a new beginning story essay

Fresh Beginnings: Creative Writing About a New Beginning

My name is Debbie, and I am passionate about developing a love for the written word and planting a seed that will grow into a powerful voice that can inspire many.

In every journey we take, there comes a time when we yearn for a fresh start—a chance to leave behind the burdens of the past and blaze a new trail towards the unknown. Whether it is a new job, a new relationship, or simply a new outlook on life, embarking on a new beginning fills us with a heady mix of excitement, trepidation, and hope. And what better way to explore and express these emotions than through the art of creative writing?

At its heart, creative writing serves as a powerful medium to capture the essence of new beginnings. It allows us to delve deep into our thoughts and emotions while weaving tales of transformation, growth, and personal triumph. Through the written word, we can give shape to the emotions that often elude us, articulating the profound impact that change can have on our lives.

Whether you are a seasoned writer or someone who has never put pen to paper, this article aims to inspire and guide you through the process of writing about new beginnings. We will explore various techniques and exercises that will help channel your creative energy, enabling you to craft compelling narratives centered around the magical concept of a fresh start.

Join us as we uncover the boundless possibilities of creative writing about new beginnings. From capturing the nervous anticipation of stepping into uncharted territories to experiencing the euphoria of finding oneself anew, we will delve into the myriad emotions associated with embarking on a fresh chapter in life. Whether you want to write a short story, a poem, or a personal reflection, this article will equip you with the tools to breathe life into your ideas and bring your words to the page.

Planning Your New Beginning: Setting Goals and Objectives

Embracing change: tapping into your inner creativity, exploring different writing styles: finding your voice, crafting compelling characters: bringing life to your story, unleashing the power of intriguing characters, creating captivating settings: transporting readers to a new world, mastering the art of plot development: unveiling a riveting narrative journey, polishing your prose: editing and revising for excellence, frequently asked questions, the conclusion.

Embarking on a new path in life can be both exciting and daunting. However, with proper planning and goal setting, you can navigate this new beginning with confidence. Setting clear and achievable goals is vital for staying focused and motivated along the way. Here are a few key steps to help you effectively plan your new chapter:

• Reflect on your priorities: Take the time to identify what truly matters to you in this new phase of your life. Consider your values, passions, and aspirations. By aligning your goals with your core beliefs, you can create a sense of purpose and fulfillment.
• Set SMART goals: Rather than vague objectives, formulate Specific, Measurable, Achievable, Relevant, and Time-bound (SMART) goals. Break them down into smaller, manageable steps to make them less overwhelming. This approach will enable you to track your progress and celebrate each milestone along the way.

Change is an inevitable part of life, and it can be both exciting and challenging. Embracing change with an open mind allows us to tap into our inner creativity, unlocking endless possibilities and personal growth. By adapting to change, we not only expand our perspective but also develop valuable skills that can shape our future success.

Here are a few key ways to embrace change and unleash your inner creativity:

• Embrace curiosity: Cultivate a sense of wonder and curiosity about the world around you. Ask questions, explore new ideas, and challenge your assumptions. Curiosity fuels creativity.
• Embrace discomfort: Stepping outside of your comfort zone is often necessary for personal growth. Embrace discomfort as a sign of progress and growth, knowing that some of the best ideas are born in times of uncertainty.
• Embrace failure: Fear of failure can prevent us from taking risks and trying new things. Shift your perspective and see failure as a learning opportunity. Embrace it, learn from it, and use it to fuel your next creative endeavor.
• Embrace collaboration: Seek out diverse perspectives and collaborate with others. Surrounding yourself with people who think differently can ignite your creativity and inspire fresh ideas .

Remember, change is not an obstacle but a catalyst for growth and innovation. By embracing change and tapping into your inner creativity, you can navigate life’s ever-evolving landscape with confidence and resilience.

When it comes to writing, finding your unique voice is essential. It allows you to express your thoughts and ideas in a way that is authentic and captivating. Exploring different writing styles is a fantastic way to discover which approach resonates with you the most. Here are some tips to help you on this exciting journey:

• Read, read, read: Dive into various genres and authors to expose yourself to a wide range of writing styles. Pay attention to their use of language, tone, and structure, and take note of what resonates with you.
• Experiment: Don’t be afraid to step out of your comfort zone and try different writing styles. Play with different tones, narrative techniques, and sentence structures. This experimentation will not only help you find your voice but also hone your writing skills.
• Reflect on your interests and experiences: Your unique voice often stems from your personal experiences and passions. Reflecting on your own life can provide you with the inspiration and content to create something truly authentic.

Finding your writing voice is a process that takes time and practice. Embrace the journey and don’t be discouraged if it takes a while. Remember that your writing style is an expression of who you are, so stay true to yourself and let your voice shine through.

Creating captivating characters is the key to immersing readers in your story and making them care deeply about its outcome. By crafting individuals who are relatable, multi-dimensional, and unique, you can bring your narrative to life and leave a lasting impact on your audience. Here are some tips to help you unleash the power of intriguing characters:

• Showcase Flaws and Vulnerabilities: Perfect characters may appear unattainable, which can alienate readers. Instead, develop flaws and vulnerabilities that make your characters relatable, allowing readers to connect with their struggles and cheer for their triumphs.
• Create Depth through Backstories: Develop rich backstories for your characters that explore their past experiences, motivations, and goals. A well-crafted backstory adds depth, providing insight into their actions and making them feel like real people.
• Embrace Unique Personalities: Give each character their own distinct personality traits, quirks, and mannerisms. Whether it’s a nervous twitch or a confident swagger, these small details add authenticity and make your characters stand out.

With these strategies, you can transform your characters from mere words on a page to unforgettable individuals that will resonate with your readers. Remember, compelling characters hold the power to breathe life into your story, making it an engaging and memorable experience for all who embark on the journey you’ve created.

Setting the Stage for Imagination

When crafting a captivating story, transport your readers to a new world through the power of vivid and enticing settings. A well-developed setting not only provides a backdrop for your characters but also serves as a compelling character itself. By immersing your readers in a richly described environment, you allow them to detach from their current realities and embark on a thrilling journey through their imaginations.

• Use sensory details: Engage your readers’ senses by describing the scenery, smells, sounds, and even tastes of your setting. These vivid sensory descriptions will evoke emotions and create a more immersive experience.
• Create a unique atmosphere: The ambiance of your setting should reflect the tone of your story. Whether it’s an eerie Gothic mansion or a cozy coffee shop , make sure the atmosphere serves to captivate your readers and enhance the overall mood.
• Introduce intriguing landmarks: Spark curiosity by incorporating interesting landmarks into your setting. Unusual buildings, mystical monuments, or hidden treasures can act as focal points that generate excitement and add depth to your fictional world.

Threading Reality with Fantasy

To fully transport readers to a new world, seamlessly weave elements of fantasy into the fabric of reality. By blending familiar details with fantastical elements, you create a setting that feels believable yet extraordinary, enticing readers to explore every nook and cranny of your imagined realm.

• Create believable rules: Even in a fictional world, consistency is key. Establish rules for how the setting operates, such as the behavior of magical creatures or the limits of supernatural powers. Consistency grounds your world in plausibility and helps readers become emotionally invested.
• Embrace cultural diversity: Just like our own world, your fictional setting should be filled with diverse cultures, traditions, and beliefs. This adds depth and realism, making your readers feel like they’ve truly stepped into an expansive and vibrant world.
• Uncover hidden secrets: Treat your setting as a character with hidden depths. Sprinkle tantalizing clues and secrets throughout the environment, challenging readers to uncover its mysteries. Whether it’s a forgotten door in a labyrinthine castle or a whispered rumor of buried treasure, these secrets will keep readers engaged and hungry for more.

Creating a compelling and well-crafted plot is the cornerstone of any captivating story. Whether you’re an aspiring author or a seasoned writer looking to enhance your storytelling skills, mastering the art of plot development is essential. In this section, we will explore the key elements and techniques that go into unraveling a riveting narrative journey that will leave your readers on the edge of their seats.

First and foremost, a successful plot requires a strong foundation. Building a solid framework ensures that your story flows seamlessly and engages readers from beginning to end. Start by outlining the main plot points in a linear fashion, from exposition to climax and resolution. This will allow you to map out the overarching structure and identify pivotal moments that drive the narrative forward. To add depth and complexity, consider incorporating subplots that intertwine with the main storyline, providing additional layers of intrigue. By carefully weaving these subplots, you can create a multifaceted world that keeps readers guessing and invested in the outcome.

Furthermore, the protagonist’s journey lies at the heart of an enthralling plot. It is crucial to develop a compelling protagonist with relatable flaws and aspirations. As the main driving force behind the narrative, their growth and transformation should be interwoven into the plot’s progression. Through a series of rising conflicts and challenges, the protagonist can overcome obstacles and evolve, captivating readers along the way. Don’t forget to include well-developed supporting characters who complement the protagonist and contribute to the overall narrative arc.

• Utilize suspense and foreshadowing to keep readers eagerly turning the pages.
• Balance the pacing by strategically alternating between moments of tension and calmness.
• Create unexpected plot twists that challenge readers’ expectations.
• Ensure there is a satisfying resolution that ties up loose ends and leaves a lasting impact.

In conclusion, mastering the art of plot development is about constructing a seamless and captivating narrative that takes readers on a thrilling journey. By establishing a strong foundation, incorporating compelling subplots, and focusing on the protagonist’s growth, you will create a plot that keeps readers hooked until the very last page. Remember, it is through the artful navigation of conflicts, suspenseful elements, and unexpected twists that your story will come alive, leaving a lasting impression on eager readers.

Once you have completed the exhilarating journey of writing, it’s time to shift gears and dive into the crucial stage of editing and revising. By meticulously fine-tuning your work, you can transform it into a polished gem that gleams with excellence. Here, we share some tried-and-tested strategies to help you refine your prose to perfection:

1. Take a break: Before you embark on the editing process, give yourself some distance from your writing. This break allows you to approach your work with fresh eyes and a renewed perspective, enabling you to spot errors and inconsistencies more effectively.

2. Structure and organization: Start your revision process by focusing on the overall structure and organization of your piece. Consider the flow of ideas, coherence in paragraphs, and logical transitions between sections. Use headings, subheadings, and bullet points to create a clear and readable structure. This will ensure that your readers can easily navigate through your content and grasp your main points with ease.

Q: What is “Fresh Beginnings: Creative Writing About a New Beginning” all about? A: “Fresh Beginnings: Creative Writing About a New Beginning” is an article that explores the process of writing creatively about new beginnings in various forms of literature.

Q: Why is creative writing about new beginnings important? A: Creative writing about new beginnings allows individuals to express their thoughts, emotions, and experiences related to starting over. It provides an outlet for self-reflection, personal growth, and exploration of new possibilities.

Q: What types of writing can be considered as creative writing about new beginnings? A: Creative writing about new beginnings can take several forms, including short stories, poetry, journal entries, personal essays, and even novels. Essentially, any form of writing that explores the theme of starting anew can be considered part of this genre.

Q: What are the potential benefits of writing about fresh beginnings? A: Writing about new beginnings can help individuals process their emotions, gain clarity about their experiences, and find catharsis. It can also foster resilience, inspire others, and serve as a source of inspiration for personal transformation.

Q: How can I start writing creatively about new beginnings? A: To begin writing creatively about new beginnings, start by reflecting on your own experiences and emotions. Consider the challenges you’ve faced, the lessons learned, and the hopes for the future. Then, choose a writing style that resonates with you and begin putting your thoughts into words.

Q: Are there any writing prompts available for creative writing about new beginnings? A: Absolutely! Some writing prompts that can inspire creative writing about new beginnings include: “Describe a time when you had to start over. How did it feel?”; “Write a poem about the excitement and uncertainties of a fresh beginning”; or “Imagine a character embarking on a new journey. What challenges do they face, and what do they learn?”

Q: Can beginner writers participate in this form of creative writing? A: Absolutely! Creative writing about new beginnings is open to writers of all levels. Beginners can start by journaling their thoughts or experimenting with shorter pieces such as flash fiction or micro-poetry. Writing workshops or online communities can also provide valuable feedback and support.

Q: Is there a specific process to follow while writing creatively about new beginnings? A: There is no one-size-fits-all process, as everyone’s creative journey is unique. However, it may be helpful to start by brainstorming ideas, creating an outline or structure, and then allowing the words to flow naturally. Remember, the most important part is to enjoy the process and be true to your own voice.

Q: Can writing about new beginnings be therapeutic? A: Yes, writing about new beginnings can serve as a form of therapy. It allows individuals to process complex emotions, find closure, and gain a new perspective on their experiences. Writing creatively about fresh starts can be a cathartic and transformative outlet for self-expression.

Q: Where can I find resources or workshops to further explore creative writing about new beginnings? A: There are many resources available to further explore creative writing about new beginnings. Look for local writing groups, join online writing communities, or seek out writing workshops and classes in your area. Additionally, numerous books and websites offer guidance and writing exercises specifically tailored to this genre.

In conclusion, exploring the theme of new beginnings in creative writing offers a fresh perspective and a chance for personal growth.

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Telling the Story of Yourself: 6 Steps to Writing Personal Narratives

By Jennifer Xue

Table of Contents

Why do we write personal narratives, 6 guidelines for writing personal narrative essays, inspiring personal narratives, examples of personal narrative essays, tell your story.

First off, you might be wondering: what is a personal narrative? In short, personal narratives are stories we tell about ourselves that focus on our growth, lessons learned, and reflections on our experiences.

From stories about inspirational figures we heard as children to any essay, article, or exercise where we're asked to express opinions on a situation, thing, or individual—personal narratives are everywhere.

According to Psychology Today, personal narratives allow authors to feel and release pains, while savouring moments of strength and resilience. Such emotions provide an avenue for both authors and readers to connect while supporting healing in the process.

That all sounds great. But when it comes to putting the words down on paper, we often end up with a list of experiences and no real structure to tie them together.

In this article, we'll discuss what a personal narrative essay is further, learn the 6 steps to writing one, and look at some examples of great personal narratives.

As readers, we're fascinated by memoirs, autobiographies, and long-form personal narrative articles, as they provide a glimpse into the authors' thought processes, ideas, and feelings. But you don't have to be writing your whole life story to create a personal narrative.

You might be a student writing an admissions essay , or be trying to tell your professional story in a cover letter. Regardless of your purpose, your narrative will focus on personal growth, reflections, and lessons.

Personal narratives help us connect with other people's stories due to their easy-to-digest format and because humans are empathising creatures.

We can better understand how others feel and think when we were told stories that allow us to see the world from their perspectives. The author's "I think" and "I feel" instantaneously become ours, as the brain doesn't know whether what we read is real or imaginary.

In her best-selling book Wired for Story, Lisa Cron explains that the human brain craves tales as it's hard-wired through evolution to learn what happens next. Since the brain doesn't know whether what you are reading is actual or not, we can register the moral of the story cognitively and affectively.

In academia, a narrative essay tells a story which is experiential, anecdotal, or personal. It allows the author to creatively express their thoughts, feelings, ideas, and opinions. Its length can be anywhere from a few paragraphs to hundreds of pages.

Outside of academia, personal narratives are known as a form of journalism or non-fiction works called "narrative journalism." Even highly prestigious publications like the New York Times and Time magazine have sections dedicated to personal narratives. The New Yorke is a magazine dedicated solely to this genre.

The New York Times holds personal narrative essay contests. The winners are selected because they:

had a clear narrative arc with a conflict and a main character who changed in some way. They artfully balanced the action of the story with reflection on what it meant to the writer. They took risks, like including dialogue or playing with punctuation, sentence structure and word choice to develop a strong voice. And, perhaps most important, they focused on a specific moment or theme – a conversation, a trip to the mall, a speech tournament, a hospital visit – instead of trying to sum up the writer’s life in 600 words.

In a nutshell, a personal narrative can cover any reflective and contemplative subject with a strong voice and a unique perspective, including uncommon private values. It's written in first person and the story encompasses a specific moment in time worthy of a discussion.

Writing a personal narrative essay involves both objectivity and subjectivity. You'll need to be objective enough to recognise the importance of an event or a situation to explore and write about. On the other hand, you must be subjective enough to inject private thoughts and feelings to make your point.

With personal narratives, you are both the muse and the creator – you have control over how your story is told. However, like any other type of writing, it comes with guidelines.

1. Write Your Personal Narrative as a Story

As a story, it must include an introduction, characters, plot, setting, climax, anti-climax (if any), and conclusion. Another way to approach it is by structuring it with an introduction, body, and conclusion. The introduction should set the tone, while the body should focus on the key point(s) you want to get across. The conclusion can tell the reader what lessons you have learned from the story you've just told.

2. Give Your Personal Narrative a Clear Purpose

Your narrative essay should reflect your unique perspective on life. This is a lot harder than it sounds. You need to establish your perspective, the key things you want your reader to take away, and your tone of voice. It's a good idea to have a set purpose in mind for the narrative before you start writing.

Let's say you want to write about how you manage depression without taking any medicine. This could go in any number of ways, but isolating a purpose will help you focus your writing and choose which stories to tell. Are you advocating for a holistic approach, or do you want to describe your emotional experience for people thinking of trying it?

Having this focus will allow you to put your own unique take on what you did (and didn't do, if applicable), what changed you, and the lessons learned along the way.

3. Show, Don't Tell

It's a narration, so the narrative should show readers what happened, instead of telling them. As well as being a storyteller, the author should take part as one of the characters. Keep this in mind when writing, as the way you shape your perspective can have a big impact on how your reader sees your overarching plot. Don't slip into just explaining everything that happened because it happened to you. Show your reader with action.

You can check for instances of telling rather than showing with ProWritingAid. For example, instead of:

"You never let me do anything!" I cried disdainfully.

"You never let me do anything!" To this day, my mother swears that the glare I levelled at her as I spat those words out could have soured milk.

Using ProWritingAid will help you find these instances in your manuscript and edit them without spending hours trawling through your work yourself.

4. Use "I," But Don't Overuse It

You, the author, take ownership of the story, so the first person pronoun "I" is used throughout. However, you shouldn't overuse it, as it'd make it sound too self-centred and redundant.

ProWritingAid can also help you here – the Style Report will tell you if you've started too many sentences with "I", and show you how to introduce more variation in your writing.

