Professor Cooper
ENGL 203
2 July 2021
“One Deathblow”: Claude McKay on Resisting Oppression
Claude McKay’s 1919 poem “If We Must Die” is a conventional Shakespearean sonnet that dwells on the themes of resistance, dignity, and violence. It is an incendiary call for the oppressed to resist oppression even if that means dying for such a cause. The poem does not speak overtly to any specific group of people but rather addresses all who are being or are susceptible to oppression of any kind. Admittedly, McKay’s personal experience with racial segregation as a black Jamaican in America in the early 1900s inspired this poem. Specifically, during the Red Summer in 1919 which saw anti-Black racist violence against black people across communities in the United States, especially in the South. McKay’s poem highlights a notable component of the Red Summer; when some black folks fought back in the spirit of resistance and honor. While the inspiration of this poem is central to the Harlem Renaissance, this essay reflects on the lived experiences of Blacks in the diaspora and how the call for the spirit of resistance in McKay’s early 1900 poem resurfaced as an ostensible inspiration in the 1950s, with key figures like James Baldwin and Franz Fanon in mind as they were confronted with racist oppressions in America and France respectively. The targeting of a universal audience of this poem explains its resurgence as an applicable inspiration in the works and experiences of oppressed people across the globe, especially people of African descent.
McKay was a member of the oppressed group during the Red Summer and was personally affected by racial discrimination and increasing threats of lynching which led many African Americans to migrate from the South to the North of America during the Great Migration. More significantly, the poem is a call for McKay’s fellow oppressed people to courageously confront oppression rather than succumb to it. The target audience of the poem are people who are not merely under oppression but are oppressed in ways that undermine their dignity as humans, literally pushed to the wall, being crushed, apparently robbed of their freedom, and hope dwindled. In this unfortunate circumstance, McKay admonishes that in the face of probable or inevitable death it is better to go down with a fight for what it is worth—dignity. This radical resistance approach is perhaps the assertion of the oppressed that their humanity must be put above their social identity. This echoes McKay’s inferable central point that the humanity of the oppressed is at stake in situations of oppression as was prevalent during the era of racial segregation in America.
In the first quatrain of the poem, McKay acknowledges that in such a denigrating and hopeless situation—“an inglorious sport”, their lives as the oppressed group are certainly in danger, but if they must die it must not be as though they are some hounded animals or creatures whose lives don’t matter – “like hogs” (lines 1-2). In this situation, there is something other than life that is at stake; the dignity and humanity of the oppressed.
metaphor?
In the second quatrain, McKay establishes the value of the oppressed people and echoes their need to violently resist oppression in defense of their honor, dignity, and humanity. Still acknowledging the apparent inevitability of their destruction, McKay is more concerned about how the oppressed die. His fervent call to his fellow oppressed people to die “nobly” if they must, means not dying as petrified cowards (5); defying the objective of the oppressor to reduce them to the status of dispirited souls, thus stripping them of their humanity. The point of course is already made that in oppression both the oppressed and the oppressor are dehumanized. McKay is emphatic in his reference to the oppressors as “monsters” (7). The question here is, would the oppressed rather die like hapless “hogs” shedding “in vain” their “precious blood” or like men and women of valor who defy the fear of the imminent death that sneers at them to fight for their honor (6,7)? Covertly, McKay is asking his fellow oppressed people what they would want to be remembered for; because their choices will go a long way to define them and those who will come after them.
In the third quatrain, McKay stresses the universality of the poem by his choice of words like “kinsmen” in reference to his fellow oppressed people everywhere, and “common foe” in allusion to oppressors of all kinds (9). Again, McKay re-emphasizes the need to vehemently fight back at oppression – the spirit of resistance. The stark truth is, to defiantly fight back, or to succumb are the only alternatives available to the oppressed while the choice of whether the oppressed live or die is utterly up to the oppressor. However, the oppressed could decide how they die. It is important to understand that the concept of death varies across cultures. In the context of this poem, to die a death of valor is to die with honor and dignity; an opportunity to exhibit and entrench one’s freedom from oppression, even in death. Furthermore, McKay’s choice of words such as “far outnumbered” suggests that the oppressed group belongs to the minority in society as tends to be the case with being Black in an anti-Black racist white supremacy society (10). In a do-or-die situation as the oppressed may be in, McKay emphatically suggests that violent resistance becomes the only way for the oppressed to safeguard their humanity and dignity. For example, like Fanon, in his experiences with racist oppression in the 1950s, says “if the white man challenges my humanity, I will impose my whole weight as a man on his life and show him that I am not that ‘sho’ good eatin’ that he persists in imagining” (178). Likewise, McKay suggests that in response to the oppressor’s constant dehumanization and denigration—their “thousand blows”, all the oppressed need to do is to perform a violent resistance—“one death blow” (11). Even though this violent resistance means an automatic death row, it is worth it because, in whatever case, before the oppressed “lies the open grave”—destruction (12).
; thus compelling the oppressor to acknowledge their humanity. McKay marshals the strength of the oppressed “like men” to brave out the real cowards—the oppressor, and gives the final call for the oppressed to fight valiantly. Pertinently when McKay says “if we must die,” he acknowledges the power of the oppressor—perhaps because the oppressor is the majority and has the arsenal to oppress (13). So, to resist the oppression may require the ultimate sacrifice—death.
Works Cited
. Boston, Beacon, 2012, p. 90. . London, Pluto Press, 2008, p. 178. 2, no. 7 (July 1919): 21. http://hdl.handle.net/2333.1/djh9w2j2.
Attribution:
Cooper, R. Paul. “Poetry: Sample Analysis of a Poem.” In Surface and Subtext: Literature, Research, Writing . 3rd ed. Edited by Claire Carly-Miles, Sarah LeMire, Kathy Christie Anders, Nicole Hagstrom-Schmidt, R. Paul Cooper, and Matt McKinney. College Station: Texas A&M University, 2024. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License .
Mensah, Korku [pseud.]. “Poetry: ‘One Deathblow’: Claude McKay on Resisting Oppression.” In Surface and Subtext: Literature, Research, Writing . 3rd ed. Edited by Claire Carly-Miles, Sarah LeMire, Kathy Christie Anders, Nicole Hagstrom-Schmidt, R. Paul Cooper, and Matt McKinney. College Station: Texas A&M University, 2024. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License .
2.6--Sample Analysis of a Poem Copyright © 2024 by R. Paul Cooper is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.
Samuel Gorbold
Poetry analysis is simply the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Normally, this review is conducted and recorded within an analytical essay . This type of essay writing requires one to take a deeper look at both the choices that a poet made and the effects of those choices. In essence, these essays require an in-depth analysis of all parts that were used to form a work of poetry. Read the details from our essay writing service .
From an academic literary point of view, knowing the steps to follow to understand how to analyze poetry is essential. All kinds of jobs are usually found on the Internet, from relatively informal web articles to pedagogical documents in indexed journals. All of them typically coincide on one point: poems are a type of lyrical expression structured in verses. From that we can derive what a poem analysis essay should be about.
Therefore, when you have chosen a poem to analyze, it is crucial to review definitions such as stanza, lyrical object, rhyme, synalepha, syneresis, among others. In this way, poems can be classified, interpreted, and "measured." Of course, without pretending to form unanimous criteria, since a stylized narrative emerged from inspiration always has a tremendous subjective load for whoever reads it. A good poem analysis essay or any poetry analysis in general leaves some room for interpretation. It's better not to deal in absolutes which you can see in all poem analysis essay examples.
