of Casey Philips’ has adult themes including sexual assault. In Memory of Casey Philips “My uncle just moved in,” Casey…
Creative Writing
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Creative writing is a form of artistic expression that goes beyond the bounds of traditional literature. It encompasses various genres and styles, including scriptwriting , narrative writing , and article writing , allowing writers to explore and convey their imaginations vividly. This form of writing also includes creating a creative bio , where writers introduce themselves in unique and engaging ways. Creative writing not only hones one’s ability to tell compelling stories but also enhances critical thinking and emotional expression.
What is Creative Writing?
Creative writing is the art of crafting original content through imaginative expression, including genres like scriptwriting, narrative writing, and article writing. It involves the creation of engaging and innovative texts that showcase a writer’s creativity and unique voice.
Examples of Creative Writing
- Short Stories : Brief fictional narratives often focused on a single theme or event.
- Novels : Extended fictional works exploring complex characters and plots.
- Poetry : Artistic expression through verse and rhythmic language.
- Scriptwriting : Writing scripts for films, television shows, or plays.
- Memoirs : Personal accounts of significant life experiences.
- Autobiographies : Comprehensive self-written life stories.
- Essays : Explorative pieces on a particular subject, showcasing personal viewpoints.
- Flash Fiction : Very short stories, often under 1,000 words.
- Narrative Writing : Storytelling that includes a plot, characters, and a setting.
- Creative Nonfiction : True stories told using literary techniques.
- Letters : Personalized and imaginative written correspondence.
- Diary Entries : Personal reflections and daily experiences.
- Blog Posts : Online articles written in an engaging and personal style.
- Fables : Short stories with moral lessons, often featuring animals as characters.
- Fairy Tales : Stories involving magical events and fantastical characters.
- Fantasy : Fiction set in imaginary universes, often involving magic.
- Science Fiction : Speculative fiction often dealing with futuristic concepts.
- Song Lyrics : Written words designed to be sung, expressing emotions and stories.
- Speeches : Written for public speaking, aiming to inspire or inform.
- Creative Bio : Engaging and unique personal introductions for authors or professionals.
Creative Writing Examples for Students
1. a day in the life of a superhero.
Title: The Amazing Adventures of Lightning Girl
Lightning Girl woke up to the sound of her alarm clock buzzing. She stretched her arms and smiled, ready to save the world. She put on her blue and yellow suit, laced up her boots, and flew out the window. Her first mission was to stop a runaway train. With a flash of lightning, she zoomed to the scene, using her super speed to bring the train to a safe stop. The passengers cheered, and Lightning Girl felt proud.
2. A Magical Journey
Title: The Enchanted Forest
One sunny morning, Mia discovered a hidden path in her backyard. Curious, she followed it and found herself in an enchanted forest. The trees sparkled with magic, and the animals could talk. A friendly fox named Felix greeted her. He guided Mia to the Fairy Queen, who needed help finding a lost treasure. Together, they ventured through the forest, solving riddles and overcoming obstacles. Mia used her bravery and kindness to succeed. When she found the treasure, the Fairy Queen granted her a wish.
Creative Writing Examples for High School
1. a dystopian world.
Title: The Last City
In the year 2150, the world had changed. Natural disasters and wars had destroyed most of the Earth, leaving only one city standing – Arka. The city was enclosed by a massive dome to protect its inhabitants from the harsh conditions outside. Within Arka, life was strictly controlled by the government. Citizens were assigned jobs, and freedom was limited. Sarah, a young woman, dreamed of seeing the world beyond the dome.
2. A Time Travel Adventure
Title: The Time Traveler’s Dilemma
James was an ordinary high school student until he found a mysterious pocket watch in his grandfather’s attic. The watch had the power to transport him through time. One evening, James accidentally activated the watch and found himself in the year 1920. He witnessed life during the Roaring Twenties, experiencing the excitement and challenges of the era. However, he also discovered that his actions in the past could have serious consequences for the future. James had to navigate the complexities of time travel, learning valuable lessons about history, responsibility, and the impact of his choices.
Creative Writing Examples Short Stories
1. the mysterious key.
Title: The Mysterious Key
Lucy loved exploring old antique shops. One day, she found an ornate key with intricate designs. The shopkeeper said it was part of a set, but he didn’t know what it opened. Intrigued, Lucy bought the key and began searching for its lock. She asked around town and discovered an old mansion on the outskirts that had been abandoned for years.
