book review vs article review

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• Online Guide to Writing

Reviews and Reaction Papers

Article and book reviews.

Some assignments may ask you to write a review of a book or journal article. Sometimes, students think a book report and a book review are the same. However, there are significant differences.

A  book report  summarizes the contents of the book, but a  book review  is a critical analysis of the book that describes, summarizes, and critiques the ideas in the book. A review is a means of going beyond the literal content of a source and is a tool for connecting ideas from a variety of academic sources. A review provides an objective analysis of ideas, support for opinions, and a way to evaluate your own opinions.

Why are book reviews beneficial to write?

Some instructors like to assign book reviews to help students broaden their view of the subject matter and to give students practice in critically evaluating ideas in the subject area. Instructors often require that students follow existing review formats modeled in the journals in their disciplines. 

If you are asked to use such formats, remember that citations for books and journal articles differ from discipline to discipline. Find out which style guide is appropriate for the discipline in which you are writing. (Refer to the discussion of style manuals in chapter 5 of this guide for more information.)

Reviews let you relate to authors and agree or disagree with their ideas. A review allows you to examine your understanding of a subject area in light of the ideas presented in the reviewed book and interact with the author and his or her ideas. Also, a book review helps your instructor evaluate your understanding of the subject matter and your ability to think competently in your discipline.

Here are some questions to keep in mind when you are writing a book review:

What exactly is the subject of the book? What are the author’s credentials to write about this subject? Is the title suggestive? Does the preface contain information about the author’s purpose?

What is the author’s thesis? Is it clearly stated, or do you have to dig it out of the facts and opinions? Does the author present the ideas in a balanced way? What are the author’s biases?

What organizational approach does the author use? Does the chosen organization support the author’s thesis effectively?

What conclusion or conclusions does the author draw? Does the conclusion agree with the thesis or stated purposes? How does the conclusion differ from or agree with your course textbook or other books you have read?

How has this book helped you understand the subject you are studying in the course? Would you recommend the book to your reader?

As you write your review, ask yourself these questions:

Have I represented the author and the ideas presented in the book in a fair and balanced way?

Does the ethical tone of my review prompt the reader to trust my judgment? (You may want to review the discussion on writing arguments in this chapter.)

Does my review reflect the interests of my readers and fulfill my reasons for writing the review?

Have I demonstrated my understanding of the content of the article or book I’m reviewing? Have I clearly addressed the major issues in the subject area?

Have I clearly stated my own biases as a reviewer?

Have I clearly expressed my position about how much or how little the author has contributed to my understanding of the subject in question? Have I recommended or not recommended the book to other prospective readers?

Have I checked my review for organizational, grammatical, and mechanical errors?

Key Takeaway

A book review or article review is a critical analysis of the material that describes, summarizes, and critiques the ideas presented. The purpose of a book or article review assignment is to broaden your knowledge base and understanding of a topic.

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Table of Contents: Online Guide to Writing

Chapter 1: College Writing

How Does College Writing Differ from Workplace Writing?

What Is College Writing?

Why So Much Emphasis on Writing?

Chapter 2: The Writing Process

Doing Exploratory Research

Getting from Notes to Your Draft

Introduction

Prewriting - Techniques to Get Started - Mining Your Intuition

Prewriting: Targeting Your Audience

Prewriting: Techniques to Get Started

Prewriting: Understanding Your Assignment

Rewriting: Being Your Own Critic

Rewriting: Creating a Revision Strategy

Rewriting: Getting Feedback

Rewriting: The Final Draft

Techniques to Get Started - Outlining

Techniques to Get Started - Using Systematic Techniques

Thesis Statement and Controlling Idea

Writing: Getting from Notes to Your Draft - Freewriting

Writing: Getting from Notes to Your Draft - Summarizing Your Ideas

Writing: Outlining What You Will Write

Chapter 3: Thinking Strategies

A Word About Style, Voice, and Tone

A Word About Style, Voice, and Tone: Style Through Vocabulary and Diction

Critical Strategies and Writing

Critical Strategies and Writing: Analysis

Critical Strategies and Writing: Evaluation

Critical Strategies and Writing: Persuasion

Critical Strategies and Writing: Synthesis

Developing a Paper Using Strategies

Kinds of Assignments You Will Write

Patterns for Presenting Information

Patterns for Presenting Information: Critiques

Patterns for Presenting Information: Discussing Raw Data

Patterns for Presenting Information: General-to-Specific Pattern

Patterns for Presenting Information: Problem-Cause-Solution Pattern

Patterns for Presenting Information: Specific-to-General Pattern

Patterns for Presenting Information: Summaries and Abstracts

Supporting with Research and Examples

Writing Essay Examinations

Writing Essay Examinations: Make Your Answer Relevant and Complete

Writing Essay Examinations: Organize Thinking Before Writing

Writing Essay Examinations: Read and Understand the Question

Chapter 4: The Research Process

Planning and Writing a Research Paper

Planning and Writing a Research Paper: Ask a Research Question

Planning and Writing a Research Paper: Cite Sources

Planning and Writing a Research Paper: Collect Evidence

Planning and Writing a Research Paper: Decide Your Point of View, or Role, for Your Research

Planning and Writing a Research Paper: Draw Conclusions

Planning and Writing a Research Paper: Find a Topic and Get an Overview

Planning and Writing a Research Paper: Manage Your Resources

Planning and Writing a Research Paper: Outline

Planning and Writing a Research Paper: Survey the Literature

Planning and Writing a Research Paper: Work Your Sources into Your Research Writing

Research Resources: Where Are Research Resources Found? - Human Resources

Research Resources: What Are Research Resources?

Research Resources: Where Are Research Resources Found?

Research Resources: Where Are Research Resources Found? - Electronic Resources

Research Resources: Where Are Research Resources Found? - Print Resources

Structuring the Research Paper: Formal Research Structure

Structuring the Research Paper: Informal Research Structure

The Nature of Research

The Research Assignment: How Should Research Sources Be Evaluated?

The Research Assignment: When Is Research Needed?

The Research Assignment: Why Perform Research?

Chapter 5: Academic Integrity

Academic Integrity

Giving Credit to Sources

Giving Credit to Sources: Copyright Laws

Giving Credit to Sources: Documentation

Giving Credit to Sources: Style Guides

Integrating Sources

Practicing Academic Integrity

Practicing Academic Integrity: Keeping Accurate Records

Practicing Academic Integrity: Managing Source Material

Practicing Academic Integrity: Managing Source Material - Paraphrasing Your Source

Practicing Academic Integrity: Managing Source Material - Quoting Your Source

Practicing Academic Integrity: Managing Source Material - Summarizing Your Sources

Types of Documentation

Types of Documentation: Bibliographies and Source Lists

Types of Documentation: Citing World Wide Web Sources

Types of Documentation: In-Text or Parenthetical Citations

Types of Documentation: In-Text or Parenthetical Citations - APA Style

Types of Documentation: In-Text or Parenthetical Citations - CSE/CBE Style

Types of Documentation: In-Text or Parenthetical Citations - Chicago Style

Types of Documentation: In-Text or Parenthetical Citations - MLA Style

Types of Documentation: Note Citations

Chapter 6: Using Library Resources

Finding Library Resources

Chapter 7: Assessing Your Writing

How Is Writing Graded?

How Is Writing Graded?: A General Assessment Tool

The Draft Stage

The Draft Stage: The First Draft

The Draft Stage: The Revision Process and the Final Draft

The Draft Stage: Using Feedback

The Research Stage

Using Assessment to Improve Your Writing

Chapter 8: Other Frequently Assigned Papers

Reviews and Reaction Papers: Article and Book Reviews

Reviews and Reaction Papers: Reaction Papers

Writing Arguments

Writing Arguments: Adapting the Argument Structure

Writing Arguments: Purposes of Argument

Writing Arguments: References to Consult for Writing Arguments

Writing Arguments: Steps to Writing an Argument - Anticipate Active Opposition

Writing Arguments: Steps to Writing an Argument - Determine Your Organization

Writing Arguments: Steps to Writing an Argument - Develop Your Argument

Writing Arguments: Steps to Writing an Argument - Introduce Your Argument

Writing Arguments: Steps to Writing an Argument - State Your Thesis or Proposition

Writing Arguments: Steps to Writing an Argument - Write Your Conclusion

Writing Arguments: Types of Argument

Appendix A: Books to Help Improve Your Writing

Dictionaries

General Style Manuals

Researching on the Internet

Special Style Manuals

Writing Handbooks

Appendix B: Collaborative Writing and Peer Reviewing

Collaborative Writing: Assignments to Accompany the Group Project

Collaborative Writing: Informal Progress Report

Collaborative Writing: Issues to Resolve

Collaborative Writing: Methodology

Collaborative Writing: Peer Evaluation

Collaborative Writing: Tasks of Collaborative Writing Group Members

Collaborative Writing: Writing Plan

General Introduction

Peer Reviewing

Appendix C: Developing an Improvement Plan

Working with Your Instructor’s Comments and Grades

Appendix D: Writing Plan and Project Schedule

Devising a Writing Project Plan and Schedule

Reviewing Your Plan with Others

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The Book Review or Article Critique