The final element to writing a poetry analysis essay is a part of the composition dedicated to the poems subject matter. This can be analyzed during the reader’s quest to determine the theme, tone, mood, and poems meaning. The subject matter – and the thematic elements that support the intended message behind the subject – is often an interpretive minefield. Often, people have different ideas about what a poet is trying to say by their use of a subject, so unless the message is implicitly stated, it is best to state multiple possibilities about what the poet may have meant and included evidence for these theories. As the essay is to be an analysis, opinions are to be avoided in favor of facts and conjectures that are backed by evidence from work.
A great way to choose a topic for these type of assignments is to decide on a topic that would deal with information that one is already familiar with. For example, if the choice of the poem to analyze is up to the writer, then it may be beneficial for the writer to choose a poem that he/she has encountered before. If the choice is to be made between different subject areas within a poem, then the writer could find it easier to choose to focus on writing about an area that plays to his/her strengths, so that the statements made in the essay are conveyed clearly and confidently. Such assignments may seem like a daunting writing experience at first, but if the topic, outline, and paper are composed following the steps above, the essay should turn out very well.
The analysis essay is a challenging type of assignment. Your task is not to retell poetry in prose because a lyric poem is not a transposition of some prosaic intention. Still, while embodying a particular poetic state of the artist and analyzing the lyrics, you should also be able to "enter" a similar condition. To interpret in a poem analysis essay a work means to approach the author’s intention. This can be done by following the path of the so-called "slow reading" – from the first verse to the last, considering each line of poetry, its content and form, sound, images, the logic of development of the author’s feeling or thought as a step towards solving the author’s idea.
In order to compose a poetry analysis essay, one must first read the poem carefully. This reading allows one to become familiar with the poem helping produce a strong literary analysis essay . It is also an opportunity to make note of the rhyme scheme (if there is one), the type of poem (limerick, ode, sonnet, lyric, haiku, free verse, etc.) and other poetic techniques that the poet used (such as enjambment, meter, end-stopped lines, figurative language, etc.). All of those elements in the poem are essential to know when one is writing such an essay because they are a part of the poem’s structure and can affect the content. It is not a bad idea to read up on these poetic terms before writing an essay, since being knowledgeable about a subject can allow one to assume a more confident tone when composing a literary analysis essay on that topic. By following the guidelines provided in this blog you will not be wondering how to write a poetry analysis assignment any longer. It is also important to follow the poem analysis essay structure. It's not paramount but it will make your poem analysis essay writing much easier.
An outline for a poetry analysis essay can be very simple, as it is just a guideline for the writer to build upon as the first draft is written. When starting your introductions it would probably be best to put the essays title at the top of a page, then place a Roman numeral one (I) underneath, preceding the word "introduction." Under this, one can list brainstormed ideas for the introductory paragraph. The final portion of your poem analysis essay introduction should be dedicated to the papers thesis statement. Following the completion of that portion of the outline, one can move on to the body paragraphs of your example. Each of the Roman numerals used to label this part should denote a different subject area in respect to the poem that will be discussed in the essay. Letters under these numerals may be followed by subtopics within each subject area that are to be dealt within individual paragraphs (or sentences, if it is to be a shorter essay) within the body of the paper. At this point you are almost done with your poem analysis essay outline.
It is necessary to add a poem’s title and author in the introduction to poetry essays. Other information, such as the date of printing, may be used. You can also include the poem’s or author’s additional details, as well as interesting facts or trivia.
How to analysis poetry? When composing the main body of text, bear in mind that you must reference all the poem concepts, so add a quote to support the sentence; otherwise, the analogy would be a waste of time and will not be counted. Your comments must be explicit.
Now is the time to stand back from examining the poem’s elements and find out the poem’s general significance. It is bringing together the various aspects of the study into one key concept when writing about poetry.
What is the poet’s message, and how is it expressed, and with what emotion?
Then understand the context and how this evolves.
Is it clear from the outset, or does it progressively change as the story progresses? The last few lines of a poem can be significant, so they should be included in the poem review essay conclusion and discussed in terms of their influence on the work.
So how to analyze a poem? Commenting on a text is a way to verify what the author said and how he transmitted it, relating both concepts. You have to observe the connotations and the implicit meanings, interconnecting them with precise ideas. It is a moment when the reader establishes affinity with the text he reads, exposing his aesthetic sensitivity, articulating what the author said, the way he did it, with his subjectivity of those who analyze and comment.
When you analyze poem, the text must be coherent, resulting from the articulation of all aspects to be dealt with in the different analysis plans. Citations must appear in quotation marks. When it is not necessary to quote a complete verse or a complete sentence, you must use the sign [...] at the place where the transcription is interrupted. When it is desired to quote more than one verse, and that quote follows precisely the order of the analyzed poem, the respective verses must be separated using an oblique bar.
This is an essential step. Analyzing a poem, you need to understand the central message; the author’s primary emotion is trying to share with the poem’s recipient.
So now you can pay attention to the poet and see what information you can learn from them. Is it easy to get the speaker’s gender or age? Were there any racial or theological allusions to be found? Can we really tell whether the speaker is expressing their opinions and suggestions to the reader directly? If not, who is the poet’s character who is conveying the thoughts or messages? Your essay on poetry must include all the vital answers.
When you’ve figured out who or what the poem is about, you should go on to who or what the poem is about. Can the meaning of the poem be seen; what does the author expect from the audience? It’s pretty likely that the poet merely makes a comment or expresses themselves without expecting a reaction from the crowd.
A poem about March, for example, might be a cheerful declaration that winter is over. At the same time, it could be an intention to get somebody’s focus.
The analysis of poetic language is the most challenging part of the whole poetry essay. It has multiple openings, and the resources are very varied, so it is necessary to analyze the elements and assign them significant values.
Presenting a list of worthless poetic elements is not of great interest to the commentary of the poem. Analyzing poems, better share your images of what’s related to the topic.
Poetic Techniques
To analyse a poem successfully, you should remember the technical part of the task. If the poem has many metaphors, repetitions, or alliterations, it is in your best interests to highlight the emotional representation and expressiveness of the work you are interpreting. But don’t limit yourself to defining the style figures (for example, alliteration is the repetition of phonemes); this does not matter for the essay.
After covering the technical aspects of a poem, it is best to learn about the poem's background. This means that one may find it beneficial to look up the poet, the date that the poem was written, and the cultural context surrounding the work. All of that information typically permits the reader a better understanding of the poem, and it seems self-explanatory that one who has an enhanced comprehension of the poem would have an easier time conducting an analysis of that poem.
If you want to analyse poetry successfully, here are a few things to keep in mind:
1. Author and title of the poem .
2. Style : romanticism, realism, symbolism, Acmeism, sentimentalism, avant-garde, futurism, modernism, etc.
3. Genre : epigram, epitaph, elegy, ode, poem, ballad, novel in verse, song, sonnet, dedication poem, etc.
4. The history of the poem’s creation (when it was written, for what reason, to whom it was dedicated). How important is this exact poem in the poet’s biography.
5. Theme, idea, main idea .
6. The poet’s vocabulary (everyday, colloquial; bookish, neutral, journalistic).
7. Composition of the work .
- Analyze the micro-theme of each stanza. Highlight the main parts of the poetic work, show their connection (= determine the emotional drawing of the poem);
8. Description of a lyrical hero .
9. Your impressions of the work .
A good poem analysis essay example is an essential factor that can help you understand how to write an evaluative poetry essay. The poetry essay aims to test the ability to perceive and interpret the problems and artistic merits of the studied and independently read literary works, using the information obtained in studying the subject on the theory and history of literature. Let’s have a look at the analysis essay example of two poems.
The poem’s problem is an essential part of the poem structure and is determined by the formulation of the question in the text or the work’s subtext. This aspect of poetic work is not generally different from other literature types: the social and ethical questions are asked by the poets, and they also respond to "eternal" philosophical questions.