2. The Lost Puppy
Title: The Lost Puppy
Sam was walking home from school when he heard a whimpering sound. He followed it and found a small, frightened puppy hiding under a bush. The puppy had no collar, and no one in the neighborhood recognized it. Sam decided to take the puppy home and named it Max. He put up posters and asked around, but no one claimed the puppy. Over the weeks, Sam and Max became inseparable. Just when Sam thought he’d have to give Max up, a neighbor recognized the puppy from the posters.
Creative Writing Examples for Kids
1. a talking cat.
Title: The Talking Cat
Once upon a time, there was a little girl named Lily who loved animals. One day, while walking in the park, she found a stray cat with bright green eyes. She took the cat home and named it Whiskers. To her surprise, Whiskers started talking! He told Lily that he was a magical cat who could talk to only kind-hearted children.
2. The Magical Treehouse
Title: The Magical Treehouse
Max and Mia were siblings who loved to play in their backyard. One day, they discovered an old treehouse they had never seen before. They climbed up and found a dusty book inside. When they opened the book, the treehouse began to shake and glow. Suddenly, they were transported to a magical land filled with talking animals, friendly giants, and enchanted forests.
Creative Writing Examples for College
1. the existential café.
Title: The Existential Café
In a bustling city, there was a small café known only to a few. The café, called “The Existential,” attracted people searching for deeper meaning in life. One evening, Emma, a philosophy major, entered the café seeking solace from her overwhelming coursework. She met an older man named Henry, a former professor who frequented the café. They struck up a conversation about life, purpose, and the nature of existence. Their discussions became a weekly ritual, challenging Emma’s views and helping her grow intellectually and emotionally.
2. The Forgotten Manuscript
Title: The Forgotten Manuscript
Alex, an aspiring writer, stumbled upon an old, dusty manuscript in the basement of his university library. The manuscript was written by a little-known author from the 1920s and contained a gripping mystery novel that was never published. Fascinated, Alex decided to finish the story and publish it as a tribute to the original author. As he worked on the manuscript, he uncovered secrets about the author’s life, including a love affair and a mysterious disappearance.
Types of Creative Writing
Fiction : Fiction writing involves creating stories that are not real. This genre includes novels, short stories, and novellas. Fiction often explores themes, characters, and plots that captivate readers’ imaginations.
Poetry : Poetry is a form of writing that uses rhythmic and aesthetic qualities of language to evoke meanings. It often employs meter, rhyme, and other linguistic devices to convey emotions and ideas.
Creative Nonfiction : Creative nonfiction tells true stories using the techniques of fiction. This genre includes memoirs, autobiographies, personal essays, and narrative journalism. It blends factual accuracy with narrative flair.
Playwriting : Playwriting involves writing scripts for theatrical performances. It includes dialogue, stage directions, and character descriptions. Playwrights create works for the stage that are performed by actors.
Screenwriting : Screenwriting is the craft of writing scripts for movies and television. It includes the dialogue, actions, and expressions of characters, as well as directions for camera movements and settings.
Flash Fiction : Flash fiction is a very short form of storytelling, usually under 1,000 words. It focuses on brevity and clarity, often delivering a powerful impact in a concise format.
Expository Writing : Expository writing explains or informs. While not traditionally seen as creative, expository writing can be highly creative when presenting information in engaging ways.
Journaling : Journaling involves writing personal reflections, thoughts, and experiences. It can be a way to explore creativity and self-expression in an informal manner.
Letters : Letter writing, though less common today, is a form of creative expression that can be both personal and profound. It includes personal letters, open letters, and epistolary novels (novels written as a series of letters).
Songwriting : Songwriting combines lyrical writing with music. Lyrics can be poetic, narrative, or abstract, and they work in harmony with musical composition to create songs.
Tips for Creative writing
- Read Widely and Often
- Write Regularly
- Keep a Journa
- Show, Don’t Tell
- Create Strong Characters
- Use Dialogue Effectively
- Embrace the Editing Process
How can I improve my creative writing skills?
Read widely, write regularly, and seek feedback. Practice different genres, including Memo Writing and Report Writing, to enhance your versatility.
