where to start with creative writing

Tip 7: Practice Overcoming Writer’s Block

At some point in their writing journey, every writer has reached a point where writing doesn’t feel fun anymore.

There are lots of different causes for writer’s block. You might be unsure what to write, afraid of failing, or simply burned out from writing too much.

It’s important to find ways to overcome creative blocks, so you don’t end up putting down your pen for good.

One useful technique is to change your environment. If you normally write at home, try writing in a coffee shop or in your local library.

Another technique is to try a different activity for a while. Go for a walk, take a shower, do your dishes, or try another hobby. Before long, you’ll find yourself wanting to write again.

Perhaps the most underrated method is to simply take a break from writing. Give yourself permission to stop for a while—it’s always okay to take a step back.

Tip 8: Study Writing Craft

Many new writers falsely believe that writing can’t be taught; you’re either good at it or you’re not.

But the truth is that creative writing is a craft, just like woodworking, oil painting, or ballet. You wouldn’t expect anyone to be naturally good at ballet without years of training, so why is writing any different?

One way to learn new creative writing techniques is by reading craft books . Some great books to start with include On Writing by Stephen King, Story Genius by Lisa Cron, and The Creative Writer’s Handbook by Philip K. Jason.

These books can help you learn the basics of how to write well. For example, you can learn how to construct high-quality sentences, how to avoid passive voice, and how to use poetic devices.

The more you learn, the more powerful your writing will become.

Tip 9: Invent Your Own Process

When you’re just starting out as a writer, it can be tempting to copy someone else’s writing process.

Maybe you heard an interview with a bestselling author who said you have to outline a story before you draft it. Or maybe you found out your favorite author writes 1,000 words every day, and now you think you have to write 1,000 words every day too.

But it’s important to remember that no two writers have the exact same writing process. What works best for someone else might not work for you.

There’s no right or wrong way to be a creative writer. Your job is to find a writing process that makes you feel fulfilled, productive, and inspired—and if your favorite writers don’t write the same way, that’s perfectly okay.

Tip 10: Don’t Aim for Perfection

There’s a good chance your writing is never going to be perfect. Mine definitely isn’t!

Remember that writing is about the process, not the product. Even if the final product is never perfect, the process has helped you grow as a writer—and hopefully, it’s also been a lot of fun.

You should decide what your main goal for writing is. Maybe it’s writing stories you might be able to publish someday. Maybe it’s telling stories about characters you rarely see in existing stories. Maybe it’s simply a fun new hobby.

Whatever your goal is, remember that you’re already on your way to achieving it. You don’t need to aim for perfection in order to succeed.

There’s no secret to getting better at creative writing. The process is very simple—it just takes a lot of hard work.

All you have to do is follow this two-step process:

• Step 1: Write consistently
• Step 2: Ask for feedback on your writing

The first step is fairly self-explanatory. Whenever you’re learning a new skill, it’s important to practice it. The more you write, the more you’ll learn about how to be a successful creative writer.

The second step is the one that receives more pushback from writers because it requires a lot of courage and vulnerability, but it’s just as important as the first step.

If you don’t get feedback, you could write every day and still never improve. That’s because most people can’t spot the weaknesses in their own stories.

You can ask for feedback from your friends, family, or writing groups. They can help you see your work from a different perspective and identify areas for improvement.

As long as you write consistently and listen to the feedback on the work you’re producing, you’ll be able to create a positive cycle where you create better and better stories over time.

If you want to improve your creative writing skills, there are numerous resources you can use to find help.

One great method is to join a writing community where you can share your work and get feedback from other writers.

You can look for free critique groups online, on websites such as Scribophile and Critique Circle. Or you can start your own group with your friends.

You can also consider joining a local writing class or retreat. Many schools and community centers offer classes and workshops you can join.

Another option is to use creative writing tools. ProWritingAid can give you AI-powered suggestions about how to improve your prose and make your writing shine.

Good luck, and happy writing!

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Creative Writing Ultimate Guide

I don’t know about you, but when I start learning a new skill, I want to know everything about it right away. How do I get started? What do I need to get started? How could this new skill transform my life?

Being an incessant researcher of new pastimes, I love a good master post. So, I’ve made one today for one of my favorite things in the world: creative writing .

I wrote this for people who are just getting into creative writing, but even if you’ve been writing for a while, stay tuned—some of the tricks and resources in this post will be helpful for you, too.

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What is creative writing?

Creative writing examples, how to start creative writing, creative writing prompts, creative writing jobs, creative writing degrees, online creative writing courses.

Creative writing is imaginative writing. It’s meant to entertain its readers and get some emotional response from them. You’ll note that I said imaginative , but I didn’t say fictional writing, because while fiction is a subcategory of creative writing, it doesn’t define creative writing. All fiction is creative writing, but not all creative writing is fiction.

While technical, legal, or academic writing might be focused on conveying information in the most efficient and clear manner possible, the goal of creative writing is slightly different. You still want to communicate effectively and clearly, but you also want to put some pep in there. Creative writing uses tools like metaphor and imagery to evoke an image, emotion, or both from the reader.

Another way to look at it: if you were to say what makes creative writing distinct as a form, you could say it’s the artsy one.

Creative writing covers more than just fiction, or even just novels . Here’s a quick rundown of some types of creative writing you might encounter.

Novels (which fall under the ‘fiction’ umbrella) are a type of creative writing where the reader follows a character or characters through a plot. A novel might be a standalone, or it might be part of a series.

Example: Parable of the Sower by Octavia Butler

2. Short Stories

Short stories (which also fall under the ‘fiction’ umbrella) follow a character through a plot, like you’d see in a novel, but short stories are, well, shorter. Generally, short stories run between 1,000 and 10,000 words, with works under 1,000 words falling under the subcategory ‘flash fiction.’

Example: The Yellow Wallpaper by Charlotte Perkins Gilman

Poetry is a form of writing which focuses heavily on imagery, metaphor, symbolism, and other figurative tools. It also involves a lot of technical work with form; meter and rhythm are commonly used to enhance meaning. You can generally tell what poems are by looking at them, since they’re usually divided into groups of lines (stanzas) instead of paragraphs, like you might see in other forms of creative writing.

Example: Little Beast by Richard Siken

Related: Where to Publish Poetry

Plays are written for the stage. They include stage direction, brief scene descriptions, and character dialogue, but there’s often not a lot of prose. Plays are intended to be watched by an audience instead of read, so whatever prose exists, it is intended for the people participating in the play.

Example: Hamlet by Shakespeare

Songs are similar to poetry in terms of their structure and use of figurative language, but songs are meant to be performed. People don’t generally read song lyrics without listening to it, and the instrumentation and production often enhance the meaning of a song. Songwriters also use music theory to play with meaning—at a basic level, for example, minor chords generally convey sadness, while major chords generally convey happiness.

Example: Let it Be by the Beatles

6. Memoirs & Personal Essays

Memoirs and personal essays are a form of creative writing where an author draws on their real lived experience to create a narrative. Memoir specifically sometimes plays with chronological order and specific technical fact in favor of symbolic resonance—the author is getting at an emotional truth rather than a literal or objective truth.

Example: Me Talk Pretty One Day by David Sedaris

7. Journaling

Not everyone uses journaling as a creative writing exercise—some people want to log their daily activities and be done with it—but if you’ve ever poured your heart out about a breakup to the nonjudgmental pages of a notebook, you’ve probably already done some creative writing!

Want to find more examples? I wrote on this topic for another site, and it includes even more examples of creative writing for you to try.

Now that you know what creative writing looks like, let’s talk about how to get started, even if you’ve never practiced creative writing before.