A poetry analysis worksheet can also be a specific set of parameters that the instructor has asked you to examine the work from. In this scenario, it is important to create a structure that will highlight the given set of instructions. An example of such a task would be "The Tyger" by William Blake. In this poem, one can examine it from the initial emerging theme examining the process of a tiger’s creation and unavoidably its end. This context lets us understand that no power other than God himself could create something as beautiful and terrifying as the tiger. However, some literary analysis essays will require you to adopt different interpretations of this subject matter. Some often compared the beauty and fear inspired by the tiger to the industrial revolution and new machinery being built at the time when Blake wrote this poem.
Another version of a poem background is that Blake explores the coexistence of good and evil and asks about the source of their existence, wondering how one creator could create both beauty and horror. Modern readers can resonate with this poem easily because the questions asked there are essential.
The author of the poem, George Byron («Sun of the Sleepless» taken as our poetry essay example), was born on January 22, 1788, in London into a titled but low-income family. The first education, from the biography of Byron, was received at a private school. Then he began to study at the classical gymnasium, the school of Dr. Gleni (there was a great desire for reading), the Harrow school. Byron wrote several poems in this school.
Metaphor is one of the linguistic, stylistic devices most often found in Byron’s lyrics; many of them indicate the poet’s peculiar style. In verse, the star illuminates the darkness that it cannot dispel. The meaning of Byron’s image: not hopelessness and bitterness of reproach, but the thought that the memory of happiness does not save, but even more "painfully" highlights the darkness.
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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.
In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.
So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:
Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.
Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?
Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.
Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.
Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:
Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.
It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .
Poetry analysis, which is similar to poetry review, involves analyzing the language and figures of speech used by a poet. It also entails sharing personal views regarding the poem and breaking down the poetic instruments utilized by the said poet. However, it’s not just about the words used (Headrick, 2014). It entails reading between the lines and understanding what made the poet come up with a particular poem. So it may require some background research on the author and history behind the creation of the poem.
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Poetry analysis may define as a critical review given on a poem, a reflection on the depth and gravity of a poem. It revolves around multiple aspects of a poem starting from the subject of a poem, its theme (meaning), tone, literary devices or speech figures, form to the feeling of the poet to how a reader feels about the poem. It is not only the analysis of techniques used in a poem, but poetry analysis provides a broader and wider picture of the poem, its reality, its hidden meanings between the lines, a study of poet’s mind, feeling and intention behind a poem. Different techniques used in poetry analysis are helpful tools in investigating and reviewing the poem. Behind every review or analysis vital research on poet (author), era (time frame), possible reasons, the background behind the conceptualization poem is vital.
If you have been asked to write a poem analysis essay, then it means to examine the piece and further dissect it into key elements including its form, techniques used and historical value. Then further appreciating the poem and highlighting to others these points, and gaining a better understanding.
It is also important to show as many ideas as possible that relate to the poem and then create conclusions on this.
To start writing a poetry analysis essay let's look at the prewriting stage.
A topic should be chosen based on the theme you want to write. The theme is the message that the poem is trying to convey. You need to look therefore for concepts and notions that pop up in the poem and come up with an appropriate theme based on those perceptions or "feelings". If you can’t still figure out what topic you should choose for your analysis, it is recommended that you go through other poems similar poems and get a suitable topic for your analysis. Don’t also forget to cite your poem well. And also use in-text citations while quoting from the poem.
To create a good essay, it is needed to plan out the structure of a poem analysis essay so the writing stage will be easier and faster.
Here is an outline of a poem analysis essay to use:
Opening paragraph - Introduce the Poem, title, author and background.
Body of text - Make most of the analysis, linking ideas and referencing to the poem.
Conclusion - State one main idea, feelings and meanings.
To start an introduction to a poem analysis essay, include the name of the poem and the author . Other details like the date of when it was published can also be stated. Then some background information and interesting facts or trivia regarding the poem or author can also be included here.
When writing the main body of text keep in mind you have to reference all ideas to the poem so include a quotation to back up the sentence, otherwise, it will be a wasted comparison and not count. Be clear with your statements.
Now, this is where you should take a step back from analyzing the individual elements of the poem and work out its meaning as a whole. Combine the different elements of the analysis and put forward one main idea.
What is the poet trying to say, and how is it enforced and with what feeling? Then look at the meaning and what timeframe does this evolve over?
For example, is it obvious from the start, or does it gradually change towards the end? The last few lines can be very significant within a poem and so should be included in the poem analysis essay conclusion and commented on the impact on the piece.
Remember that you can always send us a " write an essay for me " text and have your assignment done for you.
Before even thinking about your first draft, read the poem as much as possible. If it's possible, listen to it in the original form. This depends on many factors which include if the poet is still alive?
Also reading aloud can help identify other characteristics that could be missed and even to a friend or colleague will give a chance to more insight. It is important to remember that poetry is a form of art painted with only words, this said it could take time to fully appreciate the piece. So take note of any first thoughts you have about the poem, even if they are negative.
Your opinions can change over time but still mark these first thoughts down.
So that to analyze a poem properly, you have to pay attention to the following aspects:
So let's go deeper into the poem analysis essay and look at the title. The poet may have spent a lot of time thinking about naming the piece so what can be observed from this and what further questions can be asked?
According to our to fully appreciate a piece, it is needed to understand all the words used. So, for example, get a good dictionary and look up all the unknown words. Then go through partly known words and phrases and check these too. Also, maybe check the meaning of words that are used a lot, but remember some text may have had a different meaning a century ago, so use the internet to look up anything that is not clear. Furthermore, people and places and any cultural relevance of the time should be researched too to get a deeper look at the poet's attitude towards the piece. Patterns might become visible at this point and maybe the theme of the poem.
When looking at the structure of the piece this will reveal more information so pay close attention to this. Look at the organization and sections, this will unlock more questions:
Once you have observed the structure, it is possible to go deeper into the poem analysis essay and investigate how the speaker communicates the poem to the reader.
So now it is possible to look at the poet and see what details can be obtained from them. Is it possible to see the gender or age of the speaker? Is there some race or religious references to pick up on? Then can we see if the speaker is directly communicating their thoughts and ideas to the reader? If not, what is the character the poet has created to convey the ideas or messages? Does the poet's persona differ to the character created and what can be analyzed from this? Also the mood of the speaker could be available now, are they happy or sad, and how can you find out this from the poem?
Once the poet is understood it is possible to move onto who or what the poem is designed for. Then you can see the purpose of the poetry, what does the poet want from the reader? It is also possible that the poet does not desire a response from the audience and is simply making a statement or expressing themselves.
For example, a poem about spring could just be a happy statement that winter has ended. Looking from the other side, this could be an attempt to attract someone's attention or maybe just an instruction to plow the field.
The subject of the poem can help identify the purpose, as this usually will be what the poet is describing. Then the theme can be identified also, and what does it say about the work? Are there any links between the theme and the subject and what can analyzed from that? The timeframe is also an important factor to consider, for example, the poet's goal back when it was written, may have changed and why? Furthermore, has the original purpose survived the test of time and can it be said to be the best indicator of success?
Until this point it was only possible to analyze the literal information available which is the denotative meaning.’ Now let's look at the imagery, symbolism and figures of speech, this is the connotative meaning.
This is where you should look for pictures described within the text and analyze why they have been depicted? So for example, if the poet thas decided to describe the moon this could set the time in the work or maybe the mood of the poem. Also look for groups of images described and patterns within this, what can be deducted from that?
So when looking for symbolism within the text this could be an event or physical object, including people and places that represent non-physical entities like an emotion or concept. For example, a bird flying through the air can be seen as freedom and escaping usual conforms.