Can creative writing help in Memo Writing?
Yes, creative writing enhances narrative skills, making Memo Writing more engaging and effective through improved storytelling techniques.
How does creative writing differ from Report Writing?
Creative writing focuses on imaginative storytelling, while Report Writing presents factual information. Both require clear, compelling language.
Why is ‘show, don’t tell’ important in creative writing?
‘Show, don’t tell’ creates vivid imagery and emotions, drawing readers into the story and enhancing engagement.
Can creative writing improve Report Writing?
Yes, creative writing hones clarity and expression, making Report Writing more compelling and readable.
What role does dialogue play in creative writing?
Dialogue reveals character traits, advances the plot, and creates realistic interactions, adding depth to your writing.
What inspires creative writing?
Inspiration can come from personal experiences, observations, other literary works, and even Memo Writing or Report Writing.
How important is editing in creative writing?
Editing is crucial. It refines your work, improves clarity, and ensures your story resonates with readers.
What is the best way to start a creative writing piece?
Start with a compelling opening that grabs attention, such as an intriguing question, vivid description, or dramatic event.
Why join a writing community?
Writing communities offer support, feedback, and inspiration, helping you grow as a writer in both creative and professional contexts like Memo Writing and Report Writing.
Text prompt
- Instructive
- Professional
10 Examples of Public speaking
20 Examples of Gas lighting
The short story is a fiction writer’s laboratory: here is where you can experiment with characters, plots, and ideas without the heavy lifting of writing a novel. Learning how to write a short story is essential to mastering the art of storytelling . With far fewer words to worry about, storytellers can make many more mistakes—and strokes of genius!—through experimentation and the fun of fiction writing.
Nonetheless, the art of writing short stories is not easy to master. How do you tell a complete story in so few words? What does a story need to have in order to be successful? Whether you’re struggling with how to write a short story outline, or how to fully develop a character in so few words, this guide is your starting point.
Famous authors like Virginia Woolf, Haruki Murakami, and Agatha Christie have used the short story form to play with ideas before turning those stories into novels. Whether you want to master the elements of fiction, experiment with novel ideas, or simply have fun with storytelling, here’s everything you need on how to write a short story step by step.
How to Write a Short Story: Contents
The Core Elements of a Short Story
How to write a short story outline, how to write a short story step by step, how to write a short story: length and setting, how to write a short story: point of view, how to write a short story: protagonist, antagonist, motivation, how to write a short story: characters, how to write a short story: prose, how to write a short story: story structure, how to write a short story: capturing reader interest, where to read and submit short stories.
There’s no secret formula to writing a short story. However, a good short story will have most or all of the following elements:
- A protagonist with a certain desire or need. It is essential for the protagonist to want something they don’t have, otherwise they will not drive the story forward.
- A clear dilemma. We don’t need much backstory to see how the dilemma started; we’re primarily concerned with how the protagonist resolves it.
- A decision. What does the protagonist do to resolve their dilemma?
- A climax. In Freytag’s Pyramid , the climax of a story is when the tension reaches its peak, and the reader discovers the outcome of the protagonist’s decision(s).
- An outcome. How does the climax change the protagonist? Are they a different person? Do they have a different philosophy or outlook on life?
Of course, short stories also utilize the elements of fiction , such as a setting , plot , and point of view . It helps to study these elements and to understand their intricacies. But, when it comes to laying down the skeleton of a short story, the above elements are what you need to get started.
Note: a short story rarely, if ever, has subplots. The focus should be entirely on a single, central storyline. Subplots will either pull focus away from the main story, or else push the story into the territory of novellas and novels.
The shorter the story is, the fewer of these elements are essentials. If you’re interested in writing short-short stories, check out our guide on how to write flash fiction .
Some writers are “pantsers”—they “write by the seat of their pants,” making things up on the go with little more than an idea for a story. Other writers are “plotters,” meaning they decide the story’s structure in advance of writing it.
You don’t need a short story outline to write a good short story. But, if you’d like to give yourself some scaffolding before putting words on the page, this article answers the question of how to write a short story outline:
https://writers.com/how-to-write-a-story-outline
There are many ways to approach the short story craft, but this method is tried-and-tested for writers of all levels. Here’s how to write a short story step-by-step.
1. Start With an Idea
Often, generating an idea is the hardest part. You want to write, but what will you write about?
