research paper 1984

1984 Research Paper Topics

This page delves into various 1984 research paper topics , providing students a comprehensive guide to aid their academic endeavors. From character analysis to thematic examinations, the narrative of 1984 presents a wealth of topics ripe for scholarly exploration. Students and researchers alike will benefit from this extensive compilation, offering insights and pathways to dissect Orwell’s magnum opus. Whether one is a novice to Orwell’s world or a seasoned critic, these 1984 research paper topics promise a thorough understanding and fresh perspectives on this timeless literary masterpiece.

100+ 1984 Research Paper Topics:

Delving into the intricate layers of George Orwell’s 1984 is an endeavor both exciting and thought-provoking. This novel, rich in themes, character development, and sociopolitical commentary, is a goldmine for students looking to craft a compelling research paper. Below is a comprehensive list of 1984 research paper topics, meticulously categorized, that shed light on various facets of this dystopian masterpiece.

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Themes and Concepts

• The role of propaganda in controlling the populace.
• The exploration of truth and reality in 1984 .
• The concept of “doublethink” and its implications for free thought.
• The societal impact of surveillance and the “Big Brother” concept.
• The dehumanization and stripping of individuality in Oceania.
• The mechanics and role of the Thought Police.
• The psychological manipulation techniques used by the Party.
• The role and symbolism of the proles in 1984 .
• The influence of war on society’s mindset and politics.
• The commentary on language’s role in shaping thought, via Newspeak.

Character Analyses

• Winston Smith: A journey from conformity to rebellion.
• Julia’s role as both a rebel and a product of the Party’s system.
• The character and function of Big Brother in the narrative.
• O’Brien’s complexity: Torturer, philosopher, and Party loyalist.
• The significance and role of Mr. Charrington in Winston’s life.
• Syme’s obsession with Newspeak and its eventual consequences.
• Parsons: The ideal Party member and the dangers of blind loyalty.
• The importance and narrative function of the prole woman.
• The symbolic nature of the characters Ampleforth and Jones.
• Winston’s relationship dynamics with his fellow workers.

Symbolism and Motifs

• The significance of Room 101 and its different representations.
• The glass paperweight: Its symbolic journey and meaning.
• The omnipresence and meaning behind the phrase “Big Brother is Watching You.”
• The “red-armed prole woman” as a beacon of hope and humanity.
• The symbolic degradation of the old rhyme “Oranges and Lemons.”
• The importance of the diary in Winston’s journey.
• The chestnut tree café and its evolution as a symbol.
• The “Golden Country” in Winston’s dreams and its contrasting reality.
• The destruction and manipulation of historical records as a recurring motif.
• The dichotomy of love and hate in 1984 .

Literary Techniques and Style

• The use of third-person limited perspective in 1984 .
• Orwell’s crafting of suspense throughout the narrative.
• The bleak and descriptive setting of Oceania and its literary significance.
• The influence of Orwell’s own political views in the narrative style of 1984 .
• Exploration of the dystopian genre through Orwell’s lens.
• The use and impact of irony in 1984 .
• The structural importance of “The Book” within the book.
• The tone and mood shifts throughout the novel and their implications.
• The role of foreshadowing in predicting Winston’s fate.
• The interplay of hope and despair in Orwell’s narrative voice.

Comparisons and Context

• 1984 vs. Aldous Huxley’s Brave New World : Differing dystopian visions.
• The influences of Orwell’s experiences in Spain on 1984 .
• Comparing the societal control mechanisms in 1984 with contemporary societies.
• Orwell’s 1984 in the context of modern surveillance states.
• Parallels between 1984 and other totalitarian regimes in history.
• The influence of 1984 on later dystopian works.
• 1984 and the concept of “fake news” in the modern era.
• The implications of 1984 in the digital age and privacy debates.
• How 1984 reflects Orwell’s views on socialism and totalitarianism.
• Orwell’s 1984 and its echoes in modern pop culture.

Theoretical Approaches

• A feminist reading of 1984 .
• Applying postcolonial theory to Orwell’s 1984 .
• The psychoanalytic aspects of 1984 : Freud and beyond.
• 1984 through the lens of Marxist literary criticism.
• Deconstructionist views on Orwell’s narrative structures.
• The role of power structures in 1984 from a Foucauldian perspective.
• Exploring 1984 through the eyes of New Historicism.
• Structuralist readings of Orwell’s dystopian narrative.
• The reader-response theory and 1984 .
• Evaluating 1984 using the tenets of Eco-criticism.

Legacy and Influence

• 1984 in contemporary pop culture: References, adaptations, and inspirations.
• The impact of 1984 on subsequent dystopian literature.
• Orwell’s vision and its influence on political discourse.
• How 1984 shaped the understanding of surveillance in popular culture.
• 1984 and its imprint on music: Songs, lyrics, and albums inspired by the novel.
• The influence of Orwell’s masterpiece on visual arts: films, paintings, and installations.
• 1984 in theater: Interpretations and adaptations on the stage.
• Teaching 1984 : Its role in modern educational curriculums.
• 1984 in the tech age: From Big Brother to Big Data.
• Legacy of 1984 in fashion and design: A dystopian aesthetic.

Sociopolitical Interpretations

• 1984 and its critique of Stalinist USSR.
• The novel’s reflection on Western democracies during the Cold War.
• Orwell’s perspective on censorship and information control.
• Analyzing the concept of “doublethink” in modern political discourse.
• 1984 and its warnings against the erosion of civil liberties.
• Exploring the novel’s take on nationalism and state propaganda.
• 1984 and its insights into behavior modification through societal pressure.
• The convergence of corporate and state surveillance: Orwell’s predictions.
• Orwell’s views on totalitarianism and the erosion of individual rights.
• 1984 and its resonance with contemporary global political climates.

Psychological Dimensions

• The psychological torment of Winston Smith: An in-depth analysis.
• Fear, control, and compliance: The mechanisms of psychological manipulation in 1984 .
• The role of memory and its manipulation in Orwell’s dystopia.
• Groupthink and collective consciousness in 1984 .
• The emotional and psychological implications of constant surveillance.
• 1984 and its exploration of existential dread and hopelessness.
• Freudian interpretations of dreams and desires in 1984 .
• Cognitive dissonance and the challenge of maintaining sanity in Orwell’s Oceania.
• The psychological significance of Winston’s relationships and affiliations.
• Mental resilience and its limits: How characters in 1984 cope with tyranny.