1. Try stuff on until something fits

Take a look at the list above (or do a Google search for ‘types of creative writing’ and see if there’s anything else you might be interested in—I won’t be offended) and pick one that seems fun. If you want to try, for example, a screenplay, but you’re not sure how to write one, read a bunch. Get a feel for how they work.

Maybe you do that and decide you don't want to write screenplays after all. Okay! Try short stories. Try poetry. Try songwriting. Practicing different forms will make you a more well-rounded writer in the long run, and you might be surprised at what resonates with you.

2. Practice, practice, practice

Once you’ve found a form or a few forms that suit you, your job as a newbie is simple: practice. Write whatever you want as often as you can and, if possible, for your eyes only. Create a relationship between yourself and your craft.

Some say you should start with short stories before jumping into novels so you can practice completing narrative arcs. That might work great! But if you hate writing short stories, just practice with writing novels.

If you have an idea that feels a little too advanced for you, that’s probably what you should be working on, since it’ll teach you a lot about the craft along the way. Don’t be intimidated, and don’t worry about anyone else’s opinions (this includes any fretting about publishing). Your singular goal here is to create, and your secondary goal is to challenge yourself.

3. Join some kind of writerly group

But hold on, you might be thinking. How do I know I’m not getting worse the more I practice? How do I know I’m not just churning out garbage?

At some point, especially if your goal is to publish , you’ll want feedback on your work. And while it’s important to have the support of your loved ones, it’s also important to get feedback from other writers.

I do not recommend sending your very first manuscript to an editor or well-established writer for feedback—their feedback, generally aimed at moderate to advanced writers, is probably going to devastate you at the fledgling stage. I do recommend finding other writers at approximately your skill level to bounce ideas off of and exchange critiques. These other writers can be found online or at local writing circles—check your local public library for creative writing workshops.

Have you picked out a form of creative writing to try, but you just can’t come up with any ideas? Try using a creative writing prompt to get those creative gears turning. These are totally for you to use however is most helpful: use the prompt as-is, tweak it a little, whatever works.

Prompts are a great way to explore different types of tones in writing and hone your own personal style as an author!

Use this FREE tool: Writing Prompts Generator

Looking to make some money with your creative writing endeavors? Here’s a few options to kickstart your job search:

Ghostwriting

As a ghostwriter, your job is to write the story your client assigns you . This might be a fictional novel, or it might be a memoir. The client often has specific requests for content, length, and so on. The catch? Your name is not on the book. You’re not allowed to say that you wrote it—the client’s name or pen name usually goes on the author line. You can find ghostwriting gigs on sites like Upwork or Fiverr.

Marketing does involve some technical elements like copywriting, but creative writers have a place in marketing, too. Brands need catchy slogans, funny commercials, and even social media gurus to run entertaining Twitter accounts. For more ideas on how to market your upcoming book , check out our post on the topic.

Columnist/Blog Writer

You can also look for work as an op-ed columnist or blog writer. This might be something you do for an existing website, or it might be a blog you start from scratch on Wix, SquareSpace, or Tumblr.

You might have heard of people getting creative writing degrees, or at least you might have heard some of the discourse surrounding these degrees. Off the bat, I want to say that you don’t need a creative writing degree to be a writer. It doesn’t make you a ‘real’ writer, and it doesn’t indicate your seriousness toward the craft.

If you do want to get a creative writing degree, though, you’re looking (broadly) at two options:

Undergraduate writing programs

This is your BFA in creative writing. Not all colleges offer them—many (like my alma mater) offer a creative writing concentration or focus as part of an English degree. So you might graduate, hypothetically, for example, with a degree in English with a concentration in creative writing. Some colleges don’t offer a major, but they do offer minors.

Check to see what sorts of courses your college or prospective college offers. Do you have to be an English major to take their creative writing course? Does their creative writing course offer guidance in the type of creative writing you want to pursue? For example, my alma mater offered a creative writing concentration with two tracks, one for fiction and one for poetry. There was also a separate film studies concentration for aspiring screenplay writers and film students.

Graduate writing programs (a.k.a., the MFA)

MFA programs can be extremely competitive and prohibitively expensive, not to mention that you’re obviously not guaranteed to come out of them a better writer. They can be a great tool, but they’re not a necessary one. Look at it this way: are you willing to get this MFA if it means you might come out of it without a successfully published novel? If so, proceed.

If you want to pursue an MFA, do your research. Don’t go straight for the Iowa Writers Workshop application page and hope for the best—investigate the universities that look appealing to you, see if your interests align with theirs, and make that application fee count.

Going to college isn’t the only way to take classes on creative writing! If you’re looking for more cost-friendly options, the Internet is your friend. I’ve linked to a few places loaded with creative writing courses to get you started.

1. Intelligent.com: The Best 10 Online Creative Writing Courses

2. Coursera: Best Creative Writing Courses and Certifications

3. Self-Publishing School: Best Self-Publishing Courses

4. Our Programs: Fiction Write Your Book Program

Are you ready to try an online creative writing course? Are you ready to start some creative writing prompts? Or, are you think you're ready to go for a full creative writing project of your own? Here is a resource to help you get started:

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How to Start Creative Writing: 6 Ways to Fast-Track Your Writing

There are plenty of great reasons to begin a creative writing journey, whether your goal is to have fun, express your feelings, improve your language skills, or even become a professional writer . If you’re uncertain about how to start creative writing, the key is to start small. By taking things one word at a time, you can reliably develop your craft and habit — learning how to get your voice on the page while attuning yourself to a sustainable writing routine. 

To help you get the ball rolling on your new life as a creative writer, I’ve compiled a list of approaches to try out. I’ll start with a few ideas that require little time and effort commitment, and grow more ambitious as  go.

1. Start a journal

A journal doesn’t need to be a “dear diary”-style chronicle of your entire day. Instead, it can be the perfect way to get used to expressing yourself without feeling self-conscious, since no one will be able to read your entries. If having an audience motivates you, you could instead start an anonymous blog and post your entries there — just be careful not to share any information that might let people identify you.

Journaling ideas

Pick a moment and expand on it . This could come from your day or a recent experience. How did it make you feel? Why do you think you chose this particular moment?

Write about someone you saw recently. It could be someone you know or a passing stranger. Try to describe how they were feeling or what they were up to.

Reflect on a big question. What do you think you deserve in life? What makes you happy? What are your most joyful memories?

Take five and write anything. On days when you’re feeling emotionally charged, set a 5-minute timer and just do a word dump. The only rule is that you don’t stop writing. Just write down anything that comes to mind, from daily stressful thoughts and worries to your hopes and aspirations.

Write a secret letter. Take inspiration from Jenny Han’s To All the Boys I’ve Loved Before and write letters to people from your past: your favorite teachers, people who wronged you, your first crush, someone who let you down. You don’t need to mail anything to anyone: the process alone can be cathartic and helpful in untangling how you feel about your experiences. Plus, you’ll be getting lots of practice in articulating feelings and writing about emotionally intense subjects!  

2. Give creative writing exercises a go

Sometimes practicing writing isn’t so much about putting together a cohesive, polished piece as it is about strengthening a specific aspect of your craft. That’s where creative writing exercises come in!

Such exercises offer a low-pressure sense of direction for your writing — while helping you actively improve on particular elements like voice, building tension, or characterization . If you’re struggling with a certain part of creative writing, try out a writing exercise with that element as its focus. To help you out, we’ve identified some common problem points, and devised some example exercises to flex that specific writing muscle.

Example exercises

Plot: Write a short story (or a pivotal scene in your longer project) from the perspective of an outsider, someone who has no significant role in the story.

Character Development: Establishing how your character is perceived by others is a great way to give them deeper context. To give this method a go, write a scene in which your character is only present through candid descriptions by others, or a scene where they’re speaking in first person point of view .

