While some proponents of homework believe in its purpose, a question still persists about the role of homework in determining the student’s grade. Should homework be assigned and graded on a regular basis, or should it be viewed as an educational means to an end? As a means to an end, should one centralized school or district policy govern homework, or should some flexibility exist?
Education consultant Ken O’Connor (1999) suggests eight guidelines for successful assessment, which includes a directive to not mark every single assignment for grades, but rather take a sampling of student efforts in order to assess how much they have learned. His approach pushes for a more standards based approach in determining grades, combining formative assessment to track students’ grasp of lesson concepts as they learn, enabling adjustment of teaching practice on-the-fly, and summative assessment in the form of a test or quiz, which measures the level of student knowledge and understanding after the learning process. This is also a valuable tool for the teacher, as they may be better able to gauge the efficacy of their lessons and unit.In a study conducted by Hill, Spencer, Alston and Fitzgerald (1986), homework was positively linked to student achievement. They indicate that homework is an inexpensive method of improving student academic preparation without increasing staff or modifying curriculum. “So, as the pressure to improve test scores continues to increase, so does the emphasis on homework” (p. 58). 142 school systems in North Carolina were contacted.
Of the initial 142 schools, 96 responded, and were sent three-part questionnaires seeking information about the existence, scope, development and evaluation of homework policies in their schools. The researchers cite several general conclusions based on their findings, including the importance, and apparent lack, of homework policies in existence. Despite the pervasive nature of homework in every participating school, only 50% of the schools indicated the existence of a written homework policy.
Amongst the policies reported by the other half of the participating schools, most of the policies specified the type or quality of homework to be assigned, and allowed some flexibility in the assignment and evaluation of homework. The authors indicated:
. (Hill, Spencer, et. al, 1986, p. 68)
Homework is seen as a valuable resource for teaching, allowing students to practice, and in doing so, learn the unit material. This study documented the importance of flexibility in the assignment and evaluation of quality homework assignments, but also the alarming lack of a written homework policy in 50% of the participating schools.
It can be drawn from this study that some type of homework policy is necessary, as is the assignment of higher cognitive types of homework and the flexible assessment and grading of that work in order to foster and track student learning.
Cauley and McMillan (2009) define formative assessment as, “A process through which assessment-elicited evidence of student learning is gathered and instruction is modified in response to feedback” (p. 1). The authors suggest the use of feedback in the process, but suggest a steering away from performance-goal oriented extrinsic motivators such as grades. Emphasis on performance and grades during the formative process can be detrimental to eventual student achievement because it might shift student focus away from their goal of mastery of course material to concern over the way their abilities might be judged by their peers (Cauley & McMillan, 2009, p. 3).
Constructive feedback throughout this process maintains the focus on mastery goals created at the outset, and provides the student with the support necessary to make connections between new learning and prior knowledge. Homework, ongoing formative assessment, and feedback are all considered to be part of the instruction process. Grading and recording the work completed throughout this time would not accurately create a record of the student’s level of understanding and knowledge because they are still in the process of learning the material.
McMillan, Myran and Workman (2002) conducted a study of over 900 teachers in order to investigate the assessment and grading practices in practice. The authors used surveys returned by a sample of 901 participating teachers of grades 3-5, representing a total population of 1,561 teachers of those grade levels from 124 schools near Richmond, Virginia.
The surveys featured a 6-point scale for participants to rate the emphasis they placed on different assessment and grading practices, with 1 being and 6 representing The findings revealed relatively low emphasis on homework grades, but also a positive correlation between the importance of homework and increasing grade levels. The authors state that:
. (McMillan, Myran, & Workman, 2002, p. 209)
This study documents the importance of homework in the construction of knowledge, but also identifies the fact that there was little emphasis placed on the grades for that work. The majority of the assessment for the students was derived from test and quiz scores, or other forms of summative assessment.
O’Connor (1999) begins his list of eight guidelines for successful assessment with the indication that the only acceptable basis for student grades is their own individual achievement. He goes on to specify that grades recorded must measure the student’s achievement of the learning goals established at the outset of the unit. This suggestion is aligned with the information provided by Cauley and McMillan (2009), which emphasizes the importance of setting mastery goals prior to the instruction process.
They also convey the idea that feedback, and not grades, should be used during the learning process, as formative assessment takes place. The true measurement of what the student has learned comes at the end of that learning process, in the form of a summative assessment, which McTighe and O’Connor (2005) suggest also be used at the outset of the unit to establish realistic performance goals:
. (McTighe and O’Connor, 2005, p. 2)
Waiting until the end of a unit, however, to measure student learning is a mistake, since the time for instruction and learning of that material has ended. It is in the course of the instruction and learning process that McTighe and O’Connor also place importance on the formative assessment process.
Homework is a form of formative assessment, along with draft work, ungraded quizzes and other exercises used with the intent of guiding and instructing the student to promote higher-level cognitive connections. Placing little or no emphasis on grades on those types of exercises and activities allows for focus on the mastery goal, and keeps feedback constructive. “Although teachers may record the results of formative assessments, we shouldn’t factor these results into summative evaluation and grading” (McTighe & O’Connor, 2005, p. 1).
This philosophy could be seen in the low levels of emphasis placed on homework grades in the study by McMillan, Myran, and Workman. Effort, ability, and improvement remained important factors in that study, and McTighe and O’Connor echo that idea in their discussion of replacing old student achievements with new ones. They take into consideration, the varying learning curves of different students, and their progress toward goals set at the beginning of the unit. A student will likely have a greater mastery over the unit material at the end of instruction, than at the outset of instruction.
That point, at the end of instruction is the appropriate time to measure what the student has learned, allowing improvements to replace previous difficulties or failures. McTighe and O’Conner (2005) note, “Allowing new evidence to replace old conveys an important message to students – that teachers care about their successful learning, not merely their grades” (p. 6).
The material reviewed has established the importance of the existence of a flexible, written homework policy on a school or district level. Mr. O’Connor presents a total package, in this respect, to schools and districts that are seeking to establish a policy, or re-evaluate their current one. Following my research and analysis of the relationships between the literature, and Mr. O’Connor’s work, questions still remains unanswered, possibly to be addressed in further study: Will students be motivated to complete homework and/or classroom activities that they know will not be graded?
If there were a problem with student motivation in this respect, what would the impact be on achievement in a setting where the same, or similar type of policy is in place? If a teacher wishes to use homework for the purposes of ungraded formative assessment, they must be certain that the work is truly that of the learner him or herself, with no outside assistance coming from family members or tutors they might see outside of school. This is a major problem related to the use of homework in this way, as homework results may not truly be indicative of the student’s acquired knowledge.
Cauley, K., McMillan, J. (2009). Formative assessment techniques to support student motivation and achievement. Retrieved from Professional Development Collection.
Good, T., Brophy, J. (2003). Boston: Allyn and Bacon.
Hill, S., Spencer, S., Alston, R., Fitzgerald, J. (1986). Homework policies in the schools. . Retrieved from Professional Development Collection database: .
McMillan, J., Myran, S., Workman, D. (2002). Elementary teachers' classroom assessment and grading practices. . Retrieved from Professional Development Collection database: .
McTighe, J., O’Connor, K. (2005). Seven practices for effective learning.
O'Connor, K. (1999). Arlington Heights: .
Retrieved from Professional Development Collection.Good, T., Brophy, J. (2003). Boston: Allyn and Bacon.
Hill, S., Spencer, S., Alston, R., Fitzgerald, J. (1986). Homework policies in the schools. . Retrieved from Professional Development Collection database: .
McMillan, J., Myran, S., Workman, D. (2002). Elementary teachers' classroom assessment and grading practices. . Retrieved from Professional Development Collection database: .
McTighe, J., O’Connor, K. (2005). Seven practices for effective learning.
O'Connor, K. (1999). Arlington Heights: .
Carbone II, S. A. (2009). "The Value of Homework: Is Homework an Important Tool for Learning in the Classroom?" , (12). Retrieved from
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Carbone II, Steven A. 2009. The Value of Homework: Is Homework an Important Tool for Learning in the Classroom? 1 (12),
CARBONE II, S. A. 2009. The Value of Homework: Is Homework an Important Tool for Learning in the Classroom? [Online], 1. Available:
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Cathy Vatterott is an associate professor of education at the University of Missouri-St. Louis. A former middle school teacher and principal, Vatterott learned first-hand about homework struggles as the parent of a child with learning disabilities. Today, her son is a successful college student and she is known as “the homework lady.” She earned the title after years of research and writing about homework. She has presented on the topic to over 6,000 educators and parents in the United States, Canada, and Europe.
Her most recent book, Rethinking Homework: Best Practices That Support Diverse Needs (ASCD, 2009), details a differentiated approach to homework—one that can serve teachers, students, and parents. Vatterott believes that homework needn’t stretch into the wee hours of the night, and that teachers shouldn’t take a punitive stance against unfinished homework. In fact, Vatterott sees incomplete homework as a crucial window for teachers into the academic and personal needs of students. She also sees an important role for parents in providing feedback to teachers on the struggles of their children to complete homework.
We spoke to Vatterott about her homework philosophy and why too much homework can bring about academic failure.
Are you opposed to homework?
I’m not at all opposed to the idea of homework. I’m opposed to homework that is excessive. I like the 10-minute rule, which is recommended by the Parent Teachers Association and the National Education Association, that kids should have no more than 10 minutes of homework per grade level, per night. In other words, a 1st grader should only have 10 minutes and a 5th grader should have 50 minutes, and so on. To me, that’s a good guideline. It’s also consistent with the research that shows that for kids who do more than that amount of work, their achievement actually goes down because they get burned out. They get tired. Of course, that doesn’t mean that it’s going to be the same for every kid. You’ve got kids that are very focused, who really enjoy doing their homework. They might be able to work longer.
The biggest parent misconception is that a lot of homework is a sign of rigor. A lot of times, parents are like, “If they don’t do all of this work, they’re not going to get into Harvard.” Actually, the research doesn’t support that a lot of homework does any good.
In some ways, there are shades of Ruby Payne—whose focus is on poverty’s impact in the classroom—in your book. Specifically, you address how some educators attach their own negative, personal attitudes about social class to students who don’t complete their homework. How does this play out?
I think when students don’t complete their homework, it’s easy to blame the student or the parent without really examining what valid reasons there might be for the homework not being completed. Students may not be able to do homework because of home conditions or family responsibilities, not because they are lazy or irresponsible. When teachers fail to understand how poverty or other circumstances can interfere with homework, there can be a tendency to make moral judgments about the student and the parent.