5. Pay Attention to Tenses

Tense is key to understanding. Personal narratives mostly tell the story of events that happened in the past, so many authors choose to use the past tense. This helps separate out your current, narrating voice and your past self who you are narrating. If you're writing in the present tense, make sure that you keep it consistent throughout.

6. Make Your Conclusion Satisfying

Satisfy your readers by giving them an unforgettable closing scene. The body of the narration should build up the plot to climax. This doesn't have to be something incredible or shocking, just something that helps give an interesting take on your story.

The takeaways or the lessons learned should be written without lecturing. Whenever possible, continue to show rather than tell. Don't say what you learned, narrate what you do differently now. This will help the moral of your story shine through without being too preachy.

GoodReads is a great starting point for selecting read-worthy personal narrative books. Here are five of my favourites.

Owl Moon by Jane Yolen

Jane Yolen, the author of 386 books, wrote this poetic story about a daughter and her father who went owling. Instead of learning about owls, Yolen invites readers to contemplate the meaning of gentleness and hope.

Night by Elie Wiesel

Elie Wiesel was a teenager when he and his family were sent to Auschwitz concentration camp in 1944. This Holocaust memoir has a strong message that such horrific events should never be repeated.

The Diary of a Young Girl by Anne Frank

This classic is a must-read by young and old alike. It's a remarkable diary by a 13-year-old Jewish girl who hid inside a secret annexe of an old building during the Nazi occupation of the Netherlands in 1942.

The Year of Magical Thinking by Joan Didion

This is a personal narrative written by a brave author renowned for her clarity, passion, and honesty. Didion shares how in December 2003, she lost her husband of 40 years to a massive heart attack and dealt with the acute illness of her only daughter. She speaks about grief, memories, illness, and hope.

Educated by Tara Westover

Author Tara Westover was raised by survivalist parents. She didn't go to school until 17 years of age, which later took her to Harvard and Cambridge. It's a story about the struggle for quest for knowledge and self-reinvention.

Narrative and personal narrative journalism are gaining more popularity these days. You can find distinguished personal narratives all over the web.

Curating the best of the best of personal narratives and narrative essays from all over the web. Some are award-winning articles.

Narratively

Long-form writing to celebrate humanity through storytelling. It publishes personal narrative essays written to provoke, inspire, and reflect, touching lesser-known and overlooked subjects.

Narrative Magazine

It publishes non,fiction narratives, poetry, and fiction. Among its contributors is Frank Conroy, the author of Stop-Time , a memoir that has never been out of print since 1967.

Thought Catalog

Aimed at Generation Z, it publishes personal narrative essays on self-improvement, family, friendship, romance, and others.

Personal narratives will continue to be popular as our brains are wired for stories. We love reading about others and telling stories of ourselves, as they bring satisfaction and a better understanding of the world around us.

Personal narratives make us better humans. Enjoy telling yours!

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Jennifer Xue

Jennifer Xue is an award-winning e-book author with 2,500+ articles and 100+ e-books/reports published under her belt. She also taught 50+ college-level essay and paper writing classes. Her byline has appeared in Forbes, Fortune, Cosmopolitan, Esquire, Business.com, Business2Community, Addicted2Success, Good Men Project, and others. Her blog is JenniferXue.com. Follow her on Twitter @jenxuewrites].

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15 Inspiring Personal Narrative Examples for Writers

Reveal a part of yourself in your essay.

Students start writing personal narratives at a young age, learning to use descriptive language to tell a story about their own experiences. Try sharing these personal narrative examples for elementary, middle, and high school to help them understand this essay form.

What is a personal narrative?

Think of a narrative essay like telling a story. Use descriptive language, and be sure you have a beginning, middle, and end. The essay should recount your personal experiences, including your thoughts, feelings, and actions.

Learn more about personal narrative essays here:

• What Is Narrative Writing, and How Do I Teach It in the Classroom?
• Engaging Personal Narrative Ideas for Kids and Teens
• Best Mentor Texts for Narrative Writing in Elementary School

Elementary School Personal Narrative Examples

In elementary school, personal narratives might be quite short, just a paragraph or two. The key is to encourage kids to embrace a personal style of writing, one that speaks in their own voice. Take a look at these elementary school personal narrative essay examples for inspiration.

The Horrible Day

“next i fell asleep in my cereal and my brother stole my toast”—anonymous student.

In this short personal narrative written by a 2nd grader, the author describes a bad day with lots of details and an informal tone. It’s a great model for your youngest writers.

Read the full essay: The Horrible Day at Thoughtful Learning

Keep an Eye on the Sky!

“as we made our way out to the field, my stomach slowly turned into a giant knot of fear.” —anonymous student.

Any student who dreads gym class will connect with this essay, which turns a challenge into a triumph. This narrative from Time for Kids is annotated, with highlighted details and tips to help kids write their own essay.

Read the full essay: Keep an Eye on the Sky! at Time for Kids

Grandpa, Chaz, and Me

“i really miss grandpa, and so does my brother, even though he never met him.” —cody, 4th grade student.

Written by a 4th grader, this essay relates the author’s loss of a grandfather at a very young age. Using simple, personal language, they tell a compelling story in a few short paragraphs.

Read the full essay: Grandpa, Chaz, and Me at Thoughtful Learning ADVERTISEMENT

Surviving an Embarrassing Situation

“i had made the shot in the wrong basket, giving the green shirts the win” —anonymous student.

Personal narratives tell a story, with a beginning, middle, and end. This annotated essay outlines those parts, making it easier for young writers to do the same in their own writing.

Read the full essay: Surviving an Embarrassing Situation at Sopris West Educational Services

“Do you have a friend who loves you?” —Kendra, 4th grade student

Writing about friends gives writers the chance to describe someone’s physical characteristics and personality. This 4th grade essay uses personal details to bring a beloved friend to life.

Read the full essay: Ann at Thoughtful Learning

Middle School Personal Narrative Examples

By middle school, personal narratives are longer and more involved, telling more detailed stories and experiences. These middle school personal narrative essay examples model strong writing skills for this age group.

“As thoughts of certain death run through my mind, the world appears a precious, treasured place.” —Amy, student

Describing an opportunity to overcome your worst fears makes an excellent personal narrative topic. The vivid descriptions of the landscape and the author’s feelings help the reader make a strong connection to the author.

Read the full essay: The Climb at Thoughtful Learning

The Best Friend Question

“i’ve often wondered, does not having a best friend make me defective” —blanche li, age 13, diablo vista middle school, danville, california.

When her Spanish teacher asked students for an essay describing their best friend, 13-year-old Blanche Li fell back on her standard story: that of a made-up person. Here, she explains why she made up “Haley” and wonders what having an imaginary best friend says about her.

Read the full essay: The Best Friend Question at The New York Times

The Racist Warehouse

“i didn’t know racism was still around; i thought that situation had died along with dr. king.” —alicia, 8th grade student.

Strong personal narratives often relate the way the author learned an important life lesson. Here, an 8th grader describes her first experience with racism, in an essay that will sadly ring true with many readers.

Read the full essay: The Racist Warehouse at Thoughtful Teaching

“For the first time, we realized that we didn’t know how to express our voice, and we always suppressed it.” —Jocelyn C., 7th grade student, Texas

Seventh-grader Jocelyn C. describes the unique experience of spending two years living in an RV with her family, traveling the country. She relates the ups and downs of their trip, illustrating the way her family learned to live together in close quarters and embrace the adventure.

Read the full essay: RV Journey at Write From the Heart

An Eight Pound Rival

“i’m trying to accept that he didn’t mean to dominate the center stage all the time, that’s just one of the many lovable assets of his personality.”.

A new sibling can change everything in a family, especially when you’ve always been the baby. This middle schooler explains her challenging relationship with a little brother that she loves, even when he drives her a bit crazy. (Find this essay on page 42 at the link.)

Read the full essay: An Eight Pound Rival at Teaching That Makes Sense

High School Personal Narrative Examples

High school students have more complex stories to tell, though they’re sometimes reluctant to do so. Reading personal narrative essay examples like these can encourage them to open up and get their thoughts, feelings, and ideas down on the page.

Sorry, Wrong Number

“when i received the first text, i was a playful sixth grader, always finding sly ways to be subversive in school and with friends.” —michelle ahn, high school student.

When Michelle Ahn was 11, she started getting texts for a wrong number, a man named Jared. Rather than correcting the error, she spends the next few years occasionally engaging with his texters as “Jared,” learning more about him. Though she finally comes clean, her time as “Jared” exposes her to a way of life very different from her own, and opens her eyes to the inner lives of others.

Read the full essay: Sorry, Wrong Number at The New York Times

Caught in the Net

“little does everyone else know how often i’m not doing school research or paper writing; instead i’m aimlessly writing emails or chatting with internet friends and family hundreds of miles away.” —kim, college student.

Even before social media and smartphones swept the world, internet addiction had become a problem. Here, a student shares her experiences in AOL chat rooms, meeting people from around the globe. Eventually, she realizes she’s sacrificing life in the real world for her digital friends and experiences, and works to find the right balance.

Read the full essay: Caught in the Net at Thoughtful Learning

Nothing Extraordinary

“an uneasy feeling started to settle in my chest. i tried to push it out, but once it took root it refused to be yanked up and tossed away.” —jeniffer kim, high school student.

During an ordinary shopping trip, high schooler Jenniffer Kim suddenly realizes she’s ashamed of her mother. At the same time, she recognizes all the sacrifices her mom has made for her, and gladly takes the chance to make a tiny sacrifice of her own.

Read the full essay: Nothing Extraordinary at The New York Times

The Pot Calling the Kettle Black

“at this point in life, i had not yet learned to be gentle with myself, or others.” —anonymous student.

A teen who lives with bipolar disorder recounts a difficult conversation with her parents, in which her mother dismisses her as “crazy.” A few years later, this same teen finds herself in the emergency room, where her mother has just tried to die by suicide. “Crazy!” the daughter thinks. After her mother also receives a bipolar disorder diagnosis, the author concludes, “‘Crazy’ is a term devised to dismiss people.”

Read the full essay: The Pot Calling the Kettle Black at Pressbooks

What a Black Woman Wishes Her Adoptive White Parents Knew

“i know that i am different, but do not have the words to understand how.” —mariama lockington.

Though not written by a high schooler, this essay by Mariama Lockington makes an excellent mentor text for this age group. Lockington dives deep into her feelings about being adopted by parents of a different race, and shares her challenges in poignant language that speaks directly to the reader.

Read the full essay: What a Black Woman Wishes Her Adoptive White Parents Knew at Buzzfeed News

Do you use personal narrative examples as mentor texts in your classroom? Come share your experiences and ask for advice in the We Are Teachers HELPLINE group on Facebook !

Plus, strong persuasive writing examples (essays, speeches, ads, and more) ..

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65 Engaging Personal Narrative Ideas for Kids and Teens

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The Ultimate Narrative Essay Guide for Beginners

A narrative essay tells a story in chronological order, with an introduction that introduces the characters and sets the scene. Then a series of events leads to a climax or turning point, and finally a resolution or reflection on the experience.

Speaking of which, are you in sixes and sevens about narrative essays? Don’t worry this ultimate expert guide will wipe out all your doubts. So let’s get started.

Table of Contents

Everything You Need to Know About Narrative Essay

What is a narrative essay.

When you go through a narrative essay definition, you would know that a narrative essay purpose is to tell a story. It’s all about sharing an experience or event and is different from other types of essays because it’s more focused on how the event made you feel or what you learned from it, rather than just presenting facts or an argument. Let’s explore more details on this interesting write-up and get to know how to write a narrative essay.

Elements of a Narrative Essay

Here’s a breakdown of the key elements of a narrative essay:

A narrative essay has a beginning, middle, and end. It builds up tension and excitement and then wraps things up in a neat package.

Real people, including the writer, often feature in personal narratives. Details of the characters and their thoughts, feelings, and actions can help readers to relate to the tale.

It’s really important to know when and where something happened so we can get a good idea of the context. Going into detail about what it looks like helps the reader to really feel like they’re part of the story.

Conflict or Challenge 

A story in a narrative essay usually involves some kind of conflict or challenge that moves the plot along. It could be something inside the character, like a personal battle, or something from outside, like an issue they have to face in the world.

Theme or Message

A narrative essay isn’t just about recounting an event – it’s about showing the impact it had on you and what you took away from it. It’s an opportunity to share your thoughts and feelings about the experience, and how it changed your outlook.

Emotional Impact

The author is trying to make the story they’re telling relatable, engaging, and memorable by using language and storytelling to evoke feelings in whoever’s reading it.

Narrative essays let writers have a blast telling stories about their own lives. It’s an opportunity to share insights and impart wisdom, or just have some fun with the reader. Descriptive language, sensory details, dialogue, and a great narrative voice are all essentials for making the story come alive.

The Purpose of a Narrative Essay

A narrative essay is more than just a story – it’s a way to share a meaningful, engaging, and relatable experience with the reader. Includes:

Sharing Personal Experience

Narrative essays are a great way for writers to share their personal experiences, feelings, thoughts, and reflections. It’s an opportunity to connect with readers and make them feel something.

Entertainment and Engagement

The essay attempts to keep the reader interested by using descriptive language, storytelling elements, and a powerful voice. It attempts to pull them in and make them feel involved by creating suspense, mystery, or an emotional connection.

Conveying a Message or Insight

Narrative essays are more than just a story – they aim to teach you something. They usually have a moral lesson, a new understanding, or a realization about life that the author gained from the experience.

Building Empathy and Understanding

By telling their stories, people can give others insight into different perspectives, feelings, and situations. Sharing these tales can create compassion in the reader and help broaden their knowledge of different life experiences.

Inspiration and Motivation

Stories about personal struggles, successes, and transformations can be really encouraging to people who are going through similar situations. It can provide them with hope and guidance, and let them know that they’re not alone.

Reflecting on Life’s Significance

These essays usually make you think about the importance of certain moments in life or the impact of certain experiences. They make you look deep within yourself and ponder on the things you learned or how you changed because of those events.

Demonstrating Writing Skills

Coming up with a gripping narrative essay takes serious writing chops, like vivid descriptions, powerful language, timing, and organization. It’s an opportunity for writers to show off their story-telling abilities.

Preserving Personal History

Sometimes narrative essays are used to record experiences and special moments that have an emotional resonance. They can be used to preserve individual memories or for future generations to look back on.

Cultural and Societal Exploration

Personal stories can look at cultural or social aspects, giving us an insight into customs, opinions, or social interactions seen through someone’s own experience.

Format of a Narrative Essay

Narrative essays are quite flexible in terms of format, which allows the writer to tell a story in a creative and compelling way. Here’s a quick breakdown of the narrative essay format, along with some examples:

Introduction

Set the scene and introduce the story.

Engage the reader and establish the tone of the narrative.

Hook: Start with a captivating opening line to grab the reader’s attention. For instance:

Example:  “The scorching sun beat down on us as we trekked through the desert, our water supply dwindling.”

Background Information: Provide necessary context or background without giving away the entire story.

Example:  “It was the summer of 2015 when I embarked on a life-changing journey to…”

Thesis Statement or Narrative Purpose

Present the main idea or the central message of the essay.

Offer a glimpse of what the reader can expect from the narrative.

Thesis Statement: This isn’t as rigid as in other essays but can be a sentence summarizing the essence of the story.

Example:  “Little did I know, that seemingly ordinary hike would teach me invaluable lessons about resilience and friendship.”

Body Paragraphs

Present the sequence of events in chronological order.

Develop characters, setting, conflict, and resolution.

Story Progression : Describe events in the order they occurred, focusing on details that evoke emotions and create vivid imagery.

Example : Detail the trek through the desert, the challenges faced, interactions with fellow hikers, and the pivotal moments.

Character Development : Introduce characters and their roles in the story. Show their emotions, thoughts, and actions.

Example : Describe how each character reacted to the dwindling water supply and supported each other through adversity.

Dialogue and Interactions : Use dialogue to bring the story to life and reveal character personalities.

Example : “Sarah handed me her last bottle of water, saying, ‘We’re in this together.'”

Reach the peak of the story, the moment of highest tension or significance.

Turning Point: Highlight the most crucial moment or realization in the narrative.

Example:  “As the sun dipped below the horizon and hope seemed lost, a distant sound caught our attention—the rescue team’s helicopters.”

Provide closure to the story.

Reflect on the significance of the experience and its impact.

Reflection : Summarize the key lessons learned or insights gained from the experience.

Example : “That hike taught me the true meaning of resilience and the invaluable support of friendship in challenging times.”

Closing Thought : End with a memorable line that reinforces the narrative’s message or leaves a lasting impression.

Example : “As we boarded the helicopters, I knew this adventure would forever be etched in my heart.”

Example Summary:

Imagine a narrative about surviving a challenging hike through the desert, emphasizing the bonds formed and lessons learned. The narrative essay structure might look like starting with an engaging scene, narrating the hardships faced, showcasing the characters’ resilience, and culminating in a powerful realization about friendship and endurance.

Different Types of Narrative Essays

There are a bunch of different types of narrative essays – each one focuses on different elements of storytelling and has its own purpose. Here’s a breakdown of the narrative essay types and what they mean.

Personal Narrative

Description : Tells a personal story or experience from the writer’s life.

Purpose: Reflects on personal growth, lessons learned, or significant moments.

Example of Narrative Essay Types:

Topic : “The Day I Conquered My Fear of Public Speaking”

Focus: Details the experience, emotions, and eventual triumph over a fear of public speaking during a pivotal event.

Descriptive Narrative

Description : Emphasizes vivid details and sensory imagery.

Purpose : Creates a sensory experience, painting a vivid picture for the reader.

Topic : “A Walk Through the Enchanted Forest”

Focus : Paints a detailed picture of the sights, sounds, smells, and feelings experienced during a walk through a mystical forest.

Autobiographical Narrative

Description: Chronicles significant events or moments from the writer’s life.

Purpose: Provides insights into the writer’s life, experiences, and growth.

Topic: “Lessons from My Childhood: How My Grandmother Shaped Who I Am”

Focus: Explores pivotal moments and lessons learned from interactions with a significant family member.

Experiential Narrative

Description: Relays experiences beyond the writer’s personal life.