Philosophical Angles

• 1984 and the nature of truth: A philosophical exploration.
• The novel’s take on utilitarianism and the greater good.
• Exploring existentialism in 1984 .
• Free will, determinism, and destiny in Orwell’s universe.
• 1984 and the philosophical debate on privacy versus security.
• The novel’s exploration of love, loyalty, and human connection in a disconnected world.
• Nietzschean perspectives on power and control in 1984 .
• The Sisyphean struggle: Hope, rebellion, and inevitability in Orwell’s world.
• Analyzing the concept of reality through a Platonic lens in 1984 .
• The meaning of life, purpose, and individualism in a conformist society.

Linguistic and Semiotic Studies

• The linguistic genius behind Newspeak and its implications for thought.
• Semiotic analysis of symbols and motifs in 1984 .
• Orwell’s exploration of language as a tool of power and control.
• The rhetoric of the Party: A study in persuasive language.
• The relationship between language, thought, and reality in 1984 .
• Orwell’s warnings on the degradation and simplification of language.
• 1984 and the linguistics of propaganda.
• A semiotic analysis of “Big Brother” as a symbol.
• The power dynamics in the language of 1984 .
• The linguistic structures of rebellion and conformity in the novel.

George Orwell’s 1984 is a veritable treasure trove for literature enthusiasts and researchers. This comprehensive list is just the tip of the iceberg, aiming to provide a springboard for deeper dives into the novel’s many facets. Whether examining its iconic characters, dissecting its intricate themes, or comparing its dystopian vision with other works, the opportunities for insightful research are boundless. So, equip yourself with this guide, pick a topic, and embark on a journey into the depths of one of literature’s most iconic works.

1984 and the Range of Research Paper Topics It Offers

George Orwell’s 1984 is not just a novel—it’s a testament, a warning, and a lens through which the very fabric of society and humanity can be viewed. Published in 1949, Orwell’s chilling portrayal of a totalitarian society where even thoughts are monitored and controlled has become a staple in literary education and cultural discussions around the world. The novel’s enduring relevance and its resonance with present-day concerns about surveillance, freedom, and control mean that it remains an unparalleled topic for academic exploration. Here’s an in-depth look at 1984 research paper topics.

Historical Context and Immediate Relevance

The aftermath of World War II, the rise of totalitarian regimes, the onset of the Cold War, and Orwell’s own experiences in Spain provided a rich backdrop for 1984 . He observed firsthand the perils of extreme ideologies and the erosion of individual freedoms. The novel was a dire warning against the potential trajectory of unchecked power and a call to vigilance. This historical context itself offers a plethora of research angles—from comparisons between the Party’s tactics and those of real-world regimes to an exploration of the novel’s reception in various geopolitical climates.

Themes and Motifs: A Goldmine for Analysis

Orwell’s novel is drenched in compelling themes—totalitarianism, censorship, the nature of reality, psychological manipulation, language as a tool of control, and more. Each theme is not just a part of the novel’s fabric but is intricately woven into its very essence. For example, Newspeak, the official language of Oceania, isn’t just a linguistic tool; it’s a weapon to limit free thought and ensure the Party’s hegemony. Delving deep into these themes opens up research avenues that can intersect with philosophy, linguistics, psychology, and political science.

Characters as Mirrors of Society

The inhabitants of Oceania are not merely characters in a plot—they are symbols, representations of segments of society. Winston, with his rebellious nature, stands for the suppressed intellectual spirit. Julia represents the more tangible, bodily resistance. Meanwhile, O’Brien embodies the chilling reality of a world devoid of morals, running solely on power dynamics. By diving deep into their motivations, conflicts, and arcs, one can glean insights into the human condition under pressure and surveillance.

Contemporary Resonance: 1984 in the Digital Age

What makes 1984 a continual source of intrigue is its eerie relevance to today’s world. With discussions about data privacy, surveillance capitalism, and governmental oversight becoming more pronounced in the digital age, Orwell’s warnings seem prescient. Exploring 1984 in the context of the 21st century—an age of smartphones, AI, and big data—can yield discussions that are both enlightening and unsettling.

In Conclusion

1984 is more than a literary masterpiece—it’s a canvas upon which our deepest fears and highest hopes are painted. Whether you’re delving into its historical roots, analyzing its profound themes, dissecting its rich characters, or drawing parallels with the modern world, the novel offers an expansive field for research. It serves as a reminder of the power of literature to reflect, predict, and influence society. The range of research paper topics it offers is vast, ensuring that every academic exploration of the text is a unique journey in understanding humanity’s dance with power, freedom, and control.

How to Choose 1984 Research Paper Topics

Choosing a research topic from George Orwell’s 1984 can seem like a daunting task given the novel’s multifaceted nature and its rich tapestry of themes, characters, and socio-political contexts. The book’s continued relevance and its broad scope make it a treasure trove for researchers. However, to ensure your research stands out and resonates with your readers, it’s essential to select your topic judiciously. Here are ten tips to guide you in your quest for the perfect 1984 research topic:

• Passion and Interest: Start by identifying what intrigues you most about 1984 . Is it the oppressive nature of Big Brother? The chilling psychology of the Thought Police? Or perhaps the sociopolitical implications and its parallels with today’s world? Choosing a topic you’re passionate about will make the research process more enjoyable and engaging.
• Historical Context: Delve into the era when Orwell penned this masterpiece. Understanding the political climate of the time, Orwell’s personal experiences, and the rise of totalitarian regimes can offer a fresh perspective and a deeper understanding of the novel’s themes.
• Interdisciplinary Approaches: Don’t limit yourself to literary analysis alone. Consider combining insights from other disciplines like political science, psychology, or linguistics. For instance, you could explore the psychology behind the brainwashing techniques employed in the novel or the linguistic implications of Newspeak.
• Contemporary Relevance: Analyze the novel’s themes in the context of today’s digital era. How do concepts like surveillance, privacy, and freedom play out in our age of social media, big data, and AI?
• Character Analysis: Dive deep into the motivations, desires, and arcs of characters. For instance, a comparative study of Winston and Julia’s resistance methods or an in-depth analysis of O’Brien’s philosophical discourses can yield rich results.
• Thematic Exploration: Rather than skimming the surface of multiple themes, consider focusing in-depth on one. This allows for a nuanced and detailed examination, be it of totalitarianism, the malleability of reality, or the power dynamics inherent in language.
• Narrative Techniques: Analyze Orwell’s narrative strategies. How does his third-person limited perspective enhance the story’s atmosphere? What role does irony play? Exploring these techniques can offer a fresh lens through which to view the novel.
• Comparative Study: Compare 1984 with other dystopian works, such as Aldous Huxley’s “Brave New World” or Margaret Atwood’s “The Handmaid’s Tale”. Such a comparison can offer insights into the varying depictions and warnings of dystopian futures.
• Feedback and Peer Review: Once you’ve shortlisted a few 1984 research paper topics, discuss them with peers, professors, or mentors. Their feedback can offer new perspectives or refine your chosen direction.
• Scope and Feasibility: Finally, ensure that your chosen topic is neither too broad nor too narrow. It should be expansive enough to warrant research but specific enough to be covered comprehensively within your paper’s limitations.

Choosing a research topic for 1984 is a journey in itself, one that requires introspection, exploration, and a keen understanding of the novel’s intricate layers. The right topic not only aligns with your interests but also offers fresh insights and perspectives on Orwell’s magnum opus. So, immerse yourself in the world of Oceania, let Winston’s struggles and Big Brother’s omnipresence guide you, and embark on a research journey that’s as enlightening as it is engaging.

How to Write a 1984 Research Paper

Crafting a research paper on George Orwell’s 1984 demands a synthesis of comprehensive reading, analytical acumen, and a clear writing style. Whether you’re delving into a character’s psyche or drawing parallels between Oceania and contemporary society, your paper should be a cohesive and compelling piece of academic work. Here’s a step-by-step guide to help you navigate the process:

• Thorough Reading: Before anything else, ensure you’ve read 1984 meticulously. Note down important quotes, pivotal scenes, and significant character developments. This foundational knowledge is crucial for any in-depth analysis.
• Define Your Thesis Statement: This is the core argument or point of your paper. Whether it’s a character analysis of Winston or an exploration of Orwellian prophesies in the 21st century, your thesis should be specific and debatable.
• Extensive Research: While 1984 will be your primary source, secondary sources are vital for enriching your arguments. Dive into scholarly articles, critiques, and other related literature to understand various interpretations and gather supporting evidence.
• Construct an Outline: This step will give structure to your thoughts. Start with an introduction, followed by body paragraphs (each making a specific point related to your thesis), and conclude with a summarizing argument.
• Dive Deep into Analysis: Rather than merely summarizing the plot, focus on interpreting and analyzing. How does Orwell portray totalitarianism? What does the character of O’Brien represent in the larger scheme of things? Such questions will guide your analytical narrative.
• Incorporate Quotations Judiciously: Direct quotations from the novel can bolster your claims. However, ensure they’re relevant to your argument, and always provide context and interpretation for each quote.
• Maintain a Formal Tone and Structure: Avoid colloquialisms and ensure your paper has a logical flow, with each paragraph transitioning seamlessly into the next.
• Address Counterarguments: A well-rounded research paper considers alternative viewpoints or potential criticisms of the thesis. By addressing these counterarguments, you can fortify your own position and demonstrate a comprehensive understanding of the topic.
• Citation and Bibliography: Given the academic nature of the paper, ensure every claim or idea borrowed from an external source is properly cited. Depending on your institution’s guidelines, familiarize yourself with citation styles like APA, MLA, or Chicago.
• Proofread and Revise: Once your draft is complete, set it aside for a day or two. Revisit it with fresh eyes, looking out for grammatical errors, inconsistencies, or areas that lack clarity. Consider seeking feedback from peers or mentors to refine your paper further.

Writing a research paper on 1984 is both a challenge and an opportunity. While Orwell’s dystopian world offers a plethora of 1984 research paper topics and interpretations, the real task lies in distilling these ideas into a well-structured and compelling narrative. Remember, beyond the grades or academic acclaim, the true reward lies in the deeper understanding and appreciation of Orwell’s vision and the timeless lessons it imparts. So, arm yourself with patience, perseverance, and passion, and embark on this enlightening literary journey.

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Doublethink Is Stronger Than Orwell Imagined

What 1984 means today

No novel of the past century has had more influence than George Orwell’s 1984 . The title, the adjectival form of the author’s last name, the vocabulary of the all-powerful Party that rules the superstate Oceania with the ideology of Ingsoc— doublethink , memory hole , unperson , thoughtcrime , Newspeak , Thought Police , Room 101 , Big Brother —they’ve all entered the English language as instantly recognizable signs of a nightmare future. It’s almost impossible to talk about propaganda, surveillance, authoritarian politics, or perversions of truth without dropping a reference to 1984. Throughout the Cold War, the novel found avid underground readers behind the Iron Curtain who wondered, How did he know?

It was also assigned reading for several generations of American high-school students. I first encountered 1984 in 10th-grade English class. Orwell’s novel was paired with Aldous Huxley’s Brave New World , whose hedonistic and pharmaceutical dystopia seemed more relevant to a California teenager in the 1970s than did the bleak sadism of Oceania. I was too young and historically ignorant to understand where 1984 came from and exactly what it was warning against. Neither the book nor its author stuck with me. In my 20s, I discovered Orwell’s essays and nonfiction books and reread them so many times that my copies started to disintegrate, but I didn’t go back to 1984 . Since high school, I’d lived through another decade of the 20th century, including the calendar year of the title, and I assumed I already “knew” the book. It was too familiar to revisit.