How does poverty interfere with homework?
It’s not uncommon that kids who live in poverty don’t have a quiet place to work. For instance, where I live, it’s not uncommon for there to be a family of five living in a two bedroom apartment. There’s no quiet place to work. There is no desk. There are no materials. Like when teachers say, “Oh, go home and cut pictures out of a magazine and then put them together for this.” They don’t have magazines. That’s part of it, but the other part is that children of poverty often have lots of responsibilities at home.
An example that I give is of a teacher who said a 9th grade student told her, “My mom won’t let me do homework.” And the teacher said, “What do you mean?” And the student responded, “Well, when I get home I have to babysit my brothers and sisters, then I have to cook dinner, and then I have to give them a bath. And then it’s time for me to go to bed.”
And so when you look at kids in poverty, that’s a scenario. When you get to middle school, high school, those kids are making money. They’re working to help feed the family. And so they’re not doing homework. You also have the population of ELL kids. They get home and their parents don’t speak English. There’s no help available if they need help. I think those are things that people don’t often consider when they look at kids in poverty.
What advice do you have for teachers in these circumstances?
In the book, I have a homework schedule card where the kids write down what they do after school, what they’re supposed to do after school, and what responsibilities they have. If the homework is not getting done, investigate why instead of punishing the kids.
You also suggest involving parents in the homework process, including completing questionnaires about how long it takes their children to complete homework assignments. Why is that important?
The parent is the best source of information about what’s really going on with homework. Parents can help teachers diagnose whether the work is too hard or too lengthy and can alert teachers to other factors.
What other factors?
In addition to academic issues, the parents also know if it’s an organizational issue—for example, if the kid says, “I did it, but I can’t find it.” Or, if the kid is really frustrated or they’ve got a lot of other activities going on that are competing with homework. But then there can also be personal things, like does this kid have an anxiety problem? Are there things going on in the family where this kid is depressed?
The parents know if there’s this horrible thing going on in the family. Their child’s favorite aunt is sick. It’s a young kid and their grandmother’s in the hospital dying. Stuff like that that teachers don’t necessarily know, that parents can communicate back and say, here’s what’s going on with my kid right now and why they’re having trouble focusing. That is helpful to a teacher.
How do you get a parent to comply with a questionnaire, especially when the family could be coping with some of the issues you mention that might be influencing a student’s ability to complete work?
You may not be able to get that from the parent. You may have to make a phone call and ask them questions. Yes, sometimes it is hard to get that feedback from the parents. And you may have to just go on the feedback from the kid.
I never understood why we punished kids because their parents didn’t sign something. Is that really the kid’s fault? Or, is it that the parent just didn’t sign it?
You don’t believe that homework instills discipline in children; in fact, you stress that homework can negatively affect students’ attitudes, their college admissions’ test scores, even their admission to college itself. How does this happen?
When students are repeatedly given homework tasks that are too hard for them, frustrations build and students can start to hate learning. When kids are that frustrated, they basically just shut down. We’ve learned about that from brain research. We’ve known that frustration shuts down kids’ learning. And we know psychologically that’s what they do to protect themselves.
You’ve got kids who were fine in school and all of a sudden they start getting a lot of homework in the 3rd or 4th grade and all of a sudden they’re starting to say they hate school and that’s a little scary. What if what we’re doing here—the overloading of kids or the giving kids things they can’t do—is causing them to hate to school?
No one wants to do something that repeatedly makes them feel stupid. Students may decide it’s less painful not to do the homework. When we give students failing grades for not completing homework, it further de-motivates them and may make them feel like they are a failure in school. Failing grades in homework often lead to failing course grades which lead to a lower GPA which can make students less competitive for college admissions. Students who give up and stop doing homework may be shortchanging their own development of knowledge and skills, which in turn can cause them to do poorly on college admissions tests.
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Decades of research show that homework has some benefits, especially for students in middle and high school—but there are risks to assigning too much.
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Many teachers and parents believe that homework helps students build study skills and review concepts learned in class. Others see homework as disruptive and unnecessary, leading to burnout and turning kids off to school. Decades of research show that the issue is more nuanced and complex than most people think: Homework is beneficial, but only to a degree. Students in high school gain the most, while younger kids benefit much less.
The National PTA and the National Education Association support the “ 10-minute homework guideline ”—a nightly 10 minutes of homework per grade level. But many teachers and parents are quick to point out that what matters is the quality of the homework assigned and how well it meets students’ needs, not the amount of time spent on it.
The guideline doesn’t account for students who may need to spend more—or less—time on assignments. In class, teachers can make adjustments to support struggling students, but at home, an assignment that takes one student 30 minutes to complete may take another twice as much time—often for reasons beyond their control. And homework can widen the achievement gap, putting students from low-income households and students with learning disabilities at a disadvantage.
However, the 10-minute guideline is useful in setting a limit: When kids spend too much time on homework, there are real consequences to consider.
As young children begin school, the focus should be on cultivating a love of learning, and assigning too much homework can undermine that goal. And young students often don’t have the study skills to benefit fully from homework, so it may be a poor use of time (Cooper, 1989 ; Cooper et al., 2006 ; Marzano & Pickering, 2007 ). A more effective activity may be nightly reading, especially if parents are involved. The benefits of reading are clear: If students aren’t proficient readers by the end of third grade, they’re less likely to succeed academically and graduate from high school (Fiester, 2013 ).
For second-grade teacher Jacqueline Fiorentino, the minor benefits of homework did not outweigh the potential drawback of turning young children against school at an early age, so she experimented with dropping mandatory homework. “Something surprising happened: They started doing more work at home,” Fiorentino writes . “This inspiring group of 8-year-olds used their newfound free time to explore subjects and topics of interest to them.” She encouraged her students to read at home and offered optional homework to extend classroom lessons and help them review material.
As students mature and develop the study skills necessary to delve deeply into a topic—and to retain what they learn—they also benefit more from homework. Nightly assignments can help prepare them for scholarly work, and research shows that homework can have moderate benefits for middle school students (Cooper et al., 2006 ). Recent research also shows that online math homework, which can be designed to adapt to students’ levels of understanding, can significantly boost test scores (Roschelle et al., 2016 ).
There are risks to assigning too much, however: A 2015 study found that when middle school students were assigned more than 90 to 100 minutes of daily homework, their math and science test scores began to decline (Fernández-Alonso, Suárez-Álvarez, & Muñiz, 2015 ). Crossing that upper limit can drain student motivation and focus. The researchers recommend that “homework should present a certain level of challenge or difficulty, without being so challenging that it discourages effort.” Teachers should avoid low-effort, repetitive assignments, and assign homework “with the aim of instilling work habits and promoting autonomous, self-directed learning.”
In other words, it’s the quality of homework that matters, not the quantity. Brian Sztabnik, a veteran middle and high school English teacher, suggests that teachers take a step back and ask themselves these five questions :
By the time they reach high school, students should be well on their way to becoming independent learners, so homework does provide a boost to learning at this age, as long as it isn’t overwhelming (Cooper et al., 2006 ; Marzano & Pickering, 2007 ). When students spend too much time on homework—more than two hours each night—it takes up valuable time to rest and spend time with family and friends. A 2013 study found that high school students can experience serious mental and physical health problems, from higher stress levels to sleep deprivation, when assigned too much homework (Galloway, Conner, & Pope, 2013 ).
Homework in high school should always relate to the lesson and be doable without any assistance, and feedback should be clear and explicit.
Teachers should also keep in mind that not all students have equal opportunities to finish their homework at home, so incomplete homework may not be a true reflection of their learning—it may be more a result of issues they face outside of school. They may be hindered by issues such as lack of a quiet space at home, resources such as a computer or broadband connectivity, or parental support (OECD, 2014 ). In such cases, giving low homework scores may be unfair.
Since the quantities of time discussed here are totals, teachers in middle and high school should be aware of how much homework other teachers are assigning. It may seem reasonable to assign 30 minutes of daily homework, but across six subjects, that’s three hours—far above a reasonable amount even for a high school senior. Psychologist Maurice Elias sees this as a common mistake: Individual teachers create homework policies that in aggregate can overwhelm students. He suggests that teachers work together to develop a school-wide homework policy and make it a key topic of back-to-school night and the first parent-teacher conferences of the school year.
Homework can be a powerful tool to help parents become more involved in their child’s learning (Walker et al., 2004 ). It can provide insights into a child’s strengths and interests, and can also encourage conversations about a child’s life at school. If a parent has positive attitudes toward homework, their children are more likely to share those same values, promoting academic success.
But it’s also possible for parents to be overbearing, putting too much emphasis on test scores or grades, which can be disruptive for children (Madjar, Shklar, & Moshe, 2015 ). Parents should avoid being overly intrusive or controlling—students report feeling less motivated to learn when they don’t have enough space and autonomy to do their homework (Orkin, May, & Wolf, 2017 ; Patall, Cooper, & Robinson, 2008 ; Silinskas & Kikas, 2017 ). So while homework can encourage parents to be more involved with their kids, it’s important to not make it a source of conflict.
Welcome to the philosophy toolkit, a searchable index of philosophical lesson plans.
Our Links page also offers links to other sites with high quality lesson plans and other resources for philosophy with young people.
We welcome lesson plan submissions for the PLATO Philosophy Toolkit. Submissions should include: grade level, time necessary for the lesson, area, and topics (see other Toolkit lesson plans). Submissions are accepted for review year round. Please s ubmit lesson plans to Education Director Karen Emmerman at [email protected] .
The Philosophy Toolkit includes over 100 lesson plans for children’s books!
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Getting started:.
Getting Started The Philosophy Toolkit contains a variety of different lesson plans for leading philosophical discussions with young people. Each lesson plan indicates the grade level for which it is appropriate as well as an estimate of the time necessary to complete the lesson. Please explore the Toolkit and contact us with any suggestions, questions, or feedback.
Search by Areas and Grade Levels: The Toolkit is organized by Area and Grade Levels. In the navigation on the left, you can click “Areas” to get a drop-down menu of academic topics (e.g., History and Social Studies, Science, and Music).
If you would like to search by the age range of the students you work with, click on “Grade Levels” to open a menu listing grades from preschool through high school and beyond.
Search by Philosophical and Other Topics: If you are looking for lesson plans focused on a particular philosophical area (e.g., ethics, metaphysics, epistemology, and aesthetics), simply enter that term into the search bar to receive a list of lesson plans with that philosophical focus.
