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creative writing major colleges

List of All U.S. Colleges with a Creative Writing Major

Writing has been my passion practically since I learned to read in kindergarten. I would write stories about princesses and my family dog, Gansett. When it came time to look at colleges, I was set on attending one with a strong creative writing program. Ultimately, I graduated from Johns Hopkins University with a B.A. in Writing Seminars.

Today, colleges across the country offer creative writing as a major. Because writing skills are essential for a wide range of careers, and because most curricula emphasize broad liberal arts competencies, a degree in creative writing can set you up for success in numerous fields, whether you want to be an editor or a lawyer.

Interested in majoring in creative writing? Learn which schools offer the major and what to look for in a program.

Overview of the Creative Writing Major

Creative writing is about more than spinning tales. For your major, you’ll generally need to pursue a curriculum grounded in literature, history, foreign language, and other humanities courses, along with distribution courses, if the college requires them.

Most creative writing majors must participate in workshops, in which students present their work and listen to peer critiques, usually with a certain number of advanced courses in the mix. In some cases, colleges will ask you to specialize in a particular genre, such as fiction, poetry, or playwriting. 

To succeed in creative writing, you’ll need to have a tough spine, in order to open yourself up to feedback from your classmates and instructors. You may need to give readings in public — if not as an undergraduate, certainly during your career. Of course, a passion for creating is essential, too, as is a willingness to revise your work and learn from the greats and your peers.

A creative writing major opens up doors to many careers, including journalism, content marketing, copywriting, teaching, and others. Even careers that don’t center around writing often have a strong writing component: you’ll need to write reports, deliver presentations, and so on.

Some writers go on to earn an MFA, which will help you hone your craft. It’s also often a prerequisite for teaching creative writing at the college level.

What to Look for in a College as a Creative Writing Major

Published authors on faculty.

Many world-renowned authors have another claim to fame: professorships. Writers who have taught their craft include (among many others):

  • Maya Angelou (Wake Forest University)
  • Colson Whitehead (many colleges, including Vassar College and Columbia University)
  • Stephen Dixon (Johns Hopkins University)
  • Viet Thanh Nguyen (University of Southern California)
  • Eula Biss (Northwestern University)
  • Toni Morrison (Princeton University)

Be aware that as an undergraduate, you may not be able to learn from the greats. That’s why it’s important to look into which courses these faculty teach before you have dreams of being mentored by Salman Rushdie — who is a Distinguished Writer in Residence at NYU.

Genres Offered

While many schools that have creative writing majors offer fiction and poetry courses and tracks, there are some niche genres that could be more difficult to find. If you’re interested in playwriting, for example, you won’t find that at every school. Before you decide on a program, be sure it includes the genres you’d like to explore further, whether that’s flash fiction, creative nonfiction, or something else.

Workshopping Opportunities

The core of most quality creative writing curriculum is workshopping. This means sharing your work in your classes and listening to your peers discuss and critique it. While this may sound intimidating, it can do a lot to help you hone your work and become a better writer. Look for colleges that make this the bedrock of their curriculum.

Showcasing Opportunities

Are there opportunities to present your work, such as college-sponsored readings where undergraduates can participate? Or, perhaps the school has a great literary journal. At my school, students could submit their plays and have them performed by fellow students. 

List of All U.S. Colleges With a Creative Writing Major

Agnes Scott College Decatur Georgia
Ashland University Ashland Ohio
Augustana College Rock Island Illinois
Austin College Sherman Texas
Baldwin Wallace University | BW Berea Ohio
Beloit College Beloit Wisconsin
Bennington College Bennington Vermont
Berry College Mount Berry Georgia
Bowling Green State University | BGSU Bowling Green Ohio
Bradley University Peoria Illinois
Brandeis University Waltham Massachusetts
Brooklyn College Brooklyn New York
Brown University Providence Rhode Island
Bucknell University Lewisburg Pennsylvania
Butler University Indianapolis Indiana
California College of the Arts | CCA San Francisco California
Capital University Columbus Ohio
Carnegie Mellon University | CMU Pittsburgh Pennsylvania
Catawba College Salisbury North Carolina
Central Michigan University | CMU Mount Pleasant Michigan
Central Washington University | CWU Ellensburg Washington
Chapman University Orange California
Coe College Cedar Rapids Iowa
Colby College Waterville Maine
College of the Holy Cross | Holy Cross Worcester Massachusetts
Colorado College Colorado Springs Colorado
Columbia College Chicago Chicago Illinois
Columbia University New York New York
Dartmouth College Hanover New Hampshire
Eastern Michigan University | EMU Ypsilanti Michigan
Eckerd College Saint Petersburg Florida
Emerson College Boston Massachusetts
Emory University Atlanta Georgia
Fitchburg State University Fitchburg Massachusetts
Franklin and Marshall College | F&M Lancaster Pennsylvania
George Mason University Fairfax Virginia
George Washington University | GW Washington Washington DC
Hamilton College Clinton New York
Huntingdon College Montgomery Alabama
Ithaca College Ithaca New York
Johns Hopkins University | JHU Baltimore Maryland
Knox College Galesburg Illinois
Laguna College of Art and Design | LCAD Laguna Beach California
Lesley University Cambridge Massachusetts
Lindenwood University Saint Charles Missouri
Linfield College McMinnville Oregon
Loyola University Maryland Baltimore Maryland
Loyola University New Orleans New Orleans Louisiana
Macalester College Saint Paul Minnesota
Massachusetts Institute of Technology | MIT Cambridge Massachusetts
Mercer University Macon Georgia
Miami University Oxford Ohio
Millikin University Decatur Illinois
Millsaps College Jackson Mississippi
New School New York New York
Northwestern University Evanston Illinois
Oakland University Rochester Hills Michigan
Oberlin College Oberlin Ohio
Ohio Northern University | ONU Ada Ohio
Ohio University Athens Ohio
Ohio Wesleyan University Delaware Ohio
Oklahoma Baptist University | OBU Shawnee Oklahoma
Otterbein University Westerville Ohio
Pacific University Forest Grove Oregon
Pepperdine University Malibu California
Portland State University | PSU Portland Oregon
Pratt Institute Brooklyn New York
Principia College Elsah Illinois
Providence College Providence Rhode Island
Purdue University West Lafayette Indiana
Rhode Island College | RIC Providence Rhode Island
Rocky Mountain College | RMC Billings Montana
Roger Williams University | RWU Bristol Rhode Island
Saint Mary’s College (Indiana) Notre Dame Indiana
School of the Art Institute of Chicago | SAIC Chicago Illinois
Seattle University Seattle Washington
Seton Hall University South Orange New Jersey
Simmons College Boston Massachusetts
Southern Methodist University | SMU Dallas Texas
Southern Oregon University | SOU Ashland Oregon
Spalding University Louisville Kentucky
State University of New York at Purchase | SUNY Purchase Purchase New York
Stephens College Columbia Missouri
Suffolk University Boston Massachusetts
Texas Christian University | TCU Fort Worth Texas
Texas Wesleyan University Fort Worth Texas
The State University of New York at Binghamton | SUNY Binghamton Vestal New York
The State University of New York at Buffalo | SUNY Buffalo Buffalo New York
The State University of New York at Stony Brook | SUNY Stony Brook Stony Brook New York
Truman State University | TSU Kirksville Missouri
University of Arizona Tucson Arizona
University of California, Riverside | UC Riverside Riverside California
University of Cincinnati Cincinnati Ohio
University of Evansville Evansville Indiana
University of Houston Houston Texas
University of Idaho Moscow Idaho
University of La Verne La Verne California
University of Maine at Farmington | UMF Farmington Maine
University of Miami Coral Gables Florida
University of Michigan Ann Arbor Michigan
University of Nebraska Omaha | UNO Omaha Nebraska
University of New Mexico | UNM Albuquerque New Mexico
University of North Carolina at Wilmington | UNC Wilmington Wilmington North Carolina
University of Pittsburgh | Pitt Pittsburgh Pennsylvania
University of Puget Sound Tacoma Washington
University of Redlands Redlands California
University of Rochester Rochester New York
University of Southern California | USC Los Angeles California
University of St. Thomas (Minnesota) Saint Paul Minnesota
University of Texas at El Paso | UTEP El Paso Texas
University of the Arts | UArts Philadelphia Pennsylvania
University of Tulsa Tulsa Oklahoma
University of Washington Seattle Washington
Valparaiso University | Valpo Valparaiso Indiana
Washington University in St. Louis | WashU Saint Louis Missouri
Wellesley College Wellesley Massachusetts
Western Michigan University | WMU Kalamazoo Michigan
Western New England University | WNE Springfield Massachusetts
Western Washington University | WWU Bellingham Washington
Wheaton College (Massachusetts) Norton Massachusetts
Wichita State University | WSU Wichita Kansas
Widener University Chester Pennsylvania
Wofford College Spartanburg South Carolina
Yeshiva University New York New York
Youngstown State University Youngstown Ohio

What Are Your Chances of Acceptance?

No matter what major you’re considering, the first step is ensuring you’re academically comparable to students who were previously accepted to the college or university. Most selective schools use the Academic Index to filter out applicants who aren’t up to their standards.

You’ll also want to demonstrate your fit with the school and specific major with the qualitative components of your application, like your extracurriculars and essays. For a prospective creative writing major, the essay is particularly important because this is a way to demonstrate your writing prowess. Activities might include editing your school’s newspaper or literary journal, publishing your work, and participating in pre-college writing workshops.

Want to know your chances of being accepted to top creative writing schools? Try our Chancing Engine (it’s free). Unlike other calculators, it takes your individual profile into account, including academic stats and qualitative components like your activities. Give it a try and get a jumpstart on your journey as a creative writing major!

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creative writing major colleges

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35 Best Colleges for Creative Writing – 2024

April 12, 2024

Bookworms and aspiring writers can pursue an undergraduate degree in creative writing where they will tackle coursework covering the reading and writing fiction, nonfiction, and poetry as well as the theory and history of the craft. While becoming the next J.K Rowling, Stephen King, or Margaret Atwood may be the goal, holders of creative writing degrees end up on a variety of career paths. This can include: publishing, editing, journalism, web content management, advertising, or for those who “make it” as writers—the next generation of literary superstars. Our list of Best Colleges for Creative Writing goes beyond the most famous writer factories like the University of Iowa and Columbia University, providing you with 35 institutions known for their stellar programs in this field.

Finally, note that although some of the colleges featured below do not offer a formal major in creative writing, their undergraduate offerings in this subject area are so strong that they warrant inclusion on our list.

Methodology 

Click here to read our methodology for the Best Colleges for creative writing.

Best Creative Writing Colleges

Here’s a quick preview of the first ten creative writing institutions that made our list. Detailed profiles and stats can be found when you scroll below.

1) Columbia University

2) Brown University

3) Johns Hopkins University

4) University of Chicago

5) Washington University in St Louis

6) Emory University

7) Stanford University

8) Northwestern University

9) Duke University

10) Yale University

All of the schools profiled below have stellar reputations in the field of creative writing and commit substantial resources to undergraduate education. For each of the best colleges for creative writing, College Transitions will provide you with—when available—each school’s:

  • Cost of Attendance
  • Acceptance Rate
  • Median  SAT
  • Median  ACT
  • Retention Rate
  • Graduation Rate

We will also include a longer write-up of each college’s:

  • Academic Highlights – Includes facts like student-to-faculty ratio, average class size, number of majors offered, and most popular majors.
  • Professional Outcomes – Includes info on the rate of positive outcomes, companies employing alumni, and graduate school acceptances.

Columbia University

  • New York, NY

Academic Highlights: Columbia offers 100+ unique areas of undergraduate study as well as a number of pre-professional and accelerated graduate programs.  Class sizes at Columbia are reasonably small and the student-to-faculty ratio is favorable; however, in 2022, it was revealed that the university had been submitting faulty data in this area. It is presently believed that 58% of undergraduate courses enroll 19 or fewer students. The greatest number of degrees are conferred in the social sciences (22%), computer science (15%), engineering (14%), and biology (7%).

Professional Outcomes: Examining the most recent graduates from Columbia College and the Fu Foundation School of Engineering & Applied Science, 73% had found employment within six months, and 20% had entered graduate school. The median starting salary for graduates of Columbia College/Columbia Engineering is above $80,000. Many graduates get hired by the likes of Amazon, Goldman Sachs, Morgan Stanley, Google, Citi, McKinsey, and Microsoft.

  • Enrollment: 8,832
  • Cost of Attendance: $89,587
  • Median SAT: 1540
  • Median ACT: 35
  • Acceptance Rate: 4%
  • Retention Rate: 98%
  • Graduation Rate: 95%

Brown University

  • Providence, RI

Academic Highlights: Students must choose one of 80+ “concentration programs,” but there are no required courses. Class sizes tend to be small—68% have fewer than twenty students—and 35% are comprised of nine or fewer students. Biology, economics, computer science, mathematics, and engineering are among the most popular areas of concentration at Brown; however, it is hard to distinguish any one program, because Brown possesses outstanding offerings across so many disciplines.

Professional Outcomes: Soon after receiving their Brown diplomas, 69% of graduates enter the world of employment. Companies employing the greatest number of Brown alums include Google, Microsoft, Goldman Sachs, Amazon, Morgan Stanley, Apple, McKinsey & Company, and Bain & Company. The Class of 2022 saw 27% of graduates go directly into graduate/professional school. Right out of undergrad, Brown students boasted an exceptional 81% admission rate to med school and an 81% admission rate to law school.

  • Enrollment: 7,639
  • Cost of Attendance: $84,828
  • Median SAT: 1530
  • Acceptance Rate: 5%
  • Retention Rate: 99%
  • Graduation Rate: 96%

Johns Hopkins University

  • Baltimore, MD

Academic Highlights: With 53 majors as well as 51 minors, JHU excels in everything from its bread-and-butter medical-related majors to international relations and dance. Boasting an enviable 6:1 student-to-faculty ratio and with 78% of course sections possessing an enrollment under 20, face time with professors is a reality. Many departments carry a high level of clout, including biomedical engineering, chemistry, English, and international studies. Biology, neuroscience, and computer science, which happen to be the three most popular majors, can also be found at the top of the national rankings.

Professional Outcomes: The Class of 2022 saw 94% of graduates successfully land at their next destination within six months of exiting the university; 66% of graduates entered the world of employment and a robust 19% went directly to graduate/professional school. The median starting salary across all majors was $80,000 for the Class of 2022. JHU itself is the most popular choice for graduate school. The next most frequently attended institutions included Columbia, Harvard, Yale, and MIT.

  • Enrollment: 6,044
  • Cost of Attendance: $86,065
  • Acceptance Rate: 7%
  • Retention Rate: 97%

University of Chicago

  • Chicago, IL

Academic Highlights: There are 53 majors at UChicago, but close to half of all degrees conferred are in four majors: economics, biology, mathematics, and political science, all of which have particularly sterling reputations. Economics alone is the selection of roughly one-fifth of the undergraduate population. Over 75% of undergrad sections have an enrollment of nineteen or fewer students, and undergraduate research opportunities are ubiquitous as 80% of students end up working in a research capacity alongside a faculty member.

Professional Outcomes: On commencement day, 99% of the Class of 2023 were employed or continuing their education. Business and financial services (30%) and STEM (12%) were the two sectors that scooped up the most graduates, but public policy and consulting were also well-represented. The most popular employers of recent grads include Google, JPMorgan, Goldman Sachs, McKinsey & Company, Bank of America, Citi, and Accenture. For those heading to grad school, the top seven destinations are Yale, Columbia, Penn, MIT, Stanford, UCLA, and Johns Hopkins.

  • Enrollment: 7,653 (undergraduate); 10,870 (graduate)
  • Cost of Attendance: $89,040

Washington University in St. Louis

  • St. Louis, MO

Academic Highlights : WashU admits students into five schools, many of which offer nationally recognized programs: Arts & Sciences, the Olin School of Business, the School of Engineering & Applied Sciences, and the Art of Architecture programs housed within the Sam Fox School of Design and Visual Arts. The most commonly conferred degrees are in engineering (13%), social sciences (13%), business (13%), biology (11%), and psychology (10%). 66% of classes have fewer than 20 students, and over one-quarter have single-digit enrollments. 65% double major or pursue a minor.

Professional Outcomes: The Class of 2022 sent 52% of grads into the workforce and 28% into graduate and professional schools. Companies employing the highest number of WashU grads feature sought-after employers such as Amazon, Bain, Boeing, Deloitte, Google, IBM, Goldman Sachs, and Microsoft. Of the employed members of the Class of 2022 who reported their starting salaries, 79% made more than $60k. The universities welcoming the largest number of Bears included the prestigious institutions of Caltech, Columbia, Harvard, Penn, Princeton, and Stanford.

  • Enrollment: 8,132 (undergraduate); 8,880 (graduate)
  • Cost of Attendance: $83,760
  • Median ACT: 34
  • Acceptance Rate: 11%
  • Retention Rate: 96%
  • Graduation Rate: 93%

Emory University

  • Atlanta, GA

Academic Highlights: This midsize university offers a diverse array of majors (80+) and minors (60+), and 30% of Emory students pursue more than one area of study. Over half of Emory’s student body works directly with a faculty member on academic research and 58% of courses have class sizes of under twenty students. Ultimately, the greatest number of students go on to earn degrees in the social sciences (15%), biology (14%), business (14%), health professions (12%), and mathematics (9%).

Professional Outcomes: Shortly after graduation, 66% of 2022 grads were already employed, and 96% had arrived at their next destination. The top employers of recent Emory grads include Deloitte, Epic, ScribeAmerica, Meta, Morgan Stanley, and Cloudmed. Graduates of the Goizueta Business School found strong starting salaries with an average of $81k.  In the last few years, multiple Emory grads/alums received acceptance letters from the following top law schools like Columbia, Berkeley, and Georgetown. Med school acceptances included Duke, Johns Hopkins, and Vanderbilt.

  • Enrollment: 7,101
  • Cost of Attendance: $83,702
  • Median SAT: 1500
  • Median ACT: 33
  • Retention Rate: 95%
  • Graduation Rate: 90%

Stanford University

  • Palo Alto, CA

Academic Highlights: Stanford has three undergraduate schools: the School of Humanities & Sciences, the School of Engineering, and the School of Earth, Energy, and Environmental Sciences. 69% of classes have fewer than twenty students, and 34% have a single-digit enrollment. Programs in engineering, computer science, physics, mathematics, international relations, and economics are arguably the best anywhere. In terms of sheer volume, the greatest number of degrees are conferred in the social sciences (17%), computer science (16%), engineering (15%), and interdisciplinary studies (13%).

Professional Outcomes: Stanford grads entering the working world flock to three major industries in equal distribution: business/finance/consulting/retail (19%); computer, IT (19%); and public policy and service, international affairs (19%). Among the companies employing the largest number of recent grads are Accenture, Apple, Bain, Cisco, Meta, Goldman Sachs, Google, McKinsey, Microsoft, and SpaceX. Other companies that employ hundreds of Cardinal alums include LinkedIn, Salesforce, and Airbnb. Starting salaries for Stanford grads are among the highest in the country.

  • Enrollment: 8,049 (undergraduate); 10,236 (graduate)
  • Cost of Attendance: $87,833

Northwestern University

  • Evanston, IL

Academic Highlights : Northwestern is home to six undergraduate schools, including Medill, which is widely regarded as one of the country’s best journalism schools. The McCormick School of Engineering also achieves top rankings, along with programs in economics, social policy, and theatre. The social sciences account for the greatest number of degrees conferred (19%), followed by communications/journalism (13%), and engineering (11%). 45% of classes have nine or fewer students enrolled; 78% have fewer than twenty enrollees. 57% of recent grads had the chance to conduct undergraduate research.

Professional Outcomes: Six months after graduating, 69% of the Class of 2022 had found employment and 27% were in graduate school. The four most popular professional fields were consulting (18%), engineering (18%), business/finance (16%), and communications/marketing/media (13%). Employers included the BBC, NBC News, The Washington Post , NPR, Boeing, Google, IBM, Deloitte, PepsiCo, Northrop Grumman, and Goldman Sachs. Across all majors, the average starting salary was $73k. Of those headed straight to graduate school, engineering, medicine, and business were the three most popular areas of concentration.

  • Enrollment: 8,659 (undergraduate); 14,073 (graduate)
  • Cost of Attendance: $91,290
  • Graduation Rate: 97%

Duke University

Academic Highlights: The academic offerings at Duke include 53 majors, 52 minors, and 23 interdisciplinary certificates. Class sizes are on the small side—71% are nineteen or fewer, and almost one-quarter are less than ten. A stellar 5:1 student-to-faculty ratio helps keep classes so reasonable even while catering to five figures worth of graduate students. Computer Science is the most popular area of concentration (11%), followed by economics (10%), public policy (9%), biology (8%), and computer engineering (7%).

Professional Outcomes: At graduation, approximately 70% of Duke diploma-earners enter the world of work, 20% continue into graduate schools, and 2% start their own businesses. The industries that attract the largest percentage of Blue Devils are tech (21%), finance (15%), business (15%), healthcare (9%), and science/research (6%). Of the 20% headed into graduate school, a hefty 22% are attending medical school, 18% are in PhD programs, and 12% are entering law school. The med school acceptance rate is 85%, more than twice the national average.

  • Enrollment: 6,640
  • Cost of Attendance: $85,238
  • SAT Range: 1490-1570
  • ACT Range: 34-35
  • Acceptance Rate: 6%

Yale University

  • New Haven, CT

Academic Highlights: Yale offers 80 majors, most of which require a one- to two-semester senior capstone experience. Undergraduate research is a staple, and over 70% of classes—of which there are over 2,000 to choose from—have an enrollment of fewer than 20 students, making Yale a perfect environment for teaching and learning. Among the top departments are biology, economics, global affairs, engineering, history, and computer science. The social sciences (26%), biology (11%), mathematics (8%), and computer science (8%) are the most popular areas of concentration.

Professional Outcomes: Shortly after graduating, 73% of the Yale Class of 2022 had entered the world of employment and 18% matriculated into graduate programs. Hundreds of Yale alums can be found at each of the world’s top companies including Google, Goldman Sachs, McKinsey & Company, Morgan Stanley, and Microsoft. The most common industries entered by the newly hired were finance (20%), research/education (16%), technology (14%), and consulting (12%). The mean starting salary for last year’s grads was $81,769 ($120k for CS majors). Nearly one-fifth of students immediately pursue graduate school.

  • Enrollment: 6,590 (undergraduate); 5,344 (graduate)
  • Cost of Attendance: $87,705
  • Graduation Rate: 98%

Hamilton College

  • Clinton, NY

Academic Highlights: The student-to-faculty ratio is 9:1, and without any pesky graduate students to get in the way, face time with professors is a regular occurrence. In fact, 28% of all classes have nine or fewer students; 72% have nineteen or fewer. Economics, government, and biology are among the strongest and most popular majors; other standout programs include public policy, mathematics, and environmental studies. Thirty percent of students earn social science degrees, with biology (13%), visual and performing arts (9%), physical science (7%), and foreign languages (7%) next in line.

Professional Outcomes: Examining the 491 graduates in Hamilton’s Class of 2022, an enviable 97% wasted no time landing jobs, graduate school acceptances, or fellowships. The most commonly entered industries were finance (17%), education (13%), business (12%), and science/tech (11%). Only 17% of 2022 graduates went directly into an advanced degree program. In one recent year, 33% of Hamilton grads were studying a STEM field, 22% were in the social sciences, 17% pursued a health care degree, and 5% went to law school.

  • Enrollment: 2,075
  • Cost of Attendance: $82,430
  • Median SAT: 1490
  • Acceptance Rate: 12%
  • Graduation Rate: 92%

Princeton University

  • Princeton, NJ

Academic Highlights: 39 majors are available at Princeton. Just under three-quarters of class sections have an enrollment of 19 or fewer students, and 31% have fewer than ten students. Princeton is known for its commitment to undergraduate teaching, and students consistently rate professors as accessible and helpful. The Engineering Department is widely recognized as one of the country’s best, as is the School of Public and International Affairs.

Professional Highlights: Over 95% of a typical Tiger class finds their next destination within six months of graduating. Large numbers of recent grads flock to the fields of business and engineering, health/science, & tech. Companies presently employing hundreds of Tiger alumni include Google, Goldman Sachs, Microsoft, McKinsey & Company, Morgan Stanley, IBM, and Meta. The average salary ranges from $40k (education, health care, or social services) to $100k (computer/mathematical positions). Between 15-20% of graduating Tigers head directly to graduate/professional school.

  • Enrollment: 5,604 (undergraduate); 3,238 (graduate)
  • Cost of Attendance: $86,700

Carnegie Mellon University

  • Pittsburgh, PA

Academic Highlights: There are a combined 80+ undergraduate majors and 90 minors available across the six schools. Impressively, particularly for a school with more graduate students than undergrads, CMU boasts a 6:1 student-to-faculty ratio and small class sizes, with 36% containing single digits. In a given school year, 800+ undergraduates conduct research through the University Research Office. The most commonly conferred degrees are in engineering (21%), computer science (16%), mathematics (12%), business (10%), and visual and performing arts (9%).

Professional Outcomes: By the end of the calendar year in which they received their diplomas, 66% of 2022 grads were employed, and 28% were continuing to graduate school. The companies that have routinely scooped up CMU grads include Google, Meta, Microsoft, Apple, Accenture, McKinsey, and Deloitte. With an average starting salary of $105,194, CMU grads outpace the average starting salary for a college grad nationally. Of those pursuing graduate education, around 20% typically enroll immediately in PhD programs.