In your analysis you will look at techniques like metaphors, similes, personification and alliteration to include just a few. It's important to identify the actual device used and why it was chosen. For example, when comparing something within the text using a metaphor then look at how they are connected and in what way they are expressed? Try to use all available clues to gain better insight into the mind of the poet.
Poetry and music have deep connections and can be compared together due to the history and uses throughout the ages.
Here are some things to look out for to help with those comparisons:
Below you will find a compelling guide on how to analyze poetry with handy writing tips:
To write a winning poem analysis essay, use the template below or order an essay from our professionals.
Introduction
Form of poem
Meaning of poem
Poetic Techniques
Poems are written in some ways, here one need to identify which structure the poet has used for the poem. The forms of poems broadly are stanzas, rhythm, punctuation and rhymes. Carefully analyze the length and number of stanzas , does the rhythm impacts the meaning of the poem, is there many punctuations or little, either the rhyme is consistent, or it’s breaking and what is the rhyme contributing to the meaning of the poem or is it random.
In this part, we focus on the topic, main issue or idea of the poem. There are layers of meaning hidden in a poem.
Numerous topics can be covered in poems such as love, life, death, birth, nature, memory, war, age, sexuality, experience, religion, race, faith, creator and many others.
The tone of the poem shows attitude or mood of the language used by the poet. Analyze the different shades of the language used in the poem for example; is it formal, judgmental, informal, critical, positive, bitter, reflective, solemn, frustrated, optimistic, ironic, scornful, regretful or morbid.
Find out what the different literary devices are or what sort of figures of speech is used by the poet . Analyze these techniques and suggest their use in the poem by the poet. The poem can contain a symbol, similes, metaphor, alliteration, allegories, oxymoron, assonances, dissonances, repetition, hyperbole, irony.
Lastly, analyze the emotions and feelings linked with the poem; of the poet and what do you feel when you read the poem. This is the very critical part of reviewing a poem because we analyze the inner depth of the poem, the intention & feelings of the poet, the targeted audience, does the poem reflect the poet’s persona, perspective or it does not match with the poet.
Analysis of Edgar Allan Poe’s Poem “Annabel Lee”
Written in 1849 and first published after the author’s death, Annabel Lee by Edgar Allan Poe is a beautiful story of true love that goes beyond life. In the poem, the author is commemorating the girl named Annabel Lee, whom he knew since childhood. Despite the young age, the love between the narrator and Annabel was so deep and true that even angels were jealous, and, according to Edgar Allan Poe, their jealousy was so severe that they killed the love of his life. The poem ends with young Annabel Lee being buried in a tomb, leaving the readers with a feeling that the author kept holding on to his love for her for many years after her death.
The two evident topics in the poem are love and loss. The entire narration revolves around the author’s agonizing memory, at the same time demonstrating to the readers the purity and power of true love that makes him cherish the memory of his beloved one even after she is gone. Apart from that, Edgar Allan Poe also discusses such issues of love as jealousy and envy. The author states that the love of the two teens was so strong that even angels in heaven were not half as happy as Annabel and Edgar, which caused them to invade the teens’ romantic “kingdom by the sea” and kill the girl.
The topics discussed in the poem, as well as the style of narration itself, give the poem a very romantic atmosphere. It follows the main principles of the romantic era in poetry in the 18th and 19th centuries, which Edgar Allan Poe was representing. At the same time, the author also gives his poem a sense of musicality and rhythm. The poem’s rhyme scheme puts emphasis on the words “Lee”, “me”, and “sea”. The repetition of these words gives the poem a song-like sound.
A significant role in Edgar Allan Poe’s poem is played by imagery, which emphasizes the author’s unique style. The main imagery used by Allan Poe in Annabel Lee is the Kingdom. The author uses this imagery to set the right tone for his poem and give it a sort of a fairytale feel. At the same time, this imagery is used to take the reader to a different place, though not specifying what exactly this place is. To confirm this - the author uses the phrase “the kingdom by the sea” multiple times in his piece, never specifying its meaning. This trick enables the readers to leave this to their own imagination.
Apart from the Kingdom, the author also operates with the imagery of angels and demons. The narrator blames them for their envy for their deep love, which resulted in the death of Annable Lee. Thus, the author gives a negative attitude towards this imagery. This brings us to another big topic of good and evil discussed in the poem.
Nevertheless, even though the angels’ intervention seems to be clear to the reader from what the author says, Poe’s choice of words doesn’t directly implicate their responsibility for the girl’s death. The narrator blames everybody for his loss. However, he does this in a very tactical and covert way.
In conclusion, it becomes clear that the narrator in Annabel Lee did not only pursue a goal to share his pain and loss. He also emphasizes that true love is everlasting by stating that his love for the gone girl lives with him after all these years. With all its deep topics, imagery, and musicality, Annabel Lee is now considered one of the best works by Edgar Allan Poe.
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10 of the best (and easiest) poems to analyze .
A great deal of classical and contemporary writing is a pleasure to indulge in. A few of the best examples are included in the list below.
A great deal of the poetry produced since we started putting our thoughts on paper drowns itself out in complex metaphors , indecipherable decades after they were written. Or, contains language that has fallen out of common use or is a better example of a poet’s desire to sound educated, through the twisting and manipulating of syntax , than it is an expression of any theme worth delving into.
These poems were selected for their ease of understanding, their clear representation of various poetic techniques, and their interesting historical backgrounds. If you’re looking for a powerful, but easy, poem to analyze, this article is for you.
Not Robert Frost ’s best-known work, but wonderful all the same, ‘Fire and Ice’ is the perfect choice for someone who is interested in analyzing a poem that speaks on themes of life, death, and opposites. The text is short, only nine lines, and repetition , juxtaposition and rhyme play important roles. Frost’s diction is clear and the syntax is straightforward.
Read an analysis of ‘Fire and Ice’ here.
This poem was first published in December of 1922 in the magazine, Crisis. It was also included in Langston Hughes ’ collection, The Weary Blues, published four years later. Within the text, Hughes uses the metaphor of a staircase to depict the difficulties and dangers one will face in life. The major themes are determination and wisdom. Told from the perspective of a mother, directing her words to her son, this piece is universally relatable. It clearly depicts themes and issues that are just as relevant today as they were when 100 years ago.
Read an analysis of ‘Mother to Son’ here.
Lovers of poetry, and even those who only enjoy it occasionally, will immediately recognize the line, “All that we see or seem / is but a dream within a dream.” Many examples of Edgar Allan Poe ’s poetry are complex, filled with seemingly indecipherable images and mental landscapes, this piece is much simpler. The speaker knows that life is purposeless, there is no love nor is there reason to keep going. It has all turned into a dream state that he floats, and at the same time struggles, through.
Read an analysis of ‘A Dream Within a Dream’ here.
At its most basic level, ‘Still I Rise’ is a poem about confidence and empowerment. The speaker stands up to prejudice and preconceived notions of who she should be. Through the refrain , “I rise,” the reader should sense power building in the text. Repetition is used skillfully and effectively. This is likely Maya Angelou’ s’ most anthologized work, making it a perfect option for those interested in analyzing a piece of her poetry.
Read an analysis of ‘Still I Rise’ here .
Dylan Thomas’ best-known work, ‘Do Not Go Gentle Into That Good Night’ is a universally relatable poem that has appeared multiple times popular media since its publication. ‘Do not Go Gentle Into That Good Night’ was first published in 1951. Through powerful and skillfully composed language, Thomas encourages his father to realize the importance of his life by fighting back against the dark. Additionally, this piece had an important personal meaning to the poet, adding another layer of information you might choose to write about.
Read an analysis of ‘Do Not Go Gentle Into That Good Night’ here.