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An analytic or critical review of a book or article is not primarily a summary; rather, it comments on and evaluates the work in the light of specific issues and theoretical concerns in a course. (To help sharpen your analytical reading skills, see our file on Critical Reading .) The literature review puts together a set of such commentaries to map out the current range of positions on a topic; then the writer can define his or her own position in the rest of the paper. Keep questions like these in mind as you read, make notes, and write the review

• What is the specific topic of the book or article? What overall purpose does it seem to have? For what readership is it written? (The preface, acknowledgements, bibliography and index can be helpful in answering these questions. Don’t overlook facts about the author’s background and the circumstances of the book’s creation and publication.)
• Does the author state an explicit thesis? Does he or she noticeably have an axe to grind? What are the theoretical assumptions? Are they discussed explicitly? (Again, look for statements in the preface, etc. and follow them up in the rest of the work.)
• What exactly does the work contribute to the overall topic of your course? What general problems and concepts in your discipline and course does it engage with?
• What kinds of material does the work present (e.g. primary documents or secondary material, literary analysis, personal observation, quantitative data, biographical or historical accounts)?
• How is this material used to demonstrate and argue the thesis? (As well as indicating the overall structure of the work, your review could quote or summarize specific passages to show the characteristics of the author’s presentation, including writing style and tone.)
• Are there alternative ways of arguing from the same material? Does the author show awareness of them? In what respects does the author agree or disagree?
• What theoretical issues and topics for further discussion does the work raise?
• What are your own reactions and considered opinions regarding the work?

Browse in published scholarly book reviews to get a sense of the ways reviews function in intellectual discourse. Look at journals in your discipline or general publications such as the London Review of Books or the New York Review of Books

Some reviews summarize the book’s content and then evaluate it; others integrate these functions, commenting on the book and using summary only to give examples. Choose the method that seems most suitable according to your professor’s directions

To keep your focus, remind yourself that your assignment is primarily to discuss the book’s treatment of its topic, not the topic itself. Your key sentences should therefore say “This book shows…the author argues” rather than “This happened…this is the case.

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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• Scholarly Journals and Popular Magazines
• Differences in Research, Review, and Opinion Articles

Scholarly Journals and Popular Magazines: Differences in Research, Review, and Opinion Articles

• Where Do I Start?
• How Do I Find Peer-Reviewed Articles?
• How Do I Compare Periodical Types?
• Where Can I find More Information?

Research Articles, Reviews, and Opinion Pieces

Scholarly or research articles are written for experts in their fields. They are often peer-reviewed or reviewed by other experts in the field prior to publication. They often have terminology or jargon that is field specific. They are generally lengthy articles. Social science and science scholarly articles have similar structures as do arts and humanities scholarly articles. Not all items in a scholarly journal are peer reviewed. For example, an editorial opinion items can be published in a scholarly journal but the article itself is not scholarly. Scholarly journals may include book reviews or other content that have not been peer reviewed.

Empirical Study: (Original or Primary) based on observation, experimentation, or study. Clinical trials, clinical case studies, and most meta-analyses are empirical studies.

Review Article: (Secondary Sources) Article that summarizes the research in a particular subject, area, or topic. They often include a summary, an literature reviews, systematic reviews, and meta-analyses.

Clinical case study (Primary or Original sources): These articles provide real cases from medical or clinical practice. They often include symptoms and diagnosis.

Clinical trials ( Health Research): Th ese articles are often based on large groups of people. They often include methods and control studies. They tend to be lengthy articles.

Opinion Piece:  An opinion piece often includes personal thoughts, beliefs, or feelings or a judgement or conclusion based on facts. The goal may be to persuade or influence the reader that their position on this topic is the best.

Book review: Recent review of books in the field. They may be several pages but tend to be fairly short. 

Social Science and Science Research Articles

The majority of social science and physical science articles include

• Journal Title and Author
• Abstract 
• Introduction with a hypothesis or thesis
• Literature Review
• Methods/Methodology
• Results/Findings

Arts and Humanities Research Articles

In the Arts and Humanities, scholarly articles tend to be less formatted than in the social sciences and sciences. In the humanities, scholars are not conducting the same kinds of research experiments, but they are still using evidence to draw logical conclusions.  Common sections of these articles include:

• an Introduction
• Discussion/Conclusion
• works cited/References/Bibliography

Research versus Review Articles

• 6 Article types that journals publish: A guide for early career researchers
• INFOGRAPHIC: 5 Differences between a research paper and a review paper
• Michigan State University. Empirical vs Review Articles
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How to Write Critical Reviews

When you are asked to write a critical review of a book or article, you will need to identify, summarize, and evaluate the ideas and information the author has presented. In other words, you will be examining another person’s thoughts on a topic from your point of view.

Your stand must go beyond your “gut reaction” to the work and be based on your knowledge (readings, lecture, experience) of the topic as well as on factors such as criteria stated in your assignment or discussed by you and your instructor.

Make your stand clear at the beginning of your review, in your evaluations of specific parts, and in your concluding commentary.

Remember that your goal should be to make a few key points about the book or article, not to discuss everything the author writes.

Understanding the Assignment

To write a good critical review, you will have to engage in the mental processes of analyzing (taking apart) the work–deciding what its major components are and determining how these parts (i.e., paragraphs, sections, or chapters) contribute to the work as a whole.

Analyzing the work will help you focus on how and why the author makes certain points and prevent you from merely summarizing what the author says. Assuming the role of an analytical reader will also help you to determine whether or not the author fulfills the stated purpose of the book or article and enhances your understanding or knowledge of a particular topic.

Be sure to read your assignment thoroughly before you read the article or book. Your instructor may have included specific guidelines for you to follow. Keeping these guidelines in mind as you read the article or book can really help you write your paper!

Also, note where the work connects with what you’ve studied in the course. You can make the most efficient use of your reading and notetaking time if you are an active reader; that is, keep relevant questions in mind and jot down page numbers as well as your responses to ideas that appear to be significant as you read.

Please note: The length of your introduction and overview, the number of points you choose to review, and the length of your conclusion should be proportionate to the page limit stated in your assignment and should reflect the complexity of the material being reviewed as well as the expectations of your reader.

Write the introduction

Below are a few guidelines to help you write the introduction to your critical review.

Introduce your review appropriately

Begin your review with an introduction appropriate to your assignment.

If your assignment asks you to review only one book and not to use outside sources, your introduction will focus on identifying the author, the title, the main topic or issue presented in the book, and the author’s purpose in writing the book.

If your assignment asks you to review the book as it relates to issues or themes discussed in the course, or to review two or more books on the same topic, your introduction must also encompass those expectations.

Explain relationships

For example, before you can review two books on a topic, you must explain to your reader in your introduction how they are related to one another.

Within this shared context (or under this “umbrella”) you can then review comparable aspects of both books, pointing out where the authors agree and differ.

In other words, the more complicated your assignment is, the more your introduction must accomplish.

Finally, the introduction to a book review is always the place for you to establish your position as the reviewer (your thesis about the author’s thesis).

As you write, consider the following questions:

• Is the book a memoir, a treatise, a collection of facts, an extended argument, etc.? Is the article a documentary, a write-up of primary research, a position paper, etc.?
• Who is the author? What does the preface or foreword tell you about the author’s purpose, background, and credentials? What is the author’s approach to the topic (as a journalist? a historian? a researcher?)?
• What is the main topic or problem addressed? How does the work relate to a discipline, to a profession, to a particular audience, or to other works on the topic?
• What is your critical evaluation of the work (your thesis)? Why have you taken that position? What criteria are you basing your position on?

Provide an overview

In your introduction, you will also want to provide an overview. An overview supplies your reader with certain general information not appropriate for including in the introduction but necessary to understanding the body of the review.

Generally, an overview describes your book’s division into chapters, sections, or points of discussion. An overview may also include background information about the topic, about your stand, or about the criteria you will use for evaluation.

The overview and the introduction work together to provide a comprehensive beginning for (a “springboard” into) your review.

• What are the author’s basic premises? What issues are raised, or what themes emerge? What situation (i.e., racism on college campuses) provides a basis for the author’s assertions?
• How informed is my reader? What background information is relevant to the entire book and should be placed here rather than in a body paragraph?

Write the body

The body is the center of your paper, where you draw out your main arguments. Below are some guidelines to help you write it.

Organize using a logical plan

Organize the body of your review according to a logical plan. Here are two options:

• First, summarize, in a series of paragraphs, those major points from the book that you plan to discuss; incorporating each major point into a topic sentence for a paragraph is an effective organizational strategy. Second, discuss and evaluate these points in a following group of paragraphs. (There are two dangers lurking in this pattern–you may allot too many paragraphs to summary and too few to evaluation, or you may re-summarize too many points from the book in your evaluation section.)
• Alternatively, you can summarize and evaluate the major points you have chosen from the book in a point-by-point schema. That means you will discuss and evaluate point one within the same paragraph (or in several if the point is significant and warrants extended discussion) before you summarize and evaluate point two, point three, etc., moving in a logical sequence from point to point to point. Here again, it is effective to use the topic sentence of each paragraph to identify the point from the book that you plan to summarize or evaluate.