  • Enrollment: 7,509
  • Cost of Attendance: $84,412

University of Iowa

  • Iowa City, IA

Academic Highlights: 200+ undergraduate majors, minors, and certificate programs are available across eight colleges, including the Tippie College of Business, which has a very strong reputation. The most commonly conferred degree is business (24%), with parks and recreation (10%), social sciences (8%), health professions (8%), engineering (7%), and communication & journalism (5%) next in popularity. Over half of its undergraduate sections enroll 19 or fewer students, and 30% of undergrads conduct or assist research.

Professional Outcomes: 96% of Class of 2022 grads found their first job or advanced degree program within six months of receiving their diploma. The most commonly entered industries were healthcare (23%), entertainment/the arts (14%), finance and insurance (11%), and marketing/PR (10%). Companies that employ hundreds of alumni include Wells Fargo, Collins Aerospace, Principal Financial Group, Amazon, Accenture, and Microsoft. The median salary for 2022 grads was $50,000. 28% of recent graduates went directly into graduate school; 76% remained at the University of Iowa.

  • Enrollment: 22,130 (undergraduate); 7,912 (graduate)
  • Cost of Attendance: $28,846-$32,259 (in-state); $50,809-$54,822 (out-of-state)
  • Median SAT: 1240
  • Median ACT: 25
  • Acceptance Rate: 85%
  • Retention Rate: 89%
  • Graduation Rate: 73%

Emerson College

Academic Highlights: All 26 majors offered by the school have some element of performance or artistry and include highly unique academic concentrations such as comedic arts, sports communication, and musical theater. Emerson has a 15:1 student-to-faculty ratio and 69% of courses seat fewer than 20 students. The Journalism and Communications Studies programs rank among the top in the country. By sheer popularity, the top majors are film/video production, journalism, marketing, theater arts, and creative writing.

Professional Outcomes: Within six months of leaving Emerson, 61% of recent grads were employed, 4% were enrolled in graduate school, and 35% were still seeking their next landing spot. Top employers include the Walt Disney Company, Warner Media, Sinclair Broadcast Group, and CNN. The average full-time salary for employed grads is $40,255. Of those entering a master’s program, the bulk stay put, pursuing a master’s at Emerson in an area like writing for film and television, creative writing, or journalism.

  • Enrollment: 4,149
  • Cost of Attendance: $73,000
  • Median SAT: 1360
  • Median ACT: 31
  • Acceptance Rate: 43%
  • Retention Rate: 86%
  • Graduation Rate: 77%

University of Southern California

  • Los Angeles, CA

Academic Highlights : There are 140 undergraduate majors and minors within the Dornsife College of Arts & Sciences alone, the university’s oldest and largest school. The Marshall School of Business, Viterbi School of Engineering, and programs in communication, the cinematic arts, and the performing arts are highly acclaimed. Popular areas of study are business (22%), social sciences (11%), visual and performing arts (11%), communications/journalism (9%), and engineering (8%). Most courses enroll 10-19 students, and USC does an excellent job facilitating undergraduate research opportunities.

Professional Outcomes: 96% of undergrads experience positive postgraduation outcomes within six months of earning their degree. The top five industries entered were finance, consulting, advertising, software development, and engineering; the median salary across all majors is an astounding $79k. Presently, between 300 and 1,500 alumni are employed at each of Google, Amazon, Apple, Microsoft, KPMG, Goldman Sachs, and Meta. Graduate/professional schools enrolling the greatest number of 2022 USC grads include NYU, Georgetown, Harvard, Stanford, Pepperdine, and UCLA.

  • Enrollment: 20,699 (undergraduate); 28,246 (graduate)
  • Cost of Attendance: $90,921
  • Median SAT: 1510

Cornell University

Academic Highlights: A diverse array of academic programs includes 80 majors and 120 minors spread across the university’s seven schools/colleges. Classes are a bit larger at Cornell than at many other elite institutions. Still, 55% of sections have fewer than 20 students. Most degrees conferred in 2022 were in computer science (17%), engineering (13%), business (13%), and biology (13%). The SC Johnson College of Business houses two undergraduate schools, both of which have phenomenal reputations.

Professional Outcomes: Breaking down the graduates of the College of Arts and Sciences, the largest school at Cornell, 68% entered the workforce, 28% entered graduate school, 1% pursued other endeavors such as travel or volunteer work, and the remaining 3% were still seeking employment six months after receiving their diplomas. The top sectors attracting campus-wide graduateswere financial services (18%), technology (17%), consulting (15%), and education (10%). Of the students from A&S going on to graduate school, 15% were pursuing JDs, 5% MDs, and 22% PhDs.

  • Enrollment: 15,735
  • Cost of Attendance: $88,150
  • Median SAT: 1520

Oberlin College

  • Oberlin, OH

Academic Highlights: Over 40 majors are available at Oberlin, which is an extremely strong provider of a liberal arts education. 79% of classes had 19 or fewer students enrolled. The greatest number of degrees conferred are typically in music, political science, biology, psychology, and history. The Conservatory of Music has a worldwide reputation, and programs in the natural sciences are similarly strong, leading to remarkable medical school acceptance rates and a high number of future PhD scientists and researchers.

Professional Outcomes: Within six months, 74% of recent grads found employment, 17% enrolled in graduate school, and just 5% were still seeking employment. Multiple recent grads were hired by Google, Netflix, and Sony Pictures. Over the last few years, multiple students have gone on to pursue advanced degrees at Harvard, Stanford, MIT, Brown, Columbia, Princeton, and the University of Michigan. Oberlin also has a reputation for churning out future PhDs and, is among the top 20 schools (per capita) across all disciplines in producing graduates who go on to earn their doctoral degrees.

  • Enrollment: 2,986
  • Cost of Attendance: $85,496
  • Median SAT: 1400-1540
  • Median ACT: 32-34
  • Acceptance Rate: 33%
  • Retention Rate: 87%
  • Graduation Rate: 83%

University of Pittsburgh

Academic Highlights: Pitt admits freshmen to the Dietrich School of Arts & Sciences, the College of Business Administration, the Swanson School of Engineering, and the School of Nursing. Pitt’s engineering and business schools are top-rated and among the most commonly chosen fields of study. Premed offerings are also top-notch, with majors in the health professions (12%), biology (11%), psychology (9%), and computer science (9%) rounding out the list of most popular majors. Pitt has a strong 13:1 student-to-faculty ratio; 42% of sections have an enrollment of under twenty students.

Professional Outcomes: Within a few months of graduating, 94% of 2022 grads entered full-time employment or full-time graduate or professional school. Engineering, nursing, business, and information sciences majors had 73-86% employment rates while other majors tended to flock to graduate school in large numbers. Employers scooping up the highest number of grads in one recent year included the University of Pittsburgh Medical Center (170), PNC (57), BNY Mellon (36), and Deloitte (19). Median starting salaries fluctuated between $37k-65k depending on major.

  • Enrollment: 20,220 (undergraduate); 9,268 (graduate)
  • Cost of Attendance: $38,034-$43,254 (in-state); $56,400-$66,840 (out-of-state)
  • Acceptance Rate: 50%
  • Retention Rate: 92%
  • Graduation Rate: 84%

Swarthmore College

  • Swarthmore, PA

Academic Highlights: Swarthmore offers forty undergraduate programs and runs 600+ courses each academic year. Small, seminar-style courses are the norm—an outstanding 33% of sections enroll fewer than ten students, and 70% contain a maximum of nineteen students. Social science degrees are the most commonly conferred, accounting for 24% of all 2022 graduates. Future businessmen/women, engineers, and techies are also well-positioned, given Swat’s incredibly strong offerings in economics, engineering, and computer science.

Professional Outcomes: 68% of Class of 2022 grads entered the workforce shortly after graduation. Popular industries included education (17%), consulting (16%), and financial services (13%); the median starting salary was $60,000. Google is a leading employer of Swarthmore grads followed by Amazon, Goldman Sachs, IBM, and a number of the top universities.  18% of 2022 grads pursued advanced degrees, with 35% pursuing a PhD, 35% entering master’s programs, 10% heading to law school, and 7% matriculating into medical school.

  • Enrollment: 1,625
  • Cost of Attendance: $81,376
  • Graduation Rate: 94%

Bryn Mawr College

  • Bryn Mawr, PA

Academic Highlights: On the home campus, undergraduates can choose from 35 majors and 50 minors. Roughly 35% of the student body earns degrees in the natural sciences or mathematics, a figure four times the national average for women. By volume, the most popular majors are mathematics, psychology, biology, English, and computer science. An 8:1 student-to-faculty ratio leads to small class sizes with 74% of sections having fewer than twenty students, and 24% of sections enrolling nine students or fewer.

Professional Outcomes: One year after receiving their diplomas, 57% of Bryn Mawr graduates had found employment and a robust 28% had already entered graduate school. Most of the organizations employing the greatest number of alumni are universities and hospital systems, although Google, Accenture, JPMorgan Chase, and Vanguard do employ a fair number of Bryn Mawr graduates. Among recent grads pursuing further education, 63% were in master’s programs, 13% were already working on their PhD, and 10% were in medical school.

  • Enrollment: 1,409
  • Cost of Attendance: $79,880
  • Median SAT: 1400
  • Acceptance Rate: 31%
  • Retention Rate: 90%

Wellesley College

  • Wellesley, MA

Academic Highlights: There are 50+ departmental and interdisciplinary majors. Thirty-six percent of course sections have single-digit enrollments while 77% have 19 or fewer students. In addition, opportunities for participation in research with faculty members abound. Most programs possess sterling reputations, including chemistry, computer science, neuroscience, and political science, but the Department of Economics shines most brightly, leading many into PhD programs and high-profile careers. Economics, biology, and computer science are the most frequently conferred degrees.

Professional Outcomes : Six months after graduating, 97% of the Class of 2022 had achieved positive outcomes. Of the 76% of grads who were employed, 24% were working in the finance/consulting/business fields, 17% in education, 17% in internet and technology & engineering, and 15% in healthcare/life sciences. Top employers included JPMorgan Chase, Google, Boston Children’s Hospital, and Goldman Sachs. The average starting salary for one recent cohort was a solid $63k. Of the 20% of 2022 grads who directly entered an advanced degree program, common schools attended included Harvard, Columbia, Brown, Stanford, MIT, and Emory.

  • Enrollment: 2,447
  • Cost of Attendance: $84,240
  • Acceptance Rate: 14%

Colby College

  • Waterville, ME

Academic Highlights: Offering 56 majors and 35 minors, Colby provides a classic liberal arts education with a high degree of flexibility and room for independent intellectual pursuits. A 10:1 student-to-faculty ratio is put to good instructional use as roughly two-thirds of courses have fewer than 19 students. Being a true liberal arts school, Colby has strengths across many disciplines, but biology, economics, and global studies draw especially high praise. These programs along with government and environmental science attract the highest number of students.

Professional Outcomes: Within six months of graduation, 93% of the Class of 2022 had either obtained jobs or were enrolled full-time in a graduate program. Eighteen percent of graduates enter the financial industry and large numbers also start careers in education, with government/nonprofit, STEM, and healthcare next in popularity. The Medical school acceptance rate over the past five years is 68%, nearly double the national average.

  • Enrollment: 2,299
  • Cost of Attendance: $86,720
  • Average SAT: 1485
  • Average ACT: 33
  • Acceptance Rate: 8%
  • Retention Rate: 93%
  • Graduation Rate: 87%

University of Michigan

  • Ann Arbor, MI

Academic Highlights: There are 280+ undergraduate degree programs across fourteen schools and colleges, and the College of Literature, Science, and the Arts (LSA) enrolls the majority of students. The Ross School of Business offers highly rated programs in entrepreneurship, management, accounting, and finance. The College of Engineering is also one of the best in the country. By degrees conferred, engineering (15%), computer science (14%), and the social sciences (11%) are most popular. A solid 56% of classes have fewer than 20 students.

Professional Outcomes: Within three months of graduating, 89% of LSA grads are employed full-time or in graduate school, with healthcare, education, law, banking, research, nonprofit work, and consulting being the most popular sectors. Within three months, 99% of Ross grads are employed with a median salary of $90k. Top employers include Goldman Sachs, Deutsche Bank, EY, Morgan Stanley, PwC, Deloitte, and Amazon.  Within six months, 96% of engineering grads are employed (average salary of $84k) or in grad school. General Motors, Ford, Google, Microsoft, Apple, and Meta employ the greatest number of alumni.

  • Enrollment: 32,695 (undergraduate); 18,530 (graduate)
  • Cost of Attendance: $35,450 (in-state); $76,294 (out-of-state)
  • Median SAT: 1470
  • Acceptance Rate: 18%

Bucknell University

  • Lewisburg, PA

Academic Highlights: Over 60 majors and 70 minors are on tap across three undergraduate schools: the College of Arts & Sciences, Freeman College of Management, and the College of Engineering. Getting well-acquainted with your professors is easy with a 9:1 student-faculty ratio, and class sizes are reasonably small. The greatest number of degrees are conferred in the areas of the social sciences (26%), engineering (14%), business (14%), biology (11%), and psychology (9%).

Professional Outcomes: Nine months after graduation, 94% of the Class of 2022 had launched their careers or entered graduate school. Financial services is the most common sector for Bucknell grads to enter, attracting 24% of alumni. Across all disciplines, the average salary for a Class of 2022 grad was $69,540. Bucknell saw 18% of 2022 grads go directly into an advanced degree program. Bison alumni heading to graduate school predominantly pursue degrees in the medical field, social sciences, business, or engineering.

  • Enrollment: 3,747
  • Cost of Attendance: $80,890
  • Median SAT: 1380
  • Median ACT: 32
  • Retention Rate: 91%

Haverford College

  • Haverford, PA

Academic Highlights: Haverford offers 31 majors, 32 minors, 12 concentrations, and eleven consortium programs—areas of study that can be pursued at partner campuses. The school’s 9:1 student-to-faculty ratio and exclusive emphasis on undergraduate education lead to exceptionally intimate classes, 33% of which have fewer than 10 students, and 72% have fewer than 20. The most popular areas of study at Haverford include the social sciences (24%), biology (14%), psychology (11%), physical sciences (10%), computer science (9%), and mathematics (7%).

Professional Outcomes: Six months after leaving Haverford, 63% of the Class of 2022 had found employment, 19% had enrolled in graduate school, and 9% were still job hunting. Employers hiring multiple recent Haverford grads include Epic, JP Morgan Chase Bank, Boston Consulting Group, Goldman Sachs, the National Institutes of Health, and the Children’s Hospital of Philadelphia. Of the 19% of 2022 grads who elected to continue their education, the most commonly entered fields of study were STEM (51%) and medicine/health (15%).

  • Enrollment: 1,421
  • Cost of Attendance: $87,180
  • Graduation Rate: 91%

Colorado College

  • Colorado Springs, CO

Academic Highlights: Rather than the typical semester schedule, Colorado College operates on the “block plan,” a series of eight three-and-half-week periods during which students take only one course. You won’t find a more intimate liberal arts college than CC. Classes have a cap of 25 students, and no more than a handful of courses exceed that figure. The average class consists of 16 students. In terms of sheer volume, most degrees are conferred in the social sciences (28%), biology (17%), natural resources and conservation (8%), and physical science (6%).

Professional Outcomes: Among the Class of 2022, an impressive 99% arrived successfully at their next destination within six months of earning their diploma. The largest number of graduates who pursue employment end up in the fields of education, technology, health care, the arts, and government.  The bachelor’s degree earned at Colorado College is unlikely to be the last degree a graduate will earn. Five years after graduation, the typical cohort sees 70-90% of its members having either completed or finishing an advanced degree.

  • Enrollment: 2,180
  • Cost of Attendance: $87,128
  • Acceptance Rate: 16%
  • Graduation Rate: 86%

Brandeis University

  • Waltham, MA

Academic Highlights: Brandeis offers 43 majors, the most popular of which are in the social sciences (18%), biology (17%), business (10%), psychology (8%), public administration (8%), and computer science (7%). The student-faculty ratio is 11:1, and 60% of courses contain nineteen or fewer students. Departments with a particularly strong national reputation include economics, international studies, and sociology as well as all of the traditional premed pathways including biology, and chemistry.

Professional Outcomes: Within six months of graduation, 98% of the Class of 2022 had found their way to employment (59%), graduate school (35%), or another full-time activity like travel or volunteer work (4%). Members of the Class of 2022 were hired by Red Hat, Deloitte, Nasdaq, NPR, and McKinsey & Company. The average starting salary for recent grads is $61k. A large contingent of grads elects to continue at Brandeis for graduate school. Many others go to BU, Columbia, Duke, Harvard, and Yale.

  • Enrollment: 3,687
  • Cost of Attendance: $86,242
  • Median SAT: 1440
  • Acceptance Rate: 39%

Macalester College

  • St. Paul, MN

Academic Highlights: Students can choose from roughly 40 majors and over 800 courses that are offered each academic year . Being an undergraduate-only institution, Macalester students enjoy the full benefits of the school’s 10:1 student-to-faculty ratio. The average class size is only 17 students, and 14% of class sections have single-digit enrollments. Macalester possesses strong offerings across many different disciplines. Programs in economics, international studies, and mathematics are among the best anywhere.

Professional Outcomes: Six months after graduating, 95% of the Macalester Class of 2022 had found employment, graduate school, or a fellowship. Employers of recent grads include ABC News, Google, Goldman Sachs, Dow Chemical Company, McKinsey & Company, the ACLU, the National Cancer Institute, and National Geographic . Across all sectors, the average starting salary for recent grads was above $62k. Sixty percent of Mac grads pursue an advanced degree within six years of earning their bachelor’s.

  • Enrollment: 2,175
  • Cost of Attendance: $79,890
  • Median SAT: 1430
  • Acceptance Rate: 28%
  • Retention Rate: 88%

Barnard College

Academic Highlights: Barnard has a 10:1 student-faculty ratio, and a sensational 71% of courses are capped at nineteen or fewer students; 18% have fewer than ten. Many get the chance to engage in research alongside a professor as 240+ undergraduates are granted such an opportunity through the Summer Research Institute each year. Barnard’s most popular majors, by number of degrees conferred, include economics, English, political science, history, psychology, neuroscience, computer science, and art history.

Professional Outcomes: Six months after graduation, 91% of 2022 Barnard grads had found employment or were enrolled in a graduate program. JP Morgan, Goldman Sachs, Blackrock, Citibank, and Morgan Stanley all appear on the list of the top fifteen employers of Barnard alumni. Within ten years of graduation, over 80% of Barnard alums eventually enroll in graduate school. Those entering graduate school flock in large numbers to Columbia, with 112 heading there over the last three years.

  • Enrollment: 3,442
  • Cost of Attendance: $90,928
  • Acceptance Rate: 9%

Georgetown University

  • Washington, D.C.

Academic Highlights: The student-faculty ratio is 11:1, and 60% of classes enroll fewer than 20 students. While some classes are a bit larger, only 7% cross the 50-student threshold. Those desiring to join the world of politics or diplomacy are in the right place. The Government and International Affairs programs are among the best in the country. The greatest number of degrees are conferred in the social sciences (38%) followed by business (20%), interdisciplinary studies (8%), and biology (7%).

Professional Outcomes: Within six months of graduating, 75% of members of the Class of 2022 entered the workforce, 19% went directly into a graduate or professional program of study, and 3% were still seeking employment. The Class of 2022 sent massive numbers of graduates to a number of major corporations including JPMorgan Chase (22), Citi (21), BOA (18), Morgan Stanley (16), and EY (10). Those attending grad school stay at Georgetown or flock to other elite schools like Columbia and Harvard.

  • Enrollment: 7,900
  • Cost of Attendance: $85,000

Elon University

Academic Highlights: Students choose from 70 majors and can add a number of interesting minors like adventure-based learning, coaching, and multimedia authoring. Elon’s 11:1 student-to-faculty ratio leads to an average class size of 20 students; 51% of sections contain fewer than 20 students. The areas in which the greatest number of degrees are conferred are business (29%), journalism/communication (20%), social sciences (8%), the visual and performing arts (6%), and psychology (6%).

Professional Outcomes: Results of a survey administered nine months after graduation found that 96% of the Class of 2022 had found employment, a graduate school, or an internship. Top employers of recent Elon graduates include Bloomberg, Deloitte, EY, Google, Goldman Sachs, Red Ventures, and Wells Fargo. Recent business grads enjoyed a median salary of $61k while communications majors earned $47k. Just under one-quarter of recent grads gained acceptance into graduate/professional school and many remain at Elon.

  • Enrollment: 6,337
  • Cost of Attendance: $66,657
  • Median SAT: 1260
  • Median ACT: 28
  • Acceptance Rate: 78%

DePauw University

  • Greencastle, IN

Academic Highlights: No matter which of the 40+ majors you pursue at DePauw, you will enjoy the benefits of small class sizes and face time with faculty. A 9:1 student-to-faculty ratio and the fact that only four class sections in the whole university enroll more than 29 students assures that. The greatest number of DePauw undergrads earn degrees in the social sciences (17%), biology (10%), the visual/performing arts (9%), communication/journalism (8%), and computer science (6%).

Professional Outcomes: The university’s “Gold Commitment” guarantees that all grads will land at their next destination within six months, or they will be provided with an entry-level professional opportunity or an additional tuition-free semester. Top employers of DePauw grads include Eli Lilly and Company, IBM, Northern Trust Corporation, AT&T, and Procter & Gamble. Tigers applying to graduate and professional schools experience high levels of success. Of medical school applicants who earned a 3.6 GPA and scored in the 80th percentile on the MCAT, 90% are accepted to at least one institution.

  • Enrollment: 1,752
  • Cost of Attendance: $74,400
  • Acceptance Rate: 66%
  • Graduation Rate: 79%

University of Washington – Seattle

  • Seattle, WA

Academic Highlights: 180+ undergraduate majors are offered across thirteen colleges/schools. Personal connections with professors abound as 55% of grads complete a faculty-mentored research project. The College of Engineering, which includes the College of Computer Science & Engineering, is one of the best in the nation; UW also boasts strong programs in everything from business to social work to environmental science. The most popular degrees are the social sciences (13%), biology (12%), computer science (11%), and business (8%).

Professional Outcomes: Within months of graduation, 73% of Class of 2022 grads were employed and 17% were continuing their education. The most popular employers of the Class of 2022 included Google, Amazon, Microsoft, Boeing, and KPMG. Across all living alumni, 6,000+ work for Microsoft, and 4000+ work for each of Boeing and Amazon. Of those headed to graduate/professional school, just over half remain in state, mostly at UW itself. Large numbers of 2022 grads also headed to Columbia, Johns Hopkins, and USC.

  • Enrollment: 36,872 (undergraduate); 16,211 (graduate)
  • Cost of Attendance: $34,554 (in-state); $63,906 (out-of-state)
  • Median SAT: 1420
  • Acceptance Rate: 48%
  • Retention Rate: 94%

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The 12 Best Creative Writing Colleges and Programs

College Info

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Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

  • #1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
  • #2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
  • #3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
  • #4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
  • #5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

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#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

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#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

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How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

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  • Best Online Creative Writing Degree Programs

Best Online Creative Writing Degree Programs Of 2024

Mariah St. John

Updated: May 16, 2024, 10:45am

Joan Didion once wrote, “We tell ourselves stories in order to live.” Her sentiment captures the power of storytelling and the fundamental role it plays in the human experience. Language, writing and literature shape our world and our experiences in remarkable ways. These forces converge within the field of creative writing, allowing us to push the boundaries of language and structure, explore new perspectives and stretch our imaginations to create worlds of our own.

Beyond storytelling, creative writing offers a breadth of tools and skills transferable to many fields and industries, including healthcare, technology, business and education. Pursuing a degree in creative writing online can help you sharpen your written and verbal communication skills, develop robust research practices and enhance your critical thinking abilities.

In this article, we explore all 10 schools with online degrees in creative writing that met our ranking criteria. We highlight each program’s standout features and key considerations to help you narrow down your search.

Why You Can Trust Forbes Advisor Education

Forbes Advisor’s education editors are committed to producing unbiased rankings and informative articles covering online colleges, tech bootcamps and career paths. Our ranking methodologies use data from the National Center for Education Statistics , education providers, and reputable educational and professional organizations. An advisory board of educators and other subject matter experts reviews and verifies our content to bring you trustworthy, up-to-date information. Advertisers do not influence our rankings or editorial content.

  • Over 3,868 accredited, nonprofit colleges and universities analyzed nationwide
  • 52 reputable tech bootcamp providers evaluated for our rankings
  • All content is fact-checked and updated on an annual basis
  • Rankings undergo five rounds of fact-checking
  • Only 7.12% of all colleges, universities and bootcamp providers we consider are awarded

Our Methodology

We ranked 10 accredited, nonprofit colleges offering online bachelor’s degree programs in creative writing in the U.S. using 17 data points in the categories of credibility, affordability, student outcomes, student experience and application process. We pulled data for these categories from reliable resources such as the Integrated Postsecondary Education Data System ; private, third-party data sources; and individual school and program websites. Data is accurate as of February 2024.

We scored schools based on the following metrics:

Student Outcomes:

  • Graduation rate within eight years of normal time
  • Median earnings 10 years after graduation
  • Pell Grant recipient graduation rate within eight years of normal time
  • Retention rate
  • Pell Grant graduation rate vs. overall graduation rate

Affordability:

  • Average in-state undergraduate tuition and fees
  • Median federal student loan debt
  • Student loan default rate
  • Percentage of students who take out loans

Student Experience:

  • Student-to-faculty ratio
  • Socioeconomic diversity
  • Program’s coursework (excluding student orientations, field experiences and labs) is available 100% online
  • Portion of undergraduate students enrolled in at least some distance learning courses

Credibility:

  • Fully accredited
  • Nonprofit status

Application Process:

  • Acceptance rate
  • Uses Common App

We listed all 10 schools in the U.S. that met our ranking criteria.