Purpose: Shares experiences, travels, or events from a broader perspective.

Topic: “Volunteering in a Remote Village: A Journey of Empathy”

Focus: Chronicles the writer’s volunteering experience, highlighting interactions with a community and personal growth.

Literary Narrative

Description: Incorporates literary elements like symbolism, allegory, or thematic explorations.

Purpose: Uses storytelling for deeper explorations of themes or concepts.

Topic: “The Symbolism of the Red Door: A Journey Through Change”

Focus: Uses a red door as a symbol, exploring its significance in the narrator’s life and the theme of transition.

Historical Narrative

Description: Recounts historical events or periods through a personal lens.

Purpose: Presents history through personal experiences or perspectives.

Topic: “A Grandfather’s Tales: Living Through the Great Depression”

Focus: Shares personal stories from a family member who lived through a historical era, offering insights into that period.

Digital or Multimedia Narrative

Description: Incorporates multimedia elements like images, videos, or audio to tell a story.

Purpose: Explores storytelling through various digital platforms or formats.

Topic: “A Travel Diary: Exploring Europe Through Vlogs”

Focus: Combines video clips, photos, and personal narration to document a travel experience.

How to Choose a Topic for Your Narrative Essay?

Selecting a compelling topic for your narrative essay is crucial as it sets the stage for your storytelling. Choosing a boring topic is one of the narrative essay mistakes to avoid . Here’s a detailed guide on how to choose the right topic:

Reflect on Personal Experiences

• Significant Moments:

Moments that had a profound impact on your life or shaped your perspective.

Example: A moment of triumph, overcoming a fear, a life-changing decision, or an unforgettable experience.

• Emotional Resonance:

Events that evoke strong emotions or feelings.

Example: Joy, fear, sadness, excitement, or moments of realization.

• Lessons Learned:

Experiences that taught you valuable lessons or brought about personal growth.

Example: Challenges that led to personal development, shifts in mindset, or newfound insights.

Explore Unique Perspectives

• Uncommon Experiences:

Unique or unconventional experiences that might captivate the reader’s interest.

Example: Unusual travels, interactions with different cultures, or uncommon hobbies.

• Different Points of View:

Stories from others’ perspectives that impacted you deeply.

Example: A family member’s story, a friend’s experience, or a historical event from a personal lens.

Focus on Specific Themes or Concepts

• Themes or Concepts of Interest:

Themes or ideas you want to explore through storytelling.

Example: Friendship, resilience, identity, cultural diversity, or personal transformation.

• Symbolism or Metaphor:

Using symbols or metaphors as the core of your narrative.

Example: Exploring the symbolism of an object or a place in relation to a broader theme.

Consider Your Audience and Purpose

• Relevance to Your Audience:

Topics that resonate with your audience’s interests or experiences.

Example: Choose a relatable theme or experience that your readers might connect with emotionally.

• Impact or Message:

What message or insight do you want to convey through your story?

Example: Choose a topic that aligns with the message or lesson you aim to impart to your readers.

Brainstorm and Evaluate Ideas

• Free Writing or Mind Mapping:

Process: Write down all potential ideas without filtering. Mind maps or free-writing exercises can help generate diverse ideas.

• Evaluate Feasibility:

The depth of the story, the availability of vivid details, and your personal connection to the topic.

Imagine you’re considering topics for a narrative essay. You reflect on your experiences and decide to explore the topic of “Overcoming Stage Fright: How a School Play Changed My Perspective.” This topic resonates because it involves a significant challenge you faced and the personal growth it brought about.

Narrative Essay Topics

50 easy narrative essay topics.

• Learning to Ride a Bike
• My First Day of School
• A Surprise Birthday Party
• The Day I Got Lost
• Visiting a Haunted House
• An Encounter with a Wild Animal
• My Favorite Childhood Toy
• The Best Vacation I Ever Had
• An Unforgettable Family Gathering
• Conquering a Fear of Heights
• A Special Gift I Received
• Moving to a New City
• The Most Memorable Meal
• Getting Caught in a Rainstorm
• An Act of Kindness I Witnessed
• The First Time I Cooked a Meal
• My Experience with a New Hobby
• The Day I Met My Best Friend
• A Hike in the Mountains
• Learning a New Language
• An Embarrassing Moment
• Dealing with a Bully
• My First Job Interview
• A Sporting Event I Attended
• The Scariest Dream I Had
• Helping a Stranger
• The Joy of Achieving a Goal
• A Road Trip Adventure
• Overcoming a Personal Challenge
• The Significance of a Family Tradition
• An Unusual Pet I Owned
• A Misunderstanding with a Friend
• Exploring an Abandoned Building
• My Favorite Book and Why
• The Impact of a Role Model
• A Cultural Celebration I Participated In
• A Valuable Lesson from a Teacher
• A Trip to the Zoo
• An Unplanned Adventure
• Volunteering Experience
• A Moment of Forgiveness
• A Decision I Regretted
• A Special Talent I Have
• The Importance of Family Traditions
• The Thrill of Performing on Stage
• A Moment of Sudden Inspiration
• The Meaning of Home
• Learning to Play a Musical Instrument
• A Childhood Memory at the Park
• Witnessing a Beautiful Sunset

Narrative Essay Topics for College Students

• Discovering a New Passion
• Overcoming Academic Challenges
• Navigating Cultural Differences
• Embracing Independence: Moving Away from Home
• Exploring Career Aspirations
• Coping with Stress in College
• The Impact of a Mentor in My Life
• Balancing Work and Studies
• Facing a Fear of Public Speaking
• Exploring a Semester Abroad
• The Evolution of My Study Habits
• Volunteering Experience That Changed My Perspective
• The Role of Technology in Education
• Finding Balance: Social Life vs. Academics
• Learning a New Skill Outside the Classroom
• Reflecting on Freshman Year Challenges
• The Joys and Struggles of Group Projects
• My Experience with Internship or Work Placement
• Challenges of Time Management in College
• Redefining Success Beyond Grades
• The Influence of Literature on My Thinking
• The Impact of Social Media on College Life
• Overcoming Procrastination
• Lessons from a Leadership Role
• Exploring Diversity on Campus
• Exploring Passion for Environmental Conservation
• An Eye-Opening Course That Changed My Perspective
• Living with Roommates: Challenges and Lessons
• The Significance of Extracurricular Activities
• The Influence of a Professor on My Academic Journey
• Discussing Mental Health in College
• The Evolution of My Career Goals
• Confronting Personal Biases Through Education
• The Experience of Attending a Conference or Symposium
• Challenges Faced by Non-Native English Speakers in College
• The Impact of Traveling During Breaks
• Exploring Identity: Cultural or Personal
• The Impact of Music or Art on My Life
• Addressing Diversity in the Classroom
• Exploring Entrepreneurial Ambitions
• My Experience with Research Projects
• Overcoming Impostor Syndrome in College
• The Importance of Networking in College
• Finding Resilience During Tough Times
• The Impact of Global Issues on Local Perspectives
• The Influence of Family Expectations on Education
• Lessons from a Part-Time Job
• Exploring the College Sports Culture
• The Role of Technology in Modern Education
• The Journey of Self-Discovery Through Education

Narrative Essay Comparison

Narrative essay vs. descriptive essay.

Here’s our first narrative essay comparison! While both narrative and descriptive essays focus on vividly portraying a subject or an event, they differ in their primary objectives and approaches. Now, let’s delve into the nuances of comparison on narrative essays.

Narrative Essay:

Storytelling: Focuses on narrating a personal experience or event.

Chronological Order: Follows a structured timeline of events to tell a story.

Message or Lesson: Often includes a central message, moral, or lesson learned from the experience.

Engagement: Aims to captivate the reader through a compelling storyline and character development.

First-Person Perspective: Typically narrated from the writer’s point of view, using “I” and expressing personal emotions and thoughts.

Plot Development: Emphasizes a plot with a beginning, middle, climax, and resolution.

Character Development: Focuses on describing characters, their interactions, emotions, and growth.

Conflict or Challenge: Usually involves a central conflict or challenge that drives the narrative forward.

Dialogue: Incorporates conversations to bring characters and their interactions to life.

Reflection: Concludes with reflection or insight gained from the experience.

Descriptive Essay:

Vivid Description: Aims to vividly depict a person, place, object, or event.

Imagery and Details: Focuses on sensory details to create a vivid image in the reader’s mind.

Emotion through Description: Uses descriptive language to evoke emotions and engage the reader’s senses.

Painting a Picture: Creates a sensory-rich description allowing the reader to visualize the subject.

Imagery and Sensory Details: Focuses on providing rich sensory descriptions, using vivid language and adjectives.

Point of Focus: Concentrates on describing a specific subject or scene in detail.

Spatial Organization: Often employs spatial organization to describe from one area or aspect to another.

Objective Observations: Typically avoids the use of personal opinions or emotions; instead, the focus remains on providing a detailed and objective description.

Comparison:

Focus: Narrative essays emphasize storytelling, while descriptive essays focus on vividly describing a subject or scene.

Perspective: Narrative essays are often written from a first-person perspective, while descriptive essays may use a more objective viewpoint.

Purpose: Narrative essays aim to convey a message or lesson through a story, while descriptive essays aim to paint a detailed picture for the reader without necessarily conveying a specific message.

Narrative Essay vs. Argumentative Essay

The narrative essay and the argumentative essay serve distinct purposes and employ different approaches:

Engagement and Emotion: Aims to captivate the reader through a compelling story.

Reflective: Often includes reflection on the significance of the experience or lessons learned.

First-Person Perspective: Typically narrated from the writer’s point of view, sharing personal emotions and thoughts.

Plot Development: Emphasizes a storyline with a beginning, middle, climax, and resolution.

Message or Lesson: Conveys a central message, moral, or insight derived from the experience.

Argumentative Essay:

Persuasion and Argumentation: Aims to persuade the reader to adopt the writer’s viewpoint on a specific topic.

Logical Reasoning: Presents evidence, facts, and reasoning to support a particular argument or stance.

Debate and Counterarguments: Acknowledge opposing views and counter them with evidence and reasoning.

Thesis Statement: Includes a clear thesis statement that outlines the writer’s position on the topic.

Thesis and Evidence: Starts with a strong thesis statement and supports it with factual evidence, statistics, expert opinions, or logical reasoning.

Counterarguments: Addresses opposing viewpoints and provides rebuttals with evidence.

Logical Structure: Follows a logical structure with an introduction, body paragraphs presenting arguments and evidence, and a conclusion reaffirming the thesis.

Formal Language: Uses formal language and avoids personal anecdotes or emotional appeals.

Objective: Argumentative essays focus on presenting a logical argument supported by evidence, while narrative essays prioritize storytelling and personal reflection.

Purpose: Argumentative essays aim to persuade and convince the reader of a particular viewpoint, while narrative essays aim to engage, entertain, and share personal experiences.

Structure: Narrative essays follow a storytelling structure with character development and plot, while argumentative essays follow a more formal, structured approach with logical arguments and evidence.

In essence, while both essays involve writing and presenting information, the narrative essay focuses on sharing a personal experience, whereas the argumentative essay aims to persuade the audience by presenting a well-supported argument.

Narrative Essay vs. Personal Essay

While there can be an overlap between narrative and personal essays, they have distinctive characteristics:

Storytelling: Emphasizes recounting a specific experience or event in a structured narrative form.

Engagement through Story: Aims to engage the reader through a compelling story with characters, plot, and a central theme or message.

Reflective: Often includes reflection on the significance of the experience and the lessons learned.

First-Person Perspective: Typically narrated from the writer’s viewpoint, expressing personal emotions and thoughts.

Plot Development: Focuses on developing a storyline with a clear beginning, middle, climax, and resolution.

Character Development: Includes descriptions of characters, their interactions, emotions, and growth.

Central Message: Conveys a central message, moral, or insight derived from the experience.

Personal Essay:

Exploration of Ideas or Themes: Explores personal ideas, opinions, or reflections on a particular topic or subject.

Expression of Thoughts and Opinions: Expresses the writer’s thoughts, feelings, and perspectives on a specific subject matter.

Reflection and Introspection: Often involves self-reflection and introspection on personal experiences, beliefs, or values.

Varied Structure and Content: Can encompass various forms, including memoirs, personal anecdotes, or reflections on life experiences.

Flexibility in Structure: Allows for diverse structures and forms based on the writer’s intent, which could be narrative-like or more reflective.

Theme-Centric Writing: Focuses on exploring a central theme or idea, with personal anecdotes or experiences supporting and illustrating the theme.

Expressive Language: Utilizes descriptive and expressive language to convey personal perspectives, emotions, and opinions.

Focus: Narrative essays primarily focus on storytelling through a structured narrative, while personal essays encompass a broader range of personal expression, which can include storytelling but isn’t limited to it.

Structure: Narrative essays have a more structured plot development with characters and a clear sequence of events, while personal essays might adopt various structures, focusing more on personal reflection, ideas, or themes.

Intent: While both involve personal experiences, narrative essays emphasize telling a story with a message or lesson learned, while personal essays aim to explore personal thoughts, feelings, or opinions on a broader range of topics or themes.

A narrative essay is more than just telling a story. It’s also meant to engage the reader, get them thinking, and leave a lasting impact. Whether it’s to amuse, motivate, teach, or reflect, these essays are a great way to communicate with your audience. This interesting narrative essay guide was all about letting you understand the narrative essay, its importance, and how can you write one.

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3 Great Narrative Essay Examples + Tips for Writing

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

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Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

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Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

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Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

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If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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The narrative essay is a unique and creative form of academic writing. It tests your ability to narrate personal anecdotes in a structured, meaningful, and engaging manner. This type of writing vastly differs from other academic writing types, which rely more on facts and statistics. 

In this article, we’re going to understand what is a narrative essay, how to write one, and its various types with the help of plenty of examples. We have also provided a narrative essay outline to help you craft a foolproof essay. But before we get into all of that, let’s start with something simple: what’s a narrative essay in the first place?

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What is a narrative essay?

A narrative essay is a highly creative form of academic writing which involves recounting personal anecdotes in an organized and climactic format. Although not as frequently used as expository essays or argumentative essays , this type of essay is a common requirement in high schools and creative writing courses in colleges. A personal statement is also a common requirement for many college admissions. 

A narrative essay uses literary devices such as similes, metaphors, and alliteration that add depth and character to your essay. The objective is to express yourself in a creative and compelling way, and not just convey information.

Now that you understand the narrative essay definition, it’s time to look at some common topics you may have to write on.

Topics for a narrative essay

Narrative essay topics can range from a personal narrative and specific essay topics to loose open-ended prompts. Let’s better understand this with the help of a few good narrative essay topics.

Here are a few topics. 

1. Write about your last day of school.

2. Write about your favorite book and your interpretation of its message.

3. An awkward encounter that led to a long-lasting friendship.

4. Your favorite vacation.

5. The moment you realized, you’re finally an adult.

Here are a few narrative essay examples of open-ended prompts.

1. Describe a life changing event and how it impacted you.

2. What is your favorite childhood memory? 

3. A personal accomplishment that you are proud of and how it has shaped you as a person.

4. The time when you overcame a fear or obstacle and how it helped you grow as a person.

5. A moment of personal growth and reflection that helped you realize something important about yourself.

Here are a few personal narrative essay topics.

1. The moment you realized what you wanted to do with your life.

2. A time when you felt like an outsider and how you dealt with it.

3. A moment when you had to make a difficult moral decision.

4. An experience that changed your perspective on a particular issue.

5. A personal passion or interest and how it has impacted your life.

Narrative essay structure

Although less formulaic than an expository or argumentative essay, your narrative essay format still needs to be well-structured and cohesive for it to be impactful. Like all essay types, the narrative format essay consists of an introduction, body paragraphs, and a concluding paragraph. However, this structure is less rigid than most essay types and mainly serves as a guideline. 

Let’s look at the main components of the structure of a narrative essay.

1. Introduction

In order to write a well-structured narrative essay, you need to know how to start it. The introduction of a narrative essay plays a crucial role in capturing the reader’s attention and setting the stage for the story that follows. 

A good introduction should include three key elements. First, an attractive, eye-catching opening statement that intrigues the reader and creates suspense. Second, background information that provides context for the story. Finally, a central idea or narrative that serves as a foundation of the story. 

Here are examples of a narrative essay introduction:

• Background information
• Central idea

As I stepped off the plane and took my first breath of the humid air, I knew my life was about to change forever. The next few weeks would be filled with new experiences, new people, and a new perspective that would stay with me for a long time. My study trip to Costa Rica was an unforgettable experience that had a significant impact on me.

2. Body paragraph

You can showcase most of your creative writing skills in the body paragraphs of your narrative essay. Use a topic sentence to introduce each experience, provide detailed elaboration, and conclude with a key takeaway or moral.

The body paragraphs of a narrative essay are also used to showcase numerous artistic elements. These elements may include the introduction of fresh characters, vivid descriptions of settings, subtle hints toward the conclusion, and the build-up of a pivotal event or a climactic situation. You can use these elements to transform a boring piece of writing into an impactful and captivating essay. 

Here’s an example of a vivid and highly descriptive body paragraph:

• Topic sentence with descriptions of setting
• Sensory descriptors elaborating the topic sentences
• Key takeaway

The moment I set foot on Central American soil, I was welcomed by the tropical rainforest, the vibrant colors of the flowers, and the sounds of exotic birds. The air was filled with the sweet scent of fresh fruits, and I could feel the warmth of the sun on my skin. This trip was not only a cultural and educational experience, but it was also an adventure of a lifetime.

3. Conclusion

When writing the conclusion of a narrative essay, it’s important to include three essential elements: an updated version of your thesis statement, reflections on all your experiences, and your final thoughts and key takeaways. 

You can remind your readers of the central idea you explored throughout your essay, by revisiting your thesis statement. Reflecting on your experiences allows you to explore the personal impact of your narrative. Whereas, your final thoughts help in providing a cohesive and impactful summary of your message.

Here’s an example of a strong conclusion:

• Updated thesis statement
• Reflections on experiences
• Final thought

My study trip to Costa Rica was certainly a transformative experience. This trip taught me how to approach the world with an open mind and strive in the face of difficulties. It also inspired me to live a more sustainable lifestyle. Experiencing the rich culture of Costa Rica is something I would highly recommend to all students. It’s an opportunity to break free from our comfort zones, challenge our perspectives, and immerse ourselves in a world of stunning natural beauty.  