Questions to keep in mind as you write

With either organizational pattern, consider the following questions:

• What are the author’s most important points? How do these relate to one another? (Make relationships clear by using transitions: “In contrast,” an equally strong argument,” “moreover,” “a final conclusion,” etc.).
• What types of evidence or information does the author present to support his or her points? Is this evidence convincing, controversial, factual, one-sided, etc.? (Consider the use of primary historical material, case studies, narratives, recent scientific findings, statistics.)
• Where does the author do a good job of conveying factual material as well as personal perspective? Where does the author fail to do so? If solutions to a problem are offered, are they believable, misguided, or promising?
• Which parts of the work (particular arguments, descriptions, chapters, etc.) are most effective and which parts are least effective? Why?
• Where (if at all) does the author convey personal prejudice, support illogical relationships, or present evidence out of its appropriate context?

Keep your opinions distinct and cite your sources

Remember, as you discuss the author’s major points, be sure to distinguish consistently between the author’s opinions and your own.

Keep the summary portions of your discussion concise, remembering that your task as a reviewer is to re-see the author’s work, not to re-tell it.

And, importantly, if you refer to ideas from other books and articles or from lecture and course materials, always document your sources, or else you might wander into the realm of plagiarism.

Include only that material which has relevance for your review and use direct quotations sparingly. The Writing Center has other handouts to help you paraphrase text and introduce quotations.

Write the conclusion

You will want to use the conclusion to state your overall critical evaluation.

You have already discussed the major points the author makes, examined how the author supports arguments, and evaluated the quality or effectiveness of specific aspects of the book or article.

Now you must make an evaluation of the work as a whole, determining such things as whether or not the author achieves the stated or implied purpose and if the work makes a significant contribution to an existing body of knowledge.

Consider the following questions:

• Is the work appropriately subjective or objective according to the author’s purpose?
• How well does the work maintain its stated or implied focus? Does the author present extraneous material? Does the author exclude or ignore relevant information?
• How well has the author achieved the overall purpose of the book or article? What contribution does the work make to an existing body of knowledge or to a specific group of readers? Can you justify the use of this work in a particular course?
• What is the most important final comment you wish to make about the book or article? Do you have any suggestions for the direction of future research in the area? What has reading this work done for you or demonstrated to you?

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A book review is an article that is published in a newspaper, magazine, or scholarly work that describes and evaluates a book. Keep in mind while searching for reviews of a book that many books are published each year, only a small fraction of them are reviewed. Reviews are written for different purposes and they will vary in terms of content and depth of evaluation. Since reviews are printed in many different kinds of publications, you may need to search several sources.

Reviews are produced after the publication of a book, so knowing the initial publication date will help refine your search (knowing the exact title and author's name is also necessary). Discovery Search will usually list the publication date of books in our collection. Use WorldCat from OCLC to find publication dates for books not found in Discovery Search. Finding reviews for older books may require using print indexes in addition to recommended databases.

Many sources (online or in print) will only give a citation for the review. Use that citation to track down the complete text of the review.

Reviews differ from literary critiques of books. Critiques explore the style and themes used by an author or genre.

Types of reviews

Book review databases, general interest databases for book reviews.

See also the list of newspaper and magazine databases .

Subject specific databases

Many subject-specific databases will include book reviews. Use the Subject guides or Ask a Librarian for recommendations of relevant resources. Many will include the ability to limit search results to book reviews (check the help links if it is not immediately obvious if this is possible).

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The Difference Between Article Review and Book Review – 2023 Guide

What is an article review?

As with any kind of review, an article review involves critical analysis and evaluation of an article written by someone else. It is not just merely a summary; rather it is quite involving and requires deep assessment and analysis of the article or piece of literature you are working with.

When one undertakes to carry out an article review they have to keep an open mind in order to give an unbiased review. All that is required of you when you are writing an article review is a clear understanding and presentation in summary of the topic, subject matter, and arguments presented in the article.

Having a clear understanding of what an article review involves is therefore vital before you start working on it. This is the very first step in writing an article review.

Steps to writing an article review

• Read the article carefully. You need to understand the material you are working with clearly. My advice and I have found that it has worked for me over the years, is for you to read the article more than once.
• Go through various samples of article reviews. This will give you a general idea of what you should include in your review. In fact, look through reviews that have been done in the same field of study. It will provide more information that you can include in your study. However, be careful not to copy-paste and paraphrase a review that has already been done.
• Take notes. It is worth mentioning that as you read the article you need to take notes. Your notes should be short but clear. Write down phrases or words you might need to look up later. Write down excerpts that you might want to include in your review. Takedown as many notes as you can because you will need all the information you can get to write your review.
• Carry out further research. It is not enough just to work with the material contained in the article you are working with. Take it a step further and collect more information related to the article you are reviewing. If say for example the article is dealing with ‘malpractice in hospitals’, you need to conduct further research on this subject. Go beyond what the writer of the article has covered. If possible visit some hospitals and conduct interviews with the staff to get more information.
• Abstract. Include the main points of your review.
• Introduction. The first paragraph of your review. It is vital that your introduction is strong and engaging, grabbing the reader’s attention right from the start.
• The body. This is where you will present your arguments, where you will provide a detailed analysis of the article. Your critique and evaluation of the themes contained in the review will also be addressed in this part. Basically, this is the part of your essay where you will include the bulk of information you have gathered for your article review. Just be keen and divide this information into workable paragraphs.
• Conclusion. The conclusion of your article review should be just as strong as your introduction. Give a brief summary of the points you highlighted in the review.
• List of citations. Remember to cite any other sources you used in writing your article review.
• Edit and proofread your work.
• Write the final draft.

In case you are in need of help never hesitate to contact this site . We have years of experience and offer a vast array of writing services including book reviews. Our dedicated team of writers will work on and deliver a great book review that will be sure to earn you top marks.

How to write a book review

Writing a book review is part and parcel of any student’s life. A book review requires you to read and critically analyze every component of the book. The very basis of a book review is for you to present your understanding of all these components and how they contribute to the overall message being relayed by the writer.

A common misconception that most students have is that a book review is simply a summary. This is hardly the case because a book review includes a critical discussion and arguments of the plot, themes, and ideas presented in the book.

It is important to note that a book report is not a book review. The major difference between the two is that a book report is a summary of the book you have been assigned to read whereas a book review involves a more detailed and in-depth analysis of a book.

Being a professional writer, I have had an opportunity to assist a number of students to write exceptional book reviews. Allow me to share my insights on how to write a book review that will earn you top grades.

• READ THE BOOK

This might seem so obvious to some people, but you may be surprised at how many students skip this part. Take time to actually read the whole book and not just skim through it, if possible, read it twice. Reading the whole book gives you a chance to get all the information you need. It allows you to form your own opinion of the characters, the plot and the themes highlighted in the book. This information will be vital when you are writing your book review.

As you read the book you will be writing your review on, be sure to take notes. This is important because the notes will guide you when you sit down to write your book review. Make notes of only the important parts of the book and ensure that the notes are detailed enough to give you enough information when writing the book review.

It is always a good idea to go the extra mile when doing anything. The same applies to your book review. If you are able to read other books by the same author, it is advisable to do so. This will give you an insight as to who the author is; his or her background, writing style, and similar themes they address in those other books. It may not seem important, but this information will be of major help to you when writing your book review.

• FIRST DRAFT

As a writer, my advice to anyone undertaking any form of writing is to always have the first draft. This is just a rough overview of how you want your book review to flow so avoid stressing too much about making it perfect. The important thing is for you to have a general outline of your ideas for the book review. Do not focus too much on grammatical errors and spelling mistakes at this point those can be corrected when you are editing your work.

As with all other written works, a great book review should have an outline. Before writing your book review read the instructions given at the beginning of the assignment. This is in case there is a specific outline you are required to use. However, if it is not included in the instructions, you can use the general outline that follows this order: Title, introduction, body, and conclusion. The introduction will be a summary of your review. Most of the information in the book review will be contained in the body. Final remarks and sign off will make up the conclusion.

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Critique vs. Review

What's the difference.

Critique and review are two distinct forms of evaluation, often used in the context of analyzing a piece of work or providing feedback. While both involve assessing the strengths and weaknesses of a subject, they differ in their approach and purpose. A critique typically delves deeper into the analysis, focusing on the underlying concepts, theories, and methodologies employed in the work. It aims to provide a comprehensive evaluation, highlighting both the positive aspects and areas for improvement. On the other hand, a review tends to be more concise and opinion-based, summarizing the main points and offering a subjective judgment of the work's quality. Reviews often cater to a broader audience, providing a general overview and recommendation.

Further Detail

Introduction.

