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In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit­hole, and that means comfort. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube­shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats ­ the hobbit was fond of visitors. The tunnel wound on and on, going fairly but not quite straight into the side of the hill ­ The Hill, as all the people for many miles round called it ­ and many little round doors opened out of it, first on one side and then on another. No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining­rooms, all were on the same floor, and indeed on the same passage. The best rooms were all on the left­hand side (going in), for these were the only ones to have windows, deep­set round windows looking over his garden and meadows beyond, sloping down to the river. This hobbit was a very well­to­do hobbit, and his name was Baggins. The Bagginses had lived in the neighbourhood of The Hill for time out of mind, and people considered them very respectable, not only because most of them were rich, but also because they never had any adventures or did anything unexpected: you could tell what a Baggins would say on any question without the bother of asking him. This is a story of how a Baggins had an adventure, found himself doing and saying things altogether unexpected. He may have lost the neighbours' respect, but he gained­well, you will see whether he gained anything in the end.

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11 free online writing courses for getting real good at words

Writing is a much-prized skill and a difficult one to master and, while some are naturally gifted in stringing sentences together, we all need to take the time to learn the craft.

Whether you want to write your first novel , pen a poignant poem, pull together a screenplay, or create better business content, there is a free, online course out there to help. We've rounded up a list of free, online writing courses so you can find the perfect program of study to help you write gooderer.

1. Rhetoric: The art of persuasive writing and public speaking (Harvard X)

This eight-week online writing course is an introduction to the theory and practice of rhetoric, the art of persuasive writing and speech. Using selected speeches from prominent 20th-century Americans — including Martin Luther King Jr., John F. Kennedy, Margaret Chase Smith, and Ronald Reagan — to explore and analyze rhetorical structure and style, this course will teach you when and how to employ a variety of rhetorical devices in writing and speaking.

It also covers how to differentiate between argument and rhetorical technique, how to write a persuasive opinion editorial, and how to evaluate and identify strengths of logical fallacies in arguments.

2. Creative writing: The craft of plot (Wesleyan University)

This short course can be completed in one day and is one of five modules in Wesleyan University's Creative Writing offerings.

In this writing course, aspiring wordsmiths will be introduced to the concept of plot. You will learn what keeps it moving and how it can manipulate readers’ feelings, expectations, and desires. The course examines the choices storytellers make to snag people's imaginations, drag them into a fictional world, and keep them there. You will learn how to outline and structure a plot, discuss narrative arc, pacing and reversals, and reveal the inevitable surprise: connecting the beginning, middle, and end.

3. Business writing techniques (DoaneX)

Do you want an intensive writing course? This class that can take up to eight hours a week for four weeks, but the learning is self-paced so you do have some flexibility. It will help you to study the different communication styles and discuss the best practices of business writing by providing real-world scenarios and applications.

You will examine how to use the six Cs (spoiler: consideration, clarity, conciseness, coherence, correctness, and confidence) to enhance your business messages. This contemporary course also looks at the proper etiquette of business writing, and examines the use of emoji in business communications.

4. Songwriting: Writing the lyrics (Berklee College of Music)

Described as "an invitation to let your inner songwriter step into the sunlight," this online writing class will have you singing a tune (or that's the goal).

If you haven't written any or many songs, it promises to show you an efficient, effective process for tailoring songs to express your ideas and emotions. If you have, you’ll look at your process differently, taking control of aspects of the process you may have not noticed. This course will get you working both lyrically and musically, although it’s not necessary that you either read music or play an instrument — the course offers you a number of musical loops to work with that you can sing your melodies over. During this course you will create lyrics and/or melodies for peer review.

5. Writing successfully for the stage (University of Cambridge)

This course will teach you to structure your dramatic writing to a professional standard, as well as develop professionally transferable communication skills. This course is designed to improve your understanding of how to write engaging and interesting stories in order to attract producers and directors to your work.

You will be taught how to write effective dialogue, and how to edit your work. This course looks at the work of Brecht, Richard Schechner, Augusto Boal, Japanese Noh theatre, and other forms of theatre from around the world.

You will be sent writing exercises over the course of the module, keep a creativity journal, and by the end of the course you will have completed a plan for the structure of a new play.

6. How to write an essay (University of California, Berkeley)

This course is described as an introduction to academic writing, focusing on essay development, grammatical correctness, and self-editing. This five-week course includes a review of basic grammar terminology and understanding, writing effective sentences and paragraphs, how to tackle writing introductions and conclusions, strategies for writing longer texts, and thesis statements. The course materials will be offered via readings and videos and you will participate in online discussions. You will complete an essay for this course.

7. Stand up: Comedy writing and performance poetry (University of Cambridge)

This course will give you specialized knowledge of histories, forms, and traditions of writing for stand-up comedy/performance poetry, as well as the cultural contexts of innovative practitioners and practices within stand-up comedy/performance poetry. You will study contemporary critical, analytical, and narrative theories of stand-up comedy/performance poetry. It will arm you with detailed understanding of key performance components within the discipline, including ideational sources, body, space, image, sound, text, movement, and environment. This course aims to develop advanced self-management skills to include working in planned and improvisatory ways, as well as the ability to anticipate and accommodate change, ambiguity, creative risk-taking, uncertainty, and unfamiliarity.

8. Memoir and personal essay: Write about yourself (Wesleyan University)

This course will teach you "how to write about yourself … so that someone else wants to read it." This is the heart of this specialization in memoir and personal essay from Wesleyan University.

You will get tips, prompts, exercises, readings, and challenges to help you imagine, construct, and write compelling pieces of non-fiction's most popular form: the personal narrative. Coursera says learners will develop a toolset to put pen to paper (or fingers to keys) and write the story of their life. As a result of taking this course, you will collect a portfolio of work that you can use as components of your memoir or essay.