Find our full list of methodologies here .

  • Where Can You Complete An Online Art Therapy Master's Program In 2024?
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  • Best Online English Degrees
  • Best Master's In English Online Programs

Best Online Creative Writing Degree Options

Should you enroll in an online degree program in creative writing, accreditation for degrees in creative writing online, how to find the right online degree in creative writing for you, frequently asked questions (faqs) about degrees in creative writing online, university of central florida, texas tech university, regent university, central washington university, university of iowa, colorado christian university, liberty university, southern new hampshire university, weber state university, savannah college of art and design.

University of Central Florida

Undergraduate Tuition

$179.19/credit (in-state)

Overall Student Retention Rate

Overall Graduation Rate

Based in Orlando, the University of Central Florida , offers a fully online Bachelor of Arts in English with a concentration in creative writing. Learners explore communication, rhetoric, literary structure and script writing through poetry, fiction and nonfiction texts.

The curriculum provides a theoretical and practical framework that encourages students to construct sound arguments, develop original creative content across genres and enhance their critical thinking abilities. This program covers topics such as communication, rhetoric and literary structure.

  • Our Flexibility Rating: Learn on Your Schedule
  • School Type: Public
  • Application Fee: $30
  • Degree Credit Requirements: 120 credits
  • Program Enrollment Options: Part time (mandatory for first-time students in their first semester), full time
  • Example Major-Specific Courses: Fiction writing workshop, history of prose style, advanced poetry writing workshop
  • Concentrations Available: N/A
  • In-Person Requirements: No

Texas Tech University

$284/credit (in-state)

At Texas Tech University , based in Lubbock, learners can pursue an online B.A. in English with a concentration in creative writing. The comprehensive curriculum provides a strong foundation in creative writing and rhetoric while delving into a rich array of global, American and British literature.

Through the diverse elective selection, learners can explore genres like drama, film, linguistics, science fiction and fantasy. Students seeking hands-on experience can opt to complete an internship in literature, creative writing and linguistics. This program is designed for aspiring writers, students planning to attend graduate school and those interested in teaching college-level writing or literature.

  • Our Flexibility Rating: Learn Around Your 9-to-5
  • Application Fee: $75
  • Program Enrollment Options: Part time, full time
  • Example Major-Specific Courses: Essentials of college rhetoric, language and community, studies in literary topics
  • In-Person Requirements: Optional internship

Regent University

$450/credit (part time), $395/credit (full time)

Regent University , a private Christian institution in Virginia Beach, Virginia, offers an online B.A. in English with a focus in writing. The curriculum emphasizes the development of creative, professional and technical writing abilities. During the program, students gain a foundational overview of U.S., British and world literature, while honing fundamental writing skills across disciplines, including business, media and web writing.

Students can tailor their studies to their interests with courses like writing for animation, creative nonfiction and feature writing, and writing for strategic communication.

  • School Type: Private
  • Application Fee: N/A
  • Example Major-Specific Courses: Business and professional writing, narrative concept and development, personal and professional editing

$222/credit (in state)

You can pursue an online professional and creative writing major at Central Washington University (CWU), based in Ellensburg, Washington. This comprehensive program takes a practical and collaborative approach to writing, literary analysis and critical thinking. You’ll explore writing techniques and technologies in the workplace and develop skills for creative, technical, professional and business writing, editing and publishing.

You’ll participate in writing workshops with your peers, providing and receiving feedback to develop your craft. Customize your degree with career-focused electives like freelance writing, screenwriting fundamentals and accessible information design. This program requires students to complete at least two practicum credits.

  • Application Fee: $60
  • Degree Credit Requirements: 180 quarter credits
  • Example Major-Specific Courses: Writing and editing for publication, visual rhetoric and document design, multi-genre writing workshop

University of Iowa

$376/credit (in-state)

The University of Iowa , based in Iowa City, offers an online Bachelor of Applied Studies with a focus in creative writing. This program is designed for community college grads who want to complete a four-year program. Applicants can transfer 60 college credits from their associate degree. First-year students are not eligible to enroll in this program.

The creative writing track requires learners to complete 18 credits, including three core courses and three electives. Students explore the many facets of written communication, including writing strategies, novel writing and the art of revision. The curriculum covers creative writing across genres, including fiction, nonfiction, screenwriting, poetry and professional writing.

  • Application Fee: $55
  • Example Major-Specific Courses: Professional and creative business communications, the art of revision: writing for clarity, the sentence: strategies for writing

Colorado Christian University

$494/credit

Colorado Christian University (CCU), located in Lakewood, offers a 100% online B.A. in creative writing. Through a Christian framework, learners hone their written and verbal communication skills, research practices and critical thinking abilities.

Students delve into the structure and function of publishing entities and their audiences. They also develop the tools to navigate opportunities and challenges in creating, publishing and marketing their work.

You can accelerate your timeline by transferring up to 90 credits toward your bachelor’s degree. CCU also offers credits for life experience.

  • Application Fee: Free
  • Example Major-Specific Courses: Introduction to self-publishing, author and book marketing, advanced creative writing

Liberty University

$390/credit (full time)

Liberty University , a private evangelical Christian college in Lynchburg, Virginia, offers a fully online Bachelor of Science in creative writing. Throughout the program, students learn creative writing practices and principles across multiple genres, including memoir, poetry, film and theater. In addition to developing fundamental writing skills, learners study research practices, editing for publishing, and print and digital publishing.

This program offers specializations in English, journalism and Christian literature, allowing students to pursue a degree that matches their career goals.

  • Application Fee: $50
  • Example Major-Specific Courses: Writing for theater and film, editing for publishing, writing for cultural engagement
  • Concentrations Available: Journalism, English, Christian literature

Southern New Hampshire University

$330/credit

Southern New Hampshire University , in Manchester, New Hampshire, offers an online B.A. in creative writing and English. This program helps learners develop their writing and storytelling talents through. It features an overview of genre-specific conventions and techniques, approaches to literary analysis and literary form, style and structure. Writers present their work and collaborate with their peers in advanced workshops.

When enrolling in this program, you have the option to choose the general track or select a concentration in fiction, nonfiction, poetry or screenwriting.

  • Example Major-Specific Courses: Writing with digital media, critical approaches to literature, popular and contemporary fiction
  • Concentrations Available: Fiction, nonfiction, poetry, screenwriting

Weber State University

$2735.38/term (full time, in state)

Weber State University , based in Ogden, Utah, offers an online B.A. in English with an emphasis in creative writing. This program is designed to help students hone their craft in writing original fiction, nonfiction and poetry. Learners collaborate with their peers in workshops and receive one-on-one mentorship from faculty.

The curriculum overviews American, British, global and contemporary literature, writing forms, and editing and publishing. Students can choose from a variety of courses to customize their coursework to their interests, and the program requires a minor.

  • Example Major-Specific Courses: Contemporary literature for creative writers, professional and technical writing, notebooks and journals forms and crafts
  • In-Person Requirements: Yes, meet with a faculty advisor twice annually for course and program advisement

Savannah College of Art and Design

$914/credit

Savannah College of Art and Design (SCAD), based in Savannah, Georgia, offers an online Bachelor of Fine Arts in dramatic writing. This program focuses on storytelling for visual and performance-based media.

Students explore the conventions of storytelling for various mediums, including the screen, stage and digital platforms. The workload includes crafting screenplays, scripts and other forms of dramatic writing, honing essential skills for careers in television, theater, film and digital media.

  • Application Fee: $100
  • Degree Credit Requirements: 180 credits
  • Example Major-Specific Courses: Visual culture in context: making modernities, improvisation for writers, digital film production: story to screen

Pursuing a creative writing degree online can be a convenient option for learners seeking more flexibility to meet the needs of their busy schedules or learning preferences. With the freedom to study from anywhere, online learning allows students to access programs they otherwise wouldn’t be able to, allowing them to personalize their education to align with their academic and professional interests.

Still, while online learning offers flexibility in some areas, it also presents unique challenges. Distance learning doesn’t provide the same structured learning environment as in-person instruction; therefore, learners must have strong time management abilities to stay on top of their studies.

Institutional accreditation should be at the forefront of your research as you consider prospective online creative writing degrees. Institutional accreditation is a rigorous evaluation process that colleges and universities undertake to ensure they meet established standards. Accrediting bodies assess a school’s program offerings, faculty, support services and student outcomes.

Enrolling in an accredited institution ensures that your degree is recognized by employers, other higher education institutions and credentialing bodies. Plus, you must be enrolled in an accredited school to qualify for federal student aid. To verify a school’s accreditation status, search the Database of Postsecondary Institutions and Programs, managed by the U.S. Department of Education.

Consider Your Future Goals

Before enrolling in an online creative writing degree program, consider your academic and professional goals carefully. Each program has its own scope and focus, which can set you up for different writing careers . Some programs offer a broad curriculum, while others specialize in specific genres like poetry, screenwriting, fiction or nonfiction. You might also consider faculty expertise if you’re interested in being taught by someone with experience in a specific area.

Whether you’re planning to enter the workforce immediately or earn a master’s in creative writing , building a solid portfolio of work is crucial. You might prioritize programs that offer publication or professional development opportunities through internships or practicums.

Understand Your Expenses and Financing Options

The cost of earning an online creative writing degree can vary significantly by school. The semester-based schools on our list range from $180 to $494 per credit. Over a 120-credit degree, this translates to $21,600 to $59,280.

According to the National Center for Education Statistics , the average undergraduate tuition in the 2022–23 academic year cost $9,750 for public schools and $38,421 for private nonprofit colleges. In comparison, our programs cost between $5,400 and $41,130 per year.

Many financing options are available for distance learners, including scholarships, grants and loans. Submitting the FAFSA® can help you determine your eligibility for federal financial aid.

Can you get a creative writing degree online?

Yes, it’s possible to earn a creative writing degree online. Every creative writing degree featured in this article can be earned online.

Are creative writing degrees worth it?

A creative writing degree can be worth it, depending on your interests and career goals. Creative writing degrees can be versatile and equip you with in-demand transferable skills across multiple industries, including business, technology, healthcare and education.

Is creative writing a hard degree?

Earning a creative writing degree can be challenging. Producing original work, completing assigned readings and participating in collaborative workshops can create a demanding workload.

Mariah St. John

Mariah is a Berlin-based writer with six years of experience in writing, localizing and SEO-optimizing short- and long-form content across multiple niches, including higher education, digital marketing and travel. Her writing expertise extends to brand strategies and driving small business growth through targeted content. In the last three years, she's primarily produced education-focused content, writing on topics like degree programs, trade schools and career pathways.

Best Universities for Creative Writing in the World

Updated: February 29, 2024

  • Art & Design
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  • Engineering
  • Environmental Science
  • Liberal Arts & Social Sciences
  • Mathematics

Below is a list of best universities in the World ranked based on their research performance in Creative Writing. A graph of 3.39M citations received by 403K academic papers made by 1,501 universities in the World was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles.

1. University of Toronto

For Creative Writing

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2. University of Oxford

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3. University College London

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4. Columbia University

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5. University of Cambridge

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6. King's College London

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7. University of Michigan - Ann Arbor

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8. University of British Columbia

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9. University of Texas at Austin

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10. Stanford University

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11. University of Manchester

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12. University of California - Berkeley

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13. University of Alberta

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14. Yale University

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15. Pennsylvania State University

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16. Ohio State University

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17. University of Southern California

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18. New York University

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19. University of Illinois at Urbana - Champaign

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20. University of Edinburgh

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21. University of Wisconsin - Madison

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22. University of Exeter

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23. University of Chicago

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24. University of California - Los Angeles

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25. University of Sydney

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26. Arizona State University - Tempe

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27. Cornell University

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28. Harvard University

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29. University of Sheffield

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30. University of Melbourne

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31. University of Birmingham

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32. University of Nottingham

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33. University of Leeds

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34. McGill University

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35. University of Pennsylvania

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36. University of Washington - Seattle

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37. University of Virginia

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38. Monash University

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39. Emory University

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40. University of North Carolina at Chapel Hill

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41. University of Bristol

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42. University of Maryland - College Park

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43. University of Queensland

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44. Lancaster University

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45. York University

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46. University of Arizona

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47. Durham University

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48. Princeton University

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49. University of York

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50. University of Warwick

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51. Michigan State University

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52. University of Glasgow

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53. University of South Florida

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54. University of California - Santa Barbara

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55. University of Auckland

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56. University of Calgary

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57. Rutgers University - New Brunswick

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58. University of Amsterdam

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59. Boston College

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60. Cardiff University

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61. University of Sussex

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62. University of California - Irvine

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63. University of London

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64. University of Illinois at Chicago

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65. London School of Economics and Political Science

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66. Tel Aviv University

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67. Hebrew University of Jerusalem

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68. Catholic University of Leuven

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69. University of Haifa

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70. Aarhus University

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71. Florida State University

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72. University of Southampton

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73. Queen Mary University of London

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74. University of Oslo

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75. University of Minnesota - Twin Cities

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76. University of St Andrews

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77. University of Pittsburgh

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78. University of Victoria

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79. Lund University

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80. University of New South Wales

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81. University of California - Santa Cruz

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82. Royal Holloway, University of London

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83. University of Liverpool

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84. University of Helsinki

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85. University of Notre Dame

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86. Temple University

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87. Northwestern University

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88. Education University of Hong Kong

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89. Virginia Polytechnic Institute and State University

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90. University of Florida

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91. Vanderbilt University

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92. University of Waikato

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93. Griffith University

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94. Newcastle University

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95. University of Copenhagen

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96. Macquarie University

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97. Carnegie Mellon University

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98. Georgetown University

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99. Boston University

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100. University of California-San Diego

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Art & Design subfields in the World

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  • Writing Tips

The 13 Best Colleges for Creative Writing Degrees

The 13 Best Colleges for Creative Writing Degrees

  • 16-minute read
  • 23rd February 2023

So, you want to pursue a creative writing degree program in the United States. Wonderful! If you are passionate about writing and you’re an avid reader, a career in fiction writing would be the way to go! When it comes to choosing the right MFA (Master of Fine Arts) program – in this case, creative writing – you might be wondering which schools have the best program. What career opportunities are there after graduation? What courses will I take in the program? What’s the admission process like?

A creative writing program will immerse you in your craft, help you develop writing discipline, and provide critical feedback on your writing. The program should also be highly reputable and produce top-quality writers.

You must decide whether you want to attend a public or a private college . This choice can be important because of student population size, tuition fees, and reputation. Private colleges will be considerably more expensive than public ones. Do you want to attend college in a small town or a big city? Is the school located somewhere that can provide ample writing inspiration? It’s important to know that some schools provide more student opportunities in their program, yet others have stronger networking connections. This distinction can be crucial once you’ve graduated from the program.

This post will highlight the benefits of a creative writing degree, including career opportunities after graduation. We’ll also discuss what you’ll need to apply. Finally, we’ll highlight our top list of creative writing schools in the United S tates. After you’ve read this post, you’ll better understand the opportunities these schools provide.

What Is a Creative Writing Degree?

A creative writing degree prepares you for a career as a writer of fiction, creative nonfiction, poetry, or drama. It’s also suitable for those wishing to enter the field of editing or publishing. The program immerses students in writing and provides valuable writing opportunities and feedback.

Career Opportunities After Graduation

Graduates usually find jobs as authors, copywriters, journalists, editors, columnists, or screenwriters. Additionally, graduates find opportunities to become editors for big publishing agencies, which work with some of the most famous best-selling fiction authors.

What Subjects Are Typically Covered?

You can expect to take plenty of fiction, nonfiction, and poetry workshops. Almost all programs provide compulsory introduction to fiction and poetry classes. In addition, you’ll likely take courses in screenwriting, medieval literature, and traditions in fiction. Finally, some courses focus on writing prompts (a daddy for writing inspiration).

Factors to Consider in Choosing a College for a Creative Writing Degree

Although the following factors will vary from college to college, you should consider them carefully:

●  Location and campus culture

●  Faculty and resources available

●  Alumni network and professional connections

●  Internships and work opportunities (internships will provide valuable work experience)

Admission Process

You should know that many creative writing degree programs are very selective. For this reason, you’ll need to prove your passion for writing and reading. First, you’ll need to apply to the college of your choice. This will mean submitting an admission essay as well as the application form. Creative writing degree programs will also want a writing sample, such as a poem or a short story. However, these don’t have to be works you’ve published.

Additionally, you’ll need to submit the following to your chosen college:

●  Referee information (must not be a friend or a relative)

●  Official transcripts

●  TOEFL or IELTS test results (if English is not your native language)

●  GRE scores

Gathering all required documentation for admission will be time-consuming, so you’ll want to get started early. Ideally, you should start applying nine months before your program begins. For example, if the program starts in August, you should begin applying in November of the previous year.

1. Northwestern University

Established in 1851, Northwestern University is located in Evanston, Illinois (just outside Chicago). With approximately 22,000 students, it’s a private institution with a six-to-one student-to-faculty ratio. Professors in the creative writing program are award-winning authors. Northwestern is known for producing successful authors such as Karen Russell and Veronica Roth . It also features a top journalism program. Students in the creative writing program can get involved with the student-run literary journal, intern at a Chicago publication, or submit an entry to the yearly writing competition of the English Department.

Additionally, students can learn from talented writers at the Annual Writers’ Festival . Students can even submit their work to the school’s annual writing competition. So, if gaining professional writing experience is important, Northwestern might just be what you’re looking for! Plus, Chicago’s iconic landmarks and lakeside beaches provide robust inspiration for writers!

“My Northwestern creative workshops, where I honed my editorial skills, were instrumental in setting me down a career path in publishing.”

–  Laura Biagi, Class of 2009

2. Columbia University

Located in New York City (known colloquially as the Big Apple), Columbia was established in 1754. It’s the fifth-oldest American institution of higher learning. It has around 36,000 students, and people consider it one of the great elite private colleges in America. Like Northwestern, Columbia has a world-class creative writing program and a top journalism school. Great writers have attended Columbia, including J.D. Salinger and Federico Garcia Lorca. The creative writing curriculum includes rigorous writing workshops at all levels and seminars exclusively for creative writing students. In these workshops, students produce original works of writing and submit them to classmates and professors for critical analysis. To study at Columbia is to be part of a distinguished group of like-minded writers.

If that isn’t enough to convince you, many consider New York City America’s literary capital. It’s home to major publishing houses, literary journals, picturesque parks, iconic landmarks, and talented authors from around the globe. The Big Apple has no shortage of inspiration for prospective writers!

“Before being accepted into the program, I didn’t have the confidence to critique my work seriously.”

–  Mary Mann, Class of 2015

3. University of Iowa

If you prefer to study in a location away from the hustle and bustle of a big city, the University of Iowa might be your answer! Founded in 1847, this public institution has about 31,000 students. It’s located in Iowa City, and the nearest major city is Chicago. However, studying in Iowa can provide an opportunity to go off the beaten path.

Here are some highlights of the university and Iowa City:

●  Iowa City is a designated UNESCO City of Literature.

●  The city’s annual Book Festival attracts people from across the American Midwest.

●  The MFA of the university’s nonfiction writing program has been voted number one in creative nonfiction in the United States.

●  Students have access to the university’s literary community, which offers frequent readings, writing prizes and scholarships, and The Iowa Review , an acclaimed literary journal.

●  Tennessee Williams is an alumnus of the program.

●  Like Columbia, the University of Iowa strongly values the workshop method.

We recommend checking out this video for a deeper dive into the world of creative writing at Iowa.

4. Emory University

Emory, founded in 1836, is a private research university in Atlanta, Georgia. If you prefer a university in a warm climate, Atlanta is a good choice. Compared with cities in the northern states, Atlanta experiences mild winters, though you might get cold snaps and the odd snowfall. Emory has around 15,000 students and has an affiliation with the United Methodist Church.

Emory’s dedicated undergraduate creative writing program draws distinguished visiting scholars and writers. Other notable program highlights include:

●  Opportunities to attend intimate question-and-answer sessions with award-winning authors

●  Faculty who are professional practitioners in the writing field

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●  Studies in a range of genres, such as fiction, poetry, screenwriting, and playwriting

●  Annual writing contests

●  Writing awards and scholarships

●  The opportunity to work closely with an adviser to complete an honors project

Students will also find writing opportunities outside the classroom in the Atlanta area. The city has several writing organizations and clubs, such as the Atlanta Writers Club , the Georgia Writers Association , and Village Writers Group.

5. Oberlin College

Founded in 1833, Oberlin is a small liberal arts college in Oberlin, Ohio, 31 miles south of Cleveland. It has just under 3,000 students. If you’re seeking a really small school, Oberlin is worth pursuing! It’s known for the robust quality of teachers and the variety of courses in the creative writing program. Two of the courses are Plot and Structure and Race and Poetic Innovation. In addition, you’ll find a robust workshop culture at Oberlin. The downside is that the city lacks opportunities to pursue writing. However, great opportunities exist in other Ohio cities, such as Cleveland, Columbus, and Cincinnati. Moreover, Ohio is the home of the late American novelist Toni Morrison.

It’s worth mentioning that Oberlin’s creative writing program has notable alumni, such as Lena Dunham , an actress and writer.

“I feel so consistently lucky to have such dedicated professors. Everyone I’ve worked with in the Creative Writing Program deeply cares about their students both as writers and as people. Classes are small, so you’re able to actually know and trust each other, which is important for productive workshopping.”

–  Fiona Warnick, Class of 2022

6. Hamilton College

Chartered as a college in 1812, Hamilton is in the upstate New York village of Clinton, between Syracuse and Albany. It has 2,000 students and 1,350 acres of campus space. Hamilton strongly believes in giving students the freedom to pursue their own interests, an ethos that explains why the college’s motto is “Know Thyself.”

Hamilton’s creative writing program is known for its small classes and plentiful opportunities to intern and publish. Hamilton also has one of the best writing centers in the nation. Students take courses that balance literary study with poetry and prose workshops. The program emphasizes learning to write with attentiveness to form and genre. Students write a creative project that demonstrates originality and attention to language.

If you like a creative writing school that’s “current with the times,” Hamilton has recently renovated List Hall, which houses the program. The hall features collaborative spaces for students and a new landscaped entrance.

7. Brown University

Founded in 1764, Brown is a leading research university in Providence, Rhode Island. Brown’s student-centered learning and deep sense of purpose make it distinct. In fact, many American high schoolers dream of studying at Brown! It has just under 10,000 students, and its literary arts program is one of the top MFAs in the United States. Students can choose one of three tracks: fiction, poetry, or digital/cross-disciplinary writing – a plus if your aim is fiction writing, for example! Although students must take certain classes, they can design much of their curriculum. Brown also provides financial aid to students in the program through a first-year fellowship. Additionally, students can teach undergraduate workshops during their second year. Brown is a special place for writers who envision new paths in fiction, poetry, and digital language arts.

8.  Washington University in St. Louis

It might surprise you that Washington University is in St. Louis, Missouri, rather than Washington, DC. Since 1853, Washington University has dared to challenge the unknown and taken great pride in its teaching, research, and service to society. The university has a renowned creative writing program with several scholarships. The undergraduate English program also offers a concentration, which allows students to specialize in a specific writing genre: fiction, poetry, or creative nonfiction. The program even has a special concentration in publishing! Students often find internships with companies such as Atlantic Media, Business Insider, and Cincinnati Children’s Hospital Medical Center.

Washington University should be on your list if you already have a specific writing genre in mind!

9.  Massachusetts Institute of Technology (MIT)

You might not associate writing with an institute of technology. However, MIT has a wonderful program that features courses in digital media, science writing, and creative writing. Since its incorporation in 1861, MIT has been educating future leaders with a three-to-one student-to-faculty ratio in Cambridge, Massachusetts. Apologies if you were expecting MIT to be in Boston. However, don’t let Cambridge put you off. The city is a haven for book lovers and writers from all walks of life, so you’ll find plenty of writing pursuits outside of class! And when it comes to finding work after graduation, the program provides lots of guidance for navigating the tricky job market.

10.  University of Michigan

If you’ve ever watched NCAA football, you’re probably familiar with the University of Michigan. Founded in Detroit in 1817, Michigan is ranked the third-best national undergraduate public university. The university’s main campus is in the small city of Ann Arbor, ranked the number one best small college town in America.

The University of Michigan has a top-notch MFA program. The undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications provide crucial practice in building a writing portfolio and articulating an interest in creative writing. In addition, the university has two student-run literary journals: Xylem Magazine and Fortnight Literary Press . Both publish students’ best works – an excellent way to get your writing noticed!

Screenwriter Jennifer Freides graduated from the program. “I learned to read fast, manage my time, think critically, organize my thoughts, and speak with clarity at U-M.”

With nearly 50,000 students, the University of Michigan is a top choice for those looking for a big school with a great MFA program!

11.  Johns Hopkins University

This private research university was founded in 1876 in Baltimore, Maryland, and it takes its name from nineteenth-century Maryland philanthropist Johns Hopkins. With 24,000 students, Johns Hopkins (or JHU, its more common name) ranks consistently among the most prestigious universities in the United States. Novelists John Barth and Chimamanda Ngozi Adichie graduated from here, as did the famous horror film director Wes Craven.