When it comes to evaluating various forms of art, literature, or any creative work, two commonly used methods are critique and review. While both critique and review involve analyzing and providing feedback on a particular piece, they differ in their approach, purpose, and level of depth. In this article, we will explore the attributes of critique and review, highlighting their similarities and differences, and understanding how they contribute to the overall understanding and improvement of creative works.

Definition and Purpose

Critique and review are both forms of evaluation, but they serve different purposes. A critique is an in-depth analysis of a creative work, focusing on its strengths, weaknesses, and overall effectiveness. It aims to provide constructive feedback to the creator, helping them understand the underlying elements and potential areas for improvement. On the other hand, a review is a more general assessment of a work, often intended for a wider audience. It aims to inform and guide potential consumers or audience members, giving them an overview of the work's quality, content, and relevance.

Approach and Perspective

When it comes to the approach and perspective, critique and review also differ. A critique typically takes a more objective and analytical stance, delving into the technical aspects, thematic elements, and artistic choices of the work. It often involves a deeper understanding of the medium and its conventions, allowing the critic to provide a comprehensive analysis. On the other hand, a review tends to be more subjective, focusing on the reviewer's personal opinion and experience with the work. While it may touch upon technical aspects, it primarily aims to convey the reviewer's overall impression and whether they would recommend it to others.

Depth and Detail

One of the key distinctions between critique and review lies in the depth and detail of the analysis. A critique goes beyond surface-level observations, diving into the nuances and intricacies of the work. It explores the underlying themes, symbolism, character development, and narrative structure, among other elements. A critique often requires a deeper engagement with the work, multiple readings or viewings, and a comprehensive understanding of the creator's intentions. On the other hand, a review provides a more concise and condensed overview, focusing on the overall impression and key aspects that may interest the target audience. It may touch upon the plot, characters, writing style, or visual aesthetics, but it does not delve into the same level of detail as a critique.

Target Audience

Another aspect that sets critique and review apart is their target audience. A critique is primarily aimed at the creator or artist, providing them with valuable insights and suggestions for improvement. It assumes a certain level of knowledge and understanding of the creative process, allowing the critic to offer a more specialized analysis. On the other hand, a review is intended for a broader audience, including potential consumers, readers, or viewers. It aims to guide their decision-making process, helping them determine whether the work aligns with their preferences and interests.

Publication and Format

The publication and format of critique and review also differ. Critiques are often found in academic journals, specialized publications, or dedicated platforms that focus on critical analysis. They tend to be longer, more detailed, and written by experts or individuals with a deep understanding of the subject matter. Reviews, on the other hand, are commonly found in newspapers, magazines, online platforms, or even personal blogs. They are generally shorter, more accessible, and written by individuals who may or may not have expertise in the field but can provide an opinion that resonates with a wider audience.

Impact and Influence

Both critique and review have the potential to impact the creator and the audience, albeit in different ways. A well-executed critique can provide valuable insights and suggestions for improvement, helping the creator refine their work and grow as an artist. It can challenge their assumptions, highlight blind spots, and encourage experimentation. On the other hand, a review can influence the audience's perception and decision-making process. A positive review may attract more consumers or audience members, while a negative review can deter potential consumers or lead to a reevaluation of the work's quality.

In conclusion, while critique and review share the common goal of evaluating creative works, they differ in their approach, purpose, depth, and target audience. Critique provides an in-depth analysis, focusing on the creator's growth and improvement, while review offers a more general assessment, guiding the audience's decision-making process. Both forms of evaluation play a crucial role in the creative ecosystem, contributing to the understanding, development, and appreciation of various art forms.

Comparisons may contain inaccurate information about people, places, or facts. Please report any issues.

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• What is a Book Review or Book Report?
• What is a Literature Review?

Also referred to as a book report, a  book review  consists of "critical comments on a book, especially when it is first published" ("Book Review, 2006). 

Similar to a short essay, a book review typically includes several of these elements:

     •  Description of the book's main topic, purpose and/or point of view, answering questions such as:

            •  What is the genre of the work (i.e. novel, non-fiction, memoir etc.)?

            •  Who is the intended audience?

            •  If a fictional work, what are the key themes, motifs, and/or plot devices?

            •  If a non-fictional work, what are the main arguments and ideas?

      •  Assessment of the book's main points, biases or flaws

      •  Critical analysis of the book's strengths and weaknesses, literary value and/or overall quality and contribution to the subject area

      •  If non-fiction, an explanation of how the book fits into the academic or popular discourse on a topic or subject area

Book Review. (2006). In P. Collin (Ed.),  Dictionary of publishing and printing . London, United Kingdom: A&C Black. Retrieved from http://search.credoreference.com

Follow these links to learn more about book reviews:

• Book Reviews - University of North Carolina at Chapel Hill
• How to Write Book Reviews - Queens University
• How to write a book report and a book review - Concordia University Libraries

A literature review is a "comprehensive study and interpretation of literature that addresses a specific topic" (Aveyard, 2010).

Literature reviews are generally conducted in one of two ways:

1) As a preliminary review before a larger study in order to critically evaluate the current literature and justify why further study and research is required.

In this case, the researcher must "systematically search, critique and combine the literature to demonstrate a gap in the existing research base" while demonstrating "their understanding of both the research and the methods previously used to investigate the area" (Aveyard, 2010).

2) As a project in itself that provides a comprehensive survey of the works published in a particular discipline or area of research over a specified period of time.

Sometimes referred to as a systematic literature review or meta-analysis, this type of literature review is a critical survey that attempts to "evaluate and interpret all available research evidence relevant to a particular question" (Glasziou, 2001).

Aveyard, H. (2010). Doing a literature review in health and social care: A practical guide (2nd ed.). Bershire, United Kingdom: Open University Press.

Galsziou, P. (2001). Systematic reviews in health care: A practical guide . New York, NY: Cambridge University Press.

Learn more about literature reviews:

• Guidelines for writing a literature review - University of Minnesota Duluth A step-by-step guide for writing a literature review
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Watch this short video to learn about types of scholarly articles, including research articles and literature reviews!

Not in the mood for a video? Read on!

What's the difference between a research article and a review article?

Research articles , sometimes referred to as empirical  or primary sources , report on original research. They will typically include sections such as an introduction, methods, results, and discussion.

Here is a more detailed explanation of research articles .

Review articles , sometimes called literature reviews  or secondary sources , synthesize or analyze research already conducted in primary sources. They generally summarize the current state of research on a given topic.

Here is a more detailed explanation of review articles .

The video above was created by the Virginia Commonwealth University Libraries .

The defintions, and the linked detailed explanations, are paraphrased from the Publication Manual of the American Psychological Association , 6th ed .

The linked explanations are provided by the Mohawk Valley Community College Libraries .

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ENGLISH: Research Guide | Book Reviews vs. Literary Criticism

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In this section, you'll find:.

• Information on book reviews and where to find them
• Information on literary criticism  and where to find it

Book Reviews

Book reviews describe and analyze the contents of a book, and often make a recommendation about whether or not to read or purchase the book. Reviews vary in length from single paragraphs to full-length essays (remember writing book reports in middle school?).

Reviews of nonfiction books analyze the topics and/or arguments of the book. Reviewers judge the effectiveness of the authors' support for their arguments and assertions. An author should have some form of authority - they should have a credible reason for writing on the subject. Thus, a book review should cover the authors' credentials. Typically, book reviews compare the book to similar books on the subject. Pay attention to what reviewers consider to be important omissions and any potential biases.

Book Reviews - Fiction & Popular Works

Full-text book reviews from 1965-present, mostly for general fiction and non-fiction, the humanities, and the social sciences. Search for the book title (not the review title).

• The New York Review of Books Literary magazine with essays and reviews (of theater and more, not just books).

Book Reviews - Nonfiction & Scholarly Works

• H-Net Reviews The largest online professional reviewing archive, with approximately 46,000 free reviews of scholarly books.

Literary Criticism

Literary criticism is the term given to studies that define, classify, analyze, interpret, and evaluate works of literature. There are many types of literary criticism:

• Moral Criticism, Dramatic Construction (~360 BC-present)
• Formalism, New Criticism, Neo-Aristotelian Criticism (1930s-present)
• Psychoanalytic Criticism, Jungian Criticism(1930s-present)
• Marxist Criticism (1930s-present)
• Reader-Response Criticism (1960s-present)
• Structuralism/Semiotics (1920s-present)
• Post-Structuralism/Deconstruction (1966-present)
• New Historicism/Cultural Studies (1980s-present)
• Post-Colonial Criticism (1990s-present)
• Feminist Criticism (1960s-present)
• Gender/Queer Studies (1970s-present)
• Critical Race Theory (1970s-present)

Literary criticism may examine a particular literary work or it may look at an author's writings as a whole. 

Literary Criticism in Academic Journals

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Systematic and other reviews: criteria and complexities

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Review articles can be extremely valuable. They synthesize information for readers, often provide clarity and valuable insights into a topic; and good review articles tend to be cited frequently. Review articles do not require Institutional Review Board (IRB) approval if the data reviewed are public (including private and government databases) and if the articles reviewed have received IRB approval previously. However, some institutions require IRB review and exemption for review articles. So, authors should be familiar with their institution’s policy. In assessing and interpreting review articles, it is important to understand the article’s methodology, scholarly purpose and credibility. Many readers, and some journal reviewers, are not aware that there are different kinds of review articles with different definitions, criteria and academic impact [ 1 ]. In order to understand the importance and potential application of a review article, it is valuable for readers and reviewers to be able to classify review articles correctly.