9. Screenwriting: Building your Screenplay (University of Cambridge)

This course will teach you how to build a screenplay and the ins and outs of becoming a professional screenwriter. It's an intermediate course that requires no previous knowledge of screenwriting. The course will focus on visual storytelling, screenplay structure, and character development and how those work together to convey the central meaning of your work. It will also teach you concrete skills like script-editing, time management, and how to work as a screenwriter. In addition you will gain knowledge the history of film and film theory.

10. Become a journalist: Report the news (Michigan State University)

This course is a specialization that's part of a journalism study program from Michigan State University that's designed to develop and enhance your understanding of the global field of journalism.

You'll learn best practices and ethical standards for news gathering processes and compiling a news report through hands-on projects, peer-to-peer feedback, and issue exploration. You will also study journalism's impact on societal issues and trends, plus explore career opportunities in newspapers, magazines, social media, Internet multimedia, television, radio, corporate, and community journalism.

11. Write your first novel (Michigan State University)

This is a beginner level 26-week course that will guide you through the process of writing your first novel. The course boasts that you will leave the class with a 50,000 page manuscript. By breaking down the writing process and providing you with deadlines, the course can help make writing a novel a less daunting pursuit. It even schedules writing breaks for you. Additionally, the course will provide you with the space for peer review.

This post was originally published in April 2021 and was updated in January 2022.

Additional reporting by Elena Cavender.

Amy-Mae is a freelance writer covering tech at Mashable.

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65 Best Free Creative Writing Classes in 2024

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Secret Sauce of Great Writing

Welcome to the brand new second edition of Secret Sauce Of Great Writing, a program that will show you how it's possible to upgrade your business writing, blog writing and copywriting skills to that level extremely fast. In this course, Shani will introduce you to the fundamental four ingredients of exceptional writing. In as little as an hour, you'll know exactly how to apply this "secret sauce" to your own writing—putting you way ahead of other writers in your profession or industry.

Website: https://www.udemy.com/

Categories: Free

Start date:

Open all year round

Prerequisites: No prerequisites

Content Marketing for B2B Enterprises

Interested in content marketing, particularly for B2B products? In this course, we will go through the complete, 4-step content marketing process used by Audienti (formerly OMA) both with clients and in our own efforts to drive B2B lead generation efforts.

30 Day Blog Transformation Challenge

The Blog Transformation Challenge is a 30-day intensive program focused on elevating your blog into a powerful marketing tool. This course goes beyond basic monetization strategies, focusing on enhancing your writing skills, refining your blog's design, and implementing advanced blog optimization techniques.

How to Write a Novel

Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months. Learn more →

Sports Writing 104: How to Improve Your Writing Quality

This is the fourth course in the series on "How to become a sports writer". In this class, you'll learn the most common writing errors, editing tips & tricks, simple SEO tips, and the importance of practice.

Website: https://www.skillshare.com/en/classes/

Prerequisites: It's recommended to first take the earlier courses in the series.

Sports Writing 103: How to Write a Feature

This course is the third in a series on "How to become a sports writer". In this class, you'll learn the steps involved in writing a feature, how to research effectively, and how to create an outline.

Sports Writing 102: How to Write a Match Report

This course is the second in a series on "How to become a sports writer". In this class you'll learn what to prepare before, during, and after a match, how to organize your notes into a report, and answers to common questions about writing match reports.

Sports Writing 101: The Basics

Led by Nikki, a seasoned sports journalist, this course offers an in-depth look at sports writing essentials. Discover the inverted pyramid structure, crafting engaging headlines, selecting the right images, and effectively using quotes in your sports articles.

Content Marketing: Blogging for Growth

Join entrepreneur Eric Siu in an intensive 80-minute class where you'll learn his effective content creation approach. This method isn't just about writing; it's about achieving your goals, as demonstrated by Eric's success with Single Grain and the Growth Everywhere podcast.

Website: https://www.skillshare.com/classes/

What Is Poetry?

Tailored for those new to poetry writing, this free Open University course covers techniques of traditional forms and free verse. It encourages using personal experiences and imagination in crafting poetry, along with understanding basic poetry terms and elements.

Website: https://www.open.edu/openlearn/history-the-arts/

(Re)writing as Therapy

Kansas City Public Library

One of the most potent powers of writing is its ability to remold the past. In this class, we’ll use writing to explore past events, discovering how imagination can reframe good or bad times. You’ll even have the opportunity to literally rewrite a past event if you’d like.

Website: https://kclibrary.org/

December, 2024

Figurative Language: Make Your Writing Sparkle

Figurative language can help illuminate the meaning of a story, its characters, or its theme. In this course, we’ll review pieces like “A White Heron” by Sarah Orne Jewett and “Good Country People” by Flannery O’Connor as examples of using metaphors, similes, allegories, and symbols in a story.

October, 2024

My Complete, Entirely Free, On-Line Comedy Class

Before investing in expensive standup comedy classes, consider this online course as an alternative. Designed to rival paid classes, it offers comprehensive guidance in standup comedy at no cost, ensuring a risk-free opportunity to explore your comedic talents.

Website: https://johnroycomic.tumblr.com/

How to choose a free creative writing class

Looking to build your writing skillset, learn more about your genre, or finally finish that book you’ve been working on? You’re in the right place. That’s why we built this directory of the best creative writing courses.

However, creative writing classes aren’t one size fit all. If you’re planning to join a free writing class in particular, you’ll want to make sure that it matches what you’re seeking to learn about creative writing.

So make sure to consider the following questions when you’re researching free writing courses:

• Who is the instructor? How many years of experience do they have in creative writing?
• Is there something in particular you’d like to learn about creative writing? Does this course include it?
• How long is the course, and where is it taught?
• Are there any hidden fees advertised in this free creative writing class?

More free creative writing resources

Whether you’re a new or established author, there are always evergreen resources out there to how to get a headstart on writing a book. 