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It’s important that the teacher/facilitator always keeps in mind that the whole point of doing philosophy with young people is to help the students develop their own thinking! The role of the teacher/facilitator is guide the discussion without attempting to control its content. In other words, do not plan to dictate the substance of the discussion, but rather provide the tools and structure for the discussion to take place among the participants/students.
Remember it’s a balancing act between helping students achieve philosophical clarity and depth and refraining from imposing on the conversation your own preferences for subject matter. This requires sensitivity, skill and practice; push too hard and you’ll monopolize the conversation, but if you do not provide enough structure the students can end up following tangents at length or simply engaging in an opinion-sharing exercise, and making no progress!
To assist you in getting started, we have compiled a list of things to do and not to do that we have found helpful for new and experienced philosophy educators alike.
Hint: Let the discussion flow from the students’ questions and ideas. After reading a story or doing an activity, ask, “What questions did this make you think of?”
For more thoughts on how to facilitate philosophy sessions with young people, read this article on “The Cultivation of Philosophical Sensitivity”
Ten Examples of Philosophical Questions
Ten Examples of Non-Philosophical Questions
Most classroom philosophy sessions are arenas for discussions about the ideas and questions of philosophy, as opposed to being primarily focused on what historical and contemporary philosophers have to say about these ideas and questions. That is, we engage young people in the practice of philosophy. A powerful model for this educational approach is the community of philosophical inquiry.
Lipman and the Community of Inquiry
Matthew Lipman’s detailed conception of the community of inquiry—in which students and teacher(s) learn from one another— was among his most significant contributions to the field.
The community of inquiry, as Lipman conceived it, includes the following characteristics:
The members of the community of inquiry come together in a spirit of intellectual freedom to explore the more problematic and puzzling aspects of situations and curriculum concepts, rather than emphasizing the “facts.”
The Community of Philosophical Inquiry
The community of inquiry model can be used to explore any subject matter in the classroom. The special features of a community of philosophical inquiry (CPI) involve the content (i.e., philosophical topics). Philosophical topics examine meanings, attempt to clarify concepts, and generally engage abstract questions whose answers are contestable, rather than final or settled.
In a CPI, the students’ philosophical questions shape the scope of the inquiry. Teachers guide the students in inquiry, but do not control the content of the discussion and often don’t know ahead of time what the topic or topics under consideration will be.
The teacher’s role here is robust, but subtle. Teachers pay close attention to the initiation and progress of the dialogue, look for connections among what students say, ask for clarification and reasons, and are attuned to the philosophical content of questions and ideas that might otherwise be lost. This entails a delicate balance between supporting students’ attainment of philosophical clarity and depth and refraining from imposing the teacher’s own preferences for subject matter and the direction of the discussion.
Central features of a Community of Philosophical Inquiry (CPI)
While an intellectually safe learning community involves trust, respect, and an atmosphere conducive to taking intellectual risks, it does not promise comfort. Communities of inquiry are dedicated to the open and rigorous exploration of difficult and contestable issues and the intellectual growth that results, the process of which can often provoke feelings of perplexity and uncertainty. This can be an uncomfortable experience. Feeling intellectually safe, therefore, is not to feel complacent or unchallenged—it is to feel supported in one’s struggles to make sense of the world for ourselves.
One practical tool to begin to fashion an intellectually safe atmosphere is to help the students set the rules for the community of inquiry at the beginning of the year. The rules can be posted so that they are always visible during philosophy sessions, and you can remind the students of them from time to time.
Warm-up #1: Think of someone you know who you think is a really good person. What makes that person a good person?
Warm-up #2: • Think of something that’s pretty good. • Now think of something that’s better than pretty good, that’s good. • Now think of something that’s better than that, that’s really good. • Think of something that’s pretty bad. • Now think of something that’s worse than pretty bad, that’s bad. • Now think of something that’s worse than that, that’s really bad. • Now think of something that’s both good and bad. • Now think of something that’s neither good nor bad.
Warm-up #3: • Do you have memories that make you feel a certain way? • Can you have a memory that makes you happy? • What is happiness? • Can you be happy but feel sad? • Can you feel sad but be happy? • Can you be happy and sad at the same time? • What makes you happy?
Warm-up #4: Think of something: • You’re glad has happened • You wish had happened • You wish hadn’t happened • You’re glad didn’t happen
Warm-up #1: • Think a big thought (about something small) • Think a small thought (about something big) • Think a really hard thought (about something soft) • Think softly. Can you? • Think a funny thought • Think a serious thought • Think of a part of your body: think of your foot • Think of your hand • Think of your head • Think of your mind: What is your mind? • Think of something that’s true: What is true? • Think of something that’s false: what is false? • How do you know the difference between true and false?
Warm-up #2 • Think the biggest thought you can. • Think the tiniest thought you can. • Think the oldest thought you can. • Think the newest thought you can. Can you think of an even newer one? • Think of something really good. • Think of something really bad. • What makes something good or bad?
Warm-up #3: Let’s start by all thinking together. What’s a thought we can share? • Can we all think about the same thing? • Let’s all think about the sky. Are we all thinking the same thing? • Let’s all think about a dog. Are we all thinking the same thing? • Can we all have different thoughts? Is it possible that every one could think of something different? • What are you thinking about right now? What about now? • How long is now?
Warm-up #4: • Let’s all think really really hard…about something really soft. • Let’s all have really big thoughts…about something small. • Let’s all think of the same thing • Let’s all think of something different • What’s your favorite thought? • What’s your least favorite thought? • Let’s all think about something we know. • What is something we wonder about? • Do you ever wonder what it means to be a friend? • What can you be friends with?
Warm-up #5: • Think of something in the past • Think of something in the future • Think to yourself • Think to someone else • Think something you know • Think something you don’t know • What makes something what it is? • What makes a duck a duck? • What makes a chair a chair? • What makes your teacher your teacher?
Warm-up #6: • Think the biggest thought you can. • Think the tiniest thought you can. • Think the oldest thought you can. • Think the newest thought you can. Can you think of an even newer one? • Think of something about yourself. • Think of something about someone else. • What’s the difference between you and someone else? • What makes you you?
Warm-up #7: Let’s start by wondering. What are you wondering about? • Can you wonder about what you’re wondering about? • What are you thinking about? Can you think about what you’re thinking about? • How many of you are thinking about tomorrow? What’s it like to think a thought about the future? • Can you think a thought about the past? • What are thoughts like? What are they made of? Can you build thoughts? • Think of an elephant. Now put a hat on it. Now, on top of the hat, put a bird. Now change the color of it. • What color are thoughts? Can you think a green thought? A red thought? What about a super-bright thought? • Can thoughts make you feel things? Can a thought make you happy? Can it make you laugh? What about scared? Can a thought make you scared? • Here’s a story… • When it’s dark out, I….
Warm-up #8: • Let’s all think. What are you thinking about? • Can you think about what you’re thinking about? • Let’s try wondering. What are you wondering about? • Can you wonder about what you’re wondering about? • Do you ever wonder about what is real? • What’s something that’s real? • What’s something that isn’t real? • Can you think of something that isn’t real, but seems real? • Can you think of something that is real but doesn’t seem real? • How can you tell if something is real? • Are dreams real? • Are thoughts real? • Are you real? • Something I wish that was real is…
Warm-up #9: • Is anyone NOT thinking? • What are you NOT thinking about? • Do you ever think about yourself? • When you think about yourself, what do you think about? • Can you think about your foot? Your hand? Your head? • Can you think about your mind? • When you think about your mind, what is doing the thinking? • Can you imagine you were something else? What? • Can you imagine your were nothing? If you were nothing, what would you be? • Do you ever wonder who you are? • How do you know who you are? • Could someone convince you that you weren’t you? How? • When I think of myself, I know…
Warm-up #10: Write down something you believe and something you know. How do you know the difference?
Warm-up #11: • Write down something you know about yourself. • Write down something you don’t know about yourself. • Write down something pretty much everyone who knows you knows about you. • Write down something hardly anyone who knows you knows about you.
Warm-up #12: Think of someone you think of as a really good friend. What makes this person a good friend?
Warm-up #1: Write down something that you think is beautiful and two reasons why you think it’s beautiful, and write down something that you think is ugly and two reasons why you think it’s ugly.
Warm-up #2: What is your favorite art form (music, literature, visual arts, dance, poetry, film, theater, etc.)? What about it do you like most?
Warm-up #3: Think of something (and write down if appropriate): • Visually beautiful • Visually ugly • Tastes delicious • Tastes disgusting • Smells fragrant • Smells stinky • Feels really good • Feels really awful • Sounds great • Sounds terrible
Warm-up #4: • Think a red thought • Think a blue thought • Think a green thought • Think a yellow thought • Think a purple thought • Think an orange thought • Think a clear transparent thought
Warm-up #1: If you had to describe yourself using only 5 words, what would they be? Write them down.
Warm-up #2: • Think of something that’s real. • Is there a way it might not be real? • Think of something that’s not real. • Is there a way it could be real?
Warm-up #3: Think of (and write down) something that happened (or is happening) • In the present • 1 minute ago • 1 hour ago • 1 day ago • 1 year ago • 5 years ago • 10 years ago • Your earliest memory • Now, return to the present and think of something: • 1 minute from now • 1 hour from now • 1 day from now • 1 year from now • 5 years from now • 10 years from now • As far in the future as you can imagine
Warm-up #4: Think of: • Something that is • Something that was • Something that will be • Something that won’t be • Something that could be • Something that can’t be • Something that should be • Something that shouldn’t be • Something you wish was
Warm-up #5: Think of: • Something that exists • Something that doesn’t exist • Something that might exist • Something that might not exist • Something that could exist be doesn’t • Something that doesn’t exist but could • Something that used to exist • Something the will exist • Something you wish existed
Warm-up #1: • Think of something that’s fair. • Think of something that’s unfair. • Think of something that’s both fair and unfair. • Think of something that’s neither fair nor unfair.
Warm-up #2: If you had the power to decide on one rule that should govern society, what would it be?
Warm-up #1: • Think about something • Remember something • Wonder about something • Think about thinking • Remember about remembering • Wonder about wondering • Think about remembering • Remember about wondering • Wonder about thinking • Think about remembering about wondering • Remember about wondering about thinking • Wonder about thinking about remembering
Warm-up #2: • Wonder why • Wonder how • Wonder what • Wonder when • Wonder who • Wonder if
Philosophy can be a powerful way for groups to think about issues related to historical and contemporary injustice, exclusion, oppression, and domination. The community of philosophical inquiry can be a helpful format for considering these kinds of complex issues, particularly in the wake of local and national events that warrant reflection and discussion. There are numerous materials practitioners can use to prompt conversations about social justice topics. Before doing so, it is important for facilitators to ask themselves several questions.