With an important historical context , Emma Lazarus’ ‘The New Colossus’ is another example of how poetry does not need to be complex and filled with complicated images to convey deep meaning. In ‘The New Colossus’ Lazarus speaks about the Statue of Liberty and the fundamental beliefs the statue is supposed to represent. Plus, with all the historical details connected to this piece, there is a great deal for a prospective analyzer to write about.
Read an analysis of ‘The New Colossus’ here.
This is a love poem for those who aren’t interested in analyzing traditional stories of loss and heartbreak. Within ‘If You Forget Me’ Pablo Neruda speaks from a first-person perceptive and addresses his lover. He uses metaphors to compare their love to natural imagery and challenges them to forget him. If they do, he’ll have already “forgotten them”. Neruda uses accessible images and diction that makes this poem an interesting read and a great piece to take a deep dive into and analyze.
Read an analysis of ‘If You Forget Me’ here.
Usually read alongside ‘ The Lamb ,’ this piece is William Blake ’s famous description of the darker, more dangerous side of God’s creation. Within the text, he juxtaposes the tiger with the kinder elements of the world, such as the lamb. Blake’s speaker asks the tiger where its eyes were made. As well as how any divine being could’ve made the decision to craft it in such a way. Although admitting his own fear of this creature, he also acknowledges its beauty and the skill it would’ve taken to create it. This piece is likely Blake’s most commonly anthologized. This means there is a great deal of information available about its composition and publication.
Read an analysis of ‘The Tyger’ here.
Also known as ‘I Wandered Lonely As A Cloud,’ this piece is one of William Wordsworth ’s most popular. It describes one speaker’s progression through fields and hills on which he observes a “host, of golden daffodils”. The natural imagery is quite strong and depicted clearly. Using metaphors and similes Wordsworth also speaks on his own state of being while in natural environments. Then, how he takes that experience back into his less invigorating moments. The consistent rhyme scheme imbues ‘Daffodils’ with an even rhythm , taking the reader calmly and smoothly through the lines. As with most of the poems on this list, there is information readily available about this poem making analyzing it all the simpler.
Read an analysis ‘Daffodils’ here.
With its straightforward syntax and clear diction, ‘Trees’ is the perfect poem to analyze if you’re interested in themes of nature, poetic writing, and creation. The poem was written in February of 1913 and was first published in Poetry: A Magazine of Verse . It was then included in Trees and Other Poems , one of Joyce Kilmer ’s most popular volumes. Within this piece, Kilmer depicts a single tree standing in as a representative for all trees. It is, he states, lovelier than any poem he, or anyone else, could ever write. Throughout the text, he praises God’s creation and speaks on man’s inability to create anything close to as majestic.
Read an analysis of ‘Trees’ here .
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Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.
Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.
A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.
Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :
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Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.
The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.
Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.
To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.
Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?
What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).
Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.
Ask yourself:
Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?
Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.
The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?
Consider how the text is structured, and how the structure relates to the story being told.
Think about why the author chose to divide the different parts of the text in the way they did.
There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?
With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.
In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.
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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.
If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:
Is Franz Kafka’s “Before the Law” a religious parable?
Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:
Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.
Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.
Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.
Say you’re analyzing the novel Frankenstein . You could start by asking yourself:
Your initial answer might be a surface-level description:
The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .
However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:
Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.
Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.
To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.
It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.
To start your literary analysis paper, you’ll need two things: a good title, and an introduction.
Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.
A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.
If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.
“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”
The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.
A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.
Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.
Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.
Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!
If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.
The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.
A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.
Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.
In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.
Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.
To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.
A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:
… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.
Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.
This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.
A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.
It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:
It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.
In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:
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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.
A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:
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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.
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Poetry is an extremely subtle form of writing, and reviewing poetry requires a deep understanding of the elements that comprise a poem. Read our poetry analysis samples to gain a better understanding of how to write a poetry analysis of your own.
Poetry is a unique literary form that captivates us with its expressive writing and artistic expression. One of the most profound experiences comes from delving into the depths of a poem and unveiling its hidden treasures. This article will guide you through the process of analyzing a poem, often referred to as poetry analysis or poem examination, so you can fully appreciate this artistic masterpiece.
Every poem has a central theme, subject, or message that the poet wants to convey. The theme is often woven throughout the entire poem and can be discovered by closely reading and dissecting its content. Identifying the theme is an essential part of poetry analysis. Look for repeated words, phrases, or images – these can often point towards the theme.
Understanding the context, or the background and circumstances surrounding the creation of the poem, is another critical element in poem interpretation. The context can give you insight into the poet’s mindset, the era in which the poem was written, or the specific events that inspired it. It contributes to the setting and greatly influences the poem’s mood, or the emotional tone it imparts to readers.
Analyzing a poem involves not only examining the language and the message, but also understanding the poem’s tone and mood. Tone refers to the attitude or writer’s perspective expressed in the poem, while mood is the feeling or atmosphere created by the poem. These aspects are often set through the poet’s choice of words, the poem’s rhythm, and the imagery used.
The structure, or the arrangement and form of the poem, can also significantly contribute to its overall meaning. The structure encompasses aspects such as the poem’s organization into stanzas, the rhyme scheme, and the rhythm. Close attention to the structure can often reveal more about the poem’s theme and tone.
Language is the heart of any poem. The poet’s diction, grammar, and word choice all contribute to the creation of a unique voice, setting the tone, and painting vivid imagery. To analyze a poem, it’s crucial to evaluate the language used – whether it’s simple or complex, literal or figurative, and how it relates to the poem’s theme and context.
The use of literary devices, techniques, or tools like metaphor, simile, alliteration, and personification, to name a few, is one of the most engaging aspects of poetry. These devices are more than just ornamental; they serve as crucial components that lend depth and richness to the poem. Spotting and understanding these devices can help you dissect the poem’s meaning more effectively. For a more comprehensive analysis, a free online literature review generator can assist you in identifying and interpreting these literary devices.
Analyzing the title.
Before delving into the poem itself, begin with the title. The title often provides a hint to the poem’s theme or subject, and thus is a crucial starting point in your poem examination. Consider what assumptions or predictions you might make based on the title alone, and keep these in mind as you progress through your analysis.
To analyze a poem, start by reading it multiple times. Close reading allows you to understand the poem’s literal meaning, and then delve deeper into its figurative language and the emotional responses it evokes. This will help you catch the nuances of the poem’s language and structure.
Identifying the speaker in a poem is an important step in analyzing it. Understanding the speaker’s perspective helps set the tone and provides insight into the poem’s mood or emotional tone. Note that the speaker and the poet aren’t always the same, so don’t assume the speaker’s emotions or experiences mirror the poet’s.
Looking for patterns, repetition, and motifs can often lead you to a poem’s central theme and help illuminate its message. These could be patterns in the poem’s structure, rhythm, rhyme scheme, or repeated words, phrases, or themes.
Poets often use symbols and metaphors to convey deeper meanings and emotions. These are significant elements of a poem that contribute to its overall meaning. Identifying and interpreting these can provide valuable insights during your poetry analysis.
Examining the historical and cultural context of the poem is crucial to understand it fully. The circumstances surrounding the poem’s creation, the era, and the prevailing social and cultural norms can heavily influence its content.
Analyzing a poem (as well as citing poem ) might seem like a daunting task at first, but it can be a rewarding and enlightening experience once you get the hang of it. The most important thing is to take your time, let your interpretation evolve, and above all, enjoy the process. Remember, the goal of a poetry analysis is not just to dissect and evaluate the poem, but also to appreciate the artistic expression and emotional journey that it offers.
Whether you’re analyzing the poem for a class, for a book club discussion, or for your enjoyment, understanding these elements and applying them organically can greatly enhance your ability to appreciate the profound beauty and complexity of poetry. Happy analyzing!