Free online materials

• Creative Writing Prompts (resource)
• How to Self-Publish a Book (blog post)
• How to Publish a Novel (blog post)
• How to Edit a Book (blog post)

Recommended books

• For writers in the UK:  Writers' & Artists' Yearbook  
• For writers in the US:  Writer’s Market 2020

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Free online English Literature / Creative Writing courses

Creative writing and critical reading

This free course, Creative writing and critical reading, explores the importance of reading as part of a creative writer’s development at the postgraduate level. You will gain inspiration and ideas from examining other writers’ methods, as well as enhancing your critical reading skills. Examples will cover the genres of fiction, creative ...

Free course

Level: 3 Advanced

Writing what you know

Do you want to improve your descriptive writing? This free course, Writing what you know, will help you to develop your perception of the world about you and enable you to see the familiar things in everyday life in a new light. You will also learn how authors use their own personal histories to form the basis of their work.

Level: 1 Introductory

Start writing fiction

Have you always wanted to write, but never quite had the courage to start? This free course, Start writing fiction, will give you an insight into how authors create their characters and settings. You will also be able to look at the different genres for fiction.

Exploring books for children: words and pictures

Many people have fond memories of the stories they encountered in childhood, perhaps especially of those wonderful picture books and illustrated tales which fired our young imaginations and transported us to magical worlds. To an adult’s eye, some picture books may seem remarkably simple, even oversimplified. However, in this free course, ...

Level: 2 Intermediate

Reading Shakespeare's As You Like It

Do you enjoy watching Shakespeare's plays and like the idea of finding out more about them? This free course, Reading Shakespeare's As You Like It, will guide you through some of the most important speeches and scenes from one of Shakespeare's best-loved comedies.

Icarus: entering the world of myth

This free course, Icarus: entering the world of myth, will introduce you to one of the best-known myths from classical antiquity and its various re-tellings in later periods. You will begin by examining how the Icarus story connects with a number of other ancient myths, such as that of Theseus and the Minotaur. You will then be guided through an...

Sam Selvon, The Lonely Londoners

This free course concentrates on Sam Selvon's twentieth-century novel, The Lonely Londoners. It considers the depiction of migration in the text as well as Selvon's treatment of memory as a vital part of the migrant's experience.

Introducing Virgil’s Aeneid

This free course offers an introduction to the Aeneid. Virgil’s Latin epic, written in the 1st century BCE, tells the story of the Trojan hero Aeneas and his journey to Italy, where he would become the ancestor of the Romans. Here, you will focus on the characterisation of this legendary hero, and learn why he was so important to the Romans of ...

Exploring Thomas Hardy's Far From the Madding Crowd

This free course, Exploring Thomas Hardy's Far From the Madding Crowd, is designed to tell you something about Hardy's background, and to introduce you to the pleasures of reading a nineteenth-century novel. Why do we believe in fictional characters and care about what happens to them? You will discover some of the techniques that Hardy ...

John Webster, The Duchess of Malfi

This free course, John Webster, The Duchess of Malfi, concentrates on Acts 1 and 2 of John Webster's Renaissance tragedy, The Duchess of Malfi. It focuses on the representation of marriage for love and the social conflicts to which it gives rise. The course is designed to hone your skills of textual analysis.

Christopher Marlowe, Doctor Faustus

What does Christopher Marlowe's Doctor Faustus tell us about the author and the time at which the play was written? This free course, Christopher Marlowe, Doctor Faustus, will help you to discover the intricacies of the play and recognise how a knowledge of the historical and political background of the time can lead to a very different ...

Approaching poetry

Do you want to get more out of your reading of poetry? This free course, Approaching poetry, is designed to develop the analytical skills you need for a more in-depth study of literary texts. You will learn about rhythm, alliteration, rhyme, poetic inversion, voice and line lengths and endings. You will examine poems that do not rhyme and learn ...

Approaching prose fiction

Do you want to get more out of your reading? This free course, Approaching prose fiction, is designed to develop the analytical skills you need for a more in-depth study of literary texts. You will learn about narrative events and perspectives, the setting of novels, types of characterisation and genre.

Approaching plays

Do you want to get more out of drama? This free course, Approaching plays, is designed to develop the analytical skills you need for a more in-depth study of literary plays. You will learn about dialogue, stage directions, blank verse, dramatic structure and conventions and aspects of performance.

Approaching literature: reading Great Expectations

This free course, Approaching literature: reading Great Expectations, considers some of the different ways of reading Great Expectations, based on the type of genre the book belongs to. This is one of the most familiar and fundamental ways of approaching literary texts. The novel broadens the scope of study of a realist novel, in both literary ...

The poetry of Sorley MacLean

Sorley MacLean (1911-1996) is regarded as one of the greatest Scottish poets of the twentieth century. This free course, The poetry of Sorley MacLean, will introduce you to his poetry and give you an insight into the cultural, historical and political contexts that inform his work. MacLean wrote in Gaelic and the importance of the language to ...

Exploring Virginia Woolf’s Between the Acts

This free course introduces Virginia Woolf’s last novel, Between the Acts (1941), with the aim of understanding how she writes about time, memory, and ideas about identity. It also considers why Woolf’s fiction is often considered difficult. Selected extracts from her essays on writing help to clarify some of these perceived difficulties, ...

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Creative Writing Courses and Certifications

Learn Creative Writing, earn certificates with paid and free online courses from University of Michigan, Johns Hopkins, UC Irvine, UC Berkeley and other top universities around the world. Read reviews to decide if a class is right for you.

• Fiction Writing Courses
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• Character Development Courses
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Class Central's Top Creative Writing Courses

We've picked the best online courses to learn Creative Writing from the Class Central catalog.

Some courses are concise and get you up to speed in no time, others will be more comprehensive.

Creative Writing

Creative writing: the craft of plot, neil gaiman teaches the art of storytelling, complete creative writing - all genres - the full course, creative writing for all: a 10-day journaling challenge, relato corto de ficción: escribe desde tu experiencia personal, write your book: start strong and get it done, writing: the craft of story, creative writing: crafting personal essays with impact, start writing fiction.