Systematic reviews

Authors often submit articles that include the term “systematic” in the title without realizing that that term requires strict adherence to specific criteria. A systematic review follows explicit methodology to answer a well-defined research question by searching the literature comprehensively, evaluating the quantity and quality of research evidence rigorously, and analyzing the evidence to synthesize an answer to the research question. The evidence gathered in systematic reviews can be qualitative or quantitative. However, if adequate and comparable quantitative data are available then a meta-analysis can be performed to assess the weighted and summarized effect size of the studies included. Depending on the research question and the data collected, systematic reviews may or may not include quantitative meta-analyses; however, meta-analyses should be performed in the setting of a systematic review to ensure that all of the appropriate data were accessed. The components of a systematic review can be found in an important article by Moher et al. published in 2009 that defined requirements for systematic reviews and meta-analyses [ 2 ].

In order to optimize reporting of meta-analyses, an international group developed the Quality of Reporting of Meta-Analyses (QUOROM) statement at a meeting in 1996 that led to publication of the QUOROM statement in 1999 [ 3 ]. Moher et al. revised that document and re-named the guidelines the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA). The PRISMA statement included both meta-analyses and systematic reviews, and the authors incorporated definitions established by the Cochrane Collaboration [ 4 ]. The PRISMA statement established the current standard for systematic reviews. To qualify as a systematic review, the methods section should acknowledge use of the PRISMA guidelines, and all PRISMA components should be incorporated strictly in all facets of the paper from the research question to the discussion. The PRISMA statement includes a checklist of 27 items that must be included when reporting a systematic review or meta-analysis [ 2 ]. A downloadable version of this checklist can be used by authors, reviewers, and journal editorial staff to ensure compliance with recommended components [ 5 ]. All 27 will not be listed in this brief editorial (although authors and reviewers are encouraged to consult the article by Moher et al. and familiarize themselves with all items), but a few will be highlighted.

The research question, as reflected in the title, should be a hypothesis-based specific research inquiry. The introduction must describe the rationale for the review and provide a specific goal or set of goals to be addressed. The type of systematic review, according to the Cochrane Collaboration, is based on the research question being asked and may assess diagnostic test accuracy, review prognostic studies evidence, evaluate intervention effect, scrutinize research methodology, or summarize qualitative evidence [ 6 ].

In the methods section, the participants, interventions, comparisons, outcomes and study design (PICOS) must be put forward. In addition to mentioning compliance with PRISMA, the methods section should state whether a review protocol exists and, if so, where it can be accessed (including a registration number). Systematic reviews are eligible for registration in the International Prospective Register of Systematic Reviews (PROSPERO) as established at the University of York (York, UK). When PROSPERO is used (it is available but not required for systematic reviews), registration should occur at the initial protocol stage of the review, and the final paper should direct to the information in the register. The methods section also must include specific study characteristics including databases used, years considered, languages of articles included, specific inclusion and exclusion criteria for studies; and rationale for each criterion must be included. Which individuals specifically performed searches should be noted. Electronic search strategy (with a full description of at least one electronic search strategy sufficient to allow replication of the search), process for article selection, data variables sought, assumptions and simplifications, methods for assessing bias risk of each individual study (such as selective reporting in individual studies) and utilization of this information in data synthesis, principal summary measures (risk ratio, hazard ratio, difference in means, etc.), methods of data management and combining study results, outcome level assessment, and other information should be reported.

The results section should include the number of studies identified, screened, evaluated for eligibility (including rationale for exclusion), and those included in the final synthesis. A PRISMA flow diagram should be included to provide this information succinctly [ 7 ]. The results also should include the study characteristics, study results, risk of bias within and across studies, and a qualitative or quantitative synthesis of the results of the included studies. This level of rigor in acquiring and evaluating the evidence of each individual study is one of the criteria that distinguishes systematic reviews from other categories. If the systematic review involves studies with paired samples and quantitative data, a summary of data should be provided for each intervention group along with effect estimates and confidence intervals for all outcomes of each study. If a meta-analysis is performed, then synthesized effect size should be reported with confidence intervals and measures of consistency (i.e. – data heterogeneity such as I 2 ) for each meta-analysis, and assessment of bias risk across studies. A forest plot, which provides a graphical presentation of the meta-analysis results, should be included.

The discussion section should summarize the main findings commenting on the strength of evidence for each outcome, as well as relevance to healthcare providers, policymakers and other key stake-holders; limitations of the study and outcomes; and conclusions highlighting the interpretation of results in the context of other research, and implications for future research.

Without adhering to of all of these criteria and the others listed in the PRISMA statement and checklist, the review does not qualify to be classified as “systematic”.

Meta-analyses

Meta-analyses, when feasible based on available and comparable quantitative data, supplement a systematic review evaluation, by adding a secondary statistical analysis of the pooled weighted outcomes of similar studies. This adds a level of objectivity in the synthesis of the review’s findings. Meta-analyses are appropriate when at least 2 individual studies contain paired samples (experimental group and control group) and provide quantitative outcome data and sample size. Studies that lack a control group may over-estimate the effect size of the experimental intervention or condition being studied and are not ideal for meta-analyses [ 8 ]. It also should be remembered that the conclusions of a meta-analysis are only as valid as the data on which the analysis is based. If the articles included are flawed, then the conclusions of the meta-analysis also may be flawed. Systematic reviews and meta-analyses are the most rigorous categories of review.

Other types of reviews

Mixed methods reviews.

Systematic reviews typically contain a single type of data, either qualitative or quantitative; however, mixed methods reviews bring together a combination of data types or study types. This approach may be utilized when quantitative data, in the setting of an intervention study, only provide a narrow perspective of the efficacy or effectiveness of the intervention. The addition of qualitative data or qualitative studies may provide a more complete picture of the knowledge, attitudes, and behaviors of clinicians, patients or researchers regarding that intervention. This type of review could involve collecting either the quantitative or the qualitative data using systematic review methodology, but often the qualitative data are gathered using a convenience sampling. Many qualitative studies provide useful insights into clinical management and/or implementation of research interventions; and incorporating them into a mixed methods review may provide valuable perspective on a wide range of literature. Mixed methods reviews are not necessarily systematic in nature; however, authors conducting mixed methods reviews should follow systematic review methodology, when possible.

Literature and narrative reviews

Literature reviews include peer-reviewed original research, systematic reviews, and meta-analyses, but also may include conference abstracts, books, graduate degree theses, and other non-peer reviewed publications. The methods used to identify and evaluate studies should be specified, but they are less rigorous and comprehensive than those required for systematic reviews. Literature reviews can evaluate a broad topic but do not specifically articulate a specific question, nor do they synthesize the results of included studies rigorously. Like mixed method reviews, they provide an overview of published information on the topic, although they may be less comprehensive than integrative reviews; and, unlike systematic reviews, they do not need to support evidence-based clinical or research practices, or highlight high-quality evidence for the reader. Narrative reviews are similar to literature reviews and evaluate the same scope of literature. The terms sometimes are used interchangeably, and author bias in article selection and data interpretation is a potential concern in literature and narrative reviews.

Umbrella reviews

An umbrella review integrates previously published, high-quality reviews such as systematic reviews and meta-analyses. Its purpose is to synthesize information in previously published systematic reviews and meta-analyses into one convenient paper.

Rapid review

A rapid review uses systematic review methodology to evaluate existing research. It provides a quick synthesis of evidence and is used most commonly to assist in emergent decision-making such as that required to determine whether COVID-19 vaccines should receive emergent approval.

Scoping, mapping, and systematized reviews

If literature has not been reviewed comprehensively in a specific subject that is varied and complex, a mapping review (also called scoping review) may be useful to organize initial understanding of the topic and its available literature. While mapping reviews may be helpful in crystallizing research findings and may be published, they are particularly useful in helping to determine whether a topic is amenable to systematic review, and to help organize and direct the approach of the systematic review or other reviews of the subject. Systematized reviews are used most commonly by students. The systematized review provides initial assessment of a topic that is potentially appropriate for a systematic review, but a systematized review does not meet the rigorous criteria of a systematic review and has substantially more limited value. Additional types of reviews exist including critical review, state-of-the-art review, and others.

Reviews can be invaluable; but they also can be misleading. Systematic reviews and meta-analyses provide readers with the greatest confidence that rigorous efforts have attempted to eliminate bias and ensure validity, but even they have limitations based upon the strengths and weaknesses of the literature that they have assessed (and the skill and objectivity with which the authors have executed the review). Risks of bias, incomplete information and misinformation increase as the rigor of review methodology decreases. While review articles may summarize research related to a topic for readers, non-systematic reviews lack the rigor to answer adequately hypothesis-driven research questions that can influence evidence-based practice. Journal authors, reviewers, editorial staff, and should be cognizant of the strengths and weaknesses of review methodology and should consider them carefully as they assess the value of published review articles, particularly as they determine whether the information presented should alter their patient care.