What’s more, it’s easy to start coming up with ideas and then dismissing them. You want to tell an authentic, original story, but everything you come up with has already been written, it seems.
Here are a few tips:
- Originality presents itself in your storytelling, not in your ideas. For example, the premise of both Shakespeare’s A Midsummer Night’s Dream and Ostrovsky’s The Snow Maiden are very similar: two men and two women, in intertwining love triangles, sort out their feelings for each other amidst mischievous forest spirits, love potions, and friendship drama. The way each story is written makes them very distinct from one another, to the point where, unless it’s pointed out to you, you might not even notice the similarities.
- An idea is not a final draft. You will find that exploring the possibilities of your story will generate something far different than the idea you started out with. This is a good thing—it means you made the story your own!
- Experiment with genres and tropes. Even if you want to write literary fiction , pay attention to the narrative structures that drive genre stories, and practice your storytelling using those structures. Again, you will naturally make the story your own simply by playing with ideas.
If you’re struggling simply to find ideas, try out this prompt generator , or pull prompts from this Twitter .
2. Outline, OR Conceive Your Characters
If you plan to outline, do so once you’ve generated an idea. You can learn about how to write a short story outline earlier in this article.
If you don’t plan to outline, you should at least start with a character or characters. Certainly, you need a protagonist, but you should also think about any characters that aid or inhibit your protagonist’s journey.
When thinking about character development, ask the following questions:
- What is my character’s background? Where do they come from, how did they get here, where do they want to be?
- What does your character desire the most? This can be both material or conceptual, like “fitting in” or “being loved.”
- What is your character’s fatal flaw? In other words, what limitation prevents the protagonist from achieving their desire? Often, this flaw is a blind spot that directly counters their desire. For example, self hatred stands in the way of a protagonist searching for love.
- How does your character think and speak? Think of examples, both fictional and in the real world, who might resemble your character.
In short stories, there are rarely more characters than a protagonist, an antagonist (if relevant), and a small group of supporting characters. The more characters you include, the longer your story will be. Focus on making only one or two characters complex: it is absolutely okay to have the rest of the cast be flat characters that move the story along.
Learn more about character development here:
https://writers.com/character-development-definition
3. Write Scenes Around Conflict
Once you have an outline or some characters, start building scenes around conflict. Every part of your story, including the opening sentence, should in some way relate to the protagonist’s conflict.
Conflict is the lifeblood of storytelling: without it, the reader doesn’t have a clear reason to keep reading. Loveable characters are not enough, as the story has to give the reader something to root for.
Take, for example, Edgar Allan Poe’s classic short story The Cask of Amontillado . We start at the conflict: the narrator has been slighted by Fortunato, and plans to exact revenge. Every scene in the story builds tension and follows the protagonist as he exacts this revenge.
In your story, start writing scenes around conflict, and make sure each paragraph and piece of dialogue relates, in some way, to your protagonist’s unmet desires.
Read more about writing effective conflict here:
What is Conflict in a Story? Definition and Examples
4. Write Your First Draft
The scenes you build around conflict will eventually be stitched into a complete story. Make sure as the story progresses that each scene heightens the story’s tension, and that this tension remains unbroken until the climax resolves whether or not your protagonist meets their desires.
Don’t stress too hard on writing a perfect story. Rather, take Anne Lamott’s advice, and “write a shitty first draft.” The goal is not to pen a complete story at first draft; rather, it’s to set ideas down on paper. You are simply, as Shannon Hale suggests, “shoveling sand into a box so that later [you] can build castles.”
5. Step Away, Breathe, Revise
Whenever Stephen King finishes a novel, he puts it in a drawer and doesn’t think about it for 6 weeks. With short stories, you probably don’t need to take as long of a break. But, the idea itself is true: when you’ve finished your first draft, set it aside for a while. Let yourself come back to the story with fresh eyes, so that you can confidently revise, revise, revise .
In revision, you want to make sure each word has an essential place in the story, that each scene ramps up tension, and that each character is clearly defined. The culmination of these elements allows a story to explore complex themes and ideas, giving the reader something to think about after the story has ended.
6. Compare Against Our Short Story Checklist
Does your story have everything it needs to succeed? Compare it against this short story checklist, as written by our instructor Rosemary Tantra Bensko.