Who decides to have this conversation?
The direction of the discussion is determined by the students and not the facilitator. Facilitators can choose a prompt that might stimulate discussion of social justice topics but should not impose their desire to address those topics or their own views of the topics. Students may raise questions unrelated to questions of social justice and wish to discuss those. They have authority over what conversation to have.
Who needs to have this conversation?
We often think about philosophical discussions about social justice issues as “important,” but we must ask ourselves: important for whom? Think carefully about who actually needs to have the conversation you are planning to facilitate. Is it the students from marginalized groups in the room? The students from privileged groups? For example, facilitators often think it is important to discuss race. That is correct as far as it goes, but it is critical to ask oneself who needs to talk and think about race, and with whom. This relates to the third question facilitators should ask themselves.
Who is in the room?
Rather than thinking “this is an important topic to think about with students!” ask yourself “is this an important/valuable/appropriate topic to discuss with these students?”. For example, leading a discussion about race in the United States in a classroom where most students are white and only a few are Black or Brown can be problematic for several reasons. First, students of color already must think about race as they navigate the world day to day. Thinking about race is not novel for them and they may in fact prefer philosophy to be an escape from those burdens. Second, in a classroom that is majority white, Black and Brown students can often be problematically tasked with speaking for the perspectives of marginalized groups. It is not their job to do so, nor should philosophical discussions put them in that position. Finally, it is problematic to subject students from marginalized communities to privileged students’ learning process regarding the injustice in question. For students living with a disability, for example, it is not a learning or growth opportunity to hear other students work through the realization that people with disabilities live rich and varied lives. Facilitators should think about who needs to have the conversation they propose having and how those in the room who may be impacted negatively by such conversations.
How are you, the facilitator, situated relative to the students in the room?
It is critical that facilitators consider their own positionality when planning to discuss topics about social justice issues. Are you a member of the community most impacted by the injustice to be discussed? If not, are you a member of a community that has some responsibility (past or present) for the injustice you would like to discuss? What are the social, racial, religious, and cultural ways in which you are different from your students that are relevant to how they will experience the discussion? For example, for a non-Jewish person, discussing a recent synagogue shooting is very different than it is for Jewish students who may feel fearful for their and their loved ones’ safety when they go to synagogue.
You may need to think about whether you are the best or even an appropriate person to facilitate the discussion. If you are not the classroom teacher, it can be helpful to check in with them to find out if the topic is already under discussion, how it is going, and how the students are doing. It can help to overtly raise the issue of your own positionality and express your understanding that you do not experience the topic to be discussed in the same way as your students. Always be ready to pivot to a different stimulus or topic if students are showing signs of problematic discomfort (some discomfort is normal for philosophy). Commit to listening, taking ownership and apologizing when you are wrong, and saying that you are willing to learn. Finally, engaging in pedagogy research that discusses teacher positionality and how that can impact students’ experiences is a helpful way to gain information and insight into how best to handle these discussions.
What is the power dynamic between you and your students?
By virtue of being adults and being in a facilitation role, P4C facilitators are already in a position of power relative to the students. This is true even when we work assiduously to decentralize the classroom. There may also be other relationships of power in the room, depending on what privileges the facilitator has that the students do not (e.g., race, class, gender, etc.). Differences in power can influence whether and how students share their thinking. Responding to age/power differences is often also mediated by culture. This is all important to consider before embarking on a discussion related to social justice.
How can you help the students end the session feeling healthy and safe?
Should you decide to proceed with the discussion, it is important to make a plan that leaves time for self-care practices at the end. Pick an activity that encourages movement, mindfulness, journaling, energy building, or connection to help students close out the session in a healthy way.
Philosophy has always been preoccupied with good thinking, with logic being one of its oldest branches. While formal logic is beyond the skill of most young children, they are very capable of the informal logical operations that constitute basic reasoning, including:
Additionally, young people who participate in disciplined philosophical dialogue can learn to overcome shyness, aggression and attention-grabbing behaviors for the sake of cooperating in a kind of group work they find meaningful.
For more about the importance of philosophy for young people, see the page “Why Philosophy?”
The following are some helpful resources for deepening your philosophical awareness.
For more resources on doing philosophy with young people, check out our Media and Reference Library !
by Bertrand Russell This slim, classic volume offers an overview of philosophical issues including the nature of reality and the value of philosophy. It does not touch on ethics or social or political philosophy. This work is best for adult readers. Buy Now »
by Thomas Nagel Even slimmer than Russell’s classic, this modern overview of philosophical issues is an easy read for most adults and high school students, and probably by many upper-level middle school students. As the author puts it, “This book is a brief introduction to philosophy for people who don’t know the first thing about the subject.” Nagel’s chapters consider nine problems of philosophy, in a very engaging style. Buy Now »
by Christopher Phillips Phillips began the Socrates Café movement, which sets up adult philosophy discussion groups at bookstores and other free-access public venues. Phillips’ book is based on the idea that philosophy is something you do –through debate and discussion – rather than simply study, a very appropriate approach for young people. Questions spotlighted in this book include: “What is insanity?” “How do you know when you know yourself?” “What is a world?” “Does anyone have the right to be ignorant?” and “Why question?” Because the tone is colloquial rather than scholarly, it helps those without a philosophy background grasp the nature of philosophical discussion. Buy Now »
The following activities and thought experiments can be used to facilitate philosophical discussions during advisory periods. They are designed to get students thinking about a range of philosophical questions and most can be completed in one advisory period. Lessons that are longer or with multiple parts can be spread over several sessions. For ease of planning, several lessons have been split into multiple sessions to accommodate the shorter advisory periods.
Objective: To engage students.
Descriptions:
Think of something that’s pretty good. Now think of something that’s better than pretty good, that’s good. Now think of something that’s better than that, that’s really good. Think of something that’s pretty bad. Now think of something that’s worse than pretty bad, that’s bad. Now think of something that’s worse than that, that’s really bad. Now think of something that’s both good and bad. Now think of something that’s neither good nor bad.
Think a big thought (about something small) Think a small thought (about something big) Think a really hard thought (about something soft) Think softly. Can you? Think a funny thought Think a serious thought What is a thought?
Write down something that you think is beautiful and two reasons why you think it’s beautiful and write down something that you think is ugly and two reasons why you think it’s ugly. Can something that’s beautiful also be ugly? Something that’s ugly also be beautiful?
If you had to describe yourself using only 5 words, what would they be? Write them down. Have class share them.
Objective: To think about the right rules or norms to guide classroom discussions. This exercise attempts to give students the opportunity to formulate rules that they themselves would choose to be governed by.
Description:
Begin by talking about rules and what their purpose is. One way tol motivate the discussion is by reading Chapter 12 (“The Schoolroom”) from E.B. White’s classic, Stuart Little . In this selection, Stuart, who, in spite of being the son of human parents, looks exactly like (and is the same size as) a field mouse, has taken a one-day job as a substitute teacher. He proposes to his class that he would like to be Chairman of the World and asks them what rules they think ought to be instituted. Stuart’s students suggest rules like “No stealing,” “No being mean,” and “Don’t kill anything except rats.”
In the classroom, discuss the pros and cons of such rules, much as Stuart does in his class.
Pass out index cards to the students and ask them to envision a classroom in which they were bound by only one rule. What rule would that be? Students should then write down their one rule on the notecard they’ve been given.
Session 3: Once students have formulated their rules, collect the notecards and then, after mixing them up, pass them back. Each student should now have a rule that he or she didn’t write. In groups of two, students then work to come to an agreement about which of their two rules they would choose to be bound by.
Before the advisory period, write on the board the rules decided on by the groups of two in the last session.The class then has to pick five rules that they will choose to be bound by for the remainder of the class. (Let them know, though, that they will always have the option of reconsidering the rules they choose; if good reasons can be given for changing them and the class can agree that changes are warranted, rules can be changed.)
Ultimately, students end up voting for the five rules they prefer; often there is some overlap among the five. For instance, “Respect others” and “Respect others’ ideas” can lead to a discussion about whether there’s a difference between respecting a person and respecting a person’s ideas; some students might think that it amounts to the same thing. Still, they may want to keep both rules.
Objective: To look at the world in ways we usually don’t. You can use it as a way to illustrate to students the way in which philosophy encourages us to examine the world from a variety of perspectives.
Description:
Break the class up into groups of three or four. At each group, one student is designated to write down the answer that the group as a whole comes up with.Then hold up some common everyday household item. (A favorite item to use is a rotary cheese grater, but you can also use things like an eyeglasses case, a blackboard eraser, a pencil sharpener, and even a shoe.)
The groups are then given 3 minutes to think up and write down everything they can imagine using the item for—besides its originally intended function. Encourage them to imagine themselves in different settings: for instance, what could they use the item for if they were out in the wood? If they were 3 feet tall? If they were an ant? If they lived in prehistoric times? If they were with their siblings?
Go around the room and have the students discuss a selection of their favorite answers. If appropriate, ask them to demonstrate how they would use the item in the way they have indicated.
What is the object? Is it still a cheese grater (or whatever the object was)? What makes it so?
Objective: To think about the nature of reality and what we mean when we say something is “real.”
Session 1:
Break the students up into groups of three. Put the following list on the board and ask each group to come up with at least one thing that fits in each category. Make sure groups don’t discuss or share their answers as they will use these responses in a game in the next session.
Session 2:
On day 2, make sure students are in the same groups. Each group takes turns reading aloud one of their items, with the students in the other groups having to guess in which category the item belongs. Points are given for the correct guesses, and the group with the most points at the end wins the game. If a group guesses wrong and wants to challenge the other group’s category choice, they can explain why they think the item should be in another category and see if they can convince the group they are right. If they successfully do so, they are given the point.
Objective: To think about the differences between what it means to “know” something and what it means to “believe” it.
Ask the students to write down three things they know and three things they believe. Once everyone has their statements, have them talk in pairs about their claims and why they put them in the category they did. This should get them started on the difference between knowledge and belief. Then have the whole group come together and have the pairs offer examples of what they agreed were beliefs and what they agreed counted as knowledge. List them on the board under Knowledge and Belief.
Ask the group:
Objective: Thinking about and practicing careful communication.
Materials : A blackboard or whiteboard to draw on, blank pieces of paper for students to draw on, crayons or colored pencils if possible.