Authors’ contributions

The author(s) read and approved the final manuscript.

Declarations

The authors declare no competing interests.

This article is co-published in the following journals: Journal of Voice, Otology & Neurotology, Ear, Nose and Throat Journal, Journal of Laryngology and Otology, Operative Techniques in Otolaryngology – Head and Neck Surgery, Head & Neck, International Journal of Pediatric Otorhinolaryngology, Journal of Neurological Surgery Part B: Skull Base, Otolaryngology – Head and Neck Surgery, World Journal of Otorhinolaryngology – Head and Neck Surgery, The Laryngoscope, American Journal of Rhinology & Allergy, Annals of Otology, Rhinology & Laryngology, Clinical Otolaryngology, American Journal of Otolaryngology, Laryngoscope Investigative Otolaryngology.

Publisher’s Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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Difference between a Literature Review and a Critical Review

By charlesworth author services.

• Charlesworth Author Services
• 08 October, 2021

As you read research papers, you may notice that there are two very different kinds of review of prior studies. Sometimes, this section of a paper is called a literature review, and at other times, it is referred to as a critical review or a critical context . These differences may be more commonly seen across different fields. Although both these sections are about reviewing prior and existing studies, this article aims to clarify the differences between the two.

Literature review

A literature review is a summary of prior or existing studies that are related to your own research paper . A literature review can be a part of a research paper or can form a paper in itself . For the former, the literature review is designed as a basis upon which your own current study is designed and built. The latter forms a synthesis of prior studies and is a way to highlight future research agendas or a framework.

Writing a literature review

In a literature review, you should attempt to discuss the arguments and findings in prior studies and then work to build on these studies as you develop your own research. You can also highlight the connection between existing and prior literature to demonstrate how the current study you are presenting can advance your knowledge in the field .

When performing a literature review, you should aim to summarise your discussions using a specific aspect of the literature, such as by topic, time, methodology/ design and findings . By doing so, you should be able to establish an effective way to present the relevant literature and demonstrate the connection between prior studies and your research.

Do note that a literature review does not include a presentation or discussion of any results or findings – this should come at a later point in the paper or study. You should also not impose your subjective viewpoints or opinions on the literature you discuss. 

Critical review

A critical review is also a popular way of reviewing prior and existing studies. It can cover and discuss the main ideas or arguments in a book or an article, or it can review a specific concept, theme, theoretical perspective or key construct found in the existing literature .

However, the key feature that distinguishes a critical review from a literature review is that the former is more than just a summary of different topics or methodologies. It offers more of a reflection and critique of the concept in question, and is engaged by authors to more clearly contextualise their own research within the existing literature and to present their opinions, perspectives and approaches .

Given that a critical review is not just a summary of prior literature, it is generally not considered acceptable to follow the same strategy as for a literature review. Instead, aim to organise and structure your critical review in a way that would enable you to discuss the key concepts, assert your perspectives and locate your arguments and research within the existing body of work. 

Structuring a critical review

A critical review would generally begin with an introduction to the concepts you would like to discuss. Depending on how broad the topics are, this can simply be a brief overview or it could set up a more complex framework. The discussion that follows through the rest of the review will then address and discuss your chosen themes or topics in more depth. 

Writing a critical review

The discussion within a critical review will not only present and summarise themes but also critically engage with the varying arguments, writings and perspectives within those themes. One important thing to note is that, similar to a literature review , you should keep your personal opinions, likes and dislikes out of a review. Whether you personally agree with a study or argument – and whether you like it or not – is immaterial. Instead, you should focus upon the effectiveness and relevance of the arguments , considering such elements as the evidence provided, the interpretations and analysis of the data, whether or not a study may be biased in any way, what further questions or problems it raises or what outstanding gaps and issues need to be addressed.

In conclusion

Although a review of previous and existing literature can be performed and presented in different ways, in essence, any literature or critical review requires a solid understanding of the most prominent work in the field as it relates to your own study. Such an understanding is crucial and significant for you to build upon and synthesise the existing knowledge, and to create and contribute new knowledge to advance the field .

Read previous (fourth) in series: How to refer to other studies or literature in the different sections of a research paper

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Book Review vs. Book Report: Understanding the Key Differences

• Brandon Kingsman
• March 30, 2024

Introduction:

Discussing literature is an enjoyable adventure that fosters intellectual development and provides doors to new worlds for both book lovers and pupils.

Reviewing books and report writing are two different sorts of tasks that students frequently encounter within the framework of the scholastic process.

Despite their apparent similarity, these phrases really refer to various analyses.

By highlighting their unique goals, frameworks, and writing styles, this article seeks to shed light on the major distinctions between book reports and book reviews.

What is a Book Review?

A book review is an in-depth examination of a piece of literature that offers readers a perceptive study of its subject matter, tone, and significance.

Book assessments are more frequently seen in magazines, newspapers, and sites than book reports, which are typically needed in educational contexts. They are employed to assist readers with deciding whether a certain book is worth their cash and time.

Purpose of a Book Review:

The main goal of a book review is to give an unbiased evaluation of the book’s virtues and defects while also offering prospective readers a sneak preview of what to anticipate.

A good book review aims to arouse interest in the subject, spark discussion, and create a sense of anticipation.

Structure of a Book Review

A standard book review often includes several important elements:

The review opens with a brief introduction that includes information on the author, publisher, title, and broad objectives and themes of the book.

By reading a brief summary of the book’s primary ideas or storyline avoiding major spoilers, readers can better appreciate the book’s significance.

The analysis and assessment are the two main parts of the review. The reviewer examines the pros and cons of the work, going into great length about the author’s writing style, character development, plot coherence, and topical relevance. A few sentences from the text are used to support opinions in order to lend the analysis some credibility.

When appropriate, reviewers may make parallels between the book being discussed and other books by the author or books in the same genre.

Reviewer’s overall opinion is succinctly summarized in the conclusion, along with a suggestion for the intended audience.

What is a Book Report?

A book report, on the opposite hand, provides a more frank and impartial review of the material in the book. It is frequently given to learners as a test of their comprehension of the text and literary knowledge.

Purpose of a Book Report

A book report’s objective is to show that the person who reads it has read the work in question and is capable of providing an accurate summary of its major themes.

Book reports are frequently used in educational contexts to evaluate students’ comprehension of character, story, and topic analysis.

Structure of a Book Report

A typical book report has the following format:

Introduction: Much like a book review, the report starts out with some background information on the book, such as its name, author, and year of publication.

Summary: The primary portion of the report is on giving a thorough synopsis of the story, lead characters, and major themes in the book. The report strives to stay away from critical analysis and personal judgments, unlike a review.

Character Analysis: Book reports may have a part devoted to evaluating the characters and how they change during the narrative.

Theme Analysis (Optional): Students may also examine and debate the major topics of the novel in their theme analyses.

Conclusion: An overview of the book’s main themes serves as the report’s conclusion.

Writing Style Differences

Between book reports and book reviews, there are certain key differences in writing style.

Reviews of books frequently take on a more entertaining and opinionated tone, letting the reviewer’s character and thoughts shine through.

Alternatively, book reports take on a formal, objective tone and convey the facts without making any subjective judgments.

Finally, despite the fact that both book reports and book evaluations center on literary scrutiny, they perform different functions and have different formats and writing styles.

In contrast to book reports, which are objective summaries meant to show comprehension, book reviews are personal appraisals aimed to spark readers’ interest.

For both readers and students, being aware of these distinctions is essential because it helps them to tackle each assignment with the proper attitude and approach.

People can improve their experiences and develop a greater appreciation for literature by becoming experts at writing book reports and reviews.

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Home » Language » English Language » Literature » Difference Between Critique and Review

Difference Between Critique and Review

Main difference – critique vs review.

Although the two terms critique and review are often used interchangeably, there is a subtle difference between critique and review. The main difference between critique and review is the writer; critiques are written by experts in the relevant field whereas reviews are written by people who are interested in that particular field. Therefore, critiques are considered to be more reliable than reviews.

What is a Critique

A critique is a detailed analysis and assessment of something, especially a literary, philosophical, or political theory or work. A critique is usually written by a critic. A critic is an expert in a particular field, so he can comment on a particular theory or work in depth. Therefore, a critique is more reliable than a review.

A critique can look at separate components of a work as well as the overall impression of the work. A critique can be very technical since the critic has expert knowledge in the field.  It can contain information like techniques, trends in the field, etc. Sometimes, a person who doesn’t have any knowledge in that particular field may find it difficult to understand the critique properly.

What is  a Review

A review describes, analyses and evaluates a work. A review may give you the main information about a piece of work. For example, if the review is about a play, it’ll describe who created the play, who were the actors, where was the play performed, what genre is it, what is the theme of the play, etc. The reviewer will also comment on the quality of the work, overall impression, and his personal opinions. But he will not go into a deep, technical analysis.