• Show all 10 courses

All Creative Writing Courses

• With certificate (183)
• Free course (129)
• With free certificate (9)
• University course only (48)
• Beginner (260)
• Intermediate (7)
• Advanced (4)
• < 30 mins (71)
• 30 - 60 mins (72)
• 1 - 2 hours (80)
• 2 - 5 hours (96)
• 5 - 10 hours (38)
• 10+ hours (42)
• English (323)
• Bengali (1)
• Chinese (1)
• German (12)
• Italian (1)
• Japanese (1)
• Portuguese (10)
• Romanian (1)
• Spanish (66)
• Turkish (2)

In this course aspiring writers will be introduced to perhaps the most elemental and often the most challenging element of story: plot. We will learn what keeps it moving, how it manipulates our feelings, expectations, and desires. We will learn how to…

• 5 hours 50 minutes
• Free Online Course (Audit)

Creative Writing: The Craft of Setting and Description

In this course aspiring writers will be introduced to the techniques that masters of fiction use to ground a story in a concrete world. From the most realist settings to the most fantastical, writers will learn how to describe the physical world in shar…

• 7 hours 25 minutes

Creative Writing: The Craft of Character

At the center of a good story are the characters in it. In this course aspiring writers will discover how to build and bring to life complex, vivid and unforgettable characters.

• 6 hours 23 minutes

Creative Writing: The Craft of Style

Your style is as unique and distinctive as your face, your voice, except that you can choose it, you can can work on it, enhance it. In this course we will introduce aspiring writers to the art of putting pressure on written language. We will study the…

• 7 hours 44 minutes

I'm Brandon Sanderson, and I write stories of the fantastic: fantasy, science fiction, and thrillers. Learn about plot, wordbuilding, short stories, character, and publishing.

• Free Online Course

This Specialization covers elements of three major creative writing genres: short story, narrative essay, and memoir. You will master the techniques that good writers use to compose a bracing story, populated with memorable characters in an interesting s…

• 26 weeks, 1 hour a week
• Paid Course

Learn to write engaging Fiction, Poetry, Drama, & Creative Non-Fiction and become the successful writer you want to be

• 12 hours 8 minutes

Writing a Book: Creative Writing Skills for Beginners

Writing a Book: Creative writing skills: Novel/Nonfiction book writing: Punctuation: Outlining: Fantasy world building

• 1 day 5 hours 53 minutes

Develop Blockbuster Story Ideas that Sell! (Writing Mastery)

Proven methods to unleash your creativity and brainstorm bestselling, high concept book and movie ideas

Creative Writing: how to write a novel. The full course.

A full creative writing course: create engaging characters, use a 3 act narrative structure and write smart dialogues.

Creative Writing Bootcamp: Start a Brand New Story

Join best-selling author Myla Goldberg in a fun, energetic class to kickstart your writing. Learn to generate ideas, create vivid settings, empathetic villains, engaging dialogues, and develop characters.

• Free Trial Available

Creative Writing Project: Brainstorm Your Story

Kickstart your creative writing journey with this short course focused on brainstorming your story, distinguishing between plot and story, and developing a clear plan for your project.

Creative Personal Writing: Write the Real You

Learn to write from memory with Ashley C. Ford in this short course. Gain skills in self-reporting, recalling forgotten memories, and sharing your experiences. Suitable for all levels.

Creative Writing - Writer's Block Workbook Volume 1 Month 1

Five weeks' worth of beginnings to create 100+ new pieces with tips to help your writing ongoing. Plus bonus content.

• 2 hours 21 minutes

Creative Writing - Writer's Block Workbook Volume 2 Month 1

Five weeks' worth of keywords to create 100+ new pieces with tips to help your writing ongoing. Plus bonus content.

Never Stop Learning.

Get personalized course recommendations, track subjects and courses with reminders, and more.

The Crafty Writer's

Creative writing course.

Check out some books by your tutor Fiona Veitch Smith … (click on the book covers to find out more)

Please note: This is a free course but that does not mean you will receive free critiques of your writing. The critiquing service mentioned in the FAQ is separate to this course. I do not give feedback on the exercises. If you would like me to give my professional opinion on your creative writing beyond this course please contact me for a quote. There is a link to these rates on the FAQ page.

And now, back to the fun (and free!) stuff. The creative writing course will cover:

• Releasing your Creativity Explore how to tap into your creativity, and whether you are naturally more inclined towards writing poetry or prose.
• How to write a short story A look at how writing a short story differs from writing a novel, and some tips on short story structure.
• Writing from a point of view (POV) How your choice of first, second or third person POV can have a dramatic effect on how readers engage with your story.
• Bringing your writing to life How to activate your writing and transform it into a sensual experience.
• Writing characters Writing complex, believable characters to inhabit your literary world.
• Writing dialogue Your voice as an author, writing dialogue between characters, use of dialect, and some tips on the mechanics of laying out your text.
• Poetry: how to write poems The basics of writing poetry – lyric versus narrative, structured versus free verse, rhythm and meter.
• Markets, competitions and opportunities How to further develop your writing by joining a writer’s group and entering competitions, and some tips on getting published.

Any questions? Then check out the Frequently Asked Questions page. Otherwise…

>> Click here to get started.

Happy writing!

306 comments on “ Contents ”

I want to write a book about my family’s history and the impact it had on my life good and bad. I want my readers to feel like they were there from the first to last pages. However, I’m having a bit of a bumpy start with describing. Can you help me??

Lauren, if you send me a message through the contact form I can give you a quote for a critique of the opening chapters of your book. That way I will be able to see your strengths and weaknesses and what needs to be improved. However, I suggest you work through this free course first. There is a session on ‘bringing your writing to life’ that I think you will find helpful.

I am looking for a free online creative writing. Course. I have grade 12.

I’m writing about my mother’s infidelity and I’m just starting out. I’m new to writing. Would you like to read it? It’s only several pages long. Any feedback would be much appreciated.

Hello Waylan. I can look at your writing, but be aware I will charge you as it is not part of the free course but a separate service. If you would like to proceed with the critique contact me via the message form, telling me how many words you are submitting, and I can tell you how much it will cost.