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Kabir, a 15th century saint and poet from India, wrote poems that rallied against organized religion and called for divine experience rather than dogma. His…
“A Poet to His Beloved“ by famed Irish Revival poet William Butler Yeats is a succinct dedication to a lover, but with a bittersweet feel. Employing exacting and…
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What this handout is about.
A poetry explication is a relatively short analysis which describes the possible meanings and relationships of the words, images, and other small units that make up a poem. Writing an explication is an effective way for a reader to connect a poem’s subject matter with its structural features. This handout reviews some of the important techniques of approaching and writing a poetry explication, and includes parts of two sample explications.
Before you try to tackle your first draft of the explication, it’s important to first take a few preliminary steps to help familiarize yourself with the poem and reveal possible avenues of analysis.
Before you really delve into linguistic and formal elements, it’s first important to take a step back and get a sense of the “big picture” of a poem. The following key questions can be helpful when assessing a poem’s overall message:
How did the poem affect you as a reader? The word “affect” can be helpful to consider here since it denotes the overall subjective experience one has in response to reading something (or seeing or experiencing anything, really). This can encompass thoughts, emotions, moods, ideas, etc.—whatever the experience produced in you as a person. You can ask yourself what affective, or emotional, atmosphere the poem produced, even if something about it is difficult to describe. What adjective would you use to describe the tone of the poem? Happy? Sad? Thoughtful? Despairing? Joyous? How did the poem make you feel generally? Did the poem bring to mind certain ideas or images, etc.?
Does the poem have an identifiable speaker or addressee? Is the poem attributed to a specific speaker, or is this unclear or ambiguous? Is the speaker clearly addressing a specific second person audience, or a general one, or does this not come up? Is there a specific dramatic motivation driving the speaker to speak? You may have to make decisions about how to discuss the speaker or addressee in your explication, so it’s worth noticing how the poem is framed.
What seems to be the larger theme, or point, of the poem? This is the first question to try to address. Even if the larger message of the poem seems highly ambiguous, it’s important to first try to get a sense of this before you can move into analyzing the poem more fully. Does the poem seem to be an attempt to understand something? To appreciate something? To express a feeling? To work through a complex idea? To convey an image? Some combination of motivations?
After considering these questions, keep in mind that it’s okay if the poem still confuses you or eludes your full understanding. In fact, this sense of mystery can encourage further thought when trying to explicate a poem. Keep thinking carefully about the intricacies of the language and you may be able to convey some of this sense in your explication.
To analyze the design of the poem, we must focus on the poem’s parts, namely how the poem dramatizes conflicts or ideas in language. By concentrating on the parts, we develop our understanding of the poem’s structure, and we gather support and evidence for our interpretations. Some of the details we should consider include the following:
As you analyze the design line by line, look for certain patterns to develop which provide insight into the dramatic situation, the speaker’s state of mind, or the poet’s use of details. Some of the most common patterns include the following:
Meter (from the Greek metron, meaning measure) refers principally to the recurrence of regular beats in a poetic line. In this way, meter pertains to the structure of the poem as it is written.
The most common form of meter in English verse since the 14th century is accentual-syllabic meter, in which the basic unit is the foot. A foot is a combination of two or three stressed and/or unstressed syllables. The following are the four most common metrical feet in English poetry:
Meter also refers to the number of feet in a line:
Monometer Dimeter Trimeter Tetrameter Pentameter Hexameter | one two three four five six |
Any number above six (hexameter) is heard as a combination of smaller parts; for example, what we might call heptameter (seven feet in a line) is indistinguishable (aurally) from successive lines of tetrameter and trimeter (4-3).
To scan a line is to determine its metrical pattern. Perhaps the best way to begin scanning a line is to mark the natural stresses on the polysyllabic words. Take Shelley’s line:
And walked with inward glory crowned.
Then mark the polysyllabic nouns, verbs, adjectives, and adverbs that are normally stressed:
Then fill in the rest:
Then divide the line into feet:
Then note the sequence:
The line consists of four iambs; therefore, we identify the line as iambic tetrameter.
Rhythm refers particularly to the way a line is voiced, i.e., how one speaks the line. Often, when a reader reads a line of verse, choices of stress and unstress may need to be made. For example, the first line of Keats’ “Ode on Melancholy” presents the reader with a problem:
No, no, go not to Lethe, neither twist
If we determine the regular pattern of beats (the meter) of this line, we will most likely identify the line as iambic pentameter. If we read the line this way, the statement takes on a musing, somewhat disinterested tone. However, because the first five words are monosyllabic, we may choose to read the line differently. In fact, we may be tempted, especially when reading aloud, to stress the first two syllables equally, making the opening an emphatic, directive statement. Note that monosyllabic words allow the meaning of the line to vary according to which words we choose to stress when reading (i.e., the choice of rhythm we make).
The first line of Milton’s Paradise Lost presents a different type of problem.
Of Man’s First Disobedience, and the Fruit
Again, this line is predominantly iambic, but a problem occurs with the word “Disobedience.” If we read strictly by the meter, then we must fuse the last two syllables of the word. However, if we read the word normally, we have a breakage in the line’s metrical structure. In this way, the poet forges a tension between meter and rhythm: does the word remain contained by the structure, or do we choose to stretch the word out of the normal foot, thereby disobeying the structure in which it was made? Such tension adds meaning to the poem by using meter and rhythm to dramatize certain conflicts. In this example, Milton forges such a tension to present immediately the essential conflicts that lead to the fall of Adam and Eve.
The explication should follow the same format as the preparation: begin with the large issues and basic design of the poem and work through each line to the more specific details and patterns.
The first paragraph should present the large issues; it should inform the reader which conflicts are dramatized and should describe the dramatic situation of the speaker. The explication does not require a formal introductory paragraph; the writer should simply start explicating immediately. According to UNC ‘s Professor William Harmon, the foolproof way to begin any explication is with the following sentence:
“This poem dramatizes the conflict between …”
Such a beginning ensures that you will introduce the major conflict or theme in the poem and organize your explication accordingly.
Here is an example. A student’s explication of Wordsworth’s “Composed upon Westminster Bridge” might begin in the following way:
This poem dramatizes the conflict between appearance and reality, particularly as this conflict relates to what the speaker seems to say and what he really says. From Westminster Bridge, the speaker looks at London at sunrise, and he explains that all people should be struck by such a beautiful scene. The speaker notes that the city is silent, and he points to several specific objects, naming them only in general terms: “Ships, towers, domes, theatres, and temples” (6). After describing the “glittering” aspect of these objects, he asserts that these city places are just as beautiful in the morning as country places like “valley, rock, or hill” (8,10). Finally, after describing his deep feeling of calmness, the speaker notes how the “houses seem asleep” and that “all that mighty heart is lying still” (13, 14). In this way, the speaker seems to say simply that London looks beautiful in the morning.
The next paragraphs should expand the discussion of the conflict by focusing on details of form, rhetoric, syntax, and vocabulary. In these paragraphs, the writer should explain the poem line by line in terms of these details, and they should incorporate important elements of rhyme, rhythm, and meter during this discussion.
The student’s explication continues with a topic sentence that directs the discussion of the first five lines:
However, the poem begins with several oddities that suggest the speaker is saying more than what he seems to say initially. For example, the poem is an Italian sonnet and follows the abbaabbacdcdcd rhyme scheme. The fact that the poet chooses to write a sonnet about London in an Italian form suggests that what he says may not be actually praising the city. Also, the rhetoric of the first two lines seems awkward compared to a normal speaking voice: “Earth has not anything to show more fair. / Dull would he be of soul who could pass by” (1-2). The odd syntax continues when the poet personifies the city: “This City now doth, like a garment, wear / The beauty of the morning” (4-5). Here, the city wears the morning’s beauty, so it is not the city but the morning that is beautiful …
The explication has no formal concluding paragraph; do not simply restate the main points of the introduction! The end of the explication should focus on sound effects or visual patterns as the final element of asserting an explanation. Or, as does the undergraduate here, the writer may choose simply to stop writing when they reach the end of the poem:
The poem ends with a vague statement: “And all that mighty heart is lying still!” In this line, the city’s heart could be dead, or it could be simply deceiving the one observing the scene. In this way, the poet reinforces the conflict between the appearance of the city in the morning and what such a scene and his words actually reveal.