This is mainly because a reviewer is a person who has an interest in the certain topic and had the freedom of voicing out his or her thoughts. He is not usually an expert in that particular field. For example, a book review or a film review can be written by anyone. But the review will help others to determine the quality of the said work. So, a review is mainly consumer-oriented.

Critique is written by a critic.

Review is written by a reviewer.

Knowledge of the Field

Critic is an expert in a particular field.

Reviewer is a person who has an interest in a particular topic.

Critique may contain in-depth analysis of the separate components of the work or theory.

Review may contain general information, overall impression, and personal opinion.

Reliability

Critiques can be more reliable than reviews.

Reviews may not be reliable as critiques.

Critique may analyze a work technically, scientifically or academically.

Review is more consumer-oriented.

Ease of Access

Critique may not be read and understood by everyone.

About the Author: Hasa

Hasanthi is a seasoned content writer and editor with over 8 years of experience. Armed with a BA degree in English and a knack for digital marketing, she explores her passions for literature, history, culture, and food through her engaging and informative writing.

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14 Sneaky Differences Between The Movie “It Ends With Us” And The Original Novel

Colleen Hoover was responsible for some of the changes in the movie.

BuzzFeed Staff

I and many others waited excitedly for the release of It Ends With Us — the movie adaption of the widely successful book of the same name by author Colleen Hoover. Even if you haven't read the book, you're probably familiar with it thanks to #BookTok .

Movie adaptations of books don't always meet readers' expectations, leading to mixed reviews. This is exactly what happened with It Ends With Us after it hit theaters last weekend. This is mostly because die-hard fans (including myself) noticed several differences between the book and the movie. Here are 14 differences between the It Ends With Us movie and the original novel:

Warning: Spoilers ahead!

1. The movie's opening scene differed from the book's beginning pages.

The book's first few pages begin with Lily sitting on the rooftop of a building she doesn't live in. She just previously buried her late father, and it was in the first few pages when she met Ryle. The opening scene of the movie shows Lily back in her childhood home getting ready for her father's funeral.  

2. Lily's eulogy to her father was changed in the movie.

In the book, Lily stands in front of the crowd at her father's funeral and begins to say there isn't anything good to say about him before a family member removes her. In the movie, Lily stands up there with a crumbled blank napkin that was supposed to have five things she loved about her father written on it. After looking down at the blank napkin, not saying anything, Lily rushes out of the funeral. 

3. The characters appear older in the movie compared to how they were described in the book.

In the book, Lily is 23, Atlas is two-and-a-half years older, making him in his mid-twenties, and Ryle is 30. The characters are older in the movie because Colleen admitted that she aged them wrongly in the book.

In an interview with Today , Colleen said, "Back when I wrote 'It Ends With Us,' the new adult (genre) was very popular. You were writing college-age characters. That's what I was contracted to do. I made Lily very young. I didn't know that neurosurgeons went to school for 50 years. There's not a 20-something neurosurgeon."

4. How and when Lily told Ryle about her father abusing her mother differs from the book and the movie.

On the first night they met on the rooftop in the book, Lily's first "naked truth" to Ryle was telling him about her parents' abusive relationship. In the movie, she told him a while after they were already dating.

5. Lily doesn't have a roommate in the movie like she does in the book.

In the novel, Lily has a roommate named Lucy, and in the movie, there isn't any mention of Lucy, and the audience sees Lily by herself in her apartment. 

6. The name of Atlas' restaurant in the movie was changed.

When Lily and Atlas were teens, Atlas gave Lily a souvenir magnet (which is not portrayed at all in the movie) that said "Better in Boston," which Atlas eventually named his restaurant Bib's. In the movie, his restaurant's name is Roots, which still references his and Lily's relationship as teens, but for a different reason. The movie shows a flashback scene when a younger Lily was teaching Atlas about the importance of plant roots. 

Colleen told E! News that the name change was due to not "having as much time onscreen to develop early conversations."

7. Ryle's proposal in the movie differs from the proposal in the book.

In the movie version, on the day his sister and Marshall gave birth to their daughter, Ryle realizes in the hospital room that he wants to spend the rest of his life with Lily and gets down on one knee — without a ring. 

How Ryle and Lily got married in the book is described as them eloping in Vegas on a completely different day from when Allysa and Marshall had their baby girl. 

8. In the book, Ryle is the one who explains to Lily how his brother died which is portrayed differently in the movie.

In the movie, Ryle's sister, Allysa, is the one who explains to Lily what happened to her and Ryle's brother Emerson, which is that Ryle accidentally shot and killed his brother when they were young children. Allysa tells Lily after learning that Ryle has abused Lily, but by this point, the couple is separated.

In the book, Ryle is the one who opens up about the family's secret, which he blames as his reason for abusing Lily. After learning this, Lily forgives Ryle, and they work to figure out how Ryle can control his anger.  

9. Some domestic violence scenes were portrayed differently in the movie compared to the book.

The domestic violence scenes are some of the toughest parts to read in the popular book. Audiences were curious how these scenes would be portrayed in the movie, and there were definitely fewer in the movie, plus they were portrayed a bit differently. 

Justin Baldoni explained the thought process behind this decision in a Deadline interview, saying, "My fear was that if we were to follow the exact skeleton of the book, that early on, seeing Ryle do what he did would make it very hard for us to accept that she stays with him, because there just wasn’t enough time to establish love or establish the romance." 

In the novel, when Ryle burns his hand, he pushes Lily down to try to cool off the burn under the sink. In the movie, he shoves Lily seconds after he touches the hot surface.

In another difficult scene in the book, when Ryle pushes Lily down the stairs, Lily kicks Ryle out of the apartment, leaving him to sleep in the hallway all night. In the movie, after Lily falls down the stairs, she wakes up groggy in bed, with Ryle taking care of her and asking her questions to ensure she's coherent.

10. Lily's journal entries to Ellen DeGeneres aren't in the movie at all.

In the book, Lily loves Ellen DeGeneres and often dedicates her journal entries to her. Once Lily and Atlas became friends as teens, the two watched  The Ellen DeGeneres Show   after school and loved the famous quote, "Just keep swimming," by DeGeneres' character in the movie Finding Nemo . 

Not only are Lily's journal entries lightly touched upon, but in the movie, it's barely mentioned how much she truly loved the TV host and how that quote comforted Lily and Atlas when times would get tough. 

11. How Lily calls Atlas for help differs from the book and the movie.

In the book, Lily calls Atlas for help after being attacked by Ryle and he comes to pick her up.   In the movie, after the traumatic scene where Ryle questions Lily more about Atlas and he pins her to the couch, Lily shows up in the kitchen at Atlas' restaurant and he takes her to the hospital.

12. In the book, Lily and Ryle didn't know they were having a girl until she was born.

In the book, Lily waited until she gave birth to find out her baby's gender. When she found out she had birthed a girl, she decided then and there that she was going to end the cycle of domestic violence by asking for a divorce from Ryle. In the movie, while she still asked for a divorce after giving birth, Lily knew early that she was having a baby girl. 

13. Lily's baby's name is the same in both the book and movie but the mention of the baby girl's middle name was omitted in the movie.

In the movie, Lily names her and Ryle's baby girl Emerson in honor of Ryle's late brother. While the name Emerson was accurate in the original storyline, in the movie, Lily doesn't mention Emerson's middle name, which was "Dory" in the book (in honor of Ellen DeGeneres' character in Finding Nemo ). 

14. The movie ended with what felt like a cliffhanger compared to how the book ended.

In the book, Lily runs into Atlas while on her way to meet Ryle. After dropping off her daughter with Ryle, Lily rushes to find Atlas and tells him her daughter's middle name is "Dory" and the story behind it. She then tells Atlas she is ready to be loved by him again. The book ends (in probably the most romantic way) with Atlas kissing Lily's heart tattoo on her collarbone and telling her, "You can stop swimming now, Lily. We finally reached the shore."

The movie ends with Lily and Atlas casually running into one another, establishing that neither sees anyone romantically. Audiences don't even see the two kiss or hug before the screen goes black. 

Did you notice any other differences between the book and the movie? If I missed anything, share it with me in the comments below!

If you or someone you know is in immediate danger as a result of domestic violence, call 911. For anonymous, confidential help, you can call the 24/7  National Domestic Violence Hotline  at 1-800-799-7233 (SAFE) or chat with an advocate via the website.

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Our recommended books this week include four new novels that, taken together, offer a pretty good snapshot of the cultural zeitgeist: a polyamorous breakup story, a surreal post-pandemic fever dream, a book about the deep, cloistered pleasures of academic study and a novel that applies the “Romeo and Juliet” template to the federal siege of a doomsday cult like the one that rocked Waco, Texas, three decades ago. (That book is Bret Anthony Johnston’s “We Burn Daylight,” and it contains this kindling-dry line from the cult leader, after the local sheriff asks how he would respond to a visit from the taxman: “I’d assure him any money changing hands here is a donation to our church. Then I’d ask him if he’d prefer to shoot or pray.”)