Dialogue: The next time you go outside, discreetly listen in on any conversation between two people for five minutes. Then go home and “fill in the blanks,” using Person A and Person B’s cadences and speech patterns to complete the conversation yourself.

3. Try out some writing prompts

If your number-one writing obstacle is a lack of ideas, then meet your new best friend: this directory of 1000+ creative writing prompts . Ranging from suggestions for character studies to potential opening lines, the prompts in this directory are sortable by genre topic, so you’re sure to find one for every occasion (and for many you’d never considered before).

The best thing about writing prompts is that you can do almost anything you want with them: they’re inspiring without being too constrictive. Prompts can help you start a project, test your skills in a different genre, or stretch your creative muscles after a long time on the bench!

Prompt examples

• Create a ghost story where there’s more going on than it first appears.
• Write about a character who smells something familiar and is instantly taken back to the first moment they smelled it.
• Try writing a story that feels lonely, despite being set in a packed city.
• Write about someone who’s stuck in an elevator when the power goes out.
• Write a story that starts or ends with someone asking, “Can you keep a secret?”

4. Take part in writing contests

If motivation is what you’re lacking, how does a hard deadline and a little prize money sound? Writing contests are another fantastic way to dive into creative writing, especially if you sometimes need a kick in the pants to get to work (no judgment — we’ve all been there!).

This is the route we’d recommend if you haven’t written creatively in years, or if you frequently start pieces but never seem to finish them. The combination of competition, an inflexible due date, and the potential to win a prize or even have your work published is often just what’s needed to propel you over the finish line. 

5. Sign up to creative writing classes

For a more structured, dedicated approach to creative writing, you can’t go wrong with a writing class. Classes on specific topics can really help strengthen your weak spots and build up new skills. On the other hand, you might prefer a more general, workshop-style class similar to a critique circle , in which everyone offers feedback on each others’ work.

6. Commit to writing a book

If you’re not someone to shy away from a challenge, you also just take the plunge and try writing a book off the bat. ‘Writing a book’ doesn’t mean you have to write a novel — you could also write a book of creative nonfiction (e.g. personal essays) or assemble a poetry collection. You can even go mega-ambitious and start to write a whole series of novels, if you like!  

Whatever type of book you choose to work on, the key is to write the whole thing, and be prepared for it not to be a masterpiece. It’s a learning process, and it’s not for the faint-hearted: it will involve coming up with a book idea , then planning, writing, and editing, before preparing your work for publication — and of course giving it an excellent, correctly capitalized title . It’s a long process, but the satisfaction you’ll feel when you finally write ‘The End’ will be all the sweeter.

Remember that the important thing is not to expect a magnum opus the first time you set pen on paper. Don’t overthink it , or spend ages obsessing over tips and books on writing if you don’t find them helpful: sometimes, rather than agonizing over how to start creative writing, you should just get started with your manuscript . 

There’s no right or wrong approach to creative writing. All of these methods and many more are perfectly legitimate ways to put your creativity to use, and get better every time. And who knows? It could even lead to a creative writing job down the line. 

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150+ Story Starters: Creative Sentences To Start A Story

The most important thing about writing is finding a good idea . You have to have a great idea to write a story. You have to be able to see the whole picture before you can start to write it. Sometimes, you might need help with that. Story starters are a great way to get the story rolling. You can use them to kick off a story, start a character in a story or even start a scene in a story.

When you start writing a story, you need to have a hook. A hook can be a character or a plot device. It can also be a setting, something like “A young man came into a bar with a horse.” or a setting like “It was the summer of 1969, and there were no cell phones.” The first sentence of a story is often the hook. It can also be a premise or a situation, such as, “A strange old man in a black cloak was sitting on the train platform.”

Story starters are a way to quickly get the story going. They give the reader a place to start reading your story. Some story starters are obvious, and some are not. The best story starters are the ones that give the reader a glimpse into the story. They can be a part of a story or a part of a scene. They can be a way to show the reader the mood of a story. If you want to start a story, you can use a simple sentence. You can also use a question or an inspirational quote. In this post, we have listed over 150 story starters to get your story started with a bang! A great way to use these story starters is at the start of the Finish The Story game .

If you want more story starters, check out this video on some creative story starter sentences to use in your stories:

150+ Creative Story Starters

Here is a list of good sentences to start a story with:

• I’ve read about a million stories about princesses but never thought I could ever be one.
• There was once a man who was very old, but he was wise. He lived for a very long time, and he was very happy.
• What is the difference between a man and a cat? A cat has nine lives.
• In the middle of the night, a boy is running through the woods.
• It is the end of the world.
• He knew he was not allowed to look into the eyes of the princess, but he couldn’t help himself.
• The year is 1893. A young boy was running away from home.
• What if the Forest was actually a magical portal to another dimension, the Forest was a portal to the Otherworld?
• In the Forest, you will find a vast number of magical beings of all sorts. 
• It was the middle of the night, and the forest was quiet. No bugs or animals disturbed the silence. There were no birds, no chirping. 
• If you wish to stay in the Forest, you will need to follow these rules: No one shall leave the Forest. No one shall enter. No one shall take anything from the Forest.
• “It was a terrible day,” said the old man in a raspy voice.
• A cat is flying through the air, higher and higher, when it happens, and the cat doesn’t know how it got there, how it got to be in the sky.
• I was lying in the woods, and I was daydreaming.
• The Earth is a world of wonders. 
• The fairy is the most amazing creature I have ever met.
• A young girl was sitting on a tree stump at the edge of a river when she noticed a magical tree growing in the water.
• My dancing rat is dressed in a jacket, a tie and glasses, which make him look like a person. 
• In the darkness of the night, I am alone, but I know that I am not. 
• Owls are the oldest, and most intelligent, of all birds.
• My name is Reyna, and I am a fox. 
• The woman was drowning.
• One day, he was walking in the forest.
• It was a dark and stormy night…
• There was a young girl who could not sleep…
• A boy in a black cape rode on a white horse…
• A crazy old man in a black cloak was sitting in the middle of the street…
• The sun was setting on a beautiful summer day…
• The dog was restless…”
• There was a young boy in a brown coat…
• I met a young man in the woods…
• In the middle of a dark forest…
• The young girl was at home with her family…
• There was a young man who was sitting on a …
• A young man came into a bar with a horse…
• I have had a lot of bad dreams…
• He was a man who wanted to be king…
• It was the summer of 1969, and there were no cell phones.
• I know what you’re thinking. But no, I don’t want to be a vegetarian. The worst part is I don’t like the taste.
• She looked at the boy and decided to ask him why he wasn’t eating. She didn’t want to look mean, but she was going to ask him anyway.
• The song played on the radio, as Samual wiped away his tears.
• This was the part when everything was about to go downhill. But it didn’t…
• “Why make life harder for yourself?” asked Claire, as she bit into her apple.
• She made a promise to herself that she would never do it.
• I was able to escape.
• I was reading a book when the accident happened.
• “I can’t stand up for people who lie and cheat.” I cried.
• You look at me and I feel beautiful.
• I know what I want to be when I grow up.
• We didn’t have much money. But we knew how to throw a good party.
• The wind blew on the silent streets of London.
• What do you get when you cross an angry bee and my sister?
• The flight was slow and bumpy. I was half asleep when the captain announced we were going down.
• At the far end of the city was a river that was overgrown with weeds. 
• It was a quiet night in the middle of a busy week.
• One afternoon, I was eating a sandwich in the park when I spotted a stranger.
• In the late afternoon, a few students sat on the lawn reading.
• The fireflies were dancing in the twilight as the sunset.
• In the early evening, the children played in the park.
• The sun was setting and the moon was rising.
• A crowd gathered in the square as the band played.
• The top of the water tower shone in the moonlight.
• The light in the living room was on, but the light in the kitchen was off.
•  When I was a little boy, I used to make up stories about the adventures of these amazing animals, creatures, and so on. 
• All of the sudden, I realized I was standing in the middle of an open field surrounded by nothing but wildflowers, and the only thing I remembered about it was that I’d never seen a tree before.
• It’s the kind of thing that’s only happened to me once before in my life, but it’s so cool to see it.
• They gave him a little wave as they drove away.
• The car had left the parking lot, and a few hours later we arrived home.
• They were going to play a game of bingo.
• He’d made up his mind to do it. He’d have to tell her soon, though. He was waiting for a moment when they were alone and he could say it without feeling like an idiot. But when that moment came, he couldn’t think of anything to say.
• Jamie always wanted to own a plane, but his parents were a little tight on the budget. So he’d been saving up to buy one of his own. 
• The night was getting colder, and the wind was blowing in from the west.
• The doctor stared down at the small, withered corpse.
• She’d never been in the woods before, but she wasn’t afraid.
• The kids were having a great time in the playground.
• The police caught the thieves red-handed.
• The world needs a hero more than ever.
• Mother always said, “Be good and nice things will happen…”
• There is a difference between what you see and what you think you see.
• The sun was low in the sky and the air was warm.
• “It’s time to go home,” she said, “I’m getting a headache.”
• It was a cold winter’s day, and the snow had come early.
• I found a wounded bird in my garden.
• “You should have seen the look on my face.”
• He opened the door and stepped back.
• My father used to say, “All good things come to an end.”
• The problem with fast cars is that they break so easily.
• “What do you think of this one?” asked Mindy.
• “If I asked you to do something, would you do it?” asked Jacob.
• I was surprised to see her on the bus.
• I was never the most popular one in my class.
• We had a bad fight that day.
• The coffee machine had stopped working, so I went to the kitchen to make myself a cup of tea.
• It was a muggy night, and the air-conditioning unit was so loud it hurt my ears.
• I had a sleepless night because I couldn’t get my head to turn off.
• I woke up at dawn and heard a horrible noise.
• I was so tired I didn’t know if I’d be able to sleep that night.
• I put on the light and looked at myself in the mirror.
• I decided to go in, but the door was locked.
• A man in a red sweater stood staring at a little kitten as if it was on fire.
• “It’s so beautiful,” he said, “I’m going to take a picture.”
• “I think we’re lost,” he said, “It’s all your fault.”
• It’s hard to imagine what a better life might be like
• He was a tall, lanky man, with a long face, a nose like a pin, and a thin, sandy moustache.
• He had a face like a lion’s and an eye like a hawk’s.
• The man was so broad and strong that it was as if a mountain had been folded up and carried in his belly.
• I opened the door. I didn’t see her, but I knew she was there.
• I walked down the street. I couldn’t help feeling a little guilty.
• I arrived at my parents’ home at 8:00 AM.
• The nurse had been very helpful.
• On the table was an array of desserts.
• I had just finished putting the last of my books in the trunk.
• A car horn honked, startling me.
• The kitchen was full of pots and pans.
• There are too many things to remember.
• The world was my oyster. I was born with a silver spoon in my mouth.
•  “My grandfather was a World War II veteran. He was a decorated hero who’d earned himself a Silver Star, a Bronze Star, and a Purple Heart.
• Beneath the menacing, skeletal shadow of the mountain, a hermit sat on his ledge. His gnarled hands folded on his gnarled knees. His eyes stared blankly into the fog. 
• I heard a story about a dragon, who was said to be the size of a house, that lived on the top of the tallest mountain in the world.
•  I was told a story about a man who found a golden treasure, which was buried in this very park.
• He stood alone in the middle of a dark and silent room, his head cocked to one side, the brown locks of his hair, which were parted in the middle, falling down over his eyes.
•  Growing up, I was the black sheep of the family. I had my father’s eyes, but my mother’s smile.
• Once upon a time, there was a woman named Miss Muffett, and she lived in a big house with many rooms.
• When I was a child, my mother told me that the water looked so bright because the sun was shining on it. I did not understand what she meant at the time.    
•  The man in the boat took the water bottle and drank from it as he paddled away.
• The man looked at the child with a mixture of pity and contempt.
• An old man and his grandson sat in their garden. The old man told his grandson to dig a hole. 
• An old woman was taking a walk on the beach. The tide was high and she had to wade through the water to get to the other side.
• She looked up at the clock and saw that it was five minutes past seven.
• The man looked up from the map he was studying. “How’s it going, mate?”
• I was in my room on the third floor, staring out of the window.
• A dark silhouette of a woman stood in the doorway.
• The church bells began to ring.
• The moon rose above the horizon.
• A bright light shone over the road.
• The night sky began to glow.
• I could hear my mother cooking in the kitchen.
• The fog began to roll in.
• He came in late to the class and sat at the back.
• A young boy picked up a penny and put it in his pocket.
• He went to the bathroom and looked at his face in the mirror.
• It was the age of wisdom and the age of foolishness. We once had everything and now we have nothing.
• A young man died yesterday, and no one knows why.
• The boy was a little boy. He was not yet a man. He lived in a house in a big city.
• They had just returned from the theatre when the phone rang.
• I walked up to the front of the store and noticed the neon sign was out.
• I always wondered what happened to Mary.
• I stopped to say hello and then walked on.
• The boy’s mother didn’t want him to play outside…
• The lights suddenly went out…
• After 10 years in prison, he was finally out.
• The raindrops pelted the window, which was set high up on the wall, and I could see it was a clear day outside.
• My friend and I had just finished a large pizza, and we were about to open our second.
• I love the smell of the ocean, but it never smells as good as it does when the waves are crashing.
• They just stood there, staring at each other.
• A party was in full swing until the music stopped.

For more ideas on how to start your story, check out these first-line writing prompts . Did you find this list of creative story starters useful? Let us know in the comments below!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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The Enlightened Mindset

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How to Start Creative Writing: Ideas, Inspiration, and Courses

By Happy Sharer

Introduction

Creative writing is a form of self-expression that allows people to explore their imaginations and express their thoughts and feelings in unique ways. It can be used to tell stories, share experiences, or simply as a way to release emotions. Whether you’re writing for pleasure or for professional purposes, it’s important to understand how to start creative writing. This article will provide tips on how to get started with creative writing.

Brainstorm Ideas

The first step in starting creative writing is to brainstorm ideas. This is the process of generating ideas and topics that could potentially become stories or poems. To do this, you should identify your interests and passions. Think about what you enjoy doing, what your hobbies are, and what topics you’re most interested in. Taking notes and brainstorming ideas related to these topics can help you come up with potential story or poem ideas.

It’s also helpful to look at the world around you. Take notice of the people, places, and events that make up your everyday life. These small details can inspire creative stories and poems. A study from the University of Arizona found that noticing the small details in everyday life can help writers create more vivid stories and descriptions.

Find Inspiration from Other Writers

Another way to start creative writing is to find inspiration from other writers. Reading the work of other authors can give you insight into different writing techniques and styles. It can also spark ideas for your own work. Connecting with other writers can also be beneficial. You can join writing groups or attend writing workshops or conferences to learn from other writers and get feedback on your work.

Take a Writing Course

Taking a writing course is another great way to get started with creative writing. There are many online and in-person classes available that can teach you the basics of writing and provide guidance on how to improve your skills. When choosing a course, it’s important to research and select one that best fits your needs. The course should cover different writing techniques and provide exercises to practice your skills.

Read and Study Other Works

Reading and studying other works is a great way to gain knowledge about different writing styles and genres. Choosing a particular genre to focus on can help you understand the structure and content of works in that genre. Analyzing how authors use literary devices and imagery can also help you craft more creative stories and poems. Understanding the mechanics of creative writing can help you create more powerful and meaningful pieces.