Although people know JHU more for its engineering program, it does have a reputable writing program. Students in the program take courses in philosophy and history in addition to classes in prose, poetry, and literature. The creative writing program has journalism, the arts, and publishing internship opportunities. Additionally, short story writers might be interested in the program’s Danielle Alyse Basford Writing Prize .

Baltimore is no stranger to the literary world, as the American writer Edgar Allan Poe spent several years here. His poem The Raven is the namesake of the NFL’s Baltimore Ravens. You can visit the Poe House and Museum to see the writing desk and chair where Poe created some of his famous work!

12.  Colorado College

Colorado College was founded in 1874 and is in Colorado Springs, Colorado. It’s a small liberal arts college with over 2,000 students. People know the college mainly for its Block Plan , which allows students to focus on one class per three-and-a-half-week block. Students will find that the creative writing track interweaves craft, imagination, and a lively literary framework. It includes a sequence of four writing workshops and mandatory attendance at the Visiting Writers Series. Attending readings at the Visiting Writers Series will deeply immerse students in the written word at Colorado College. In addition, students will find plenty of opportunities within the program, from AMC college writing contests to the student-led spoken word group, SpeakEasy. If you’re an outdoorsy writer, you’ll love Colorado Springs! It’s surrounded by picturesque hiking opportunities, including Garden of the Gods ! If you envision taking one class at a time at a small liberal arts school, you should consider Colorado College!

13.  New York University

New York University (NYU) is another prestigious university in New York City. It was established in 1831 and is currently the largest private university in the United States, with more than 11,000 students. It even has campuses in Abu Dhabi and Shanghai. As mentioned, New York is the American literary epicenter. Although NYU doesn’t offer a creative writing major, it’s an excellent school for aspiring writers. You’ll still find workshops in fiction, poetry, and creative nonfiction. Classes are small, with a maximum of 15 students, and the school has a student-edited literary journal called West 10 th . The school also offers intensive summer writing programs in Florence and Paris, so students can develop their craft while living the writer’s life in Italy or France. The faculty consists of award-winning poets, short story writers, and novelists, and many of them have received Pulitzer Prizes and NEA Fellowships. So, although NYU lacks a creative writing major, it has a fine reputation, small classes, and ample opportunities to develop your writing craft!

So, there you have our list of top creative writing schools. Let’s recap key points from our post:

●  Creative writing programs are pretty selective, so you should be genuinely passionate about reading and writing.

●  Private schools have the best reputation and small classes. However, they can be really expensive.

●  You will need to submit at least one writing sample as part of your application.

●  Creative writing programs are heavy in workshop culture.

●  New York City is America’s literary capital.

●  Most programs have literary journals where you can submit your work.

●  A faculty of professional writers will be your teachers.

●  Graduates often go on to become authors, editors, and copywriters. Getting into publishing is also a possibility.

Whichever school you choose, it must be the right fit for you! While one might be great for some people, it might not resonate with you. Therefore, we strongly encourage you to visit the school if possible. Even a virtual tour will suffice. We also suggest reaching out to current professors for more information. You can even reach out to current or past students through LinkedIn. Finally, take your time when researching schools. Got more questions about creative writing? We recommend this video !

Thanks for reading!

1. How important is location when you are considering a creative writing program?

You’ll want to prioritize a location with a vibrant literary scene rather than one with a warm climate. There should be plenty of opportunities to engage with writing in the community outside the classroom. There should also be various career opportunities within the community after graduation.

2. What is the cost of attending a creative writing program in the United States?

The cost will depend on whether the school is public or private. Public school tuition will be roughly $17,000 to $20,000 US. On the other hand, private schools will be considerably more expensive, especially Columbia and Hamilton. You can expect tuition to be between $50,000 and $69,000 US.

 3. Where can I get feedback on my college application?

Great question! We recommend leaving this to our team of proofreading experts at Proofed! They can check for grammar and punctuation errors and ensure perfect spelling. They will also ensure that the application uses appropriate academic language. Consider submitting a 500-word document for free today!

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creative writing major colleges

Best Colleges for Creative Writing

Creative writing colleges

Reviewed by:

Former Admissions Committee Member, Columbia University

Reviewed: 5/2/24

If you are interested in pursuing a career in writing, this guide will tell you the thirteen best colleges for creative writing.

Some are born great, some achieve greatness, and some have greatness thrust upon 'em. We’d like to update Shakespeare’s methods of achieving greatness by adding one more: attending the perfect college. 

Picking the best creative writing program is crucial to help you gain the right experience and education to enhance your writing skills and excel. If you’re looking for good colleges for writing, read on to find the thirteen best creative writing colleges! 

Best Creative Writing Colleges Ranking Criteria

Although we are using the U.S. News rankings here, there are still many factors that contribute to how good a college’s creative writing program is. Here are some factors that we’re considering in the rankings.

  • Prestige : Having a reputation for providing high-quality education is important. These schools got their prestigious reputations for a reason! 
  • Variety of Courses : There are many different techniques and styles of writing, so it’s a great asset to have lots of courses to address them. A good variety of writing courses means that you’ll get a more well-rounded education. 
  • Writing-Specific Major : Although many excellent schools offer creative writing courses, it’s a plus if a college offers a writing-specific major. This looks great on resumes for writing-related jobs after graduation. 
  • Internship Opportunities : Hands-on experience is important in any major. Many of these colleges offer internship opportunities or chances to work with professionals or published authors! 

13 Best Colleges for Creative Writing in 2024

School Location Acceptance Rate Tuition Fees
Brown University Providence, RI
Columbia University New York, NY
Duke University Durham, NC
Princeton University Princeton, NJ
University of Iowa Iowa City, IA
Yale University New Haven, CT
School Location Acceptance Rate Tuition Fees
Cornell University Ithaca, NY
Carleton College Northfield, MN
Swarthmore College Swarthmore, PA $65,058 per year
Amherst College Amherst, MA
Emory University Atlanta, GA
Elon University Elon, NC
Harvard University Cambridge, MA

To save you the worry of searching through all of the creative writing programs the country has to offer, here are the top thirteen best colleges for creative writing .

13 top colleges for creative writing

1. Brown University

Acceptance rate : 5.16%

Tuition : $68,612 per year

If you’re wondering which school has the best creative writing program, Brown University is the top-ranked college to attend for students interested in creative writing.

Brown University’s English Department offers various courses for students to explore their interests and hone their writing skills. Students may choose to enroll in:

  • English B.A. to take different types of writing courses
  • Comparative Literature B.A .
  • Literary Arts B.A .

Once students have completed their B.A., they can join Brown’s Literary Arts Master of Fine Arts (MFA) program, where they can specialize in their desired form of writing: fiction, poetry, digital and cross-disciplinary writing, playwriting, screenwriting, and nonfiction.

In this program, students have the opportunity to conduct an independent study on their desired topic, which gives them excellent research and writing experience.

If you’re interested in applying to Brown , take a look at our complete guide on how to get into this excellent school.

2. Columbia University

Acceptance rate : 3.8%

Tuition : $32,670 per term

Columbia University is located in the Big Apple and ranks #2 in Writing in the Disciplines.‍ They offer an English and Comparative Literature B.A. program with concentrations in Fiction, Nonfiction, Poetry, and Literary Translation. 

For film and TV writers, Columbia is also one of the best film schools in the US with options to pursue screenwriting and directing. 

The Poetry concentration , in particular, is considered one of the strongest and most rigorous in the country. Columbia also offers an MFA in Writing for graduates.  

When considering tuition costs, note that Columbia is dedicated to reducing students’ tuition costs and states that students coming from families with annual incomes less than $150,000 are able to attend Columbia tuition-free ! According to their financial office, about 50% of all Columbia students receive grants of around $63,971.

So, if money is a major factor in your decision, rest assured you have a high chance of receiving significant grants if you attend Columbia University!

3. Duke University

Acceptance rate : 5.1%

Tuition : $66,326 per year

Ranked third on our list is Duke University . Duke University offers a general B.A. in English and a creative writing minor . While it does not offer a major in creative writing, it offers various creative writing courses that English majors can take to gain more expertise in the subject.

Unlike the majority of undergraduate arts programs, Duke offers its students internships in New York. Gaining this type of experience is crucial for when you graduate and can help you land your dream job!

Tuition at Duke costs over $60K per year. However, select students can get full-ride scholarships , which can help you get your dream degree for free!

4. Princeton University

Acceptance rate : 4.5%

Tuition : $59,710 per year

Princeton University is one of the oldest colleges in the U.S. and consistently ranks as one of the best universities in the world. It ranks third in U.S. News’ Writing in the Disciplines list. Not only is Princeton a great college for writing, but it’s also ranked as the best university in the nation. 

Princeton University offers an English B.A. and a creative writing program that these undergraduate students can join with their B.A. In this program, students work alongside actual practicing writers to gain the most authentic knowledge and experience.

5. University of Iowa

Acceptance rate: 86%

Tuition : $10,964 (Iowa residents), $32,927 (non-residents)

Ranking fifth in Writing in the Disciplines, the University of Iowa is another great option to consider. This university is nationally recognized as a writing university and offers majors in English as well as English and Creative Writing.

Despite their high overall acceptance rate, admission to the English Honors program is selective. The University of Iowa produces high-quality writers with a 95% job/grad school placement rate! 

6. Yale University

Acceptance rate : 3.73%

Tuition : $67,250 per year

While Yale University ranked #5 in Writing in the Disciplines, it does not offer specific Creative Writing minors or majors. Instead, you can participate in an intensive Creative Writing concentration track for English majors as well as taking numerous related courses . 

English students at Yale can also participate in various student initiatives , including events put on by the English Student Advisory Committee and informal conversations with English faculty at English Lunch tables. 

7. Cornell University 

Acceptance rate : 7.90%

Tuition : $68,380 per year

Cornell University is another one of the best colleges for creative writing majors. It ranked #7 in Writing in the Disciplines and allows English majors to concentrate in Creative Writing . Cornell also offers a creative writing minor .

Graduate students may also join the MFA in Creative Writing program, where they will gain hands-on experience editing and publishing fiction, poetry, essays, and more for EPOCH Magazine .

8. Carleton College

Acceptance rate: 17.85%

Tuition : $65,043 per year

No list of good writing schools would be complete without top-notch liberal arts schools . Ranking #8 in Writing in the Disciplines is the prestigious Carleton College, one of the best colleges for creative writing.

Carleton offers a B.A. in English where students can choose from a breadth of creative courses to enroll in, including a minor in creative writing . Like Brown University, it offers a specialized MFA in Creative Writing . This college also offers courses where students can build their professional portfolios for when they graduate.

9. Swarthmore College

Acceptance rate: 7.46%

Tuition : $65,058 per year

Right after Carleton, Swarthmore holds the title of ninth-best college for creative writing, and it was considered #4 among the Best National Liberal Arts Colleges and Best Value Schools.

This liberal arts college offers an English B.A . and a Writing Associate program . With this English B.A., students are eligible for paid internships to produce original creative writing projects to build their portfolios and gain valuable experience. 

10. Amherst College

Acceptance rate : 9%

Tuition : $69,820 per year

Ranking #10 in Writing in the Disciplines, Amherst is another respectable school for writing majors. The college also ranks as the second school in National Liberal Arts Colleges.

Source: Amherst University  

This rural university offers an excellent English B.A. program that teaches students how to think critically and write well. It also has its very own creative writing center that offers diverse creative writing courses for students.

11. Emory University

Acceptance rate : 14.49%

Tuition : $63,400 per year

Ranked at #11, Emory University offers an English and Creative Writing major to encourage students to approach studying literature in a creative way. Students have the opportunity to experiment with many genres of writing, including poetry, fiction, playwriting, and more. 

Emory offers plenty of creative writing engagement outside of the classroom. Interested students can submit their work to creative writing contests or student-run publications. 

You can also take part in the Creative Writing Peer Mentorship Program, which matches an aspiring CW major with an upperclassman, to gain wisdom and tips about the program. 

12. Elon University

Acceptance rate : 67%

Tuition: $46,985 per year

If you choose to attend Elon University, you can add a Creative Writing minor to your academic profile. This minor allows you to take courses in nonfiction, poetry, and fiction in addition to other writing-based courses. 

While Elon doesn’t offer a Creative Writing major, you may choose to major in Professional Writing and Rhetoric to help sharpen up your skills with the pen. 

13. Harvard University

Acceptance rate : 3.59%

Tuition : $56,550 per year

Harvard University is a prestigious school that’s on many students’ radars when they consider attending university. Coming in with the 13th spot in Writing in the Disciplines, Harvard’s prestige extends into the realm of the arts.

Source: Harvard University

Harvard offers an extensive English B.A. program where students can enroll in various comprehensive creative writing courses . 

In fact, there are usually no more than twelve students in each of these classes, ensuring students receive personalized teaching to really refine their writing skills and get the most out of their education.

Tips on How to Choose the Right College for You

College applications can be stressful especially if you don’t know what schools to apply to. Below, we’ll cover some tips on how to choose the right college for you. 

1. Think About Your Priorities

Consider what's important to you when picking a college. Think about location, campus size, and the programs they offer. Do you want to be close to home, or are you excited about exploring a new city? Do you prefer a big campus with many activities or a smaller one with a close community?

Also, consider your academic interests and career goals. Make sure the college you choose has the programs and resources to support your studies and help you achieve your future plans.

2. Investigate Job Connections

When picking a college, think about your future job prospects. Check out each school's career center. Ask about job fairs, on-campus interviews, and how many counselors they have for students. 

Make sure they have enough resources to support you. Career centers offer services like helping you with skills employers want, sharing job and salary info, finding internships, practicing interviews, explaining how hiring works, and connecting you with alumni.

3. Talk to Your Family

Many parents fondly remember their college days and hope their kids will have the same experience. But what worked for them might not be right for you. Talk openly with your parents about your college choices. Explain why you're interested in certain schools, like if they have a program you're excited about or offer cool opportunities like studying abroad.

Do you need help finding the right university for you? Check out our What College Should I Go to? quiz . This quiz will help you find the best college for you based on our academic profile and preferences.

FAQs: Best Colleges for Creative Writing

If you’re still wondering which program is best for you, these frequently asked questions on the best colleges for creative writing majors can help you to find your answers.

1. What College Has The Best Creative Writing Program?

According to its ranking and reputation, Brown University has the best writing programs and creative writing courses.

2. What is the Best College for Aspiring Writers?

Emory University and the University of Iowa are some of the only schools offering majors in creative writing rather than just minors or courses. For those wishing to focus solely on learning how to write creatively, these universities are the best option.

3. Which Creative Writing Colleges Offer Internships?

Duke University and Swarthmore College offer paid internship programs for their English students. Carleton College requires students to create original writing projects to build their professional portfolios, and Cornell University requires Creative Writing MFA students to edit and publish creative writing for the EPOCH Magazine.

4. What Is The Cheapest Creative Writing Program?

The University of Iowa is significantly cheaper to attend than the other best colleges for creative writing, costing only $10,964 for in-state students and $32,927 for out-of-state students. However, Columbia University offers the most extensive scholarships, as 50% of all of its students receive grants of around $63,971.

5. How Big Are Creative Writing Classes?

In general, they are relatively small compared to classes in other disciplines. For instance, each of Harvard’s creative writing courses only has about twelve students.

These small classes are great because students get to forge meaningful connections with professors (and we all know how important networking is!).

6. How Do I Decide Which Creative Writing Program Is Best For Me?

These schools are all good colleges for writing. However, the main factor you want to consider is what you wish to gain from your program! If you want to gain a lot of hands-on experience and build your portfolio, choose a school like Duke University, Swarthmore College, or Cornell.

If you’d like to save the most money while attending university, choose a low-tuition school like The University of Iowa.

7. Is Creative Writing a Good Program To Take? 

Yes! Taking a creative writing program can provide you with many skills for a future career, such as critical thinking, communication, and storytelling. 

Final Thoughts

Hopefully, this guide has provided you with helpful insight into the best colleges for creative writing. No matter which school you choose to attend, these thirteen schools are the very best and will truly help you kickstart your career as a writer!

As Shakespeare said, parting is such sweet sorrow. But now that you have all the information you need on the experience, education, and cost of the best creative writing programs the nation has to offer, you can pick the perfect college and program to help you achieve greatness!

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12 Best Colleges for Creative Writing [2023]

02.03.2023 • 11 min read

Nick Griffin

Subject Matter Expert

Learn about the top colleges for creative writing, tips on what to consider when choosing a creative writing major, and answers to frequently asked questions.

In This Article

The Best Creative Writing Programs

What to consider about college for creative writing majors, best literary colleges faqs.

Writing well is a tremendous asset in nearly every industry. In fact, one of the top skills employers look for in employees is the ability to communicate clearly and effectively through writing .

Completing a degree at one of the top colleges for creative writing can deliver more career opportunities than you may think. You could work in publishing, media, higher education, or marketing and advertising.

You can also use your storytelling and creative thinking skills to work as a freelancer. As an independent contractor, you can set your own rates and choose your work hours.

This introduction to 12 of the best colleges for creative writing majors will help you select the right program for your career goals. We’ll even tell you what to look for when comparing some of the leading literary colleges. Let’s get started!

Students who choose to enroll in a creative writing program are looking at factors like location, curriculum, and the quality of the instructors.

While many differences exist, all creative writing degree programs offer instruction in the primary literary forms:

Creative nonfiction

Some schools offer instruction in additional forms, including:

Screenwriting

Playwriting

Digital writing

When selecting a program you would enjoy, also make sure the instruction fits your learning needs.

Some schools offer seminars, resident writers, literary journals, and other perks beyond the standard workshops and courses.

The following 12 programs currently rank among the best writing programs offered in the U.S.

1. Columbia University

The Undergraduate Creative Writing Program at Columbia University boasts one of the most prestigious literary histories.

Well-known writers like J.D. Salinger, Federico Garcia Lorca, Eudora Welty, Langston Hughes, and Jack Kerouac have taken creative writing courses at the university. The roster of instructors in the undergraduate program is equally as impressive.

The program offers seminars designed for creative writers plus courses in the following writing forms:

Literary nonfiction

Dramatic writing

Students also have access to a thriving School of Arts and can move on to the prestigious MFA (Master of Fine Arts) in Creative Writing program.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$65,524 (without aid)8,148In Person

2. Emory University

The Undergraduate Creative Writing Program at Emory University started more than 30 years ago. It remains one of the most reputable colleges for aspiring writers ready to start professional careers.

The university requires an application and instructor permission to enter all creative writing courses. Students can major in creative writing or participate in creative writing workshops while completing other degree programs.

The school provides writing workshops and courses in the following disciplines:

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$57,948 (without aid)7,130In Person

3. Brown University

Brown University is one of the leading universities for English literature and creative writing. They are also among the best colleges for writers interested in music, performance arts, and visual arts.

The Undergraduate Department of Literary Arts offers cross-disciplinary courses in all of those disciplines for students pursuing degrees in creative writing. Students can select from a diverse catalog of creative writing workshops, literature courses, independent study courses, and honors workshops.

Creative writing courses are available in the following disciplines:

Cross-disciplinary writing

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$65,146 (without aid)7,349In Person

4. Colorado College

Colorado College offers a creative writing track for English majors who wish to focus on creative writing. The program offers more than the typical writing workshops and seminars at some of the other best colleges for creative writing. In fact, many of the elective courses are taught by guest professors. These distinguished guests are writers themselves.

Students benefit from multiple literary resources exclusive to the college, including:

Hairstreak Butterfly Review and other magazines and publications

Visiting Writers Series

Writing contests

Literary publishing practicum

Student-led spoken word group (SpeakEasy)

Campus printing press studio

Fine Arts Center

Specialized library collections

These benefits make Colorado College one of the leading colleges for creative writing majors able to attend classes in Colorado Springs. The creative writing faculty includes some published authors, making it a top choice for authors as well.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$65,028 (without aid)2,266In Person

5. Duke University

Duke University may offer the best creative writing program for students with a shared interest in theater and performance arts. Students have access to courses in theater and documentary studies.

The school also has a collection of writing courses, workshops, and seminars in the following writing forms:

Travel writing

Documentary writing

Students at Duke have many opportunities to learn from other writers through the writers-in-residence program. The university also invests heavily in conferences, readings, and visiting speakers for the creative writing program.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$63,054 (without aid)6,883In Person

6. Cornell University

Cornell University allows students to enroll as English majors with a concentration in creative writing. Students can also complete courses from the creative writing program as minors.

Writing workshops are available in the following literary forms:

Narrative writing

The university is home to a reputable reading series where multiple published authors visit for live readings and social receptions. This college is excellent for authors interested in networking with other authors.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$63,200 (without aid)25,582In Person

7. Northwestern University

Northwestern University was one of the first colleges in the U.S. to offer an undergraduate creative writing program. Today, the school has a highly competitive creative writing major . It serves as a concentration within the English department.

Students have access to workshops and courses in the following disciplines:

Cross-genres

This university ranks as one of the best literary colleges in part because the faculty includes award-winning authors. The school hosts a Festival of Writing every spring, and students have opportunities to network with and learn from visiting writers.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$63,468 (without aid)22,933In Person

8. Oberlin College

The creative writing program at Oberlin College offers a collaborative and immersive experience for writers who want the freedom to experiment.

The program focuses on workshops where students learn from one another while preparing for several literary careers. It’s a studio environment best suited to students who want to work closely with a small group of peers.

Oberlin also offers a wide variety of courses in the following disciplines:

Translation

Hybrid forms

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$61,965 (without aid)2,942In Person

9. Washington University in St. Louis

Washington University is home to one of the most reputable graduate programs for writing. It only makes sense they also made the list of the top colleges for creative writing undergraduate programs.

The 16-credit creative writing certificate can be taken with any bachelor’s degree major and offers students a workshop model of instruction. Students in this program learn how to become better writers by writing alongside current professional writers.

The program focuses on courses within the 3 primary forms of writing:

All creative writing courses take the form of workshops. This format allows students to read and critique one another’s work in a professional and inclusive environment. Instructors are professional writers with qualifications well-suited to guiding new writers toward lucrative writing careers.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$60,590 (without aid)16,973In Person

10. Wichita State University

Wichita State University is an outstanding college for writers who want to complete undergraduate and graduate degrees from the same institution. The school offers a studio-academic Master of Fine Arts program for students studying fiction or poetry at the most advanced level.

The program allows undergraduate students to major or minor in creative writing. They have access to visiting writers, a school literary journal, and national press internships.

This program's course selection covers the 3 primary forms of writing

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$8,860 (without aid)16,097In Person

11. Southern New Hampshire University

Southern New Hampshire University (SNHU) is an excellent choice for writers interested in transferring credits from other institutions or online programs. The creative writing degree program allows students to transfer up to 90 credits and offers competitive pricing per credit hour for the remaining courses.

Unlike the other programs in this list, all courses at SNHU are virtual. SNHU is one of the best colleges for creative writing majors who value the flexibility of online classes.

Four concentration options are available for this program:

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$15,380 (without aid)2,998Online

12. Boise State University

The creative writing program at Boise State University is ideal for students who want to learn from acclaimed writers with bestselling novels and prize-winning poetry collections to their credit.

The program offers theory classes with a wide range of modern writing disciplines, including speculative fiction and graphic novels. Most courses focus on the following writing forms:

Boise State is also home to the literary journal The Idaho Review and the Free Poetry chapbook series. Students may have the opportunity to work with those publications to gain experience prior to graduation.

Annual Tuition & FeesUndergraduate EnrollmentOnline or In Person
$8,364 (without aid)25,830In Person

What exactly are you looking for when comparing the finest literary colleges? Consider these ‌factors to help you select the right programs.

Transferable Credits

You can save money on your education by completing some courses online. But make sure the credits are transferable to the school offering your creative writing program.

For example, Golden Gate University’s Degrees+ powered by Outlier allows students to take courses online at a fraction of the price of traditional college. Students can earn their associate degree and transfer their credits into over 500 different institutions to pursue a bachelor’s degree.

School Reputation

The best creative writing programs have a reputation for high-quality education from prestigious and trustworthy instructors. Make sure you align with the values and vision of your chosen institution.

Keep in mind many quality schools out there to look into. Take the time to do some research, ask former students, and speak with an advisor.

Course Variety

The top colleges for writers will offer a wide selection of courses related to writing, literature, liberal arts, history, and more. They may also give writers the chance to earn certifications to enter into lucrative careers.

Favorable Outcomes

An exceptional creative writing program produces successful graduates. Look at the percentage of students who complete their degree and how many go on to graduate school or successful careers in writing, editing, research, or reporting.

Can you make it to on-campus classes without neglecting other responsibilities like managing a full-time job while going to school ? Are there options to attend some or all courses online for your convenience? Figure out what your needs are and make sure you can commit to your education.

Many high-quality college programs come with a high price tag. But you can cut your college costs. Fill out a FAFSA —Free Application for Federal Student Aid—and look into grant and scholarship opportunities to get free money to help pay for school.

What can I do with a creative writing degree?

A bachelor’s degree in creative writing can prepare you for a career in technical or creative writing, reporting, editing, or proofreading. You can build a career writing everything from novels and short stories to technical manuals and marketing materials for businesses.

Several editing and reporting jobs are available to writers with a solid command of grammar and a high level of writing ability. Almost any career you may go into in the future will value your writing skills.

What is the best degree for creative writing?

Degrees in creative writing and literature are among the most popular for those interested in building careers in writing. Other excellent degree options include journalism, liberal arts, and even history.

College history programs are notorious for demanding written papers, and the knowledge gained may allow graduates to specialize in historical writing.

Studying the sciences is another lucrative career option, combining writing with specialized knowledge. As of December 2022, science writers earned an average of $63,331 per year.