Now that we’ve looked at how to structure a narrative essay, let’s move on to writing a narrative essay.

How to write a narrative essay

Writing narrative essays is not just about telling a captivating story, but also about communicating a message to the reader. Although less formal than other types of essays, it still requires a coherent sequence of events, a clear central idea, a moral or message, and a structured outline.

Let’s understand how to write a narrative essay step by step. 

1. Choose an appropriate topic.

While essay topics are often predetermined, certain classes may give you the freedom to select your own topic. When choosing a topic for your narrative essay, it is crucial to consider the message that you want to convey. 

Simply recounting a one-dimensional, uneventful story can bore the reader. It is necessary to keep the reader in mind and choose an engaging story topic. This topic should encompass surprising plot twists, a recurring theme, and a significant takeaway or moral.

Here are a few examples of narrative essay topics for college:

Describe a moment in your life that challenged your beliefs or values and forced you to reconsider your perspective.

Describe a time in your life when you faced a difficult decision that required you to choose between two equally compelling options.

2. Form a central idea.

Your narrative essay should revolve around a central idea or theme, which is similar to a thesis statement. This idea should be unique and have a moral or message that sets the tone for your entire essay. Keep in mind that the central idea is crucial to your essay, so choose one carefully and make sure it’s unique and impactful.

Here are a few examples of central ideas:

Growing up as a first-generation immigrant, I faced several setbacks. But these setbacks motivated me to overcome language barriers and also taught me the value of hard work, and determination.

My journey of learning a new language in a foreign country challenged me in ways I never imagined. However, it also taught me the importance of persistence, adaptability, and embracing discomfort to achieve personal growth and success.

3. Construct an essay outline. 

While a narrative essay allows for a great deal of creative expression, it still sticks to a loose structure that includes a clear beginning, middle, and end. A well-organized narrative allows readers to follow and understand your story. Before writing your essay it’s crucial to answer key questions in your narrative essay outline. 

Here are a few questions you need to answer before starting your essay:

• What central idea or message do I want to convey through my essay?
• Which personal experiences and anecdotes will best support my central idea?
• In what ways can I incorporate dialogues or other creative expressions to enhance my essay?
• How can I effectively structure my essay to ensure it flows cohesively and logically?
• What techniques can I use to build up to a climactic end that leaves a lasting impression on the reader?
• What key takeaway do I want my audience to have after reading my essay?

4. Begin writing your essay.

The narrative essay differs from other forms of essay writing and typically follows a chronological order. Hence, it’s advisable to start by fleshing out your introduction and providing sufficient background information to give relevance to your central idea.

Written in the first-person point of view, the narrative essay shares several similarities with a short story. These include a clear plot structure with a beginning, middle, and end, vivid and detailed settings, a climactic point or peak, dialogues, and a key takeaway or moral. These elements can be incorporated to add depth and dimension to your essay.

Narrative essay outline

An outline for a narrative essay differs significantly from that of an evidence-based essay. The narrative essay outline provides structure and coherence to your essay, helping you map out a clear and logical flow of your ideas. This can guide your writing and help ensure that your story is well-organized, engaging, and effectively conveys your central message.

Here’s an example of a personal narrative essay outline that focuses on the challenges of low self-esteem and the ways to overcome them.

Journey to Self-Acceptance

I. Introduction

A. Hook: Start with an anecdote or a shocking statistic that highlights the rampantness of low self-esteem.

B. Background information: Explain what low self-esteem is, how it affects people, and how it can manifest in different ways.

C. Thesis statement: Describe your challenges with low self-esteem and how you overcame them.

II. Tackling Challenges

A. Describe the situation that challenged your self-esteem, such as a particular event or a persistent feeling.

B. Explain how it affected your life, such as your relationships, academic and professional performance, or your mental health.

C. Share your thoughts and feelings about the situation, and how they contributed to your low self-esteem.

III. Seeking Help

A. Describe how you recognized that you needed help, and what motivated you to seek it.

B. Discuss the steps you took, such as talking to a friend or therapist.

C. Explain the challenges you faced, such as stigma, fear of judgment, or financial barriers.

IV. Building Self-Esteem

A. Describe the strategies you used to build your self-esteem, such as positive self-talk, affirmations, or therapy.

B. Share your progress, and how you measured it, such as tracking your thoughts, feelings, or behaviors.

C. Explain how these strategies helped you, and how they impacted your life, such as improved relationships, academic or professional success, or mental health.

V. Maintaining Self-Esteem

A. Describe how you maintain your self-esteem on a daily basis, and what routines or habits you have developed.

B. Share your challenges and setbacks, and how you cope with them.

C. Explain the importance of self-care in maintaining self-esteem, and what self-care practices you use.

VI. Conclusion

A. Summarize the key points of your essay, and what you have learned from them.

B. Restate your thesis, and how you successfully overcame the challenge of low self-esteem.

C. Discuss how the experience has impacted your life, and what advice you would give to someone who is struggling with low self-esteem.

Narrative essay examples

To guide you in writing a foolproof narrative essay, we’ve constructed an example of a narrative essay. The following is a personal narrative essay example that explores the challenges faced by a student who was bullied in school. This personal narrative essay example will guide you on how you write a personal narrative essay.

Beyond the Shadows

Starting high school as a timid and shy kid was a daunting experience for me. I craved new opportunities and friendships but was overcome by the fear of being judged. Unfortunately, my fears soon became a reality as I found myself being relentlessly bullied.

It began with verbal abuse but soon escalated to physical aggression. Consulting my teachers was of no help since they did not understand the gravity of the situation. The only option was to ignore the bullies and concentrate on my classes, but the constant harassment made it difficult.

The bullying soon took its toll on my mental health, and I spiraled into a pit of anxiety and depression. I lost faith in myself and I believed I was undeserving of happiness. I retreated from my loved ones and spent my days battling my inner demons.

Despite the pain and anguish, I still decided to hold onto hope. I realized that standing up for myself and others was the only way to combat the bullying. I began speaking out against the harassment and also spoke up for those who were scared to raise their voice.

In an attempt to break out of my shell, I made a conscious effort to socialize with my fellow students and offered support to those going through a tough time. As a result, I encountered several friends who had shared experiences with mine. We bonded over our shared struggles and formed a tight-knit community of support and solidarity. Together, we worked to raise awareness of the devastating impact of bullying.

With time and effort, I began to heal from the trauma of my experiences. I learned to embrace my unique qualities and appreciate myself for who I am. The challenges I faced made me stronger and more resilient. As a result, I became more outgoing and confident, which allowed me to forge genuine friendships with my peers.

The bullying I experienced during high school transformed me in ways I could never have imagined. It instilled in me the value of empathy and courage and compelled me to use my voice to create positive change in the world.

Once you’re done writing your narrative essay, the process of editing and proofreading still remains. You can either choose to do this on your own or consider working with an essay editing service .  

Keep reading with more resources from your loyal editors and proofreaders:

• What is an Expository Essay?
• What are the Different Types of Essays
• What is an Essay and What are the Parts of an Essay
• How to Write an Essay Header
• How to Write an Argumentative Essay 

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very good https://kabarcikpatiler.com/

your narrative essays have excellent introductions. They are really helpful

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What is a Narrative Essay — Examples, Format & Techniques

I was in the Amazon jungle the first time I wrote a narrative essay, enlightened and enraptured by the influence of ayahuasca. That’s not true. I’ve never been to South America nor have I ever taken ayahuasca. The purpose of that opening is to show how to craft a narrative essay intro — hook, line, and sinker. Narrative essays rely on hooking the reader, and enticing them to read on. But what is a narrative essay? We’re going to break down everything you need to know about these essays — definition, examples, tips and tricks included. By the end, you’ll be ready to craft your own narrative essay for school or for publication.

What’s a Narrative Essay?

First, let’s define narrative essay.

Narrative essays share a lot of similarities with personal essays, but whereas the former can be fictional or non-fictional, the latter are strictly non-fictional. The goal of the narrative essay is to use established storytelling techniques, like theme , conflict , and irony , in a uniquely personal way.

The responsibility of the narrative essayist is to make the reader feel connected to their story, regardless of the topic. This next video explores how writers can use structural elements and techniques to better engage their readers. 

Personal Narrative Essay Examples With Essay Pro

Narrative essays rely on tried and true structure components, including:

• First-person POV
• Personal inspiration
• Focus on a central theme

By keeping these major tenets in mind, you’ll be better prepared to recognize weaknesses and strengths in your own works.

NARRATIVE ESSAY DEFINITION

What is a narrative essay.

A narrative essay is a prose-written story that’s focused on the commentary of a central theme. Narrative essays are generally written in the first-person POV, and are usually about a topic that’s personal to the writer. Everything in these essays should take place in an established timeline, with a clear beginning, middle, and end. 

Famous Narrative Essay Examples

• Ticker to the Fair by David Foster Wallace
• After Life by Joan Didion
• Here is a Lesson in Creative Writing by Kurt Vonnegut

Narrative Writing Explained

How to start a narrative essay.

When you go to sleep at night, what do you think of? Flying squirrels? Lost loved ones? That time you called your teacher ‘mom’? Whatever it is, that’s what you need to write about. There’s a reason those ideas and moments have stuck with you over time. Your job is to figure out why.

Once you realize what makes a moment important to you, it’s your job to make it important to the reader too. In this next video, Academy Award-nominated filmmaker J. Christian Jensen explains the power of the personal narrative. 

Narrative Writing and the Personal Narrative Essay  •  Video by TEDx Talks

Anything and everything can be the topic of your essay. It could be as benign as a walk to school or as grandiose as a trip to the moon — so long as that narrative exists within reality. Give your thoughts and opinions on the matter too — don’t be afraid to say “this is what I think” so long as it’s supported by storytelling techniques. Remember, never limit yourself as a writer, just keep in mind that certain topics will be harder to make engaging than others.

Narrative Essay Outline

How to write a narrative essay.

First step, game plan. You’re going to want to map out the story from beginning to end, then mark major story beats in your document.

Like all stories, your narrative essay needs a clear beginning, middle, and end. Each section should generally conform to a specifically outlined structure. For reference, check out the outline below.

Narrative Essay Format  •  How to Write a Narrative Essay Step by Step

Make sure to reference back to this outline throughout the writing process to make sure you have all your major beats covered.

Purpose of narrative essay writing

Narrative essays give writers the ability to freely express themselves within the structure of a traditional story. Nearly all universities ask applicants to submit a narrative essay with their formal application. This is done for two reasons: they allow institutions to judge the linguistic and grammar capabilities of its applicants, as well as their raw creative side.

If you’re considering studying creative writing in an undergraduate or graduate program, then you’re going to write A LOT of narrative style essays. This process may seem indomitable; How am I supposed to write hundreds of pages about… me? But by the end, you’ll be a better writer and you’ll have a better understanding of yourself.

One thing that all successful essayists have in common is that they make radical, often defiant statements on the world at large. Think Ralph Waldo Emerson, Virginia Woolf, and Langston Hughes for example.

Being a professional essayist isn’t easy, and it’s near-impossible to be one who makes a lot of money. Many essayists work as professors, editors, and curriculum designers as well. 

This next video features the late, award-winning essayist Brian Doyle. He explains all the things you need to hear when thinking about writing a story.

Narrative Essay Examples “Lecture” via Boston University

We can learn a lot from the way Doyle “opens” his stories. My favorite is how he begins with the statement, “I met the Dalai Lama once.” How can we not be interested in learning more? 

This brings us all the way back to the beginning. Start with a hook, rattle off the line, then reel in the sinker. If you entice the reader, develop a personal plot, and finish with a resolute ending, you’ll have a lot of success in essay writing. 

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Narrative essay topics.

We've curated a collection of narrative essay topics that will spark your creativity and bring your experiences to life. Dive into the rich tapestry of your memories, explore the unique threads of your life, and let your narrative unfold.

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As Debate Looms, Trump Is Now the One Facing Questions About Age and Capacity

With President Biden no longer in the race, former President Donald J. Trump would be the oldest person ever to serve in the Oval Office. But his rambling, sometimes incoherent public statements have stirred concern among voters.

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By Peter Baker

Reporting from Washington

The last time the nation held a debate with the presidency on the line, a candidate with about eight decades of life behind him faced the challenge of proving that he was still up to the job of running the country. He failed .

Two and a half months later, the cast of characters has shifted and another candidate heading toward the octogenarian club confronts his own test to demonstrate that he has not diminished with age. Whether he passes that test may influence who will be the next occupant of the Oval Office.

At 78, former President Donald J. Trump exhibits more energy and speaks with more volume than President Biden does at 81, but he, too, has mixed up names, confused facts and stumbled over his points. Mr. Trump’s rambling speeches, sometimes incoherent statements and extreme outbursts have raised questions about his own cognitive health and, according to polls, stimulated doubts among a majority of voters.

With Mr. Biden now out of the race, the politics of age have been turned on their head. Mr. Trump is now the oldest person ever to run for president on a major party ticket and, if he wins, would become the oldest president in history by the end of his term, when he would be 82. While he managed to sidestep questions about his own capacity while Mr. Biden was his opponent, the rival he will square off against at Tuesday’s prime-time debate in Philadelphia will be Vice President Kamala Harris, who at 59 is nearly two decades younger.

The issue has been propelled back into the campaign by some of Mr. Trump’s recent public performances, most notably a meandering, hard-to-follow answer to a question on child care at the Economic Club of New York last week. Asked how he would help American working families stressed by the cost of taking care of children, Mr. Trump wandered through a thicket of unfinished sentences, non sequitur clauses and confusing logic that tied the answer to tariffs on imports.

Speaking at the Economic Club of New York, Mr. Trump gave a rambling answer when asked what he would do to lower the cost of child care.

“If you win in November, can you commit to prioritizing legislation to make child care affordable? And if so, what specific piece of legislation will you advance?” “Well, I would do that. And we’re sitting down, you know, I was — somebody, we had Senator Marco Rubio and my daughter, Ivanka, was so impactful on that issue. It’s a very important issue. But I think when you talk about the kind of numbers that I’m talking about that — because, look, child care is child care. It couldn’t, you know, there’s something — you have to have it in this country. You have to have it. But when you talk about those numbers compared to the kind of numbers that I’m talking about, by taxing foreign nations at levels that they’re not used to, but they’ll get used to it very quickly. And it’s not going to stop them from doing business with us. But they’ll have a very substantial tax when they send product into our country. Those numbers are so much bigger than any numbers that we’re talking about, including child care, that it’s going to take care. We’re going to have — I look forward to having no deficits within a fairly short period of time, coupled with the reductions that I told you about on waste and fraud and all of the other things that are going on in our country because I have to stay with child care. I want to stay with child care. But those numbers are small relative to the kind of economic numbers that I’m talking about.”

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Why A.I. Isn’t Going to Make Art

In 1953, Roald Dahl published “ The Great Automatic Grammatizator ,” a short story about an electrical engineer who secretly desires to be a writer. One day, after completing construction of the world’s fastest calculating machine, the engineer realizes that “English grammar is governed by rules that are almost mathematical in their strictness.” He constructs a fiction-writing machine that can produce a five-thousand-word short story in thirty seconds; a novel takes fifteen minutes and requires the operator to manipulate handles and foot pedals, as if he were driving a car or playing an organ, to regulate the levels of humor and pathos. The resulting novels are so popular that, within a year, half the fiction published in English is a product of the engineer’s invention.

Is there anything about art that makes us think it can’t be created by pushing a button, as in Dahl’s imagination? Right now, the fiction generated by large language models like ChatGPT is terrible, but one can imagine that such programs might improve in the future. How good could they get? Could they get better than humans at writing fiction—or making paintings or movies—in the same way that calculators are better at addition and subtraction?

Art is notoriously hard to define, and so are the differences between good art and bad art. But let me offer a generalization: art is something that results from making a lot of choices. This might be easiest to explain if we use fiction writing as an example. When you are writing fiction, you are—consciously or unconsciously—making a choice about almost every word you type; to oversimplify, we can imagine that a ten-thousand-word short story requires something on the order of ten thousand choices. When you give a generative-A.I. program a prompt, you are making very few choices; if you supply a hundred-word prompt, you have made on the order of a hundred choices.

If an A.I. generates a ten-thousand-word story based on your prompt, it has to fill in for all of the choices that you are not making. There are various ways it can do this. One is to take an average of the choices that other writers have made, as represented by text found on the Internet; that average is equivalent to the least interesting choices possible, which is why A.I.-generated text is often really bland. Another is to instruct the program to engage in style mimicry, emulating the choices made by a specific writer, which produces a highly derivative story. In neither case is it creating interesting art.

I think the same underlying principle applies to visual art, although it’s harder to quantify the choices that a painter might make. Real paintings bear the mark of an enormous number of decisions. By comparison, a person using a text-to-image program like DALL-E enters a prompt such as “A knight in a suit of armor fights a fire-breathing dragon,” and lets the program do the rest. (The newest version of DALL-E accepts prompts of up to four thousand characters—hundreds of words, but not enough to describe every detail of a scene.) Most of the choices in the resulting image have to be borrowed from similar paintings found online; the image might be exquisitely rendered, but the person entering the prompt can’t claim credit for that.

Some commentators imagine that image generators will affect visual culture as much as the advent of photography once did. Although this might seem superficially plausible, the idea that photography is similar to generative A.I. deserves closer examination. When photography was first developed, I suspect it didn’t seem like an artistic medium because it wasn’t apparent that there were a lot of choices to be made; you just set up the camera and start the exposure. But over time people realized that there were a vast number of things you could do with cameras, and the artistry lies in the many choices that a photographer makes. It might not always be easy to articulate what the choices are, but when you compare an amateur’s photos to a professional’s, you can see the difference. So then the question becomes: Is there a similar opportunity to make a vast number of choices using a text-to-image generator? I think the answer is no. An artist—whether working digitally or with paint—implicitly makes far more decisions during the process of making a painting than would fit into a text prompt of a few hundred words.