Read: Teaching ‘1984’ in 2016

So when I recently read the novel again, I wasn’t prepared for its power. You have to clear away what you think you know, all the terminology and iconography and cultural spin-offs, to grasp the original genius and lasting greatness of 1984 . It is both a profound political essay and a shocking, heartbreaking work of art. And in the Trump era , it’s a best seller .

The Ministry of Truth: The Biography of George Orwell’s 1984 , by the British music critic Dorian Lynskey, makes a rich and compelling case for the novel as the summation of Orwell’s entire body of work and a master key to understanding the modern world. The book was published in 1949, when Orwell was dying of tuberculosis , but Lynskey dates its biographical sources back more than a decade to Orwell’s months in Spain as a volunteer on the republican side of the country’s civil war. His introduction to totalitarianism came in Barcelona, when agents of the Soviet Union created an elaborate lie to discredit Trotskyists in the Spanish government as fascist spies.

Left-wing journalists readily accepted the fabrication, useful as it was to the cause of communism. Orwell didn’t, exposing the lie with eyewitness testimony in journalism that preceded his classic book Homage to Catalonia —and that made him a heretic on the left. He was stoical about the boredom and discomforts of trench warfare—he was shot in the neck and barely escaped Spain with his life—but he took the erasure of truth hard. It threatened his sense of what makes us sane, and life worth living. “History stopped in 1936,” he later told his friend Arthur Koestler, who knew exactly what Orwell meant. After Spain, just about everything he wrote and read led to the creation of his final masterpiece. “History stopped,” Lynskey writes, “and Nineteen Eighty-Four began.”

The biographical story of 1984 —the dying man’s race against time to finish his novel in a remote cottage on the Isle of Jura , off Scotland—will be familiar to many Orwell readers. One of Lynskey’s contributions is to destroy the notion that its terrifying vision can be attributed to, and in some way disregarded as, the death wish of a tuberculosis patient. In fact, terminal illness roused in Orwell a rage to live—he got remarried on his deathbed—just as the novel’s pessimism is relieved, until its last pages, by Winston Smith’s attachment to nature, antique objects, the smell of coffee, the sound of a proletarian woman singing, and above all his lover, Julia. 1984 is crushingly grim, but its clarity and rigor are stimulants to consciousness and resistance. According to Lynskey, “Nothing in Orwell’s life and work supports a diagnosis of despair.”

Lynskey traces the literary genesis of 1984 to the utopian fictions of the optimistic 19th century—Edward Bellamy’s Looking Backward (1888); the sci-fi novels of H. G. Wells, which Orwell read as a boy—and their dystopian successors in the 20th, including the Russian Yevgeny Zamyatin’s We (1924) and Huxley’s Brave New World (1932). The most interesting pages in The Ministry of Truth are Lynskey’s account of the novel’s afterlife. The struggle to claim 1984 began immediately upon publication, with a battle over its political meaning. Conservative American reviewers concluded that Orwell’s main target wasn’t just the Soviet Union but the left generally. Orwell, fading fast, waded in with a statement explaining that the novel was not an attack on any particular government but a satire of the totalitarian tendencies in Western society and intellectuals: “The moral to be drawn from this dangerous nightmare situation is a simple one: Don’t let it happen. It depends on you .” But every work of art escapes the artist’s control—the more popular and complex, the greater the misunderstandings.

Lynskey’s account of the reach of 1984 is revelatory. The novel has inspired movies, television shows, plays, a ballet, an opera, a David Bowie album , imitations, parodies, sequels, rebuttals, Lee Harvey Oswald, the Black Panther Party, and the John Birch Society. It has acquired something of the smothering ubiquity of Big Brother himself: 1984 is watching you. With the arrival of the year 1984, the cultural appropriations rose to a deafening level. That January an ad for the Apple Macintosh was watched by 96 million people during the Super Bowl and became a marketing legend. The Mac, represented by a female athlete, hurls a sledgehammer at a giant telescreen and explodes the shouting face of a man—oppressive technology—to the astonishment of a crowd of gray zombies. The message: “You’ll see why 1984 won’t be like ‘1984.’ ”

The argument recurs every decade or so: Orwell got it wrong. Things haven’t turned out that bad. The Soviet Union is history. Technology is liberating. But Orwell never intended his novel to be a prediction, only a warning. And it’s as a warning that 1984 keeps finding new relevance. The week of Donald Trump’s inauguration, when the president’s adviser Kellyanne Conway justified his false crowd estimate by using the phrase alternative facts , the novel returned to the best-seller lists. A theatrical adaptation was rushed to Broadway. The vocabulary of Newspeak went viral. An authoritarian president who stood the term fake news on its head, who once said, “What you’re seeing and what you’re reading is not what’s happening,” has given 1984 a whole new life.

What does the novel mean for us? Not Room 101 in the Ministry of Love, where Winston is interrogated and tortured until he loses everything he holds dear. We don’t live under anything like a totalitarian system. “By definition, a country in which you are free to read Nineteen Eighty-Four is not the country described in Nineteen Eighty-Four ,” Lynskey acknowledges. Instead, we pass our days under the nonstop surveillance of a telescreen that we bought at the Apple Store, carry with us everywhere, and tell everything to, without any coercion by the state. The Ministry of Truth is Facebook, Google, and cable news. We have met Big Brother and he is us.

Trump’s election brought a rush of cautionary books with titles like On Tyranny , Fascism: A Warning , and How Fascism Works . My local bookstore set up a totalitarian-themed table and placed the new books alongside 1984 . They pointed back to the 20th century—if it happened in Germany, it could happen here—and warned readers how easily democracies collapse. They were alarm bells against complacency and fatalism—“ the politics of inevitability ,” in the words of the historian Timothy Snyder, “a sense that the future is just more of the present, that the laws of progress are known, that there are no alternatives, and therefore nothing really to be done.” The warnings were justified, but their emphasis on the mechanisms of earlier dictatorships drew attention away from the heart of the malignancy—not the state, but the individual. The crucial issue was not that Trump might abolish democracy but that Americans had put him in a position to try. Unfreedom today is voluntary. It comes from the bottom up.