Get an Accountability Partner

Getting an accountability partner is a great way to stay motivated and on track with your writing goals. Find someone who shares your goals and set deadlines and check-ins. Having someone to discuss your ideas with and give constructive feedback can be invaluable when starting out with creative writing.

Take Time to Reflect and Journal

Creating a writing routine is essential for any aspiring writer. Set aside time each day to write and reflect on experiences. Writing in a journal can help you document ideas and thoughts that can be used in creative stories or poems. It can also help you explore different writing styles and techniques.

Experiment with Different Writing Styles

Finally, it’s important to take risks and experiment with different writing styles. Try writing in different genres and explore different writing techniques. Don’t be afraid to take chances with your writing. Being willing to take risks can lead to more creative and interesting stories and poems.

Starting creative writing can be intimidating, but it doesn’t have to be. By following these tips, you can begin your journey into creative writing with confidence. Brainstorm ideas, find inspiration from other writers, take a writing course, read and study other works, get an accountability partner, take time to reflect and journal, and experiment with different writing styles. With creativity and dedication, anyone can become a great writer.

(Note: Is this article not meeting your expectations? Do you have knowledge or insights to share? Unlock new opportunities and expand your reach by joining our authors team. Click Registration to join us and share your expertise with our readers.)

Hi, I'm Happy Sharer and I love sharing interesting and useful knowledge with others. I have a passion for learning and enjoy explaining complex concepts in a simple way.

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Tuesdays: Poetry prompts Wednesdays: Fiction prompts Thursdays: Creative nonfiction prompts

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Domestication

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In an interview published in Salon, Rosemary Mosco, author of A Pocket Guide to Pigeon Watching: Getting to Know the World’s Most Misunderstood Bird (Workman Publishing, 2021), reflects on the historical connections between pigeons and people, and recounts a process of domestication, obsolescence, and abandonment. “The city pigeons around us…were domesticated by humans a really long time ago,” says Mosco. “They were really bred to be good at living near us. And then, we forgot, and now they keep hanging around us. And we’re like, ‘why are they here?’” Write a short story that involves an encounter or situation with a domesticated animal, whether a pet, livestock, or one wandering the streets. Think about the wild ancestors of this animal, and how they’ve become entwined with humans and civilization. How might you connect philosophical ideas around domestication with other larger themes of your story?

“We tend to treat odor in general as a sort of taboo,” writes Scott Sayare in a New York Times Magazine article about a woman who discovered she could smell Parkinson’s disease, in some cases over a dozen years before medical diagnosis. “Modern doctors are trained to diagnose by inspection, palpation, percussion and auscultation; ‘inhalation’ is not on the list, and social norms would discourage it if it were.” This week, focus your attention on your sense of smell as you go about your days, perhaps even ignoring social norms as you inhale all the odors around you. Then, write a poem that focuses solely, or primarily, on smell—perhaps juxtaposing scents that are in your everyday life now and those from a more distant past.

A Question of Belonging: Crónicas (Archipelago Books, 2024) by the Argentine writer Hebe Uhart, who died in 2018, translated from the Spanish by Anna Vilner, contains over two dozen crónicas—a form of narrative journalism popularized in Latin America that is characterized by short, informal musings about everyday topics and observations. In her introduction to the book, Mariana Enríquez notes Uhart’s lack of pretension in her chosen subjects, from what she observed around her to the locals with whom she conversed. “Her fascination with language is not limited to the spoken: She roams around cities and towns taking note of shop names, ads, and graffiti.…” Jot down intriguing or amusing fragments of language you see and hear as you go about your day, perhaps during your commute or while watching your favorite TV show. Write a series of short musings based on your observations, noting any humor or insights gleaned from contemporary language and what it reveals about our current times.

Head This Way

Ayşegül Savaş’s third novel, The Anthropologists , forthcoming in July from Bloomsbury, is narrated by Asya, one half of a young couple setting out to build a new life together in a foreign city. While they solidify friendships, search for an apartment, and accommodate visiting relatives, Asya begins a documentary project. Each of the novel’s vignette titles reference anthropological concepts: Notions of Loyalty, Child-Rearing, Native Tongue, Courtship, Gift Exchange, Division of Labor, Principles of Kinship, and Forms of Enchantment. As Asya reflects on anthropological distance and lenses, these headings raise questions about the conventions, expectations, and routines that constitute a life. What makes a life legible—and to whom? Write a short story with subheadings providing insight or an alternative perspective on scenes. How might they produce additional layers of complexity and ambiguity?

Coming Down Hard

“The sun had just gone out / and I was walking three miles to get home. / I wanted to die. / I couldn’t think of words and I had no future / and I was coming down hard on everything.” In Linda Gregg’s poem “New York Address,” which appears in her retrospective collection, All of It Singing: New and Selected Poems (Graywolf Press, 2008), the speaker recounts bleak existential angst. Despite the pain and darkness, there are glimmers of light. In the second half of the poem, questions are stubbornly answered with snappy, tidy pacing: “Yes I hate dark. No I love light. Yes I won’t speak. / No I will write.” Write a poem that goes all in on angst, channeling a time that felt overwhelmingly uncertain and full of trepidation. How can you experiment with sound and diction to gently steer the dramatic toward the life-affirming?

Attentiveness

Nearly fifty years ago, the writer George Perec spent three days sitting behind a café window in Place Saint-Sulpice in Paris recording everything he saw. In his short book, An Attempt at Exhausting a Place in Paris , his observations of mundane occurrences and objects often considered unnoteworthy—passersby, cars, buses, pigeons, signs, and slogans—are documented. This week situate yourself in one spot, perhaps in your home or workplace, or in a public space like a park, busy crossroad, commercial area, library, or café. Then, jot down the objects and behavior you see, and the snippets of conversation you hear. Write a lyric essay composed of these notes, trying to avoid interpretations or analysis. Taken together, how do your observations create a portrayal of a specific time or place? Pay particular attention to how one observation might lead to another, and to potential rhythms and repetitions.

Power Couple

The 2023 thriller film Fair Play , written and directed by Chloe Domont, follows the lives of a young, newly engaged couple, Luke and Emily, who are colleagues working as analysts in the cutthroat world of high finance in New York. The film focuses on the progression of their relationship, which has been kept hidden from their hedge fund office, and the bitter disintegration of their happiness after a promotion that was initially rumored to go to Luke is unexpectedly bestowed upon Emily, which situates him as a subordinate to his wife within a misogynistic workplace. Write a short story that revolves around an occurrence that catalyzes a shift in the power dynamic between two main characters who have a close relationship. What are the initial responses, and does the transformation happen suddenly or gradually? Are there gender, generational, or other cultural issues that play a role?

Organic Insinuations

“All too often, on a ‘poetry scene,’ people prioritise ‘subject matter,’” says John Burnside in a 2023 interview about his writing process by Jesse Nathan published on McSweeney’s Internet Tendency. “I am sure that, as I am working, environmental concerns insinuate their way into the content of a poem organically, as other concerns will—but I would never start from there.” Inspired by the late Scottish poet, who died at the age of sixty-nine on May 29, write a poem that springs not from a predetermined topic or subject matter, but instead allows you to “trust in the sounds, the rhythms that come out of the day-to-day, the sheer immediacy and truth of the quotidian…and the images that lead, sometimes via fairly roundabout paths, to metaphor.” Later, as you reread and revise, what do you discover is the subject of your poem? What might have organically insinuated itself into your poem?

The maintenance or restoration of native plant and animal species has long been at the heart of many ecological and conservation projects, and has historically been a focus of land and environmental stewardship principles held by native and first peoples all over the world. But what if a beloved plant or animal is considered invasive, like the palm trees of Los Angeles or the cattle of Texas? What are the effects or consequences of centuries of existence with this invasive species in a particular locale? This week reflect on the notion of belonging—what are various places and times when you have felt a strong sense of belonging, and situations when you did not feel you belonged? Consider your own perspectives and responses when you encounter someone or something else that seems invasive or does not belong.