We can imagine a text-to-image generator that, over the course of many sessions, lets you enter tens of thousands of words into its text box to enable extremely fine-grained control over the image you’re producing; this would be something analogous to Photoshop with a purely textual interface. I’d say that a person could use such a program and still deserve to be called an artist. The film director Bennett Miller has used DALL-E 2 to generate some very striking images that have been exhibited at the Gagosian gallery; to create them, he crafted detailed text prompts and then instructed DALL-E to revise and manipulate the generated images again and again. He generated more than a hundred thousand images to arrive at the twenty images in the exhibit. But he has said that he hasn’t been able to obtain comparable results on later releases of DALL-E . I suspect this might be because Miller was using DALL-E for something it’s not intended to do; it’s as if he hacked Microsoft Paint to make it behave like Photoshop, but as soon as a new version of Paint was released, his hacks stopped working. OpenAI probably isn’t trying to build a product to serve users like Miller, because a product that requires a user to work for months to create an image isn’t appealing to a wide audience. The company wants to offer a product that generates images with little effort.

It’s harder to imagine a program that, over many sessions, helps you write a good novel. This hypothetical writing program might require you to enter a hundred thousand words of prompts in order for it to generate an entirely different hundred thousand words that make up the novel you’re envisioning. It’s not clear to me what such a program would look like. Theoretically, if such a program existed, the user could perhaps deserve to be called the author. But, again, I don’t think companies like OpenAI want to create versions of ChatGPT that require just as much effort from users as writing a novel from scratch. The selling point of generative A.I. is that these programs generate vastly more than you put into them, and that is precisely what prevents them from being effective tools for artists.

The companies promoting generative-A.I. programs claim that they will unleash creativity. In essence, they are saying that art can be all inspiration and no perspiration—but these things cannot be easily separated. I’m not saying that art has to involve tedium. What I’m saying is that art requires making choices at every scale; the countless small-scale choices made during implementation are just as important to the final product as the few large-scale choices made during the conception. It is a mistake to equate “large-scale” with “important” when it comes to the choices made when creating art; the interrelationship between the large scale and the small scale is where the artistry lies.

Believing that inspiration outweighs everything else is, I suspect, a sign that someone is unfamiliar with the medium. I contend that this is true even if one’s goal is to create entertainment rather than high art. People often underestimate the effort required to entertain; a thriller novel may not live up to Kafka’s ideal of a book—an “axe for the frozen sea within us”—but it can still be as finely crafted as a Swiss watch. And an effective thriller is more than its premise or its plot. I doubt you could replace every sentence in a thriller with one that is semantically equivalent and have the resulting novel be as entertaining. This means that its sentences—and the small-scale choices they represent—help to determine the thriller’s effectiveness.

Many novelists have had the experience of being approached by someone convinced that they have a great idea for a novel, which they are willing to share in exchange for a fifty-fifty split of the proceeds. Such a person inadvertently reveals that they think formulating sentences is a nuisance rather than a fundamental part of storytelling in prose. Generative A.I. appeals to people who think they can express themselves in a medium without actually working in that medium. But the creators of traditional novels, paintings, and films are drawn to those art forms because they see the unique expressive potential that each medium affords. It is their eagerness to take full advantage of those potentialities that makes their work satisfying, whether as entertainment or as art.

Of course, most pieces of writing, whether articles or reports or e-mails, do not come with the expectation that they embody thousands of choices. In such cases, is there any harm in automating the task? Let me offer another generalization: any writing that deserves your attention as a reader is the result of effort expended by the person who wrote it. Effort during the writing process doesn’t guarantee the end product is worth reading, but worthwhile work cannot be made without it. The type of attention you pay when reading a personal e-mail is different from the type you pay when reading a business report, but in both cases it is only warranted when the writer put some thought into it.

Recently, Google aired a commercial during the Paris Olympics for Gemini, its competitor to OpenAI’s GPT-4 . The ad shows a father using Gemini to compose a fan letter, which his daughter will send to an Olympic athlete who inspires her. Google pulled the commercial after widespread backlash from viewers; a media professor called it “one of the most disturbing commercials I’ve ever seen.” It’s notable that people reacted this way, even though artistic creativity wasn’t the attribute being supplanted. No one expects a child’s fan letter to an athlete to be extraordinary; if the young girl had written the letter herself, it would likely have been indistinguishable from countless others. The significance of a child’s fan letter—both to the child who writes it and to the athlete who receives it—comes from its being heartfelt rather than from its being eloquent.

Many of us have sent store-bought greeting cards, knowing that it will be clear to the recipient that we didn’t compose the words ourselves. We don’t copy the words from a Hallmark card in our own handwriting, because that would feel dishonest. The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re copying.

Some have claimed that large language models are not laundering the texts they’re trained on but, rather, learning from them, in the same way that human writers learn from the books they’ve read. But a large language model is not a writer; it’s not even a user of language. Language is, by definition, a system of communication, and it requires an intention to communicate. Your phone’s auto-complete may offer good suggestions or bad ones, but in neither case is it trying to say anything to you or the person you’re texting. The fact that ChatGPT can generate coherent sentences invites us to imagine that it understands language in a way that your phone’s auto-complete does not, but it has no more intention to communicate.

It is very easy to get ChatGPT to emit a series of words such as “I am happy to see you.” There are many things we don’t understand about how large language models work, but one thing we can be sure of is that ChatGPT is not happy to see you. A dog can communicate that it is happy to see you, and so can a prelinguistic child, even though both lack the capability to use words. ChatGPT feels nothing and desires nothing, and this lack of intention is why ChatGPT is not actually using language. What makes the words “I’m happy to see you” a linguistic utterance is not that the sequence of text tokens that it is made up of are well formed; what makes it a linguistic utterance is the intention to communicate something.

Because language comes so easily to us, it’s easy to forget that it lies on top of these other experiences of subjective feeling and of wanting to communicate that feeling. We’re tempted to project those experiences onto a large language model when it emits coherent sentences, but to do so is to fall prey to mimicry; it’s the same phenomenon as when butterflies evolve large dark spots on their wings that can fool birds into thinking they’re predators with big eyes. There is a context in which the dark spots are sufficient; birds are less likely to eat a butterfly that has them, and the butterfly doesn’t really care why it’s not being eaten, as long as it gets to live. But there is a big difference between a butterfly and a predator that poses a threat to a bird.

A person using generative A.I. to help them write might claim that they are drawing inspiration from the texts the model was trained on, but I would again argue that this differs from what we usually mean when we say one writer draws inspiration from another. Consider a college student who turns in a paper that consists solely of a five-page quotation from a book, stating that this quotation conveys exactly what she wanted to say, better than she could say it herself. Even if the student is completely candid with the instructor about what she’s done, it’s not accurate to say that she is drawing inspiration from the book she’s citing. The fact that a large language model can reword the quotation enough that the source is unidentifiable doesn’t change the fundamental nature of what’s going on.

As the linguist Emily M. Bender has noted, teachers don’t ask students to write essays because the world needs more student essays. The point of writing essays is to strengthen students’ critical-thinking skills; in the same way that lifting weights is useful no matter what sport an athlete plays, writing essays develops skills necessary for whatever job a college student will eventually get. Using ChatGPT to complete assignments is like bringing a forklift into the weight room; you will never improve your cognitive fitness that way.

Not all writing needs to be creative, or heartfelt, or even particularly good; sometimes it simply needs to exist. Such writing might support other goals, such as attracting views for advertising or satisfying bureaucratic requirements. When people are required to produce such text, we can hardly blame them for using whatever tools are available to accelerate the process. But is the world better off with more documents that have had minimal effort expended on them? It would be unrealistic to claim that if we refuse to use large language models, then the requirements to create low-quality text will disappear. However, I think it is inevitable that the more we use large language models to fulfill those requirements, the greater those requirements will eventually become. We are entering an era where someone might use a large language model to generate a document out of a bulleted list, and send it to a person who will use a large language model to condense that document into a bulleted list. Can anyone seriously argue that this is an improvement?

It’s not impossible that one day we will have computer programs that can do anything a human being can do, but, contrary to the claims of the companies promoting A.I., that is not something we’ll see in the next few years. Even in domains that have absolutely nothing to do with creativity, current A.I. programs have profound limitations that give us legitimate reasons to question whether they deserve to be called intelligent at all.

The computer scientist François Chollet has proposed the following distinction: skill is how well you perform at a task, while intelligence is how efficiently you gain new skills. I think this reflects our intuitions about human beings pretty well. Most people can learn a new skill given sufficient practice, but the faster the person picks up the skill, the more intelligent we think the person is. What’s interesting about this definition is that—unlike I.Q. tests—it’s also applicable to nonhuman entities; when a dog learns a new trick quickly, we consider that a sign of intelligence.

In 2019, researchers conducted an experiment in which they taught rats how to drive. They put the rats in little plastic containers with three copper-wire bars; when the mice put their paws on one of these bars, the container would either go forward, or turn left or turn right. The rats could see a plate of food on the other side of the room and tried to get their vehicles to go toward it. The researchers trained the rats for five minutes at a time, and after twenty-four practice sessions, the rats had become proficient at driving. Twenty-four trials were enough to master a task that no rat had likely ever encountered before in the evolutionary history of the species. I think that’s a good demonstration of intelligence.

Now consider the current A.I. programs that are widely acclaimed for their performance. AlphaZero, a program developed by Google’s DeepMind, plays chess better than any human player, but during its training it played forty-four million games, far more than any human can play in a lifetime. For it to master a new game, it will have to undergo a similarly enormous amount of training. By Chollet’s definition, programs like AlphaZero are highly skilled, but they aren’t particularly intelligent, because they aren’t efficient at gaining new skills. It is currently impossible to write a computer program capable of learning even a simple task in only twenty-four trials, if the programmer is not given information about the task beforehand.

Self-driving cars trained on millions of miles of driving can still crash into an overturned trailer truck, because such things are not commonly found in their training data, whereas humans taking their first driving class will know to stop. More than our ability to solve algebraic equations, our ability to cope with unfamiliar situations is a fundamental part of why we consider humans intelligent. Computers will not be able to replace humans until they acquire that type of competence, and that is still a long way off; for the time being, we’re just looking for jobs that can be done with turbocharged auto-complete.

Despite years of hype, the ability of generative A.I. to dramatically increase economic productivity remains theoretical. (Earlier this year, Goldman Sachs released a report titled “Gen AI: Too Much Spend, Too Little Benefit?”) The task that generative A.I. has been most successful at is lowering our expectations, both of the things we read and of ourselves when we write anything for others to read. It is a fundamentally dehumanizing technology because it treats us as less than what we are: creators and apprehenders of meaning. It reduces the amount of intention in the world.

Some individuals have defended large language models by saying that most of what human beings say or write isn’t particularly original. That is true, but it’s also irrelevant. When someone says “I’m sorry” to you, it doesn’t matter that other people have said sorry in the past; it doesn’t matter that “I’m sorry” is a string of text that is statistically unremarkable. If someone is being sincere, their apology is valuable and meaningful, even though apologies have previously been uttered. Likewise, when you tell someone that you’re happy to see them, you are saying something meaningful, even if it lacks novelty.

Something similar holds true for art. Whether you are creating a novel or a painting or a film, you are engaged in an act of communication between you and your audience. What you create doesn’t have to be utterly unlike every prior piece of art in human history to be valuable; the fact that you’re the one who is saying it, the fact that it derives from your unique life experience and arrives at a particular moment in the life of whoever is seeing your work, is what makes it new. We are all products of what has come before us, but it’s by living our lives in interaction with others that we bring meaning into the world. That is something that an auto-complete algorithm can never do, and don’t let anyone tell you otherwise. ♦

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How to Start a Narrative Essay

Last Updated: February 13, 2024 Fact Checked

This article was co-authored by Christopher Taylor, PhD and by wikiHow staff writer, Danielle Blinka, MA, MPA . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 209,269 times.

A narrative essay tells a story, which allows you to flex your creative muscles. Your story may be fictional or nonfictional, depending on the requirements of your assignment. At first, starting your narrative essay might seem hard, but you can make your work simpler by narrowing down your topic and planning out your story. Then, you’ll be able to easily write your story’s introduction.

Choosing a Topic for Your Narrative

• If your instructor provides a rubric, read over it thoroughly to identify the expectations for full credit. Later, you can measure your essay against the rubric before turning in the assignment.
• If you have questions about the assignment, ask your instructor for clarification.

• List the first thoughts that come to mind when you think about the prompt or question.
• Make a mind map to sort out your ideas.
• Use freewriting to uncover story ideas. Simply write whatever comes to mind without worrying about grammar or making sense.
• Make an outline to help put your ideas in order.

• Don’t try to cover too much in one essay, as this will be too hard for your reader to follow.
• For example, let’s say the prompt reads: “Write about a setback that taught you perseverance.” You might want to write about an injury you overcame. To narrow down your story, you might focus on the first time you exercised your injured limb after the accident, as well as the difficulties you faced.

• For instance, the story about recovering from an injury might have a theme of overcoming hardships or persevering to reach a goal. You might want your reader to finish your story feeling inspired and uplifted. To achieve this feeling, you'd want to focus on your successes throughout the process and end the story with a positive thought.

Planning Your Story

• If you are a character in your story, you will still need to complete this step. It's up to you how much detail you want to write down about yourself. However, it's helpful to take note of your description, interests, and desires at the time the story takes place, especially if a lot of time has passed.
• A main character description might look like this: “Kate, 12 - An athletic basketball player who suffers an injury. She wants to recover from her injury so she can return to the court. She’s the patient of Andy, a physical therapist who is helping her recover.”
• A side character description might read like this: “Dr. Lopez is a friendly, fatherly middle-aged doctor who treats Kate in the emergency room.”

• For example, a story about overcoming a sports injury might include a few settings, such as the basketball court, the ambulance, the hospital, and a physical therapy office. Although you want to show your reader each setting, you'll spend the most time on the main setting of your story.
• You might list the following descriptors about the basketball court: “squeaky floor,” “roar of the crowd,” “bright overhead lights,” “team colors in the stands,” “smell of sweat and sports drinks,” and “wet jersey sticking to my back.”
• Your story may feature several different settings, but you don't need to provide the same level of detail about each one. For instance, you may be in an ambulance for a brief moment in the scene. You don't need to fully describe the ambulance, but you might tell the reader about "feeling cold and alone in the sterile ambulance."

• For example, you might introduce a young basketball player who is about to make a big play. The incident that kicks off the story might be her injury. Then, the rising action is the basketball player’s efforts to complete physical therapy and get back into the game. The climax might be the day of tryouts for the team. You might resolve the story by having her find her name on the team list, at which point she realizes she can overcome any obstacle.
• It’s helpful to use Freytag’s triangle or a graphic organizer to plan your essay. Freytag's triangle looks like a triangle with a long line to its left and a short line to its right. It's a tool that helps you plan out your story's beginning (exposition), an incident that starts your story's events, the rising action, a climax, the falling action, and the resolution of your story.
• You can find a Freytag's triangle template or a graphic organizer for your narrative essay online. [8] X Research source

• The most common types of conflict include person vs. person, person vs. nature, and person vs. self. Some stories will have more than one type of conflict.
• In the story about the young athlete who gets injured, her conflict might be person vs. self, as she’s having to push through her pain and limitations.

• In most cases, a personal narrative will use the 1st person “I” point-of-view. For example, “Over my last summer with my grandfather, I learned more than how to fish.”
• If you’re telling a fictional story, you might use the 3rd person point of you. Use your character’s name, as well as the appropriate pronouns like “he” or “she.” For instance, “Mia picked up the locket and opened it.”

Writing Your Introduction

• Start your essay with a rhetorical question. For instance, “Have you ever faced losing something that’s important to you?”
• Give a quote that fits your essay. You might write, “According to Rosa Gomez, ‘You don’t know how strong you are until a setback breaks you.”
• Provide an interesting fact that’s related to your story. As an example, “About 70% of kids will stop playing sports by the age of 13, and I was almost one of them.”
• Use a short anecdote that relates to the larger story. For your essay about overcoming an injury, you might include a short story about your best moment playing sports before your injury.
• Start with a shocking statement. You might write, “As soon as they loaded me into the ambulance, I knew I might never play sports again.”

• Let’s say your main character is you. You could write, “As a tall, lean 12-year-old, I easily outplayed the other girls on the court.” This gives the reader a picture about what you might look like, as well as your interest in sports and athletic ability.
• If you’re telling a fictional story, you might introduce your character like this: “As she walked toward the high school debate podium, Luz exuded confidence from her Kate Spade headband down to her thrift shop Betsey Johnson pumps.” Not only does this help the audience picture Luz, but it also shows that she puts effort into her appearance. The fact that she shops at thrift stores might indicate that her family isn’t as wealthy as she portrays.

• You might write, “It was my 7th-grade year, and I knew I had to make varsity if I were going to get attention from the high school coaches.”
• Sensory details trigger your senses of sight, hearing, touch, smell, and taste. As an example, “My shoes squeaked across the court as I dribbled toward the goal line, the red basket in sight. Sweat made the ball feel slippery against my fingertips, and its salty taste coated my lips.”

• For instance, you might write, “I never expected that pass across the court to be my last for the season. However, recovering from my injury taught me I’m a strong person who can accomplish anything I set out to do.”

Sample Introduction and Outline

Expert Q&A

• A narrative essay will always tell a story, so make sure your essay has a clear plot. Thanks Helpful 3 Not Helpful 0

• Don’t borrow someone else’s ideas for your story or copy someone else’s writing. This is plagiarism and can result in severe academic penalties, including loss of credit. Thanks Helpful 38 Not Helpful 0

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• ↑ https://www.nova.edu/tutoring-testing/study-resources/forms/planning-narrative-essay.pdf
• ↑ https://spcollege.libguides.com/c.php?g=254430&p=1697470
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/narrative_essays.html
• ↑ https://human.libretexts.org/Bookshelves/Literature_and_Literacy/Writing_and_Critical_Thinking_Through_Literature_(Ringo_and_Kashyap)/02%3A_About_Creative_Nonfiction/2.02%3A_Elements_of_Creative_Nonfiction
• ↑ https://penandthepad.com/start-narrative-essay-english-7667341.html

About This Article

If you’re struggling to start your narrative essay, find a way to encourage your reader to keep reading and introduce your main characters. Since opening lines can pull a reader in, choose something catchy that’s related to your story. For example, if your essay is about loss, you could open with a question like, “Have you ever faced losing something that’s important to you?” Then, add some details about your story’s setting that will interest the reader, such as describing how your trainers squeaked as you dribbled across the court if your story is about sports. You should also include enough information about the main character to peak the reader’s interest, like “She was a tall, lean 12-year-old,” but not too much so they know everything. For tips from our Writing co-author on how to plan out your entire narrative essay before you start writing, read on! Did this summary help you? Yes No

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Narrative Essay

Narrative Essay Examples

10+ Interesting Narrative Essay Examples Plus Writing Tips!