We are living with a new kind of regime that didn’t exist in Orwell’s time. It combines hard nationalism—the diversion of frustration and cynicism into xenophobia and hatred—with soft distraction and confusion: a blend of Orwell and Huxley, cruelty and entertainment. The state of mind that the Party enforces through terror in 1984 , where truth becomes so unstable that it ceases to exist, we now induce in ourselves. Totalitarian propaganda unifies control over all information, until reality is what the Party says it is—the goal of Newspeak is to impoverish language so that politically incorrect thoughts are no longer possible. Today the problem is too much information from too many sources, with a resulting plague of fragmentation and division—not excessive authority but its disappearance, which leaves ordinary people to work out the facts for themselves, at the mercy of their own prejudices and delusions.

During the 2016 U.S. presidential campaign, propagandists at a Russian troll farm used social media to disseminate a meme: “ ‘The People Will Believe What the Media Tells Them They Believe.’  — George Orwell.” But Orwell never said this. The moral authority of his name was stolen and turned into a lie toward that most Orwellian end: the destruction of belief in truth. The Russians needed partners in this effort and found them by the millions, especially among America’s non-elites. In 1984 , working-class people are called “proles,” and Winston believes they’re the only hope for the future. As Lynskey points out, Orwell didn’t foresee “that the common man and woman would embrace doublethink as enthusiastically as the intellectuals and, without the need for terror or torture, would choose to believe that two plus two was whatever they wanted it to be.”

We stagger under the daily load of doublethink pouring from Trump, his enablers in the Inner Party, his mouthpieces in the Ministry of Truth, and his fanatical supporters among the proles. Spotting doublethink in ourselves is much harder. “To see what is in front of one’s nose needs a constant struggle,” Orwell wrote . In front of my nose, in the world of enlightened and progressive people where I live and work, a different sort of doublethink has become pervasive. It’s not the claim that true is fake or that two plus two makes five. Progressive doublethink—which has grown worse in reaction to the right-wing kind—creates a more insidious unreality because it operates in the name of all that is good. Its key word is justice —a word no one should want to live without. But today the demand for justice forces you to accept contradictions that are the essence of doublethink.

For example, many on the left now share an unacknowledged but common assumption that a good work of art is made of good politics and that good politics is a matter of identity. The progressive view of a book or play depends on its political stance, and its stance—even its subject matter—is scrutinized in light of the group affiliation of the artist: Personal identity plus political position equals aesthetic value. This confusion of categories guides judgments all across the worlds of media, the arts, and education, from movie reviews to grant committees. Some people who register the assumption as doublethink might be privately troubled, but they don’t say so publicly. Then self-censorship turns into self-deception, until the recognition itself disappears—a lie you accept becomes a lie you forget. In this way, intelligent people do the work of eliminating their own unorthodoxy without the Thought Police.

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Orthodoxy is also enforced by social pressure, nowhere more intensely than on Twitter, where the specter of being shamed or “canceled” produces conformity as much as the prospect of adding to your tribe of followers does. This pressure can be more powerful than a party or state, because it speaks in the name of the people and in the language of moral outrage, against which there is, in a way, no defense. Certain commissars with large followings patrol the precincts of social media and punish thought criminals, but most progressives assent without difficulty to the stifling consensus of the moment and the intolerance it breeds—not out of fear, but because they want to be counted on the side of justice.

This willing constriction of intellectual freedom will do lasting damage. It corrupts the ability to think clearly, and it undermines both culture and progress. Good art doesn’t come from wokeness, and social problems starved of debate can’t find real solutions. “Nothing is gained by teaching a parrot a new word,” Orwell wrote in 1946. “What is needed is the right to print what one believes to be true, without having to fear bullying or blackmail from any side.” Not much has changed since the 1940s. The will to power still passes through hatred on the right and virtue on the left.

1984 will always be an essential book, regardless of changes in ideologies, for its portrayal of one person struggling to hold on to what is real and valuable. “Sanity is not statistical,” Winston thinks one night as he slips off to sleep. Truth, it turns out, is the most fragile thing in the world. The central drama of politics is the one inside your skull.

This article appears in the July 2019 print edition with the headline “George Orwell’s Unheeded Warning.”

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Home — Essay Samples — Literature — Books — 1984

Essays on 1984

Hook examples for "1984" essays, the dystopian warning hook.

Open your essay by discussing George Orwell's "1984" as a prophetic warning against totalitarianism and government surveillance. Explore how the novel's themes are eerily relevant in today's world.

The Orwellian Language Hook

Delve into the concept of Newspeak in "1984" and its parallels to modern language manipulation. Discuss how the novel's portrayal of controlled language reflects real-world instances of propaganda and censorship.

Big Brother is Watching Hook

Begin with a focus on surveillance and privacy concerns. Analyze the omnipresent surveillance in the novel and draw connections to contemporary debates over surveillance technologies, data privacy, and civil liberties.

The Power of Doublethink Hook

Explore the psychological manipulation in "1984" through the concept of doublethink. Discuss how individuals in the novel are coerced into accepting contradictory beliefs, and examine instances of cognitive dissonance in society today.

The Character of Winston Smith Hook

Introduce your readers to the protagonist, Winston Smith, and his journey of rebellion against the Party. Analyze his character development and the universal theme of resistance against oppressive regimes.

Technology and Control Hook

Discuss the role of technology in "1984" and its implications for control. Explore how advancements in surveillance technology, social media, and artificial intelligence resonate with the novel's themes of control and manipulation.

The Ministry of Truth Hook

Examine the Ministry of Truth in the novel, responsible for rewriting history. Compare this to the manipulation of information and historical revisionism in contemporary politics and media.

Media Manipulation and Fake News Hook

Draw parallels between the Party's manipulation of information in "1984" and the spread of misinformation and fake news in today's media landscape. Discuss the consequences of a distorted reality.

Relevance of Thoughtcrime Hook

Explore the concept of thoughtcrime and its impact on individual freedom in the novel. Discuss how society today grapples with issues related to freedom of thought, expression, and censorship.

The Political Satire of The Novel 1984

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The Setting of 1984 by George Orwell

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1984 by George Orwell: Literary Devices to Portray Government Controlling Its Citizens

The use of language to control people in 1984, dictatorship of the people: orwell's 1984 as an allegory for the early soviet union, searching for truth in 1984, get a personalized essay in under 3 hours.