Science writers may:

Edit a science journal

Research and write grant proposals

Write training material and research summaries in the medical field

Is it worth it to major in creative writing?

Being able to articulate yourself and your ideas clearly is an in-demand skill in nearly any industry. No matter if you are considering going back to school in your 40s or pursuing writing right out of high school, a creative writing degree is a solid investment.

A creative writing degree is worth the investment if you’re serious about building a new career based on writing. You can also select a minor or earn a professional certificate to hone your skills and specialize in a field of interest.

By graduating college with such a sought-after skill, you’ll set yourself up for career success.

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Exploring the Best Colleges for Creative Writing Majors

creative writing major colleges

By Eric Eng

View of a student using her laptop while writing.

Choosing the right college is a significant step in anyone’s life. For creative writing majors, this decision has the potential to affect their future career trajectory directly. A good college can do more than provide an education – it can inspire, challenge, and shape your writing career. Therefore, when choosing among colleges with a creative writing major, it’s crucial to make an informed and deliberate decision.

The Importance of Choosing the Right College

In a writer’s journey, the decision to pursue higher education is usually a turning point. The college you choose can significantly influence your career in writing. Let’s further explore the importance of choosing the right college.

The Role of a Good College in Shaping Your Writing Career

A good creative writing college does more than teach grammar and writing techniques. What you also learn is how to think creatively and critically, how to develop compelling narratives, and how to communicate your ideas effectively. These are essential skills that go beyond academia and extend into professional writing and other career paths.

a male student sitting and thinking intently

In other words, a good college can equip you with the skills you will need regardless of whether you choose to become a novelist, a journalist, an advertising copywriter, or follow any other writing-related career path.

Moreover, attending a reputable college can provide you with numerous opportunities to grow as a writer. You will have access to experienced faculty members who are published writers themselves. Their expertise and industry connections can open doors for you in the writing world. By learning from professionals who have already achieved success in the field, you can gain valuable insights and guidance that will help shape your writing career.

Additionally, a good college will offer more than just classroom learning. They will provide you with opportunities to engage in internships, workshops , and other practical experiences. These experiences can expose you to real-world writing scenarios and help you build a portfolio of work that showcases your skills to potential employers or clients.

Collaborating with fellow students and participating in writing communities can also foster creativity and provide valuable networking opportunities.

Factors to Consider When Choosing a College for Creative Writing

In terms of what to look for in a college , there are several key factors to consider. First, the reputation of the colleges with a creative writing major is essential. A college with a strong reputation in the field will enhance your credibility as a writer and attract industry professionals who can offer valuable insights and opportunities.

Second, learning about the faculty’s background and experience is crucial. Are they published writers? Do they have industry connections? Having professors who are actively engaged in the writing industry can provide you with mentorship and guidance relevant to the field’s current trends and demands.

Lastly, consider what opportunities the program provides beyond the classroom. Look for colleges that offer internships, workshops, or connections with authors and publishers. These opportunities can give you hands-on experience and help you establish valuable connections within the writing community.

Choosing the right college for creative writing is a decision that can shape your future as a writer. By considering factors such as reputation, faculty expertise, and practical opportunities, you can make an informed choice that will set you on the path to success in your writing career.

Top Colleges with a Creative Writing Major

When pursuing a degree in creative writing, there is no shortage of excellent colleges worldwide. Each institution brings its unique strengths and specializations to the field, providing aspiring writers with a plethora of opportunities to hone their craft.

Here, we’ve compiled a list of some of the top colleges with a creative writing major that offer exceptional creative writing programs. Whether you’re interested in fiction, poetry, nonfiction, or any other form of creative expression, these institutions are known for nurturing budding writers and producing some of the finest literary talents.

1. University of Iowa

Nestled in the heartland of America, the University of Iowa boasts one of the oldest and most prestigious creative writing programs in the country. Established in 1936, the Iowa Writers’ Workshop has been the training ground for literary giants like Flannery O’Connor, John Cheever, and Raymond Carver. The program offers a rich curriculum covering fiction, poetry, and creative nonfiction, with students benefiting from close mentorship by accomplished faculty members who are themselves esteemed writers.

2. Northwestern University

Northwestern University’s undergraduate creative writing program has a well-earned reputation for producing exceptional writers, including notable authors like Veronica Roth and Karen Russell.

View of Northwestern entrance gate.

Beyond the classroom, students can contribute to the student-run literary journal, intern at local publications, and even participate in the Department of English’s annual writing competition. With a premier journalism department, Northwestern provides ample opportunities for students to explore nonfiction as well.

3. Columbia University

Columbia University, located in vibrant New York City, is a magnet for aspiring writers. The MFA Writing Program at Columbia is highly regarded and offers a diverse range of courses in fiction, poetry, and nonfiction. Students have the privilege of working closely with faculty members who are well-known figures in the literary world.

The program also hosts a captivating reading series, inviting established writers to engage with students and the broader community. Being in the heart of a literary hub like New York City further enhances the creative atmosphere at Columbia.

4. Stanford University

Stanford University ‘s Creative Writing Program, founded by renowned writer and environmentalist Wallace Stegner, offers an undergraduate major in English with a creative writing emphasis.

Additionally, a minor in Creative Writing is available for students pursuing different majors. The program’s highlight is the Wallace Stegner Fellowship, an exclusive writer-in-residence opportunity guided by Stanford faculty, which accepts five fiction and five poetry fellows annually.

5. Brown University

Brown University in Providence, Rhode Island, is home to the MFA Program in Literary Arts, offering courses in fiction, poetry, playwriting, and literary translation. Students collaborate with accomplished faculty members and can engage with literary journals and on-campus readings and events. The English Department at Brown provides a diverse range of courses to help students explore their interests and refine their writing skills.

6. Emory University

Emory University’s Undergraduate Creative Writing Program encourages students to approach literature creatively, catering to specific interests in poetry, fiction, creative nonfiction, playwriting, and screenwriting. The program shines a spotlight on literary excellence through its Creative Writing Reading Series, featuring internationally renowned authors who engage with Emory students in Atlanta, Georgia.

Emory University Campus

7. Oberlin College

Oberlin College’s Department of Creative Writing offers a comprehensive program with a major and minor in creative writing. Students can immerse themselves in a wide range of genres, including fiction, poetry, nonfiction, playwriting, and screenwriting, through 57 courses and guidance from dedicated faculty. Admission to upper-level workshops is competitive, emphasizing the program’s commitment to nurturing top-tier writing talent.

8. Hamilton College

Hamilton College ‘s Literature and Creative Writing Department prioritizes small class sizes and the development of strong reading and writing skills. Students here can explore various writing research opportunities and apply for the Emerson Grants program. Located just a few hours from the publishing industry hub, students interested in editorial and publicity careers will find themselves in a prime location.

If you aspire to pursue a writing profession, these top colleges with a creative writing major offer exceptional programs and opportunities to hone your craft, connect with established writers, and immerse yourself in the world of literature. Each institution brings its unique charm and academic strengths, providing a platform for your literary ambitions to flourish.

Unleashing the Potential of Creative Writing

While these top-ranked colleges with a creative writing major have their distinct features, they all share a common goal: to unleash the potential of aspiring writers and equip them with the necessary tools to succeed in the literary world. Through rigorous coursework, workshops, and mentorship from experienced faculty members, students are guided on a transformative journey of self-discovery and artistic growth.

Furthermore, these institutions often provide numerous opportunities for students to engage with the broader literary community. From hosting renowned guest speakers and organizing literary festivals to facilitating internships and publishing opportunities, these colleges ensure that their students are well-versed in writing and well-connected to the industry.

Choosing the right college for creative writing is a deeply personal decision. It requires careful consideration of one’s aspirations, interests, and learning style.

Whether you find yourself drawn to the renowned Writers’ Workshop at the University of Iowa, the customizable curriculum at Oberlin College, or the culturally diverse environment at Columbia University, rest assured that each of these institutions will provide you with the tools and support necessary to embark on a fulfilling and successful writing journey.

Curriculum and Faculty of Top Creative Writing Colleges

The curriculum and faculty of top creative writing colleges distinguish them from other schools that offer a creative writing major. However, there is much more to explore when it comes to understanding the significance of a comprehensive creative writing curriculum and the impact of experienced faculty on your writing skills.

The Importance of a Comprehensive Creative Writing Curriculum

A comprehensive curriculum is what truly sets a quality creative writing program apart. It goes beyond just teaching the basics of writing and delves into the intricacies of the craft. In top colleges with a creative writing major, students are exposed to a wide range of literary genres, allowing them to explore their interests and discover their unique writing styles.

Through a comprehensive curriculum, students have the opportunity to study and practice across various genres, including fiction, non-fiction, and poetry. This exposure not only helps them develop a well-rounded understanding of different writing styles but also encourages them to experiment and push the boundaries of their own creativity.

a female student grabbing a book from a library shelf

Furthermore, a top creative writing curriculum should cover key aspects such as plot development, characterization, and the effective use of language. Students learn how to create compelling narratives, develop complex characters, and master the art of storytelling. They also gain a deep understanding of the power of language and how to use it to evoke emotions and engage readers.

By immersing themselves in a comprehensive creative writing curriculum, students are equipped with the necessary skills and knowledge to excel in their writing endeavors. They graduate with a solid foundation in the craft and a strong ability to express their ideas effectively.

The Impact of Experienced Faculty on Your Writing Skills

While a comprehensive curriculum forms the backbone of a top creative writing program, the faculty plays a crucial role in shaping students’ writing skills and fostering their growth as writers.

The faculty at these institutions are usually accomplished and published writers themselves. Their experience and expertise bring a wealth of knowledge to the classroom, allowing students to learn from the best in the field. They offer valuable insights, constructive feedback, and individualized guidance to help students refine their skills and develop their unique voices.

Moreover, the faculty’s real-world experience in the writing industry is invaluable. Through their connections and networks, they can provide students with opportunities to engage with established writers, literary agents, and publishers. This exposure opens doors to internships, workshops, and other professional development opportunities, giving students a head start in their writing careers.

Additionally, the mentorship provided by experienced faculty fosters a supportive and nurturing environment for aspiring writers. Students can seek guidance, ask questions, and receive personalized advice on their writing projects. This one-on-one interaction with faculty members allows for a deeper understanding of the writing process and helps students overcome challenges they may face along their creative journey.

Top colleges with a creative writing major offer a comprehensive curriculum and boast experienced faculty dedicated to nurturing their students’ talents . By combining a well-rounded education with personalized mentorship, these colleges provide aspiring writers with the tools and guidance they need to succeed in the competitive world of creative writing.

Opportunities Beyond the Classroom

Top colleges typically offer students opportunities beyond the classroom. One such opportunity is to participate in internships with publishers and literary agencies. These internships provide students with valuable hands-on experience in the writing industry, allowing them to learn about the publishing process, work with established authors, and gain insights into the business side of writing.

Students may also have the opportunity to assist with editing manuscripts, researching market trends, or even contribute to developing marketing strategies for upcoming books.

Using a laptop for social media

In addition to internships, top creative writing colleges often organize writing workshops conducted by renowned authors. These workshops give students the unique opportunity to learn from experienced professionals and receive personalized feedback on their work. Students can gain valuable insights into the craft of writing, explore different genres and styles, and develop their unique voices under the guidance of accomplished authors.

Internships and Workshops at Top Creative Writing Colleges

These could range from internships with publishers and literary agencies to opportunities to participate in writing workshops conducted by renowned authors.

Internships at top creative writing colleges are highly competitive, as students from all over the country vie for these coveted positions. However, the experience gained from these internships can be invaluable for aspiring writers, providing them with a competitive edge in the industry.

Similarly, the writing workshops offered by top creative writing colleges are designed to foster creativity and hone the skills of aspiring writers. These workshops often attract a diverse group of students, each with their own unique perspective and writing style. Students can refine their writing techniques and develop a deeper understanding of the craft through engaging discussions, constructive critiques, and collaborative exercises.

Financing Your Creative Writing Education

Pursuing a degree in creative writing can be rewarding, but it’s no secret that higher education often comes with a significant price tag. However, don’t let financial concerns deter you from following your passion for writing. There are several avenues for financing your creative writing education.

Scholarships and Grants

Scholarships are valuable assets for creative writing majors. Many colleges and universities recognize the importance of nurturing literary talent and offer scholarships tailored to these students. These scholarships can cover a portion or even your tuition expenses. Explore the scholarship options available at your chosen institution and beyond.

Grants are another financial resource worth considering. Unlike loans, grants are essentially free money. They don’t require repayment, making them an attractive option for students seeking financial assistance. Various organizations, both public and private, offer grants to support aspiring writers. Research and apply for grants that align with your academic and creative pursuits.

Financial Aid from Colleges

Most colleges and universities have financial aid offices dedicated to helping students navigate the complex world of funding their education. They can provide information on subsidized student loans, work-study programs, and other financial aid options.

Financial aid for students

Subsidized student loans are loans with favorable terms for students. Interest doesn’t accrue while you’re in school, and you typically have a grace period after graduation before repayment begins. This can ease the financial burden of student loans compared to unsubsidized ones.

Work-study programs allow students to work part-time jobs on campus, providing a source of income and valuable work experience. These programs are often flexible to accommodate your academic schedule.

Research and Plan

It’s crucial to research and plan your financing strategy carefully. Start by filling out the Free Application for Federal Student Aid (FAFSA) to determine your eligibility for federal aid programs. Additionally, explore any unique opportunities or funding sources specific to your chosen college or university. Watch for creative writing competitions and awards that can provide financial support while showcasing your writing talents.

In conclusion, while the cost of higher education can be daunting, there are numerous ways to finance your creative writing education. Scholarships, grants, and financial aid options offered by colleges and universities can make your dream of becoming a writer a reality. Take the time to explore these opportunities, plan your finances wisely, and pursue your passion for creative writing with confidence. Your literary journey is worth the investment.

The journey to becoming a skilled and accomplished writer begins with choosing the right college. Each institution mentioned above offers a unique blend of opportunities, faculty mentorship, and vibrant literary communities. Selecting among the best colleges with a creative writing major involves carefully considering various factors.

Remember, the goal is to choose a college that will empower you with skills and opportunities to realize your full potential as a writer.

As you embark on this exciting path, remember that AdmissionSight is here to guide you in making informed decisions. From selecting the best-fit colleges to navigating the admissions process, AdmissionSight’s expertise can be invaluable in helping you achieve your dreams of studying creative writing at the college of your choice.

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The Creative Writing Major

creative writing major colleges

The Creative Writing Major is an undergraduate concentration within the English Department at Northwestern University and one of the first and finest undergraduate Creative Writing programs in the country. Its reputation is based on the accomplishments of its graduates, the generosity of its accomplished professors, and a pedagogy that creates a fruitful symbiosis between close reading and inventive writing. Award-winning authors teach poetry, fiction and creative nonfiction, as well as courses that cross genres, guiding students to examine literary works as writers and encouraging them to study the best literary models. Professors and students work in a close-knit community as they write their own stories, novellas, poems and essays within the living tradition of literature.

Most Creative Writing Majors begin taking creative writing courses in their sophomore year and complete the yearlong “sequence” of study during their junior year, and some have the opportunity to complete an additional honors project before graduation (see Recommended Schedule for Prospective Writing Majors below). Students also learn from prominent visiting writers at our annual Festival of Writing in the Spring.  Recent graduates of the program include MacArthur “Genius” Award Winner Karen Russell; Veronica Roth, whose bestselling novel “Divergent” was first drafted while she was a student; poet Peter Kline; and award-winning essayist Angela Mears.

Current Creative Writing faculty include   Chris Abani ,  Brian Bouldrey ,   John Bresland ,   Averill Curdy ,   Sheila Donohue , Juan Martinez , Shauna Seliy , Charif Shanahan ,  Natasha Trethewey , Daisy Hernández ,  and   Rachel Jamison Webster .

The Creative Writing program also offers two minors; the Sequence-based Minor and, for those not pursuing one of the year-long sequences, the non-application based Cross-genre Minor in Creative Writing .

See past and upcoming Creative Writing events.

Undergraduate publication opportunities

Recommended Schedule for Prospective Writing Majors

Courses for prospective creative writing majors, in a recommended order..

*Denotes courses that are REQUIRED for the Creative Writing Major

ENG 202-Introduction to Creative Writing

(can be taken in Fall quarter of Freshman year. This provides an introduction to all three genres and prepares you for our other CW courses.)

ENG 210-1,2 - English Literary Traditions       or ENG 270-1,2 - American Literary Traditions

(While not required for creative writing, these are excellent background courses for writing students, and also serve as prerequisites for the English literature major.)

* ENG 206 - Reading and Writing Poetry

* ENG 207 - Reading and Writing Fiction    

* ENG 208 - Reading & Writing Creative Nonfiction

(You may take 206, 207, or 208 in any order.  You should have taken or be enrolled in any one of these when you're applying. )

Students may apply to the Creative Writing Program in the Spring of your Sophomore Year or in the Spring of your Junior Year.

Some students fulfill their requirements--of 206, 207 and 208--well before the time of application to the program. If that happens, we recommend that you stay in writing practice and continue building your portfolio by taking one of our 300-level writing courses, English 306, 307, 308, or 309. Please see Juan Martinez , Director of Creative Writing, for further suggestions and help with course planning.

Initial Required Courses

All students interested in the Creative Writing Major must take one introductory course --poetry (ENG 206), fiction (207), or creative nonfiction (208)--and at least be enrolled in another before applying to the major. Students can only apply to the major in any genre for which they've completed (or are enrolled) in its 200-level component; you can only apply for poetry after having taken or enrolling in ENG 206, for fiction after ENG 207, for creative nonfiction after ENG 208.

At the 200-level, no prior knowledge of a genre is required to enroll.

  • No English Department creative writing course may be audited or taken pass/fail.
  • School of Professional Studies courses offered under the titles ENG 206, 207 and 208 do not count toward any course of study within the Creative Writing program.

Admission to the Program

Admission to the next stage of the Creative Writing Major or the Sequence-based Minor in Creative Writing, the year-long 300-level advanced course sequences, is competitive. Admission to the program is granted primarily on the basis of manuscript quality and the student’s promise. An applicant may be admitted to study as a major, a minor, or a sequence-only student.

For fiction and nonfiction applications, your writing sample should be 7-15 pages.

For poetry applications, your writing sample should be 4-5 poems.

No preference in admission is currently given to those who apply to the sequences, though there are later opportunities open only to Creative Writing Majors, including participation in senior honors, one-on-one conferences with visiting writers-in-residence, and the winter senior readings series.  Students may apply for admission to the sequence courses no earlier than the spring of their sophomore year.   

The Sequences

Theory and Practice of Poetry (ENG 393), Fiction (394), and Creative Nonfiction (395):

These year-long sequences of courses ask students to pursue a rigorous program that includes explication and critical writing, imitation and modeling, close reading of literary texts, and the creation of original creative work.  The sequences are arranged in three consecutive quarters.

They begin in the fall with specialized courses in the fundamental technical and rhetorical bases of each genre. Poetry students study the uses of metaphor and mode, and the theory of prosody (including both the major form of poetry in English-accentual-syllabic verse-and the minor forms, accentual, syllabic, and free verse). Fiction students consider the tenets of realism and its alternatives, and practice different approaches to style, characterization, structure, and point of view. Creative nonfiction students focus on essay forms, logical method, authorial tone, and techniques of discourse and description. In all genres, imitations and models of great writers are assigned.

The second half of the sequence in each genre is devoted to intensive writing of a longer original work-a poem of at least 120 lines or an essay or novella of 25 to 35 pages.

Note that in the event further work in fiction, creative nonfiction or poetry is desired outside the year-long sequence, ENG 206, 207, and 208 may be repeated up to two times for WCAS credit. Advanced one-quarter courses in creative writing (ENG 306, 307, 308, 309) are also offered for non-majors.

Other Required Courses for MAJOR Students

In addition to the sequences, creative writing majors must take:

ENG 392 - The Situation of Writing

“The Situation of Writing,” which is typically offered in the winter quarter, investigates the writer’s relation to the culture, both currently and historically. The course addresses such questions as the relation of criticism to imaginative literature, the rise and fall of specific literary genres, the effect of the university on the production and consumption of literary works, the state of the publishing industry, and international literary contexts.

The “Third-Genre Intro” Course 

English 207 or 208, whichever introductory course was not completed before application to the sequences. This requirement ensures that writing majors will have had experience reading and writing in all three major non-dramatic modes of imaginative writing.

Six 300-level literature classes

These courses must be “pure literature”; that is, courses in which the bulk of the reading is literature and not criticism or theory. They must be selected from English Department offerings ONLY:

  • Two on material written prior to 1830
  • Two on material written after 1830
  • Two from either period

Two non-literature courses related to one another, taught in other department(s).

These courses, in areas such as history, art, classics, and gender studies, broaden the student’s background for the study of literature. These must be approved by a creative writing advisor.

Other Required Courses for Sequence-Based MINOR students

In addition to the sequences, creative writing sequence-based minors must take:

Two 300-level literature classes

  • One on material written prior to 1830
  • One on material written after 1830

The Cross-genre Minor in Creative Writing

Other program features.

The Annual Writers Festival gives students the chance to learn from and interact with guest Writers-in-Residence for a three-day celebration of master classes, public readings, and a panel discussion on craft. The festival is situated within the larger Evanston Literary Festival, which hosts a number of literary events throughout the city.

Writing by students at Northwestern is recognized by the award-winning student literary magazine, Helicon, and by the  Department of English Annual Writing Competition , held in the spring.

Creative Writing Alumni Testimonials

-- Veronica Roth, author of the bestselling Divergent series

“I still believe our program at Northwestern is as good as any graduate program in the country. It was nice to have the opportunity when I was 19 to spend so much time reading and writing with these other writers. There was such a serious sense of purpose. That’s a testament to Brian and Sheila and the rest of the faculty. They really could create a community.” --Karen Russell, author of Swamplandia!, a finalist for the Pulitzer Prize, and winner of a MacArthur Genius Award.

“As a Creative Nonfiction student in the Creative Writing program, I was pushed hard -- by my professors and fellow writers -- to find my voice. Not just my voice as a writer, but as a person and advocate of my life and experiences. More than anything else, I learned that I am still learning. I am still finding that voice, and always will be. I learned that this fact is okay, it is right, it is what makes me write.”   --Danielle Littman, 2013 graduate.

"We're not just educating people for professional tracks; we're educating them for their lives." --Professor Mary Kinzie, Founder of the Creative Writing Program and award-winning poet.

2023 Creative Writing Degree Guide

Rapid growth in creative writing degrees awarded, best creative writing schools by degree, requirements for getting a degree in creative writing, creative writing degree program entry requirements, types of creative writing degrees.

DegreeCredit RequirementsTypical Program Length
Associate Degree60-70 credits2 years
Bachelor’s Degree120 credits4 years
Master’s Degree50-70 credits1-3 years
DoctorateProgram required coursework including thesis or dissertationAt least 4 years
Level of EducationPercentage of Workers
Bachelor’s Degree36.2%
Doctoral Degree26.1%
Master’s Degree18.7%
Less than a High School Diploma10.4%
High School Diploma5.0%

82.7% of creative writing workers have at least a associate. The chart below shows what degree level those who work in creative writing have obtained.

Creative Writing Careers

Growth projected for creative writing careers.

Occupation NameProjected JobsExpected Growth
Professors258,7009.4%
Writers and Authors141,2007.6%
Editors125,600-1.4%
English Language and Literature Professors92,9009.8%

How Much Money Do People With a Creative Writing Degree Make?

Highest paid creative writing careers.

Occupation NameMedian Average Salary
English Language and Literature Professors$78,150
Professors$76,990
Writers and Authors$73,090
Editors$69,480

Getting Your Creative Writing Degree

Top ranking lists for creative writing, best schools creative writing, best value colleges creative writing, creative writing related majors, majors similar to creative writing.

Related MajorAnnual Graduates
2,441
1,871
856
544

Popular Reports

Compare your school options.

Stanford Creative Writing Program

The Stanford Creative Writing Program, founded in 1946 by Wallace Stegner, has become one of the nation’s most distinguished creative writing institutions. After almost 80 years, the program continues to evolve while also respecting its original vision of recruiting and supporting talented writers, offering exceptional creative writing instruction and mentorship, and inspiring undergraduates to develop their own unique creative written expression.

In the 1940s, E. H. Jones generously created the Wallace Stegner Fellowship, now considered the most prestigious creative writing fellowship in the U.S. for emerging writers. Dr. Jones also made possible the Jones Lectureships, which are limited, fixed-year teaching appointments, allowing exceptional Stegner Fellows some time and support to prepare a manuscript for publication, hone their teaching skills, and transition to a longer-term teaching career elsewhere.

The original framework of term-limited appointments allowed for a consistent flow of selected Stegner Fellows into the Jones Lectureship. However, over time this framework of term-limited appointments was not followed.

In the past two years, the School of Humanities and Sciences leadership and the Creative Writing Academic Council faculty have been working to formulate necessary changes in the program and to identify additional resources to meet its growing needs. A Working Group of Creative Writing Academic Council faculty held listening sessions and discussions.

Now, after thoughtful deliberation, the Working Group has recommended restoring the original intent of the Jones Lectureships: one-year appointments with the possibility of renewal for a limited term, up to a total of five years. This change will again allow Stegner Fellows the opportunity to apply to be Jones Lecturers once they have completed their fellowships. In other words, the Jones Lectureships are not being eliminated; they are only being term limited, as was the original intent of the program, so that the Stegner Fellows have an opportunity to teach Creative Writing courses at Stanford. We plan for there to be as many lecturers in the Program in five years’ time as there are today, and we expect to offer more classes then than now.