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Narrative Essay - A Complete Writing Guide with Examples

Writing a Personal Narrative Essay: Everything You Need to Know

Best Narrative Essay Topics 2024 for Students

Crafting a Winning Narrative Essay Outline: A Step-by-Step Guide

Many students struggle with crafting engaging and impactful narrative essays. They often find it challenging to weave their personal experiences into coherent and compelling stories.

If you’re having a hard time, don't worry! 

We’ve compiled a range of narrative essay examples that will serve as helpful tools for you to get started. These examples will provide a clear path for crafting engaging and powerful narrative essays.

So, keep reading and find our expertly written examples!

• 1. Narrative Essay Definition
• 2. Narrative Essay Examples
• 3. Narrative Essay Examples for Students
• 4. Narrative Essay Topics
• 5. Narrative Essay Writing Tips

Narrative Essay Definition

Writing a narrative essay is a unique form of storytelling that revolves around personal experiences, aiming to immerse the reader in the author's world. It's a piece of writing that delves into the depths of thoughts and feelings. 

In a narrative essay, life experiences take center stage, serving as the main substance of the story. It's a powerful tool for writers to convey a personal journey, turning experiences into a captivating tale. This form of storytelling is an artful display of emotions intended to engage readers, leaving the reader feeling like they are a part of the story.

By focusing on a specific theme, event, emotions, and reflections, a narrative essay weaves a storyline that leads the reader through the author's experiences. 

The Essentials of Narrative Essays

Let's start with the basics. The four types of essays are argumentative essays , descriptive essays , expository essays , and narrative essays.

The goal of a narrative essay is to tell a compelling tale from one person's perspective. A narrative essay uses all components you’d find in a typical story, such as a beginning, middle, and conclusion, as well as plot, characters, setting, and climax.

The narrative essay's goal is the plot, which should be detailed enough to reach a climax. Here's how it works:

• It's usually presented in chronological order.
• It has a function. This is typically evident in the thesis statement's opening paragraph.
• It may include speech.
• It's told with sensory details and vivid language, drawing the reader in. All of these elements are connected to the writer's major argument in some way.

Before writing your essay, make sure you go through a sufficient number of narrative essay examples. These examples will help you in knowing the dos and don’ts of a good narrative essay.

It is always a better option to have some sense of direction before you start anything. Below, you can find important details and a bunch of narrative essay examples. These examples will also help you build your content according to the format. 

Here is a how to start a narrative essay example:

Sample Narrative Essay

The examples inform the readers about the writing style and structure of the narration. The essay below will help you understand how to create a story and build this type of essay in no time.

Here is another narrative essay examples 500 words:

Narrative Essay Examples for Students

Narrative essays offer students a platform to express their experiences and creativity. These examples show how to effectively structure and present personal stories for education.

Here are some helpful narrative essay examples:

Narrative Essay Examples Middle School

Narrative Essay Examples for Grade 7

Narrative Essay Examples for Grade 8

Grade 11 Narrative Essay Examples

Narrative Essay Example For High School

Narrative Essay Example For College

Personal Narrative Essay Example

Descriptive Narrative Essay Example

3rd Person Narrative Essay Example

Narrative Essay Topics

Here are some narrative essay topics to help you get started with your narrative essay writing.

• When I got my first bunny
• When I moved to Canada
• I haven’t experienced this freezing temperature ever before
• The moment I won the basketball finale
• A memorable day at the museum
• How I talk to my parrot
• The day I saw the death
• When I finally rebelled against my professor

Need more topics? Check out these extensive narrative essay topics to get creative ideas!

Narrative Essay Writing Tips

Narrative essays give you the freedom to be creative, but it can be tough to make yours special. Use these tips to make your story interesting:

• Share your story from a personal viewpoint, engaging the reader with your experiences.
• Use vivid descriptions to paint a clear picture of the setting, characters, and emotions involved.
• Organize events in chronological order for a smooth and understandable narrative.
• Bring characters to life through their actions, dialogue, and personalities.
• Employ dialogue sparingly to add realism and progression to the narrative.
• Engage readers by evoking emotions through your storytelling.
• End with reflection or a lesson learned from the experience, providing insight.

Now you have essay examples and tips to help you get started, you have a solid starting point for crafting compelling narrative essays.

However, if storytelling isn't your forte, you can always turn to our essay service for help.

Our writers are specialists who can tackle any type of essay with great skill. With their experience, you get a top-quality, 100% plagiarism-free essay everytime.

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Kroger Albertsons merger hearing: What's next?

A critical hearing over Kroger ’s proposed $25 billion takeover of Albertsons is beginning to wind down in a federal court . So what’s next?

Closing arguments pending

With the hearing tentatively scheduled to end on Friday, closing arguments are expected in the next few days. Those remarks will be made by attorneys for Kroger and Albertsons as well as the regulators with the Federal Trade Commission , which is seeking to kill the deal. The hearing is to determine whether to grant the government’s request for a court order to halt the merger as it pursues another case in Washington, D.C. to stop the deal.

Judge will make ruling

Once closing arguments are given, it’s up to U.S. District Court Judge Adrienne Nelson to decide whether to grant the preliminary injunction. It’s possible she could rule immediately, but she could also close the hearing saying she will issue her decision in a specified amount of time or simply at a later undetermined date.

The implications

The stakes are high: during opening arguments, an attorney for Kroger said if the company lost the ruling, the merger “will not occur.” Antitrust experts have noted many mergers that lose preliminary injunction battles are abandoned because fighting on would mean lengthy and expensive legal battles. Antitrust experts also say the government could give up or continue to fight the merger without the injunction.

Appeals fight

Regardless of the decision, either side could fight an unfavorable ruling in the U.S. Court of Appeals for the Ninth Circuit .

Further legal battles

While several states have signed onto the federal case as plaintiffs, Colorado and Washington are suing in state courts to fight the merger. Both cases, making many similar arguments in the federal case, are scheduled to begin this month.

Besides the federal case, antitrust experts have said a loss in either of the state courts could jeopardize the merger because the deal doesn’t have a provision to carve out state operations and even if it did, the deal might not be acceptable to the retailers.

How big is this deal?

First announced in October 2022, Cincinnati-based Kroger wants to buy all outstanding shares of Boise, Idaho-based Albertsons, adding most of its employees and stores to its supermarket operation. To reassure concerns about maintaining competition,  Kroger has agreed to sell off 579 stores  to a  C&S Wholesale Grocers , a New Hampshire-based competitor that is mostly a supplier but also operates about two dozen retail supermarkets, including Piggly Wiggly.

Upon completion, Kroger would operate more than 4,400 supermarkets (up from 2,700) generating about $208 billion in annual sales (compared to $150 billion before). If approved Kroger would employ about 640,000 workers (up from about 414,000 currently), which could make it one of the 10-largest private employers in the world.

Promises and concerns

Kroger says the deal will help it become more efficient and stay competitive against the likes of Walmart, Costco and Amazon and has promised to cut grocery prices by $1 billion if the merger is approved. Kroger and Albertsons have also said jobs and stores will be preserved.

But regulators at both federal and state level have expressed deep concerns. They are worried C&S Wholesale Grocers' limited experience as a retailer will prevent it from being a strong competitor and that could lead to higher prices for consumers. They are also worried about the job security of the 60,000 workers that could be moved to C&S Wholesale Grocers.

Stay tuned ...

To keep closer tabs on the court's developments, The Enquirer is sending business reporter Alex Coolidge to Portland.

For the latest on Kroger, P&G, Fifth Third Bank and Cincinnati business, follow  @alexcoolidge  on X (formerly Twitter).

How to Start an Essay: 13 Engaging Strategies

ThoughtCo / Hugo Lin

• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

There are countless ways to start an essay effectively. A solid introductory paragraph both informs and motivates. It lets readers know what your piece is about and it encourages them to keep reading.

For folks new to learning how to start an essay, here are 13 introductory strategies accompanied by examples from a wide range of professional writers.

State Your Thesis Briefly and Directly

One straightforward way to begin is to get right to the point. But avoid making your thesis a bald announcement, such as "This essay is about...". 

"It is time, at last, to speak the truth about Thanksgiving, and the truth is this. Thanksgiving is really not such a terrific holiday...." (Michael J. Arlen, "Ode to Thanksgiving." The Camera Age: Essays on Television . Penguin, 1982)

Pose a Question Related to Your Subject

A thought-provoking way to start an essay is by asking a relevant question that needs to be unpacked. Follow up the question with an answer, or an invitation for your readers to answer the question.

"What is the charm of necklaces? Why would anyone put something extra around their neck and then invest it with special significance? A necklace doesn't afford warmth in cold weather, like a scarf, or protection in combat, like chain mail; it only decorates. We might say, it borrows meaning from what it surrounds and sets off, the head with its supremely important material contents, and the face, that register of the soul. When photographers discuss the way in which a photograph reduces the reality it represents, they mention not only the passage from three dimensions to two, but also the selection of a point de vue that favors the top of the body rather than the bottom, and the front rather than the back. The face is the jewel in the crown of the body, and so we give it a setting." (Emily R. Grosholz, "On Necklaces." Prairie Schooner , Summer 2007)

State an Interesting Fact About Your Subject

Leading with a fact that draws readers in immediately can grab their attention effectively.

" The peregrine falcon was brought back from the brink of extinction by a ban on DDT, but also by a peregrine falcon mating hat invented by an ornithologist at Cornell University. If you cannot buy this, Google it. Female falcons had grown dangerously scarce. A few wistful males nevertheless maintained a sort of sexual loitering ground. The hat was imagined, constructed, and then forthrightly worn by the ornithologist as he patrolled this loitering ground, singing, Chee-up! Chee-up! and bowing like an overpolite Japanese Buddhist trying to tell somebody goodbye...." (David James Duncan, "Cherish This Ecstasy." The Sun , July 2008)

Present Your Thesis as a Recent Discovery or Revelation

"I've finally figured out the difference between neat people and sloppy people. The distinction is, as always, moral. Neat people are lazier and meaner than sloppy people." (Suzanne Britt Jordan, "Neat People vs. Sloppy People." Show and Tell . Morning Owl Press, 1983)

Briefly Describe the Primary Setting of Your Essay

"It was in Burma, a sodden morning of the rains. A sickly light, like yellow tinfoil, was slanting over the high walls into the jail yard. We were waiting outside the condemned cells, a row of sheds fronted with double bars, like small animal cages. Each cell measured about ten feet by ten and was quite bare within except for a plank bed and a pot of drinking water. In some of them brown silent men were squatting at the inner bars, with their blankets draped round them. These were the condemned men, due to be hanged within the next week or two." (George Orwell, "A Hanging," 1931)

Recount an Incident That Dramatizes Your Subject

Sharing an incident from your life or history in general is an impactful way to start an essay.

"One October afternoon three years ago while I was visiting my parents, my mother made a request I dreaded and longed to fulfill. She had just poured me a cup of Earl Grey from her Japanese iron teapot, shaped like a little pumpkin; outside, two cardinals splashed in the birdbath in the weak Connecticut sunlight. Her white hair was gathered at the nape of her neck, and her voice was low. “Please help me get Jeff’s pacemaker turned off,” she said, using my father’s first name. I nodded, and my heart knocked." (Katy Butler, "What Broke My Father's Heart." The New York Times Magazine , June 18, 2010)

Use the Narrative Strategy of Delay

The narrative strategy of delay allows you to put off identifying your subject just long enough to pique your readers' interest without frustrating them. 

"They woof. Though I have photographed them before, I have never heard them speak, for they are mostly silent birds. Lacking a syrinx, the avian equivalent of the human larynx, they are incapable of song. According to field guides the only sounds they make are grunts and hisses, though the Hawk Conservancy in the United Kingdom reports that adults may utter a croaking coo and that young black vultures, when annoyed, emit a kind of immature snarl...." (Lee Zacharias, "Buzzards." Southern Humanities Review , 2007)

Use the Historical Present Tense

An effective way to start an essay is to use historical present tense to relate an incident from the past as if it were happening now. 

"Ben and I are sitting side by side in the very back of his mother’s station wagon. We face glowing white headlights of cars following us, our sneakers pressed against the back hatch door. This is our joy—his and mine—to sit turned away from our moms and dads in this place that feels like a secret, as though they are not even in the car with us. They have just taken us out to dinner, and now we are driving home. Years from this evening, I won’t actually be sure that this boy sitting beside me is named Ben. But that doesn’t matter tonight. What I know for certain right now is that I love him, and I need to tell him this fact before we return to our separate houses, next door to each other. We are both five." (Ryan Van Meter, "First." The Gettysburg Review , Winter 2008)

Briefly Describe a Process That Leads Into Your Subject

"I like to take my time when I pronounce someone dead. The bare-minimum requirement is one minute with a stethoscope pressed to someone’s chest, listening for a sound that is not there; with my fingers bearing down on the side of someone’s neck, feeling for an absent pulse; with a flashlight beamed into someone’s fixed and dilated pupils, waiting for the constriction that will not come. If I’m in a hurry, I can do all of these in sixty seconds, but when I have the time, I like to take a minute with each task." (Jane Churchon, "The Dead Book." The Sun , February 2009)

Reveal a Secret or Make a Candid Observation

"I spy on my patients. Ought not a doctor to observe his patients by any means and from any stance, that he might the more fully assemble evidence? So I stand in doorways of hospital rooms and gaze. Oh, it is not all that furtive an act. Those in bed need only look up to discover me. But they never do." ( Richard Selzer , "The Discus Thrower." Confessions of a Knife . Simon & Schuster, 1979)

Open with a Riddle, Joke, or Humorous Quotation

A fun way to start an essay is to use a riddle , joke, or humorous quotation that reveals something about your subject. 

" Q: What did Eve say to Adam on being expelled from the Garden of Eden? A: 'I think we're in a time of transition.' The irony of this joke is not lost as we begin a new century and anxieties about social change seem rife. The implication of this message, covering the first of many periods of transition, is that change is normal; there is, in fact, no era or society in which change is not a permanent feature of the social landscape...." (Betty G. Farrell, Family: The Making of an Idea, an Institution, and a Controversy in American Culture . Westview Press, 1999)

Offer a Contrast Between Past and Present

"As a child, I was made to look out the window of a moving car and appreciate the beautiful scenery, with the result that now I don't care much for nature. I prefer parks, ones with radios going chuckawaka chuckawaka and the delicious whiff of bratwurst and cigarette smoke." (Garrison Keillor, "Walking Down The Canyon." Time , July 31, 2000)

Offer a Contrast Between Image and Reality

A compelling way to start an essay is with a contrast between a common misconception and the opposing truth. 

"They aren’t what most people think they are. Human eyes, touted as ethereal objects by poets and novelists throughout history, are nothing more than white spheres, somewhat larger than your average marble, covered by a leather-like tissue known as sclera and filled with nature’s facsimile of Jell-O. Your beloved’s eyes may pierce your heart, but in all likelihood they closely resemble the eyes of every other person on the planet. At least I hope they do, for otherwise he or she suffers from severe myopia (near-sightedness), hyperopia (far-sightedness), or worse...." (John Gamel, "The Elegant Eye." Alaska Quarterly Review , 2009)

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Novel writing ,

10 great examples of how to begin a short story.

By Dan Brotzel

In a short story, where a whole world or emotional journey can be summoned up and dramatised in the space of a few pages, every line and word has to count – and that’s especially true of the way you begin. Here, for inspiration, are a range of starting strategies from some great exponents of the form…

1. The Telling Detail

“One Dollar And Eighty-seven Cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheek burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.”

From ‘ The Gift of the Magi’, by O Henry

Sometimes known as the American Maupassant, O Henry’s stories are tightly plotted narratives of ordinary lives with lots of humour that usually end with a classic sting in the tale that, while surprising, flows with unerring logic from the story’s premise.

In this classic tale, we know the whole set-up within a few lines. It is Christmas and Della has no money to buy a present for her beloved husband James. In their whole house they possess only two things that they really value: his gold watch and her golden hair. In a formula that has been much copied since, we watch Della sell her golden locks to raise money to buy a fancy fob for James’s watch, while unbeknownst to her he has pawned his watch to buy her a set of ivory combs that she has long coveted for her (now departed) hair!

It is a tale that sounds tragic, but is actually heartening, because in the end the couple are confirmed in their real gift: the love they bear each other. (Plus, of course, Della’s hair will grow back!) But it all stems from a single telling detail: that opening cinematic detail of a tiny sum of money, piled up in pennies and scrimped from tense negotiations with tradespeople, that is all Della thinks she has to show James how much she loves him.

2. The Paradox

“In the beginning, Sanford Carter was ashamed of becoming an Army cook. This was not from snobbery, at least not from snobbery of the most direct sort. During the two and a half years Carter had been in the Army he had come to hate cooks more and more. They existed for him as a symbol of all that was corrupt, overbearing, stupid, and privileged in Army life…”

From ‘ The Language of Men,’ by Normal Mailer

Published in 1953, ‘The Language of Men’ tells the story of an over-sensitive, frustrated serviceman who, after years of being passed up for promotion and never finding his niche in the army, ends up as a cook – the thing he hates most about the army. Immediately we are curious: What will happen to a man who becomes the thing he most despises?

Carter feels that he never manages to understand other men, to feel either equal to them or able to lead them. ‘Whenever responsibility had been handed to him, he had discharged it miserably, tensely, over conscientiously. He had always asked too many questions, he had worried the task too severely, he had conveyed his nervousness to the men he was supposed to lead.’

Even after starting to enjoy his work as a cook, the story builds to an incident where the men come to him and ask for a tin of oil for a fish fry-up they are organising – a party to which he is not invited. Carter stands his ground, and earns some grudging respect, but then undercuts it all again after the event with his ‘unmanliness’ – the true source of his self-disgust.