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A World Without Love: The Ramifications of an Affectionless Society in 1984

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8 June 1949, George Orwell

Novel; Dystopia, Political Fiction, Social Science Fiction Novel

Winston Smith, Julia, O'Brien, Aaronson, Jones, and Rutherford, Ampleforth, Charrington, Tom Parsons, Syme, Mrs. Parsons, Katharine Smith

Since Orwell has been a democratic socialist, he has modelled his book and motives after the Stalinist Russia

Power, Repressive Behaviors, Totalitarianism, Mass Surveillance, Human Behaviors

The novel has brought up the "Orwellian" term, which stands for "Big Brother" "Thoughtcrime" and many other terms that we know well. It has been the reflection of totalitarianism

1984 represents a dystopian writing that has followed the life of Winston Smith who belongs to the "Party",which stands for the total control, which is also known as the Big Brother. It controls every aspect of people's lives. Is it ever possible to go against the system or will it take even more control. It constantly follows the fear and oppression with the surveillance being the main part of 1984. There is Party’s official O’Brien who is following the resistance movement, which represents an alternative, which is the symbol of hope.

Before George Orwell wrote his famous book, he worked for the BBC as the propagandist during World War II. The novel has been named 1980, then 1982 before finally settling on its name. Orwell fought tuberculosis while writing the novel. He died seven months after 1984 was published. Orwell almost died during the boating trip while he was writing the novel. Orwell himself has been under government surveillance. It was because of his socialist opinions. The slogan that the book uses "2 + 2 = 5" originally came from Communist Russia and stood for the five-year plan that had to be achieved during only four years. Orwell also used various Japanese propaganda when writing his novel, precisely his "Thought Police" idea.

“Who controls the past controls the future. Who controls the present controls the past.” “But if thought corrupts language, language can also corrupt thought.” “Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.” “Confession is not betrayal. What you say or do doesn't matter; only feelings matter. If they could make me stop loving you-that would be the real betrayal.” “Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing.” "But you could not have pure love or pure lust nowadays. No emotion was pure, because everything was mixed up with fear and hatred."

The most important aspect of 1984 is Thought Police, which controls every thought. It has been featured in numerous books, plays, music pieces, poetry, and anything that has been created when one had to deal with Social Science and Politics. Another factor that represents culmination is thinking about overthrowing the system or trying to organize a resistance movement. It has numerous reflections of the post WW2 world. Although the novella is graphic and quite intense, it portrays dictatorship and is driven by fear through the lens of its characters.

This essay topic is often used when writing about “The Big Brother” or totalitarian regimes, which makes 1984 a flexible topic that can be taken as the foundation. Even if you have to write about the use of fear by the political regimes, knowing the facts about this novel will help you to provide an example.

1. Enteen, G. M. (1984). George Orwell And the Theory of Totalitarianism: A 1984 Retrospective. The Journal of General Education, 36(3), 206-215. (https://www.jstor.org/stable/27797000) 2. Hughes, I. (2021). 1984. Literary Cultures, 4(2). (https://journals.ntu.ac.uk/index.php/litc/article/view/340) 3. Patai, D. (1982). Gamesmanship and Androcentrism in Orwell's 1984. PMLA, 97(5), 856-870. (https://www.cambridge.org/core/journals/pmla/article/abs/gamesmanship-and-androcentrism-in-orwells-1984/F1B026BE9D97EE0114E248AA733B189D) 4. Paden, R. (1984). Surveillance and Torture: Foucault and Orwell on the Methods of Discipline. Social Theory and Practice, 10(3), 261-271. (https://www.pdcnet.org/soctheorpract/content/soctheorpract_1984_0010_0003_0261_0272) 5. Tyner, J. A. (2004). Self and space, resistance and discipline: a Foucauldian reading of George Orwell's 1984. Social & Cultural Geography, 5(1), 129-149. (https://www.tandfonline.com/doi/abs/10.1080/1464936032000137966) 6. Kellner, D. (1990). From 1984 to one-dimensional man: Critical reflections on Orwell and Marcuse. Current Perspectives in Social Theory, 10, 223-52. (https://pages.gseis.ucla.edu/faculty/kellner/essays/from1984toonedimensional.pdf) 7. Samuelson, P. (1984). Good legal writing: of Orwell and window panes. U. Pitt. L. Rev., 46, 149. (https://heinonline.org/HOL/LandingPage?handle=hein.journals/upitt46&div=13&id=&page=) 8. Fadaee, E. (2011). Translation techniques of figures of speech: A case study of George Orwell's" 1984 and Animal Farm. Journal of English and Literature, 2(8), 174-181. (https://academicjournals.org/article/article1379427897_Fadaee.pdf) 9. Patai, D. (1984, January). Orwell's despair, Burdekin's hope: Gender and power in dystopia. In Women's Studies International Forum (Vol. 7, No. 2, pp. 85-95). Pergamon. (https://www.sciencedirect.com/science/article/abs/pii/0277539584900621) 10. Cole, M. B. (2022). The Desperate Radicalism of Orwell’s 1984: Power, Socialism, and Utopia in Dystopian Times. Political Research Quarterly, 10659129221083286. (https://journals.sagepub.com/doi/abs/10.1177/10659129221083286)

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George Orwell’s 1984

George Orwell’s dystopian novel 1984 finds itself at the top of the best-seller lists this week, the first of Trump’s presidency.

File under Things That Make You Go Hmm: George Orwell’s dystopian novel 1984  finds itself at the top of the best-seller lists this week, the first of Trump’s presidency.  Many readers were reminded of the book when Trump senior advisor Kellyanne Conway used the Orwellian term “ alternative facts ” in an interview recently. The 1949 book, in case you don’t remember from high school English, imagines a world of perpetual war and government surveillance, in which the government has invented a language called “newspeak” and independent thinking is called “thought crime.” 