Description :
Pair students up, and then have them arrange their chairs back-to-back so that one of the members of the pair faces the board and the other faces away. The student who faces away from the board needs to have a surface to draw on (usually a notebook), a blank piece of paper, and something to draw with. A crayon or marker is ideal since students will eventually display what they draw to their classmates, so something bright and easy to see from across a classroom works best.
The explanation of the exercise goes something like this: “The way this exercise works is that the person facing away from the board is a painter, but you cannot see anything except what you are painting. The good news is you have a set of eyes to help you, the person who is facing the board. I am going to draw a picture on the board and you, the painter, will try to recreate it. However, you can’t look at what I’m drawing; only your “eyes” can do that. Your “eyes” will have to describe to you what I’m drawing. You need to keep in mind two rules: first, the “eyes” cannot look at your paper, and second, the painter cannot look at what I am drawing. Students should feel comfortable engaging in a discussion with each other, but do so in a kind of “stage whisper” since, with many students talking simultaneously, the room can get loud.”
Commence drawing a picture on the board. Do so slowly, one or two lines at a time, so that the pairs of students can keep up. Any picture is fine, but something simple works best, for example, a simple little scene with a house and a mountain and a tree — the sort of drawing a small child would make.
When the drawing is completed, make a box around the whole picture to indicate that it’s finished. Invite the painters to look at what has been drawn and to see how close their drawing is to the original. Ask all the painters to come to the front of the room and display their drawings. Then facilitate a question-and-answer session about what worked and what didn’t and how, perhaps, painters and “eyes” could do a better job of communicating and listening.
Typically, painters commend their “eyes” for giving precise instructions, especially for describing what to draw in terms of recognizable shapes, like triangles, squares, and easily identifiable objects like clouds and letters. The most common complaint is that their “eyes” gave confusing information about the placement — right, left, up, or down — of items in the drawing. Brainstorm together about how to build upon what worked and improve upon what didn’t for the next go-round.
Students get back into their pairs, with the former “eyes” now playing the role of painter and vice-versa. This time around, it’s interesting to draw a much less easy-to-follow drawing. (Usually, we draw a cartoon head. Unlike the first drawing, this one doesn’t have easily identifiable objects like trees and houses. Typically, therefore, students have a far more difficult time recreating the drawing.)
At the conclusion of this drawing, again invite the painters to compare their works to the one on the board. Ask them to come to the front of the room and again display what they’ve done. (Without fail, the drawings are more interesting this time around, even though they tend not to look very much like what was drawn on the board.)
At this point, lead a discussion about why this time around was so much trickier and what could have been done to make it easier for the painters to match the drawing on the board. (Sometimes, a discussion about the nature of art emerges here. Students often want to talk about whether the pieces in the second round — which admittedly look little like what was drawn on the board — aren’t, in fact, more interesting works of art than those in the first round.) Often students want to talk about whether a painter has “failed” if his or her artwork doesn’t match the original picture. Occasionally, some students get very exercised about their drawing (or their partner’s) not looking like what the teacher has drawn. From time to time, this can lead to a rich discussion of whether it was fair that the second time was so much harder. A teacher might put this up for grabs as a topic to inquire about: is it fair that some people face harder challenges than others? If so, why? If not, why not? What if facing those challenges leads to superior outcomes (like more artistic drawings?) Would you rather be an expert at something simple or a novice at something complex?
Objective: Learn to support claims with reasons.
Hand out two or three index cards to each student. Then ask them to write their names on each of the cards and then to write on each card one claim they believe in. Ask that at least one of these claims be a normative claim. Talk with the students beforehand about what normative claims are; the idea is to write down something they believe people ought or ought not to do, or something that is right or wrong. Once they’ve written down the claims, ask them to write down, on the other side of the paper, three reasons they have for believing the claims to be true.They have about 10 minutes to do this and can appeal to whatever outside sources of information they want during this time. Tell them to make sure they give three different reasons for their belief. Encourage students to not share their claims or reasons with others as they will be used to play a game in the next session. Collect the cards.
Before class, divide the cards in half and then divide students into two teams based on the two piles of cards. You keep the cards, making sure to keep the cards from the two teams separate from each other. Then tell them the rules of the rest of the game. The goal is for students to be able to guess what the claim is from the reason(s) cited for believing it.
Starting with Team One, read the team one of the three reasons from the one of the cards from Team Two. They have a minute or two to decide together on a guess for what the claim might be. If the students can guess the claim from the first reason, Team One gets 3 points. If they guess it after hearing the second reason, they earn 2 points, and if they need all three reasons to guess the claim, they earn 1 point. If the students can’t guess correctly, the team earns no points. If the guess is close but not exactly right, sometimes they can earn a half point.
The game is fun and lively. Students enjoy trying to guess claims from the reasons offered for them. And they generally do a pretty good job of it. Sometimes disagreements arise about whether a reason offered for a claim is a good one. This is great — encourage discussion about it.
Objective: To think about the relationship between appearance and reality, and the value of authenticity.
Description: In his book Anarchy, State and Utopia , American philosopher Robert Nozick developed the thought experiment, The Experience Machine : Suppose there was an experience machine that could give you any experience you desired. Your brain would be stimulated when hooked up to the machine so that you would think and feel that you were doing anything you wanted to do: playing on a major league sports team, being a famous actress, skiing on a fabulous mountain, being the lead in a famous rock band, writing a great novel, etc. When you’re hooked up to the machine, you won’t know you are – you’ll think that it’s all actually happening. Your experience will feel just as real and vivid as your experiences feel to you now.
Would you map out how you would like your life to go and then hook up to the machine for the rest of your life?
Objective: To think about the ethics of taking something that doesn’t belong to you.
Description: This is a thought experiment from The Pig That Wants to Be Eaten (2005, p.40) by Julian Baggini.
When Richard went to the ATM, he got a very pleasant surprise. He requested $100 with a receipt. What he got was $10,000 with a receipt – for $100.
When he got home, he checked his account online and found that, sure enough, his account had been debited by only $100. He put the money in a safe place, fully expecting the bank swiftly to spot the mistake and ask for it back. But the weeks passed and nobody called.
After two months, Richard concluded that no one was going to ask for the money. So he headed off to the BMW dealership with the hefty down-payment in his pocket.
On the way, however, he did feel a twinge of guilt. Wasn’t this stealing? He quickly managed to convince himself it was no such thing. He had not deliberately taken the money, it had just been given to him. And he hadn’t taken it from anyone else, so no one had been robbed. As for the bank, this was a drop in the ocean for them, and anyway, they would be insured against such eventualities. And it was their fault they had lost the money – they should have had safer systems. No, this wasn’t theft. It was just the biggest stroke of luck he had ever had.
Objective: To think about the differences between what we need and what we want.
Session 1: Describing Wants and Needs
Give the students a worksheet with the following questions:
Give the students sufficient time to think about their responses and write them on their worksheets.
Session 2: Distinguishing Wants and Needs
Make two lists on the board: wants and needs. Ask the students to suggest items for these categories from their worksheets. This generally spurs a discussion about the difference between wants and needs and whether something that is a want for one person could count as a need for another. What is the difference between wanting something and needing something?
Objective: To think about what makes music beautiful or not
Ask students each to choose one or two songs they think are beautiful, and one or two songs they think are ugly, and to think about why. Then ask them to share their songs and their reasons for choosing them in small groups of 4. Invite students to ask thoughtful questions to other group members about their song choices.
Facilitate a large group song share. Invite student volunteers to first say a little about one of their songs and why they think it’s beautiful or ugly, and then play a minute or so of it, and perhaps sometimes the entire song.
This leads to a discussion of what makes something beautiful and/or ugly, what it means for something to be beautiful or ugly, why music is so meaningful to us, and other issues of aesthetics, but it also allows students to see one another in new ways and to share something of themselves that often ends up being very personal.
Objective: To think about what makes someone a good person.
Think of someone you know who you think of as a good person. What makes this person a good person? List at least three qualities of the person. In small groups, share your lists and generate a list of 3 qualities that the group more or less agrees upon. They don’t have to reach consensus as there will be an opportunity to discuss with the full class.
In a large group share, list each group’s qualities on the board and facilitate a discussion on whether any, some, or all of these qualities make someone a good person. Check with the class if they can think of any qualities that are missing from the list and why they might be important. This can lead to a rich discussion on what it even means to be a good person.
Objective: To think about hopes and dreams.
What is your hope? Show this short video and ask students to answer the prompt, “What is your hope?”
Objective: To think about personal identity.
Encourage students to share their answers (to the extent they are comfortable) in small groups asking them to notice any patterns in people’s responses.
Facilitate a whole group discussion about the questions discussed in small groups in the previous session.
Objective: To reflect on gratitude and what it means to be grateful.
This is an exercise that works well in the weeks just before the winter holiday break.
You’re given a sweater for your birthday that you don’t like.
Objective: To reflect on aspects are salient to your personal identity
Go through the thought experiment Staying Alive with your students. At each stage, ask them what choice they would make to stay alive, which is the aim of the game. After students share their choices (a quick poll can be helpful here), ask them their reasons. Each round of the thought experiment can be done in one session, making this a three-session lesson.
Objective: To encourage students to consider what makes something art, and to examine the issue of intentionality in art.
Have each student draw two pictures. One drawing must be a drawing they would call art, and the other one they would not call art.
Once the students have finished drawing, ask them to share their pieces and explain what makes one art and the other not. Ask the students listening to the sharing student: Do you think this (intended not to be art) piece could be art? Why or why not?
Step One: Choose a prompt that will be read aloud to the group. Write several questions related to the prompt on the board before breaking the group up into small groups of three. Give each group a poster board and each participant a marker or pen (different colored markers is ideal).
Start by explaining that this is a silent discussion and there will be time to speak in both the small groups and the large group later. Let the participants know that once you have finished reading the prompt, the rest of the activity will take place in silence, with each participant using a pen to communicate their thoughts and ideas to one another on the poster board. The questions on the board are starting prompts, and they should feel free to respond to some or all of these and/or to add their own questions.
After the prompt is read aloud, the group responds to the questions and/or comes up with new questions, using the poster boards. The silent, written conversation can stray to wherever the participants take it. If someone in the group writes a question, another member of the group can address the question by writing on the poster board. Participants can draw lines connecting a comment to a particular question. More than one person can write on the poster board at the same time. Participants can write words or draw pictures, if drawing is an easier way to express a particular thought. This part of the activity takes about 15-20 minutes.
Step Two: Still working in silence, participants leave their groups and walk around reading the other poster boards. They can write comments or further questions on other poster boards. This part of the activity takes about 10 minutes.