Refer to the speaking voice in the poem as the “speaker” or “the poet.” For example, do not write, “In this poem, Wordsworth says that London is beautiful in the morning.” However, you can write,
“In this poem, Wordsworth presents a speaker who…”
We cannot absolutely identify Wordsworth with the speaker of the poem, so it is more accurate to talk about “the speaker” or “the poet” in an explication.
Use the present tense when writing the explication. The poem, as a work of literature, continues to exist!
To avoid unnecessary uses of the verb “to be” in your compositions, the following list suggests some verbs you can use when writing the explication:
dramatizes presents illustrates characterizes underlines | asserts posits enacts connects portrays | contrasts juxtaposes suggests implies shows | addresses emphasizes stresses accentuates enables |
The Fountain
Fountain, fountain, what do you say Singing at night alone? “It is enough to rise and fall Here in my basin of stone.” But are you content as you seem to be So near the freedom and rush of the sea? “I have listened all night to its laboring sound, It heaves and sags, as the moon runs round; Ocean and fountain, shadow and tree, Nothing escapes, nothing is free.”
—Sara Teasdale (American, 1884-1933)
As a direct address to an inanimate object “The Fountain” presents three main conflicts concerning the appearance to the observer and the reality in the poem. First, since the speaker addresses an object usually considered voiceless, the reader may abandon his/her normal perception of the fountain and enter the poet’s imaginative address. Secondly, the speaker not only addresses the fountain but asserts that it speaks and sings, personifying the object with vocal abilities. These acts imply that, not only can the fountain speak in a musical form, but the fountain also has the ability to present some particular meaning (“what do you say” (1)). Finally, the poet gives the fountain a voice to say that its perpetual motion (rising and falling) is “enough” to maintain its sense of existence. This final personification fully dramatizes the conflict between the fountain’s appearance and the poem’s statement of reality by giving the object intelligence and voice.
The first strophe, four lines of alternating 4- and 3-foot lines, takes the form of a ballad stanza. In this way, the poem begins by suggesting that it will be story that will perhaps teach a certain lesson. The opening trochees and repetition stress the address to the fountain, and the iamb which ends line 1 and the trochee that begins line 2 stress the actions of the fountain itself. The response of the fountain illustrates its own rise and fall in the iambic line 3, and the rhyme of “alone” and “stone” emphasizes that the fountain is really a physical object, even though it can speak in this poem.
The second strophe expands the conflicts as the speaker questions the fountain. The first couplet connects the rhyming words “be” and “sea” these connections stress the question, “Is the fountain content when it exists so close to a large, open body of water like the ocean?” The fountain responds to the tempting “rush of the sea” with much wisdom (6). The fountain’s reply posits the sea as “laboring” versus the speaker’s assertion of its freedom; the sea becomes characterized by heavily accented “heaves and sags” and not open rushing (7, 8). In this way, the fountain suggests that the sea’s waters may be described in images of labor, work, and fatigue; governed by the moon, these waters are not free at all. The “as” of line 8 becomes a key word, illustrating that the sea’s waters are not free but commanded by the moon, which is itself governed by gravity in its orbit around Earth. Since the moon, an object far away in the heavens, controls the ocean, the sea cannot be free as the speaker asserts.
The poet reveals the fountain’s intelligence in rhyming couplets which present closed-in, epigrammatic statements. These couplets draw attention to the contained nature of the all objects in the poem, and they draw attention to the final line’s lesson. This last line works on several levels to address the poem’s conflicts. First, the line refers to the fountain itself; in this final rhymed couplet is the illustration of the water’s perpetual motion in the fountain, its continually recycled movement rising and falling. Second, the line refers to the ocean; in this respect the water cannot escape its boundary or control its own motions. The ocean itself is trapped between landmasses and is controlled by a distant object’s gravitational pull. Finally, the line addresses the speaker, leaving him/her with an overriding sense of fate and fallacy. The fallacy here is that the fountain presents this wisdom of reality to defy the speaker’s original idea that the fountain and the ocean appear to be trapped and free. Also, the direct statement of the last line certainly addresses the human speaker as well as the human reader. This statement implies that we are all trapped or controlled by some remote object or entity. At the same time, the assertion that “Nothing escapes” reflects the limitations of life in the world and the death that no person can escape. Our own thoughts are restricted by our mortality as well as by our limits of relying on appearances. By personifying a voiceless object, the poem presents a different perception of reality, placing the reader in the same position of the speaker and inviting the reader to question the conflict between appearance and reality, between what we see and what we can know.
The writer observes and presents many of the most salient points of the short poem, but they could indeed organize the explication more coherently. To improve this explication, the writer could focus more on the speaker’s state of mind. In this way, the writer could explore the implications of the dramatic situation even further: why does the speaker ask a question of a mute object? With this line of thought, the writer could also examine more closely the speaker’s movement from perplexity (I am trapped but the waters are free) to a kind of resolution (the fountain and the sea are as trapped as I am). Finally, the writer could include a more detailed consideration of rhythm, meter, and rhyme.
You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill
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A comprehensive guide to writing a poem analysis essay.
Delving into the intricate world of poetry analysis can be a rewarding and enlightening experience. A poem analysis essay allows you to explore the nuances of a poem, dissect its themes, and uncover the hidden meanings within its verses. It offers a unique opportunity to delve into the poet’s mind and understand their perspective.
When crafting a poem analysis essay, it is essential to approach the task with a critical eye and an open mind. Careful attention to detail, a keen understanding of poetic devices, and a thoughtful analysis of the poem’s structure are key components of a successful essay. By following a systematic approach and employing effective writing techniques, you can create a compelling and insightful analysis that showcases your literary prowess.
In this article, we will provide you with valuable tips and strategies to help you craft a thought-provoking poem analysis essay. From conducting a thorough analysis of the poem to structuring your essay effectively, we will guide you through the process of analyzing a poem with skill and finesse. By mastering the art of poetry analysis, you can unlock the deeper layers of meaning hidden within the lines of a poem and gain a deeper appreciation for the art of poetry.
When analyzing a poem, it’s essential to understand the context in which it was written. Consider the historical, cultural, and social background that influenced the poet and the poem itself. Research the time period in which the poem was written, the poet’s biography, and any significant events or movements that may have impacted the poet’s work.
Furthermore, pay attention to the poet’s intentions and motivations for writing the poem. Understanding the context can provide valuable insights into the poem’s themes, symbols, and stylistic choices. By delving into the context, you can deepen your interpretation and appreciation of the poem’s meaning.
Examining the structure of a poem is crucial in understanding the poet’s intentions and the overall impact of the work. Consider the poem’s form, including the stanza structure, line length, and rhyme scheme. Look for patterns in the organization of the poem, such as repetition, enjambment, or other structural techniques. Pay attention to the rhythm and meter of the poem, as this can contribute to the tone and mood of the piece. By analyzing the structure of the poem, you can uncover deeper meanings and insights that may not be immediately apparent.
One important aspect of crafting a poem analysis essay is identifying the key themes and symbols within the poem. Themes are recurring ideas or messages that the poet conveys through the poem, while symbols are objects, characters, or elements that represent deeper meanings.