Sure, he created the shadowy “Big Brother” leader figure who is more cult of personality than actual person. Sure, he had a message to tell about the corruption of power and the dangers of the totalitarian state. But Orwell was prescient in other ways: a paper called “Crisis? Whose Crisis? George Orwell and Liberal Guilt” points out that Orwell was fixated on what he deemed “ one of the more embarrassing moments in twentieth-century liberalism : the failure of middle-class liberals to connect with the working class.” According to scholar Rob Breton, Orwell sought to “expose the intelligentsia’s self-congratulating assumption that they were harmoniously attuned to the lower classes, the masses.” Sounds…familiar…

You can download the PDF and read the whole article here . You can also download this one, “Dynamics of Terror in Orwell’s ‘1984’,” which explores “the methods of totalitarian control envisioned in Orwell’s famous anti-utopian projection into the future of world politics.” Both free to read and think about. Because America.

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Nineteen Eighty-four

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Nineteen Eighty-four , novel by English author George Orwell published in 1949 as a warning against totalitarianism . The novel’s chilling dystopia made a deep impression on readers, and Orwell’s ideas entered mainstream culture in a way achieved by very few books. The book’s title and many of its concepts, such as Big Brother and the Thought Police, are instantly recognized and understood, often as bywords for modern social and political abuses.

The book is set in 1984 in Oceania, one of three perpetually warring totalitarian states (the other two are Eurasia and Eastasia). Oceania is governed by the all-controlling Party, which has brainwashed the population into unthinking obedience to its leader, Big Brother. The Party has created a propagandistic language known as Newspeak , which is designed to limit free thought and promote the Party’s doctrines . Its words include doublethink (belief in contradictory ideas simultaneously), which is reflected in the Party’s slogans: “War is peace,” “Freedom is slavery,” and “Ignorance is strength.” The Party maintains control through the Thought Police and continual surveillance.

The book’s hero, Winston Smith , is a minor party functionary living in a London that is still shattered by a nuclear war that took place not long after World War II . He belongs to the Outer Party, and his job is to rewrite history in the Ministry of Truth, bringing it in line with current political thinking. However, Winston’s longing for truth and decency leads him to secretly rebel against the government. He embarks on a forbidden affair with Julia, a like-minded woman, and they rent a room in a neighborhood populated by Proles (short for proletariats ). Winston also becomes increasingly interested in the Brotherhood, a group of dissenters. Unbeknownst to Winston and Julia, however, they are being watched closely. Ubiquitous posters throughout the city warn residents that “Big Brother is watching you.”

When Winston is approached by O’Brien—an official of the Inner Party who appears to be a secret member of the Brotherhood—the trap is set. O’Brien is actually a spy for the Party, on the lookout for “thought-criminals,” and Winston and Julia are eventually caught and sent to the Ministry of Love for a violent reeducation. The ensuing imprisonment , torture , and reeducation of Winston are intended not merely to break him physically or make him submit but to root out his independence and destroy his dignity and humanity. In Room 101, where prisoners are forced into submission by exposure to their worst nightmares, Winston panics as a cage of rats is attached to his head. He yells out for his tormentors to “Do it to Julia!” and states that he does not care what happens to her. With this betrayal, Winston is released. He later encounters Julia, and neither is interested in the other. Instead, Winston loves Big Brother.

Orwell wrote Nineteen Eighty-four as a warning after years of brooding on the twin menaces of Nazism and Stalinism . Its depiction of a state where daring to think differently is rewarded with torture, where people are monitored every second of the day, and where party propaganda trumps free speech and thought is a sobering reminder of the evils of unaccountable governments. Winston is the symbol of the values of civilized life, and his defeat is a poignant reminder of the vulnerability of such values in the midst of all-powerful states.

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1984 and The Relationship Between Propaganda & Surveillance

Related Papers

1984 and Philosophy

Stefan Storrie , Diana Adela Martin

People always think about the future, about what are going to be different and so a lot of writers have done that, too. Some of them thought of the future as a bright and good place while others thought it as dark and chaotic. George Orwell is on the dark thinker's side. With the novel Nineteen Eighty-Four, he used a dark point of view while describing the future. In other words, the novel can be called an anti-utopia or dystopia. The book was published by George Orwell in 1949, but it remains momentous; perhaps it always will be so. But there is nothing intrinsic to the book that will determine its future importance. Its very genre will be established by political, social, economic events. Is it satire or science fiction or dystopia or countermanifesto? (Bloom 2). Actually, the book is mixture of all, because it gives a new idea every time it is read again. It was such a different book for its era because of the incredibly detailed descriptions of future, and also its dark aura was quite different too. Story takes place in London and the main character is an average man called Winston. As the readers follow the story with Winston, they slowly learn about the world of the novel. They learn with Winston and it makes the story more exciting. At the first he talks about how the rule of the "new London"'s. He talks about rules, government and how restricted their thoughts are. He shares his fears and struggles, even though all he want is living a normal life, he also wants to make an impact on history. That is why he starts to write knowing that he might be killed. He always searches for what is in his mind, what reminds him the old London and with this they can see

Judit Kovács

Although the primary focus of George Orwell’s 1984 is not the investigation of the supernatural, it has several religious analogies that are worth exploring. The novelist managed to create a dystopian world in which the secular meets the sacred, that is, the ruling force of the imaginary Oceania is represented with divine features. This power is challenged by the protagonist, Winston Smith, whose personal preferences clearly come across as heresy against the Party.

Michael Yeo

Dewi Widyastuti

1984 is a dystopian novel by George Orwell that clearly describes the life under totalitarian government. Totalitarianism is not merely a political system but also movement that goes beyond private, public, and political sphere. Totalitarian government dreams of uniformity in all aspects of life and they pursue for global domination. In order to reach for global domination and their ideal version of state, totalitarian government does not allow freedom in all aspects of life. The pursuit of global domination requires some strategies to make the society in uniformity. The strategies applied are propaganda, terror, and indoctrination. These strategies make the main characters lose the freedom and become alienated from the self and the society. Alienation and the lost of freedom also lead to inauthenticity, since they are related to each other. Inauthenticity can be caused by repression from external agents in which a person cannot do anything spontaneously since he is being dictated b...