In Stephen King’s 1983 novel, Pet Sematary , a doctor moves into a remote house in Maine with his wife, two young children, and their pet cat, and learns from a neighbor about an ancient burial ground nearby cursed by a malevolent spirit which gave it power to reanimate those buried there. This is put to the test first by the family cat, and then by members of the family who die throughout the course of King’s horror story. While each formerly dead being is returned to the land of the living, they don’t come back quite the same. Write a story in which a creature or person returns from the dead, either in actuality or under circumstances in which their reappearance feels as if they are “back from the dead.” What familiar traits remain the same and what is disconcertingly different? Is their return ultimately for the better or the worse?

“I told a friend about a spill at the grocery store, which—the words ‘conveyor belt’ vanishing midsentence—took place on a ‘supermarket treadmill,’” writes Madeleine Schwartz in a recent essay published by New York Times Magazine about her experience of negotiating with and toggling between the French and English languages after moving from New York to Paris. In the piece, Schwartz notes that as she became more comfortable with living and thinking in French, she noticed a blurring of her linguistic capabilities, including a muddling of her articulative abilities in English. Think about a time or situation when words have failed you, or you’ve drawn a blank as to the mot juste. Write a poem that traces or enacts a loss of language, perhaps using invented words, phrases, and spellings or experimenting with font sizes, line breaks, and spacing.

Edible Memories

Many foods, flavors, and dishes hold a wellspring of emotional associations because they remind us of loved ones, habits and traditions, specific locales, and a different time of our lives when we were different people. Write a series of flash nonfiction pieces this week with each segment focusing on an edible item that evokes particularly resonant memories for you. You might begin by jotting down lists of foods you ate regularly growing up—breakfasts, school lunches, vending machine go-tos, favorite fast-food joints, diners, late night spots, home-cooked specialties—as well as a few momentous meals. Who are the people you associate with each one? Aside from taste and smell, consider the surrounding environment, atmospheric sounds, time of year, and who you were at that point in your life.

Wheels and Nails

While the American proverb “the squeaky wheel gets the grease” may be one you’ve heard time and again, often in reference to the idea that whoever raises or vocalizes a criticism the loudest will be appeased, there is a Japanese saying that translates to “the nail that sticks out gets hammered down,” which points to the positives of conformity in order to maintain a productive and humble society. It can also refer to putting someone who has become too successful back down in their place. Write a story in which your main character diverges from a group of people, and sticks their neck out, so to speak. Perhaps they vocalize a contrary perspective, protest something they feel is unjust, or simply present themselves in an unconventional manner. What are the consequences? Does your story lean toward one proverbial lesson or the other, or does the conclusion demonstrate more ambiguity?

Night at the Museum

If you could spend a night at any museum, which would you choose, and why? The French publisher Editions Stock has a series of books that begins with this premise—each author selects a museum, arrangements are made for an overnight stay, and a book is written about the experience. In Jakuta Alikavazovic’s Like a Sky Inside , translated from the French by Daniel Levin Becker, she spends a night at the Louvre in Paris, where childhood memories of visits with her father are vividly recalled. “From March 7 to 8, 2020, I spent the night in the Louvre, alone. Alone and at the same time anything but,” writes Alikavazovic. Write a poem that imagines a night at a museum of your choosing, anywhere in the world. What memories will you excavate from this imagined, solitary experience?

Chosen Family

Although the origin of the term is unknown and can be defined in many ways, a chosen family is made up of a group of people who choose to embrace, nurture, and support each other despite conventional understandings of biological or marital relationships. Oftentimes a chosen family is formed to take the place of a biological family, however, in some cases, these relationships are formed to expand a family. Write a personal essay about a relationship you have with a chosen family member. How did you first meet? Was there a particular incident that catalyzed what would become an inextricable bond? Has your commitment to each other been tested in ways big or small? Reflect on past memories and experiences you have had with this special person and how your relationship has evolved over the years.

Kingdom of the Planet

In the 1968 science fiction film Planet of the Apes , which is based on French author Pierre Boulle’s 1963 novel and has spawned several sequels and a recent reboot, a crew of astronauts crash-lands on a planet ruled by apes who have developed an advanced and hierarchical civilization, complete with systems of governance, labor, scientific research, and a military force. In this far-off place, humans have been reduced to mute primitive beings who are subjugated and kept captive as workers for the primates. Write a speculative story that takes place in another universe with a premise revolving around a role reversal. What are the rules and governing structures of the society that you invent? You might decide to approach your narrative with a tone of horror, satire, or comedy to emphasize your perspective on stereotypical assumptions and social expectations.

Another Country

“I love these raw moist dawns with / a thousand birds you hear but can’t / quite see in the mist. / My old alien body is a foreigner / struggling to get into another country. / The loon call makes me shiver. / Back at the cabin I see a book / and am not quite sure what that is.” In these eight lines that comprise Jim Harrison’s poem “Another Country,” which appears in his final collection, Dead Man’s Float (Copper Canyon Press, 2016), the late poet moves between observations about a natural outdoor setting and the speaker’s own bodily presence, arriving in the final two lines at a sentiment that expresses a feeling of defamiliarization at the seemingly mundane sight of a book. This week write a poem that explores the concept of being so absorbed in one environment or circumstance that to behold a different scene is like traveling to a strange and unknown realm.

Self-Healing

A recent study in Scientific Reports journal revealed that, for possibly the first time, a nonhuman wild animal was seen using plant medicine to heal an active wound. In a rainforest in Indonesia, a Sumatran orangutan was observed ripping off leaves from a climbing vine plant, chewing them, and applying the plant sap to treat a wound on his face, which then healed after a few days. Write a personal essay on the theme of self-healing. Think about experiences when you’ve witnessed another person perform this task, or particularly resonant memories that pertain to your own past behavior. What are the primary emotions present throughout this process? What instances of self-treatment or self-medication in film, art, or literature created an impression on you?

Campus Story

Take inspiration from the concept of a campus novel—which takes place in and around the campus of a university and often involves the intertwined dynamics of students, professors, and conventions about learning and power—and write a story that engages with a school setting, whether prominently situated in the context of the plot or used for a particular scene. Some recent additions to the campus novel canon include Elif Batuman’s The Idiot (Penguin Press, 2017), Xochitl Gonzalez’s Anita de Monte Laughs Last (Flatiron Books, 2024), Kiley Reid’s Come and Get It (G. P. Putnam’s Sons, 2024), and Brandon Taylor’s Real Life (Riverhead Books, 2020). Will you include a character who is a student, teacher, administrative staff member, custodial worker or caretaker, or possibly an alumni revisiting the past? Consider the multitude of ways the incorporation of an educational environment might permeate the atmosphere of the narrative.

The Last Friend

“The day the last friend / dies / we sit alone. / A visitor / from outer space / tries hard / to summon us. / Someone says / EAT DEATH. / I fish around for answers / but the questions / still won’t come,” writes Jerome Rothenberg, who passed away in April, in his poem “The Last Friend.” Included in his collection of one hundred poems, A Book of Witness: Spells & Gris-Gris (New Directions, 2022), the poem presents a list of statements and observations, many of which refer to death or dying in some personal way, though the connections are enigmatic and the logical progression is oblique. Try your hand at writing a poem that mentions its subject directly, but which also deliberately obfuscates or remains ambiguous in its intentions. How might using the “I” as a witness include the reader into your point of view?