The whole drama of a man failing to fit in with and gain respect among other men is foreshadowed in the paradox that’s set in motion in the story’s opening lines.

3. The Historical Backdrop

“Paris was blockaded, starved, in its death agony. Sparrows were becoming scarcer and scarcer on the rooftops and the sewers were being depopulated. One ate whatever one could get. As he was strolling sadly along the outer boulevard one bright January morning, his hands in his trousers pockets and his stomach empty, M. Morissot, watchmaker by trade but local militiaman for the time being, stopped short before a fellow militiaman whom he recognized as a friend. It was M Sauvage, a riverside acquaintance.” From ‘ Two Friends,’ by Guy de Maupassant

A protege of Flaubert and the author of the novel  Bel-Ami , Maupassant wrote over 300 short stories, many of them – like this one – set during the Franco-Prussian war, and showing how innocent lives are swept up and crushed by futile, brutal conflict.

This story starts with a brief paragraph of context and another telling detail: the absence of sparrows. At this point in the conflict, the Prussian army has established a blockade around Paris and is seeking to starve out its citizens.

The two friends of the title were passionate fishermen in peacetime, and after a chance encounter they convince each other to go off and fish once again. As well as the hunger they feel, they are motivated by a hankering for a return to the innocent pleasures of their pre-war lives.

They slip out past the French lines, to an area where they think they will be safe, but after a brief interval of bliss the Prussians detect them, with tragic consequences…

The opening line describes the war situation in vivid, journalistic terms, after which we are plunged into the tale of these two innocents. In a few telling phrases, it provides context and general background for the very particular tragedy which is about to ensue.

4. The Anecdotal Approach

“Margot met Robert on a Wednesday night toward the end of her fall semester. She was working behind the concession stand at the artsy movie theatre downtown when he came in and bought a large popcorn and a box of Red Vines. “That’s an… unusual choice,” she said. “I don’t think I’ve ever actually sold a box of Red Vines before.” From ‘ Cat Person,’ by Kristen Roupenian

‘Cat Person,’ reportedly the first short story ever to go viral, tells a simple tale of a doomed romantic encounter. Margot, a student, meets an older guy, Robert, and they begin a flirtation that turns into a date that turns into a rather unsatisfactory (for her) sexual encounter.

Robert starts off as rather funny and charming, but over time we see that he is needy, insensitive, possessive, and utterly unaware of what Margot is thinking or feeling. Margot regrets the whole thing but doesn’t know how to tell him; Robert, when he is let down, turns all-too-predictably toxic. In short order he goes from mooning after her to demanding who she’s slept with to calling her a ‘whore.’

This sequence of events struck a chord with many, many people because it is clearly so familiar. The story emphasises the banality of the whole progression by narrating events in a straightforwardly chronological, anecdotal style, right from the opening paragraph. This approach serves to underline the depressing banality of Robert’s misogyny while implicitly asking the question: Why should women have to accept this as normal?

5. In Media Res

“And after all the weather was ideal. They could not have had a more perfect day for a party if they had ordered it. Windless, warm, the sky without a cloud. Only the blue was veiled with a haze of light gold, as it is sometimes in early summer. The gardener had been up since dawn, mowing the lawns and sweeping them, until the grass and the dark flat rosettes where the daisy plants had been seemed to shine. As for the roses, you could not help feeling they understood that roses are the only flowers that -parties; the only flowers that everybody is certain of knowing. Hundreds, yes, literally hundreds, had come out in a single night; the green bushes bowed down as though they had been visited by archangels.” From ‘ The Garden Party,’ by Katherine Mansfield

Literally ‘in the middle of things’, an  in media res   beginning is where the story drops us into the middle of the action of the narrative, so that we are instantly caught up in events. In this case, we are plunged into the excited bustle of a well-to-do family preparing a sumptuous garden party, and the story does a fantastic job of building up the anticipation and painting a picture of the affluence of the hosts. There is a marquee to put up, a band on its way, an enormous delivery of fancy flowers, fifteen kinds of sandwich, and a retinue of servants to ensure everything is ready.

Beginning with ‘and’ adds to this effect, giving us to understand that garden-party fever has been going on already for days, and seeming to hark back to earlier worries about what the weather would be like on the day. But against all this blithely affluent gaiety comes the story’s turning point: news that a poor workingman living in a cottage nearby has died in a sudden accident.

Laura, a daughter of the house, wonders if it appropriate to continue with the party, especially as all the noise and music and bustle will carry to the grieving widow (who also has six children, we later discover). But just as happens to the reader with the introduction, she is swept along by the occasion, and only really reconsiders the incident at the end of a successful party, when her mother suggest she take a basket of sandwiches from the party down to the widow. Laura’s reaction to this difficult task is initially ambiguous, but ultimately it seems as if again she finds a way to paint the tragedy in complacently optimistic colours, choosing to find a serenity and beauty on the dead man’s face and so blind herself to the grim reality of the tragedy and the agony of the grieving wife.

6. The Refrain

“The thing about being the murdered extra is you set the plot in motion. You were a girl good at walking past cameras, background girl, corner-of-the-frame girl. Never-held-a-script girl, went-where-the-director-said girl. You’ll be found in an alley, it’s always an alley for girls like you, didn’t-quite-make-it girls, living-four-to-a-one-bedroom-apartment girls. You’ll be found in an alley, you’ll be mistaken for a broken mannequin at first, you’ll be given a nickname. Blue Violet, White Rose, something reminiscent of Elizabeth Short, that first girl like you, that most famous one. The kind of dead girl who never really dies.” From ‘ Being the Murdered Extra,’ by Cathy Ulrich

Cathy Ulrich’s extraordinary ‘Murdered Ladies’ flash fictions present a series of stories – there are 40 of them in her collection,  Ghosts of You  – which always begin with the same line:  The thing about being the murdered extra/girlfriend/moll/classmate/witch/dancer [etc] is you set the plot in motion.

It’s a thought-provoking line, which grows in power with every repetition. On the face of it seems strange to see these women as setting the plot in motion, when they are all victims of male violence. But we start to see that what they set in motion is actually the story that the people who survive them will appropriate from their lost lives, and blithely relate in their absence.

Each woman may set her plot in motion, but in each case she is not alive to explain how everyone gets her wrong, or projects their own version of events to absolve themselves too easily. We see that this theft of each woman’s own story is another violence that is done to them, something the stories seek in some small way to redeem. As Ulrich says: ‘Every story is looking for the lost girl from the title […] I am looking for the lost in these stories. I don’t know if I will ever find them.’

7. Setting The Rules

“The north and the west and the south are good hunting ground, but it is forbidden to go east. It is forbidden to go to any of the Dead Places except to search for metal and then he who touches the metal must be a priest or the son of a priest. Afterwards, both the man and the metal must be purified. These are the rules and the laws; they are well made. It is forbidden to cross the great river and look upon the place that was the Place of the Gods—this is most strictly forbidden. We do not even say its name though we know its name. It is there that spirits live, and demons—it is there that there are the ashes of the Great Burning. These things are forbidden—they have been forbidden since the beginning of time.” From ‘ By the Waters of Babylon,’ by Stephen Vincent Benét

In any story that seeks to build a world that is not ours, there is some work to be done in establishing the reality of that world – its customs, its landscape, its people, its rules. World-building stories can sometimes fall down when they indulge in too much of an expository info dump, as the accumulation of background detail can quickly dent narrative momentum.

What’s so clever about the start of this story is that the rules are themselves the engine of the plot. We pan cinematically across the edges of the story’s territory, and understand the legends and forbidden areas of this world. But the quest of the narrator – who is indeed the son of a priest – will take him east, into the forbidden Place of the Gods (about which, of course, we are already very curious). At the outset of the story we do not the time in which the story is set, what kind of being he is, or where he lives. But all these things will be revealed as the narrator’s journey through a post-apocalyptic, post-technological world takes him to places that gradually start to seem very familiar…

8. Beginning With The Inciting Incident

“The day my son Laurie started kindergarten he renounced corduroy overalls with bibs and began wearing blue jeans with a belt; I watched him go off the first morning with the older girl next door, seeing clearly that an era of my life was ended, my sweet-voiced nursery-school tot replaced by a longtrousered, swaggering character who forgot to stop at the corner and wave good-bye to me.” From  ‘Charles,’ by Shirley Jackson

Screenwriting guru Robert Mckee describes the inciting incident as a moment that ‘radically upsets the balance of forces in your protagonist’s life’. It’s the moment when our main character is plunged out of their normal routine and a challenge or quest appears which will shape their journey, and with it the rest of the story. It’s common to locate this point near the start of the story after some introductory ‘normality,’ so that we can understand how the main character’s life is to be disrupted. But here the inciting incident is placed by mystery and horror writer Shirley Jackson – best known for  The Haunting of Hill House  – at the very start of the story. Everything that happens flows from Laurie starting kindergarten. Laurie gets cheekier and less innocent with each passing day, as he brings home increasingly hair-raising tales of an even naughtier boy called Charles. The whole story deals with the comic escalation of Charles’ behaviour, as reader and narrator alike become ever more curious to meet the errant child and speculate on what his parents are like.

I won’t spoil the ending, except to say that there is perhaps a clue in the mother’s lament in the opening paragraph about the end of an era of innocence…

9. The Thought Experiment

“MY LOVER IS experiencing reverse evolution. I tell no one. I don’t know how it happened, only that one day he was my lover and the next he was some kind of ape. It’s been a month, and now he’s a sea turtle.” From  ‘The Rememberer,’ by Aimee Bender

Aimee Bender’s story begins by asking the reader to imagine something extraordinarily counterfactual: that her lover is regressing through millennia, going through the evolutionary process so fast – a million years a day, in reverse – that we can actually track his progress by the day. One day he is a baboon, another a salamander; eventually he is no longer even visible to the naked eye.

As with so many of Bendee’s stories the result is mournful, strange, poetic and profound. She takes a surreal thought like this and turns into a powerful meditation on memory, the difference between evolution and maturity, speciesism and loss. And it all begins with that challenging idea which confronts us in the very first sentence.

10. THE CONUNDRUM

“1-0. Who would expect the Embassy of Cambodia? Nobody. Nobody could have expected it, or be expecting it. It’s a surprise, to us all. The Embassy of Cambodia! Next door to the embassy is a health center. On the other side, a row of private residences, most of them belonging to wealthy Arabs (or so we, the people of Willesden, contend). They have Corinthian pillars on either side of their front doors, and—it’s widely believed—swimming pools out back. The embassy, by contrast, is not very grand. It is only a four- or five-bedroom North London suburban villa, built at some point in the thirties, surrounded by a red brick wall, about eight feet high. And back and forth, cresting this wall horizontally, flies a shuttlecock. They are playing badminton in the Embassy of Cambodia. Pock, smash. Pock, smash.” From ‘ The Embassy of Cambodia,’ by Zadie Smith

This subtle and absorbing story from Zadie Smith opens with a mystery: an embassy, set in a leafy north London suburb rather than a grand central district of the city, and a wall, behind which a mysterious game of badminton is being played. The rest of the story picks at this mystery and uses the imagined score in the ongoing game-playing as a backdrop to the unfolding tale of Fatou, a domestic servant to the affluent Derawals, who has escaped servitude and dodged abuse in Africa only to face privations and hardships in London.

Each mini-chapter of the story is headed with a score from the badminton match – from 1-0 up to 21-0. This mechanism provides a rhythmic framework to the tale. We may never learn who actually holds the rackets, but we see that the back-and-forth motion behind the wall of an embassy – an institution with the power to grant deny or people access to whole a country – is a fitting counterpoint to the enforced travels of impoverished migrants, and to the desperate movements of Fatou’s hopes and fears in a world where she has little agency or resources, and only one friend.

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Now you’ve seen how these authors have done it, it’s time to get stuck into actually putting pen to paper – or fingertips to keyboard – and start writing your short story. For more from Dan, check out his top 10 steps for writing short stories (with even more examples!).

About the author

Dan Brotzel’s debut short story collection, Hotel du Jack , was published in 2020. He won the Riptide Journal short story competition in 2018, and was highly commended in the Manchester Writing School competition. He is also co-author of Kitten on a Fatberg (Unbound, forthcoming), a comic novel-in-emails about an eccentric writers group. For more on Dan, see his website , Twitter , or Amazon author page .

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How To Start A New Paragraph: A How-To Guide and Top Tips

Here, we’ll explore what you need to know about how to start a new paragraph, from developing a topic sentence to using transition words smoothly.

We’ve all been there: working through a challenging topic and figuring out how to carry your reader through smoothly and coherently. You must understand how to create a stellar paragraph and how to transition from one paragraph to the next to help your reader follow your thoughts. If you know the thesis of your writing and you have a solid outline of what you’d like to say, it’s time to start building your body paragraphs, one by one.

You must understand both when and how to create a new paragraph. This will depend mainly on the type of writing you’re doing (more on that later). When you create a new paragraph, you must tell your reader what your paragraph will discuss (in the case of a body paragraph) without giving away everything you’re about to say. This can prove tricky, and if you find that you’re struggling to create topic sentences that don’t give away all of your details, you likely need to develop meatier ideas to support your general thesis.

Here, we’ll explore everything you need to know about how and when to start a new paragraph, how to use transition words to take your reader from one idea to the next flawlessly, and how to switch up your new paragraph style depending on whether you’re writing an academic or narrative piece.

When To Start A New Paragraph: Your How-To Guide

1. use new paragraphs for new topics, 2. create a topic sentence, 3. use transition words to move to a new idea, 4. know your formatting rules, 5. use quotation marks and dialogue to tell your story, starting a new paragraph: quick tips, 1. spacing between paragraphs, 2. paragraphs in different types of writing.

Readers generally don’t like big blocks of text , and it can be overwhelming for your reader to see large paragraphs without breaks to indicate a new idea. About five sentences per paragraph is a good rule of thumb to follow, but there’s no need for all of your paragraphs to follow this strictly.

Generally, each paragraph should introduce a new concept or idea. However, this can look different in academic and narrative writing. Academic writing generally starts a new paragraph each time you introduce a new point. In contrast, narrative writing uses a new paragraph to introduce small events that further the storyline or narrative concept.

If you glance over your text and find that you have a large block that could appear intimidating to your reader, find places to break up your writing. For example, develop large paragraphs into two or three ideas, or pare down your writing to be more concise if you want to stick with a single paragraph. You might also be interested in our list of paragraph writing topics .

A new paragraph should serve as a transition to a new topic or supporting point. Utilizing your outline, be sure that your paragraphs serve as a separate, clear point supporting your thesis. If you find that two or more of your paragraphs are very similar and rely on the same supporting points, see if you can condense your writing, making room for additional points that support your thesis.

When writing academically, you’ll want to begin each new paragraph with a topic sentence that introduces your supporting points. After you create your outline for your work, it’s also good to write the topic sentence for each paragraph. Many writers find that it’s easier to do this all at once instead of trying to come up with a topic sentence each time you transition to a new idea once your writing is started.

Your topic sentence should set the tone for what’s to come without giving away all of your supporting details. Therefore, keep your topic sentence short and to the point, and utilize the following sentences to support your topic sentence fully. Always keep in mind that each supporting point should ultimately relate to the thesis of your writing.

Using transition words can make it easier to move from one topic to the next. However, be careful that you don’t fall into the trap of constantly using the same transition words, as this can make your writing repetitive and cause your reader to lose interest. Reading your final work aloud can help you notice if you tend to use the same words repeatedly and can provide valuable insight into how you can replace repetition with new transition words.

Transition words that help you transition from the first paragraph to the next paragraph and so on fall into a few different categories: chronology (next, before, later, meanwhile), comparison (similarly, likewise), clarity (for instance, for example), continuation (furthermore, additionally), and conclusion (as a result, consequentially). Using transition words can help you separate paragraphs whether you’re writing a short story or a research paper, and can help your paragraph breaks read naturally.

When writing for a high school class, college class, or professional publication, you’ll likely have some formatting instructions that your teacher, professor, or editor will want you to follow when completing written work. For example, paragraph length, comma use, and thesis statement formatting may all have specific requirements for your class or publication. Be sure to carefully read your syllabus or talk with your editor to ensure that you’re following the requirements.

First-line indentation is typically used to start a new paragraph. Still, your professor or editor may ask that you use hanging indentation or spaces between paragraphs with no indentation. As long as a significant change in the text indicates that a new paragraph is beginning, your reader will quickly adjust to your indentation style.

If you’re writing a short story or another narrative piece that includes conversation, you’ll want to begin a new paragraph every time the speaker changes. This can result in short or one-sentence paragraphs, but don’t worry–this is the correct way to split paragraphs within dialogue so that your reader can easily follow your storyline.

Whether you choose to insert spaces between paragraphs is generally a matter of personal preference unless your professor or editor requests that you leave additional spacing. Whether you choose to place extra spaces between paragraphs or not, be sure to follow one of the most basic rules of academic and narrative writing: be consistent. If your research paper, short story, or another piece of writing has spacing between paragraphs in some spaces but not others, your work can become disorganized and tough for your reader to follow.

Many of your decisions regarding when to start a new paragraph will depend on the type of story or essay writing. In an academic writing piece, you’ll likely create new body paragraphs whenever you’re introducing a new idea or thought or developing a new point to support your thesis. In academic writing, paragraphs tend to be more uniform in length than in other types of writing.

In narrative writing, your paragraphs will likely look a little bit different. This is because narrative writing lends itself to greater creativity and more variation in paragraph sizes and styles. For example, you may use sentence-long paragraphs in dialogues throughout your narrative, while you may use longer paragraphs to introduce a new setting or character. 

For more help with your writing, check out our essay writing tips !

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Starting Stories: 5 Great Beginning Strategies

Minilesson print.

The beginning of a story sets the tone for everything that will happen next. An opener is like an appetizer, offering a tasty morsel of what's to come.

When you start to write a story, you might not know where it is heading. That's okay. Play with possibilities! Try one or more of these strategies.

Strategy 1: Begin with action or dialogue.

I crouched in starting position, hands poised on the track and back coiled like a spring. "On your mark! Get set!" The starting gun boomed . I launched myself forward, trying to spring ahead of the pack.

Strategy 2: Ask a question.

Why does trouble always follow me around? Do I have a "kick me" sign on my back or something?