The university, school, and numerous generous donors are committed to not only the excellence of the program but also its growth. This means increasing the number of Creative Writing classes to better meet high student demand as well as ensuring competitive compensation for both the lecturers and fellows. We will provide more updates in early fall quarter about the Creative Writing Program and how it will continue to be one of the preeminent programs in the nation.

We understand that these changes to the Jones Lectureships will be met with mixed reactions. However, we firmly believe that the changes advance the program’s pedagogical mission and provide promising writers with the resources to complete their books and obtain appointments at other colleges and universities.

Throughout the history of the program, the Jones Lecturers—both those who are here now and those who have been lecturers in the past—have helped make Stanford Creative Writing what it is today, and we are truly grateful to them for their significant contributions to the program’s mission.

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Creative Writing

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Undergraduate Creative Writing Program Office: 609 Kent; 212-854-3774 http://arts.columbia.edu/writing/undergraduate

Director of Undergraduate Studies: Prof. Anelise Chen, Fiction, Nonfiction, 609 Kent; 212-854-3774; [email protected]

Undergraduate Executive Committee:

The Creative Writing Program in The School of the Arts combines intensive writing workshops with seminars that study literature from a writer's perspective. Students develop and hone their literary technique in workshops. The seminars (which explore literary technique and history) broaden their sense of possibility by exposing them to various ways that language has been used to make art. Related courses are drawn from departments such as English, comparative literature and society, philosophy, history, and anthropology, among others.

Students consult with faculty advisers to determine the related courses that best inform their creative work. For details on the major, see the Creative Writing website: http://arts.columbia.edu/writing/undergraduate .

Margo L. Jefferson

Phillip Lopate

  • Benjamin Marcus
  • Alan Ziegler

Associate Professors

  • Susan Bernofsky
  • Timothy Donnelly
  • Rivka Galchen
  • Heidi Julavits
  • Dorothea Lasky
  • Victor LaValle
  • Sam Lipsyte
  • Deborah Paredez
  • Wendy Walters

Assistant Professors

  • Anelise Chen

Adjunct Professors

  • Hannah L Assadi
  • Eliza B Callahan
  • Bonnie Chau
  • Meehan J Crist
  • Matty Davis
  • Alex Dimitrov
  • Joseph Fasano
  • Omer M Friedlander
  • Emily R Gutierrez
  • Alexis J Hutchinson
  • Katrine Øgaard Jensen
  • Emily Christine C Johnson
  • Chloe Jones
  • Quincy S Jones
  • Sophie Kemp
  • Holly Melgard
  • Marie Myung-Ok Lee
  • Vanessa Martir
  • Kyle McCarthy
  • Patricia Marx
  • Molly L McGhee
  • Mallika Rao
  • Rebecca J Schiff
  • Mina Seckin
  • Joel Sedaño Jr
  • Luciana Siracusano
  • Wally Suphap
  • Adam Z Wilson
  • James C Yeh
  • Samantha Zighelboim

Lecturer in the Discipline of Writing

  • Peter M Rafel
  • Ronald L Robertson Jr

Major in Creative Writing

The major in creative writing requires a minimum of 36 points: five workshops, four seminars, and three related courses.

Workshop Curriculum (15 points)

Students in the workshops produce original works of fiction, poetry, or nonfiction, and submit them to their classmates and instructor for a close critical analysis. Workshop critiques (which include detailed written reports and thorough line-edits) assess the mechanics and merits of the writing pieces. Individual instructor conferences distill the critiques into a direct plan of action to improve the work. Student writers develop by practicing the craft under the diligent critical attention of their peers and instructor, which guides them toward new levels of creative endeavor.

Creative writing majors select 15 points within the division in the following courses. One workshop must be in a genre other than the primary focus. For instance, a fiction writer might take four fiction workshops and one poetry workshop.

Course List
Code Title Points
Beginning Workshop
Designed for students who have little or no previous experience writing literary texts in a particular genre.
BEGINNING FICTION WORKSHOP
BEGINNING NONFICTION WORKSHOP
BEGINNING POETRY WORKSHOP
Intermediate Workshop
Permission required. Admission by writing sample. Enrollment limited to 15. Course may be repeated in fulfillment of the major.
INTERMEDIATE FICTION WORKSHOP
INTERMEDIATE NONFICTION WRKSHP
INTERMEDIATE POETRY WORKSHOP
Advanced Workshop
Permission required. Admission by writing sample. Enrollment limited to 15. Course may be repeated in fulfillment of the major.
ADVANCED FICTION WORKSHOP
ADVANCED NONFICTION WORKSHOP
ADVANCED POETRY WORKSHOP
Senior Creative Writing Workshop
Seniors who are creative writing majors are given priority. Enrollment limited to 12, by instructor's permission. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. This course is only offered by graduate faculty professors.
SENIOR FICTION WORKSHOP,Senior Fiction Workshop
SENIOR NONFICTION WORKSHOP
SENIOR POETRY WORKSHOP

Seminar Curriculum (12 points)

The creative writing seminars form the intellectual ballast of our program.  Our seminars offer a close examination of literary techniques such as plot, point of view, tone, and voice.  They seek to inform and inspire students by exposing them to a wide variety of approaches in their chosen genre.  Our curriculum, via these seminars, actively responds not only to historical literary concerns, but to contemporary ones as well.  Extensive readings are required, along with short critical papers and/or creative exercises.  By closely analyzing diverse works of literature and participating in roundtable discussions, writers build the resources necessary to produce their own accomplished creative work. 

Creative writing majors select 12 points within the division. Any 4 seminars will fulfill the requirement, no matter the student's chosen genre concentration.  Below is a sampling of our seminars.  The list of seminars currently being offered can be found in the "Courses" section. 

Course List
Code Title Points
These seminars offer close examination of literary techniques such as plot, point of view, tone, suspense, and narrative voice. Extensive readings are required, along with creative exercises.
FICTION
HOW TO BUILD A PERSON
Fiction Seminar: The Here & Now
FIRST NOVELS: HOW THEY WORK
THE CRAFT OF WRITING DIALOGUE
NONFICTION
Nonfiction Seminar: The Literary Reporter
ART WRITING FOR WRITERS
TRUTH & FACTS
SCIENCE AND SENSIBILITY
POETRY
TRADITIONS IN POETRY
Poetry Seminar: The Crisis of the I
Poetry Seminar: 21st Century American Poetry and Its Concerns
WITNESS,RECORD,DOCUMENT
CROSS GENRE
Cross Genre Seminar: Imagining Berlin
Cross Genre Seminar: Diva Voice, Diva Style, Diva Lyrics
WALKING
Cross-Genre Seminar: Process Writing & Writing Process

Related Courses (9 points)

Drawn from various departments, these courses provide concentrated intellectual and creative stimulation, as well as exposure to ideas that enrich students' artistic instincts. Courses may be different for each student writer. Students should consult with faculty advisers to determine the related courses that best inform their creative work.

Fiction Workshops

WRIT UN1100 BEGINNING FICTION WORKSHOP. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. The beginning workshop in fiction is designed for students with little or no experience writing literary texts in fiction. Students are introduced to a range of technical and imaginative concerns through exercises and discussions, and they eventually produce their own writing for the critical analysis of the class. The focus of the course is on the rudiments of voice, character, setting, point of view, plot, and lyrical use of language. Students will begin to develop the critical skills that will allow them to read like writers and understand, on a technical level, how accomplished creative writing is produced. Outside readings of a wide range of fiction supplement and inform the exercises and longer written projects

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1100 001/15112 Th 6:10pm - 8:00pm
511 Kent Hall
Ronald Robertson 3.00 17/15
WRIT 1100 002/15113 M 10:10am - 12:00pm
511 Kent Hall
Emily Christine Johnson 3.00 14/15
WRIT 1100 003/15163 T 6:10pm - 8:00pm
511 Kent Hall
Emily Gutierrez 3.00 13/15
WRIT 1100 004/15164 M 2:10pm - 4:00pm
511 Kent Hall
Alexis Hutchinson 3.00 13/15
WRIT 1100 005/15165 Th 10:10am - 12:00pm
511 Kent Hall
Luciana Siracusano 3.00 14/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1100 001/18712 M 2:10pm - 4:00pm
511 Kent Hall
Celine Ipek 3.00 4/15
WRIT 1100 002/18713 W 4:10pm - 6:00pm
212a Lewisohn Hall
Caroline Johnson 3.00 10/15
WRIT 1100 003/18714 W 2:10pm - 4:00pm
106b Lewisohn Hall
Mattie Govan 3.00 6/15
WRIT 1100 004/18715 Th 4:10pm - 6:00pm
114 Knox Hall
Gabrielle McAree 3.00 0/15
WRIT 1100 005/18716 T 6:10pm - 8:00pm
212a Lewisohn Hall
Ellen Garard 3.00 8/15

WRIT UN2100 INTERMEDIATE FICTION WORKSHOP. 3.00 points .

Intermediate workshops are for students with some experience with creative writing, and whose prior work merits admission to the class (as judged by the professor). Intermediate workshops present a higher creative standard than beginning workshops, and increased expectations to produce finished work. By the end of the semester, each student will have produced at least seventy pages of original fiction. Students are additionally expected to write extensive critiques of the work of their peers. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2100 001/15117 Th 2:10pm - 4:00pm
511 Kent Hall
Joss Lake 3.00 11/15
WRIT 2100 002/15118 Th 4:10pm - 6:00pm
511 Kent Hall
Omer Friedlander 3.00 9/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2100 001/13546 Th 2:10pm - 4:00pm
511 Kent Hall
Heidi Julavits 3.00 0/15
WRIT 2100 002/13547 T 2:10pm - 4:00pm
511 Kent Hall
Sophie Kemp 3.00 0/15

WRIT UN3100 ADVANCED FICTION WORKSHOP. 3.00 points .

Prerequisites: The department's permission required through writing sample. Please go to 609 Kent for submission schedule and registration guidelines or see http://www.arts.columbia.edu/writing/undergraduate. Building on the work of the Intermediate Workshop, Advanced Workshops are reserved for the most accomplished creative writing students. A significant body of writing must be produced and revised. Particular attention will be paid to the components of fiction: voice, perspective, characterization, and form. Students will be expected to finish several short stories, executing a total artistic vision on a piece of writing. The critical focus of the class will include an examination of endings and formal wholeness, sustaining narrative arcs, compelling a reader's interest for the duration of the text, and generating a sense of urgency and drama in the work. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3100 001/15126 Th 4:10pm - 6:00pm
507 Philosophy Hall
Rebecca Schiff 3.00 13/15
WRIT 3100 002/15127 M 10:10am - 12:00pm
507 Philosophy Hall
Marie Lee 3.00 15/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3100 001/13550 Th 12:10pm - 2:00pm
511 Kent Hall
Hannah Assadi 3.00 0/15
WRIT 3100 002/13551 W 10:10am - 12:00pm
317 Hamilton Hall
Victor Lavalle 3.00 0/15

WRIT UN3101 SENIOR FICTION WORKSHOP,Senior Fiction Workshop. 4.00,4 points .

Prerequisites: The department's permission required through writing sample. Please go to 609 Kent for submission schedule and registration guidelines or see http://www.arts.columbia.edu/writing/undergraduate. Prerequisites: The department's permission required through writing sample. Please go to 609 Kent for submission schedule and registration guidelines or see http://www.arts.columbia.edu/writing/undergraduate. Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student.,

Seniors who are majors in creative writing are given priority for this course.  Enrollment is limited, and is by permission of the professor.  The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major.  Students in the senior workshops will produce and revise a new and substantial body of work.  In-class critiques and conferences with the professor will be tailored to needs of each student.

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3101 001/15128 W 2:10pm - 4:00pm
Sat Alfred Lerner Hall
Samuel Lipsyte 4 13/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3101 001/13552 T 10:10am - 12:00pm
511 Kent Hall
Rivka Galchen 4 0/12

Fiction Seminars

WRIT UN2110 APPROACHES TO THE SHORT STORY. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. The modern short story has gone through many transformations, and the innovations of its practitioners have often pointed the way for prose fiction as a whole. The short story has been seized upon and refreshed by diverse cultures and aesthetic affiliations, so that perhaps the only stable definition of the form remains the famous one advanced by Poe, one of its early masters, as a work of fiction that can be read in one sitting. Still, common elements of the form have emerged over the last century and this course will study them, including Point of View, Plot, Character, Setting and Theme. John Hawkes once famously called these last four elements the "enemies of the novel," and many short story writers have seen them as hindrances as well. Hawkes later recanted, though some writers would still agree with his earlier assessment, and this course will examine the successful strategies of great writers across the spectrum of short story practice, from traditional approaches to more radical solutions, keeping in mind how one period's revolution -Hemingway, for example - becomes a later era's mainstream or "commonsense" storytelling mode. By reading the work of major writers from a writer's perspective, we will examine the myriad techniques employed for what is finally a common goal: to make readers feel. Short writing exercises will help us explore the exhilarating subtleties of these elements and how the effects created by their manipulation or even outright absence power our most compelling fictions

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2110 001/15119 Th 12:10pm - 2:00pm
511 Kent Hall
Ronald Robertson 3.00 16/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2110 001/18724 Th 10:10am - 12:00pm
Room TBA
Celine Ipek 3.00 8/15

WRIT UN3128 How to Write Funny. 3.00 points .

"Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die." --Mel Brooks "Comedy has to be based on truth. You take the truth and you put a little curlicue at the End." --Sid Caesar "Analyzing humor is like dissecting a frog. Few people are interested and the frog dies of it." --E.B. White "What is comedy? Comedy is the art of making people laugh without making them puke." --Steve Martin "Patty Marx is the best teacher at Columbia University." --Patty Marx One of the above quotations is false. Find out which one in this humor-writing workshop, where you will read, listen to, and watch comedic samples from well-known and lesser-known humorists. How could you not have fun in a class where we watch and critique the sketches of Monty Python, Nichols and May, Mr. Show, Mitchell & Webb, Key and Peele, French and Saunders, Derrick Comedy, Beyond the Fringe, Dave Chappelle, Bob and Ray, Mel Brooks, Amy Schumer, and SNL, to name just a few? The crux of our time, though, will be devoted to writing. Students will be expected to complete weekly writing assignments; additionally, there will be in-class assignments geared to strategies for crafting surprise (the kind that results in a laugh as opposed to, say, a heart attack or divorce). Toward this end, we will study the use of irony, irreverence, hyperbole, misdirection, subtext, wordplay, formulas such as the rule of three and paraprosdokians (look it up), and repetition, and repetition

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3128 001/15131 T 2:10pm - 4:00pm
511 Kent Hall
Patricia Marx 3.00 14/15

WRIT UN3125 APOCALYPSES NOW. 3.00 points .

From ancient myths of the world’s destruction to cinematic works that envision a post-apocalyptic reality, zealots of all kinds have sought an understanding of “the end of the world as we know it.”  But while apocalyptic predictions have, so far, failed to deliver a real glimpse of that end, in fiction they abound.  In this course, we will explore the narrative mechanisms by which post-apocalyptic works create projections of our own world that are believably imperiled, realistically degraded, and designed to move us to feel differently and act differently within the world we inhabit.  We will consider ways in which which authors craft immersive storylines that maintain a vital allegorical relationship to the problems of the present, and discuss recent trends in contemporary post-apocalyptic fiction.  How has the genre responded to our changing conception of peril?  Is literary apocalyptic fiction effective as a vehicle for persuasion and for showing threats in a new light?  Ultimately, we will inquire into the possibility of thinking beyond our present moment and, by doing so, altering our fate.

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3125 001/13553 W 4:10pm - 6:00pm
511 Kent Hall
Molly McGhee 3.00 15/15

WRIT W3830 Fiction Seminar: Voices & Visions of Childhood. 3 points .

This course focuses on literature written for adults, NOT children's books or young-adult literature.

Prerequisites: No prerequisites. Department approval NOT required.

Flannery O'Connor famously said, "Anybody who has survived his childhood has enough information about life to last him the rest of his days."  A child's or youth's journey-- whether through ordinary, universal rites of passage, or through extraordinary adventure or trauma-- compels an adult reader (and writer) to (re)inhabit the world as both naif and nature's savant.  Through the knowing/unknowing eye of the child or adolescent, the writer can explore adult topics prismatically and poignantly -- "from the bottom up" -- via humor, terror, innocence, wonder, or all of the above.    In this course, we will read both long and short form examples of childhood and youth stories, examining in particular the relationships between narrator and character, character and world (setting), character and language and narrator and reader (i.e. "reliability" of narrator).  Students will write two papers.  Short scene-based writing assignments will challenge student writers to both mine their own memories for material and imagine voices/experiences far from their own.

WRIT UN3121 HOW TO BUILD A PERSON. 3.00 points .

Prerequisites: No prerequisites. Departmental approval NOT required. Prerequisites: No prerequisites. Departmental approval NOT required. Character is something that good fiction supposedly cannot do without. But what is a character, and what constitutes a supposedly good or believable one? Should characters be like people we know, and if so, how exactly do we create written versions of people? This class will examine characters in all sorts of writing, historical and contemporary, with an eye toward understanding just how characters are created in fiction, and how they come to seem real to us. Well read stories and novels; we may also look at essays and biographical writing to analyze where the traces of personhood reside. Well also explore the way in which these same techniques of writing allow us to personify entities that lack traditional personhood, such as animals, computers, and other nonhuman characters. Does personhood precede narrative, or is it something we bestow on others by allowing them to tell their story or by telling a story of our own creation on their behalf? Weekly critical and creative exercises will intersect with and expand on the readings and discussions

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3121 001/13554 W 2:10pm - 4:00pm
511 Kent Hall
Mina Seckin 3.00 15/15

WRIT UN3132 THE ECSTASY OF INFLUENCE. 3.00 points .

What does it mean to be original? How do we differentiate plagiarism from pastiche, appropriation from homage? And how do we build on pre-existing traditions while simultaneously creating work that reflects our own unique experiences of the world? In a 2007 essay for Harper’s magazine, Jonathan Lethem countered critic Harold Bloom’s theory of “the anxiety of influence” by proposing, instead, an “ecstasy of influence”; Lethem suggested that writers embrace rather than reject the unavoidable imprints of their literary forbearers. Beginning with Lethem’s essay—which, itself, is composed entirely of borrowed (or “sampled”) text—this class will consider the nature of literary influence, and its role in the development of voice. Each week, students will read from pairings of older stories and novel excerpts with contemporary work that falls within the same artistic lineage. In doing so, we’ll track the movement of stylistic, structural, and thematic approaches to fiction across time, and think about the different ways that stories and novels can converse with one another. We will also consider the influence of other artistic mediums—music, visual art, film and television—on various texts. Students will then write their own original short pieces modeled after the readings. Just as musicians cover songs, we will “cover” texts, adding our own interpretive imprints

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3132 001/13555 T 12:10pm - 2:00pm
104 Knox Hall
Adam Wilson 3.00 15/15

Nonfiction Workshops

WRIT UN1200 BEGINNING NONFICTION WORKSHOP. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. The beginning workshop in nonfiction is designed for students with little or no experience in writing literary nonfiction. Students are introduced to a range of technical and imaginative concerns through exercises and discussions, and they eventually submit their own writing for the critical analysis of the class. Outside readings supplement and inform the exercises and longer written projects

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1200 001/15114 T 4:10pm - 6:00pm
511 Kent Hall
Peter Raffel 3.00 13/15
WRIT 1200 002/15115 M 2:10pm - 4:00pm
212a Lewisohn Hall
Wally Suphap 3.00 14/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1200 001/18717 Th 12:10pm - 2:00pm
963 Ext Schermerhorn Hall
Adelia Khan 3.00 8/15
WRIT 1200 002/18718 Th 6:10pm - 8:00pm
423 Kent Hall
Diana Heald 3.00 6/15
WRIT 1200 003/18719 W 6:10pm - 8:00pm
423 Kent Hall
Emma DeCamp 3.00 4/15

WRIT UN2200 INTERMEDIATE NONFICTION WRKSHP. 3.00 points .

The intermediate workshop in nonfiction is designed for students with some experience in writing literary nonfiction. Intermediate workshops present a higher creative standard than beginning workshops and an expectation that students will produce finished work. Outside readings supplement and inform the exercises and longer written projects. By the end of the semester, students will have produced thirty to forty pages of original work in at least two traditions of literary nonfiction. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2200 001/15120 T 12:10pm - 2:00pm
511 Kent Hall
Zohra Saed 3.00 12/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2200 001/13548 M 2:10pm - 4:00pm
608 Lewisohn Hall
Lars Horn 3.00 0/15

WRIT UN3200 ADVANCED NONFICTION WORKSHOP. 3.00 points .

Advanced Nonfiction Workshop is for students with significant narrative and/or critical experience. Students will produce original literary nonfiction for the workshop. This workshop is reserved for accomplished nonfiction writers and maintains the highest level of creative and critical expectations. Among the many forms that creative nonfiction might assume, students may work in the following nonfiction genres: memoir, personal essay, journalism, travel writing, science writing, and/or others. In addition, students may be asked to consider the following: ethical considerations in nonfiction writing, social and cultural awareness, narrative structure, detail and description, point of view, voice, and editing and revision among other aspects of praxis. A portfolio of nonficiton will be written and revised with the critical input of the instructor and the workshop. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

WRIT UN3201 SENIOR NONFICTION WORKSHOP. 4.00 points .

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3201 001/15129 M 12:10pm - 2:00pm
301m Fayerweather
Lars Horn 4.00 12/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3201 001/13556 M 12:10pm - 2:00pm
511 Kent Hall
Vanessa Martir 4.00 0/15

Nonfiction Seminars

WRIT UN2211 TRADITIONS IN NONFICTION. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. The seminar provides exposure to the varieties of nonfiction with readings in its principal genres: reportage, criticism and commentary, biography and history, and memoir and the personal essay. A highly plastic medium, nonfiction allows authors to portray real events and experiences through narrative, analysis, polemic or any combination thereof. Free to invent everything but the facts, great practitioners of nonfiction are faithful to reality while writing with a voice and a vision distinctively their own. To show how nonfiction is conceived and constructed, class discussions will emphasize the relationship of content to form and style, techniques for creating plot and character under the factual constraints imposed by nonfiction, the defining characteristics of each authors voice, the authors subjectivity and presence, the role of imagination and emotion, the uses of humor, and the importance of speculation and attitude. Written assignments will be opportunities to experiment in several nonfiction genres and styles

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2211 001/15121 W 6:10pm - 8:00pm
511 Kent Hall
Peter Raffel 3.00 15/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2211 001/18723 M 4:10pm - 6:00pm
608 Lewisohn Hall
Adelia Khan 3.00 5/15

WRIT UN3214 HYBRID NONFICTION FORMS. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. Prerequisites: No prerequisites. Department approval NOT required. Creative nonfiction is a frustratingly vague term. How do we give it real literary meaning; examine its compositional aims and techniques, its achievements and especially its aspirations? This course will focus on works that we might call visionary - works that combine art forms, genres and styles in striking ways. Works in which image and text combine to create a third interactive language for the reader. Works still termed fiction history or journalism that join fact and fiction to interrogate their uses and implications. Certain memoirs that are deliberately anti-autobiographical, turning from personal narrative to the sounds, sight, impressions and ideas of the writers milieu. Certain essays that join personal reflection to arts and cultural criticism, drawing on research and imagination, the vernacular and the formal, even prose and poetry. The assemblage or collage that, created from notebook entries, lists, quotations, footnotes and indexes achieves its coherence through fragments and associations, found and original texts

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3214 001/13557 T 12:10pm - 2:00pm
511 Kent Hall
Margo Jefferson 3.00 15/15

WRIT UN3215 ART WRITING FOR WRITERS. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. Prerequisites: No prerequisites. Department approval NOT required. In this course, we will look at some of the most dynamic examples of "visual writing." To begin, we will look at writers writing about art, from the Romantic period through the present. The modes of this art writing we will consider include: the practice of ekphrasis (poems which address or derive their inspiration from a work of art); writers such as Ralph Ellison, Amiri Baraka, John Ashbery, and Eileen Myles, who for periods of their lives worked as art critics; writers such as Etel Adnan and Alexander Kulge, who have produced literature and works of art in equal measure; as well as numerous collaborations between writers and visual artists. We will also look at artists who have written essays and poetry throughout their careers, like artists Robert Smithson, Glenn Ligon, David Wojnarowicz, Moyra Davey, Paul Chan, and Hannah Black, as well as professional critics whose work has been elevated to the status of literature, such as Hilton Als, Janet Malcolm, and Susan Sontag. Lastly, we will consider what it means to write through a “milieu” of sonic and visual artists, such as those associated with Dada, the Harlem Renaissance, the New York School, and Moscow Conceptualism. Throughout the course, students will also be prompted to write with and about current art exhibitions and events throughout the city. They will produce original works in various of the modes described above and complete a final writing project that incorporates what they have learned

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3215 001/13558 W 12:10pm - 2:00pm
317 Hamilton Hall
Eliza Callahan 3.00 15/15

WRIT UN3217 SCIENCE AND SENSIBILITY. 3.00 points .

Writing about the natural world is one of the world's oldest literary traditions and the site of some of today's most daring literary experiments.  Known loosely as "science writing" this tradition can be traced through texts in myriad and overlapping genres, including poetry, explorer's notebooks, essays, memoirs, art books, and science journalism.  Taken together, these divers texts reveal a rich literary tradition in which the writer's sensibility and worldview are paramount to an investigation of the known and unknown.  In this course, we will consider a wide range of texts in order to map this tradition.  We will question what it means to use science as metaphor, explore how to write about science with rigor and commitment to scientific truth, and interrogate the fiction of objectivity. 