Modernism and Postmodernism Studies Network

rana erdoğan

GAP Bodhi Taru: A Global Journal of Humanities

Michelle Philip

Set in a totalitarian society with complete governmental control over its citizens, including on their thoughts and actions, George Orwell's “1984,” is a dystopian novel that explores the theme of surveillance and its impact on relationships. Through the protagonist, Winston Smith, the novel portrays the dehumanizing effects of surveillance on human relationships. This research paper aims to analyse the impact of surveillance on relationships in “1984.” The paper will examine the ways in which surveillance affects different types of relationships, including romantic, familial, and friendship and will explore the ways in which surveillance shapes the behaviours and attitudes of the characters towards one another. Drawing upon a range of critical perspectives and scholarly articles to support its argument, this research will argue that the government's surveillance practices in “1984” not only destroy individual privacy but also lead to the breakdown of social relationships. By analysing Winston's failed romantic relationship with Julia, his strained relationship with his family, and his betrayal of his friend, the paper will show how surveillance destroys the trust and intimacy that is essential to healthy relationships. In conclusion, this research paper will argue that Orwell's “1984” will highlight the dangers of surveillance and its impact on human relationships. It will attempt to demonstrate how a society that values surveillance over individual privacy and autonomy creates a culture of fear and mistrust that ultimately undermines the fabric of human relationships. The paper will contribute to the ongoing conversation about the role of surveillance in contemporary society and the importance of protecting individual privacy in fostering healthy human relationships.

Tasnima Yasmin

A robust novel in terms of narrative structure, plot, themes and writing style, 1984 was chosen by TIME magazine in 2005 as one of the 100 best English language novels from 1923 to 2005. Retrospectively, TIME's November 23, 1983 issue ran the title heading 'Big Brother's Father' featured with a charcoal colour sketch of George Orwell's mugshot looking towards the ominous one eye. Early January of 2017, Orwell's 1984 shot up to the position of Amazon's best seller. It indicated a sceptical, apprehensive yet an inquisitive readership that was bowled over to discover the astounding modern-day relevance the book displayed. Declared as a 2017 must-read by the New York Times, authoritative scholarship and research regarding 1984 has been abundant.Yet, the novel continues to enthral, stimulate and puzzle. However, at the heart of the novel is a blossoming love story that is often overlooked if not side lined. Firstly, this paper analyses the features of a post-modern world in 1984 manufactured under the patronage of oligarchical capitalismthatleads to the dismantling of regular human interactions. Secondly, it dissects the protagonist, Winston Smith's loss of family and sense of belonging. Thirdly, it highlights the elements of a romance in1984.

HARRIS ( K O N S T A N T I N O S ) NOTTAS , CO AUTHORS DTMS ET AL D T M S AS WELL AS MANY OTHER ANAGRAMS

RE: “Big Brother is Watching You.” ― George Orwell, 1984 A SERIES RE 1984 PART 2 ALL SEEING SURVEILLANCE TO BE CONTINUED https://www.technologyreview.com/s/614446/deepfake-technology-detection-disinformation-harassment-revenge-porn-law/?utm_source=newsletters&utm_medium=email&utm_campaign=the_download.unpaid.engagement “Who controls the past controls the future. Who controls the present controls the past.” ― George Orwell, 1984 “Perhaps one did not want to be loved so much as to be understood.” ― George Orwell, 1984 “Who controls the past controls the future. Who controls the present controls the past.” ― George Orwell, 1984 “War is peace. Freedom is slavery. Ignorance is strength.” ― George Orwell, 1984 “The best books... are those that tell you what you know already.” ― George Orwell, 1984 “If you want to keep a secret, you must also hide it from yourself.” ― George Orwell, 1984 “It was a bright cold day in April, and the clocks were striking thirteen.” ― George Orwell, 1984 “If you want a picture of the future, imagine a boot stamping on a human face—for ever.” ― George Orwell, 1984 “We shall meet in the place where there is no darkness.” ― George Orwell, 1984 “But if thought corrupts language, language can also corrupt thought.” ― George Orwell, 1984 “Doublethink means the power of holding two contradictory beliefs in one's mind simultaneously, and accepting both of them.” ― George Orwell, 1984 “Until they become conscious they will never rebel, and until after they have rebelled they cannot become conscious.” ― George Orwell, 1984 “Now I will tell you the answer to my question. It is this. The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power, pure power. What pure power means you will understand presently. We are different from the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives. They pretended, perhaps they even believed, that they had seized power unwillingly and for a limited time, and that just around the corner there lay a paradise where human beings would be free and equal. We are not like that. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me.” ― George Orwell, 1984 “In the face of pain there are no heroes.” ― George Orwell, 1984 “Perhaps a lunatic was simply a minority of one.” ― George Orwell, 1984 “If you loved someone, you loved him, and when you had nothing else to give, you still gave him love.” ― George Orwell, 1984 “Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing.” ― George Orwell, 1984 “Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad.” ― George Orwell, 1984 “Big Brother is Watching You. ― George Orwell, 1984 “Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.” ― George Orwell, 1984 “Reality exists in the human mind, and nowhere else.” ― George Orwell, 1984 “The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better.” ― George Orwell, 1984 “I enjoy talking to you. Your mind appeals to me. It resembles my own mind except that you happen to be insane.” ― George Orwell, 1984 “For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable – what then?” ― George Orwell, 1984 “Orthodoxy means not thinking--not needing to think. Orthodoxy is unconsciousness.” ― George Orwell, 1984 “Nothing was your own except the few cubic centimetres inside your skull. ” ― George Orwell, 1984 “We do not merely destroy our enemies; we change them.” ― George Orwell, 1984 “You are a slow learner, Winston." "How can I help it? How can I help but see what is in front of my eyes? Two and two are four." "Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane.” ― George Orwell, 1984 “Sanity is not statistical.” ― George Orwell, 1984

Robert Osenenko

Nineteen Eighty-Four (commonly abbreviated to 1984) is a dystopian novel by the English writer George Orwell, and first published by Secker and Warburg in 1949 (but written in ’48). The book tells the story of Winston Smith and his attempt to rebel against the totalitarian state in which he lives. ---Was unavail. for many years can be used to decipher and summarizes the plot to counter the Ministry of Information.

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