There’s really something special about the approach here, I don’t know what but it makes me motivated and I don’t want to just rush through the exercises! Really wonderful, not overwhelming, and I really really feel like something is happening.I wish you could teach other teachers. If you had your own in person writing school I would be definitely there!

Hello Mwinji,

Thank you. That is a lovely thing to say. I am first and foremost a writer myself. So in my teaching I look back and ask myself: what do I wish someone had told me when I was first starting out? I’m very glad you are getting something out of the course. Happy writing!

So happy to have found this page! Brand new to taking steps in my writing and am interested in writing picture books. While I am sure that all course material will benefit this, is there anything that deals specifically with this genre? Thanks.

Hi Amanda. You may find this article useful. http://www.thecraftywriter.com/2007/08/29/writing-for-children-picture-books/

Dear Fiona,

It was a pleasure to go through your website, it has so many useful tips that I have printed out for my reference. I wish to publish my second book , dedicating to my sister in the form of a verse novel. I was very impressed by the books Sonya Sones wrote like “Saving Red” and “Opposite of Innocent”. Can you please send me some tips on how to get started as I have never written a verse novel before.

Hi Sweedle. I’m glad you enjoyed the course. I’m afraid this is all I have for you for free. I can do paid critiques of a work in progress or a finished short story / novel. However, I have never written a verse novel before so would be unable to give you input on that. Good luck with it.

How do I sign in?

You don’t. It’s all available on the website without having to sign in.

Just want to improve my writing better. So ima hoping this course will help. Iam A full time worker and just want to do some improvements with my writing. Just really shy.

Hello- I am interested in going through this class, along with others. I am curious tho I feel like without feedback, I don’t feel that I would be getting sorta “the good, bad, & the ugly” of my writing. For you to actually “grade” or offer feedback on actual or suggested assignments- what would that fee be? Is there an option for more of a traditional instructor led class with instructor participation. Not knowing how my work is fairing or if I am going in the right direction,!would make me crazy. It’s already a short trip. ???? Thanks for the information.

Hi Stacy, I’m afraid I am not able to offer that option for you. I already have too much work on and cannot devote any more time to this course. I’m afraid it is what it is – self-directed and free. There are plenty of paid courses online that will provide that type of feedback you want. I wish you luck finding one that suits you. Fiona.

Hi, Fiona Umm” am really appreciate your devoted time been here to sharing with the world your visualize this your articles are great and specially encourage. I need more of your quotes I guess I can improve my skills and experience being an actor. With love thank you more blessing ????.

I desire to be part of you.

What is the cost?

Hi Jessica, there is no cost.

Hello I want to write a fiction/fantasy book but don’t know where to start. Will this program be beneficial for this genre?

Hi Brandy, This course teaches you good, basic prose writing technique that can be applied to any genre. It won’t teach you how to write a fantasy novel, but it will help you improve your writing style. Happy writing. Fiona x

As far as I know , there are many sites that teach one how to write. I think this is a good one and I am happy with it. Becoming a writer is my utmost aim , but I also know that writing is a tyring process and it needs patience to suceed in. Thank you

I’ve been wanting to write a book (s) fiction and non-fiction got many years. Now that I’m reaching retirement I’m needing to get serious.

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Creative Writing Course Contents

• Releasing your Creativity
• How to write a Short Story
• Writing from a Point of View (POV)
• Bringing your Writing to Life
• Writing Characters
• Writing dialogue
• Poetry: How to Write Poems
• Markets, Competitions and Opportunities

What you have said:

• “I have enjoyed learning about the short story, the exercises have certainly given me plenty of ideas.” - Jean Lockhead
• “Really enjoying this course - many thanks for developing this site and offering this inspiring service. I am a PR professional, and so my experience of writing is only ever focused on corporate copy; trying to write creatively feels so incredibly different and far more enjoyable, so thank you for making this course so accessible and enjoyable. I'll be spending the coming weeks doing all of the exercises you have set!” - Mindy
• “I am so glad I chanced upon this site. I am doing the exercises and enjoying them. I am doing a bit of writing now but that’s without any proper learning, just my own outpourings. Maybe I can improve upon it by going through these exercises. Thank you so much.” - Shail

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7 free online creative writing courses that you can enrol in right now

As a form of expression , a means to escape the reality, and a medium to communicate a larger ideology, the act of writing can serve different purposes. And no matter what your reason to put pen to paper, or keys to screen, these virtual lessons could help you develop the techniques you will require on your creative journey. Here, find out all the free online courses you can join to begin now.

Creative Writing Specialisation

Covering three major creative writing genres—short story, narrative essay and memoir—the course will help you master the techniques of putting your ideas on paper as clearly as possible. So if you’ve been meaning to work some engrossing features in your already existing plot, or better highlight the setting of your story, or simply articulate in a stronger fashion, let this lesson be on your shortlist. In case you’re just starting out, the course is equally rewarding.

Write Your First Novel

Have you been wanting to pen down your thoughts and weave them into a well-written novel? Go for this virtual course where you will learn an end-to-end approach to producing a work of fiction. Through a stepwise process that will culminate in your individual production of a 50,000-word book, the learning course will provide you all the important pointers right from the top.

Writing for Young Readers: Opening the Treasure Chest

Complete with video lectures, online readings, peer reviews and guest appearances from renowned authors, the course will offer an all-inclusive guide to creative writing for students and young aspirers. Apart from that, you will also explore the cultural significance of notable works , analyse the ways in which art and words interact, and become familiar with standard elements of a narrative, that include dialogue, point of view, theme, plot and so on.  

Write A Feature Length Screenplay for Film or Television

Whether your point of interest is serious dramas, romantic comedies or thrillers , the free virtual course will zoom in on every aspect of screenplay writing so you’re able to pursue the genre you want. Following in a well-structured process, you will have produced a pitch-ready script by the time the four-week programme is over. Along with learning how to create a basic idea and write loglines, you will be studying the Three Act Story Arc, and much more.