Below is a collection of practical short story writing tips by Writers.com instructor Rosemary Tantra Bensko . Each paragraph is its own checklist item: a core element of short story writing advice to follow unless you have clear reasons to the contrary. We hope it’s a helpful resource in your own writing.
Update 9/1/2020: We’ve now made a summary of Rosemary’s short story checklist available as a PDF download . Enjoy!
Click to download
Your short story is 1000 to 7500 words in length.
The story takes place in one time period, not spread out or with gaps other than to drive someplace, sleep, etc. If there are those gaps, there is a space between the paragraphs, the new paragraph beginning flush left, to indicate a new scene.
Each scene takes place in one location, or in continual transit, such as driving a truck or flying in a plane.
Unless it’s a very lengthy Romance story, in which there may be two Point of View (POV) characters, there is one POV character. If we are told what any character secretly thinks, it will only be the POV character. The degree to which we are privy to the unexpressed thoughts, memories and hopes of the POV character remains consistent throughout the story.
You avoid head-hopping by only having one POV character per scene, even in a Romance. You avoid straying into even brief moments of telling us what other characters think other than the POV character. You use words like “apparently,” “obviously,” or “supposedly” to suggest how non-POV-characters think rather than stating it.
Your short story has one clear protagonist who is usually the character changing most.
Your story has a clear antagonist, who generally makes the protagonist change by thwarting his goals.
(Possible exception to the two short story writing tips above: In some types of Mystery and Action stories, particularly in a series, etc., the protagonist doesn’t necessarily grow personally, but instead his change relates to understanding the antagonist enough to arrest or kill him.)
The protagonist changes with an Arc arising out of how he is stuck in his Flaw at the beginning of the story, which makes the reader bond with him as a human, and feel the pain of his problems he causes himself. (Or if it’s the non-personal growth type plot: he’s presented at the beginning of the story with a high-stakes problem that requires him to prevent or punish a crime.)
The protagonist usually is shown to Want something, because that’s what people normally do, defining their personalities and behavior patterns, pushing them onward from day to day. This may be obvious from the beginning of the story, though it may not become heightened until the Inciting Incident , which happens near the beginning of Act 1. The Want is usually something the reader sort of wants the character to succeed in, while at the same time, knows the Want is not in his authentic best interests. This mixed feeling in the reader creates tension.
The protagonist is usually shown to Need something valid and beneficial, but at first, he doesn’t recognize it, admit it, honor it, integrate it with his Want, or let the Want go so he can achieve the Need instead. Ideally, the Want and Need can be combined in a satisfying way toward the end for the sake of continuity of forward momentum of victoriously achieving the goals set out from the beginning. It’s the encounters with the antagonist that forcibly teach the protagonist to prioritize his Needs correctly and overcome his Flaw so he can defeat the obstacles put in his path.
The protagonist in a personal growth plot needs to change his Flaw/Want but like most people, doesn’t automatically do that when faced with the problem. He tries the easy way, which doesn’t work. Only when the Crisis takes him to a low point does he boldly change enough to become victorious over himself and the external situation. What he learns becomes the Theme.
Each scene shows its main character’s goal at its beginning, which aligns in a significant way with the protagonist’s overall goal for the story. The scene has a “charge,” showing either progress toward the goal or regression away from the goal by the ending. Most scenes end with a negative charge, because a story is about not obtaining one’s goals easily, until the end, in which the scene/s end with a positive charge.
The protagonist’s goal of the story becomes triggered until the Inciting Incident near the beginning, when something happens to shake up his life. This is the only major thing in the story that is allowed to be a random event that occurs to him.
Your characters speak differently from one another, and their dialogue suggests subtext, what they are really thinking but not saying: subtle passive-aggressive jibes, their underlying emotions, etc.
Your characters are not illustrative of ideas and beliefs you are pushing for, but come across as real people.
Your language is succinct, fresh and exciting, specific, colorful, avoiding clichés and platitudes. Sentence structures vary. In Genre stories, the language is simple, the symbolism is direct, and words are well-known, and sentences are relatively short. In Literary stories , you are freer to use more sophisticated ideas, words, sentence structures, styles , and underlying metaphors and implied motifs.