Mind Your Manners

The New York City culture and news website Gothamist recently asked New Yorkers about their thoughts on sidewalk etiquette in the crowded, bustling streets of their beloved city. What are the rules, who has the right-of-way, and who should yield? Respondents focused on always walking to the right of the sidewalk and to “move quickly and never stop.” One thoughtful respondent considered the cultural differences of sidewalks used for recreational strolls versus commuting. But the overall consensus was that among nine-to-fivers, tourists, parents with kids, dogwalkers, bicyclists, and groups, seniors deserve the right-of-way. Write an essay about the unwritten rules or etiquette you have observed in your daily surroundings. How have these common practices adapted to fit the needs of different people? Do they evolve over time as social norms change? Consider some of your own experiences with how public etiquette has helped or hindered harmonious community life.

The term sub rosa means “under the rose” in Latin and refers to something said or done in private. The rose has been associated with secrecy since ancient times, a decorative symbol often carved and painted in places like meeting rooms, banquet halls, and confessionals as reminders of confidentiality. This week write a short story that revolves around a conversation or discussion that occurs sub rosa in an enclosed space. Does a certain detail get leaked out or overheard? How might the secretive nature place a burden on your characters? Consider the ways in which the atmosphere and tone of your story feel distinctive in the time and space of your sub-rosa conversation versus the scenes that take place before or after the talk.

Wisdom in Translation

In the anthology Another Room to Live In: 15 Contemporary Arab Poets (Litmus Press, 2024) edited by Omar Berrada and Sarah Riggs, multinational and multilingual poet-translators challenge foundational narratives and rework mythologies through poetic expression. Yasmine Seale’s poem “Conventional Wisdom (Arabic Saying Translated Twenty Ways)” is composed of translations of an ancient aphorism expressing the inextricable place of poetry within Arab cultural heritage. Each line presents a variation on the truism: “Poetry is the record of the Arabs / The art of poetry is Arabs, collected / Good poetry is a list of Arabs / To speak in verse is to remain in Arab memory / To surpass another poet is the Arab odyssey.” Write a poem inspired by this idea of translating a proverb or maxim—either from another language or from English into English. How might you creatively interpolate different “translations” of the saying by incorporating connotations and riffing on free associations and personal experiences?

In Response

In a recent interview with Aria Aber for the Yale Review , when asked his thoughts on the responsibility of the poet, Jackson Prize–winning poet Fady Joudah says, “I often think that the responsibility of the poet is to strive to become the memory that people may possess in the future about what it means to be human: an ever-changing constant. In poetry, the range of metaphors and topics is limited, predictable, but the styles are innumerable. Think how we read poetry from centuries ago and are no longer bothered by its outdated diction. All that remains of old poetry is the music of what it means to be human.” Write a creative nonfiction piece that presents your personal theory of the responsibility of a writer or an artist. To construct an expansive approach, you might use observations about how different creative disciplines overlap in their goals, or consider what has remained resonant as the arts make their mark throughout various eras.

Earth to You

In honor of Earth Week, write a scene that revolves around a character who experiences an unexpected moment in a natural environment that produces a sensation of wonder, perhaps an unusual encounter with wild flora or fauna. You might contrast the elements of this scene with others in your story in which the character is interacting solely with humans or only attuned to the sounds, rhythms, and sights of city life and densely packed civilization. Is the occurrence mind-bogglingly quick and then reflected upon in hindsight, or does time slow down in the scene? How do you manage or manipulate the pacing and rhythm of your prose to draw attention to the emotional and psychological response of the character?

About Our Writing Prompts

What is a writing prompt and how do you use one? Whether you find yourself in front of a blank page or stuck in a work-in-progress, writing prompts can offer a spark that ignites your creative thinking and can lead to new writing. Prompts offer guidance, fresh ideas, and direction for writers of all levels of experience. First, choose a prompt for the genre in which you’d like to write, then carefully read it and consider what it is asking you to think about. It could be a specific setting, a writing technique, or an element of an imagined character; a specific poem, story, essay, song, book, or film from which you might take inspiration; or a current event or a topical theme. A writing prompt is filled with endless possibilities—and there is no wrong way to use one to generate new writing!

What makes our writing prompts unique? We have an archive of over 2,000 prompts, all original and offered here and in our weekly newsletter . You’ll find a variety of poetry, fiction, and creative nonfiction prompts—some inspired by recent and classic literature and other forms of art, current events, and writing practices, and others that offer guidance for a particular form, including sonnets, erasure poetry, flash fiction, lyric essays, and more. For more than fifty years, Poets & Writers has supported creative writers with trustworthy information and inspiration, and our weekly prompts provide a regular dose of encouragement and motivation.

What are the benefits of using writing prompts? Writing prompts can help you get unstuck if you’re in a rut and the ideas aren’t flowing. But even if you’re not experiencing writer’s block, writing prompts can offer a fresh take or a new approach to a work-in-progress. Writing prompts can also provide the motivation to experiment with a new form, try out a new genre, or learn about other writing techniques. And writing prompts are an invaluable tool for teachers who want to encourage and inspire their writing students.

What is this list of Best Books? Best Books for Writers is a list of essential books for creative writers that we curate to support your writing practice. Every week, we add a book (whether new or a classic) with a synopsis and highlights. Included are books on the writing life, anthologies of craft essays, collections of lectures, practical guides with writing exercises, and more.

Poetry writing prompts Every Tuesday we post a new poetry prompt to guide you in your practice. Get to know the work of contemporary and classic poets, as well as a variety of poetic forms.

Fiction writing prompts Every Wednesday we post a new fiction prompt to spark your imagination. Take inspiration from recently published short stories and novels, and of course, the classics.

Creative nonfiction writing prompts Every Thursday we post a new creative nonfiction prompt to help your exploration of this ever-changing genre. These prompts include information and inspiration for a variety of essays as well as memoirs. Discover new writers and their craft, and fresh ways to generate writing inspired by your life.

Need a starter pack? Check out our Writing Prompts for Beginners .

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Writer Fuel: Creative Gaslighting – Why Do We Do This To Ourselves?

Jun 18, 2024 by Gabriela Pereira published in Writing

About a month ago, I wrote a Writer Fuel on creative burnout and wow did that hit a nerve! I got a bunch of emails from folks sharing how much the newsletter resonated with them and telling me about their own experiences with burnout.

One of the patterns I noticed as I read some of those emails is that we, as writers and creatives, tend to gaslight ourselves. A lot. We’ll say things to ourselves like “You’re not really burnt out, you’re just being lazy.” Or “You haven’t accomplished enough to say you’re burnt out.” Or, my favorite: “It’s not really burnout… it’s all in your head.”

I call this phenomenon creative gaslighting, because even though we’re experiencing creative blocks, we act as though on some level those blocks aren’t real.

It’s bad enough that the world around us doesn’t believe that writing is “real work.” It’s bad enough that writers are being told left and right that they shouldn’t quit their day jobs or that their English degrees are actually worthless. It’s bad enough that the rest of the world treats writing like it’s a joke and says things like, ”I’d love to write a novel, if I could only find the time.” In the face of all this, we have to be determined enough to convince everybody else (and ourselves!) that writing is important, that it has value.

In light of all these obstacles, we have to be the #1 champion of our own work. After all, if we don’t take our writing seriously, if we don’t act like it matters , why would anyone else think any differently?

This is why creative gaslighting is so insidious. When we allow ourselves to think this way, we become our own worst enemy. We chip away at our creative soul and we capitulate to the blocks that stand in our way.

When I wrote the DIY MFA book, I came down pretty hard on the idea of writer’s block. Here’s what I had to say.

Many writers believe that writer’s block is an external obstacle that prevents them from doing their work. Here’s the truth no one wants to hear: Writer’s block is a scapegoat. We blame writer’s block because we can’t bring ourselves to sit down and do the hard work of being a writer. If we’re not writing, it’s not because we’re “blocked” or we’ve lost our creative mojo. The problem is inside of us—but that’s actually a good thing.