Memoir and Personal Essay: Write About Yourself Specialisation

Here, four published memoirists and essayists let you in on the tricks and tools of writing about yourself. Be prepared for professional tips, prompts, reading challenges and exercises among other interactive activities. Unlike many other courses where you will be producing a large body of work at the completion of the programme, here, you will be constructing a portfolio of work to use as valuable components later.

Sharpened Visions: A Poetry Workshop

These lessons support the school of thought that poetry isn’t just a means of expression. Rather, using it for just that, is like “using the internet just for email”. If you too are willing to think beyond that, and take up the art to bring about a change in people’s thought and ideologies, the course is for you. Learn to use the several tools of poetic composition, study the works of contemporary poets and, of course, try your own hand at the skill.

Transmedia Storytelling: Narrative worlds, emerging technologies, and global audiences

In a world that believes in not just up-skilling, but also cross-skilling, this transmedia course serves to be an extremely well-rounded one. The description on the website states, “Transmedia storytelling is the practice of designing , sharing, and participating in a cohesive story experience across multiple traditional and digital delivery platforms - for entertainment, advertising and marketing, or social change.” So learn to develop expansive narratives and optimise your writing for mobile devices, social media communities, virtual and augmented realities and more.

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Online Courses

Online courses: creative writing.

Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford’s writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not possible. These courses are open to all adults, and we encourage all levels of writers to enroll.

• How to write a story
• How to write a novel
• How to write poetry
• Dramatic writing
• How to write a memoir
• How to write a mystery
• Creative journaling
• Publishing advice
• Story starters
• Poetry prompts
• For teachers

6 Free Online Writing Courses You Can Start Today

These free online writing courses will help you quickly build your skills as a writer, and have fun doing it.

Endless Story Ideas

E-mail course. Students receive one lesson per day for three days.

There are three elements that a story needs: a character, a setting, and a conflict.

In this course, you'll learn about each of these elements, and how they fit together into a story plot.

You'll learn how to come up with ideas for characters, settings, and conflicts, and how to develop those into story ideas!

What you'll learn:

• the essential elements of a story
• how to come up with story ideas whenever you need them

Fill out the form below to take this course for free.

Suspense Techniques

E-mail course. Students receive one lesson per day for two days.

By building suspense into your stories, you can make them more exciting and harder to put down.

You can create suspense just by developing a character readers care about and putting that character in trouble.

Other ways of creating suspense:

• Slowing down a scene at dramatic moments.
• Foreshadowing, when you hint at what's coming.
• Raising questions in the reader's mind and delaying the answers.
• Cliffhangers, where you end a chapter or a scene at crucial points... and the reader has to wait or turn the page to find out what happens.
• Dramatic irony, where the reader knows something the character doesn't... so the reader waits for the other shoe to drop.
• How to build suspense into your stories through character development, narrative point of view, and description.
• How to control pacing to increase tension.
• How to strategically delay information to build curiosity.

Beginnings, Middles, Endings

The beginning of your story is where you capture reader's attention and make them decide to keep reading.

The middle of your story is where you develop your plot. It can be challenging to maintain energy and momentum throughout the middle of a story, but this course will show you how!

The ending of your story needs to seal readers' satisfaction with your story. A great ending will leave readers thinking and maybe talking about your story long after they've finished reading.

• What to put in the beginning, middle, and end of your story.
• How to pull readers into your story and keep their interest through the middle.
• How to write an ending that leaves readers satisfied.

Fill out the form below to take this course for free.

Intro to Character Development

If readers care about your characters, they'll care about your story.

The key is to create interesting, three-dimensional characters, and then make readers feel like they actually know them.

Readers can get to know your characters the same way we get to know people in real life; based on:

• what they do.
• what they say and how they say it.
• how other people react to them.
• their habits, clothing, homes, possessions, et cetera.

If you're writing the story from a particular character's point of view, you can also show that character's thoughts.

• How to develop characters.
• Tricks for making your characters more interesting.
• How to use "showing" instead of "telling" to bring your characters to life.

Intro to Mystery Writing

Most mystery novels are about someone trying to solve a crime; i.e., they're trying to find out who did it.

The person trying to solve the crime might be a professional sleuth such as a police detective, or an amateur sleuth -- for example, a small-town librarian who discovers a dead body in the stacks and decides to find out whodunit!

A mystery can be a kind of puzzle or game where the reader "competes" against the sleuth to try to to figure out the answer before the sleuth does.

But it should also be a well-developed story, with three-dimensional characters and a vivid setting.

You can add interest to a mystery plot with red herrings, twists and turns. And you can suspense with techniques like foreshadowing and cliffhangers, and by raising the stakes for your sleuth.

A great ending to a mystery often manages to surprise the reader at the same time that the reader thinks, "I should have known!"

• How to develop a story idea for a mystery.
• How to come up with the character of your sleuth.
• How to structure a mystery plot.

Intro to Description Writing

Good description writing is the secret to vivid stories.

Instead of just reading words on the page, readers feel like they're inside the story's world, seeing and hearing and experiencing everything first-hand.

This course will show you a trick for imagining your story's details more vividly so that you can make them vivid for your reader.

Then it will show you how to choose details and words to bring your scenes to life in the reader's imagination.

• How to invent and choose details for your story's descriptions.
• How to write descriptions from your character's point of view.
• How to choose the right words for your descriptions.

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Elements of Creative Writing

(3 reviews)

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

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Learn more about reviews.

Reviewed by Colin Rafferty, Professor, University of Mary Washington on 8/2/24

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each... read more

Comprehensiveness rating: 5 see less

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each genre. The included links to referred texts also builds in an automatic, OER-based anthology for students. Terms are not only defined clearly, but also their utility is explained--here's what assonance can actually do in a poem, rather than simply "it's repeated vowel sounds,"

Content Accuracy rating: 5

Calling the content "accurate" requires a suspension of the notion that art and writing aren't subjective; instead, it might be more useful to judge the content on the potential usefulness to students, in which case it' s quite accurate. Reading this, I often found myself nodding in agreement with the authors' suggestions for considering published work and discussing workshop material, and their prompts for generating creative writing feel full of potential. It's as error-free, if not more so, than most OER textbooks (which is to say: a few typos here and there) and a surprising number of trade publications. It's not unbiased, per se--after all, these are literary magazine editors writing the textbook and often explaining what it is about a given piece of writing that they find (or do not find) engaging and admirable--but unbiased isn't necessarily a quantity one looks for in creative writing textbooks.