Step Three: Silence is broken. The groups rejoin at their own poster boards. For about 10 minutes, each group has a verbal conversation about the comments written by others on their board, their own comments, what they read on other poster boards, and the activity itself.
Step Four: Debrief with the large group and discuss some of the philosophical issues raised.
Strategy | Description/Notes |
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John Davitt’s 300-ways teaching | We highly recommend exploring this wild list of possible creative formats for expressing an idea!!
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Zines aka Philozines | Little subversive booklets to be created as exploration of philosophical questions
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Drawing in Response to a Prompt | You can ask students to draw as either a way to begin or to close a philosophical exploration of a concept or question. Some examples: Draw a home Draw a friend Draw something you want/draw something you need Draw something for which you are grateful/not grateful |
Visual Representation Cards | Visual Representation Cards: Using 3×5 index cards, and any kind of media, ask students to make something with their hands that reflects what is in their minds. This is a chance to reflect your thinking visually, and then to discuss what that means. Are there some thoughts that are better expressed without words? |
Save the Last Word for Me | Give students a collection of posters, paintings, and photographs from a particular time period and ask them to select three images that stand out to them. On the back of an index card, students should explain why they selected this image and what they think it represents or why it is important.
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Art and Not Art | Give students two pieces of paper. On one they should create something they consider to be art, and on the other somethin they think is not art. Share and discuss.
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The Painter and Their Eyes | One student (“the eyes”) can see an image being drawn on the board, and another student faces the back of the room and tries to create the image from the eyes’ verbal description.
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Create Your Home | Students draw their homes or decorate prepared house outlines, leading to discussions about the nature of home and identity.
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How Does Music Make a Character? | Students listen to a piece of music, draw a character whose theme it could be, and make up a story for them. You can extend this with embodiment, having students act, move, and speak as the character would.
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Eye Catching | Lay out many different images on a table and allow students to pick a piece that catches their eyes, then discuss in groups or pairs what drew them, what the artist may have been trying to communicate, who may have created it, and who they may have been trying to appeal to? |
Embodying Thoughts and Feelings | Embodiment can be used to communicate emotions and/or ideas evoked by philosophical questions. Ask students to express with their bodies their thoughts or feelings in response to a particular prompt or question. |
Spectrum (vs Binary) Embodiment | You can have students place their bodies, using the classroom space, on a spectrum from strongly agree to strongly disagree in response to a question. As they discuss the question, they can move if they start to change their minds. Build on this by comparing how students would feel if they were forced to think about their responses as binary. What would change or be lost/gained? |
Four Corners | Make the four corners of the class four different answer options to a particular question and let students move around the room and discuss within the groups in each section. |
Circle Sculpt | Inspired by Boalt’s student “scuplt” their or their peers’ bodies to convey a message, then the meaning is interpreted. |
Theater of the Oppressed | A host of activities that can be used in philosophical inquiry.
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Philosophy and Art in Museums: Embodiment and Art Engagement | Lots of activities related to art and aesthetics. Some ideas: |
Strategy | Description/Notes |
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Music Mixer | After giving a discussion prompt, play music and tell students to move and dance around the classroom. When the music stops, students will discuss the prompt with the student to whom they are standing closest.
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Passing Notes | Have everyone write a question down on a note paper and fold in half. Play music, and once it starts, students begin passing notes around a circle. Then the music stops, keep the note you have and open it. Go around the circle. If each student can answer the question, they do. If not, they ask the whole class. |
Jigsaw | Students break into small groups and discuss a topic, then groups jumble so that one representative from each original group remains, and new groups discuss what their former groups discussed, and look for connections. |
Save the Last Word for Me | Students write on index cards ideas/questions/quotes that stood out to them from a prompt. Then discuss in groups their interpretations of the chosen ideas, saving the last word for each card writer to explain why they chose it. |
The Pyramid | Students start by thinking about their ideas, then they pair off and discuss, then pairs connect to other pairs to discuss, and so on until two sides of the class share their ideas, and then it goes to full group discussion.
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Domino Discussion | Students all share in a circle, and look for patterns in thought before entering a large group open discussion.
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Affinity Mapping | Pose a question. Students generate responses by writing ideas on post-it notes (one idea per note) and placing them in no particular arrangement on a wall, whiteboard, or chart paper. Once lots of ideas have been generated, have students begin grouping them into similar categories, then label the categories and discuss why the ideas fit within them, how the categories relate to one another, and so on. |
Strategy | Description/Notes |
Think (or Write), then Pair, Share | After a question is asked, students are given time to think, or write individually, then share in a pair, then share with the whole group. |
Wait time! | Improves quality of student responses and brings in more student views. |
Small Group Work | Students work on a task or question in small groups before sharing with the whole class. |
Turn and Talk | Students turn to a neighbor to discuss before sharing out with the group. |
Scaffolding with Sentence Stems | Sentence starters for students to use to keep a discussion going.
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Created by Emma Macdonald-Scott with contributions from Jana Mohr Lone
PLATO is part of a global UNESCO network that encourages children to participate in philosophical inquiry. As a partner in the UNESCO Chair on the Practice of Philosophy with Children, based at the Université de Nantes in France, PLATO is connected to other educational leaders around the world.
If you would like to change or adapt any of PLATO's work for public use, please feel free to contact us for permission at [email protected] .
John Dewey is credited as founding a philosophical approach to life called ‘pragmatism’, and his approaches to education and learning have been influential internationally and endured over time. He saw the purpose of education to be the cultivation of thoughtful, critically reflective, socially engaged individuals rather than passive recipients of established knowledge. He rejected the rote-learning approach driven by predetermined curriculum which was the standard teaching method at the time. However, importantly, he also rejected child-centred approaches that followed children’s uninformed interests and impulses uncritically. While he used the term ‘progressive education’, this has since been misappropriated to describe, in some cases, a hands-off approach to children’s learning which was not what Dewey proposed. Dewey believed that traditional subject matter was important, but should be integrated with the strengths and interests of the learner.
He developed a concept of inquiry, prompted by a sense of need and followed by intellectual work such as defining problems, testing hypotheses, and finding satisfactory solutions, as the central activity of such an educational approach. This organic cycle of doubt, inquiry, reflection and the reestablishment of sense or understanding contrasted with the ‘reflex arc’ model of learning popular in his time. The reflex arc model thought of learning as a mechanical process, measurable by standardised tests, without reference to the role of emotion or experience in learning. Dewey was critical of the reductionism of educational approaches which assume that all the big questions and ideas are already answered, and need only to be transmitted to students. He believed that all concepts and meanings could be open to reinvention and improvement, and all disciplines could be expanded with new knowledge, concepts and understandings.
Dewey suggested that individuals learn and grow as a result of experiences and interactions with the world. These interactions and experiences lead individuals to continually develop new concepts, ideas, practices and understandings, which, in turn, are refined through and continue to mediate the learner’s life experiences and social interactions. According to Dewey:
Interaction s and communication s focused on enhancing and deepening shared meanings increase potential for learning and development . When students communicate ideas and meanings within a group, they have the opportunity to consider, take on and work with the perspectives, ideas and experiences of other students.
Shared activities are an important context for learning and development . Dewey valued real-life contexts and problems as educative experiences. If students only passively perceive a problem and do not experience the consequences in a meaningful, emotional and reflective way, then they are unlikely to adapt and revise their habits or construct new habits, or will do so only superficially.
Students learn best when their interests are engaged. It is important to develop ideas, activities and events that stimulate students’ interest and to which teaching can be geared. Teaching and lecturing can be highly appropriate as long as they are geared towards helping students to analyse or develop an intellectual insight into a specific and meaningful situation.
Learning always begins with a student’s emotional response , which spurs further inquiry. Dewey advocated for what he called ‘aesthetic’ experiences: dramatic, compelling, unifying or transforming experiences in which students feel enlivened and absorbed.
Students should be engaged in active learning and inquiry. Rather than teach students to accept any seemingly valid explanations, education ought to give students opportunities to discover information and ideas by their own effort in a teacher-structured environment, and to put knowledge to functional use by defining and solving problems, and determining the validity and worth of ideas and theories. As noted above, this does not preclude explicit instruction where appropriate.
Inquiry involves students in reflecting intelligently on their experiences in order to adapt their habits of action . Experience should involve what Dewey called ‘transaction’: an active phase, in which the student does something, as well as a phase of ‘undergoing’, where the student receives or observes the effect that their action has had. This might be as simple as noticing patterns when adding numbers, or experimenting to determine the correct proportions for papier mâché.
E ducation i s a key way of developing skills for democratic activity . Dewey was positive about the value of recognising and appreciating differences as a vehicle through which students can expand their experiences, and open up to new ways of thinking rather than closing off to their own beliefs and habits.
While there is no direct evidence that Dewey’s approach improves student outcomes, Dewey’s theory of students’ learning aligns with current theories of education which emphasise how individuals develop cognitive functioning by participating in sociocultural practices 1 , and with empirical studies examining the positive impact of interactions with peers and adults 2 on students’ learning. Quantative research also underlines a link between heightened engagement and children’s learning outcomes, with strategies such as making meaningful connections to students’ home lives and encouraging student ownership of their learning found to increase student engagement 3 . A few empirical studies which examined the effectiveness of aesthetic experiences for students confirmed that students experienced those lessons as more meaningful, compelling and connected than a comparison group. 4
Dewey’s theory has had an impact on a variety of educational practices including individualised instruction, problem-based and integrated learning, dialogic teaching, and critical inquiry. Dewey’s ideas also resonate with ideas of teaching as inquiry.
Dewey’s ideas about education are evident in approaches where teaching and learning are designed to be responsive to the specific needs, interests, and cultural knowledge of students. Teachers therefore learn about students and their motivating interests and desires in order to find subject matter, events and experiences that appeal to students and that will provoke a need to develop the knowledge, skills and values of the planned curriculum. Students are encouraged to relate learning to their lives and experiences.
Dewey’s principles of learning are evident also in problem-based learning and project approaches to learning. These approaches begin with a practical task or problem which is complex, comprehensive, multi-layered, collaborative, and involves inquiry designed to extend students’ knowledge, skills and understandings. Problem-based learning should:
Dewey’s theory has also been extended to the problem of enhancing student engagement. Some strategies that have been found to increase student engagement and that align with Dewey’s concept of aesthetic experiences include:
Engagement can be heightened when students have ownership of their learning, for example, by being engaged in curriculum planning and cooperatively build curriculum themes, or by selecting a topic to research rather than being assigned a topic. Students can take responsibility for judging the value, significance and meaning of their experiences as well as next steps.