When analyzing a poem, pay attention to the themes that emerge as you read. Consider what the poet is trying to communicate about topics such as love, nature, life, or death. Look for recurring symbols or images that carry symbolic meaning, such as birds symbolizing freedom or light symbolizing hope.
By identifying the key themes and symbols in a poem, you can gain a deeper understanding of the poet’s message and the significance of the poem as a whole. This analysis can help you craft a thoughtful and insightful essay that explores the poem’s meaning in depth.
One key aspect to consider when analyzing a poem is its tone and mood. The tone of a poem refers to the attitude or feelings that the poet expresses towards the subject matter. It can be playful, serious, sarcastic, melancholic, or any other emotion that the poet conveys through the language and imagery used in the poem. On the other hand, the mood of a poem is the overall feeling or atmosphere that the poem evokes in the reader. The mood can be somber, joyful, contemplative, or any other emotional response that the reader experiences when reading the poem. To analyze the tone and mood of a poem, pay attention to the language, imagery, and metaphors used by the poet, as these elements can reveal the underlying emotions and attitudes that the poet is trying to convey.
When analyzing a poem, it is crucial to support your interpretations with evidence directly from the text. This evidence can include specific lines, phrases, or stanzas that illustrate the themes, imagery, or language used by the poet.
For example: If you are discussing the theme of love in a poem, quote lines where the poet describes emotions, interactions, or relationships to demonstrate how the theme is developed throughout the poem.
Remember: Providing textual evidence not only strengthens your analysis but also shows your deep engagement with the poem and your ability to support your interpretations with concrete examples.
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Definition of critical essay, evolution of the critical essay, examples of critical essay in literature, example #1: jack and gill: a mock criticism (by joseph dennie).
“The personages being now seen, their situation is next to be discovered. Of this we are immediately informed in the subsequent line, when we are told, Jack and Gill Went up a hill. Here the imagery is distinct, yet the description concise. We instantly figure to ourselves the two persons traveling up an ascent, which we may accommodate to our own ideas of declivity, barrenness, rockiness, sandiness, etc. all which, as they exercise the imagination, are beauties of a high order. The reader will pardon my presumption, if I here attempt to broach a new principle which no critic, with whom I am acquainted, has ever mentioned. It is this, that poetic beauties may be divided into negative and positive, the former consisting of mere absence of fault, the latter in the presence of excellence; the first of an inferior order, but requiring considerable critical acumen to discover them, the latter of a higher rank, but obvious to the meanest capacity.”
“But to return from this digression , my understanding could furnish no reason why the knocking at the gate in Macbeth should produce any effect, direct or reflected. In fact, my understanding said positively that it could not produce any effect. But I knew better; I felt that it did; and I waited and clung to the problem until further knowledge should enable me to solve it. At length, in 1812, Mr. Williams made his debut on the stage of Ratcliffe Highway, and executed those unparalleled murders which have procured for him such a brilliant and undying reputation. On which murders, by the way, I must observe, that in one respect they have had an ill effect, by making the connoisseur in murder very fastidious in his taste, and dissatisfied by anything that has been since done in that line.”
“To keep Jake Barnes drunk, fed, clean, mobile, and distracted in The Sun Also Rises , Ernest Hemingway employs a large retinue of minor functionaries: maids, cab drivers, bartenders, porters, tailors, bootblacks, barbers, policemen, and one village idiot. But of all the retainers seen working quietly in the background of the novel , the most familiar figure by far is the waiter. In cafés from Paris to Madrid, from one sunrise to the next, over two dozen waiters deliver drinks and relay messages to Barnes and his compatriots. As frequently in attendance and as indistinguishable from one another as they are, these various waiters seem to merge into a single emblematic figure as the novel progresses. A detached observer of human vanity, this figure does more than serve food and drink: he serves to illuminate the character of Jake Barnes.”
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Main Paragraphs. Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem's themes or message.
Heather Ringo & Athena Kashyap. City College of San Francisco via ASCCC Open Educational Resources Initiative. Table of contents. Example 1: Poetry. Example 2: Fiction. Example 3: Poetry. Attribution. The following examples are essays where student writers focused on close-reading a literary work.
Poem Analysis Essay Examples A good poem analysis essay example may serve as a real magic wand to your creative assignment. You may take a look at the structure the other essay authors have used, follow their tone, and get a great share of inspiration and motivation. Check several poetry analysis essay examples that may be of great assistance:
Poetry Analysis Essay: Expert Guide with Examples and Tips
Analyzing Poetry - The University Writing Center
After reading the poem three times (you should print a copy of the poem from Project Bartleby), have a look at the following student essay on diction in "Base Details." The Diction of "Base Details" (Student Essay adapted from Edward J. Gordon, Writing About Imaginative Literature, Harbrace: 1973).
A critical analysis includes an introduction, a thesis statement, perhaps a map of the essay, the body of the essay, and a conclusion. The critical analysis paper will consist of a proof or a demonstration of the thesis statement. Always begin with a thesis statement, which usually appears at the end of the introductory paragraph.
Example: Sample essay written on a Langston Hughes' poem. The following essay is a student's analysis of Langston Hughes' poem "I, Too" (poem published in 1926) I, too, sing America. I am the darker brother. They send me to eat in the kitchen. When company comes, But I laugh, And eat well, And grow strong.
How to Write a Poem Analysis: 6 Steps for Students and ...
2.6-Sample Analysis of a Poem R. Paul Cooper. How to Read this Section. This section contains two parts. First, you will find the prompt. The prompt is a very important element in any writing assignment. ... The references to Baldwin add excellent context, but they begin to move this essay away from the poem itself, its words, and its ...
For example, "My tongue is the car wash, for the spoon.". Nye expresses the entire emotion of the poem in unexpected and explicit ways of. liveliness, celebration and the love between a child and a parent. Humor in most of the quotes is clearly utilized and thus enabling the reader to understand. the verses easily.
Write my paper for me. Poetry analysis is simply the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Normally, this review is conducted and recorded within an analytical essay. This type of essay writing requires one to take a deeper look at both the choices that a poet made and the effects of ...
Writing About Poetry - Purdue OWL
Here is an outline of a poem analysis essay to use: Opening paragraph - Introduce the Poem, title, author and background.. Body of text - Make most of the analysis, linking ideas and referencing to the poem.. Conclusion - State one main idea, feelings and meanings.. Poem Analysis Essay Introduction. To start an introduction to a poem analysis essay, include the name of the poem and the author.
10 of the Best (and Easiest) Poems to Analyze
How to Write a Literary Analysis Essay | A Step-by- ...
Poetry Analysis Examples and Samples
Poetry Explications - UNC Writing Center
To write a critical appreciation of a poem, begin by reading it several times to understand its themes and structure. Analyze the poet's use of language, imagery, and literary devices, and ...
A poem analysis essay allows you to explore the nuances of a poem, dissect its themes, and uncover the hidden meanings within its verses. It offers a unique opportunity to delve into the poet's mind and understand their perspective. When crafting a poem analysis essay, it is essential to approach the task with a critical eye and an open mind.
Poetry analysis is the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Typically, this review is conducted and recorded within the structure of a literary analysis essay. The nature of poetry is expressing complex feelings, which usually makes multiple meanings.
Example #1: Jack and Gill: A Mock Criticism (by Joseph Dennie) "The personages being now seen, their situation is next to be discovered. Of this we are immediately informed in the subsequent line, when we are told, Jack and Gill. Went up a hill. Here the imagery is distinct, yet the description concise. We instantly figure to ourselves the ...
qu. s, show how the poet makes the character interestin. .Specimen E1. Choose a poem which deals with the passing of time.By referring to appropriate techniques, descri. 5. English - Critical Reading Critical Essay Questions . oetry2. Choose a poem which creates a strong emotional response. Explain briefly what the poem is about, then, by ...