When we blame writer’s block for our failure to do the work, it takes the power away from us and instead puts our writing at the mercy of external circumstances. We tell ourselves that it’s okay that we’re not writing because we’ve got a busy day job, or our kid came down with the flu, or we’ve run out of good ideas. But whatever excuses we dream up, that’s all they are: excuses. The only reason writers don’t write is because they just don’t want it badly enough.

Boy, did I get some major pushback because of those two paragraphs. I can’t tell you how many angry—even nasty—emails I received because some folks didn’t like what I said. The truth is, while these paragraphs are a bit like “tough love” I still stand by them. If we’re not writing, there’s usually a reason for that, and if we dig deep and look at the heart of that reason, we’ll probably find that we are ultimately the cause—and the solution—of the problem.

We may not have infinite free time to do our writing, and many of us deal with external obstacles that are very real. Still, when given a block of empty time, we’re faced with a choice: am I going to write, or will I do something else? It’s okay to choose something else, but we have to acknowledge that we are making that choice. No one else is forcing us not to write, and if we really wanted to do it, we’d choose writing instead.

Looking back on those two paragraphs, I realize that they omit one very important piece. Yes, it’s true that “the only reason writers don’t write is because they don’t want it badly enough” but what I didn’t add is that it’s okay not to want it sometimes. It’s okay not to choose writing some of the time, as long as we don’t make that a permanent habit. After all, if we never choose writing at all, then maybe we need to reconsider whether that path is really meant for us.

Whatever obstacles we face, whether they are internal or external, whether they are within our control or completely outside of it, we can choose whether or not to write through the obstacles. I can probably guess what you’re going to say. “But Gabriela, I have a chronic illness and I can’t write every day.” Or “I have ten kids and five dogs and no room for writing.” Or “My day-job requires extensive travel and I can never find the time.”

I get it. I have faced my own set of obstacles. (As you probably already know I have bipolar disorder, and the past six months or so have been especially challenging.) I’m not saying that the obstacles don’t matter; all I’m saying is we have a choice. Every day, we have to ask ourselves: will writing be part of my day? Some days you might say “yes” and find ways to squeeze the writing in. And some days you simply say “no, thanks.” And that’s okay. But the point is that the choice was up to you.

It’s okay not to write sometimes when other aspects of life demand your attention. This is called “honoring your reality” and it’s essential to living a balanced life. This means you have to go with the ebb and flow of life, and turn your attention to the things that are most important at that moment. Sometimes writing takes the spotlight. Sometimes it’s off stage, waiting in the wings.

Writing doesn’t have to take center stage all the time.

You don’t have to write every day. In fact, I have a bone to pick with anyone who says that. Some writers (like me) don’t have the luxury of writing as a full-time job. Some writers have to squeeze in writing before the sun comes up, or while they sit in their car in front of their kid’s school, or late at night after the whole house has gone to bed. Some writers can only write on the weekends. The point isn’t when they write, but that they write.

It’s very easy for us to beat ourselves up for not writing enough, to tell ourselves we’re not a real writer because we haven’t published yet, or we don’t write often enough, or we don’t have a big enough platform. This, my friends, is creative gaslighting at its most insidious, and we have to stop doing this to ourselves.

Instead, look at all the amazing things you already have accomplished. Maybe you’ve finished writing a short story, or you added three paragraphs to your current work-in-progress. Maybe you submitted a short story to a literary magazine. Or maybe you sent out a newsletter to a loyal group of readers. Whatever your accomplishments, be they big or small, celebrate them! However you choose to fit writing into your life, remember to give yourself permission to do it your way.

Until next time, keep writing and keep being awesome!

P.S. For more info on Gabriela Pereira, the founder and instigator of DIY MFA, check out her profile page .

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Creative Writing Prompts

When the idea to start a weekly newsletter with writing inspiration first came to us, we decided that we wanted to do more than provide people with topics to write about. We wanted to try and help authors form a regular writing habit and also give them a place to proudly display their work. So we started the weekly Creative Writing Prompts newsletter. Since then, Prompts has grown to a community of more than 450,000 authors, complete with its own literary magazine, Prompted .  

Here's how our contest works: every Friday, we send out a newsletter containing five creative writing prompts. Each week, the story ideas center around a different theme. Authors then have one week — until the following Friday — to submit a short story based on one of our prompts. A winner is picked each week to win $250 and is highlighted on our Reedsy Prompts page.

Interested in participating in our short story contest? Sign up here for more information! Or you can check out our full Terms of Use and our FAQ page .

Why we love creative writing prompts

If you've ever sat in front of a computer or notebook and felt the urge to start creating worlds, characters, and storylines — all the while finding yourself unable to do so — then you've met the author's age-old foe: writer's block. There's nothing more frustrating than finding the time but not the words to be creative. Enter our directory! If you're ready to kick writer's block to the curb and finally get started on your short story or novel, these unique story ideas might just be your ticket.

This list of 1800+ creative writing prompts has been created by the Reedsy team to help you develop a rock-solid writing routine. As all aspiring authors know, this is the #1 challenge — and solution! — for reaching your literary goals. Feel free to filter through different genres, which include...

Dramatic — If you want to make people laugh and cry within the same story, this might be your genre.

Funny — Whether satire or slapstick, this is an opportunity to write with your funny bone.

Romance — One of the most popular commercial genres out there. Check out these story ideas out if you love writing about love.

Fantasy — The beauty of this genre is that the possibilities are as endless as your imagination.

Dystopian – Explore the shadowy side of human nature and contemporary technology in dark speculative fiction.

Mystery — From whodunnits to cozy mysteries, it's time to bring out your inner detective.

Thriller and Suspense — There's nothing like a page-turner that elicits a gasp of surprise at the end.

High School — Encourage teens to let their imaginations run free.

Want to submit your own story ideas to help inspire fellow writers? Send them to us here.

After you find the perfect story idea

Finding inspiration is just one piece of the puzzle. Next, you need to refine your craft skills — and then display them to the world. We've worked hard to create resources that help you do just that! Check them out:

• How to Write a Short Story That Gets Published — a free, ten-day course by Laura Mae Isaacman, a full-time editor who runs a book editing company in Brooklyn.
• Best Literary Magazines of 2023 — a directory of 100+ reputable magazines that accept unsolicited submissions.
• Writing Contests in 2023 — the finest contests of 2021 for fiction and non-fiction authors of short stories, poetry, essays, and more.

Beyond creative writing prompts: how to build a writing routine

While writing prompts are a great tactic to spark your creative sessions, a writer generally needs a couple more tools in their toolbelt when it comes to developing a rock-solid writing routine . To that end, here are a few more additional tips for incorporating your craft into your everyday life.

• NNWT. Or, as book coach Kevin Johns calls it , “Non-Negotiable Writing Time.” This time should be scheduled into your routine, whether that’s once a day or once a week. Treat it as a serious commitment, and don’t schedule anything else during your NNWT unless it’s absolutely necessary.
• Set word count goals. And make them realistic! Don’t start out with lofty goals you’re unlikely to achieve. Give some thought to how many words you think you can write a week, and start there. If you find you’re hitting your weekly or daily goals easily, keep upping the stakes as your craft time becomes more ingrained in your routine.
• Talk to friends and family about the project you’re working on. Doing so means that those close to you are likely to check in about the status of your piece — which in turn keeps you more accountable.

Arm yourself against writer’s block. Writer’s block will inevitably come, no matter how much story ideas initially inspire you. So it’s best to be prepared with tips and tricks you can use to keep yourself on track before the block hits. You can find 20 solid tips here — including how to establish a relationship with your inner critic and apps that can help you defeat procrastination or lack of motivation.

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