Dialogic teaching emphasises the importance of open student dialogue and meaning-making for learning, and builds on Dewey’s ideas about the importance of communication and social interaction. In this approach, students are encouraged to form habits of careful listening and thoughtful speaking: for example, they might be discouraged from raising their hand to speak in a lesson, as that action triggers anticipatory thought rather than full attention to the current speaker. Attention is paid to issues of power, privilege and access that may hinder open dialogue.
Dewey’s approach to education is evident in curricula focused on critial thinking skills in which students engage in intellectual reflection and inquiry, critique, test and judge knowledge claims, make connections, apply their understandings in a range of different situations, and go into depth, rather than be given quick answers or rushed through a series of content. Dewey’s philosophy of education highlights the importance of imagination to drive thinking and learning forward, and for teachers to provide opportunities for students to suspend judgement, engage in the playful consideration of possibilities, and explore doubtful possibilities.
Dewey’s perspective on teaching and learning encourages a teaching as inquiry mindset. His principles for teaching and learning suggest that teachers should cultivate an energetic openness to possibilities alongside a commitment to reflectively learning from experiences, be willing to experience ambiguity and use problems as an opportunity to get deeper into an understanding of self, students, the subject and the context.
References
Dewey, J. (1980). Democracy and education. In J. A. Boydston (Ed.), John Dewey: The middle works 1899-1924: Vol 15, 1923-1924 (pp. 180-189). Carbondale: Southern Illinois University Press.
Dewey, J. (1988). Experience and education. In J. A. Boydston (Ed.), John Dewey: The later works 1925-1953: Vol 13, 1938-1939 (pp. 1-62). Carbondale: Southern Illinois University Press.
Girod, M., & Wong, D. (2002). An aesthetic (Deweyan) perspective on science learning: Case studies of three fourth graders. Elementary School Journal, 102 ( 3 ) , 199-224.
Hickman, L., Neubert, S., & Reich, K. (2009). John Dewey between pragmatism and constructivism. Fordham University Press.
Moroye, C. M., & Uhrmacher, P. B. (2009). Aesthetic themes of education. Curriculum and Teaching Dialogue, 11 ( 1&2 ) , 85-101.
1 Tomasello 1999, 2008, cited in Garrison, J. W., Neubert, S., Reich, K. (2012). John Dewey’s philosophy of education: An introduction and recontextualization for our times. New York: Palgrave Macmillan.
2 Göncü, A., & Rogoff, B. (1998)Children’s categorization with varying adult support. American Educational Research Journal, 35 (2), 333-349; Rogoff, B. (2003). The cultural nature of human development. Oxford University Press.
3 Turner, J. C. (2014). Theory-based interventions with middle-school teachers to support student motivation and engagement. Motivational interventions. 341-378.
4 Girod, M., Rau, C., Schepige, A. (2003). Appreciating the beauty of science ideas: Teaching for aesthetic understanding. Science Education, 87 ( 4), 574-87.
By Dr Vicki Hargraves
Vicki runs our early childhood webinar series and also is responsible for the creation of many of our early childhood research reviews. Vicki is a teacher, mother, writer, and researcher living in Marlborough. She recently completed her PhD using philosophy to explore creative approaches to understanding early childhood education. She is inspired by the wealth of educational research that is available and is passionate about making this available and useful for teachers.
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Learn how to define and share your teaching philosophy.
These days, it’s become common for educators to be asked what their personal teaching philosophy is. Whether it’s for a job interview, a college class, or to share with your principal, crafting a philosophy of education can seem like a daunting task. So set aside some time to consider your own teaching philosophy (we’ll walk you through it), and be sure to look at philosophy of education examples from others (we’ve got those too!).
Before we dive into the examples, it’s important to understand the purpose of a philosophy of education. This statement will provide an explanation of your teaching values and beliefs. Your teaching philosophy is ultimately a combination of the methods you studied in college and any professional experiences you’ve learned from since. It incorporates your own experiences (negative or positive) in education.
Many teachers have two versions of their teaching philosophy: a long form (a page or so of text) and a short form. The longer form is useful for job application cover letters or to include as part of your teacher portfolio. The short form distills the longer philosophy into a couple of succinct sentences that you can use to answer teacher job interview questions or even share with parents.
Here’s one key thing to remember: There’s no one right answer to “What’s your teaching philosophy?” Every teacher’s will be a little bit different, depending on their own teaching style, experiences, and expectations. And many teachers find that their philosophies change over time, as they learn and grow in their careers.
When someone asks for your philosophy of education, what they really want to know is that you’ve given thought to how you prepare lessons and interact with students in and out of the classroom. They’re interested in finding out what you expect from your students and from yourself, and how you’ll apply those expectations. And they want to hear examples of how you put your teaching philosophy into action.
Depending on who you ask, a philosophy of education statement can include a variety of values, beliefs, and information. As you build your own teaching philosophy statement, consider these aspects, and write down your answers to the questions.
What do you believe is the purpose of teaching and learning? Why does education matter to today’s children? How will time spent in your classroom help prepare them for the future?
Use your answers to draft the opening statement of your philosophy of education, like these:
Do you believe in student-led learning, or do you like to use the Socratic method instead? Is your classroom a place for quiet concentration or sociable collaboration? Do you focus on play-based learning, hands-on practice, debate and discussion, problem-solving, or project-based learning? All teachers use a mix of teaching practices and styles, of course, but there are some you’re likely more comfortable with than others. Possible examples:
Why is it important to recognize all learning styles? How do you accommodate different learning styles in your classroom? What are your beliefs on diversity, equity, and inclusion? How do you ensure every student in your classroom receives the same opportunities to learn? How do you expect students to behave, and how do you measure success? ADVERTISEMENT
Sample teaching philosophy statements about students might sound like this:
Think back to any essay you’ve ever written and follow a similar format. Write in the present tense; your philosophy isn’t aspirational, it’s something you already live and follow. This is true even if you’re applying for your first teaching job. Your philosophy is informed by your student teaching, internships, and other teaching experiences.
Lead with your core beliefs about teaching and learning. These beliefs should be reflected throughout the rest of your teaching philosophy statement.
Then, explain your teaching style and practices, being sure to include concrete examples of how you put those practices into action. Transition into your beliefs about students and learning styles, with more examples. Explain why you believe in these teaching and learning styles, and how you’ve seen them work in your experiences.
A long-form philosophy of education statement usually takes a few paragraphs (not generally more than a page or two). From that long-form philosophy, highlight a few key statements and phrases and use them to sum up your teaching philosophy in a couple of well-crafted sentences for your short-form teaching philosophy.
Still feeling overwhelmed? Try answering these three key questions:
If you can answer those three questions, you can write your teaching philosophy!
We asked real educators in the We Are Teachers HELPLINE group on Facebook to share their teaching philosophy examples in a few sentences . Here’s what they had to say:
My philosophy is that all students can learn. Good educators meet all students’ differentiated learning needs to help all students meet their maximum learning potential. —Lisa B.
I believe that all students are unique and need a teacher that caters to their individual needs in a safe and stimulating environment. I want to create a classroom where students can flourish and explore to reach their full potential. My goal is also to create a warm, loving environment, so students feel safe to take risks and express themselves. —Valerie T.
In my classroom, I like to focus on the student-teacher relationships/one-on-one interactions. Flexibility is a must, and I’ve learned that you do the best you can with the students you have for however long you have them in your class. —Elizabeth Y
I want to prepare my students to be able to get along without me and take ownership of their learning. I have implemented a growth mindset. —Kirk H.
All children learn best when learning is hands-on. This works for the high students and the low students too, even the ones in between. I teach by creating experiences, not giving information. —Jessica R.
As teachers, it’s our job to foster creativity. In order to do that, it’s important for me to embrace the mistakes of my students, create a learning environment that allows them to feel comfortable enough to take chances, and try new methods. —Chelsie L.
I believe that every child can learn and deserves the best, well-trained teacher possible who has high expectations for them. I differentiate all my lessons and include all learning modalities. —Amy S.
All students can learn and want to learn. It is my job to meet them where they are and move them forward. —Holli A.
I want my students to know that they are valued members of our classroom community, and I want to teach each of them what they need to continue to grow in my classroom. —Doreen G.
Teach to every child’s passion and encourage a joy for and love of education and school. —Iris B.
I believe in creating a classroom culture of learning through mistakes and overcoming obstacles through teamwork. —Jenn B.
It’s our job to introduce our kids to many, many different things and help them find what they excel in and what they don’t. Then nurture their excellence and help them figure out how to compensate for their problem areas. That way, they will become happy, successful adults. —Haley T.
Looking for longer teaching philosophy examples? Check out these selections from experienced teachers of all ages and grades.
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The Philosophy Teaching Library is a new teaching resource created by Wes Siscoe and Paul Blaschko. The Library is a collection of introductory primary texts, excerpted texts that include commentary, illustrative examples, and detailed argument breakdowns that help boost student comprehension and situate the work in its historical and philosophical context. Here, we ask Wes and Paul about what inspired their work on the Library, as well as how they see this resource growing in the future.
Q: Why The Philosophy Teaching Library? What was the motivation for creating it?
Wes and Paul: It began with observing a common experience. When picking readings for classes, many philosophy professors (us included) struggle to find readings that are pitched at the right level. On the one hand, it would be nice for students to read some of the seminal texts in philosophy; in an introduction to ethics course, for instance, it would be ideal to read a bit of Aristotle, a bit of Kant, and a bit of John Stuart Mill. But once you start digging into what exactly to read, things get a bit tricky. If you just assign full passages of the Nicomachean Ethics or the Groundwork of the Metaphysics of Morals , it is going to be very difficult for students to get a lot out of that on their own, especially if this is their first philosophy class. So even though it might be best in a certain sense for students to read the primary text, very few will even make it through the assigned reading, and those who do might not have retained or understood very much.
The Philosophy Teaching Library allows students to read portions of the primary text itself with plenty of guidance along the way, making it a resource that professors can assign to first-year students with the confidence that those who read will be well-prepared for a class discussion the next day.
Q: Tell us more about the readings that make up the Library. You call them “introductory primary texts.” What exactly does that mean?