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3217 001/13559  
Meehan Crist 3.00 7/15

WRIT UN3224 Writing the Sixties. 3.00 points .

In this seminar, we will target nonfiction from the 1960s—the decade that saw an avalanche of new forms, new awareness, new freedoms, and new conflicts, as well as the beginnings of social movements and cultural preoccupations that continue to frame our lives, as writers and as citizens, in the 21st century: civil rights, feminism, environmentalism, LGBTQ rights, pop culture, and the rise of mass media. We will look back more than a half century to examine the development of modern criticism, memoir, reporting, and profile-writing, and the ways they entwine. Along the way, we will ask questions about these classic nonfiction forms: How do reporters, essayists, and critics make sense of the new? How do they create work as rich as the best novels and short stories? Can criticism rise to the level of art? What roles do voice, point-of-view, character, dialogue, and plot—the traditional elements of fiction—play? As we go, we will witness the unfolding of arguably the most transitional decade in American history—with such events as the Kennedy assassination, the Watts Riots, the Human Be In, and the Vietnam War, along with the rise of Pop art, rock ‘n’ roll, and a new era of moviemaking—as it was documented in real time by writers at The New Yorker, New Journalists at Esquire, and critics at Partisan Review and Harper’s, among other publications. Some writers we will consider: James Baldwin, Joan Didion, Susan Sontag, Rachel Carson, Dwight Macdonald, Gay Talese, Tom Wolfe, Truman Capote, Pauline Kael, Nik Cohn, Joseph Mitchell, Lillian Ross, Gore Vidal, Norman Mailer, Thomas Pynchon, John Updike, Michael Herr, Martha Gellhorn, John McPhee, and Betty Friedan. We will be joined by guest speakers

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3224 001/18550 M 6:10pm - 8:00pm
511 Kent Hall
Mark Rozzo 3.00 14/15

WRIT UN3225 LIFE STORIES. 3.00 points .

In this seminar, we will target nonfiction that tells stories about lives: profiles, memoirs, and biographies. We will examine how the practice of this kind of nonfiction, and ideas about it, have evolved over the past 150 years. Along the way, we will ask questions about these nonfiction forms: How do reporters, memoirists, biographers, and critics make sense of their subjects? How do they create work as rich as the best novels and short stories? Can criticism explicate the inner life of a human subject? What roles do voice, point-of-view, character, dialogue, and plot—the traditional elements of fiction—play? Along the way, we’ll engage in issues of identity and race, memory and self, real persons and invented characters and we’ll get glimpses of such key publications as The Atlantic Monthly, The New Yorker, Esquire, Harper’s, and The New York Review of Books. Some writers we will consider: Frederick Douglass, Louisa May Alcott, Walt Whitman, Henry Adams, Joseph Mitchell, Lillian Ross, James Agee, John Hersey, Edmund Wilson, Gore Vidal, Gay Talese, James Baldwin, Vladimir Nabokov, Janet Malcolm, Robert Caro, Joyce Carol Oates, Toni Morrison, Joan Didion, and Henry Louis Gates Jr. The course regularly welcomes guest speakers

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3225 001/13560 M 6:10pm - 8:00pm
511 Kent Hall
Mark Rozzo 3.00 15/15

WRIT UN3226 NONFICTION-ISH. 3.00 points .

This cross-genre craft seminar aims to uncover daring and unusual approaches to literature informed by nonfiction (and nonfiction-adjacent) practices. In this course we will closely read and analyze a diverse set of works, including Svetlana Alexievich’s oral history of women and war, Lydia Davis’s “found” microfictions, Theresa Hak Cha’s genre-exploding “auto-enthnography,” Alejandro Zambra’s unabashedly literary narratives, Sigrid Nunez’s memoir “of” Susan Sontag, Emmanuel Carrére’s “nonfiction novel,” John Keene’s bold counternarratives, W. G. Sebald’s saturnine essay-portraits, Saidiya Hartman’s melding of history and literary imagination, Annie Ernaux’s collective autobiography, Sheila Heti’s alphabetized diary, Ben Mauk’s oral history about Xinjiang detention camps, and Edward St. Aubyn’s autobiographical novel about the British aristocracy and childhood trauma, among other texts. We will also examine Sharon Mashihi’s one-woman autofiction podcasts about Iranian Jewish American family. What we learn in this course we will apply to our own work, which will consist of two creative writing responses and a creative final project. Students will also learn to keep a daily writing journal

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3226 001/15130 Th 2:10pm - 4:00pm
Sat Alfred Lerner Hall
James Yeh 3.00 19/20

Poetry Workshops

WRIT UN1300 BEGINNING POETRY WORKSHOP. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. The beginning poetry workshop is designed for students who have a serious interest in poetry writing but who lack a significant background in the rudiments of the craft and/or have had little or no previous poetry workshop experience. Students will be assigned weekly writing exercises emphasizing such aspects of verse composition as the poetic line, the image, rhyme and other sound devices, verse forms, repetition, tone, irony, and others. Students will also read an extensive variety of exemplary work in verse, submit brief critical analyses of poems, and critique each others original work

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1300 001/15116 M 4:10pm - 6:00pm
511 Kent Hall
Latif Ba 3.00 15/15
WRIT 1300 002/15167 T 6:10pm - 8:00pm
308a Lewisohn Hall
Joel Sedano 3.00 13/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 1300 001/18720 Th 10:10am - 12:00pm
Room TBA
Jane Crager 3.00 3/15
WRIT 1300 002/18721 M 4:10pm - 6:00pm
606 Lewisohn Hall
Sophia Mautz 3.00 15/15

WRIT UN2300 INTERMEDIATE POETRY WORKSHOP. 3.00 points .

Intermediate poetry workshops are for students with some prior instruction in the rudiments of poetry writing and prior poetry workshop experience. Intermediate poetry workshops pose greater challenges to students and maintain higher critical standards than beginning workshops. Students will be instructed in more complex aspects of the craft, including the poetic persona, the prose poem, the collage, open-field composition, and others. They will also be assigned more challenging verse forms such as the villanelle and also non-European verse forms such as the pantoum. They will read extensively, submit brief critical analyses, and put their instruction into regular practice by composing original work that will be critiqued by their peers. By the end of the semester each student will have assembled a substantial portfolio of finished work. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2300 001/15122 M 4:10pm - 6:00pm
602 Lewisohn Hall
Alexander Dimitrov 3.00 15/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2300 001/13549 M 10:10am - 12:00pm
511 Kent Hall
Alexander Dimitrov 3.00 0/15

WRIT UN3300 ADVANCED POETRY WORKSHOP. 3.00 points .

This poetry workshop is reserved for accomplished poetry writers and maintains the highest level of creative and critical expectations. Students will be encouraged to develop their strengths and to cultivate a distinctive poetic vision and voice but must also demonstrate a willingness to broaden their range and experiment with new forms and notions of the poem. A portfolio of poetry will be written and revised with the critical input of the instructor and the workshop. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3300 001/13561 W 12:10pm - 2:00pm
511 Kent Hall
Emily Luan 3.00 0/15

WRIT UN3301 SENIOR POETRY WORKSHOP. 4.00 points .

Prerequisites: The department's permission required through writing sample. Please go to 609 Kent for submission schedule and registration guidelines or see http://www.arts.columbia.edu/writing/undergraduate. Seniors who are majors in creative writing are given priority for this course. Enrollment is limited, and is by permission of the professor. The senior workshop offers students the opportunity to work exclusively with classmates who are at the same high level of accomplishment in the major. Students in the senior workshops will produce and revise a new and substantial body of work. In-class critiques and conferences with the professor will be tailored to needs of each student. Please visit https://arts.columbia.edu/writing/undergraduate for information about registration procedures

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3301 001/15132 Th 12:10pm - 2:00pm
212a Lewisohn Hall
Emily Luan 4.00 11/15

Poetry Seminars

WRIT UN2311 TRADITIONS IN POETRY. 3.00 points .

Prerequisites: No prerequisites. Department approval NOT required. Prerequisites: No prerequisites. Department approval NOT required. “For those, in dark, who find their own way by the light of others’ eyes.” —Lucie Brock-Broido The avenues of poetic tradition open to today’s poets are more numerous, more invigorating, and perhaps even more baffling than ever before. The routes we chose for our writing lead to destinations of our own making, and we take them at our own risk—necessarily so, as the pursuit of poetry asks each of us to light a pilgrim’s candle and follow it into the moors and lowlands, through wastes and prairies, crossing waters as we go. Go after the marshlights, the will-o-wisps who call to you in a voice you’ve longed for your whole life. These routes have been forged by those who came before you, but for that reason, none of them can hope to keep you on it entirely. You must take your steps away, brick by brick, heading confidently into the hinterland of your own distinct achievement. For the purpose of this class, we will walk these roads together, examining the works of classic and contemporary exemplars of the craft. By companioning poets from a large spread of time, we will be able to more diversely immerse ourselves in what a poetic “tradition” truly means. We will read works by Edmund Spencer, Dante, and Goethe, the Romantics—especially Keats—Dickinson, who is mother to us all, Modernists, and the great sweep of contemporary poetry that is too vast to individuate. While it is the imperative of this class to equip you with the knowledge necessary to advance in the field of poetry, this task shall be done in a Columbian manner. Consider this class an initiation, of sorts, into the vocabulary which distinguishes the writers who work under our flag, each of us bound by this language that must be passed on, and therefore changed, to you who inherit it. As I have learned the words, I have changed them, and I give them now to you so that you may pave your own way into your own ways, inspired with the first breath that brought you here, which may excite and—hopefully—frighten you. You must be troubled. This is essential

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2311 001/15123 T 4:10pm - 6:00pm
327 Uris Hall
Latif Ba 3.00 17/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 2311 001/18725 Th 2:10pm - 4:00pm
414 Pupin Laboratories
Jane Crager 3.00 1/15

WRIT UN3319 POETICS OF PLACE:AMERICAN LANDSCAPES, VO. 3.00 points .

When the American Poet Larry Levis left his home in California’s San Joaquin Valley, “all [he] needed to do,” he wrote, “was to describe [home] exactly as it had been. That [he] could not do, for that [is] impossible. And that is where poetry might begin. This course will consider how place shapes a poet’s self and work. Together we will consider a diverse range of poets and the places they write out of and into: from Philip Levines Detroit to Whitmans Manhattan, from Robert Lowells New England to James Wrights Ohio, from the Kentucky of Joe Bolton and Crystal Wilkinson to the California of Robin Blaser and Allen Ginsberg, from the Ozarks of Frank Stanford to the New Jersey of Amiri Baraka, from the Pacific Northwest of Robinson Jeffers to the Alaska of Mary Tallmountain. We will consider the debate between T. S. Eliot and William Carlos Williams about global versus local approaches to the poem, and together we will ask complex questions: Why is it, for example, that Jack Gilbert finds his Pittsburgh when he leaves it, while Gerald Stern finds his Pittsburgh when he keeps it close? Does something sing because you leave it or because you hold it close? Do you come to a place to find where you belong in it? Do you leave a place to find where it belongs in you? As Carolyn Kizer writes in Running Away from Home, Its never over, old church of our claustrophobia! And of course home can give us the first freedom of wanting to leave, the first prison and freedom of want. In our reflections on each “place,” we will reflect on its varied histories, its native peoples, and its inheritance of violent conquest. Our syllabus will consist, in addition to poems, of manifestos and prose writings about place, from Richard Hugos Triggering Town to Sandra Beasleys Prioritizing Place. You will be encouraged to think about everything from dialect to economics, from collectivism to individualism in poems that root themselves in particular places, and you will be encouraged to consider how those poems “transcend” their origins. You will write response papers, analytical papers, and creative pieces, and you will complete a final project that reflects on your own relationship to place

WRIT UN3322 WASTE. 3.00 points .

What if we think of writing as waste management? “To find a form that accommodates the mess, that is the task of the artist now,” said Samuel Beckett then, famously, but: What does this mean? In this course, we will explore the many ways in which artists and writers have tried to answer this question, not only with waste as a figure for thought but as the concrete and recalcitrant reality of our being. Students will be asked to keep a notebook, with the instruction to keep everything that is for them a signature of thought. In this way, a pinecone or a piece of garbage is as much “writing” as anything else. Together, we will create an archive for the semester, of everything that is produced and/or consumed under this aegis of making. This class is designed to pose questions about form and the activity of writing and, in turn, the modes and methods of production not only as writers, but as persons. In addition to our weekly readings, we will be taking field trips throughout the city, convening with Freegan.info for a trash tour and meeting with the artist in residence at the Department of Sanitation, as well as hosting visitors for additional conversations over Zoom

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3322 001/18542 Th 10:10am - 12:00pm
212a Lewisohn Hall
Lynn Xu 3.00 16/15

WRIT UN3324 SENSORY POETICS. 3.00 points .

“A writer should have the precision of a poet and the imagination of a scientist” —Vladimir Nabokov “Every word was once an animal.” —Ralph Waldo Emerson How do writers use words to bring whole worlds to life in the senses? Sensory Poetics is a semester-long exploration of how this formal question has propelled the last 150 years of formally innovative poetry, manifestos and essays on craft. Here, we will read by critically and creatively responding to these texts with a single goal in mind: Borrow their methods to compose a dossier of writing that brings just one thing to life in the senses—any one thing—of your individual choosing. To that end, the semester is divided into 3 Labs that each isolate a different register of sensemaking: Sound, Image, and Line. For example, in the Sound Lab unit, you’ll respond to poems and essays by acoustic-centered poets like John Cage, Kamau Brathwaite and Gertrude Stein, transcribing the sound of your one thing, and writing a metered sonnet based on models from different periods and artistic contexts. To capture the look and logic of your one thing, further in you’ll read Surrealists like Aimé and Suzanne Césaire (for Image Lab), Kathy Acker’s cut-ups, and the psychedelic prose poems of Georges Perec and Yoko Ono (for Line Lab). Throughout, we’ll also read Raymond Queneau’s Exercises in Style, a book that is similarly a dossier of one thing written a hundred different ways. Class time focuses on close-reading and analyzing poems together. At the end of each of the three Labs, you’ll submit a portfolio which showcases and reflects on your favorite creative/critical writing generated during the unit. So, no matter how boring or inflexible your one thing may appear to you at any point, your only limits beyond this constraint—make a dossier on one thing—will merely be the finite plasticity of your own imagination, which luckily, readings in this course are curated to expand. This is a place to encounter, practice and experiment with new and exciting forms that broaden your repertoire for articulating your obsessions in ways that bring them to life in the ears, eyes and minds of your audience. Writers of all majors and levels welcome

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3324 001/18899 T 12:10pm - 2:00pm
411 Kent Hall
Holly Melgard 3.00 14/15

WRIT UN3365 21STC AM POETRY & ITS CONCERNS. 3.00 points .

The lyric has often been conceived of as timeless in its content and inwardly-directed in its mode of address, yet so many poems with lasting claim on our attention point unmistakably outward, addressing the particulars of their times. This course will examine the ways in which an array of 21st poets have embraced, indicted, and anatomized their cultural and historical contexts, diagnosing society’s ailments, indulging in its obsessions, and sharing its concerns. Engaging with such topics as race, class, war, death, trauma, feminism, pop culture and sexuality, how do poets adapt poetic form to provide meaningful and relevant insights without losing them to beauty, ambiguity, and music? How is pop star Rihanna a vehicle for discussing feminism and isolation? What does it mean to write about Black masculinity after Ferguson? In a time when poetry’s cultural relevancy is continually debated in academia and in the media, how can today’s poets use their art to hold a mirror to modern living? This class will explore how writers address present-day topics in light of their own subjectivity, how their works reflect larger cultural trends and currents, and how critics as well as poets themselves have reflected on poetry’s, and the poet’s, changing social role. In studying how these writers complicate traditional notions of what poetry should and shouldn’t do, both in terms of content and of form, students will investigate their own writing practices, fortify their poetic voices, and create new works that engage directly and confidently with the world in which they are written

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3365 001/15125 M 6:10pm - 8:00pm
401 Hamilton Hall
Quincy Jones 3.00 18/20

WRIT UN3321 Ecopoetics. 3.00 points .

“There are things / We live among ‘and to see them / Is to know ourselves.’” George Oppen, “Of Being Numerous” In this class we will read poetry like writers that inhabit an imperiled planet, understanding our poems as being in direct conversation both with the environment as well as writers past and present with similar concerns and techniques. Given the imminent ecological crises we are facing, the poems we read will center themes of place, ecology, interspecies dependence, the role of humans in the destruction of the planet, and the “necropastoral” (to borrow a term from Joyelle McSweeney), among others. We will read works by poets and writers such as (but not limited to) John Ashbery, Harryette Mullen, Asiya Wadud, Wendy Xu, Ross Gay, Simone Kearney, Kim Hyesoon, Marcella Durand, Arthur Rimbaud, Geoffrey G. O’Brien, Muriel Rukeyser, George Oppen, Terrance Hayes, Juliana Spahr, and W.S. Merwin—reading several full collections as well as individual poems and essays by scholars in the field. Through close readings, in-class exercises, discussions, and creative/critical writings, we will invest in and investigate facets of the dynamic lyric that is aware of its environs (sound, image, line), while also exploring traditional poetic forms like the Haibun, ode, prose poem, and elegy. Additionally, we will seek inspiration in outside mediums such as film, visual art, and music, as well as, of course, the natural world. As a class, we will explore the highly individual nature of writing processes and talk about building writing practices that are generative as well as sustainable

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3321 001/13562 M 12:10pm - 2:00pm
317 Hamilton Hall
Samantha Zighelboim 3.00 15/15

Cross Genre Seminars

WRIT UN3010 SHORT PROSE FORMS. 3.00 points .

Note: This seminar has a workshop component.

Prerequisites: No Prerequisites. Department approval NOT required. Prerequisites: No Prerequisites. Department approval NOT required. Flash fiction, micro-naratives and the short-short have become exciting areas of exploration for contemporary writers. This course will examine how these literary fragments have captured the imagination of writers internationally and at home. The larger question the class seeks to answer, both on a collective and individual level, is: How can we craft a working definition of those elements endemic to short prose as a genre? Does the form exceed classification? What aspects of both crafts -- prose and poetry -- does this genre inhabit, expand upon, reinvent, reject, subvert? Short Prose Forms incorporates aspects of both literary seminar and the creative workshop. Class-time will be devoted alternatingly to examinations of published pieces and modified discussions of student work. Our reading chart the course from the genres emergence, examining the prose poem in 19th-century France through the works of Mallarme, Baudelaire, Max Jacob and Rimbaud. Well examine aspects of poetry -- the attention to the lyrical, the use of compression, musicality, sonic resonances and wit -- and attempt to understand how these writers took, as Russell Edson describes, experience [and] made it into an artifact with the logic of a dream. The class will conclude with a portfolio at the end of the term, in which students will submit a compendium of final drafts of three of four short prose pieces, samples of several exercises, selescted responses to readings, and a short personal manifesto on the short prose form

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3010 001/15124 W 4:10pm - 6:00pm
317 Hamilton Hall
Alan Ziegler 3.00 12/20

WRIT UN3011 TRANSLATION SEMINAR. 3.00 points .

Prerequisites: No prerequisites. Students do not need to demonstrate bilingual ability to take this course. Department approval NOT needed. Corequisites: This course is open to undergraduate & graduate students. Prerequisites: No prerequisites. Students do not need to demonstrate bilingual ability to take this course. Department approval NOT needed. Corequisites: This course is open to undergraduate & graduate students. This course will explore broad-ranging questions pertaining to the historical, cultural, and political significance of translation while analyzing the various challenges confronted by the arts foremost practitioners. We will read and discuss texts by writers and theorists such as Benjamin, Derrida, Borges, Steiner, Dryden, Nabokov, Schleiermacher, Goethe, Spivak, Jakobson, and Venuti. As readers and practitioners of translation, we will train our ears to detect the visibility of invisibility of the translators craft; through short writing experiments, we will discover how to identify and capture the nuances that traverse literary styles, historical periods and cultures. The course will culminate in a final project that may either be a critical analysis or an original translation accompanied by a translators note of introduction

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3011 001/15125 W 2:10pm - 4:00pm
511 Kent Hall
Bonnie Chau 3.00 10/15
Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3011 001/18722 T 4:10pm - 6:00pm
608 Lewisohn Hall
Bonnie Chau 3.00 2/15

WRIT UN3018 Inhabiting Form: Writing the Body. 3.00 points .

The body is our most immediate encounter with the world, the vessel through which we experience our entire lives: pleasure, pain, beauty, horror, limitation, freedom, fragility and empowerment. In this course, we will pursue critical and creative inquiries into invocations and manifestations of the body in multiple genres of literature and in several capacities. We will look at how writers make space for—or take up space with—bodies in their work. The etymology of the word “text” is from the Latin textus, meaning “tissue.” Along these lines, we will consider the text itself as a body. Discussions around body politics, race, gender, ability, illness, death, metamorphosis, monstrosity and pleasure will be parallel to the consideration of how a text might function itself as a body in space and time. We will consider such questions as: What is the connective tissue of a story or a poem? What is the nervous system of a lyric essay? How is formal constraint similar to societal ideals about beauty and acceptability of certain bodies? How do words and language function at the cellular level to build the body of a text? How can we make room to honor, in our writing, bodies that have otherwise been marginalized? We will also consider non-human bodies (animals & organisms) and embodiments of the supernatural (ghosts, gods & specters) in our inquiries. Students will process and explore these ideas in both creative and analytical writings throughout the semester, deepening their understanding of embodiment both on and off the page

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3018 001/15456 M 12:10pm - 2:00pm
511 Kent Hall
Samantha Zighelboim 3.00 14/15

WRIT UN3031 INTRO TO AUDIO STORYTELLING. 3.00 points .

It’s one thing to tell a story with the pen. It’s another to transfix your audience with your voice. In this class, we will explore principles of audio narrative. Oral storytellers arguably understand suspense, humor and showmanship in ways only a live performer can. Even if you are a diehard writer of visually-consumed text, you may find, once the class is over, that you have learned techniques that can translate across borders: your written work may benefit. Alternatively, you may discover that audio is the medium for you. We will consider sound from the ground up – from folkloric oral traditions, to raw, naturally captured sound stories, to seemingly straightforward radio news segments, to highly polished narrative podcasts. While this class involves a fair amount of reading, much of what we will be studying and discussing is audio material. Some is as lo-fi as can be, and some is operatic in scope, benefitting from large production budgets and teams of artists. At the same time that we study these works, each student will also complete small audio production exercises of their own; as a final project, students will be expected to produce a trailer, or “sizzle” for a hypothetical multi-episode show. This class is meant for beginners to the audio tradition. There are some tech requirements: a recording device (most phones will suffice), workable set of headphones, and computer. You’ll also need to download the free audio editing software Audacity

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3031 001/15460 W 12:10pm - 2:00pm
311 Fayerweather
Mallika Rao 3.00 15/20

WRIT UN3036 THE AESTHETIC EXPERIENCE. 3.00 points .

What is an aesthetic experience and what does it tell us about art or about ourselves? An aesthetic experience might be best initially defined as a subjective and often profound encounter with an object, artwork, or phenomenon that elicits a heightened sense of beauty, appreciation, or emotional response. It involves a deep engagement with the sensory, emotional, and intellectual aspects of the object of appreciation. Aesthetic experiences typically involve a sense of pleasure, contemplation, or emotional resonance, and they often transcend practical or utilitarian considerations. These experiences can encompass a wide range of phenomena, literature, natural landscapes, and even everyday objects when perceived with a heightened sense of awareness and appreciation. Aesthetic experiences are highly personal and can vary from person to person based on individual preferences, cultural backgrounds, and emotional responses. For me, an aesthetic experience is both mysterious and confounding—I’m impacted physically as much as it might mentally or emotionally. In the throes of an aesthetic experience, I might feel the small hairs on my arms or on the back of my neck stand up. I might feel nearly ill from a racing heart or my stomach turning. I might feel energized by new thoughts prompted by the experience or feel my heart swell in appreciation and awe. I might also feel a deep sense of recognition—one that connects me to the art object and its maker in a way that transcends time and place. But why do I feel this? Where does this feeling come from? What is really happening?? In this class, we’ll study this question on two levels: 1. A ‘theoretical’ level. Theorists, critics, and philosophers have long tried to understand what it means to have an aesthetic experience. Plato likened this experience to madness, Kant to the sublime; Tolstoy argued the aesthetic experience was a form of communication only accessible through engagement in art. Historians place aesthetic experience within the context of time and culture. We’ll study and discuss theories that have tried to define this mysterious phenomenon. 2. A ‘practical’ level. We’ll also read the work of writers who have puzzled through this question of the aesthetic experience by writing about their connection to a work or body of work by another artist. Often this involves a search to understand the self via the work of another artist. Books: Required books available at Book Culture on 112th Street and Broadway or in course reserves at Butler Library. Several readings will be available for free via our courseworks page. They are indicated on the syllabus as (CW)

Course Number Section/Call Number Times/Location Instructor Points Enrollment
WRIT 3036 001/18897 W 10:10am - 12:00pm
Mpr River Side Church
Chloe Jones 3.00 13/15

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Michael Cleary Creative Writing Award

About the scholarship.

The Michael Cleary Creative Writing Award is available to undergraduate and international students at Broward College who are winners of the annual BC creative writing contest. Students seeking a professional certification, associate, or bachelor's degree are eligible to apply.