Strategy 3: Describe the setting.

I sat cradled in three branches at the top of an old oak behind my house. I could see over the rooftop, could see for miles. Overhead, planes lined up in the sky, heading toward O'Hare Airport to land one by one.

Strategy 4: Begin with background information.

Tommy's my little brother, and he's in the first grade. He's fearless. One day, he wore a cape to school. I told him everyone would laugh at him. The next day, five other boys came wearing capes.

Strategy 5: Have the main character introduce himself or herself.

I'm Tabitha. I just turned 13, and I'm here to tell you a secret.

Your Turn Practice each starting strategy. Think of a time recently when you accomplished something important. Try each strategy to start a narrative about that time. Then trade your story starters with a partner. Find out which starter makes your partner most interested in reading your story.

• Start with action or dialogue.
• Ask a question or set of questions.
• Describe the setting so readers can imagine it.
• Give background information that will interest readers.
• Introduce yourself to readers in a surprising way.

From page 148 in Writers Express

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Answers will vary.

Standards Correlations:

The State Standards provide a way to evaluate your students' performance.

• LAFS.K12.W.1.3
• 110.5.b.12.A
• 110.5.b.11.B.i
• LAFS.3.W.1.3
• 110.5.b.11.B.ii
• 110.6.b.12.A
• 110.6.b.11.B.i
• LAFS.4.W.1.3
• 110.6.b.11.B.ii
• 110.7.b.11.B.i
• 110.7.b.12.A
• LAFS.5.W.1.3
• 110.7.b.11.B.ii
• 110.22.b.10.A
• 110.22.b.10.B.i
• 110.22.b.11.A
• LAFS.6.W.1.3
• 110.23.b.10.B.i
• 110.23.b.11.A
• LAFS.7.W.1.3
• 110.23.b.10.B.ii
• 110.24.b.10.B.i
• 110.24.b.11.A
• LAFS.8.W.1.3
• 110.24.b.10.B.ii

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150+ Story Starters: Creative Sentences To Start A Story

The most important thing about writing is finding a good idea . You have to have a great idea to write a story. You have to be able to see the whole picture before you can start to write it. Sometimes, you might need help with that. Story starters are a great way to get the story rolling. You can use them to kick off a story, start a character in a story or even start a scene in a story.

When you start writing a story, you need to have a hook. A hook can be a character or a plot device. It can also be a setting, something like “A young man came into a bar with a horse.” or a setting like “It was the summer of 1969, and there were no cell phones.” The first sentence of a story is often the hook. It can also be a premise or a situation, such as, “A strange old man in a black cloak was sitting on the train platform.”

Story starters are a way to quickly get the story going. They give the reader a place to start reading your story. Some story starters are obvious, and some are not. The best story starters are the ones that give the reader a glimpse into the story. They can be a part of a story or a part of a scene. They can be a way to show the reader the mood of a story. If you want to start a story, you can use a simple sentence. You can also use a question or an inspirational quote. In this post, we have listed over 150 story starters to get your story started with a bang! A great way to use these story starters is at the start of the Finish The Story game .

If you want more story starters, check out this video on some creative story starter sentences to use in your stories:

150+ Creative Story Starters

Here is a list of good sentences to start a story with:

• I’ve read about a million stories about princesses but never thought I could ever be one.
• There was once a man who was very old, but he was wise. He lived for a very long time, and he was very happy.
• What is the difference between a man and a cat? A cat has nine lives.
• In the middle of the night, a boy is running through the woods.
• It is the end of the world.
• He knew he was not allowed to look into the eyes of the princess, but he couldn’t help himself.
• The year is 1893. A young boy was running away from home.
• What if the Forest was actually a magical portal to another dimension, the Forest was a portal to the Otherworld?
• In the Forest, you will find a vast number of magical beings of all sorts. 
• It was the middle of the night, and the forest was quiet. No bugs or animals disturbed the silence. There were no birds, no chirping. 
• If you wish to stay in the Forest, you will need to follow these rules: No one shall leave the Forest. No one shall enter. No one shall take anything from the Forest.
• “It was a terrible day,” said the old man in a raspy voice.
• A cat is flying through the air, higher and higher, when it happens, and the cat doesn’t know how it got there, how it got to be in the sky.
• I was lying in the woods, and I was daydreaming.
• The Earth is a world of wonders. 
• The fairy is the most amazing creature I have ever met.
• A young girl was sitting on a tree stump at the edge of a river when she noticed a magical tree growing in the water.
• My dancing rat is dressed in a jacket, a tie and glasses, which make him look like a person. 
• In the darkness of the night, I am alone, but I know that I am not. 
• Owls are the oldest, and most intelligent, of all birds.
• My name is Reyna, and I am a fox. 
• The woman was drowning.
• One day, he was walking in the forest.
• It was a dark and stormy night…
• There was a young girl who could not sleep…
• A boy in a black cape rode on a white horse…
• A crazy old man in a black cloak was sitting in the middle of the street…
• The sun was setting on a beautiful summer day…
• The dog was restless…”
• There was a young boy in a brown coat…
• I met a young man in the woods…
• In the middle of a dark forest…
• The young girl was at home with her family…
• There was a young man who was sitting on a …
• A young man came into a bar with a horse…
• I have had a lot of bad dreams…
• He was a man who wanted to be king…
• It was the summer of 1969, and there were no cell phones.
• I know what you’re thinking. But no, I don’t want to be a vegetarian. The worst part is I don’t like the taste.
• She looked at the boy and decided to ask him why he wasn’t eating. She didn’t want to look mean, but she was going to ask him anyway.
• The song played on the radio, as Samual wiped away his tears.
• This was the part when everything was about to go downhill. But it didn’t…
• “Why make life harder for yourself?” asked Claire, as she bit into her apple.
• She made a promise to herself that she would never do it.
• I was able to escape.
• I was reading a book when the accident happened.
• “I can’t stand up for people who lie and cheat.” I cried.
• You look at me and I feel beautiful.
• I know what I want to be when I grow up.
• We didn’t have much money. But we knew how to throw a good party.
• The wind blew on the silent streets of London.
• What do you get when you cross an angry bee and my sister?
• The flight was slow and bumpy. I was half asleep when the captain announced we were going down.
• At the far end of the city was a river that was overgrown with weeds. 
• It was a quiet night in the middle of a busy week.
• One afternoon, I was eating a sandwich in the park when I spotted a stranger.
• In the late afternoon, a few students sat on the lawn reading.
• The fireflies were dancing in the twilight as the sunset.
• In the early evening, the children played in the park.
• The sun was setting and the moon was rising.
• A crowd gathered in the square as the band played.
• The top of the water tower shone in the moonlight.
• The light in the living room was on, but the light in the kitchen was off.
•  When I was a little boy, I used to make up stories about the adventures of these amazing animals, creatures, and so on. 
• All of the sudden, I realized I was standing in the middle of an open field surrounded by nothing but wildflowers, and the only thing I remembered about it was that I’d never seen a tree before.
• It’s the kind of thing that’s only happened to me once before in my life, but it’s so cool to see it.
• They gave him a little wave as they drove away.
• The car had left the parking lot, and a few hours later we arrived home.
• They were going to play a game of bingo.
• He’d made up his mind to do it. He’d have to tell her soon, though. He was waiting for a moment when they were alone and he could say it without feeling like an idiot. But when that moment came, he couldn’t think of anything to say.
• Jamie always wanted to own a plane, but his parents were a little tight on the budget. So he’d been saving up to buy one of his own. 
• The night was getting colder, and the wind was blowing in from the west.
• The doctor stared down at the small, withered corpse.
• She’d never been in the woods before, but she wasn’t afraid.
• The kids were having a great time in the playground.
• The police caught the thieves red-handed.
• The world needs a hero more than ever.
• Mother always said, “Be good and nice things will happen…”
• There is a difference between what you see and what you think you see.
• The sun was low in the sky and the air was warm.
• “It’s time to go home,” she said, “I’m getting a headache.”
• It was a cold winter’s day, and the snow had come early.
• I found a wounded bird in my garden.
• “You should have seen the look on my face.”
• He opened the door and stepped back.
• My father used to say, “All good things come to an end.”
• The problem with fast cars is that they break so easily.
• “What do you think of this one?” asked Mindy.
• “If I asked you to do something, would you do it?” asked Jacob.
• I was surprised to see her on the bus.
• I was never the most popular one in my class.
• We had a bad fight that day.
• The coffee machine had stopped working, so I went to the kitchen to make myself a cup of tea.
• It was a muggy night, and the air-conditioning unit was so loud it hurt my ears.
• I had a sleepless night because I couldn’t get my head to turn off.
• I woke up at dawn and heard a horrible noise.
• I was so tired I didn’t know if I’d be able to sleep that night.
• I put on the light and looked at myself in the mirror.
• I decided to go in, but the door was locked.
• A man in a red sweater stood staring at a little kitten as if it was on fire.
• “It’s so beautiful,” he said, “I’m going to take a picture.”
• “I think we’re lost,” he said, “It’s all your fault.”
• It’s hard to imagine what a better life might be like
• He was a tall, lanky man, with a long face, a nose like a pin, and a thin, sandy moustache.
• He had a face like a lion’s and an eye like a hawk’s.
• The man was so broad and strong that it was as if a mountain had been folded up and carried in his belly.
• I opened the door. I didn’t see her, but I knew she was there.
• I walked down the street. I couldn’t help feeling a little guilty.
• I arrived at my parents’ home at 8:00 AM.
• The nurse had been very helpful.
• On the table was an array of desserts.
• I had just finished putting the last of my books in the trunk.
• A car horn honked, startling me.
• The kitchen was full of pots and pans.
• There are too many things to remember.
• The world was my oyster. I was born with a silver spoon in my mouth.
•  “My grandfather was a World War II veteran. He was a decorated hero who’d earned himself a Silver Star, a Bronze Star, and a Purple Heart.
• Beneath the menacing, skeletal shadow of the mountain, a hermit sat on his ledge. His gnarled hands folded on his gnarled knees. His eyes stared blankly into the fog. 
• I heard a story about a dragon, who was said to be the size of a house, that lived on the top of the tallest mountain in the world.
•  I was told a story about a man who found a golden treasure, which was buried in this very park.
• He stood alone in the middle of a dark and silent room, his head cocked to one side, the brown locks of his hair, which were parted in the middle, falling down over his eyes.
•  Growing up, I was the black sheep of the family. I had my father’s eyes, but my mother’s smile.
• Once upon a time, there was a woman named Miss Muffett, and she lived in a big house with many rooms.
• When I was a child, my mother told me that the water looked so bright because the sun was shining on it. I did not understand what she meant at the time.    
•  The man in the boat took the water bottle and drank from it as he paddled away.
• The man looked at the child with a mixture of pity and contempt.
• An old man and his grandson sat in their garden. The old man told his grandson to dig a hole. 
• An old woman was taking a walk on the beach . The tide was high and she had to wade through the water to get to the other side.
• She looked up at the clock and saw that it was five minutes past seven.
• The man looked up from the map he was studying. “How’s it going, mate?”
• I was in my room on the third floor, staring out of the window.
• A dark silhouette of a woman stood in the doorway.
• The church bells began to ring.
• The moon rose above the horizon.
• A bright light shone over the road.
• The night sky began to glow.
• I could hear my mother cooking in the kitchen.
• The fog began to roll in.
• He came in late to the class and sat at the back.
• A young boy picked up a penny and put it in his pocket.
• He went to the bathroom and looked at his face in the mirror.
• It was the age of wisdom and the age of foolishness. We once had everything and now we have nothing.
• A young man died yesterday, and no one knows why.
• The boy was a little boy. He was not yet a man. He lived in a house in a big city.
• They had just returned from the theatre when the phone rang.
• I walked up to the front of the store and noticed the neon sign was out.
• I always wondered what happened to Mary.
• I stopped to say hello and then walked on.
• The boy’s mother didn’t want him to play outside…
• The lights suddenly went out…
• After 10 years in prison, he was finally out.
• The raindrops pelted the window, which was set high up on the wall, and I could see it was a clear day outside.
• My friend and I had just finished a large pizza, and we were about to open our second.
• I love the smell of the ocean, but it never smells as good as it does when the waves are crashing.
• They just stood there, staring at each other.
• A party was in full swing until the music stopped.

For more ideas on how to start your story, check out these first-line writing prompts . Did you find this list of creative story starters useful? Let us know in the comments below!

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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“Though no one can go back and make a brand new start, anyone can start from now and make a brand new ending.” ~Carl Bard

Birthdays. They’re supposed to be a joyous celebration, right?

That one special day each year when we throw a party and reflect on the day our amazing journey began.

The starting point.

I’ve had quite a colorful journey and certainly enjoyed many wonderful birthdays in my life.

Turning 50 this past year wasn’t one of them. Here’s why.

When we’re little every birthday marks a major accomplishment. We learn to walk. Then we learn to talk. Then we go to school and learn our ABCs.

Everything is brand new.

When we graduate high school they tell us we have our whole lives in front of us. Whether we’re off to college, exploring the world, or entering the work force, we begin a whole new chapter. Independence.

A starting point.

You can just picture that open highway stretched out to infinity before you, beckoning to a future somewhere out on that horizon that calls you to adventure . All that you will become lies out there.

In my twenties, I was a freewheeling single young man touring the world with rock stars. How bad can that be, right?

Turning 30 was awesome too! I was living in sunny Southern California, playing music, and making records in recording studios. Life was good.

Even 40 was great. I had moved back to New York to play in my own band and got married. Our life together had just begun. Then came children. I became Dad.

You’re supposed to have accomplished your greatest life’s work by now, right? Achieved all your major goals. Changed the world.

But what if you’re still working on that? What if you’re just now starting to figure out what you’re really supposed to be doing with your life?

You can say many things about turning 50, but one thing you can’t say with a straight face is that you still have your whole life in front of you.

At this point in the journey, life has shown you many of its cards. Not all, mind you, but you’ve got a pretty good grasp on how the world turns. If there are still any surprises, they have mostly to do with learning to change the way you see things.

But something else happened that was very difficult to escape. Much as I hated to admit it, I found that I was looking around and comparing myself to my peers.

This person has kids entering college and I’m looking at two young children and the reality that I’ll be close to 70 by the time the youngest is out of school.

That one is retired at 50 and buying their second Ferrari while retirement doesn’t seem to be in the cards any time soon for me.

When you view life this way, there’s always going to be someone who you feel is ahead of you by your own estimate. And you’ll never catch up to them. So that leaves you feeling behind in some imaginary race that can’t be won.

And when the game is comparing yourself to others , you will never have enough. Ever.

Unknowingly, you build this imaginary scale to see how you measure up against your peers. Let’s call it the Success/Happiness curve. Yet, no matter where you believe you fall on that curve, the moment you mark your place is to engage in a losing battle.

You believe that if you can just obtain that (figure of money in the bank, job title, certain car) that you will have arrived at your destination and will find happiness there.

But you won’t. Because it’s not out there.

Not in any material things you can obtain. Whatever it is will begin to lose its luster the moment you acquire it. Then you’ll have to look for something new to replace it and give you another fix. And the cycle never ends.

So how do you break out of this destructive cycle?

Well first, I needed to learn how to let go of a lot of my preconceived notions about where I thought I would be by the time I reached 50.

Ultimately, I found the answer in meditation.

Through meditation you learn how to become present .

Most of us never learn to appreciate where we are at this very moment because we’re so focused on what happened (or didn’t happen) in a past that no longer exists and worried about a future that hasn’t happened yet.

Meditation taught me that to compare ourselves to others is the root of human suffering, or samsara. Because it creates a separation between ourselves and someone else. A duality. A them and an us.

Armed with this new perspective, the next thing I did was to review my life and my experiences to figure out what was working and what was not. This brought me face to face with a rather harsh reality.

As much as I liken myself to be a caring person, I realized that I’d spent most of my career focused on my own self-interests.

Sure I spent a lot of time making music, which is something very personal that you put out into the universe in the hopes that you will connect with an audience and make them feel something.

But it turns out the giving was conditional.

It was like, “Enjoy this music and help support my dream. Please vote for me in this contest and buy that CD and help me or my band out.” The focus was all wrong.

And that’s when I realized what had been gnawing away at me all these years. It was a yearning to connect with an audience in a meaningful way that focuses on helping them . On seeing the world through their eyes.

And so at age 50, I am only now seeing the light.

Only after allowing the hidden writer within to finally emerge did I realize that I have been telling stories my whole life.

With that came the realization that each of us has a unique story we’re supposed to tell. That’s why we’re here. And I’m supposed to help people to tell theirs.

The epiphany was that as a music producer and a songwriter, I had been doing this already for many years helping artists to realize their vision.

Suddenly everything felt different. Like I had steered the boat back on course. Like a new chapter.

Suddenly that really successful person I follow who I want to emulate, the one who seems so far ahead in their journey, finally, it all gets put into perspective.

We think they just arrived where they are today.

We never got to see all the years they spent toiling away in obscurity. Experimenting, missing the mark, failing. Trying to figure out the very things we’re looking to figure out now.

Until they honed their craft to excellence and were finally rewarded by the world for their efforts.

We never stop and give ourselves a break for simply being on the path. It may be a path of discovery. It may be a path toward a specific destination. Or it may be a path away from our old ways.

But you’re walking the path. Celebrate that.

The law says that if you take steps in the direction of your destination every day and keep walking, no matter how slow or how far you must travel, you must one day arrive there.

In Tibet they have a tradition. After a long and arduous journey, no matter how difficult, they seek a high vantage point and look back to see just how far they have come.

Age is irrelevant. Wherever you are in your journey is a starting point. Whoever or whatever it is you’re chasing, slow down.

Realize there is no race.

Whether you’re 20 or 50 or 80, if you never stop seeking then you’ll never cease to be amazed by what you might find.

And if every point is a starting point then every day can be your birthday!

How will you celebrate today?

Photo by girish_suryawanshi

About Mark Hermann

Mark Hermann is a music producer, songwriter, and blogger with the occasional whimsy to create mosaic art. He teaches musicians & other creators how to unearth their inner rock star and deliver the soundtrack to their story. Read more of his stories about how to discover your own personal legend at  Rock andRoll Zen . Follow him on  Twitter  and  Google+ .

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