Wes and Paul: We landed on the “introductory primary text” name in a roundabout way. At first, we were thinking of just calling them primary texts with commentaries, but that is a little bit misleading. The primary texts that students will read in the Library not only have commentary, but are also excerpted, including the most crucial passages and quotations. So the primary texts are more introductory in that sense. We provide links to the full text of the various works, but the readings themselves only contain parts of it. To see how this interplay between excerpted primary text and commentary works, you can check out some of the following pieces:
Q: How confident are you that the Library will serve as a valuable resource for philosophy instructors? There is a lot of start-up work to create a website like this without knowing how it will be received.
Wes and Paul: The inspiration for the Library comes not just from what we mentioned before—how challenging it is to select readings for first-year students—but also from work that was being done by Paul and the team working on God and the Good Life course at the University of Notre Dame. It was this class, and its course website, that served as an incubator for the introductory primary text format.
God and the Good Life originally started experimenting with the combination of commentary and excerpts of primary text. And even though the readings on the God and the Good Life course site were targeted at Notre Dame students, instructors at a number of other institutions started using them as well. This collection of pieces currently receives over 5,000 visitors per month during the academic year and provided the proof of concept that something like the Library could be widely used by philosophy teachers.
At the same time, despite the fact that other instructors are already using the God and the Good Life website in their own syllabi, the fact that all these readings are embedded within different places on the course site has made it difficult for a broader audience to find and access these articles. Because of their popularity with instructors, we want to have a single digital platform, with the ultimate aim of building up an extensive library of readings that are easily searchable by philosophical tradition, time period, and topic so that they can be found by instructors, students, and the general public.
Q: I see you have around fifteen readings currently in the Library. What is your plan for adding more in the future?
Wes and Paul: Moving forward, we will have an open submission system much like an academic journal. Authors will submit pieces that will then be evaluated through peer review, with reviewers recommending that pieces be rejected, accepted, or revised.
Because the Library is a unique resource, though, there are a couple more steps as well. Those who are interested in contributing should first email us at philosophylibrary@nd.edu to see if the primary text they would like to write on is available. We might have a piece in the works behind the scenes, so we wouldn’t want an author to spend a lot of time on something we ultimately already have. And after confirming that a primary text is available and submitting a piece, authors will also go through an editorial review step to make sure their piece fits our unique format.
For those who would like to write for the Library, you can read more about the submission process on our website here and review our formatting guide .
Q: Is there a point where you plan on charging individuals and institutions for using the Library to support the website and the editorial work that goes into creating it?
Wes and Paul: The Philosophy Teaching Library is an open educational resource, and all of our agreements with our authors make this clear, so no, we do not plan on charging for access. That of course leaves open the question of how the financial side of things will work out, and we are currently seeking funding through a number of different avenues that will help us continue to build the library in perpetuity. At this stage, we received a grant from the American Philosophical Association to support our web design and the creation of a logo, and we look forward to identifying future sources of funding.
Q: I see a couple of pieces that I might want to use in my classes right away, but I also want to hear about future readings that are posted on your website. How do I stay connected?
Wes and Paul: There are a few options for following the Library. If you want to get new releases straight to your inbox, you can sign up for our twice-yearly newsletter on our Subscribe page . You can also follow us at a variety of places on social media, including Facebook , Instagram , X , LinkedIn , and Bluesky .
Wes Siscoe is an Assistant Professor of Philosophy at Bowling Green State University. He is also Editor-in-Chief and a Founder of the Philosophy Teaching Library . His research has appeared in Mind, Noûs, Philosophy and Phenomenological Research, Philosophical Studies, Philosophers’ Imprint, and the Australasian Journal of Philosophy, amongst other venues, and his work has been supported by a number of fellowships, grants, and awards, totaling over $100,000 in external funding. His work on public philosophy has been featured at the Prindle Post, and he is also a pedagogy contributor at the Blog of the APA, the Daily Nous, PEA Soup, the Philosopher’s Cocoon. His research revolves around several themes – rationality, language, and virtue – and their importance for accounts of human excellence and achievement.
Paul Blaschko is an Assistant Teaching Professor of Philosophy at the University of Notre Dame, where he teaches courses he’s designed on big questions and the philosophy of work . He recently co-authored a book published by Penguin Press about how philosophy can help us live better lives, and his new book on work and the good life will be published by Princeton University Press in 2025. Blaschko directs a program in Notre Dame’s College of Arts and Letters devoted to exploring how the humanities can help us find meaning in work, and regularly consults with professors across the country about how to create better, more innovative philosophy courses. Embarrassingly, perhaps, he also does quite a bit of philosophy of TikTok .
Call for blog posts for the question-focused pedagogy series written by current undergraduate students, seattle university’s philosophy club: an overview, rplaceuniverse: teen-found organization transforming teen insights into philosophical theories, indigenous philosophy, getty l. lustila, failure, camaraderie, and shared embodied learning, on divestiture, steven m. cahn, leave a reply cancel reply.
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Rethink standardized "homework policies." Requiring teachers to give a certain number of minutes of homework every day, or to make assignments on the same schedule every week (for example, x minutes of math on Tuesdays and Thursdays) is a frank admission that homework isn't justified by a given lesson, much less is it a response to what ...
A school's homework policy should reflect this philosophy; ultimately guiding teachers to give their students reasonable, meaningful, purposeful homework assignments. Sample School Homework Policy Homework is defined as the time students spend outside the classroom in assigned learning activities.
1. Less is More. A 2017 study analyzed the homework assignments of more than 20,000 middle and high school students and found that teachers are often a bad judge of how long homework will take. According to researchers, students spend as much as 85 minutes or as little as 30 minutes on homework that teachers imagined would take students one ...
Rethinking the Role of Homework in Modern Education. Homework's role in education is a hot debate. Views and practices are shifting, reflecting changes in educational philosophies and priorities. A recent movement is growing among educators, parents, and policymakers. They want to reassess the traditional approach to completing homework.
Homework: what's helpful and what isn't. As legend has it, an Italian teacher named Roberto Nevilis invented a form of punishment for students who misbehaved in his class in 1905: He called it "homework.". This origin of homework is apocryphal, but homework itself has become ubiquitous in American schools and the debate about whether it is ...
A new homework philosophy is on the up and up: enjoyment of learning through home practice. There are many ways for teachers to help students continue learning outside the classroom by assigning constructive homework and communicating with parents about how best to support students without helping too much.
For too long, I just assigned homework because, well, "it's what my teachers did in 1987." This is a really bad reason to do something. To move beyond "I just do this because I do it," I had to develop a philosophy by reading what people have discovered about homework. And there's tons of research about homework out there. Tons.
Our school-wide, research-based homework philosophy states that only previously mastered material can be assigned as homework. Students in grades 7-12 should be able to complete it independently in a reasonable amount of time. ... Allow the teacher to have an increased level of awareness of student strengths and weaknesses, thereby guiding ...
Homework completion: The role of self-efficacy, delay of gratification, and self-regulatory processes. The International Journal of Educational and Psychological Assessment, 6, 1-20. Google Scholar. Bembenutty H. (2011). The last word: An interview with Harris Cooper—Research, policies, tips, and current perspectives on homework.
For example, there are teachers in K-12 and higher education who are differentiating homework based on individual student needs. Some authors in this special volume did present homework systems allowing for a certain degree of choice on the part of students; for instance, students could choose what topic to address when creating a video or ...
Over the course of two years, Lawrence teachers and administrators discussed homework-related practices with the goal of creating a consistent school-wide philosophy and policy. The process was detailed and involved: much research into best practices, the benefits of homework, and consideration for the negative effects it can sometimes have on ...
"Although teachers may record the results of formative assessments, we shouldn't factor these results into summative evaluation and grading" (McTighe & O'Connor, 2005, p. 1). This philosophy could be seen in the low levels of emphasis placed on homework grades in the study by McMillan, Myran, and Workman.
Homework in the Responsive Classroom. By Elizabeth Rich — December 11, 2009 6 min read. Cathy Vatterott is an associate professor of education at the University of Missouri-St. Louis. A former ...
[email protected]. September 24th, 2020. Objectives. By the end of. this 90 minute workshop, participants will. recognize the role of a teaching statement in an academic portfolio or job application. identify the views and experiences that influence their own philosophy of teaching. begin to translate this philosophy into a ...
Teacher. Focus on constructing high quality homework with intentional purpose to support academic learning objectives. Articulate the purpose of assigned homework. Assign, grade, return, and discuss homework in a timely manner. Provide student with specific feedback as it relates to learning objectives. When possible, coordinate homework ...
However, "the homework process begins with teachers who choose the topics and content of assignments to help students meet particular learning goals" [Citation 2, p. 181]. The same article discusses diverse reasons why K-12 school teachers may choose to create and assign homework: parent-child relations, parent-teacher communications ...
The National PTA and the National Education Association support the " 10-minute homework guideline "—a nightly 10 minutes of homework per grade level. But many teachers and parents are quick to point out that what matters is the quality of the homework assigned and how well it meets students' needs, not the amount of time spent on it.
How much homework is too much is an age-old question, and there's been a constantly shifting debate on this for as long as I've been teaching. Research tells us that homework has some benefits, especially in middle and high school. However, some districts and teachers are abandoning homework altogether. At the end of the day, it's about ...
To assist in the dissemination and implementation of the elementary homework policy to all teachers, parents, guardians and students. To help explain, clarify, and interpret all parts of the philosophy and to assist in the mediation of disputes regarding homework practices. Homework includes reading every night as we help each student develop ...
We welcome lesson plan submissions for the PLATO Philosophy Toolkit. Submissions should include: grade level, time necessary for the lesson, area, and topics (see other Toolkit lesson plans). Submissions are accepted for review year round. Please submit lesson plans to Education Director Karen Emmerman at [email protected].
Dewey's educational philosophy. John Dewey is credited as founding a philosophical approach to life called 'pragmatism', and his approaches to education and learning have been influential internationally and endured over time. He saw the purpose of education to be the cultivation of thoughtful, critically reflective, socially engaged ...
One facet of education is homework. The purpose of this study was to examine how teachers use homework as an instructional strategy. This study examined the views of five educators and how they use homework as a part of their instructional cycle. Teacher interviews, parent communication, and homework assignments were all gathered as data points.
Play-based learning is a big part of my teaching philosophy. Kids who learn through play have more authentic experiences, exploring and discovering the world naturally in ways that make the process more engaging and likely to make a lasting impact. In my classroom, technology is key.
The Philosophy Teaching Library is a new teaching resource created by Wes Siscoe and Paul Blaschko. The Library is a collection of introductory primary texts, excerpted texts that include commentary, illustrative examples, and detailed argument breakdowns that help boost student comprehension and situate the work in its historical and philosophical context.