In nonfiction, we recommend Jean-Martin Bauer’s firsthand account of efforts to eradicate global food shortages and Yuan Yang’s group portrait of four young women navigating social change in contemporary China. Happy reading. — Gregory Cowles

THE NEW BREADLINE: Hunger and Hope in the Twenty-First Century Jean-Martin Bauer

An illuminating account of the author’s 20 years working with the World Food Program, this book provides a close-up look at efforts to vanquish global hunger.

“What makes ‘The New Breadline’ so compelling are not the big debates it touches on but the small details Bauer shares from a realm that usually operates out of the public eye.”

From Alec MacGillis’s review

Knopf | $30

WE BURN DAYLIGHT Bret Anthony Johnston

“Romeo and Juliet” meets the 1993 Waco, Texas, siege in Johnston’s new novel, which follows two teenage lovers on opposite sides of an increasingly dire confrontation. One is connected to a heavily armed doomsday cult, while the other is the son of the sheriff investigating it.

“The music of it all is just so damn seductive. … A darkly dazzling pilgrimage of violent delights, and violent ends.”

From John Wray’s review

Random House | $29

STATE OF PARADISE Laura Van den Berg

Van den Berg’s latest is a fever dream of a novel ostensibly about a narrator’s search for her missing sister, but more broadly about the borders of reality and the surreal nature of our post-pandemic life.

“Moody and hallucinatory, the novel asks: How do we distinguish reality from its opposite — whatever that might be?”

From Ruth Franklin’s review

Farrar, Straus & Giroux | $27

PRACTICE Rosalind Brown

Starring an undergraduate student at Oxford, Brown’s debut novel is exquisitely attuned to the thrill and boredom of academic life; it is hard to think of another novel that describes so precisely what happens when an ardent young person sits down to read and learn and write.

“Conveys the hesitancy, extravagance and naiveté of a young mind discovering what writing can do.”

From Brian Dillon’s review

Farrar, Straus & Giroux | $26

PRIVATE REVOLUTIONS: Four Women Face China’s New Social Order Yuan Yang

For six years, the journalist Yuan Yang followed four very different young women as they navigated what she calls China’s “new social order” — a country changing dramatically to an industrial superpower. The result is a moving work of reportage, whose scale toggles between global to personal.

“A powerful snapshot of four young Chinese women attempting to assert control over the direction of their lives, escape the narrow confines of their patriarchal rural roots and make it in the big city.”

From Michelle T. King’s review

Viking | $30

MISRECOGNITION Madison Newbound

The protagonist of Newbound’s witty debut novel returns to her hometown nursing a catatonic sorrow after her brutal breakup with a couple — a male artist and a female gallerist — who were her employers before they were also her lovers and roommates.

“‘Misrecognition’ is sharp and funny, but never cruel or condescending, when skewering quarter-life crises, contemporary sexual mores and internet addiction. … A quietly commanding debut by a writer of intense precision and restraint.”

From Justin Taylor’s review

Simon & Schuster | $27.99

The 8 biggest differences between the 'It Ends With Us' book and movie

• Warning: This article contains major spoilers for "It Ends With Us."
• The Blake Lively movie is an adaptation of Colleen Hoover's novel of the same name.
• The central story remains the same, but there are some notable changes from the book.

The book-to-screen adaptation of one of BookTok's most popular reads , "It Ends With Us," was released in theaters on Friday.

Based on Colleen Hoover's 2016 novel of the same name, the film stars Blake Lively as florist Lily Bloom, whose chance meeting with charming neurosurgeon Ryle Kincaid (played by Justin Baldoni) sparks an intense connection.

As Lily begins to see sides of Ryle that remind her of her parents' relationship, a figure from her teenage years also reenters the picture: Atlas Corrigan (Brandon Sklenar), her first love.

As with any book-to-screen adaptation, there have been changes — some big, some small.

"Every change that we made was christened by Colleen herself, and none of the changes were made lightly," screenwriter Christy Hall told Business Insider in an interview.

"But this is, I feel like this is the absolute best offering that we could give," she added.

Here are eight of the biggest differences between the "It Ends With Us" book and the movie.

All of the characters have been aged up in the movie.

In Hoover's book, Lily is 23 years old and a recent college graduate when she first meets 30-year-old Ryle.

Her other love interest, Atlas, is described as two-and-a-half years older than her.

But in the film, the characters are played by actors significantly older than them — Lively is 36, Baldoni is 40, and Sklenar is 34.

Hoover has previously said that she "messed up" by making the characters in the book too young.

She has said that her involvement in the movie allowed her to correct her mistake.

"Back when I wrote 'It Ends With Us,' the new adult (genre) was very popular," she said, per Today . "You were writing college-age characters. That's what I was contracted to do. I made Lily very young. I didn't know that neurosurgeons went to school for 50 years. There's not a 20-something neurosurgeon."

Lily and Ryle's initial courtship looks a little different in the movie.

In the book, readers see Lily and Ryle's will-they-won't-they romance play out over several months after they reconnect when Ryle's sister, Alyssa (Jenny Slate), gets a job in Lily's flower shop. Lily sprains her ankle one day, leading Alyssa to call on her brother for help.

Ryle repeatedly pleads with Lily to agree to a one-night stand. While Lily initially is steadfast in her refusal to be another one of Ryle's girls, she eventually decides to go for it. However, an exhausted Ryle then falls asleep in Lily's bed.

This leads to frustration on both sides, which comes to a head on the night of Alyssa's birthday. The two agree to compromise and have a trial run of a relationship. They go to bed together but don't sleep together.

Things play out a little differently in the movie. After Ryle and Lily are reintroduced at the flower shop, the pair join Alyssa and her husband Marshall (Hasan Minhaj) on a night out in Boston involving watching a Bruins game, karaoke, and bowling.

Some flirting ensues and at the end of the night, Lily agrees to kiss Ryle after he says that it's all he needs from her to stop him pursuing her further. After this, the pair continue to flirt and end Alyssa's birthday as in the book.

Lily's journal entries addressed to Ellen DeGeneres are completely omitted.

It would be an understatement to say that former TV staple Ellen DeGeneres has a significant role in the book, with Lily harboring an obsession with the TV host.

Once Atlas begins hanging out at her house after school, the two teens bond over watching the show together, and a quote from DeGeneres's "Finding Nemo" character — "Just keep swimming" — becomes their way to comfort each other during difficult times.

All of this is downplayed in the movie, however, with almost all references to DeGeneres removed .

There's a different reason Atlas is homeless in the movie.

In both the book and the movie, Atlas moves into the abandoned house backing onto the Bloom property after being kicked out of his mom's house.

In the book, Atlas tells Lily that he's also a victim of abuse; his stepfather burned him with cigarettes, and his mother didn't stand up for him. When he tried to return home after running away, his mom told him to stay away as it would upset his stepfather too much.

However, the book doesn't mention the abuse Atlas has suffered at the hands of his stepfather. Instead, when Atlas confronts Lily in the restroom of his restaurant, it's implied that his mom, like Lily's, was abused by her husband.

Ryle's proposal to Lily comes later in the movie.

In the film, Ryle's proposal comes on the same day Alyssa gives birth. Ryle realizes that he wants to spend his future with Lily and gets down on one knee to propose to Lily in the hospital room.

Book readers will know that the night that Alyssa's baby is born ends differently for the couple.

Already married at this point in the book — they elope to Vegas — Lily returns home to a seething Ryle who has read through all her teenage journal entries. His verbal and physical attack on her at this point becomes her breaking point, and she takes refuge at Atlas's house.

Atlas's restaurant has a different name in the movie but still links back to his and Lily's relationship.

Atlas's restaurant in the book is named Bib's, which stands for Better in Boston. This phrase is written on the souvenir magnet Atlas gave Lily when they were teenagers.

The restaurant has been renamed Root in the movie. However, it's still an homage to Lily, as audiences see a flashback in which a teenage Lily teaches Atlas about the importance of plant roots.

Lily learns of Ryle's traumatic childhood from Alyssa rather than Ryle himself.

The revelation that Ryle accidentally shot and killed his brother when they were young children is one of the book's most shocking twists.

Ryle opens up about the traumatic incident, which he says causes his rage-filled episodes after he physically abuses Lily.

Feeling sympathy for him, Lily decides to forgive him, and the two discuss how Ryle can work through his anger.

In the film, Alyssa fills Lily in on the Kincaid family's dark secret only after Ryle's third and final attack on Lily. By this point, the pair have separated.

In the movie, Lily and Ryle know that they are going to have a daughter.

In the book, Lily doesn't know the gender of her baby until she's holding her newborn in her arms, which makes her decision to ask Ryle for a divorce moments later even more poignant.

It's not until it dawns on her that she has a daughter who could grow up watching her mother be abused by her father that she decides to end the generational cycle of abuse.

This realization leads to the film's emotional climax, in which Lily breaks Ryle's and her own hearts to protect her daughter.

In the film, both of them know that they are going to have a daughter beforehand, which plays down the emotional gravitas of the scene.

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