Your plot elements occur in the proper places according to classical Three Act Structure (or Freytag’s Pyramid ) so the reader feels he has vicariously gone through a harrowing trial with the protagonist and won, raising his sense of hope and possibility. Literary short stories may be more subtle, with lower stakes, experimenting beyond classical structures like the Hero’s Journey. They can be more like vignettes sometimes, or even slice-of-life, though these types are hard to place in publications.
In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape. In Literary short stories, you are free to explore uncertainty, ambiguity, and inchoate, realistic endings that suggest multiple interpretations, and unresolved issues.
Some Literary stories may be nonrealistic, such as with Surrealism, Absurdism, New Wave Fabulism, Weird and Magical Realism . If this is what you write, they still need their own internal logic and they should not be bewildering as to the what the reader is meant to experience, whether it’s a nuanced, unnameable mood or a trip into the subconscious.
Literary stories may also go beyond any label other than Experimental. For example, a story could be a list of To Do items on a paper held by a magnet to a refrigerator for the housemate to read. The person writing the list may grow more passive-aggressive and manipulative as the list grows, and we learn about the relationship between the housemates through the implied threats and cajoling.
Your short story is suspenseful, meaning readers hope the protagonist will achieve his best goal, his Need, by the Climax battle against the antagonist.
Your story entertains. This is especially necessary for Genre short stories.
The story captivates readers at the very beginning with a Hook, which can be a puzzling mystery to solve, an amazing character’s or narrator’s Voice, an astounding location, humor, a startling image, or a world the reader wants to become immersed in.
Expository prose (telling, like an essay) takes up very, very little space in your short story, and it does not appear near the beginning. The story is in Narrative format instead, in which one action follows the next. You’ve removed every unnecessary instance of Expository prose and replaced it with showing Narrative. Distancing words like “used to,” “he would often,” “over the years, he,” “each morning, he” indicate that you are reporting on a lengthy time period, summing it up, rather than sticking to Narrative format, in which immediacy makes the story engaging.
You’ve earned the right to include Expository Backstory by making the reader yearn for knowing what happened in the past to solve a mystery. This can’t possibly happen at the beginning, obviously. Expository Backstory does not take place in the first pages of your story.
Your reader cares what happens and there are high stakes (especially important in Genre stories). Your reader worries until the end, when the protagonist survives, succeeds in his quest to help the community, gets the girl, solves or prevents the crime, achieves new scientific developments, takes over rule of his realm, etc.
Every sentence is compelling enough to urge the reader to read the next one—because he really, really wants to—instead of doing something else he could be doing. Your story is not going to be assigned to people to analyze in school like the ones you studied, so you have found a way from the beginning to intrigue strangers to want to spend their time with your words.
Whether you’re looking for inspiration or want to publish your own stories, you’ll find great literary journals for writers of all backgrounds at this article:
https://writers.com/short-story-submissions
Learn How to Write a Short Story at Writers.com
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Rosemary – Is there any chance you could add a little something to your checklist? I’d love to know the best places to submit our short stories for publication. Thanks so much.
Hi, Kim Hanson,
Some good places to find publications specific to your story are NewPages, Poets and Writers, Duotrope, and The Submission Grinder.
“ In Genre stories, all the questions are answered, threads are tied up, problems are solved, though the results of carnage may be spread over the landscape.”
Not just no but NO.
See for example the work of MacArthur Fellow Kelly Link.
[…] How to Write a Short Story: The Short Story Checklist […]
Thank you for these directions and tips. It’s very encouraging to someone like me, just NOW taking up writing.
[…] Writers.com. A great intro to writing. https://writers.com/how-to-write-a-short-story […]
Hello: I started to write seriously in the late 70’s. I loved to write in High School in the early 60’s but life got in the way. Around the 00’s many of the obstacles disappeared. Since then I have been writing more, and some of my work was vanilla transgender stories. Here in 2024 transgender stories have become tiresome because I really don’t have much in common with that mind set.
The glare of an editor that could potentially pay me is quite daunting, so I would like to start out unpaid to see where that goes. I am not sure if a writer’s agent would be a good fit for me. My work life was in the Trades, not as some sort of Academic. That alone causes timidity, but I did read about a fiction writer who had been a house painter.
This is my first effort to publish since the late 70’s. My pseudonym would perhaps include Ahabidah.
Gwen Boucher.
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