Relevance/Longevity rating: 4

The thing about creative writing is that they keep making more of it, so eventually the anthology elements of this textbook will be less "look what's getting published these days" and more "look what was getting published back then," but the structure of the textbook should allow for substitution and replacement (that said, if UNI pulls funding for NAR, as too many universities are doing these days, then the bigger concern is about the archive vanishing). The more rhetorical elements of the textbook are solid, and should be useful to students and faculty for a long time.

Clarity rating: 5

Very clear, straightforward prose, and perhaps more importantly, there's a sense of each author that emerges in each section, demonstrating to students that writing, especially creative writing, comes from a person. As noted above, any technical jargon is not only explained, but also discussed, meaning that how and why one might use any particular literary technique are emphasized over simply rote memorization of terms.

Consistency rating: 4

It's consistent within each section, but the voice and approach change with each genre. This is a strength, not a weakness, and allows the textbook to avoid the one-size-fits-all approach of single-author creative writing textbooks. There are different "try this" exercises for each genre that strike me as calibrated to impress the facets of that particular genre on the student.

Modularity rating: 5

The three-part structure of the book allows teachers to start wherever they like, genre-wise. While the internal structure of each section does build upon and refer back to earlier chapters, that seems more like an advantage than a disadvantage. Honestly, there's probably enough flexibility built into the textbook that even the callbacks could be glossed over quickly enough in the classroom.

Organization/Structure/Flow rating: 5

Chapters within each genre section build upon each other, starting with basics and developing the complexity and different elements of that genre. The textbook's overall organization allows some flexibility in terms of starting with fiction, poetry, or nonfiction.

Interface rating: 4

Easy to navigate. I particularly like the way that links for the anthology work in the nonfiction section (clearly appearing at the side of the text in addition to within it) and would like to see that consistently applied throughout.

Grammatical Errors rating: 5

A few typos here and there, but you know what else generally has a few typos here and there? Expensive physical textbooks.

Cultural Relevance rating: 5

The anthology covers a diverse array of authors and cultural identities, and the textbook authors are not only conscious of their importance but also discuss how those identities affect decisions that the authors might have made, even on a formal level. If you find an underrepresented group missing, it should be easy enough to supplement this textbook with a poem/essay/story.

Very excited to use this in my Intro to CW classes--unlike other OERs that I've used for the field, this one feels like it could compete with the physical textbooks head-to-head. Other textbooks have felt more like a trade-off between content and cost.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Direct language and concrete examples & Case Studies.

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Direct language and easy to read.

First person to third person. Too informal in many areas of the text.

Units are readily accessible.

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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These free online creative writing courses will teach you how to craft original and self-expressive writing. Creative writing encourages writers to exercise their creative minds and use their imaginations. It helps improve memory function and promote greater feelings of happiness among other benefits. It is also a great way to jumpstart a career in creative writing or improve an existing one.... …Read More These free online creative writing courses will teach you how to craft original and self-expressive writing. Creative writing encourages writers to exercise their creative minds and use their imaginations. It helps improve memory function and promote greater feelings of happiness among other benefits. It is also a great way to jumpstart a career in creative writing or improve an existing one. Read Less

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• SFCC Library and Creative Writing program offer free online Fall 2024 Writing Generation Series

Released: August 9, 2024

Register once at https://www.surveymonkey.com/r/WriGenFall2024

Series includes readings and writing generation sessions by esteemed writers Carla Crujido – September 18 reading; September 25 creative session Kasia Merrill – October 23 reading; October 30 creative session Jake Skeets – November 13 reading; November 20 creative session

Santa Fe Community College’s Library and Creative Writing program present the Fall 2024 Writing Generation Series beginning September 18. Each author will read at an introductory session. The following week the author will engage the participants in a writing exercise/creative session. Attendees can go to any of the sessions by registering just once at https://www.surveymonkey.com/r/WriGenFall2024 . The sessions begin at 6 p.m. on Wednesdays and will feature these authors: Carla Crujido (September 18 reading; September 25 creative session); Kasia Merrill (October 23 reading; October 30 creative session) and Jake Skeets (November 13 reading; November 20 creative session.) Registrants will receive a Zoom link via email the morning of each event.

Valerie Nye, SFCC Library Director and associate professor Austin Eichelberger from the Creative Writing program are coordinating the series, which was launched last spring. The sessions are free and open to the public.

“We were thrilled by the positive response the series received last spring,” Nye said. “Participants were emotionally moved by the authors’ readings and inspired by the creative writing sessions. The online format allowed people to join from throughout the region, as well as other parts of the country.”

Eichelberger added, “We’re excited to offer a new line-up of diverse voices. The talented writers certainly will spur attendees to explore their own voices in writing.”

The following authors will participate:

Carla Crujido

Bio:   Carla Crujido is the author of the short story collection, “The Strange Beautiful” (Chin Music Press). Her work has appeared in Moss, Bellingham Review, Crazyhorse, Yellow Medicine Review, Ricepaper Magazine, and elsewhere. Carla is the nonfiction editor at River Styx Magazine and holds an MFA in Creative Writing from the Institute of American Indian Arts. She lives in the Pacific Northwest.

Kasia Merrill – October 23 reading; October 30 creative session

Kasia Merrill

Jake Skeets

For additional information, please contact SFCC Library Director Valerie Nye via email at [email protected] or by calling 505-428-1506. For more information about SFCC’s Creative Writing program visit sfcc.edu/programs/creative-writing/ .