  • Essay Required : No
  • Need-Based : No
  • Merit-Based : No
  • Minimum 2.00 GPA
  • Resident of the U.S.
  • Attend Broward College
  • Undergraduate student
  • Seeking a professional certification, associate, or bachelor's degree
  • Full or parttime student
  • U.S. citizen, permanent resident, or international student on an aideligible visa
  • Winner of the annual BC creative writing contest
  • Country : US

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Madysen rufener.

Madysen Rufener

Art, Art History & Visual Studies- Cinematic Arts Ambassador

[email protected]

Class of 2025 Major in Visual and Media Studies with a Cinematic Arts concentration; Minors in English and Creative Writing

Hi, I’m Madysen Rufener, a Visual and Media Studies major at Duke with a passion for writing. I love writing of all forms, including creative non-fiction, screenwriting, or fictional prose. I read it all, but my favorite genres to write are gothic horror and science fiction. Outside of my studies, I have lived in Durham for over ten years now, so one of my favorite pastimes is exploring the many restaurants downtown.

Favorite Class: My favorite class was an adaptation screenwriting class I took from Jody McAuliffe. The class was a perfect blend of novel-/prose-writing and screenwriting, and Professor McAuliffe was extremely enthusiastic and knowledgeable about the subject.

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Admission Steps

English and literary arts - creative writing - phd, admission requirements.

Terms and Deadlines

Degree and GPA Requirements

Additional Standards for Non-Native English Speakers

Additional standards for international applicants.

For the 2025-2026 academic year

See 2024-2025 requirements instead

Fall 2025 quarter (beginning in September)

Final submission deadline: December 16, 2024

Final submission deadline: Applicants cannot submit applications after the final submission deadline.

Degrees and GPA Requirements

Bachelors degree: All graduate applicants must hold an earned baccalaureate from a regionally accredited college or university or the recognized equivalent from an international institution.

Masters degree: This program requires a masters degree as well as the baccalaureate.

University GPA requirement: The minimum grade point average for admission consideration for graduate study at the University of Denver must meet one of the following criteria:

A cumulative 2.5 on a 4.0 scale for the baccalaureate degree.

A cumulative 2.5 on a 4.0 scale for the last 60 semester credits or 90 quarter credits (approximately two years of work) for the baccalaureate degree.

An earned master’s degree or higher from a regionally accredited institution or the recognized equivalent from an international institution supersedes the minimum GPA requirement for the baccalaureate.

A cumulative GPA of 3.0 on a 4.0 scale for all graduate coursework completed for applicants who have not earned a master’s degree or higher.

Official scores from the Test of English as a Foreign Language (TOEFL), International English Language Testing System (IELTS), C1 Advanced or Duolingo English Test are required of all graduate applicants, regardless of citizenship status, whose native language is not English or who have been educated in countries where English is not the native language. Your TOEFL/IELTS/C1 Advanced/Duolingo English Test scores are valid for two years from the test date.

The minimum TOEFL/IELTS/C1 Advanced/Duolingo English Test score requirements for this degree program are:

Minimum TOEFL Score (Internet-based test): 80

Minimum IELTS Score: 6.5

Minimum C1 Advanced Score: 176

Minimum Duolingo English Test Score: 115

Additional Information:

Read the English Language Proficiency policy for more details.

Read the Required Tests for GTA Eligibility policy for more details.

Per Student & Exchange Visitor Program (SEVP) regulation, international applicants must meet all standards for admission before an I-20 or DS-2019 is issued, [per U.S. Federal Register: 8 CFR § 214.3(k)] or is academically eligible for admission and is admitted [per 22 C.F.R. §62]. Read the Additional Standards For International Applicants policy for more details.

Application Materials

Transcripts, letters of recommendation.

Required Essays and Statements

Writing Sample

We require a scanned copy of your transcripts from every college or university you have attended. Scanned copies must be clearly legible and sized to print on standard 8½-by-11-inch paper. Transcripts that do not show degrees awarded must also be accompanied by a scanned copy of the diploma or degree certificate. If your academic transcripts were issued in a language other than English, both the original documents and certified English translations are required.

Transcripts and proof of degree documents for postsecondary degrees earned from institutions outside of the United States will be released to a third-party international credential evaluator to assess U.S. education system equivalencies. Beginning July 2023, a non-refundable fee for this service will be required before the application is processed.

Upon admission to the University of Denver, official transcripts will be required from each institution attended.

Three (3) letters of recommendation are required.  Academic recommendations preferred.  Letters should be submitted by recommenders through the online application.

Essays and Statements

Essay instructions.

Applicants should submit a sample of critical prose (e.g., a seminar paper, scholarly publication, or excerpt from thesis or other longer work demonstrating familiarity with the conventions of academic research and writing) not to exceed 20 pages.

Personal Statement Instructions

Personal statements should be 2 pages maximum and should address the applicant's past academic experience, future scholarly goals, and their suitability for graduate study and research in our program.

Résumé Instructions

The résumé (or C.V.) should minimally include the applicant's educational history, work experience, academic experience (including research opportunities or presentations), selected publications, and/or volunteer work.

Writing Sample Instructions

Applicants must submit representative samples of creative work (for Prose, no more than 30 pages; for Poetry, 5 - 10 poems).

Start the Application

Online Application

Financial Aid Information

Start your application.

Your submitted materials will be reviewed once all materials and application fees have been received.

Our program can only consider your application for admission if our Office of Graduate Education has received all your online materials and supplemental materials by our application deadline.

Application Fee: $65.00 Application Fee

International Degree Evaluation Fee: $50.00 Evaluation Fee for degrees (bachelor's or higher) earned from institutions outside the United States.

Applicants should complete their Free Application for Federal Student Aid (FAFSA) by February 15. Visit the Office of Financial Aid for additional information.

‘It was like we were garbage’: Stanford to ‘cycle out’ creative writing lecturers

Photo of the front of Main Quad, which holds Margaret Jacks Hall at Building 460

One creative writing lecturer requested anonymity due to fears of professional retaliation. Pseudonyms and gender neutral pronouns were used to protect sources’ identities and improve readability.

Many of Stanford’s creative writing lecturers will be phased out over the next two years, as the University restores the Jones Lectureship’s term limit as part of the restructuring of the Creative Writing Program.

The restructuring, executed under the recommendation of a working group formed after the lecturers secured pay raises last September, was announced in a Zoom meeting on Wednesday, Aug. 21 by Humanities and Sciences dean Debra Satz, Humanities and Arts senior associate dean Gabriella Safran and Creative Writing Program co-director Nicholas Jenkins. The working group was composed of creative writing faculty members but no Jones Lecturers. 

The Jones Lectureship came with a four-year cap that only began to be enforced on fellows hired after 2019, but over the course of the years, some lecturers have stayed longer than the terms of the program. With the restoration of the original term-limited appointments, however, all current Jones Lecturers — including those hired prior to 2019 — will be let go within the next two years.

Some lecturers have already been affected; for instance, Rose Whitmore was dismissed in 2023 after winning that year’s Phi Beta Kappa Teaching Prize.

For Casey, a lecturer who requested the use of a pseudonym due to fear of professional retaliation, the Wednesday meeting felt cold and awkward.

“It was like we were garbage,” Casey said. “They didn’t even acknowledge how difficult this news would be, and when they did give us time to ask questions, the way they fielded the questions, particularly [Jenkins], it was just very cold and very dismissive.”

Safran disagreed with Casey’s characterization in a statement on behalf of the Creative Writing Program and the School of Humanities and Sciences. The Daily also reached out to the University for comment but has not obtained a response.

During the Wednesday meeting, the deans told the lecturers that they would be “cycled out.” They clarified that it meant the lecturers’ jobs would be “terminated,” Jones Lecturer Tom Kealey told The Daily. Some lecturers will be teaching for an additional year, while others will be teaching for two more years. Kealey called the situation a “future fire.” 

“We were brought in to discuss the ‘restructuring’ of the overall program, and then we were all fired,” Kealey said. One lecturer even told him the meeting felt like the Red Wedding from Game of Thrones. 

Five minutes after the meeting, an email from Christina Ablaza, the administrative director of the Creative Writing Program, informed the lecturers that they could sign up for one-on-one meetings to discuss their individual situations. 

Lecturers to be affected by the decision were frustrated that they had no say in the phase-out. But Satz and Safran do not have voting power in the working group either — only the faculty members do. The faculty members made the decision “to fire all 23 of their junior colleagues” in what Kealey called a “secret meeting.” 

“I got the impression that the deans themselves were confused as to why the professors had voted to fire them,” Kealey said.

Kealey believed that 10 out of all the creative writing faculty members on the working group only taught 13 undergraduate classes last year, while the same number of Jones Lecturers would have taught 50 classes. Lecturers also advise about 90% of students in the Creative Writing Program and 50% of students in Department of English, he estimated.

Many students expressed concerns that they will lose a strong community of creative writing peers and classes. They are also confused as to what the program will look like in the future. 

Students are receiving information from each other, lecturers, a recently created Instagram page called “ripstanfordcw” (which stands for rest in peace, Stanford creative writing) and even from Fizz, an anonymous social media platform. The confusion comes a week before course enrollment is set to begin on Sept. 5.

Students have tried to voice their displeasure with the current decision. A petition , started by Kyle Wang ’22 M.A. ‘23, has received over 600 signatures from students and alumni. He began the petition after talking to some of his friends about the positive impact many of the Jones Lecturers have had on their lives. Other community membes tried to write emails to University administrators.

In an online announcement published on Wednesday, Aug. 28, the Creative Writing Program states that Stanford will increase “the number of creative writing classes to better meet high student demand as well as ensuring competitive compensation for both the lecturers and fellows.” According to the statement, more details will be released in the fall. 

“I know they said that they were having meetings and they’re reworking [the program], but it’s not very transparent,” said English major Skya Theobald ’25.

Mia Grace Davis ’27, a prospective English major, wanted to take “English 190E: Novel Writing Intensive,” a class known for its popularity and limited enrollment, in the fall. Now she is not even sure if it will be offered in the future. 

For Davis, the main appeal of Stanford had always been its Creative Writing Program, but “it’s kind of falling apart as we’re watching it,” she said.

To students who have taken numerous creative writing classes like Theobald, it doesn’t make sense why lecturers are being cycled out when the program wants to meet the growing demand for creative writing. 

Prospective English major Annabelle Wang ’27 said what’s happening has even made her reconsider her course of study.

“It definitely makes the English major less desirable,” she said of the phase-out. “I think for students and the student experience, it’s going to be a really big loss. A lot of community is going to be lost.”

Theobald also expressed concerns the variety of creative writing classes will be reduced. A lot of them such as “English 190G: The Graphic Novel” and “English 190E: Novel Writing Intensive” are rarely offered at other universities, but incoming freshmen now may not have the same opportunities to explore those classes. For instance, specialized classes like “The Graphic Novel” may not be offered again if the lecturers who teach them are let go, Kealey said.

Students felt that the Jones Lecturers have shaped the way they view their own writing. Lydia Wang ’27 had often struggled to understand the value of her writing, but her lecturers were the ones to help her realize there is a place in the world for what she creates. 

“That’s the type of impact that really changes people, and when people change, they can change the world as well,” she said. “So I really hope that Stanford learns to value the humanities, and especially creative writing, because we’re creating change, and we’re creating something for ourselves.” 

Some lecturers remain hopeful that the restructuring, which is ongoing, will be reconsidered.

“I may be naive, but I still believe in Stanford. I think Stanford is much better than this,” Kealey said. “I think as light is shed on this, enough people are going to say, ‘This doesn’t make our university better. It makes our university much worse.’”

Judy N. Liu '26 is the Academics desk editor for News and staff writer at The Daily.

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English lessons for kids in Elektrostal’, Moscow Oblast

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RTL English will help you teach English to your child or student in Elektrostal’.

RTL English enables parents, tutors & teachers to teach English to children aged 3 to 18 years old, so that they can succeed at school, in exams and beyond.

Our step-by-step, downloadable lessons are print-ready and easy to teach. They are part of a transformational teaching system that’s been taught millions of times, & proven over 26 years in 29 countries worldwide.

Our workbooks will enable your child to catch up, keep up and get ahead! Our workbooks also challenge more advanced students; so whatever your child’s ability, there’s sure to be an RTL English workbook that’s suitable for them.

RTL English is a leading English language teaching organisation that’s recognised around the globe for its award-winning & proven method of teaching English to students.

For nearly 30 years, RTL English has been taught in schools, tutorial centres & at home both as part of the curriculum and as a supplementary activity. RTL English is growing in popularity worldwide, so why not join 1000000’s of parents, tutors & teachers around the world & teach your child RTL English today?

English lessons for kids in Elektrostal’

Teaching your son or daughter to use English fluently might very well be the key to their success in school in Moscow Oblast, in exams, in his or her career and beyond.

Imagine your child several months or years in the future … in Elektrostal’ or elsewhere …

Is your son or daughter a smart child because he or she became an early reader, acquired a passion for knowledge, obtained early language and literacy skills & developed an air of confidence that will last them a lifetime?

Or is your child struggling to read, underperforming at school and set-up for a lifetime of frustration and disappointment?

Of course everyone wants to be the proud parent of a happy and confident child, and every parent can.

But, in order to guarantee a bright future for your son or daughter in Moscow Oblast, it’s often necessary to take your son or daughter’s education into your own hands.

If you want your son or daughter to grow up to be smart & successful, then you need to understand how critical it is that you teach your child when his or her brain growth is at its peak.

The cerebral cortex in your child’s brain is responsible for his or her sight, hearing, & smell. It also controls his or her speech, thinking, & memory. In fact, the cerebral cortex is what makes them – them! At birth, the cells in your son or daughter’s cerebral cortex were poorly connected (they are for everyone). However, by 2 to 3 years old, the cerebral cortex contains 100 trillion connections. & that number remains high until the eighth birthday when it starts to slowly decline & level off to adult levels ( *Ref ). It’s extremely important to take the opportunity to teach children during this time when brain development is at its maximum.

Teaching English to your son or daughter might be the key, not only to their success in school in Elektrostal’, but also their sense of self-worth, both in Moscow Oblast and beyond. Elaine Shannon, Author & Curriculum Designer Tweet

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  • Early & advanced English skills will make your child smarter.
  • Early & advanced English skills will improve problem solving.
  • Early & advanced English skills will improve planning, & abstract thinking skills.
  • Early & advanced English skills will help develop complex idea comprehension.
  • Early reading can help children compensate for modest levels of ability in other areas. ( *Ref )

ON A PRACTICAL LEVEL, HOW IMPORTANT IS EARLY READING?

  • Your son or daughter’s reading ability and vocabulary at 3 years old might predict his or her success in school in Elektrostal’ when they are 6 to 7 years old ( *Ref ).
  • Your son or daughter’s reading ability at 6 to 7 years old might predict his or her success at 17 to 18 years old ( *Ref )!
  • Your son or daughter’s reading ability at 7 to 8 years old might determine their graduation from senior school in Elektrostal’ ( *Ref ).

ON THE OTHER HAND:

  • Children who can’t read competently by 7 to 8 years old are four times more likely to leave school without a diploma/results than proficient readers ( *Ref ).
  • Children who are not taught Phonemic Awareness, and therefore have to rely on memory have difficulty beginning to read and continue to have difficulty with new words.

BUT, SURELY SCHOOL WILL TEACH MY CHILD TO READ? SO, WHY DO I NEED TO BOTHER?

If this is what you are thinking, then you should know that you cannot rely on schools, including those in Elektrostal’ …

  • In the USA, almost 70% of children at school who are aged 9-10 years old cannot read proficiently ( *Ref )!
  • And, of those children, 33% of them read at only a very basic level, and 34% are reading at a very poor level ( *Ref ).
  • It’s not very different in the UK, where over 100,000 children leave school illiterate( *Ref ).
  • Or in Australia, where 33% of students aged 11 years old fail to meet literacy benchmarks ( *Ref ).
  • Or in Canada, where 42% of the entire adult population is only semi-illiterate ( *Ref ).

NO, YOU CANNOT RELY ON SCHOOLS.

But, why not?

  • Teachers don’t always understand the basic building blocks of language and reading
  • Teachers frequently don’t know how to teach English language concepts
  • There just aren’t enough qualified teachers
  • Classes are too large
  • Kids don’t get enough attention from teachers in the classroom
  • Schools aren’t using the correct teaching systems – i.e they rely on rote learning or sight words
  • Schools are overwhelmed & have tried to shift some of the burden of teaching onto apps & computers

UNFORTUNATELY, IT IS A FACT THAT:

Being illiterate is a guaranteed ticket to a dead end.

YOU NEED TO TAKE CHARGE OF YOUR CHILD’S EDUCATION – TODAY!

You can begin by teaching English to your son or daughter.

By Teaching your child to read your child will develop early reading skills that will help put them years ahead of other children in Moscow Oblast. So, if you’ve decided that you want to become a proud parent of a happy & smart son or daughter, then you owe it to your child to teach them to read and improve their English.

WE HELP PARENTS TEACH ENGLISH TO CHILDREN

RTL English™ offers 600 easy-to-teach & downloadable English lessons for parents to teach to his or her child at home. Our lessons will enable your son or daughter to catch up, keep up and get ahead! Our lessons also challenge more advanced students; so whatever your child’s ability, there’s sure to be an RTL English lesson that’s suitable for them.

THE RTL ENGLISH CURRICULUM CONSISTS OF 15 YEARS (LEVELS) OF TEACHING MATERIALS WHICH INCLUDE 600 WORKBOOK LESSONS COMPRISED OF 4,000 WORKSHEETS & 19,000 TEACHING INSTRUCTIONS AND WILL SAVE YOU OVER 2,000 DAYS OF LESSON PREPARATION TIME!

Foundation Stage

Includes level 1, 2 & 3..

Suitable for kids aged 3-6 years old in Elektrostal’, Moscow Oblast

Elementary Stage

Includes level 4, 5 & 6..

Suitable for kids aged 6-9 years old in Elektrostal’, Moscow Oblast

Intermediate Stage

Includes level 7, 8 & 9..

Suitable for kids aged 9-12 years old in Elektrostal’, Moscow Oblast

Upper Intermediate Stage

Includes level 10, 11 & 12..

Suitable for kids aged 12-15 years old in Elektrostal’, Moscow Oblast

Advanced Stage

Incl. level 10, 11 & 12..

Suitable for kids aged 15-18 years old in Elektrostal’, Moscow Oblast

Winning Awards  Since 1996

With 24 years of research, development, dedication and experience, RTL English is committed to offering the best possible start to English language learners worldwide. RTL English is part of the Ready To Learn group, an international educational organisation with students worldwide.

Elaine Shannon founded Ready To Learn in 1996, and is an internationally respected author, language expert and School Principal with more than 40 years of specialist experience. Elaine & her team of instructional designers, linguists and educational experts developed the RTL English Curriculum.

What Happens In A Lesson?

  • Each lesson is designed to last approximately 60 minutes. Normally, your child will spend 55 minutes participating in learning activities, and 5 minutes completing an achievement exercise that’s used to reinforce the lessons’ learning designs & objectives.
  • Each lesson is accompanied by an RTL English lesson workbook. The workbook consists of six worksheets of instructional content and one reinforcement exercise page.
  • You will use the workbook & teaching notes to guide and lead your child through the variety of learning activities in the workbook.
  • Although all of our workbooks follow a similar format, each one is slightly more challenging than the last in the sequence. As a result, your child will be able to advance in small manageable steps & acquire English language skills that will last them a lifetime.
  • There are 5 learning stages, 15 learning levels and 600 lessons in the RTL English curriculum.
  • Your child will need to complete 36 lessons to finish one learning level – which lasts approximately 1 academic year.

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What Will My Child Be Taught?

It depends on your child’s age and their English language ability. To find out what your child will be taught, please click the grey button & then click the book cover that’s closest to your child’s current age →  Lesson Workbooks

The RTL English Curriculum teaches all the communicative functions and language forms your child will need to succeed in school, exams and beyond, including:

  • Phonemic Awareness
  • Alphabetic Principle
  • Systematic & Explicit Phonics
  • Fluency with Text
  • Proficient Grammar Knowledge
  • Creative Writing
  • Expanded Vocabulary
  • Advanced Comprehension, and
  • Confident Speaking Skills

The RTL English Curriculum: Kids 3 to 18 Years Old

Whatever your son or daughter’s age or English language ability, there is sure to be an RTL English course (aka ‘level’) that will help your child learn or improve their English. This is because our curriculum provides 15 years of learning for child aged 3 to 18 years old and teaches all the communicative functions and language forms your son or daughter will need to have a richer, more successful educational experience. RTL English will also supplement your son or daughter’s learning at their school in Elektrostal’.

The RTL English Curriculum consists of 15 years (levels) of teaching materials which include 600 workbooks (comprising 4,000 worksheets & 19,000 teaching notes) and saves over 2,000 days of preparation time.

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Kids: 3-4 years old

36 lessons. 36 workbooks. 252 worksheets. 1134 teaching instructions.

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Kids: 4-5 years old

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Kids: 5-6 years old

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Kids: 6-7 years old

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Kids: 7-8 years old

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Kids: 8 -9 years old

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Kids: 9-10 years old

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Kids: 10-11 years old

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Kids: 11-12 years old

creative writing major colleges

Teens: 12-13 years old

creative writing major colleges

Teens: 13-14 years old

creative writing major colleges

Teens: 14-15 years old

creative writing major colleges

Teens: 15-16 years old

creative writing major colleges

Teens: 16-17 years old

creative writing major colleges

Teens: 17-18 years old

8 lessons. 8 workbooks. 56 worksheets. 252 teaching instructions.

Can I See A Lesson Workbook?

There are 600 workbooks like the one below. Lesson 19, Level 1 below suits children between 3 and 4 years old. To see an example of a lesson workbook that is likely to suit your child, please click the grey button & then click the book cover that’s closest to your child’s current age → Lesson Workbooks

What Method Do You Use?

  • We teach using a Step-by-Step method. The content of each lesson is determined by an 8-page workbook that’s slightly more challenging than the last in the sequence. Lessons ‘scaffold’ and build upon the learning of the previous lesson. As a result, students advance in small, manageable steps and acquire English language skills that enable them to achieve better results in school, exams & beyond..
  • Sequenced instruction is organised into 5 developmentally appropriate stages, 15 levels of increasing difficulty and 600 lessons. Each lesson provides one hour of learning per week and follows a workbook that consists of six worksheets with instructional content and one reinforcement exercise page.:
  • Page 1 :: Communication/ Discussion/ Topic orientated
  • Page 2 :: Grammar/ Language
  • Page 3 :: Phonics/ Vocabulary
  • Page 4 :: Reading (Ongoing Story)
  • Page 5 :: Story Comprehension/ Language
  • Page 6 :: Grammar/ Language Exercise
  • Page 7 :: Achievement Exercise / Assessment
  • Depending on your child’s age and their English skills, instruction will typically consist of a variety of activities including speaking, listening, letter-sound correspondence, sight words, guided oral reading, text comprehension, creative writing, grammar and critical thinking.
  • You don’t need to prepare anything or create teaching materials for an RTL English lesson. It’s all been done for you. Each page of this workbook contains teaching notes to enable you to guide and lead your child through the learning activities. Once your son or daughter has finished their lesson, record their achievements in the progress report form and then simply print the next workbook in the sequence.

Academic References

  • The Cognitive Foundations of Learning to Read: A FrameWork Sebastian Wren
  • NAEP 1998 Reading Report Card for the Nation and the States March 1999 Authors: Patricia L. Donahue, Kris n E. Voelkl, Jay R. Campbell, and John Mazzeo
  • National Institute of Child Health and Human Development. (2000). Report of the National Reading Panel. Teaching children to read: An evidence-based assessment of the scientific research literature on reading and its implications for reading instruction (NIH Publica on No. 00-4769). Washington, DC: U.S. Government Prin ng Office.
  • Wikipedia: http://en.wikipedia.org/wiki/Functional_illiteracy
  • J Learn Disabil. 2009 Sep-Oct;42(5):392-402. Epub 2009 Jun 19. Why elementary teachers might be inadequately prepared to teach reading. Joshi RM, Binks E, Hougen M, Dahlgren ME, Ocker-Dean E, Smith DL.
  • Australia Government Department of Educa on, Science and Training: htt p://www.dest.gov.au/archive/schools/literacy&numeracy/charts.html
  • CBC News: Canada’s Shame – h p://www.cbc.ca/news/background/educa on/canada-shame.html
  • The Timing and Quality of Early Experiences Combine to Shape Brain Architecture Center on the Developing Child, Harvard University
  • Vocabulary Development and Instruc on: A Prerequisite for School Learning Andrew Biemiller, University of Toronto iii. Early reading acquisiton and its relation to reading experience and ability 10 years later. Cunningham AE, Stanovich KE.
  • Double Jeopardy How Third-Grade Reading Skills and Poverty Influence High School Gradua on Donald J. Hernandez, Hunter College and the Graduate Center
  • What Reading Does for the Mind ANNE E. CUNNINGHAM and KEITH E. STANOVICH

RTL English Learning System

The RTL English Learning System offers a transformative step-by-step method of study with 5 developmentally appropriate stages, 15 series of increasing difficulty, and over 500 step-by-step lessons. RTL English will give your child a head start, or help them catch up. It also challenges more advanced students. RTL English offers 15 years of learning for children aged 3 to 18 years old; so whatever your child's ability, there's sure to be an RTL English workbook that's suitable for them. For over 26 years, RTL English has been taught millions of times to children in 21 countries worldwide.

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