Santa Fe Community College celebrates its 40th Anniversary as the pathway to success for individuals and the community. SFCC provides affordable, high-quality programs that serve the academic, cultural, and economic needs of the community. The college welcomes over 10,000 students per year in credit, noncredit, workforce training, personal enrichment, and adult programs. A “Best for Vets” and a “Military Friendly” school.

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7 free tools to support your writing day-to-day

Whether you’re putting together a cover letter, drafting an email, or penning a LinkedIn post, details like spelling and grammar affect how you come across, whatever you’re writing. Trying to translate what you want to say into well-structured and easy-to-read sentences, however, is often easier said than done. Luckily, there are plenty of free tools that offer a helping hand! We’ve curated seven free tools and platforms to help save you time and keep your written work accurate.

1. Grammarly

Good for: Real-time spelling and grammar checking Pricing: Free, with optional paid premium

One of the most popular and well-known writing tools for a reason, Grammarly provides grammar and spelling checks, style and tone suggestions and a plagiarism checker. With the option of integrating across your internet browser, Grammarly will tell you in real time if you’re about to send an email with a spelling mistake or if there’s a way to reword something to improve how it reads.

Check it out here .

2. Hemingway Editor

Good for: Improving readability Cost: Free

3. LanguageTool

Good for: Spelling and grammar Cost: Free, with optional paid premium

Available in over 25 languages and powered by AI, LanguageTool is a writing assistant that helps with grammar, spelling, punctuation, style and formatting. Particularly useful as a browser add-on, the software can correct spelling mistakes as you go, whether you’re writing an email or a Google doc.

4. ProWritingAid

Good for: Real-time spelling, grammar and style checking Cost: Free, with optional paid premium

Another bit of software using AI to check your writing, on the surface ProWritingAid offers very similar functionalities to Grammarly in terms of spelling and grammar, but was also designed with a focus on storytelling in mind. It offers suggestions to improve style, clarity and readability, as well as including a thesaurus, word explorer and a plagiarism checker.

5. Ahrefs AI Grammer Checker

Good for: Spelling and grammar checking Cost: Free

SEO specialists Ahrefs host a number of AI-powered tools on their site relating to writing. Although most relate to marketing copy, their grammar checker is useful for inputting any chunk of text. It uses a language model that learns patterns, grammar and vocabulary, then uses that knowledge to generate human-like text. It only operates on their site rather than integrating into other platforms, but if you’re looking for more straightforward checking, this might be for you.

6. LibreOffice

Good for: Word processing Cost: Free

If you need somewhere to draft your writing that isn’t your notes app, LibreOffice is a free, open-source, cross-platform office suite that can perform many of the same functions as Microsoft Office, but for free! You can write documents, create spreadsheets and embed images on the downloadable app. It does lack more complex features like collaboration, built-in translation or a dictation option, but if you want an affordable alternative it might be worth trying out.

7. Quillbot

Good for: Paraphrasing Pricing: Free If you’re trying to summarise your work experience into some key skills, or cut down the intro of a brief you’re writing, this tool can help! Another AI-powered writing tool, amongst the usual spelling and grammar suggestions, Quillbot is designed to assist users in rephrasing and paraphrasing content. Also able to be integrated into platforms like Microsoft Word and Google Docs, it is especially useful for help rewriting content to refine things like sentence structure.

... If you have any other suggestions for affordable creative software, feel free to get in touch and let us know at [email protected] !

Written by Creative Lives in Progress

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Hello, August!

The dog days are summer are here, so let’s celebrate with the Cat Video Fest at Portland Museum of Art and Strand Theatre. Or head to the Maine Lobster Festival in Rockland. Those are just a few of the choices in this week’s events roundup .

Maine Lobster Festival, Wild Blueberry Weekend and Lyle Divinsky

Lily Philbrook, Kathleen Turner and Colin Anderson in the Ogunquit Playhouse production of “A Little Night Music.” Photo by Nile Scott Studios

Actress Kathleen Turner is one of the stars of “A Little Night Music” at Ogunquit Playhouse,  playing through Aug. 17. You’ll recognize her from her many film roles, including “Peggy Sue Got Married,” or maybe as Chandler Bing’s father in “Friends.” Here’s an interview with Turner, who unpacks how she got the role and how the show is going.

Actress Kathleen Turner, now performing in Ogunquit, on being in her first musical

Billy Corgan of The Smashing Pumpkins in Memphis, Tennessee in 2022. L Paul Mann/Shutterstock.com

There are still tickets left to see The Beach Boys at Snow Pond Center for the Arts in Sidney on Friday and the Smashing Pumpkins at Maine Savings Amphitheatre on Sunday. We’ve got details on these and dozens of other upcoming concerts .

See The Beach Boys or Smashing Pumpkins in Maine this weekend

Styx. Left to right Todd Sucherman, Lawrence Gowan, Chuck Panozzo, James “JY” Young, Tommy Shaw, Terry Gowan and Will Evankovich. Photo by Jason Powell

Two other notable shows are Jerry Harrison (Talking Heads) with Adrian Belew tonight in Portland and Styx with Foreigner on Saturday in Bangor. Here are interviews with Harrison and Lawrence Gowan from Styx. Tickets are still available for both shows.

Members of Talking Heads, Styx and Foreigner all perform in Maine this week

Twin Tin ice cream sandwich. Photo by Peggy Grodinsky

Sweeten up your weekend with a quintessential summer treat. The Twin Tin Ice Cream Sandwich combines ice cream from Twin Swirls with cookies from neighbor Tin Pan Bakery. Find them at the ice cream shop on Brighton Avenue in Portland.

Twin Tin Ice Cream Sandwich is the taste of summer

Hazy IPAs from Allagash, Fogtown and Rising Tide. Photo by Ben Lisle

Fans of hazy IPAs have reason to celebrate because Allagash has finally come out with its own take on the style. Want more options? Beer writer Ben Lisle also recommends a couple from Fogtown and Rising Tide. Read his tasting notes on all three.

Allagash has finally joined the hazy IPA party, and it was worth the wait

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